#bridget callahan

[fallout-lou-begas]

Bridget Callahan: "The More Hopeless and Scared I Feel, the Harder I Need to Be Fucked." (September 15, 2017)

[orchidsimmer]

the in-laws came around to hang out and Carissa got to meet her cousin, Jacob

[flouriculturie]

𝑡𝘩𝑖𝑠ㅤ𝑖𝑠ㅤ𝑚𝑦ㅤ ׂ⋆　𝒈𝒂𝒓𝒅𝒆𝒏　，  𝑝𝑖𝑐𝑘 ㅤ𝑢𝑝 ㅤ𝑦𝑜𝑢𝑟 ㅤ𝒇𝒍𝒐𝒘𝒆𝒓𝒔 ㅤ.

ꢧㅤ howard sinclair rutherfordㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ evelyn harmony sinclair rutherfordㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ howell sinclair rutherfordㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ malina sinclairㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ adele beauchamp sinclairㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ adeline beauchamp sinclairㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ estelle sinclairㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ nicola ferrariㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ gianni ferrariㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ giulia fonsecaㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ elyse rossiㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ callum jung wrightㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ beatrice callie jung wrightㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ nathaniel saint jung wrightㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ sadie casey jung wrightㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ harper harlowㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ angélique frazierㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ virginia jönssonㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ declan jönssonㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ prudence bridget sutherlandㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ callahan alistair weylinㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ calliope roslynㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ calvin summersㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ ꢧㅤ winnie sorenㅤ ✿ ，ㅤ 𝒘𝒊𝒍𝒅𝒇𝒍𝒐𝒘𝒆𝒓 ㅤ ᘞ

[holocene-sims]

next // previous

september 1, 2021 6:15 p.m. basil's restaurant

ten minutes ago

[ktmurphy86] i might be a few minutes late, but i'm almost there.

grant scrolls through the metric ton of messages piling up in his notifications until he reaches the very end, and with a lump in his throat, opens it to respond. or like it. or send a thumbs up like a cool cucumber.

baby steps, he tells himself. one task at a time. the responses to all the messages from family, friends, and former co-workers inquiring about his exam results will come later.

just meet your sister first and–

“you seem different.”

he nearly jumps out of his skin as kelly’s high-pitched voice supersedes his thoughts.

“hopefully in a good way,” grant replies, looking up as he slides his phone off the table and into his back pocket.

it’s been nearly a decade since their last encounter, and he’d still recognize her from a mile away.

kelly’s hair is dyed platinum blonde like always, but now it’s twice as long, and her natural brunette locks–peeking through at the root–are streaked through with shocks of silver. her ice blue eyes are just as piercing, only underlined with tiny wrinkles. she’s still thin, too, but rather rail thin; her sweater dress seems to wear her more than she wears it.

“yes, in a good way.” kelly pulls out the chair opposite him and sits down with her arms wrapped across her waist. the candle between them casts a strange yellow glow over her wiry features. “you look better, much healthier.”

“uh, thank you. you look great as well.”

she half-smiles. “it’s just hair dye and botox. i look old. i didn’t inherit the ageless ó súilleabháin genes, so i'm going grey very early like all the callahans. by the way, you weren’t waiting long, were you?”

“oh, no, no, not at all. i have my car, but i didn’t want to deal with traffic, so i took the subway, but then that also kind of took a while. i pretty much just got here.”

“okay, good.” kelly pauses for a moment, her lips pursed. “well. i thought about what i'd say to you the whole ride over here, and now it’s all gone.”

for a moment, they exchange no other words. they drown in the silence, staring into each other’s eyes and into the past.

she’s surprisingly warm, all things considered. the last time they’d been in the same room–

grant is distracted again from his thoughts, watching as a strange sadness falls across her face. she reaches up at the collar of her dress and tug at it like it’s choking her, and her eyes then drift away to stare at an indistinct point on the table between them.

“it’s weird to see you again,” she admits suddenly, her gaze still fixated far away from him, “i didn’t think you’d message me back a few months ago.”

“to be honest, i didn’t mean to. i replied by accident one night and then just decided to follow through with talking to you. and now i'm here. yeah. um, anyway, why’d you reach out to me?”

“i was on facebook a couple months ago, and one of those ‘look at what you posted this day years ago’ things came up. it was a picture aunt bridget tagged us all in. it was the whole family at one of your high school hockey games, i think your freshman year state championship game.” kelly shrugs. “i didn’t even know any of those pictures were still there. that was a real surprise, given i unfriended and blocked everyone i'm related to on there when i left home after high school.”

grant nods. “a picture of me probably very sweaty and gross with helmet hair made you want to reach out to me?”

“not quite. my kids were with me at the time. we were in an airport coming back from vacation, so they were bored and nosy. ‘is that you? who are all these people?’ i was then immediately caught in my lie; i'd been telling them their whole lives i had no family left, and their only extended family was their dad’s parents.”

“yikes. i'm sure that was awkward.”

“it was,” kelly says plainly, “my oldest kids weren’t happy with the news. they’ve been, um, a little jealous of their friends for having lots of cousins and big family events for the holidays, and it didn’t go over well when they figured out they do have a big family. besides, they rightfully did see it as a betrayal of their trust. if mom lied once, what else might mom be lying about? the tooth fairy? santa claus? the easter bunny? yes, those, too. sorry. also, if you didn’t already guess based on my new last name, i married jack, and…”

“i figured you married him. you’d already been together a really long time even when i last saw you. we all grew up together, and you guys were middle school and high school sweethearts and all.”

“he’s a good guy. as i was about to say, though, jack is very partial to you. he always liked you. he thought you were a sweet kid, and he won’t let me forget what happened between us. so, after the facebook incident, he encouraged me to contact you, if only for the kids’ sake. after living in a huge family, i don’t think it’s all that fantastic, but he has a bit of a chip on his shoulder being an only child, and he doesn’t want the kids to have no one besides his parents in their lives. don’t get me wrong; i will never ever get involved in callahan or ó súilleabháin bullshit again, but i will consider reconnecting with you and letting you meet the kids.”

grant bites into his lip as that nagging anxious lump returns to his throat. “well, why me? why bother getting involved with any of us again after everything? even if it is for your kids, what's your motivation?"

kelly outright ignores his question. “tell me what you’ve been up to for the last, what, eight years? nine years? i don’t remember how long it’s been. you're at least talking to our dad, i hear.”

"how do you know that?"

"my in-laws may not know anything else about you these days, but they've seen you with him around our hometown."

[dustedmagazine]

Jennifer Kelly’s 2023 in Review: Still Human FWIW

I finally saw Sun Ra Arkestra

I first heard about Chat GPT in January this year, and it sounded bad from the start. I make most of my living writing things for big faceless corporations who view me as a cost. Cut that cost to zero and I’m out of a job. But for the first five months of 2024, I continued to be busy and I thought, well maybe it’s nothing. Then in May, like a light switch, everything stopped. I had one regular client who continued to pay a monthly retainer. Nothing else. And the usual mailings, pleadings with old clients, etc. had no effect. I’m close to retirement age. This summer, I thought I had arrived early.

Things have picked up since then, and right now, I’m in a good place. People are starting to notice Chat GPT’s ignorance of anything post 2021, its refusal to factcheck or footnote and its relentless blandness. Clients are coming back, but the floor doesn’t feel very solid under my feet. It could all go away at any time. (This is the lesson we all learned from COVID-19…that you could fall into the pit any time.)

The one thing that didn’t stop was Dusted, and for that I am very grateful. As I’ll explain to anyone who asks, there’s never been any money in Dusted, so there can’t be any less. We are more or less immune to economic pressures. And as long as we’re here, there is lots and lots of good music to write about.

My year started with two records that blew me away in January (and maybe December 2022) and held #1 and #2 slots all year. They were Meg Baird’s Furling and Robert Forster’s the Candle and the Flame. Next, came an email from Rob from Sunburned with a link to Stella Kola’s extraordinary debut, and then gosh, Sub Pop still sends me promos and here’s one from Mudhoney! Every time 2024 succeeded in getting me down, I’d get music from someone.

Live music was another solace. Shows that made me happy this year included Warp Trio, Sunburned Hand of the Man, Dear Nora, Vieux Farka Toure, Bridget St. John with Stella Kola, Sun Ra Arkestra, Kid Millions with Sarah Bernstein, Faun Fables, Sweeping Promises, Daniel Higgs, Constant Smiles, Baba Commandant (RIP), Xylouris White, Joseph Allred with Ruth Garbus and Ryan Davis with his Roadhouse band. Special mention goes to the always astonishing Thing in the Spring with Editrix, Rough Francis, Thus Love, Gorilla Toss, Equipment Pointed Ankh. Susan Alcorn, Marisa Anderson and Jim White and Bill Callahan.

The best show of the year, however, came late in the summer with William Tyler and the Impossible Truth band, an unbelievably talented, seasoned crew with Luke Schneider on pedal steel, Third Man mainstay Jack Lawrence on bass and Brian Kotzgur on drums. The way they opened up and fired up Tyler’s songs was a revelation, even to someone, like me, who’s been a fan since Behold the Spirit. Garcia Peoples opened, and they were great, too.

I should mention that we have recently been blessed with a bunch of excellent music venues nearby—Nova Arts in Keene and Epsilon Spires and the Stone Church in Brattleboro. Going to music used to always mean driving back from at least Northampton, sometimes further, late at night, and, as I get older and my night vision fades, it has been really nice not to have to do that. (Also, to all my Dusted-reader-musician-friends, if you play one of these venues, thank you, and let me know when you’re coming.)

With that, it’s time to talk about 2023 favorites. I’ll write about the first ten and then just list the rest.

Meg Baird — Furling (Drag City)

Meg Baird’s gorgeous solo album alternates between ghostly, inward-looking piano songs and bright swirls of 1960s psychedelia. Her extraordinary voice, high, pure, and unearthly, joins lush, burnished guitar grooves. Sometimes I think I like the swaggering bounce of “Will You Follow Me Home,” the best, but other times, the disembodied otherness of “Ashes, Ashes” is the prettiest thing I know.

Robert Forster — The Candle and the Flame (Tapete) 

Forster’s solo records are always good, wry and funny and stuttering with strummy punk energy, but this one, recorded with family while his wife battled cancer, is his best yet. “She’s a Fighter,” a group sing-along is prickly and defiant, the only song specifically written about Karin’s illness, but threads of enduring, life-long love run all through this album. “Tender Years” is especially moving, as Forster sings, “I’m in a story with her, I know I can’t live without her, I can’t imagine why,” in a voice cracked with sincerity and feeling. Very few albums make me cry, but this one does.

Anohni and the Johnsons—My Back Was a Bridge for You to Cross (Secretly Canadian)

The sound on Anohni’s fifth album with the Johnsons smolders in the pocket, its textures a nod to Marvin Gaye’s classic What’s Going On? It’s velvety smooth but taut with urgency, as the artist contemplates climate disaster and personal struggles. “It Must Change,” trills with the coolest falsetto, while “Sliver of Ice” reverberates with a low, hushed passion. Every song lands a punch, soft when it happens but ringing for days in your ears.

The Drin — Today My Friend You Drunk the Venom (Feel It)

“Venom” lurches and blurts, bass thumping, drums clashing, monotone vocals drenched in menace. It’s a punk song distilled to essence, a world in itself, a short, brutal blast that is also somehow psychedelically expansive. The Fall, the Swell Maps and Adrian Sherwood haunt this disc in various places, but the Drin is its own mysterious thing.

Wreckless Eric — Leisureland (Tapete)

“Get yourself a one-way ticket for the merry-go-round,” sings the Bard of Hull on the last and most exhilarating song from his ninth full-length. That’s “Drag Time,” with its indelible hook, its enveloping harmonies, its hint of Amy Rigby in the chorus. Let’s just go way out on a limb here and say it’s as good, maybe better, than “Whole Wide World.”  

En Attendant Ana — Principia (Trouble in Mind)

Good lord, was Trouble in Mind on a roll this year or what? I could put Melanas or Tubs here, with FACS not far behind, but instead, let us contemplate the light-and-dark wonder of “Black Morning,” with its giddy counterpoints, its bright, sustaining trumpet, its boppy beat and its underpinning, somehow, of shadowy melancholy. Or the skanky bass that kicks off “Same Old Story,” in a prickly way, the lone element of dissonance that gives a daydream teeth.

Stella Kola—S-T (Self-Release)

Everybody who’s anybody in W. Mass alt.folk does a turn on this magical LP—centered around Beverly Ketch and Rob Thomas but including PG Six, Wednesday Knudson, Jeremy Pisani, Willy Lane and Jen Gelineau. Despite the expansiveness of the ensemble, these songs are feather light and lucid, like Pentangle sprinkled with magic dust.

Mudhoney — Plastic Eternity (Sub Pop)

Psychedelic overload meets raw punk and potty humor in this 12th album from the grunge godfathers. I like the sheer rush and swirl of cuts like “Almost Everything” and “Souvenir of my Trip” best, but bare, belligerent “Flush the Fascists” is grade-A too, and how can anyone resist Mark Arm paying tribute to his best bud on “Little Dogs.”

Beirut — Hadsel (Pompeii)

Hadsel is surprisingly cheery for an album recorded on a remote Norwegian island in the dead of winter, with swoony harmonies and counterpoints, intricate synthesized beats and blares of an antique pipe organ. “We had so many plans,” Zach Condon sings, both mourning and subtly sending up his cohort’s response to the COVID pandemic, but this remarkably pretty album seems more like a happy accident.

The Feelies—Some Kinda Love (Bar None)

What a total pleasure it is when one jangly, drone-y, indie rock phenomenon pays tribute to the wellspring. In this case, it’s the Feelies covering many of the Velvet Underground’s best known songs at a live show in 2018 where everyone had a blast. Now you can, too.

More albums that I loved in the order that I thought of them.

Iron & Wine—Who Can See Forever Soundtrack (Sub Pop)

Melanas—Ahora (Trouble in Mind)

Sleaford Mods — UK Grim (Domino)

The Tubs — Dead Meat (Trouble in Mind)

Sky Furrows—Reflect and Oppose (Feeding Tube/Cardinal Fuzz)

Lonnie Holley — Oh Me Oh My (Jagjaguwar)

Yo La Tengo—This Stupid World (Matador)

The Toads—In the Wilderness (Upset the Rhythm)

Dan Melchior—Welcome to Redacted City (Midnight Cruiser)

James and the Giants—S-T (Kill Rock Stars)

Ben Chasny and Rick Tomlinson—Waves (VOIX)

Bonnie Prince Billy—Keeping Secrets Will Destroy You (Drag City)

CLASS—If You’ve Got Nothing (Feel It)

The Clientele—I’m Not There Anymore (Merge)

Devendra Banhart—Flying Wig (Mexican Summer)

Kristin Hersh—Clear Pond Road (FIRE)

Sally Anne Morgan—Carrying (Thrill Jockey)

FACS—Still Life in Decay (Trouble in Mind)

Setting—Shone a Rainbow Light On (Paradise of Bachelors)

Airto Moreira & Flora Purim—A Celebration (BBE)

Sweeping Promises—Good Living Is Coming For You (Feel It)

James Waudby—On the Ballast Miles (East Riding Acoustic)

Emergency Group—Venal Twin (Centripetal Force)

Ryan Davis and the Roadhouse Band—Sing Dancing on the Edge (Sophomore Lounge)

Tyvek—Overground (Gingko)

Wurld Series—The Giant’s Lawn (Melted Ice Cream)

Various Artists—STOP MVP (War Hen)

[firoz857]

AI-Infused Presentation Design: Unlocking Creativity with Brigette Callahan and Donna Mitchell

Summary

In this episode, Donna Mitchell interviews Bridget Callahan, an outstanding designer and strategist in presentation design. They discuss the use of AI in presentations and how it enhances creativity and visual impact. Bridget shares her approach to writing prompts for graphics and the importance of incorporating branding in AI-enhanced presentations. They also explore new AI design tools and discuss considerations and concerns with AI in design. The conversation concludes with insights on improving data visualization, integrating AI in presentation software, and creating rich and dynamic visuals with AI. #ai #business #podcast 

Takeaways

AI enhances creativity and visual impact in presentations.

Writing prompts for graphics helps convey the desired vision and emotion.

Incorporating branding in AI-enhanced presentations creates a cohesive and impactful experience.

New AI design tools offer exciting possibilities for graphic design and user interface creation.

Considerations and concerns include biases, cultural differences, and the need for vetting graphics.

Improving data visualization in presentations involves simplicity and focusing on the most important information.

AI can be integrated into presentation software to enhance design capabilities.

AI enables the creation of rich and dynamic visuals, transforming the way presentations are delivered.

Bridget Callahan can be reached through her website bridgieworld.com for design consultations and speaking engagements.

Chapters

00:00 Introduction and Background of Bridget Callahan

02:02 Exploring the Use of AI in Presentations

03:23 Benefits of AI in Slide Design

05:19 Understanding and Writing Prompts for Graphics

07:43 Incorporating Branding in AI-Enhanced Presentations

08:39 Using AI to Create Metaphysical and Ancient-themed Designs

09:37 Exploring New AI Design Tools

11:23 Considerations and Concerns with AI in Design

15:09 Improving Data Visualization in Presentations

18:26 Creating Rich and Dynamic Visuals with AI

18:55 Connecting with Bridget Callahan

19:50 Closing Remarks

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🎬 https://youtu.be/D-EW4ehlrcI?si=2skLp6ZR2-gP018u 

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[xxsimschallengesxx]

100 Baby Challenge: Aurora Skies Masterlist

Generation 1

Founder

Baby 1: Ezekiel

Baby 2: Sabrina

Baby 3: Margot

Babies 4 & 5: Kira and Kinley

Baby 5.1: Chadwick

Baby 6: Berkley

Baby 7: Gino

Babies 8 - 11: Jayden, Jasper, Jordan, and Jackson

Babies 12 & 13: Eddie and Erika

Babies 14 - 17: Angelica, Ash, Arlo, and Allison

Babies 18 & 19: Luke and Lucille

Babies 20 - 22: Niko, Nikki, and Noel

Baby 23: Logan

Baby 24: Kairo

Babies 25 & 26: Elian and Edina

Baby 27: Alisha

Babies 28 & 29: Giselle and Gianni

Babies 30 & 31: Brandon and Bhavna

Baby 32: Doris

Babies 33 & 34: Callahan and Callen

Babies 35 & 36: Landen and Lennox

Babies 37 - 39: Yamir, Yasmin, and Yara

Babies 40 - 42: Damien, Dolores, and Diana

Babies 43 - 45: Reed, Rosaline, and Rylee

Babies 46 - 49: Beverly, Benjamin, Beckett, and Bridget

Baby 50: Smith

Generation 2

Baby 51: Annalisa

Babies 52 & 53: Jermaine and Jaden

Baby 54: Maeve

Baby 55: Corina

Babies 56 - 58: Avril, Avery, and Autumn

Babies 59 - 62: Harriet, Harper, Hayley, and Hudson

Babies 63 & 64: Zaire and Zev

Babies 65 - 67: Charles, Cherie, and Clark

Babies 68 - 70: Aire, Aliyah, and Alison

[lucasmaybury]

Reviewing My Record Collection: 3333 Albums from A to Zuma by Stephen Fall

Featuring more than a thousand different artists, Reviewing My Record Collection: 3,333 Albums from A to Zuma examines LPs across diverse genres and sub-genres, acquired from a lifetime of loitering in charity shops and collecting records, tapes and CDs. It offers an honest opinion on the great and less great albums of the last 60-plus years, driven by an ongoing curiosity to hear everything at least once.

The book grapples with the catalogues – often large and unwieldy – of artists such as Abba, Arab Strap, Albert Ayler, Joan Baez, Jane Birkin, Blondie, Blur, David Bowie, James Brown, Tim Buckley, Kate Bush, The Byrds, John Cale, Can, Captain Beefheart, The Carpenters, Leonard Cohen, Julian Cope, Elvis Costello, Miles Davis, Lana Del Rey, Sandy Denny, Depeche Mode, Bob Dylan, Brian Eno, Fairport Convention, The Fall, Funkadelic, Gong, Grateful Dead, Luke Haines, Jimi Hendrix, the Human League, the Incredible String Band, the Innocence Mission, the Jesus and Mary Chain, King Crimson, The Kinks, The Knockouts, Kraftwerk, Led Zeppelin, John Lennon, Gordon Lightfoot, Julie London, Paul McCartney, Medicine Head, Joni Mitchell, The Monkees, Van Morrison, Randy Newman, Joanna Newsom, Nico, The NoMen, Angel Olsen, The Orb, Orchestral Manoeuvres in the Dark, Pavement, Peaches, Pink Floyd, Elvis Presley, The Pretenders, Dory Previn, Prince, Public Image Ltd., Pulp, R.E.M., Radiohead, Lou Reed, Jonathan Richman, the Rolling Stones, Roxy Music, Bridget St. John, The Seeds, Silver Apples, Simon & Garfunkel/Paul Simon, Nina Simone, Frank Sinatra, The Smiths/Morrissey, Smog/Bill Callahan, Sonic Youth, Spacemen 3, Sparks, Regina Spektor, Bruce Springsteen, Status Quo, Steeleye Span, Suicide, Sun Ra, T.Rex, Talking Heads, Television/Tom Verlaine, Richard Thompson, Van der Graaf Generator/Peter Hammill, Townes Van Zandt, the Velvet Underground, Loudon Wainwright III, Tom Waits, Robert Wyatt, Yes, Neil Young and Warren Zevon.

1,000+ artists! 785 footnotes! 3,333 albums reviewed!

[energynews247]

2023-24 RARE members bring clean energy support to rural Oregon

Top row from left: Nolan Cochran, Ryan Taylor and Lanier Fussell. Bottom row: Alice Weston, left, and Alex Alonso Gudino. Photo courtesy of Bridget Callahan A new cohort of Resource Assistance for Rural Environments (RARE) members is helping advance clean energy projects in rural Oregon. The AmeriCorps program through University of Oregon places recent college graduates and graduate level…

[orchidsimmer]

decided to visit robin's sister bridget... but mason was more interested in the dog

[dasaka]

The newest Pride TikTok has Bridget Callahan calling Ali Krieger for the schedule reveal 😂

[wntfootball]

Orlando Pride new white kit

[equalpay4betterplay]

Orlando Pride on the COME UP

We got Sonny and AK to hold our backline

Ash in goal

Marta will be dropping goals left and right

New management with Amanda Duffy (which is actually very concerning for the league, but great for my squad so let's ignore that)

Alex's baby will provide the HYPE that this team needs

Bridget Callahan. Still love her, still don't know why

We're screwed during the Olympics...buuuut you can't win them all and at least we have the start of something good. So...LET'S FUCKING GO

[wosoissoooogay]

Bridget (on Friday): we have high hopes for Saturday’s game?

She/AK14: yes, obviously

Saturday’s game feels

📸 kryptobanana

[firoz857]

AI-Infused Presentation Design: Unlocking Creativity with Brigette Callahan and Donna Mitchell

Video link : https://youtu.be/mPLKqIZgRwM

Summary

In this episode, Donna Mitchell interviews Bridget Callahan, an outstanding designer and strategist in presentation design. They discuss the use of AI in presentations and how it enhances creativity and visual impact. Bridget shares her approach to writing prompts for graphics and the importance of incorporating branding in AI-enhanced presentations. They also explore new AI design tools and discuss considerations and concerns with AI in design. The conversation concludes with insights on improving data visualization, integrating AI in presentation software, and creating rich and dynamic visuals with AI. #ai #business #podcast 

Takeaways

AI enhances creativity and visual impact in presentations.

Writing prompts for graphics helps convey the desired vision and emotion.

Incorporating branding in AI-enhanced presentations creates a cohesive and impactful experience.

New AI design tools offer exciting possibilities for graphic design and user interface creation.

Considerations and concerns include biases, cultural differences, and the need for vetting graphics.

Improving data visualization in presentations involves simplicity and focusing on the most important information.

AI can be integrated into presentation software to enhance design capabilities.

AI enables the creation of rich and dynamic visuals, transforming the way presentations are delivered.

Bridget Callahan can be reached through her website bridgieworld.com for design consultations and speaking engagements.

Chapters

00:00 Introduction and Background of Bridget Callahan

02:02 Exploring the Use of AI in Presentations

03:23 Benefits of AI in Slide Design

05:19 Understanding and Writing Prompts for Graphics

07:43 Incorporating Branding in AI-Enhanced Presentations

08:39 Using AI to Create Metaphysical and Ancient-themed Designs

09:37 Exploring New AI Design Tools

11:23 Considerations and Concerns with AI in Design

15:09 Improving Data Visualization in Presentations

18:26 Creating Rich and Dynamic Visuals with AI

18:55 Connecting with Bridget Callahan

19:50 Closing Remarks

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👉👉 Request to watch top 5 videos of my channel ..... 👇👇

✅ The Art of Chatting AI: Terza Ekholm Explores AI-Assisted Art Creation with Donna Mitchell #podcast 

🎬 https://youtu.be/D-EW4ehlrcI?si=2skLp6ZR2-gP018u 

✅ AI-Infused Presentation Design: Unlocking Creativity with Brigette Callahan and Donna Mitchell

🎬 https://youtu.be/mPLKqIZgRwM?si=wTeP73lyV3u0TPvw

✅ The Intersection AI and Cybersecurity Nick Lorizio and Donna Mitchell #podcast #ai #cybersecurity 

🎬 https://youtu.be/TkkMlXyTFD8?si=l46m5iCZA5S51wfe

✅ Donna Mitchell and International Lawyer Jamilia Grier WEB3 Challenges Implications Opportunities

🎬 https://youtu.be/Jim14sR0LEc?si=wRt5jtiZVHviJQhR

✅ Future of Podcasting: AI, NFTs, and Building Digital Communities with Kay Suthar and Donna Mitchell

🎬 https://youtu.be/TApLBjRSP1c?si=qx0puKoyt0RO5ZNr

tage: 

[lulubette11]

Ali Krieger will be checking in with Bridget Callahan’s IG live today 5-7-20