#boy this ran away from me

[v88sy]

I can guarantee you that 2 days before Thanksgiving, one of Maddie's late night cravings sent Howie to the supermarket for cottage cheese, pineapple, and watermelon ("it's not even that weird, Chim!") and while there, he just happened to run into a particularly haggard looking Tommy, who said he was shopping for his Thanksgiving meal, but all he had in his basket were two trays of cookies, an entire pumpkin pie, 2 pints of ice cream, and a bottle of bourbon.

[raiiny-bay]

summer '93

[oxymoronicdumbass]

i have such a love-hate relationship with being autistic because on one hand, i know that i will never be able to function in a way that is deemed “normal�� in society, but on the other hand, there are very few other things that can possess you with the ability to spend 5 straight minutes jumping up and down because of one sentence in a fanfic

[shakingparadigm]

horrendously sick and twisted btw

[sailing-ever-west]

I love Usopp dude he's the only strawhat with an even remotely healthy fear of death. and he's not much of a physical fighter either. like Zoro, Luffy, Sanji, and Nami are out here punching ppl and hitting them with sticks in close combat range and Usopp is like hwaahahah I will run away and shoot weird little objects at youuuu >:D and whenever he wins a fight he laughs maniacally and can barely believe he survived. all he knows is slingshot, Fear, eat hot chip and lie

[crebbyhermit]

[pan-magi]

I've always thought that the rukh place someone where they're supposed to be when leaving a dungeon. When leaving Amon, Aladdin is left where he could meet the Kouga and Hakuei; Alibaba is where the dungeon used to be so it will be "official" that he captured it and be there to help clear Jamil's mess (mainly ensuring his slaves are free).

And Morgiana is right outside. I can't help but think that its because she could have the opportunity to just run. No one else was around so she could leave without being recaptured. It wouldn't be safe to be a Fanalis out alone with broken shackles at her feet (which tbf she could have gotten off easily enough). I don't think anyone could blame her if she decided to take the out and escape safely. Jamil went into the dungeon with all his combat ready slaves (I imagine). Most would have assumed, besides Alibaba and Aladdin who were there, that being unaccounted for meant she ended up dead like the rest. Chances are low that people will be searching for the lost Fanalis slave girl.

She could have taken the opportunity to finish escaping and find Alibaba and Aladdin again after being more secure in her freedom. Morgiana doesn't because she is processing wtf went on in the dungeon and her priority after sorting out her thoughts was to find the two guys that went through that shit with her and see that they are alright. I don't want to discount how admirable that is. But if she was left more confused and scared and just- left? More power to you girl, get the fuck away from your hellhole.

I dunno. Something I've been thinking about. Back to the original point, I do believe that she wasn't in Qishan with Alibaba because more than anything the rukh let her off somewhere that best guaranteed her freedom.

[cuteniaarts]

Small drawing collection of my latest creation Emran as a teenager/freshly minted Air Acolyte, for my dear partner in unhinged OC shenanigans @katkastrofa, as promised <3

[partywithponies]

I love period works based on relatively recent decades that are built entirely out of the childhood nostalgia of the people making them, and as such end up being just as much time capsules of the time they were made as the time they're set.

Like. I don't know if I'm wording this right. But "show or film based on a particular decade but entirely from the real memories yet flawed nostalgia glasses of a writer who was a kid at the time" is always going to be very much a product of its time. Like. Grease and Happy Days, both set in the 50s, could only ever have been made in the 70s and early 80s. Hairspray (the original film) and Heartbeat, both set in the 60s, could only ever have been made in the late 80s and the 90s. Ashes to Ashes, set in the early 80s, could only ever have been made in the late 00s. And Turning Red, set in the early 00s, could only ever have been made in the 2020s.

Because none of those works are true accurate depictions of what those years were objectively actually like. They're true accurate depictions of what those years felt like, if you were twelve at the time.

And that's something future generations of writers are never going to be able to quite emulate in quite the same way.

[corpocyborg]

having played a decent amount of bg3 now i can say with absolute certainty that i'm going to durgetash hell

[hollyhuedsoul]

I've seen many different takes on this, so I just want to see what the community at large thinks.

[toontownportraits]

i don't get a choice in the matter / why would i? it's only the death of me

[bat-the-misfit]

i don't listen to enhypen but my favorite member is the guy from this gif

[wr0ngwarp]

human contradiction

a symbolic piece of jet set radio art that is so mired in headcanon/au stuff that the symbolism has no basis in canon and its halfway to nonsense. this is a picture of Beat

i actually had this art sitting around in my files for like half a year because i felt, like, Embarrassed to post this. but life is too short not to embrace the ouroboros of hypfix bullshit and i also want it out of my to post folder

bwaah

i dont even remember why i drew a bwaah of the Purely Metaphorical Cabbit Beat. whatever. bwaah

[muchmossymess]

I need to stop sleeping all day its giving me wild as fuck dreams

[gorillaxyz]

it actually hurts in ways you couldnt imagine