#bread poot

[bradpittschiseledabs]

every time i get a new obsession i gain a deeper connection with a joke in bojack horseman

[tastesoftamriel]

I have woken up sick in bed for the third day running and missing some childhood foods I grew up with in Southeast Asia. So of course the first thing my brain spits out at me are the Tamrielic origins of es puter (es poot-er, lit. "turned ice"), a traditional Indonesian ice cream. It looks like this!

Es puter is traditionally made by pouring sweetened or flavoured coconut milk into a metal or plastic vessel, which is submerged in ice and rotated periodically until an ice-cream texture is achieved. Some popular es puter flavours include sweet corn, ube, chocolate, and coconut.

While es puter is totally fine to eat on its own (it is served in little scoops at roadside vendors and you can buy them in tubs at the supermarket now), the true experience is when you turn it into a heaped sundae!

Es puter can be served with any number of toppings. Popular additions include small cubes of white bread (somewhat akin to bite-sized bread pudding), sweet corn, jelly, azuki beans, cendol, avocado, or sago pearls. It's often drizzled with a good amount of chocolate syrup to finish.

I'd like to call es puter an Argonian treat, made predominantly in more urban areas around and within Black Marsh like Lilmoth and Stormhold, due to the availability of alchemical ingredients to preserve the ice (like frost salts and saltpeter). That isn't to say that rural Argonians aren't fans of es puter, but ice mages can be a rarity out in the swamps, making this dessert a treat for travellers in bigger towns and settlements.

Other popular Argonian es puter flavours in Black Marsh include scuttlebloom nectar, banana, papaya, and seaweed. Top your scoops with some fresh tropical fruit, candied mealworm, and a dash of scuttlebloom nectar, and you have a cold treat of legendary proportions!

[yerawizardrikki]

now i'm trying to trim down my word salad bc I need enough to answer the second half of the discussion;;;

i have absolutely no idea if any of my evidence makes a valid point in this discussion

[ojcobsessed]

Few actors have endured as fraught a journey as Oliver Jackson-Cohen. Few actors are more in demand than the star of The Haunting of Hill House and Jackdaw

by Maeve Ryan

OLIVER JACKSON-COHEN HAS been doing this a while. He decided to act at the age of six. Joined a theatre troupe and began to climb. He continued until university but didn’t get into any drama schools. Throughout our conversation, he tells me there were no signs pointing him in this direction, no surefire chance at success. But he’s found it, and then some.

He rose to prominence with his highly acclaimed portrayal of Luke Crain in Mike Flanagan’s The Haunting of Hill House. 

A character that battled a heroin addiction to cope with past traumas, though addiction was the least interesting thing about him. The show featured stars of the past, and launched new ones into the present, Oliver Jackson-Cohen being one of them. The role of Luke changed the course of his life – for more reasons than one. 

It was the first time in his life he no longer had to hide, he tells me. “I could be as fragile as I felt.” He took his newfound Netflix fame and began to carve a path that finally aligned with who he was, not who the world wanted him to be.

Now, he takes centre stage in Jamie Dobb’s new film Jackdaw. When he read the script, he thought he was the last man for the job. When Dobb explained the hyper masculine lead needed someone to bring softness behind it, he signed on.

Jackson-Cohen’s career, and presence, proves that the strength of a man lies in his ability to go beyond society’s standards. He breaks the stereotypes like bread over a long conversation in Soho. We discuss his entrance into the industry, facing traumas, and finding a safe place to land.

sm: What was the first movie you ever saw that made you want to act?

o-jc: Home Alone. I remember seeing that film and saying, oh whoa, so a kid can do this? I remember telling my dad, ‘I think I want to do that.’ I was six or seven. 

But it gets dark. So, my mum and dad’s house had a bay window that was on the street. And when I came home from school for a week, I just sat in the window thinking, any minute now, someone from Home Alone is going to walk past, and go, there’s a kid! Let’s get him! I was willingly wanting to get kidnapped. Which is so fucked. My dad came home and was like, ‘What are you doing?’ And then he was like, ‘Yeah, that’s not how that works.’

We found a theatre program – I started going there when I was eight. I was never the golden kid. In the drama clubs, I was always like the snake in the background. Or just the scenery. We used to put on terrible plays. I was such an insular kid. I found a safe place to feel where it’s real, but it’s not. So you can experience it all. I did that for three years, and then I was kicked out.

sm: What! Why?

oj-c: I had an attitude or something like that. I got suspended so many times. I genuinely was not looking for trouble. I was always the one to get caught. Like, I was the kid who someone handed the knife to, and I’d be standing above the dead body, and then the next thing I knew it was 20 years in prison. It was always stuff like that. But it was time to move on anyway.

I found this drama school at Riverside Studios. It was a small group, maybe eight or nine people. It was so interesting, because I’m going to do a gross name drop, but in the group was Carey Mulligan and Imogen Poots. It was incredible.

sm: Those were the kids that were just there? Did you have to audition?

oj-c: No, but I did a trial. It was a lot of devised stuff, like improv. A guy named Andrew Bradford ran it. He really supported kids. It was all day Saturday. We were all teenagers. It felt like another life. It grew and grew and by the time I left I was 17 or 18. It wasn’t one of those places that you were beaten down. No fake bullshit. It was a safe place to try stuff. We’d put on plays and we all got agents from that as kids.

sm: Is that the moment you look back on and think of as the beginning?

oj-c: I think so. But it was such a long period of time. Career wise, it was quite stagnant. I did one job when I was 15 that was some late night soap. Then I didn’t do anything until I was 18. I wasn’t like this is real until later. It started to snowball when I finished school. I went to get a French lit degree, hated it, dropped out, and applied to drama school. I didn’t get in anywhere.

In the meantime, there was a job at the BBC for a silly period drama. I did that, took the money, and went to do a foundation in New York at Strasberg.

sm: Tell me about the audition for drama school. You didn’t get in anywhere?

oj-c: Yes. I’m telling you there were no signs that pointed to me saying, yeah, you’re quite good at this. It felt like everyone was saying, ‘don’t do it.’ Which is a really interesting place to start from. If no one around me believes in me, how do I? And I just keep going? It was a mix of delusion and stupidity.

sm: Did you think about doing something else?

oj-c: When I was still in high school, I worked as a runner on productions, mainly at the BBC. I was revolving through that so when I finished school, that was kinda my job.. I got to see the inner workings of how sets worked, rehearsal periods. I got to see the writers and the actors, how they would construct a joke, and adjust things.

When I was 17, I started doing the European Music Awards. I would go and work in the costume department, I didn’t fucking know anything about how to sew on a bun but it was amazing. I got such a solid understanding of how a production office works, how a schedule works.

Tragically, you see a lot of how an actor is a small cog in this machine. Everyone is working so diligently. This whole idea of superiority that can go on, it was important for me to witness early on. Because when you go onto set and someone says five minutes, it actually means five minutes. But it was also hard because I was watching people do what I love. I didn’t get into school, so I said fuck it, I’m gonna do a foundation for a year and reapply to drama school from New York.

sm: Why choose the Strasberg program?

oj-c: Someone told me about it. I thought I needed to go do something that gives me a playground, a space in the meantime. But when I got there, I was with this small agency, and they started sending me out on auditions. The first or second one I went on, they flew me to LA to do a screen test and I got it. This was six weeks into the program. I was like: what do I do?

sm: What did you decide?

oj-c: There were three or four movies I got, but then the financial crash happened and it all fell apart. So I went back to New York to continue with the program. But meanwhile, I had been signed to WME and my agents were like, let’s go down the studio route because that’s going to be fun. I got an audition for this Drew Barrymore movie, got that, and then I dropped out. Then got another job that moved me to LA. I was there for a year shooting and doing the prep for that.

The whole idea was that I’d do that and reapply to drama school. Then I kept on booking. It’s only in the past couple years I was like, thank fuck I didn’t stop. There were moments that I thought I needed to stop and do three years of training.

sm: Did you feel like you were missing something that other people had?

oj-c: I felt like I was back-footed. Like I had no idea what I was doing, then I realised no one does. There is no arrival point where you’re like, ‘I know how to act!’ A lot of it was becoming comfortable with learning and making mistakes. Some will hurt and some don’t matter.

sm: So you start booking jobs, and then it just keeps going? No break?

oj-c: There’s obviously periods where you’re out of work. Or you really want a job and you do 50 auditions for it and you don’t get it. A lot of that went on. But I was 22. I ended up staying in New York until I was 28. I felt like a deer in the headlights. I was just so grateful that I was working and that people wanted to hire me that I never stopped to ask if it was actually fulfilling.

I listened to a lot of people early on. I needed guidance. I needed someone to say, do this job, this will lead to this, or it’s important you work with this person. Then I woke up one day and was like, is there anything here that I’m actually proud of?

That comes with experience and maybe a little bit of delusional confidence where you go, I think I want to try and do something here that is more aligned with me. It was a weird time to be in LA. I’m six foot three. I look a certain way. People wanted the product. I thought that was how I’d get there. I’ll pretend to be confident, I’ll be a version of what these people want. Keep my mouth shut and pretend. I reached a point where I was like, I cannot keep going this way.

sm: Did you feel that you’d abandoned yourself? Or was it a slow realisation?

oj-c: It became harder and harder to pretend to be this chill guy. I’m not chill. But when you’re handed something, you go, this is fun. Then the more you read and become accustomed to the environment you’re in, you start to feel entitled to have an opinion. To feel entitled enough to say: I actually don’t like this, I actually find this quite soul destroying. Having to make myself small, or block myself off and not be as vulnerable as I feel. To not show that.

It was an interesting time – in the late 2000s, men were men and what I was being asked to do was be an idea of what a tall, white, masculine man was that sort of never really sat. I actually feel really fragile. So I took a break for six months. I was like, I’m just going to say no now and try to re-shape the direction of what I want to do. Then The Haunting of Hill House came along.

sm: How did that audition happen?

oj-c: I’d done a film with the producer before. They sent me a conversation that happens in the show between Luke and his twin sister, it was him asking her to get him drugs. They asked me to read that and literally the following day, they called me and were like yep, you.

means something to people. It was an amazing thing to be a part of.

sm: Did you immediately recognise that Luke was the kind of character you were looking to play on the page?

oj-c: Sort of. If I’m honest, I did quite a lot with the role. Mike was very open to collaborating. I put a lot of stuff in there that wasn’t necessarily there originally.

All of the siblings were there but they were sort of blank canvases for anyone to put whatever they needed to put in it. We all came in and made bigger choices to create this family dynamic. They brought on this incredible writer, Scott Kosar, who wrote The Machinist, to tackle the Luke character because he was in recovery at the time.

sm: The writer was in recovery?

oj-c: Yes. He tackled all those monologues about staying clean and everything. That was him. You know, you’re talking about a family that lived in a haunted house, that’s sort of a silly premise but all the substitutions that everyone did, it was all about trauma. Living and being followed by things unless you face them. 

sm: What did you bring to the Luke character that wouldn’t have been there if somebody else played it?

oj-c: Someone else would have brought something amazing to it. But Mike Flanagan had so many tapes come through of people playing the addiction, and you can’t play the addiction. When I first looked at Luke I was like, okay, he’s a heroin addict, but then I was like, actually, to put a label on that, to label him, does such a disservice.

So it became about what he was running from, and what was terrorising him. For me, it became about childhood sexual abuse. How do you escape this thing you don’t want to feel? And if you can’t keep it at bay, it will take over. It became about that struggle, not ‘I need my fix.’ It became about this terrorising thing that’s always present, which translates into the show. We all have things that follow us. It became about trying to humanise it and make it real by using that as a way in.

sm: You’ve been open on social media about the sexual abuse you faced as a child. How did you navigate acting something so close to home?

oj-c: I’m of the school of thought: use whatever is real for you. That’s why I do the job. A lot of us use our own personal experience, but we bring it to a safe space where it’s okay for us to experience it. In a way it calls for that, and it felt important to do for the show.

I come back to this idea of needing to stop and reassess what I wanted to do, where I wanted to go, and what I wanted to say in the work that I do. I felt like I couldn’t keep hiding. We’re all complicated, we’ve all had complicated upbringings. That’s just part of life. It’s unfortunate, but it’s sort of always going to be a mess. I needed to put everything that I felt into something. I do that all the time.

We use the parts of yourselves. Including the darker parts, and some of the stuff we don’t want to look at. I’ve never been one of those people to go half on something. You either do it or you don’t. There’s no middle ground. I’m not going to half step in, or pretend.

sm: Did you have any practices while filming to help you not carry the hurt from that world into your own?

oj-c: What was interesting was that all of that sadness was in there anyway. I wasn’t generating any of it, I was just opening it up. I didn’t whip myself up into a frenzy. It just felt like I didn’t have to hide, or pretend it wasn’t there.

sm: Would you say acting has been healing for you?

oj-c: I don’t think the word healing is correct. But it’s been incredibly helpful in helping me understand myself better. It’s probably not the healthiest but I’ve said this before, I feel like I need the job to lay out all my neuroses and vulnerability. I keep myself so closed off in real life. It’s an outlet that feels necessary. That’s why I go off to work every couple days.

sm: You are cast in a lot of thrillers and horrors. Why do you think you mesh well with that genre as an actor?

oj-c: You know, after I did Haunting of Hill House, it was sort of this big thing where the amount of horror scripts that came through was crazy. The amount of, ‘do you want to play a drug addict?’ It’s incredible how desperate people are to put us into boxes.

After Hill House, I did The Invisible Man. That was a horror but the messaging - we’re talking about gaslighting, we’re talking about toxic relationships to an extreme. It was so much more than a scary film. It felt like it had something to say. That’s the thing about horror. When it’s done well, it’s incredibly impactful.

sm: After Hill House, did you feel you had agency when choosing your roles?

oj-c: To a certain extent. But no matter where you’re at: the job you want, they don’t want you. You can be Julianne Moore, but they’d rather have someone else. It’s constant. But it did change quite a lot. In terms of becoming Netflix famous, which is the strangest, most intense thing ever because you’re the most famous person on the planet and then something else comes out. I felt like I was in a fortunate space where I could choose more, but there were films that I really wanted that I didn’t get.

sm: I heard that when you first read the Jackdaw script, you didn’t think you were right for the role?

oj-c: Yes. I called the director Jamie Childs and told him he was nuts. Because again, here’s this hyper masculine man that felt quite robotic on the page. I met Jamie on the set of Wilderness. He was telling me, ‘I’ve written this movie. I’d love to get your feedback on it.’ So I read it. It was still an early draft. Then he said, ‘Do you want to do it?’ I genuinely thought I wasn’t the right fit. I thought it was just out of convenience that he wanted me.

He said to me, ‘It needs someone to come in and make it human. To give it vulnerability.’ He said the film is about how this man readjusts his life following the death of his mum, and I was like, sold! You need some tears? I’ll bring you tears! I’m never leaving my sad boy era. It happened so quickly. We wrapped Wilderness, and then started filming three and a half weeks later. We were up north in January.

sm: You go swimming in the North Sea quite a bit in the film…

oj-c: Oh yeah. It got to like minus nine. It ended with me getting hypothermia. I think I’m a bit too delicate, that’s why. I had this amazing stunt guy called Jamie Dobbs who’s this gold motor-cross champion, and we had to shoot all this stuff of us in the night. They’d get me on a rig, and then they’d get Jamie and it got to minus 12. He got frostbite on his face. It was unbelievable. It was all night shoots. I am so surprised we all made it out alive.

sm: Had you ever cold plunged before?

oj-c: Not at all. I’m one of those people in August that’s like, I don’t know if I want to go in the sea, it looks a bit cold. We did three days on the water. Some of it was in a kayak. The underwater stuff, that’s where it got brutal. We were all eating every 25 minutes because we were so cold. There was a boat just for food. I couldn’t name one thing we ate. It was just fuel. We were going to work at 5pm, and then wrapping in the morning.

sm: Do you often try new things on film sets that you’d never do otherwise?

oj-c: Yes, all the time! That’s part of the allure of it. You get to learn all these weird things that you’d never do. You get to experience these amazing things. I’ve been doing this for so long, because I’m 150 years old, and someone will bring something up and I’ll be like, oh I’ve done that! But then I’m like wait no I didn’t, the character did.

sm: Was there anything else you learned on the set of Jackdaw? Motorcross?

oj-c: Yes! I fucking loved it. If I’m honest, a lot of it is me jumping on and starting up and then getting out of frame. Insurance-wise, I couldn’t do any of the jumps or anything. But it is so great. There is nothing quite like it.

sm: Do you ever think you’ll get into the writing side of film?

oj-c: I have. I just don’t know what I have to say yet. Everyone reaches a point where they think, I don’t want to forever be a product. It would be nice to be part of the creative. I have a lot of opinions.

You go into a job with the best intentions. This is what they’ve told us, this is what’s been sold and then you’ll see the final product and be like: that’s not at all what I thought it would be. The more you do it, the more you feel like you know what you actually like and what you want to be part of. I’ll get to it at some point.

Jackdaw is in cinemas now.

[shiftythrifting]

I found a huge collection of poots!!!

[pootimedes]

POOT MY TUMMY HURTS AUUGHHHH send help

told this to a friend and asked how should I name it HELP

im afraid you have 3 days to live, you should teleport bread, surely nothing bad will happen

[adventureseekersclub]

The Local Cuisine of Hunza Valley, Pakistan

The local cuisine of Hunza Valley is known for its simplicity, healthfulness, and unique flavors. The region's cuisine largely reflects the agricultural practices and natural resources of the area. Here are some popular dishes and ingredients you can find in the traditional cuisine of Hunza Valley:

1. Chapshuro: A savory meat-filled bread, typically made with minced meat (often mutton or beef) and spices. It is cooked in a traditional tandoor (clay oven) and served hot.

2. Harissa: A traditional porridge-like dish made with whole wheat and meat (usually chicken or lamb). The meat is slow-cooked with spices and then mixed with wheat to create a thick and hearty dish.

3. Momo (Mamtu): Dumplings filled with minced meat (mutton, beef, or chicken) and vegetables. They are usually steamed and served with a spicy tomato-based dipping sauce.

4. Dirham Fitti: A popular breakfast dish made with wheat dough that is rolled and cooked on a griddle. It is usually served with butter or ghee and accompanied by local cheese or honey.

5. Apricot-Based Dishes: Hunza Valley is famous for its apricots, and the fruit is used in various dishes. Apricot oil is often used in cooking, and dried apricots are used in stews and desserts. One popular apricot dish is "Ghulay Poot," a sweet and sour apricot soup.

6. Local Cheese: Hunza Valley is known for its fresh and organic dairy products. One of the most famous cheeses is "Chhurpi," a hard cheese made from yak's milk. It is often served as a snack or grated over dishes.

7. Butter Tea: A traditional hot beverage made by boiling tea leaves with water, salt, and butter. It is a staple drink in the region and is believed to provide warmth and energy in the cold mountainous climate.

8. Walnut Cake: Hunza Valley is abundant in walnut orchards, and walnuts are often used in desserts. Walnut cake is a popular sweet treat made with ground walnuts, sugar, and eggs.

9. Local Bread: The bread in Hunza Valley is typically made with whole wheat flour and baked in traditional tandoors. "Skit" is a popular type of bread, which is thin and unleavened.

These are just a few examples of the delightful cuisine you can experience in the Hunza Valley. The focus on fresh, locally sourced ingredients, and the simplicity of the recipes make the food of Hunza Valley both delicious and healthy.

Planning a trip of Hunza Valley, Pakistan with Adventure Seekers Club sounds exciting. The trip can be customized based on your preferences, group size, and the availability of activities.

[sarcasticblackwoman]

The 1,856,120th thing from Bojack Horseman worth talking about for the rest of your fucking life.

[supersaiyantoothless]

The 9th film from Quentin Tarantulino: 

ONCE UPON A TIME IN ... HOLLYWOO

[doggy-puppy-indulgence]

One of my favorite jokes of Season 3 so far is this scene of all the best male actor nominees for the Golden Snowflake Awards. (Aside from being knockoffs of real celebrities) They’re all the exact same man with different hair and facial hair. 

[highlyintelligentmoss]

there's a type of Very Famous Man who seem like. super weird but also the squarest ppl in the world somehow? like i know george clooney is weird bc no normal person does that many coen brothers movies but also he just seems like he'd be boring at parties

[pragmagician]

🖖🏼

[p0ssyum]

More mpreg cas please!!! With parents Sam and Gabe please! Like destiel mpreg please

i’ve been trying to get gif fic ideas man, my brain has been empty lately lmfao. i’ll try and post something soon for you anon :)

[yourlocalkrankenpflegerin]

Soup

@alittlecourtjester

[roman--empyre]

“Stunt Double” Pt. 13

How many grams can a ruler measure?,

How much indigestion can clog your plumbing,

How many plastic grips can be flushed simultaneously, 

Where did the scope mark as the assassination target,/

Did the toilet bowl clean itself overnight?,

As the water goes down the drain, is there any justice, 

In who is alive and the person who remains is now in jail,

How did it come to this?,/

Why did the price, cost so much, the blood is lost and weight leaves,

As the colors blend the hue changes to one unfamiliar to the cause,

An aftermath of affirmations and applause, 

The corpse is simply fragmented disc space now,/

How many scratches until the sound has altered and the player skips,

Before Death or After Life, doesn't matter or make sense,

The third day was a break in reality, 

The stone was never cast,/

Removed and the bread was not consumed by the masses,

A broken representation of Armageddon,

Sin without punishment,

Leaves a bitter taste in my mouth,/

A poot scoot if you will,

All up in my tastebuds,

-pause for three seconds-

Brutal,/

So how many flavors are available to smoke?,

Just to get the failure out of my mouth,

Far and in-between,

Yet the memory still exists,/

So I'll press the pen until I no longer exist a man,

Lost in the bindings of poetry I hold,

Before the man transforms into music,

And the sound takes him away,/

~Holographic Locust

[filliteast]

Diary 13 (treze)

21.04.-9.05.2022

Th.

Fr. Woke at 1 am. Ate. Took 2 bananas in a bag. Took a shower 10-20-30 min intensively. Lewd pics mm (clothes washing end's waiting). Went to mom for the young brother's birthday too. Bought the gummy bears and gummy beer, two crackers pack, the fantola popcorn. Sit at taxi. Ate more. Told.

Sa. Woke at//? aa, mam, she's already had told me to get up? Hiked to work 1,5 hours, that was very cool🥶.

Sd. Dream chewingly woke. Lewd pic's mm. Blushed hotly, reading Alchemistic throughout the trip on the bus. Play Stick Spider till the required station. Open Poot's stream. Dat sneaky blind move for me that I was should to throw out the trash. Porn at alone 30 min all is during stream. Pee shouted remembering, I'm should got hurry up immediately.

Mo. Homework. YouTube. Music.

Tu.

We. Take a nap after came home. Moubine & some other's in dreams realistic conditions.

Th.

Fr. Left keys to Father, went to mom.

Sa. Get up for Mumm ye. Lewd couple disturbing me at bus during I'm little bit corrected my not started term paper. Bought picnic with so-so sugared bread at evening, after weekly internship day in pharmacy: Bought a Wet toilet napkins.

Sd. Slept for 1 pm,

Mo. Every Muslim's duty to take mass namaz to the Uraza Bayram. Eaten some meat bread. Went to kebabs frying: picked up wooden plunks, ate, they're played, got a bite of birch's juice, phone choosing.

Tu. Washed panties. Ate snickers by waiting for the bus.

We. Bought Snickers super apart from everything else: three breads, smetana, six bananas. Ate snickers before I get home. Read about energy bars, snickers after I came to home. Mini electricity short circuits.

Th. Passed physical culture's lesson. 2 eggs and half banana for breakfast. Failed biology control work (silly careless pedant). Equipped Adidas drip white shoes expecting for the still his look minds from other around. CIPUMS mom. Ate a half of super snickers that was bought with orange energetic-juice, while I've didn't notice father in store, woman conceded way to queue. Washed sock after sneezing on this. Cooked soup together. Fixed sockets. Watched YouTube, so what I've found that's great: Tame Impala's Time Warp. Ate soup. Watched YouTube ewe~, Che. Fr. Monster anal eases. VK's music revived old feelings. Some Modeling at blender that was failure. Get up at 11:39. Watched YT. Took a shower. Ate tasty soup. Objection. Waited for Dad's went to work(regretted). Cleaned up a room. Ate Smetana bread, fish with pasta, watched what about was berserk. Mitochondrial Eva. Waited for Poot's strёm(disappointed). YouTube videos.

Sa. Woke at 11 ante meridian. Oh, bream dream-s-s Gehm. Went to cook breakfast after dad said: 3 eggs, 2 sausages, ketchup, bread, smetana, water. Watched orc pod and further other things. eaten at 1,40 pm. Went back. Set up gallery at 20-30 min. Began set upping Google disk gallery, finishing till 8-9pm. Watch Poot. Began self-satisfying.

Su. Spit by bottom head at 1-1,20 am. Washed myself. Washed dishes, took 2 bananas. Watching YouTube. Woke be clock brr , but have want further. took phone, got up. Ate banana, drank water. took a shower. Putted pot with 3 egg, 1 sos on the stove, brought bread from kitchen to room. Mashed, added Vk music. Spotify had music added mashed. Brought pot in room. Watched berserk things. Berserk. Golden age. Moovies 1-3 partially checking:

Got disappointed by CBR file format that was tested by installing berserk chapters. Removed horrendous plaque from the soup. Reheated soup twice. Ate it, music listened up. Washed dishes. Went to dixie for bread and eggs, ate the rest half of snickers during went back. Operatively dressed up. Watched kind of shit things, because exactly they're is one that guilty in my branded final product of procrastination (protracted hand job). Watched Knight-skeleton anime. Guin Saga checked. Mo. Lost all browser tabs while I have set upping favorite tabs, then pointily found all over them in browser's history. Fapped again. VK-Spotify music transport, added in VK an amazing 60s psych rock jam. Realized I've not completed whole homework (no wonder), begun beautifully handwriting answers for the questions. Some videos watched, abruptly lay down for sleep after went to pee. Sudden paranoia of ancient fears (exactly the consequence of my Metalife's fapness). Woke by clocks (11:39ehe11:48) with some dreams partially memories. Watched YouTube almost for 2h. Washed Kazan. Overcame the breakfast, got it bearable. Swapped plastic bags everywhere after bowel (rebated). Sat to pc.