#both of them do such problematic things to get to this point but like

[coffeeandcalligraphy]

too lazy to transcribe what I wrote for BB today so why don't you have all of Seventh Virtue chapter 19 instead! :)

this is probably the shortest Fostered-verse chapter I've ever written (300 words). also if you want to see what a degree in poetry teaches you, it's this HAHA

context serious: after Lonan barrels back into both of their lives under mysterious (and borderline murderous) circumstances, Harrison & Reeve separately rush to find him.

context silly: Harrison and Reeve are like "wow Lonan really tried to take us both out literally a day ago why don't we both be guided by our joint custody bestie brain to separately do crimes in order to see what the actual fuck is up with him even tho this is against the wishes of our very logical friends."

under the cut!

Seventh Virtue. Contemporary fantasy (2022).

Chapter 19: Half/Half

They both get in their own way. Harrison with the bobby pin he’d stolen from the nurse, Reeve by kicking in a stained-glass window on the roof’s dormer. He could use the key card Estelle gave him but doesn’t want any surprises. She could charm someone else like she charmed Daniel from Orange County but has had enough of sweating into men for one night.

Harrison doesn’t need to see in the dark. He’s been in the library once and navigates it a second time with ease. Tunnels in the library’s basement, he reminds himself as he hustles between shelves.

Tunnels in the library’s basement. Reeve finds them easy enough. She spent a year learning to be invisible out of survival, learned exactly how to move through crowded streets as if she were not there at all; she does the same inside an empty library with grace. Down a hall, then a staircase, turn left, right.

Left, right. Harrison might not be as graceful as Reeve, but he sure is determined. A door labelled EXIT in cherry red letters blazes near the drink cart he and Foster had previously taken their share of. It can’t be that easy, can it?

It’s easy, how Reeve drops down another flight of stairs, and then another. She is air, a feather falling from a raven’s wing.

A wing of hallways beyond the EXIT door. Harrison follows them until he reaches a staircase on the right, yanking off the security guard’s jacket and gloves as he goes.

Go. This is the only thought in Reeve’s mind. She needs to move like a spider effortlessly scaling its web. She needs to find Lonan.

Lonan. What will Harrison even say to him when he sees him? He races down another flight of stairs, and then another, until there aren’t anymore, the thought and his pace juddering his heartrate. Go, he thinks. Go.

Go.

Go.

They collide.

[sp4ceboo]

rant but im a bit scared im going to get attacked

[grassangel]

One of the things that annoys me about billionaire romance/power fantasy books, as a lower-middle class kid who had the fortune to go to semi-private Montessori schools and thus knew upper class kids and is fortunate enough to have inherited some wealth from my deceased dad, is the lack of visible infrastructure to maintain or increase that wealth.

Like yeah, most of it will be invisible or done by people hired by the protagonist but only sometimes will there be a mention of a financial advisor such as an account or bank manager. (Both of which by the way, are not what people with millions of dollars would use as financial advisers. At least not solely.) Wealth management as a service like legal advice, security, household staff (ie cleaning, cooking, landscaping & household maintenance), personal assistance (ie secretarial, health, exercise & nutrition; hair, makeup & clothing) and public relations, where a whole team is involved, is rarely if ever mentioned. There's almost certainly no active management mentioned, just what's in the bank and maybe whatever investments in stocks, businesses and properties a character owns. There aren't discussions about seeking higher returns through private equity or claiming a loss on devaluation of an asset purposefully bought to lower their income (on paper) for tax purposes. There aren't characters talking about how they'll vote at the annual meeting for shares held in direct ownership because they want a board member ousted, or directing their custodian to vote that way. No discussions about the tax rates of investments held in trusts vs held by shell corporations vs held in their name, nor the privacy benefits of the first two.

I know billionaire romances are just fantasy and most people don't care about the economics of wealth, just the projected image of it.

But I think it is morally correct for such authors to do at least a little research into the wealth management of the rich by reading articles like this Financial Times one, and rip away the curtain a little bit to show their readers how billionaires actually obtain their high scores in money. Because it's definitely not through hard work.

[pleafyistired]

anyways, i think mo4 is just a really interesting case of when characters morality is based of their friendship, not really on whats actually good or right. Of course normally, media that revolves around friendship tropes like mo4 has characters that also do everything and anything to protect their friends and loved ones, and its just so happened that these people they called friends are nice and the people who are attacking them are bad. But in the case of mo4, the characters are actually shown to not care that much about the fact that their friends are fucking horrible and not even that remorseful about their actions, they say theyre remorseful but their actions never reflect it. They only care about the people they called their friends. Not the greater good. We felt so wrong watching them because theyre only stopping the “evil cooporation” (that was totally their fault) because their intention was simply their friends were hurt. If mcdr in this case hurt someone they dont know about and is an absolute stranger to them, chances are none of them are going to be pissed and stormed off to stop it. Maybe they’ll say something about that being bad, but its really doubtable theyll do something about it.

morality shouldnt just be based on protecting your friends. And mo4 really showcased it well :3

[arolesbianism]

Why must I only be capable of coming up with cool art ideas long past midnight

[theseerasures]

imagine becoming friends with this girl--not like, super close friends, just on friendly terms--who seems destined to become an influencer. she's not one yet but she already has a following at the school you both attend and everybody likes her because she's nice to everyone and pretty funny. one day she starts hanging out with this absolute loser buzzkill sjw and at first you're like, fine, it's a good look to shout out smaller content creators, but then they just never STOP hanging out

one day both of them leave campus to go on a day trip and clearly SOMETHING happens, because right before dinner you get an emergency alert on your phone that her loser friend is on the FBI's most wanted list for animal torture? the popular girl's not answering any of her texts, even from her hot metrosexual boyfriend that she has, and no one hears anything until the next day when she goes Live and announces that she got a really big sponsorship from THE PRESIDENT, no followup on that thing where her bff apparently was a terrorist this whole time

the next few years are really scary because the terrorist keeps evading capture and like, commiting so many atrocities and the details always end up getting leaked. you're terrified in particular because duh, you went to school with that psychopath and apparently she was doing all these terrible things and turning into some freaky three eyed snake when you weren't paying attention. the one spot of joy for everybody's doomscrolling is the popular girl. she does an adread for the government at the start of all her stuff, but the content itself is just like. hauls and GRWMs and makeup tutorials with the occasional day in the life sprinkled in, which is always nice to consume after another horrific news cycle.

she gets engaged to the hot metrosexual boyfriend from school eventually and does an Engagement Reveal bc of course she does, and it's...really weird?? hot metrosexual fiance leaves abruptly halfway through and then the whole thing turns into like. this bizarre apology video, with crying and everything, only she doesn't give specifics or context AT ALL before it's over and she goes back to doing a mukbang with some of her fans and your old principal, who probably got her that government sponsorship. apparently some crazy shit happens to the country after that but you weren't really following it bc you were too busy talking with your friends about what the FUCK was up with that engagement annoucement. you all go back through her history to figure out what problematic thing she might have done but you can't find anything, other than being friendly with the terrorist chick when you were all in school. obviously she couldn't have known about the terrorism back then, so it might just be drama farming. she's a pretty bad actor

except she doesn't post again for a few days, which is worrying since she's ALWAYS followed a super strict upload schedule, but the country is pretty much on fire at that point, so. when she next posts you're pretty excited, because maybe you'll get an explanation for some/any of this, or preferably a sequel drama video

instead she tells you that the terrorist chick is dead, the president is. resigning? leaving? also dead? and he never sponsored any other influencers, which means she's president now, and after she throws your old principal in jail she's gonna teach everybody how to be nice

[eloiseyybish]

Does anyone else think about how kinda problematic it is for people to just assume that Eddie is gay because of how he has treated his wife and gfs?

He was a bad husband to Shannon, but I'd always assumed (based off we know from canon) that he felt guilty for getting Shannon pregnant and married her due to the pressure he felt from the Church and both their Catholic families (THIS is where the Catholic guilt comes is friendos - not exactly related to latent homosexuality).

Not to mention, Eddie needs THERAPY and a lot of it to deal with his unhealthy relationship with his grief. Like, the whole point of the Kim arc is to show that he has unresolved feelings for Shannon. Ultimately, he knew she was going to leave him, and then she died before they got the chance to actually talk further about what that meant. He never got that closure from the relationship that he may have gotten from her if they managed to go through with the divorce she wanted. At the end of the day, Eddie looks back on his time with Shannon with rose tinted glasses because his memory is being selective (something that happens in grief a lot, you remember what you want to remember and forget the...less good times), and sees her as the big love of his life because of that. Not to mention, he started having panic attacks with Ana because (and they actually say this in the ep) it was becoming a ready-made family (which ties back to his unresolved feelings for Shannon and her role as both Eddie's wife and Chris' mother...). It felt like Ana was stepping straight into Shannon's place, and Eddie struggled with that whole concept.

Not to mention, Eddie has been a terrible boyfriend to every single woman he's dated and it's so deeply problematic to say that he's treated them badly because he's gay. Like, do you see how bad that is?

It's actually super misogynistic to say that if he suddenly started dating Buck that he would treat him so much better and be a great boyfriend to him... just because... he's a man. Eddie (in his current state) would be a terrible partner to anyone!

Also, just a little note here, I'm not saying you can't have headcanons for characters, but the insistence that Eddie is a gay man because "there's no other explanation for how he's treated the women he's dated" is actually so harmful, not just to women but also to gay men.

I just wish people would think a bit more about the things they say and what the meaning behind what they're actually saying.

Anyway, sorry for the rant (and you can disagree with me if you want, that's what fandom is for, but don't start sending me hate because you will just be blocked, I don't have the energy)

[wonton4rang]

can you do riize bf hcs? 💗💗

hiii, ofc!!! my first riize request/ drabble/ thought, oh my :')

btw, guys, i wanted to make something clear with my riize content, for me riize is 7. i understand that some might be mad at seunghan for having a normal life and dating before he was even an idol, or smoking like he's harming your lungs or something, but i don't really mind. he worked hard to get here and even though he might have come across as someone problematic, i believe we should never mix the idol's personal life with their job (in this case, as it's not something that bad, it's not seungri y'all iykyk). they are people, you talk shit behind someone's back too and you don't get fired for it so please understand this and respect my point of view <3 if you feel uncomfortable with that, feel free to stop reading my riize content and live your life.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Can I be your boyfriend?

pairing: riize x reader.

warnings: +18, mentions of smut.

summary: how i think riize would be as boyfriends (two povs - daily life + intimacy)

note: i had like over 3-4 weeks with this in drafts because i couldn't finish the maknae line (han, hee & ton) but here it is, hope y'all enjoy !! my first riize post <33 pd. i did NOT read this again so it might contain typos, i will try to correct it asap :')

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

shotaro;

daily life: he would be a really funny and nice boyfriend to be around. being so kind and his eye smile being so dreamy that you could literally feel your knees getting weak and that fervent desire of pinching his cheeks. he would definitely selfie text you every time he can, "how you doing, baby?" *insert selca*, "did you eat something already?" *insert mirror selfie*. plus, i also think that he would be the type to like to have you on his lap. idk, it just feels right and natural to me.

intimacy: i have been seeing taro since nct and tbh the amount of sex this dude likes to have is insane. like i just see him fucking you three times a day like a fucking meal. he would be fast yet precise, nothing sloppy or out of place, he would whisper in your ear how much he likes you and would give you a reassuring smile when you were about to come that just melted your heart over and over again.

eunseok;

daily life: contrary to his usual behaviour and demeanour, i do think he would be very touchy. probably not really bubbly or acting all cutesy but he is for sure having an arm around you at all times, acting like it's the most natural and normal thing and like he isn't thinking about the way you breath under his touch with every second that goes by. he would also be the type to stare at you all lovingly when you are saying something and then nod with that "i love you so much i'm going crazy" smile on his pretty lips.

intimacy: i have two things for this one, or he is very dominant or he is a lay back type of person. let me elaborate, in both of them he is dominant but the first one is him actually taking control of your movements, physically manipulating you during sex to get you where he wants, when he wants it. on the second one, is more like he layed back and told you to ride him or something but his face has that smug look that you loved-hated because it meant that he was not touching you and you had to do all the work today. but honestly, i feel like he could also have his lovey dovey days and just make love to you!! also, the way this man loves to receive head has to be studied. it came to me in a vision and i actually can give testimony of it :p

sungchan:

daily life: do you guys know this stereotype of the typical sporty, extroverted, funny, tall, handsome and very loving and centered boyfriend? well, meet sungchan. he would video call you at any time, during his morning lecture at college, during his workout session at the gym, while he was waiting for the showers to empty on the changin room. always, everywhere. he would drop by your house almost every night to check up on you since your job and his daily schedule at college wouldn't allow you guys to meet. he would be the type to be so offended if you ever think he would cheat because he doesn't have eyes for anyone else but you !!

intimacy: mr. i'll make love to you on weekdays and get freaky on the weekends fr. he would usually fuck you missionary, looking into your eyes and kissing your lips like a starved man while his dick reached so deep inside of you that your legs would shake. but when the time came, he would also get creative, bending you over the dining table and fucking you raw before pulling out and coming in your ass, ruining your pajamas but making your night the best :((

wonbin:

daily life: princess treatment type of boyfriend. but not just towards you, he is expecting the princess treatment right back. he would dress up so nicely to go and see you, expecting to find you on your best fit too! he would like to help you choose your clothes and even go shopping, getting you both matching jackets and jewelry. idk why but i also see him as the type to like to cuddle at home with you while watching a movie over going outdoors.

intimacy: he has the strength and the body the fuck you senseless but hear me out when i say this man is more of a sub that you could ever imagine. he would try to play it nice and not be so obvious about the fact that he is creaming his pants when you start to move while sitting on his lap, he would hold his soft whines in by biting his bottom lip and then lowering his head to hide the blush across his cheeks. and it doesn't take you a minute to notice and drop to your knees so you can suck him off, feeling his delicated hands tangle in your hair and press you down so he can slowly fuck your throat. just have in mind that your pussy it's next and wonbin has one of the best staminas i've seen in a dancer.

seunghan:

daily life: i personally see seunghan as an energetic person, always trying to be cheerful and thinking of a joke that matches the current vibe, or just laugh along, but i also feel like he'd be a very romantic boy. really into this gentleman persona that would have you weak on your knees and giggling all day, he would take to you to sweet dates, matching couple sweaters and bracelets, long walks at night while you just hold hands and then end up kissing in the entrance of your apartment before trying to say goodbye because he would push you inside and cuddle you all night whenever he has the chance </3

intimacy: yeah i guess we all know where i'm going with this but lord have mercy on you when he decides to show up and say it's time to get naughty. he would start with soft touches, kisses that would slowly get longer and deeper, and a long forgotten movie on your living room while he undressed you on your room. he would be rougher than sungchan but relatively slower, fucking you nice and deep rather than fast and sharp.

sohee:

daily life: pookie. the pookiest pookie of all. but heads up, he might be really cute, his smile might look so innocent that would make you second guess when you said something with a slight double sense and he just look at you like 🫣 he would try to make you food, try to help you around in the house, try to even help you with your homework but would only end up sitting by your side, caressing your frame, your arms and hair, while he made you one or two jokes and sang some lovey dovey tune to your ear.

intimacy: contrary to popular thought, i don't think he is THAT much of a sub. he mainly is, yes, but i also feel like he would be a great dom. like, picture sohee, nicely built body, sharp eyes, playful smirk, freaky hands and sweet yet masculine voice tone whispering in your ear how good your pussy tightens around of his dick, his hands holding your waist and your fingers tangled in his hair... yeah, we need more dom sohee content :')

anton:

daily life: i've always thought that he would be the messiest boyfie ever. he would try to impress you by doing or saying stuff you really didn't care about but you found it so adorable and endearing that you eventually had interest for all the stuff he showed you, because he wanted you to know you had a great and knowledgeable boyfie!! but on the other side, he would just be himself, turning into this boyfriend-best friend kinda thing that you both loved.

intimacy: idk why i feel like he would be a little shy. maybe not shy shy but like he would hesitate at first, not knowing if you'd like this or that and doing none because he didn't wanna make you uncomfortable. however, when he finally gets a hold of you??? gurllll you better be ready. i feel like he's the type to slowly fuck you so good you would end up edging most of the times because he would just be so patient, so precise and yet lacking velocity, but it was on purpose because he would bring your orgasm in a silver plate when he thrusts so fast into you you actually think the bed would crack.

[literaryvein-reblogs]

Food in Fiction Writing

Often, we structure our days around food; a family meal, the office lunch break, dinner out with friends or maybe late-night instant ramen to get you through a deadline. But how do you include these moments in fiction writing? And what can you make this say about your characters?

Food as Habit

Giving your character eating habits and tastes can really flesh them out.

Try to think about where they eat, who with, and what?

Habits make our characters come alive, giving them the sort of real interior life that readers can identify with.

Make use of their tastes in moments of emotion – after a climactic moment, do they come home and relax by cooking, or try and escape to a fancy restaurant among friends – or do they not have the energy to eat at all?

Food is a great way to show character rather than telling.

Food as Subtext

Another great way food can show instead of telling is to use it in a conversation, when people are saying one thing but meaning another.

Often, when people argue, it starts off as a small problem – like burning the dinner, or what restaurant to choose.

Use food as a starting point in conversations when people are letting out their emotions through another meaning.

Let your characters debate their marriage through a restaurant without enough vegetarian options, or show someone’s romantic interest through appreciation of a badly cooked meal.

Food as Structure

You can show a lot about the order of a character’s life through when they eat.

Meals are a very everyday moment in your story that can provide order or disorder – if your character has to meet someone for lunch, obstacles preventing this can provide tension.

Eating is often entangled with a tight sense of time, so use this to your advantage.

Even small moments of tension and disorder can add a lot to your story.

Food as Sensation

Food invites rich and flavourful description.

All our senses are engaged while eating – not just sight and taste.

Think about how you can describe the intense smell of a curry, the way it feels as you chew it, the sizzling sound of the frying pan and the bubbling of the rice.

Create a rich sensory experience in your reader, maybe try and make them hungry.

A full-bodied description will make your scene come alive.

Food as Setting

Food is rich in cultural associations and tradition.

Do some research into where you are setting your story and explore what people there eat, when, and why – your character might be eating Sil (pickled herring) in midsummer, as is the tradition in Sweden, or celebrating Diwali with Besan Ladoo and other Indian sweets.

It is important to build a sense of specificity into the food.

But don’t fall into the trap of problematic food and cultural stereotypes – a character could just as easily be eating a burrito in Manchester as in Cancun, Mexico.

Food is often a shortcut to cultural understanding.

In the same way that literature connects stories with disparate readers, food itself acts as a vehicle for empathy in the communication between cultures and communities; both food and literature connect the self to the other in an act of empathy.

The act of eating is intimate, and hunger is vulnerable.

Picture your protagonist at her weakest, then give her a big plate of meaty spaghetti bolognaise, a Styrofoam tray of late-night cheesy chips, a ripe fresh peach, a hot bowl of Pho, or maybe an ice cream sundae.

At once, the writing will be enhanced simply for all of the rich sensory detail, and we will also see this character more clearly – she is given something physical, and a tension rises between the comfort of the food and the struggle of her situation, whatever it may be.

Stories thrive on tension and its release, and food is an incredible tool to either deflate or enhance that tension.

Food is inexorably connected to humanity, and so naturally plays a significant role in literature.

Food writing offers sensuality, symbolism, tension and empathy – for your readers and your characters alike. 

Even if you're not writing foodie fiction or lavish descriptions of every meal, you can still use food to help readers learn about your characters. For example:

A character you want to depict as adventurous might try unusual foods from their region, like crunchy grasshoppers or grubs for an American, or a character can show that they're stressed and busy by forgetting to eat or chowing down on prepackaged food because they don't have time to cook.

You can show readers a character's heritage or familial background by having them cook or remember beloved family recipes, or demonstrate that they're artistic by having them plate their food beautifully.

A tip for writing about food is to use all 5 senses in your descriptions to really help your reader see, smell, taste, feel, and even hear the food.

Try and avoid words that are general and can make it hard to envision something specific. Let's take an apple.

We could call it delicious and beautiful, but that doesn't help us understand the specifics of what it looks and tastes like.

But if we say that it's shiny red, that it smells fruity, tastes sweet but also puckeringly tart, and that your teeth crunch on its firm white flesh, you can almost envision it yourself.

Wine-tasting can help you find words for fleeting and elusive flavors.

Keep a book of adjectives that work well for flavors: salty, sour, sweet, sugary, sharp, spicy.

Smell is important too: vinegary, burnt, fishy, fruity.

Temperature may be a little easier: hot, warm, cool, cold, iced.

Texture: dry, slippery, hard, damp, nutty. And so on.

How to Describe Food in Writing ��� The Vocabulary of Wine

Sources: 1 2 3 4 ⚜ More: Notes & References ⚜ Writing Resources PDFs

[zorciarkrildrush]

I think the essence of what drives me crazy about current Enlightened Online Leftist Discourse Regarding My Life Personally And Whether This Time Killing Me Is Morally Correct (as in, commentary about the latest episode in i/p violence) is this:

I want a free Palestine.

I don't personally know a lot of people that don't! They might bristle at the tagline, because it's co-opted by people who do in fact want them dead, but as soon as I lay out why it's in literally everyone's best interest, how a non-free Palestine is horrific both to the people of Israel and to the people of Palestine, how pragmatically ridiculous the occupation of the west bank and the siege upon Gaza are (and I am a very pragmatic person), they get it. And I don't mean I debate people online about it - this, too, is a ridiculous concept - I mean having, time and time again, the deradicalization conversation with my friends, and colleagues, and my family. Obviously not only now - I've always been a very principled and argumentative Jew, ever since I became an adult - and I've been alive for, I don't know, a dozen flashpoints and operations and wars at this point, and I don't stop being argumentative and loud in peacetime either, but especially now.

But that's not what "from the river to the sea" means.

When you, gentle soul from across the sea, echo this slogan, you are either:

By apathy or will, ignoring that the sentiment cheers for the mass expulsion and killing of Jews. Indeed, any non-Muslim present from the river to the sea. This doesn't even begin to cover how even Muslim arabs still will not be safe under Hamas rule - and trust me, I don't care if a Hamas apologist told you different. A victory for Hamas (And we're ignoring the fact they do not have the military capacity for it - I hope you are aware of the privilege inherent to not understanding military conflicts) means exactly that. No "rule by the people". No socialistic, Palestinian utopia to be had, which is a fantasy I'm seeing alluded to a lot recently. Just an extension of the horrific power structure in Lebanon and Syria, where Hezbollah - friends and allies to Hamas - have been playing a tango for decades of both refusing to participate in actual government and betterment of civilian lives, while still draining their resources and controlling them with no real contest. "From the river to the sea" is not a sentiment for freedom fighting - it's a sentiment for a final solution to the people living here who are either Jewish, or for some Very Strange And Weird Reason would rather not submit to Hamas rule. You know - Israeli Arabs, secular and Muslim and Christian, Druze, Circassians, Bahai, take your pick. Their suffering, and my suffering - you know, a person who made the strategic error of being born in Israel while Jewish, which is inherently problematic and not okay of me - don't matter to you. Just the fantasy of an easy, morally correct cleanse of the land.

Are well aware of all of the above! You just don't care. You either smugly chuckle that I, and anybody else who will die, deserve it - or that it's an acceptable loss for the aforementioned fantasy. "Decolonization is an inherently violent process", you'll say to me, chillingly, before implying I have a summer home in Brooklyn I can just retreat to when things get tough. Israel is basically Rhodesia, a very popular blog here mentioned flippantly, so what's the issue with all of those lily-white Jews fucking off back home before the righteous freedom fighters strike them down? Well. This might be the part I urge you to open a book, or even Wikipedia or any god damn thing that will explain to you these upsetting, dense things you clearly struggle with.

It's easy for me to discount islamophobes. Like, very easy. It's very easy for me to discount insane evangelistics who "advocate for me" simply because I'm a pawn in their religious rapture. It's easy for me to fight against Israeli and Jewish fascists - I have been long before this news item came across your feed, as did the insinuations that some civilian deaths are okay, actually.

It's easy for me for me to see promotions for donations to non-political aid in Gaza. It's easy for me to see the sentiment that hey! Palestinians deserve safe, healthy lives. That they have deserved an independent state, and were unfairly denied one, for decades. It's easy for me to see people saying "You know, the Israeli government is shit, actually, and their actions endanger and promote to the misery of innocents". Because that's right! I wouldn't be voting and protesting and donating for all of these sentiments otherwise!

It's not easy for me to see people, who I honestly held in high regard and saw having well thought out opinions on important matters, inadvertently echo the sentiment that my death is acceptable. That a terrorist organization, who rule over their own territory with fear and violence, are righteous freedom fighters, vox populi, only out to establish a free state. Like hey, their manifesto said otherwise, so it must be all there is - right? That Jews are just hysterical, they can easily live elsewhere - ever since that nasty holocaust business everything's fine abroad. Besides, it was just so long ago who even cares stop talking about it. Hamas, Hezbollah, ISIS, the Ayatollahs in Iran, the fucking Islamic Jihad - are not interested in freedom. They aren't, and echoing their slogan tells me you are either ignoring that, or support them anyway. If antisemitic rhetoric, half truths and lies by omission work on you today, they would have in any period of time. I'm sorry this makes you uncomfortable. I'm not, not really.

So finally:

Know what your fucking words mean. Have a cursory glance at the history of the MENA and why it's so fucked, one that doesn't boil down to "The Jews, with American help, rolled into where they don't belong". This isn't even a joke. I've seen this braindead, history-revising sentiment repeated so many times, both online and in actual textbooks, that I feel I'm going insane. So many well-meaning people handwringing and assuring each other that repeating genocidal slogans is fine, that calling the i/p conflict "a simple problem" (which means it has a simple solution, right? Just kill the Jews.) is a well-adjusted and intellectual take. That "only the Zionists should die! The rest will be fine :)" I dare you to say that and also give me a correct definition of what Zionism is. Why I, a Jew that advocates for Palestinian statehood and rights and safety and always have, won't also face the wall in your little fantasy.

Freedom to Palestine. Peace in the middle east, fucking yesterday.

A curse and a plague on those who don't want either of those, and just want to cheer on the death of "the other side".

A curse and a plague upon you, when you tell me, smugly, from somewhere safe and far away, "from the river to the sea".

[daffodils-and-viscera]

i've seen a lot of posts comparing mastermind to truth seekers but hear me out: ozzie's

SO this may be long buckle in. these episodes kinda have the same plot?

blitzø has found himself in a bit of a sitch, as it were...

our beloved dramatic gay owl is at home watching gabriela pine over alejandro, when suddenly... blitzy is in trouble! omg let's get cunty and go save the day!!

however, despite showing up and saving lives (he may have literally saved blitzø's life in mastermind but that outfit from ozzie's changed all our lives forever soo...) blitzø isn't necessarily ((outwardly)) happy to see stolas (((we all know he does not mind stolas' ass in his face but stay with me here)))

stolas' privilege allows him to be immediately heard and not punished by the people who would never listen to blitzø's side of things, and stolas gets to be his dramatic lil bitch self and we love to see it

in ozzie's, blitzø has his past come back to haunt him in so many ways, he is put in the spotlight and he is decidedly not comfortable there, being called out for all the shit he's done to fizz and verosika and even m&m - HOWEVER! as we all now know, all of those people actually care about blitzø and he was just being his lil destructive self. he is given the chance to defend himself but it's overwhelming and he kinda freezes up

in mastermind, blitzø is being outright blamed for things he didn't do but like.. he actually didn't do any of that ! and yet he can't defend himself because nobody would listen to him even if he wasn't gagged.

the difference between these 2 episodes is in stolas' behaviour when HE is put in the spotlight- at ozzie's he is freshly separated from stella and probably hasn’t done anything social for a long ass time and he’s not used to being in public. and here’s this thing that he thinks is gonna be fun and will help blitzø but he is not able to express himself so he hides and the result of that is blitzø pushing him away, literally doesn’t want to touch him

in MASTERMIND our birdy babe is singing his lil heart out with no regard for what anyone else thinks of him or what might happen to him, which is so beautiful (but also stolas pls try not to inhale the water).... when he doesn't hide his feelings from blitzø we see how perfect it could be when their inner worlds merge and they are finally on the same page, and blitzø does the furthest thing possible from pushing stolas away !!!

(he did however still neglect to consider octavia's feelings when he decided to drop everything for blitzø... with devastating implications in mastermind) sorry to bring the mood down but this needs to be pointed out

in ozzie's, stolas tries to invite blitzø to his place (and we all remember how well that went)........ blitzø goes home alone and loona is not there, he is all alone and sad curled up on the couch on his phone looking at all the people he believes he's let down and it's heartbreaking

when stolas goes to blitzø's place in mastermind, stolas gets all the love and support blitzø has to offer and loona is there too and blitzø curls up on the couch on his phone looking at all these people who love and support him!!! and then he makes the couch all comfy for stolas and he’s not alone?? like they’re both so not alone that it hurts my heart to think about. these 2 have so much love for each other and yeah there's gonna be tough times ahead but they are not alone! !!!!

basically both eps end the same? but also everything is better now? because blitz was loved before he just couldn’t see it through all his nonsense

and stolas is still in a messed up situation and he's still kinda problematic and he couldn’t see it before through all his nonsense but now he’s more self aware?

the real difference is they have each other now! they are so not alone it makes them look stupid!!

anyway this is the longest post i've ever made sorry if it's rambly i have adhd and a lot of feelings about these two

[blairwaldcrf]

@lyinoptimist On why Louis is a better character with a richer story because of the way they brought race into the show:

[captioned: I agree with his Interview with the Vampire take, and it's not just that I care more that they're black, it's that I care more that they are black in a world where the creators know that they are black and write the story accordingly.

I remember when they cast Jacob Anderson to play Louis in this story a couple years ago and people were confused and nervous and a little bit angry as to why they cast this black man to play a character, who at least in the original story was a plantation owner that owned slaves & let them go I think eventually, but still it's like "what is this choice that you're making?" and the creators were like "no, no we know what we did".

And so now Louis like owns a brothel instead, and it's like Creole and like down in Louisiana 1920s, and you're like, "Oh, that's a pretty solid adaptational choice."

And I think ultimately the decision makes Louis look a lot more relatable, and also makes the story a lot more relatable because at least it would be harder for me to recommend this story if old Louis was the one I was telling you was in this really great show. It's like, "yeah... but he owned slaves...", you know what I mean?

It's just one of the things where it's not something I have to get into with other black fans who are really into like fantasy stuff who maybe don't want to engage in that sort of like problematic content.

Beyond Louis and Claudia being black and then Armand being like South Asian, it also gives us a really interesting look into different readings of the text now that the characters playing it are adapted in this way. This happens a lot in season one remember... like, because Lestat makes both Louis and Claudia he can no longer read their minds, but Louis and Claudia can still read each other's minds. And so in this kind of familial dynamic they've established for themselves, Louis and Claudia have this literal telepathic understanding that Lestat will just never be privy to and you can kind of read into that. It's like a metaphor for their relationship being with two black people in the household and then moving through the world and understanding the world in a way that is just different from Lestat. There's an underlying racial anxiety to Louis and Lestat's relationship that makes it, you know, more complex and like more fun to watch.

Season two there's less of it, but you have things like racialized trauma being used as the backbone for the trauma that the characters are experiencing to both highlight how horrific the things they're going through actually are.

Like Armand and his like, being sexually abused as a child in that specific way very much has the connotation of like, this happened to him because he was a vulnerable brown child and this very powerful white vampire came--presumably, i don't know who they're gonna cast but i was reading into it--came by and did this to him. And it's like, okay yeah, that complicates that dynamic a bit more.

Same thing with the execution that happens to Louis, Claudia, and Madeline at the very end of the season which is very reminiscent of, like-- Claudia even calls it a stoning but I would also argue that there's, like, elements of, like lynching to it, right?

Like, it's very horrific in a very relatable way to Black people, which I think it's drawing upon that but it's not necessarily like glorifying it in that way in order to like make the point that it wants about like, the tragedy that these characters are going through and I think it just makes the story that much richer and allows for a lot more interesting new perspectives because these characters are people of color now and that's what you can do with a good adaptation and like, these creators they understand that. ]

[seekingserenity333]

Astrology Observations - 1

Thank you everyone for the love on my first post! Please do let me know if things resonate with you, sending love! I'm still an amateur, so take what I say with a grain of salt. +18 parts are in red, you can ignore if you like!

(+18) 1- Venus in Scorpio natives might feel that love is like a slow burn poison, loving too much hurts as much. They are very intense when it comes to intimate relationships and even though they might try and satiate their sexual thirst with one night stands, they will try and find someone they can regularly see and form even a slight connection. They are also lucky in the genitals part- although they're prone to STDs and might feel a scare at some point, they should be careful.

(+18) 2- Uranus in the 1st house/Aquarius ascendants might be from a young age tech savvy, their parents might even ask for help figuring out new appliances. If Venus and Uranus make aspects, they might experience a long distance relationship with someone from a different culture. They might also like sexting/cyber sex

3- Sun in 12th House and/or Saturn in the 1st house might indicate an absent father. The natives might have to discipline themselves or they might have the other parent step up for them. This may also indicate their personality blooming late

4- Mercury sextile Venus might indicate a way with words, interest in literature and being a great communicator. They can calm down a heating argument just with their words, making both parties laugh even

5- Lilith in the 2nd house might indicate being underweight and problematic relationship with food. They might skip meals without even noticing and don't have much attachment to tasty food at all

6- Mars in Scorpio natives might feel a big rush of energy when they feel threatened, as if they can take down tens of people. If Mars aspects the ascendant or planets in the first house, it can give the native a strong build no matter the size/weight. They might gain muscles without noticing and have a triangle shaped body. (Though this depends a lot on other placements too)

7- Gemini placements can be chaotic and unstable. They might have different personalities with different people, and can feel strong mood shifts. In personal planets, the native might want to constantly keep themselves busy with all kinds of media like series, anime, books, manga, music etc. and they can't quite get enough. After being done with something, they'll go through social media and forums on the subject and engage in conversations until they find their next craving

[callmelittlebuttercup]

Man Up - One Shot

Pairing: Jackson!Joel x f!Reader

Summary: After hearing from his brother, maria, and Ellie that Joel likes you, you confront him and tell him that he needs to “man up”.

Warnings: Fluff!! Menacing!Joel, use of problematic language, Joel and reader are emotionally stunted, rom-com type flirtiness, Joel is "happy" and all of the Ellie stuff never happened and they're living happily ever after because I said so! :))))))

BEFORE YOU READ: I do not condone telling ANYONE of any gender to “man up” because I know it is a hurtful and dehumanizing term. However, in this context, both the reader and Joel are extremely emotionally stunted and the reader is only using the term to get a rise out of Joel (which is still toxic, but is anything with Joel Miller ever going to be non-toxic? Let’s be real with ourselves LOL.) With that being said, keep in mind this is fiction, it is being said “for the plot”, and I do not condone the use of this language towards anyone else. I love you guys and enjoy!  

~~~~~~

“He’s into you. You really can’t see it?” Maria asked as she watched you finish washing your hands in the bathroom of the Tipsy Bison. “I don’t know, Maria. It’s been so long since someone’s been ‘into me’ or I’ve been ‘into someone’... It’s also just so confusing. Plus it’s fucking Joel Miller. The guy hates everyone.” You lamented. “Everyone but you!” Ellie chimed in as she opened the door to her stall and joined you at the sink. “See?” Maria said, gesturing towards Ellie, “Even the person who’s known him the longest says so.” You rolled your eyes.  “Well, she’s not even supposed to be here. It’s a bar and she’s 16 years old.” You pointed out. The three of you laughed as you took Ellie into a playful headlock. “But she’s cute so I made an exception.” Maria chuckled. You and Ellie broke away from each other, smiling. “For fear of embarrassment, I’ve been trying to let him make the first move.” You said, leaning against the sink. “Maybe he’s doing the same.” Maria suggested. “Guess we’ll never know.” You sighed dramatically and moved to exit the bathroom. The two of them followed behind you. “What is there to lose?” Ellie questioned. “My patrol partner, my… friend?” You answered smartly. “But the world has already ended, girl, I think that’s enough of a reason to say fuck it and just ask him out. I had to make the first move with Tommy.” Maria paused and then continued, “The Millers are all rough and tumble, until it comes to feelings, then they run away with their tail between their legs.” Ellie laughed, “That’s for sure.” Soon enough, you guys neared the table that you three and the two brothers had taken for yourselves, you whispered under your breath, “Well, he needs to man up.” 

Joel locked eyes with you as you approached and quickly slid over in the booth to make room for you. You clocked this and filed it in the “evidence that Joel likes me” file in your brain, and proceeded to sit down next to him. The four of you drank and talked while Ellie played pool with Dina. Every so often you’d hear a playful argument break out between the two and you’d catch sight of Joel’s smile. He was happy Ellie had a friend, and so were you. 

After you downed the last of your drink, you sat up from your slump in the booth and grabbed your coat. “Well, I think I’m gonna turn in. Gotta be up tomorrow for patrol.” You said as you stood at the end of the table awkwardly. “Do you want us to walk you home?” Tommy asked, gesturing to him and Maria. “Joel will, right Joel?” Ellie asked with a mischievous glint in her eye. Joel cleared his throat and shot Ellie a look, “Who will take your sorry ass home then?” He asked. “We will,” Maria chimed in, “I don’t mind doin’ a switch off.” This time you shot her a look. You were tipsy and on the brink of getting a headache and the last thing you wanted to do was force a conversation with a brick wall named Joel Miller. Though much to your surprise, he stood up and began to shepherd you out of the bar. “See you guys later!” You called back to the group. “Get home safe!” Maria called. “Don’t do anythin’ I wouldn’t do!” Tommy called. You caught sight of Ellie making kissy faces at you and you promptly stuck your tongue out at her. Joel caught sight of you and said, “Don’t make faces at my kid.” You saw the half smile on his face and chuckled. “Your kid’s making faces at me.” You said drunkenly. 

Joel pushed the door open and you practically stumbled out into the chilling winter air. The sun had set long ago, leaving only the thousands of stars to contrast against the pitch black sky. You hadn’t realized that you’d stopped to stare until Joel broke your focus, “You comin’ or what?” He asked impatiently. “Yeah,” you said groggily, “Sorry.” You hurried to catch up and matched his stride. “God… I’m drunk.” You sighed, mostly to yourself. “I know.” Joel mumbled. “Y’know I can walk myself home.” You said defensively. “You just said it yourself, you’re drunk. Not safe.” He argued. “Yeah well at least if I was by myself there’d be better conversation.” You joked. “Ah, so you’re a belligerent, mumbling drunk.” He said, keeping his proud gaze on the streets ahead. “At least I’m the same exact person but just a little more talkative when I’m drunk like you.” You argued. “Shut up.” He chuffed, a small smile crinkled his eyes. You nudged your shoulder into his arm, sending him a few steps to the side, “You shut up.” 

He rolled his eyes, but the smile on his face disappeared when you arrived at the steps of your house. He followed you up and waited patiently as you fumbled in your pockets for your keys. “Want coffee or anythin’?” You asked. He thought for a moment, then nodded, “Sure. Could use some for the walk home.” Once you practically busted the door open, the two of you walked to your kitchen and Joel perched himself on a stool at the counter as he watched you sloppily make a pot of coffee. “I’m glad Ellie met Dina. She seems real happy since hanging out with her.” You said, attempting to break through the awkward silence. Joel nodded, “She’s a good friend. They compete a lot in school which helps with her uh… performance or whatever.” You nodded and handed him the steaming mug. 

After the two of you sipped your coffees and talked about practically nothing in small spurts between silence, Joel placed his mug in the sink and picked his coat up off of the chair before sliding it over his shoulders. You watched as he made his way to the door, and  you nodded in agreement when he said “I should head home. I’ll see you in the mornin’ for patrols.” But something burned inside you. Something you could only guess was impatience. You decided that now, the time where you had some liquid courage warming your stomach and caffeine pumping through your veins, would be as good a time as any to get an answer out of Joel. 

“When are you gonna man up?” You blurted just before Joel could place his hand on the doorknob. He whirled around angrily. “Excuse me?” He sneered. There was no going back now, so you crossed your arms over your chest and repeated yourself, slower this time. “When are you going to man up?” He stared at you in disbelief for a moment and you watched as his eyes studied you, waiting for you to take back your words. “Man up?” He scoffed. “Yeah.” You confirmed anxiously. Your heart jumped to your throat as he began to walk back towards you  slowly. “Man up… and what?” He asked as he backed you against the wall, causing you to nearly lose your footing. You looked above your head at the veins pulsing in his forearm which was now planted against the wall. His face was inches from yours and you could smell the whiskey you’d shared on his breath. You gulped, “And- and admit you like me.” Your stomach dropped when he let out a dead eyed laugh. “Like you? What- is this middle school? We whisperin’ about crushes now?” He mocked. Embarrassment filled your chest and all you wanted to do was push him away, run up stairs and wrap yourself in the covers of your bed. “Fuck,” you said under your breath, “just forget it. Fuck.” You pressed your hands against his chest and tried to push him off, but he wasn’t budging. “‘Course I like you.” he finally said and pressed your arms down in an attempt to get you to stop pushing him away. You locked eyes with him again, “What?” You blurted. You were confused from being pushed in so many directions that you didn’t know what to think at this point. “I ain’t the best with words… but I’ve been tryin’ to show you.” He whispered. 

His soft stare was healing every wound that had been inflicted by his sharp one earlier.  Your breath caught in your throat as he leaned down to press his lips to yours. A feeling of tv static coursed through your veins. From the top of your neck, down through your fingertips and toes. Adrenaline caused your hands to start shaking, but Joel grabbed them and pushed them around his neck before he wrapped his arms around your waist, pressing further into the kiss. When he pulled away, your foreheads pressed together. “That man enough for you?” He asked, a small smirk twisting the corner of his lips upward. You smiled lightly and played with a tuft of hair at the base of his skull before tugging it lightly. “Congratulations, Mr. Miller. You’ve officially grown a pair.” You teased before pulling him into you for an even deeper kiss. 

~~~~~~~~~~~

a/n: Hiiii! I hope you enjoyed this little rom-com-esque vibe. As always, thank you for reading and please comment below to be on the tag-list or with any requests! <3

Taglist: @ashleyfilm @pastelpinkflowerlife @orcasoul

[helluvathings]

It's interesting that the episode description straight up warned for Stolas lacking self-awareness. It's more or less a confirmation that Stolas and his character arc aren't finished, and between that and the content of the last couple episodes, I ended up going back through the series and looking at the path he's taken so far. Warning now, there's a lot of 'deconstructing' Stolas at first, but I do think he's on a positive trajectory and the set up serves as foundation for future character development.

Anyway for anyone interested in a from-the-beginning rundown of Stolas's arc, full post is below.

From his first conversation with Blitzø, you have Stolas in his bath making the favors for favors offer, while Blitzø is working and in a life-or-death situation. The language Stolas is using is too formal; it causes communication issues, and Blitzø has to tell him to stop using "rich person talk." The scene that sets up their whole dynamic is 1. Stolas establishing the transaction (given he could've straight up punished Blitzø for stealing or just taken back the book, this isn't bad; it just is), 2. Stolas at leisure while Blitzø's job has him in danger, and 3. the class/education difference resulting in Blitzø having difficulty understanding what Stolas is saying.

Move forward to Loo Loo Land. The language Stolas uses with Blitzø gets a lot of attention already, as does Stolas's rather poor grasp of social cues/difficulty seeing outside his own perspective causing him to clash with Octavia. One point I don't see raised as often is that Stolas hiring Blitzø to spend time together, when he doesn't need a bodyguard, and then sexualizing Blitzø while he does his job, is both condescending, and doesn't show much respect for what Blitzø actually does. He pays him more or less to put on a show, so Stolas can indulge a fantasy of them having a relationship (not because he's evil, because he doesn't know better).

Then you've got Stolas in the newest episode, getting annoyed with Blitzø for saying he thought Stolas couldn't be hurt because he was immortal. That if I.M.P. could handle Striker, Stolas surely could. Stolas's sarcastic, "It's not an imp's place to protect a Goetia, is it?" comes across different when considering Stolas literally once hired them as mock bodyguards. It just... escapes him, why Blitzø would think the idea of Stolas needing their help is outrageous. Never mind how clear Stolas's rescue in Truthseekers made their power disparity. Stolas often has trouble putting himself in other people's shoes, and it shows here.

The Harvest Moon Festival brings in Striker, who's basically a "class problems" mouthpiece, exaggerated for emphasis. He even remarks directly on how Stolas's treatment of Blitzø can look from the outside. There's also the episode's opening bedroom scene, where Stolas's idea of flirty talk is copious use of microaggressions, plus the later scene with Blitzø snapping about Stolas not using his proper name. It's likely not an accident that these things happen the same episode Striker appears.

Truthseekers has "impish little plaything," with honorable mention to Stolas pinching Blitzø's cheek and scolding I.M.P. like children. But it also has Blitzø's vision all but screaming how Stolas makes him feel. On the one hand, it's Stolas who brings him back to himself. He washes away the muck. He's something beautiful amidst the ugliness. But he's on a pedestal, he has Blitzø in chains. He has shadow Blitzøs fanning him like servants, and Blitzø stumbles away from him blind and mute, smothered by feathers.

Ozzie's is actually good for Stolas's development, because he gets his first reality check when Blitzø makes it clear he thinks Stolas only wants sex. (It also shows how Stolas feels about Blitzø behind the bad erotic-novel scripts he's been using, which is the first time the audience sees this outright). After that, Stolas realizes his relationship with Blitzø was problematic. He sees the transaction and gets rid of it, and he senses something off with his behavior that has him start calling Blitzø by name and stopping with the 'plaything' type remarks.

But the past two episodes have made it evident he'd made those realizations in a vacuum. His broader class awareness is basically nonexistent, and when Blitzø tries raising the issue, he groups Blitzø with Striker by default, as if any criticism of his status/wealth/privilege is unreliable and antagonistic toward him specifically. He refuses to sincerely consider that Blitzø isn't merely judging him, and that he might be saying something with legitimate basis.

The Circus is especially interesting. Aside from the commentary underlying the 'buying Blitzø' plot, the episode shows Stolas getting scolded by Paimon like a dog for showing respect to an imp; that likely wouldn't have been an isolated incident. It's played somewhat for humor ("I'm so good at daddying"), but it also shows why he'd have so much trouble with things like microaggressions. He has literally been trained to hold himself above others. And just going off the way Stolas is framed at Stella's party, isolated and alone, being laughed at by Stella and her friends, I suspect Stolas may see himself as a "good rich person," because he doesn't seem to fit well with the Goetia either; he's laughed at and bullied, he lacks privilege in his own ways. He identifies more with other demons than his own class--and it blinds him, I think, to the fact that he is still part of his class, and isn't immune to the problems that come with that.

Even in Seeing Stars, there's the moment with Stolas all but strangling that poor butler and hardly seeming to notice. In an episode that's almost entirely focused on father-daughter relationships, that still gets tossed in. Regarding the Octavia plot, Stolas lacking self-awareness comes up again; it's understandable that he's distracted with the divorce, and we do see him try to resolve the issue, but it feels like a quiet alarm indicating hey, you might have a recurring problem where your daughter is concerned.

Western Energy is another 'Striker shouting that class issues matter in this show' moment. While I think Stolas going the 'well, you're part of the system, so you can't complain' route when Striker tries bringing it up is loosely relevant, I also don't blame him for that one. Poor guy is being tortured, he deserves some slack. Oops, in my opinion, shows Stolas at his best; he's just been turned down by Ozzie, but he still sticks around and helps. We even see how sincerely happy he is when Fizz returns. It's a good example of how decent Stolas can be beneath it all, as well as his sense of romance appearing in a healthier way.

Then come Full Moon and Apology Tour, where most of the Stolas subtext gets screamed and/or bitterly snapped in his face by Blitzø. It's stated directly by the main character that those things matter, in a way that imo portrays Blitzø as at least partially sympathetic. And of course the Apology Tour episode description, yelling it for the folks in back.

What all this is trying to say is: 90% of Stolas's time on screen has set him up to have a 'getting more self aware' arc. I see a lot of accusations of the show babying Stolas, but I think it's more that it hasn't gotten around to doing what it wants with Stolas. There are 4 seasons. We're in the second. We've had Stolas's post-Ozzie's revelation, and now he's getting a lot more "you're part of the problem" feedback thrown his way. It's implied Octavia is going to contribute to that as well.

Anyway!! My personal guess so far is that if the "loses his powers and/or titles" theory that's been going around has any merit, that's going to instigate the start of actual, substantial change. Will that actually happen? No idea. But Stolas's flaws have been as articulated and developed as Blitzø's, and at this point, if the consequences aren't explored in the same way, it'll be dropping a ball that's already well in the air. I also think this isn't going to be a "fixed by the end of season 2" thing. Stolas problably won't appear again until Mastermind, and then there's just Sinsmas. There isn't time for him to change in two episodes. There is, however, time for him to have some big realizations, and for the change to happen next season.

[mollysunder]

For once I actually went through the Arcane AMA and found those quotes about Silco's motivation. It's kind of wild to see it in full context.

First, I didn't even know the "dirty little thing" insecurity was an agreed upon perspective, I just thought it was one writer's opinion but no, Christian Linke (Praeco) let us know that was Silco's thing. Ok. I can see how that can tie in to how Silco and Jinx connected, personal insecurities from a hard life.

But then Amanda Overton (leeloo104) goes into detail.

I already know the creative team said they don't think political struggle is "relatable" (yikes), but I've never seen this extra tidbit before!

What do you mean this all so Vander will respect Silco again?!!??!? First of all I could really go in about how Arcane's team seem incapable of having any character fully articulate an actual in-depth explanation about on their grievances with the status quo and what changes should be applied that isn't somehow about familial validation. *looks at Jinx*

Instead, we need unpack how this motivation is at best, very weird, or flat out doesn't make sense. The quote makes it sound like Zaun was fully Silco's idea to win back Vander's love and respect, but Silco said a free Zaun was their shared dream. And regaining Vander's respect seems like a moot point when Silco killed Vander.

Unless Silco knows Vander isn't dead, and that Singed's been slowly turning Vander into Warwick. But then why does he talk to the Vander statue like Vander is dead? I don't doubt Silco wouldn't visit Warwick even in Warwick's confused state. Either way, the Vander that Silco wanted to receive validation from doesn't exist anymore.

I get that they probably wanted to connect Silco's motivation to Jinx's obsession with Vi, but that can be problematic too! It just ends up where Silco and Jinx are written in a way where their search for emotional validation takes precedence over any attempt for them to communicate a coherent and detailed observation on the surrounding politics of their environment.

It would be one thing if they were minor characters, or this was just related to Jinx because she's the youngest in the cast and her story is about understanding who she is. But it's both of them, Silco's at least in his forties, and they're a part of the main cast. On top of that, I'd say their the two most politically influential Zaunites in the cast, and we know NOTHING about what they stand for, what they think the future should look like. Nothing, just vibes.