#both the song and this particular version of it

[dkbtho]

"I Love Jealousy" by Melomance

[muppetjackrackham]

haven't talked about chess in a hot minute but i think we need to bring back some of the synthpop arrangements from the original concept album for songs like the arbiter and one night in bangkok because whatever benny and björn put in there is better than prozac

[sonknuxadow]

when the video game final boss theme is an orchestra version or remix or full/vocal version of another song that plays earlier in the game

[chiropteracupola]

for interested parties, Here is the song about which I was rambling in the previous post.

[magnusmodig]

yeah i'm one spoon away from setting the ends of my hair on fire if i'm kindling for a little while at least i'll feel of use... promise me that you'll start where i end and i promise to give you everything that i am and it goes on, and on, and on... we'll go on and on and on in the end all i hope for is to be a bit of warmth for you when there's not a lot of warmth left to go around.

[spacestationstorybook]

ummmmmm. the earliest lounge music dates back to the 1920s and 1930s so it'd be period accurate. music for maxdecai to dance to (aka they twirl him around the dance floor while he does nothing but get increasingly more flustered)

[splatfest3ever]

I’ve seen some people complaining about the remix of Color Pulse, but I think it’s really interesting on a meta level. Time in the Splatoon world is still moving forward. Both Pearl and Marina have aged in the game AND in real life! Pearl is 26 now! She’s nearing 30! Of course her cadence and rhythm will have changed! Same for Marina! And behind the scenes the voice actors have aged 7 years too.

That’s a novelty of Splatoon that makes it feel so realistic and vibrant! Things do change over time! The hub worlds change, the shops change, the characters change… this new remix reflects that change.

But what’s more interesting to me is how their new song “We’re so back!” shows how much both of them have matured. Pearl in particular is less energetic and bouncy than she is for Color Pulse. Don’t get me wrong, she’s still spitting bars and doing high kicks… but there’s now a much more refined and reserved attention to her dancing than we’ve seen from her in the past. It’s almost Squid Sisters level of choreography. I think that reflects her maturity.

Likewise with Marina, she’s much more active than she was in Color Pulse. She’s no longer stuck in the background occasionally going back to her keyboard during the song, now she plays a keytar and dances in sync with Pearl. It seems like she’s less shy and much more comfortable with herself. And that makes sense narratively too since at the start of Splatoon 2 she was sort of hiding her Octoling roots, and by Splatoon 3 the Inklings and Octolings are living their best lives openly together!

I’m not saying you have to enjoy the remix. Personally I prefer the energy of the original song better. But I don’t think that the new version is terrible either. It’s just different. Because they’re different! You can really see how much they’ve grown in these past 7 years. And that’s ultimately a good thing!

[chisatowo]

Uh oh *accidentally makes more splatoon ocs*

[avatar-anna]

Moments caught between Harry and Y/n on camera at the Brits

just something fun because harry at the brits was a mess but we love him for it!

Young Dad! Harry Styles x Young Mom! Reader Masterlist

The red carpet is loud and raucous, bright lights flashing as people shout for the attention of celebrities. One couple in particular is the center of attention the second they step on the carpet.

Harry Styles and a woman walk arm-in-arm, a broad grin on his face and a shy smile on hers. Harry seems to be whispering something in the woman's ear, his nose pressed against the crown of her head. It makes her visibly relax, her grin widening and becoming more authentic as they take a couple more steps.

The woman is the recently revealed Y/n Styles, Harry Styles' long-time partner that he'd somehow kept from the rest of the world for over a decade. But she was here tonight, just as she had been at the Grammys a couple weeks ago, and the cameras now track their every move, intrigued by this new-ish couple.

"Harry! Harry! Harry, over here!"

"Y/n!"

"Harry, did you really marry Y/n when you were in One Direction?"

"Y/n, how does it feel to be with the most famous man in music?"

Y/n, who's hard to miss in a red dress that fits like a glove, shrinks almost imperceptibly against Harry's side. Harry looks down at her, and the husband and wife share a look as if they're having an unspoken conversation.

Then he mutters something to her, and Y/n laughs as Harry kisses her cheek, but not before nudging his nose against it. The shouts double, so used to Harry's stoic approach to being out in the public eye, but both of them move steadily down the carpet, not paying the paparazzi and reporters any mind.

*.*

During their walk down the red carpet, Harry and Y/n come across a barricaded section for fans of the artists in attendance. They all cheer as each celebrity walks by, shouting compliments and proclamations of love for their favorite.

Y/n once again hesitates on Harry's arm, wary eyes darting toward the boisterous fans. At the same time, Harry is called to by a reporter asking for an interview. Checking in with his wife, he departs with a kiss to her forehead, murmuring words the cameras can't quite pick up.

Y/n stands on her own, one arm crossed over her stomach as she tries to stay standing tall. Fans call out to her from the barricade in a way that's difficult to ignore. She waves at them with a small smile, but it's clear they want her to come closer.

With one glance at her husband, who's still speaking with the reporter, and another to a security guard close by, she nods to the latter and they step closer to the barricade, just close enough in proximity that she can actually make out distinct voices and words.

"Y/n we love you!"

"Where did you meet Harry?"

"How long have you been together?"

"Ugh, you are so mother in that dress!"

"What's your skincare routine?"

"What's Harry's?"

The tense set of her shoulders eases a bit, no longer apprehensive of the fans and their potential to be cruel.

"I feel like I met him a lifetime ago," she says. "And I just cleanse, moisturize, and use SPF."

"How come we've never seen you at shows?"

"What's your favorite Harry song?"

"Are you friends with One Direction?"

"Where were you last year when Harry got wasted?"

Y/n chuckles at the last question, her eyes lighting up as her hand covers her mouth. "I've always had a soft spot for 'Ever Since New York.'"

"Taste!" a fan yells, decibels louder above the rest, which garners laughter from everyone.

"Can you make Harry release 'Medicine?'" another asks.

Before Y/n answers, Harry appears by her side, an arm snaking around her waist. "There you are. Got sidetracked by your own interview, did you?"

"They were just asking if I'd help them in their quest for a studio version of 'Medicine.' I'm not sure if I can, though. They don't know how stubborn you are."

A chorus of boos went up at Y/n's answer, but not at her. Harry raised his eyebrows at his wife as if in challenge, but her responding gaze is quite mischievous.

Taking everyone, including Y/n, by surprise, he leans in to kiss her cheek, saying, "Have I told you how beautiful you look tonight, darling?"

A chorus of aww's ring through the small crowd of fans as Harry places his hand on Y/n's lower back, ushering her away from the barricade. Y/n raises an eyebrow at her husband, who is conveniently not meeting her eye. "Nice save."

"I don't know what you're talking about."

"You never call me darling."

Harry lets out a snort. "Lies. Lies on the red carpet tonight."

Y/n rolls her eyes but leans in close to her husband, carefully avoiding the fabric flower around his neck. "Mhmm. Let's go, darling."

*.*

An artist is being interviewed inside the O2, and Harry and Y/n are videotaped in the background.

In the very corner, the couple are leaning in close and talking, a drink in each one of their hands. Harry talks animatedly, gesturing with his drink to the point where it nearly spills on Y/n's dress. Y/n doesn't seem to mind and just throws back her head as she laughs. His eyes light up as he watches her, a word that could only be described as love encompassing his face.

*.*

During one of the performances, a camera pans to Harry's table. The house lights are dim, but he's still visible amongst the flashes of color from the stage. Harry sits in his chair, body slumped a little low so he can rest his head on Y/n's shoulder.

Both of their attention is on the performer onstage, not noticing as a few cameras are pointed in their direction as Y/n scratches the back of Harry's neck absentmindedly. He leans into her touch, looking up occasionally to say something to his wife.

*.*

"And the winner is...Harry Styles!"

Cheers erupted throughout the room, the table Harry is at standing up. Harry himself stays seated and curls in on himself, pumping his arms victoriously as he beams. His eyes are a little glassy, his hair unkempt, a sign that the night has progressed with lots of alcohol consumption.

He turns to his sister Gemma first as he stands up, high-fiving her before giving her a hug and fist-bumping someone else. Then he turns to Y/n, who hasn't stopped clapping since his name had been read for the third time from the envelope.

She opens her arms as if to accept a hug, but Harry has other plans. He leans forward and kisses her in a way that's merely pressing his smile against hers until they mold their mouths into a kiss. Then he kisses her cheek repeatedly, making her shoulders bunch as she smiles brightly.

When Harry finally pulls away, Y/n's cheeks are flushed as she tries to wipe at her husband's face with her thumb. With one last kiss, he heads up to the stage to accept his award.

*.*

Another performance, only this time, everyone is on their feet, including Harry and Y/n.

Harry's arms are wrapped around Y/n's shoulders from behind, his chin on her shoulder. Both of them sway from side to side to the rhythm of the song as Harry mouthed the words in Y/n's ear.

Her grin is wide as her eyes stay trained on the performance. Then, she looks back at Harry, who met her gaze as she says something.

Nodding, he kisses her once on the cheek before nodding back to the stage.

*.*

As Kid speaks into the microphone onstage saying his thank yous, Harry is having the time of his life behind his friend as he speaks to Stanley Tucci.

By now it's a little obvious he's had more than a couple drinks. His hair is nothing short of a mess, his dress shirt is a little more unbuttoned than it had been to begin with, and he throws his head back and laughs in a way that is fueled by drunken delight.

Briefly, the camera turns to Harry's wife, who stands beside Gemma. Y/n's hands hold her face as she watches her husband be ushered offstage by the people around him. She giggles a little before leaning over to Gemma and shaking her head. Gemma laughs along with her, covering her mouth as she says something to the woman beside her.

The camera flashes back to Harry, who turns around one last time so he can blow a kiss to the crowd, more specifically, Y/n, who the camera catches covering her face in her hands, cheeks as red as her dress.

*.*

Paparazzi shout at their latest persons of interest as they make the brief walk from the car to the entrance of a club where the after party for the Brits is being held.

Harry's arms are tightly wrapped around Y/n's waist, face set as he ignores the crowd of people shouting for his attention. Y/n, turned slightly inward towards Harry's chest, keeps pace beside him. Most of her body is covered by what can only be her husband's suit jacket, but with the open front, a hint of a sparkly pink dress can be seen, a drastic change from her award show attire.

The only time they separate is when Harry allows Y/n entrance into the club first before following close behind, his hand once again protectively hovering over the small of her back.

*.*

Photos are strictly forbidden inside of the club, so it isn't until the couple emerges from the doors once again that they're spotted.

Neither of them stumble, though paparazzi wouldn't have cared if they were. All eyes are on Harry's disheveled hair, the heels dangling from his fingers, the suit jacket draped over the arm not around his wife. They're on Y/n, whose dress is completely on display, the beading that covers its entirety flashing with every snap of the camera's shutter.

Then the collar of Harry's silk dress shirt shifted, revealing a harsh purple bruise that hadn't been there before. Neither Harry nor Y/n seem to notice, or understand why the cacophony of shouts became louder, they just continue on, Y/n's hand on the nape of her husband's neck idly scratching until he helps her into the car.

Following suit, Harry climbs inside. For a brief moment, Harry sticks his head out the open window of the car and winks and sticks his tongue out at all the photographers. Y/n appears from her side of the car, leaning across her husband to bring the window up. Not an ounce of care in the world, he leans forward to kiss his wife's exposed jaw. With an exasperated expression on her face and a delicate wave of her fingers, the window goes up, and though the windows are tinted, a hand is visible against the glass as the car peeled away from the curb.

[doyoulikethissong-poll]

Tanita Tikaram - Twist in My Sobriety 1988

"Twist in My Sobriety" is a song written and performed by British singer-songwriter Tanita Tikaram, born in West Germany of Indo-Fijian and Sarawakian Malay origin. Released as a single in October 1988 when she was 19 years old from her debut album, Ancient Heart, it was Tikaram's biggest international success, achieving top 10 placings in several European countries. The song reached number two in both Austria and West Germany. It peaked at number 25 on the US Modern Rock Tracks chart.

Speaking about the somewhat obscure and enigmatic lyrics, Tikaram has offered different views on their meaning, but said it's mostly about the particular relationship with the world one feels when entering adulthood. "The song is really about not understanding – when you're 18, you've got a very particular emotional relationship with the world, you feel very isolated, and everybody else is so distant and cold. And I think I was singing about not feeling anything or not being moved by things around. I think this is a strong feeling when you're just after adolescence."

"Twist in My Sobriety" was nominated for two MTV Video Music Awards; Best Female Video and Best Cinematography. It was also nominated for Best British Single at the Brit Awards.

In 1989, the song was covered by Liza Minnelli. In 1996, a remixed house version by Ramp with a much faster tempo was included on the compilation The Best of Tanita Tikaram and was released as a single to promote the album. The single peaked at number 82 in the UK. In 2001, the song appeared on the soundtrack of the film Bandits, starring Bruce Willis and Cate Blanchett. In 2023 it was covered by the Norwegian symphonic metal band Sirenia.

"Twist in My Sobriety" received a total of 69,1% yes votes!

[midnightsslut]

A Guide to Red - The Quintessential Taylor Swift Album

After the release of The Manuscript, the role of Red and Red (Taylor’s Version) in Taylor’s life and discography has been highly discussed. A lot of people have referred to it as her magnum opus and most formative album. I have decided to compile a condensed list of about a dozen key interviews, performances, speeches, posts, and videos from 2011 all the way until 2024 that illustrate the importance of this record for Taylor’s personal life and career. I’m putting the list under a cut because it got pretty long. You don’t have to go through all of these, obviously, but I would suggest at least one per era. The bolded ones are essential in my opinion.

Pre-Red - These interviews hint at Taylor’s emotional state at the time and thus the content that will be explored on the Red album

2011 The New Yorker profile

Taylor Swift reveals new album is all about heartbreak - Extra TV

Bonus: an article going through Taylor’s arm lyrics on the Speak Now World Tour, which she described as mood rings for any particular show

Lover diary entries from the making of Red (credit to @cabincreaking for the scans)

- All Too Well lyrics first draft (February 2011)

- Random bursts of happiness and anxiety during the Speak Now Tour (June 17, 2011)

- Red (September 8, 2011)

- Holy Ground (February 2012)

- Nothing New (March 2, 2012)

- Working with Max Martin (June 10, 2012)

Red era - Listen to the original sixteen songs on the Red album at this point.

Red announcement livestream + Q&A

Red prologue

2012 Rolling Stone interview

2012 The Guardian interview

2012 Billboard interview

2012 Esquire interview

Sirius XM Town Hall - an hourlong interview from the day Red came out

Good Morning America - this is the first mention of the ten-minute version of All Too Well

Red track-by-track descriptions

Random interview where she discusses the connection between writing Speak Now and Red

I Knew You Were Trouble music video

Diary entry about how love is fiction and she might move to New York after all (January 6, 2014)

Diary entry from Grammy night (January 25, 2014)

Red Tour London performance of All Too Well - any performance of this song from 2013-14 will work here, but this one has a pretty comprehensive speech

Final performance of All Too Well on the Red Tour - just listen to the speech here

Post-Red era - Over the course of these interviews, you’ll see her relationship to the album evolve.

Taylor’s description of Clean (skip to 11:18)

2014 BBC Live Lounge interview

1989 World Tour interview where she mentions thinking she’d never sell as many albums as she did with Red before 1989 came out

Clean speech - a lot of these will work, but these two best describe her relationship with the Red era and heartbreak in general

All Too Well (The 1989 World Tour live)

2015 GrammyPro interview

All Too Well Super Saturday Night performance

Reputation Tour All Too Well speech

Red into Daylight performance - 2019 City of Lover concert in Paris

Re-recordings era - at this point, listen to the red vault

2020 Rolling Stone podcast

Red (Taylor’s Version) prologue

2021 Saturday Night Live performance

All Too Well: The Short Film + Behind the Scenes

Seth Meyers interview

2022 Tribeca film talk OR TIFF (both are equally good. I have a slight preference for the former, but there are some interesting new details in the latter). You could also watch directors on directors from the same year as a bonus, but it’s less comprehensive.

2022 Graham Norton - How All Too Well (10 Minute Version) came about + how the re-recordings inspired Midnights

Also listen to Midnights

The Eras Tour

All Too Well speech (Glendale Night 2 & Atlanta Night 1) - any of the speeches from March and April 2023 will work, but these two really illustrate how she feels about this time in her life now and how the fans changed the Red album for her. Obviously credit to @cages-boxes-hunters-foxes for the transcripts!

Maroon first ever live performance (‘This is a song about something that happened a long time ago, but it took place in New York’)

Aaaand finally listen to The Tortured Poets Department, especially The Manuscript

This is a lot, but it’s worth it. Enjoy!

[geekgirles]

Just Look My Way

Can we please talk about the way the lyrics have changed from the original to showcase Stolas' growth and character development?

I was already surprised that what originally looked like it was just going to be a fan video ended up becoming canon content, but when I heard the different lines my mind exploded, you guys.

Note the difference, the major difference, in treatment!

In the original version, which released back in season 1 but before Ozzie's, Stolas' line was actually:

"Come now, my little impish plaything, we've both made our choice."

Keep in mind the original most likely included this line as a reference to what both Striker and Stolas said in regards to Blitzo's relationship with Stolas. Even our dear owl boy referred to him as just a plaything while saving him from D.O.R.K.S! Which most likely only helped cement Blitzo's internalised belief that Stolas would never see him as anything other than a cheap thrill.

Here, however, Stolas is cementing him as his dearest! A loved one! Someone he values and cares for! That is a huge difference from being just a sexual partner!

And the second line. OMG, THE SECOND LINE.

Unlike the original, where Stolas speaks of a choice that, realistically, was never there (as it usually is the case with relationships where there's a power imbalance and, moreover, were born out of transactional needs), this time he is reaffirming Blitzo's agency and independence. The implied choice is clear: Stolas will present the asmodean crystal to him so he no longer relies on his Grimoire and sleeps with him out of necessity. All that's left for Blitzo now will be to choose if he wants to remain by Stolas' side even then. And the choice is his.

As a quick aside, I also love the constant symbolism between Blitzo and the Moon.

Technically, compared to Stolas and the Earth, both are just satellites, nowhere near as important as a Goetia demon and member of Hell Royalty or a planet brimming with life and where beauty and wonder happen at every corner. And yet, without them neither can thrive. Stolas is as fascinated and dependent of Blitzo as the Earth is with the Moon. Without the Moon, there's no tides; it brings inspiration and romance to countless souls, brightening the night sky, just like Blitzo brightens Stolas' life.

Blitzo is Stolas' moon, and I just think that's beautiful.

Every word in this line in particular just oozes character development, too.

The original was:

"What's left for me in this broken house if I cannot have you?"

This is no longer about Stolas using Blitzo to escape his boring routine and his horrible marriage to Stella, it's about Stolas being deeply and hopelessly in love with Blitzo and not knowing what to do to convey that in a way that will reach him.

Once again, Blitzo has stopped being a mere plaything or boy toy and become so much more. He has become an essential part of Stolas' life he doesn't know what he'll do without but knows he'll have to let go of if that's what Blitzo wants!

Now, I must admit I am not exactly a fan of this change in these particular verses. On the one hand, I understand it's meant to reflect Stolas is trying to understand Blitzo and see things from is point of view, but I also feel it robs the moment of the raw feeling the original conveyed:

"Is this how she'd feel? Abandoned, all alone, left to fend for herself, for a semblance of happiness that doesn't have to end?"

"She" clearly referring to Via.

I just think it would have been more powerful to keep it and allow that juxtaposition between the most important people in his life to help Stolas understand Blitzo better. After all, he loves them both dearly and unconditionally, but his actions have also hurt them both very deeply.

I just think it'd be fitting if one allowed him to understand the other better.

Nevertheless, if there is something this song has taught me, is this: we are so not ready for the next episode.

[fgumi]

ꕥ obviously in love; — jungwon drabble, wc: 581, genre: romance, fluff

jungwon had always been good at keeping his emotions in check during lives, but lately, fans couldn’t help but notice a shift. it was subtle at first—small smiles while singing love songs, a softness in his eyes that hadn’t been there before. eventually, the songs became a theme. every live, another love song, each one more heartfelt than the last.

his fans caught on quickly.

"is jungwon in love or something? why is he only singing love songs??" "no way... jungwon’s got a secret crush, i can feel it!" "i'm calling it. jungwon is whipped." "can someone confirm this? because i refuse to believe he’s not singing to someone specific."

unbeknownst to them, they were absolutely right. jungwon was in love—had been ever since he met you. it hadn’t been too long, but you made him feel light, like he could take on the world. every song he sang during those lives had been for you, but he wasn’t ready to admit it just yet. not until he found the perfect way.

that’s when the idea for his cover of "yk" by cean jr. came to life. he poured himself into the project, making sure every note, every movement carried the emotions he wanted you to feel.

when the cover was released, fans were now sure of it.

"i KNEW IT! this is definitely for someone." "the way he’s looking into the camera, like he’s singing to one person... yeah, we get it, jungwon!" "this man is so in love it hurts."

you had no idea what was happening until jay sent you a link to the video with a teasing message.

jay: "guess who you’ve changed forever?"

confused, you tapped on the link, and jungwon’s face filled your screen, the familiar warmth of his voice wrapping around you as he sang and danced. the lyrics hit you like a confession, each line making your heart race.

you quickly scrolled through the fan comments, unable to hide your grin.

"why do i feel like this is a love letter?" "jungwon’s not slick, something’s going on..." "we have eyes, jungwon... and ears." "this is basically a soft launch."

jay: "told you. he’s been acting different since you came along."

your heart fluttered as you typed out a message to jungwon.

you: "so... about that cover you just released?"

a few seconds later, your phone lit up again.

jungwon: "ah, i guess you saw it..."

you could almost picture him—shy, probably running his hand through his hair, unsure if he should fully admit it.

you: "you know, the lyrics are very... pointed. was it for anyone in particular?"

a longer pause. you waited. finally, his reply came in.

jungwon: "it was for you. i wanted to say it... in a way i knew you’d understand."

you felt your heart skip a beat, warmth spreading through you as you read his message. of course, he had to make it even sweeter.

you: "well, thank you. i wouldn’t mind a live version."

you chuckled, expecting a coy response, maybe something playful. but almost instantly, a new message flashed across your screen.

jungwon: "on my way."

your breath caught as you stared at your phone. before you could even process what he said, your heart raced, imagining him already grabbing his keys and heading straight to you.

you smiled, excitement bubbling up inside. if his cover was that amazing, you could only imagine what it would feel like hearing it live, just for you.

disclaimer: this, in no way, reflects the idol. this is purely fiction. a/n: i both love ai and hate it. right now, i love it for bringing me this cover of "yk". ✧ comments are appreciated! ✧ !nanamlist

[jgracie]

⚡️ DATING JASON GRACE

masterlist | rules

percy’s version | leo’s version | frank’s version | travis’ version | luke’s version

in which in a world of boys, he's a gentleman

pairing jason grace x fem!reader

warnings reader is implied to not be a child of the big three + a greek

When Taylor Swift said, “in a world of boys, he’s a gentleman,” she was talking about Jason. That whole song is just about Jason

This man is so respectful and considerate and just really wonderful. He feels too good to be true! Which is why you don’t let yourself fall for him at first. He’s literally the most perfect guy you’ve ever met 

Meanwhile, Jason’s thinking the same about you. To him, you’re a breath of fresh air from all the rigidness and strict lines he’s been forced into not only as a Roman but as a son of Jupiter. Why would you want to be stuck with someone as boring as him?

So you just spent your days longingly gazing at each other when the other wasn’t looking while also avoiding each other in public spaces because both of you were slightly intimidated by the other’s gorgeous presence 

Your first proper interaction must’ve been orchestrated by Hera and Aphrodite themselves considering how adamant you two were on being 6ft apart at all times, and surprisingly, it was in the mortal world

You were spending the day at your favourite library because you missed it and liked to pretend your life was normal by blending in with mortals, and also because you had studying you needed to do since quests left ample time for schoolwork

Jason was there because he’d been cooped up at camp for as long as he could remember and wanted to see what life away from the Gods and their schemes was like, and what better place to figure that out than a library?

You breathed a sigh of relief as you finally finished the essay you’d been working on since you arrived at the library. It had been weighing on your mind for days but you couldn’t find time for it until today. As a reward for your hard work, you decided to get yourself a sweet treat (me too girl) before continuing your studies

Haphazardly packing up your stuff, you quickly got up, practically drooling at the thought of the new menu item you were finally going to get after craving for weeks

You were a little too excited. As you turned, you bumped into someone, dropping some of your papers

“Gods, I’m so sorry,” the person you bumped into said, quickly bending down to gather all your stuff

You knew that voice. You could recognise it anywhere

“Jason? What’re you doing here?” You said, suddenly feeling awfully hot for no particular reason

That was the day you really befriended Jason Grace. He decided to accompany you to the cafe you planned to go to, paid for your order and spent the rest of the day there with you. Away from all the craziness of demigod life, you and Jason finally got to truly know each other

After a while of getting closer, you two begin to date, and it might just be the most beautiful relationship known to man. The way Jason acted before you began dating was nothing compared to now. That was just the bare minimum

You literally never have to lift a finger around him as he insists on doing everything for you. He opens doors for you, pulls your chairs out and takes your coats off for you. If you’re on a quest and you need to sleep, he makes sure you always get the comfier place and takes first watch

He also always leaves you notes. Sometimes they’re notes of motivation, sometimes they’re small poems about how much he loves you and sometimes they’re just really random

Jason is a big fan of taking polaroid pictures with you. After Hera stripped him of his whole life, he’s always had a fear of waking up one day with the same feeling he had on that wilderness school bus, so he takes pictures with all the people he loves and keeps journals and has a box full of all the things that are important to him in case it happens

He keeps one in his wallet at all times to ensure his immediate remembrance of you if his memories get taken again

(As if he’d forget you in the first place. Hera would have to pry the memories of you out of his cold, dead hands)

Your siblings love him so much too! They were a little stressed at first because he’s a child of Zeus, the God notorious for breaking the hearts of his lovers and cheating on his eternal wife, but he showed up at your cabin door to pick you up for a date with a bouquet of flowers for the cabin and then walked you back himself, staying outside until the very second the door was shut and now they love him LOL

Sometimes you think they love him more than you because they’re always asking about him

You spend a lot of time at his cabin. He disguises it as just really wanting to spend time with you and while that is true, secretly it's also because the Zeus cabin gets super cold and lonely and is also kind of scary at night, even though he sleeps in the one space away from the gaze of his father

“Honey,” Jason says, wrapping an arm around your waist. The campfire sing along had ended which signified the end of the day, and all around you, campers were wishing their friends goodnight as they headed to their cabins. You suppressed a giggle, knowing exactly what Jason wanted from the tone of his voice

You hummed, giving your boyfriend a bleary-eyed smile as you waited for him to voice his request. It was cute how even though you’d done this many times before, he still got shy at the idea of you two sleeping in the same room, on the same bed

“Would you maybe wanna spend the night at my cabin? I missed you today, and I can’t even begin to imagine how hot it must be in your cabin, with all your siblings in it, y’know.”

“Are you asking because you missed me or because you’re scared of daddy dearest?” You quipped, unable to contain yourself as his face turned bright red

“I’m kidding, Jase, of course I’ll spend the night with you!”

Later on in your relationship, when he’s sure you’re the one for life, he shows you around New Rome. He grew up with a peaceful life in the city being the goal, so it only made sense for him to show you around

Loves the way you light up at everything around you. He’d known New Rome for his whole life and could draw a map of it blind, but you make it feel brand new

Is ecstatic when you tell him you also want to start a life with him in New Rome. The moment you utter those words he’s already signed papers for an apartment and is drawing punnett squares to figure out what your kids would look like (I hate punnett squares they are the bane of my existence)

You know the part in The Notebook where the girl’s describing the house she wants? That’s what Jason showing u around New Rome reminds you of

Years later, you reminisce on the way you’d avoid each other as you tell your kids about your lives as teens in your lovely house in New Rome because he definitely did not die <3

[venusacrossthestars]

barbies

Pairings- Dad!Daniel x Mom! Reader

WC-1.1k

Summary- Daniel does in fact not know how to play Barbies

f1 masterlist

A/N- anytime I can slander Tika I will. IYKYK

Daniel had thought that he had the whole girl-dad thing down. He knew how to act during tea parties. He knew not to move during makeovers. He would sing, albeit terribly, during the Princes part of Disney song just so his little girl could focus on singing the Princesses part. He thought he had it all down, but there was one thing he couldn’t master for the life of him- playing Barbies. 

Everytime Charlotte asked him to play it always ended in frustration for both parties. It seemed that no matter what he did it was always wrong. On one occasion he had Robert, the Ken doll that was affectionately renamed, and Charlotte her Barbie- Margot.

 Daniel was laying on the floor, acting his part believing all was well. “Well don’t you look radiant today darling,” he said as he walked Robert into the Dreamhouse. 

This was all it took to set off the six year old, “No daddy! Robert doesn’t call Margot ‘darling’ he calls her babe and Margot calls him honey.” 

“Well why can’t he call her darling?” Daniel, genuinely curious as to why it mattered. 

“Because you always call mommy babe and she always calls you honey,” she stated it as the most obvious fact in the world. 

Daniel found it adorable that your daughter took notice of something as small as pet names and integrated it into her own little world. However, she wasn’t amused. “Daddy, you don’t have to play anymore, I can play by myself now.” She said, taking Robert out of Daniels hand. He didn’t have the courage to argue, knowing how particular she was when it came to playing with her Barbies. 

Later that night, long after Charlotte had gone to bed, the two of you sat in bed watching reruns of your favorite show. 

“Your daughter is very picky about her pet names for her Barbies,” Daniel tells you, remembering the incident that happened earlier. 

“Oh, is that so?” 

“Very much so, Robert only calls Margot ‘babe’ and she only calls him ‘honey’, and you want to know what she told me?” You hum in curiosity, Daniel continues, “its because those are the pet names we call each other. She then proceeded to relieve me of my Barbie duties.”

“As she should, playing Barbies is very serious business.” You tease back. “I was the same way.” 

“Why is it so hard to play dolls,” Daniel buries his head into his pillow. 

“Don’t worry honey,” you rub his back in soothing circles, “maybe one day you’ll get the hang of it.” 

“You never have problems when you play with her.” 

“You forget that I was a little girl once.” 

Every time Daniel, in his words, fucked up playing Barbies he noticed that Charlotte wouldn’t ask him to play dolls with her for a couple days. He didn’t want to sound childish, but it did in fact hurt his feelings. 

As usual, days passed before Charlotte asked him to play again. And as usual Daniel had somehow screwed up, but this was no ordinary screw up, this was monumental. He didn’t even know what he did wrong, things were going so well until they weren’t. 

“Mommy!” The little girl yelled, “mommy!” 

“What?!” Your voice carried throughout the house. 

“Daddy isn’t playing Barbies right.” She whined. 

In a matter of seconds you appeared in the doorframe, arms crossed over your chest, “what’s going on?” 

“I have no idea,” Daniel admits, “we’re sitting here and all of the sudden I’m not doing it right.” 

“Charlotte, baby, remember what I told you?” you remind your daughter. 

She nods in response, “I’m sorry daddy, I know you don’t know how to play Barbies.” 

Daniel looks flabbergasted at what his daughter has just said to him and looks at you through squinted eyes. “You told her I don’t know how to play Barbies?” 

“No, I told her you don’t know how to play the real version of Barbies, you think you know how to, but in reality you play the straight man way.” 

“What’s that supposed to mean?” 

“Baby, how about you and me show daddy how we play Barbies?” You ask your daughter, whose face lights up in excitement. She gets up and hurries over to her bin of Barbies to pull out your designated Barbie, Lisa. 

You move into the room and sit next to Daniel, “watch and learn from the master.” 

The three of begin to play and Daniel thinks all is normal, you are doing everything that he typically does, but things quickly take a turn. 

You walk up Lisa to Robert, “Hiiiii Robert, you look good today.” 

Charlotte, well Margot, quickly interrupts, “why are you talking to my man?” Daniels eyes widen, where did she learn this from?

“I was just giving him a compliment Marggie.”

Charlotte shakes Margot in faux rage, “how many times do I have to tell you that my name is Margot.” 

“Well I think its just the cutest nickname, don’t you Robbie?” You turn Lisa’s attention to the Ken doll Daniel is holding. Daniel doesn’t move or say anything. 

“Are you going to let her talk to me like that Robert?” His daughter- no- Margot questions. 

“See he agrees with me,” you move the dolls hand so it is now resting on Roberts shoulder.

This proceeds to set your daughter off. “I have had it with you and your flirting towards my boyfriend!” 

“Well what are you going to do about it?” You taunt. 

“I’ll show you what!” Charlotte exclaims and then lunges towards you and Lisa. 

Daniel just sits in shock, the noise of plastic colliding, your mock ow’s between giggles, and Charlotte’s laughter fills his ears. When he thought of Barbies he always thought of dressing up dolls, making little families, all that soft stuff. Not this. 

“You alright over there honey?” You ask your husband, who just continues to stare in disbelief  “Charlotte I think we broke your father.”

“I’ve never seen anyone play Barbies like this.” 

“Well this is how I’ve always played, but my mom did say once that I played…. Uniquely,” you shrug. 

“That was fun!” Charlotte exclaims, throwing herself into your arms. 

You cradle her close to your chest, “I’m glad, did you learn anything?” 

“Yeah,” Daniel responds, “that I truly know nothing about playing barbies.”

“This is mild compared to the scenarios I made up,” you admit. 

“This. Mild? What did you do to your dolls woman?” 

“I’m not telling you with such influenceable ears around.” 

“My God,” is all Daniel can manage out. 

“Hey, don’t judge me.” 

“I’m just rethinking my life choices.” 

“You asked me to marry you, you knew fully well what you were getting yourself into.” 

“Mommy?” Charlotte interjects, “can we watch one of those old barbie movies?” 

You groan. “They aren’t even that old!” You exclaim. “Which one did you want to watch?”

“The Island Princess one!” 

At that Daniel groans, “that’s the one with the annoying elephant isn’t it?”

taglist- crossed out names mean I couldn't tag you

@arieslost @miaa1001 @babybadger @k3nmakyan @livelovesports @aspens-trees @yeetskeetstreet @racingheartsposts @emmma232 @isalovestaylor @imchiarashelby1 @m4dyi @melissayalene-blog @gothicwidowsworld @lizzieolsenfan86 @firestormsandlightning @erjn45 @evelyn-4034 @vkncgzxf @naaanasworld @ladyoflynx @bre99 @foulsongfest @teenagedramqueen @kstyles-06 @asparklysoul @kodzzukenn @snakelore @lochnoch @hhppw7 @whentheautumnleavesfall @gxuh @clarasmagic @xoxonoire @annahowardsworld @estellabookreader @user2604 @babysitter19 @dylan-obrienn24 @sadisticfries @cocote1410 @prettylittlels @itsbwokenln4 @amandaauroraelli @wargetter @happylittlereader @2502zena @bathedinheat @itsmeeluciie @olivyamarvelgirl @justtprachisblog @its-cat-eyes @embonbon @nickxcorpse @accnt-1 @cosmoscoffeee @phantomxoxo @caramelahamilton @inejismylife @iloved111lfs @caseket @selsbackyard @alex0808 @blueberrysmoothie673 @sergantbarnesbitch @a-disturbing-self-reflection @bethiebeth12 @thereisa8ella @giada-chan @slaygirlbossworld @chuchiestpt

[benedictscanvas]

stop looking at me like that - roy kent x reader

pairing: roy kent x reader

word count: 2.5k

warnings: a lot of language, of course, and some very slight allusions to smut

a/n: and we're right back with a roy version! i didn't intend to write both, but the lovely @ironmanmagnetfridge sent in an ask to try a roy version of 'saved you a seat' and i couldn't refuse. i loved writing this, so thank you endlessly for the request and my ask box is currently very open for more roy or jamie requests in particular! <3

---

“We saw a windmill!” Jamie announces loudly, to which the whole coach cheers, yourself included. It was nice to see him so happy as he bounded down the aisle high-fiving everyone in sight. Roy may have sounded as grumpy as ever when he’d boarded the coach moments beforehand, but when he sank into the seat next to you near the back, you could definitely see the hint of a smirk on his face that he’d never admit to.

“Good night?” you asked him teasingly, only to hear him growl as he turned to you.

“Thought I said not to fucking ask?”

“I’m not asking, I’m inferring,” you hummed, undeterred by the attitude you’d become so used to, “You don’t have to confirm or deny anything. I’m glad you had a good time.” “You’re very fucking presumptuous, has anyone ever told you that?”

“You have. Many times,” you supply, grinning up at him and grateful for the fondness in the eye roll that you just managed to catch, “You like windmills?”

He doesn’t speak for a moment, and when he does, his voice is even lower, gruffer than before somehow.

“Fucking love ‘em.”

You nod, satisfied, and settle back into your seat to watch the boys fool about. They manage to get a song going, and you join in quietly albeit happily. When the same song dissolves into a chant that Dani seems to be leading in Spanish, you bow out and instead pull out your laptop to catch up on the vital emails you knew you’d missed during your time abroad.

“Do you ever stop fucking working?”

“Hey, you chose this seat,” you reminded him, still unsure why he’d chosen to sit next to you when there were a few empty seats he’d passed on the way. The thought made you a little too nervous to dwell on it though, “You should have known better than to sit next to the workaholic.”

“If I hadn’t sat here, I couldn’t do this,” he said simply, gently taking your laptop from your lap despite your protests and attempts to snatch it back. He held it over his head to the seat behind him and Rebecca caught on quick, taking it from him without a word. You pouted at him, then turned to glare at her through the gap between your seats.

“Rebecca! You know preventing the director of your charity foundation from working is probably a pretty shit idea?”

“I literally brought you with us for you to take a mandatory break,” she said firmly, “So fucking take it!”

She muttered something about you being a nuisance then went back into the dreamy trance she’d been in since she entered the coach, your laptop safely tucked away behind her. You sat back in your seat with an exaggerated huff.

“Being childish won’t help anything,” Roy reminded you, although he was definitely teasing you now if the light in his eyes was any indicator. You turned your glare on him, but soon relented, sinking back into your seat.

“You’re a bastard,” you say instead of replying.

“Yes, and…?”

You hesitate. He’s so annoying when he’s right. You’ve always hated him for it, particularly how effortlessly attractive he looked when he was gloating.

“And thank you. Happy now, you prick?”

“Very happy. Now we can talk on a coach journey like civilised fucking people rather than you having your fucking head buried in work every second.”

That one hit more of a nerve. Funnily enough, Roy had also found the seat next to yours on the coach from Richmond to Amsterdam, but you really had been preoccupied by your laptop then. Possibly the only time you’d spoken to him was to ask to squeeze by to get to the shitty bus bathroom. You had the decency to look embarrassed.

“I wasn’t the best seatmate last time, was I?” you said, “I am sorry about that, actually. When I’m planning these school visits, they often get a little all-consuming.”

“Don’t fucking apologise for all the fucking good work you do. Christ, that would make me a proper bastard. I saw some of the stuff you were doing on our way out and it’s important. Doesn’t mean you can’t take a fucking break, you know?”

You so want to take his obvious compliment in a cool, effortless way but you can already feel yourself getting hot.

“You were spying on my work?”

“Course I was. It’s a boring fucking bus and my seatmate wasn’t fucking talking to me,” he said, although this time he nudged you gently to let you know he wasn’t really annoyed, “I meant to say, put me down for the next school visit, will you? I know you’ve probably got enough, but…”

He doesn’t finish his sentence. You’re always surprised by how often Roy wants to be involved in what you do, but you shouldn’t be. He’s such a thoroughly good man wrapped up an unsuspecting exterior. You hadn’t asked him because he’d done the last four visits, but maybe you should have.

“I would put your name down, but some prick stole my laptop,” you said, teasing him this time. You finally managed to get a smile out of him, however brief, as he shook his head at you, “I’m kidding. Thank you. I should have asked, but I didn’t want to bother you. I’ll make sure you know about them from now on.” “Good,” he confirmed, a single nod of his head, and then a few moments later - “You don’t fucking bother me by the way.”

“Not even when I’m trying to work on my mandatory holiday?” you joke, and he just grunts, so you’re forced to continue more sincerely even though it isn’t in your nature, “I’m guessing that might be why you chose to sit with me yet again even though I proved to be shit last time. Tell me if not, or I’ll end up being flattered.”

Yes, you loved bantering back and forth with Roy, but there was some hidden truth, some vulnerability behind your words. You were desperate to know why Roy had chosen to sit with you not once but twice, when he had plenty of people on this coach that he was close to. The two of you had become firm friends, you liked to think, over the past year or so, but there was a spot next to Isaac he could have taken, or with Ted, Beard and Rebecca at the very back. Part of you needed to hear what exactly had driven him to sit next to you, so you could eliminate the tiny hope at the back of your mind that maybe he thought about you as much as you thought about him.

“I don’t fucking know,” he started, but you knew him well enough to know that was his typical response when he was trying to work out what to say, “You’re…you know. We’re…fuck.”

And he stopped there. For some reason, you were speaking before you thought about it.

“We’re fucking, did you just say? Could’ve let me know.”

You didn’t know what made you say it, but the way Roy’s eyes almost bugged out of his head, you decided it was worth whatever awkwardness it might create in him. You burst out laughing at his expression, biting your lip to try to curtail it but not succeeding. At your reaction, he seemed to calm a little, and there was even a little huff that sounded almost like a laugh from him.

“You’re fucking awful, you are. I was trying to say something fucking nice about you and you fucking ruined it.”

He was kidding, but you could tell he also wasn’t. Matching his energy, you leaned in to him and gave him your best puppy dog eyes.

“No, don’t let me ruin it! Go on, say it anyway,” you almost begged, wondering if any of this was working or if he’d get up and walk away from you to another seat any minute. You vaguely realised how vigorously your heart was beating, “Say it!”

“Fucking hell, fine! Stop looking at me like that,” he insisted lowly, and you made a point of schooling your face into a serious expression, “Sometimes, you’re…fun to fucking be around, I guess. I like being wi- around you.”

You caught his slip. He liked being with you. If you ran away with what that one might mean, you might not recover. 

“High praise. I like being around you too. You know that’s a normal thing to say to your friends, right? It shouldn’t be quite that hard.” “Yeah, yeah, you’re fucking great at all this emotional stuff though aren’t you? You run a fucking charity, Y/N. Some of us have to…work at it.”

He was being serious, so you turned down the teasing. If he was willing to work on being a bit more emotional with you, you’d do anything to keep that going. He’d also just complimented you again and you hadn’t complimented him back once, which wouldn’t do at all.

“Yeah, I know. You’re actually fucking killing in that department recently, and you know it, so give yourself some credit,” you insist, watching a shadow of surprise cross his face. He nods, but you get the feeling he’s still trying to convince himself.

“Got you to fucking thank for that. You’re a good influence. On fucking all of us.”

“You keep saying all these nice things about me, Kent, and I’m going to be really fucking flattered,” you say, trying to downplay the impact you might have had on him, on the team, “You know it’s that cowboy back there doing the real heavy lifting.”

“Yeah, he’s fucking insufferable with it, isn’t he?” Roy agreed, “But me specifically then. The last year or so, I’ve been fucking better, and Ted’s been here three years.”

He wasn’t lying. He had been getting better and better with his emotions, with talking to people, with ensuring the people in his life that mattered knew just how much they mattered. This was about the third time in a month that Roy had suddenly gone a spree of complimenting you, and although it made you significantly uncomfortable, you couldn’t pretend you weren’t over the moon about it.

“You’ve made me more assertive, I think. So let’s call it even.”

“No.”

“No?” you questioned.

“No. You were fucking assertive before, you’re just trying to fucking deflect,” he said firmly, in the typical Roy Kent brand of caring in an angry tone, “I”m thanking you, so just fucking say you’re welcome and we can stop talking about this.”

You hesitated, but finally got up the courage to reach over and squeeze his hand as you replied.

“You’re welcome, then.”

You didn’t let your hand linger, no matter how much you wanted to, bringing it back into your lap and trying to ignore the sparks that slid across your fingers and flickered in the pit of your stomach. You watched Roy’s hand flex where you’d just held it, but he was staring straight ahead.

There were a few tension-filled moments of silence before he spoke up again, still staring at the seat in front of him like he was scared to look at you.

“Would you like to go to dinner when we get back?” he asked, in a voice that sounded like he had rehearsed the syllables. Your heart rate spiked, but you forced it to come back to earth again. He could just be anticipating how hungry he’ll be when you’re back, wanting some friendly company for the evening.

“Uh, sure, I love dinner,” you say, then want to smack yourself for how stupid that sounded, “What do you fancy?”

He growls, looking like he’s about to tear his hair out and you wonder what you’ve said wrong.

“You, alright? I fucking fancy you.”

You pause. Staring at him while he refuses to look at you. Your voice comes out breathy and disbelieving.

“For dinner?”

“No, I don’t want you for-” he growls and punches the seat in front of him, hard. Colin yelps but then starts a train of it, punching the seat in front of him with a laugh until it travels all the way down the bus. You would giggle if you weren’t worried about the man beside you. He takes a deep breath, then speaks:

“I’m inviting you to dinner because I like you. The dinner is the least fucking important thing in this scenario. I can’t have another fucking conversation with you where I’m fucking hinting every two seconds that I like you, and you’re sat there just looking at me like you do, fucking oblivious. It’s fine if you don’t want to, but I do. Want to. And want you.”

You stare at him in delighted shock. Yes, Rebecca had told you that the man wanted to ‘shag the bloody daylights out of you’ and that you should ‘just look at the way he looks at you, for fuck’s sake’, but you’d never believed her. And even if you could wrap your mind around Roy being attracted to you, you could never have predicted him actually wanting to take you for dinner. It made him infinitely more attractive as you stared up at him.

“I’m done now,” he said, voice a little strangled, “Your fucking turn. Please.”

“Yes,” you said, taking a leaf out of his book. You were elated when he finally looked at you, confused. He was breathing like he’d just run a marathon.

“Yes?”

“Yes to dinner. And to the rest of it,” you grin and have never appreciated one of his rare grins more when it’s fully focused on you. Still, there’s no way you can leave this as a serious moment alone, so you put on your best Roy Kent voice and narrow your eyes, “I fucking fancy you too.”

He actually laughs, a proper one, shaking his head as he chuckles. You join him in it, of course, ignoring the shocked look that Jamie was giving you from a few seats ahead at the sound of Roy’s laugh. When you’d finished laughing, not knowing what to do with yourself, you punch his arm lightly. It’s giddy and genuine.

You think he’ll punch you back, but instead he grabs your fist and maneuvres your hands until your fingers are intertwined and your hands rest on the seat between the two of you. It only makes your grin wider, and you know you’re staring at him again even though he’s back to refusing to look at you. You think it’s because he’s trying to hide his smile, but you can see it. It’s all you can see.

“Stop fucking looking at me like that,” he says gruffly and you laugh as you turn to stare out of the window instead, grinning out at the landscape whizzing by. 

Roy squeezes your hand. You squeeze back.