#both kinds- the “this doesn't exist” kind and the “this does but you are lying about being/having it” are ridiculous conceptually

[kittymizuki]

i think about this so much in the context of mizuki's gender being listed as "unknown" and how trans ppl often cannot talk about their gender even if they wish to? even if a trans woman wants to be properly recognized as a type of woman, the world isn't really a safe space that she can comfortably be like "i'm a woman" bc if she were to do this she might either be accused of lying or being male. this reality is precisely why mizuki always avoids making definitive statements like this so she opts to saying things like "i'm just me" or "i just like cute things" bc she can't assert her identity without any pushback and she doesn't want anyone else to decide her self for her (there's also a lot to say about this in the context of transmisogynistic caricatures/stereotypes in anime & manga and how they're often subjected to "humor" that draws attention to their "maleness" and how mizuki as a fan of anime, films, etc. uses her genre awareness to navigate the world but that's a different topic).

i also think ppl often don't go up to others and say "i'm a girl! i'm a woman." bc that just isn't how ppl tend to talk? literally no girl in this game introduces or talks about herself in that way. the idea that mizuki has to use that kind of language to be legitimized in the first place is inherently disrespectful to her as a person especially as someone who's tired of having to explain herself or feel like she constantly has to prove something to ppl who don't even care enough to listen. she also doesn't think "why don't ppl see me as a girl" and instead she's thinking "why can't ppl accept me for who i am" bc it isn't just about Being a Girl, it's about how being transfem affects that perception. it's about how even when someone sees her as a girl, there's that asterisk. she doesn't know how to reach point of feeling like she's truly accepted bc of this and the closest she's gotten is niigo seeing her as a cis girl, which isn't even subtext, it's just implicit to the entire premise of her narrative.

so even if mizuki doesn't directly say "bc i'm a girl" or "accept me as a girl" when her classmates ask her why she does the things she does, it's a huge mistake to assume that she doesn't wish to be recognized as one bc this ignores wider context abt transmisogynistic hypersurveillance and objectification of transfemininity as a form of erasure of personhood and dehumanization? mizuki is someone who strives to assert her positionality as a woman as is both an assertion of how the standards of womanhood affect her and how she wishes to navigate the world as a woman in spite of this. this is made even more interesting by the parallels with mafuyu whose character arc is largely about how womanhood as a coercive state is pushed upon her by her mother and society, but it's also equally pushed upon mizuki as a trans girl very violently and is an aspect of transmisogyny, and trans women inherently fail to attain the standard of womanhood while being policed for this, so mizuki's position as a woman is against the imposition of womanhood (mizuki even when being "cute" is still not the ideal girl, bc her idea of fashion is lolita, and we know how lolita exists within so much of broader culture being for non-conformity and reclaiming femininity). there are always ppl trying to argue that mizuki can't be trans or that ppl are "boiling her down to her gender" (which is just pressure to stop calling her a girl) bc mizuki never explicitly said that she wanted to be recognized as a girl, she said that he just wanted to be herself, and she said that she likes cute things, so she is not trans, right? this is obviously transmisogyny, but such interpretations are interesting on the metatextual level to me bc they're the same form of transmisogyny that mizuki is subjected to within the story in that they're all saying "it would be a pain to be a girl, so you should just be content with being a 'boy' [Abnormal girl, nonperson, thing] who just likes cute things or some other ambiguous existence." bc these ppl refuse to engage with how the primary groups who know mizuki never draw attention to these things bc they see her as a girl and the thing about day to day life is that we all have to make assumptions to some degree about ppl we don't know or aren't close to based on their external presentation. however, we also have an understanding of mizuki's internal world.

mizuki makes such a good study of how fandom parses/engages with gender and the nuances of ambiguity around womanhood especially when transfemininity is involved.

[tommyssupercoolblog]

to be honest? I've never even understood the rationale for fake-claiming in any context. There are millions of people, more dying and being born every day, and you really think we can invent enough genders, identities, disorders, words and categories to cover every possible type of human that's ever been born or will be born in the future???!! of course not, there's gonna be people who fall outside of the boxes we have because there can never be enough boxes. like there physically cannot be enough boxes.

"but they're weird and cringe that's how i know." buddy. buddy come here lean in close i have a secret for you, crazy girlie.

*whispers* everyone who isn't neurotypical, ablebodied, cishet, and fitting the beauty and societal standards for their culture, is considered weird by default. and EVEN people who ARE fitting of those standards can ALSO be weird in other ways. you can't tell me someone isn't lgbt or isn't plural or isn't autistic because they're "weird" when everyone is constantly being called weird anyway. being plural is weird to people. having NPD is weird to people. having skitzohphrenia is weird to people. Being a boy who likes girly stuff is weird to people. being a lesbian is weird to people. having no legs is weird, being fat is weird, there are always going to be people calling other people weird and cringe. you simply CANNOT use "weird" or "cringe" as a basis to judge validity. you just can't???

I literally do not get it like how does that work how do you like...think that you can tell if someone's faking something. what do we have left here, like, tone of voice and body language? autism is a thing and anxiety disorders are a thing so we already know that can vary and be untrustworthy. you literally can never tell as an outsider looking in??!

[pisceangirl666]

°•𝐓𝐫𝐚𝐢𝐭𝐬 𝐒𝐥𝐚𝐬𝐡𝐞𝐫𝐬 𝐏𝐫𝐞𝐟𝐞𝐫 𝐈𝐧 𝐓𝐡𝐞𝐢𝐫 𝐒/𝐎•°

𝐒𝐮𝐦𝐦𝐚𝐫𝐲: 𝐖𝐡𝐢𝐜𝐡 𝐭𝐫𝐚𝐢𝐭𝐬 𝐬𝐥𝐚𝐬𝐡𝐞𝐫𝐬 𝐚𝐫𝐞 𝐚𝐭𝐭𝐫𝐚𝐜𝐭𝐞𝐝 𝐭𝐨 𝐚𝐧𝐝 𝐰𝐨𝐮𝐥𝐝 𝐩𝐫𝐞𝐟𝐞𝐫 𝐭𝐡𝐞𝐢𝐫 𝐒/𝐎 𝐭𝐨 𝐡𝐚𝐯𝐞. 𝐈𝐌𝐎.

𝑁𝑂𝑇𝐸: 𝑇ℎ𝑖𝑠 𝑖𝑠 𝑚𝑦 𝑓𝑖𝑟𝑠𝑡 𝑝𝑜𝑠𝑡, 𝑠𝑜 𝑘𝑖𝑛𝑑𝑙𝑦 𝑓𝑜𝑟𝑔𝑖𝑣𝑒 𝑎𝑛𝑦 𝑒𝑟𝑟𝑜𝑟𝑠!

𝑊𝐴𝑅𝑁𝐼𝑁𝐺𝑆: 𝑁𝑜𝑛𝑒.

  °༺♡༻°°༺♡༻°°༺♡༻°°༺♡༻°°༺♡༻°

  °༺♡༻°°༺♡༻°°༺♡༻°°༺♡༻°°༺♡༻°

𝐌𝐢𝐜𝐡𝐚𝐞𝐥 𝐌𝐲𝐞𝐫𝐬:

Michael has seen plenty of impetuous and neglectful people in his life (One of them being his sister, whom he does not regret stabbing in the slightest) and seeks someone diligent and dutiful. He would be lying if he said he didn't admire those qualities. A person who is well aware of their responsibilities and sincere is something that would make Michael gain respect and a soft spot, even if a little, for them.

𝐆𝐡𝐨𝐬𝐭𝐟𝐚𝐜𝐞 (𝐁𝐢𝐥𝐥𝐲/𝐒𝐭𝐮/𝐃𝐚𝐧𝐧𝐲):

Ghostface has his priorities straight. The man enjoys toying with his victims and catching them off guard, though if he finds someone witty enough to have a comeback for all his taunts and is quick on their toes to keep up with his shenanigans energy, he will be instantly intrigued by them. Initially, his interest would be there just for the fact that he has finally found someone interesting and challenging enough, but later on, he'd be completely whipped. 

𝐉𝐚𝐬𝐨𝐧 𝐕𝐨𝐨𝐫𝐡𝐞𝐞𝐬:

The only form of love Jason has received in his life is from his mother, Pamela. He is naturally inclined towards people with a gentle demeanor and comforting aura. He requires someone considerate, who doesn't judge him and is able to provide him with the love and care he has always lacked. He doesn't care for anything else as long as they are a kind soul, and needless to say, he will reciprocate their love cordially. 

𝐇𝐚𝐧𝐧𝐢𝐛𝐚𝐥 𝐋𝐞𝐜𝐭𝐞𝐫:

Hannibal has a clear set of requirements that he won't compromise on. You are free to blame it on his nature or age, but that's how he is. Whomsoever catches his attention needs to be smart, not necessarily cunning, but enough to share his tastes and understand him on a mental level. They MUST be respectful and well-mannered. He despises discourteous, ill-mannered, and unthoughtful people; he won't tolerate them. Apart from this, he also expects a certain level of honesty from them. After all, lying can also be considered rude in certain cases, can it not?

𝐁𝐨 𝐒𝐢𝐧𝐜𝐥𝐚𝐢𝐫:

Bo is a sucker for pretty faces, he won't deny the fact, but that doesn't mean having one gives someone the ticket to get away with anything; it's quite the opposite, actually. While Bo may get attracted to someone based on their appearance at first glance, he won't hesitate to hand them to Vincent or take matters into his own hands if they are disrespectful. Looks aside, he prefers someone with a more docile nature, not a pushover, simply calmer and more agreeable to avoid unnecessary clashes given his unstable and domineering personality. 

𝐕𝐢𝐧𝐜𝐞𝐧𝐭 𝐒𝐢𝐧𝐜𝐥𝐚𝐢𝐫:

Vincent is not picky when it comes to matters like these. If someone is genuinely nice and willing to accept him for who he is, that's more than enough for this man. Unlike his twin brother, he doesn't care for appearances but rather values the inner skills of an individual. He will be highly supportive of their hobbies, finding ways to incorporate activities that allow both of them to spend time together while doing what they love. 

𝐋𝐞𝐬𝐭𝐞𝐫 𝐒𝐢𝐧𝐜𝐥𝐚𝐢𝐫:

Lester's childhood has been scarce from an attention perspective, not deliberately, but his older brothers had special needs that, by default, took his rightful share. He yearns for someone who listens to him and showers him with the love and attention he has lacked. He's drawn towards someone easygoing with an optimistic outlook and enjoys the little things in life like him. 

𝐁𝐫𝐚𝐡𝐦𝐬 𝐇𝐞𝐞𝐥𝐬𝐡𝐢𝐫𝐞:

Brahms' human interaction is non-existent, so he is easily attached to whoever takes care of him (or rather, his doll), but yes, he is very much looking for someone loyal who wouldn't leave him no matter how dire the circumstances become and patient enough to bear his temper tantrums when he has them, which are more frequent that one would like to imagine since he gets grumpy over the most minuscule mistakes. 

𝑇ℎ𝑎𝑛𝑘𝑠 𝑓𝑜𝑟 𝑟𝑒𝑎𝑑𝑖𝑛𝑔, ℎ𝑜𝑝𝑒 𝑦𝑜𝑢 𝑒𝑛𝑗𝑜𝑦𝑒𝑑!

[itwasntimethatdidit40]

Hold it.

Pairing: Joel Miller x AFAB!reader

Words count: 1384

Rating: +18, absolutely NSFW and please mind the tags

Warnings/tags: pi$$ kink, masturbation (f receiving), reader has breasts and vagina, no other description of her is given, bad at feelings Joel and kinda soft!dom if you squint, kissing, dirty talk, smut without plot, this is just something entirely written with my cunt so you’re warned lol, it came out totally unplanned, I’m ovulating and I’m feral🔥 and it���s October so I thought it was the right time of the year to experiment a little bit heheheh it’s not heavy but it’s something *cough* I could do it again if it works.

Please just skip it if this is not your kind of thing.

No beta reader, barely edited, English is not my first language so please, be patient with me. I hope it makes sense and that you’ll enjoy, my dirty little friends with similar kinks as mine 😏

Thank you very much to anyone who read this!

You and Joel are lying on the bed kissing. You don't know how much time has passed, it could be an hour or five minutes, when you're with him the clock doesn't exist and besides, you end up feeling like you can't get enough of him. You've been seeing each other casually for a while, no one brings up the question of "what are we" not even you, too scared of losing him.

You just take what he gives, eager and willing to have him rolling in your bed with you.

Tasting his mouth, intertwining your tongue with his, salivas mixing, teeth touching, lips biting and the best sex you've ever had, you don't care about anything else.

“I’ll be right back,” you tell him breathlessly. You start to get up, but he pulls you by the arm. “No, stay.”

“Mmm I have to go to the bathroom.”

“No, you don’t, come back here,” and he wraps his arms around you completely, bringing you back to his chest.

“Joel, I have to pee,” you whine.

“Hold it,” he tells you in a firm voice.

“I can’t! We've been kissing for hours, I need to do it and I’ll be there again in 30 seconds, let me go” you plead, looking at him with the best angelic look you can pull off.

“It could be fun…” he suggests and your jaw instantly drops “What? Wet myself?”

“Uhm…let’s take it one step at a time, miss”

You're surprised that he's engaged you in such an intimate conversation, he usually says a few words, grunts, kisses you like crazy, fucks you like an animal and is out the door before you can ask how his day was.

“Woah, so we’re starting sharing fantasies here?” you smirk “I like that”

He nods “why not” with a slight smile “let's spice it up a bit”

You bury your face in his chest, giggling, “Mmm ok, mister kinky, tell me what you have in mind.”

“Just hold it” he gently orders.

“I’ll try”

“Good girl. So now…are you wet?”

“Yes,” you coo, “Of course.”

You see a spark in his gaze, “Does your clit know how wet you are?”

You laugh, “I think so.”

“I don’t think she knows enough, let me feel her”

He lowers a hand to your panties and you’re grateful that you have nothing on but those and your bra, you couldn't move further to take off more clothes without feeling the urge to pee.

You stay still in his arms as he maneuvers his way past the hem of your panties.

He looks at you ferally, while his fingers get wet “mmm baby, we can do better. Just hold it for me and let me work”

He lies down on the bed, bare chest, in his boxers, and pulls you on top of him “come here”

“Won't I weigh on you?” you ask confused as to what he wants to do.

You've lost both contact with his eyes and fingers and he's holding you on top of him by your hips as if you weigh nothing.

“Don’t be ridiculous” he chuckles “just trust me, I’m sure you’ll like it”

Your bladder is full, it’s starting to bother you, but you can’t say no to him.

However, the situation now intrigues you, you want to try whatever he has in mind.

So you stay there, like a puppet leaning against his body and wait, hungry for him.

He’s big enough to make you feel tiny and it’s such a turn on.

His fingers return inside your panties and you immediately moan at the contact.

They are thick, a little calloused, deliciously scratchy on your clit.

“Here we go, baby, you’re good?” he asks you while caressing you with circular movements and then gathering your cream up to your bundle of nerves.

“Yes” you moan.

He continues this until he feels your clit hardening, then he places two fingers in a V shape resting on your outer lips, just jerking off your clit like that.

“Fuck, it feels so good” you breathe

“Yeah, I know, you’re all nice and drippy now. You’re still holding your pee like a perfect girl for me right?”

You whine, you can’t do anything else.

His lips roam your neck, licking and kissing everything he can.

His other hand kneads your breast, taking a nipple between his fingers and gently tugging. This new stimulation is almost too much to bear.

He dips his fingers between your folds, on either side of your clit, and moves them up and down, wetting them completely with your juices.

He suddenly takes them away and you cry at the loss.

He brings them to your mouth and orders “taste yourself” and you obediently let his fingers enter your mouth up to the knuckles, licking them greedily. “You like it, huh? You taste good, baby, I know”

“Did you leave some for me?” he asks before putting them in his mouth and grunts “just enough” he hum “Now let’s get back to business, I’m not done yet with your pretty cunt”

He starts rubbing your clit in circles again, faster than before, almost frantically and you feel delirious at this point, you’re not sure how much longer you can take his teasing “Fuck- I can’t”

“Yes, you can, baby, keep holding it”

The hand that was on your breasts moves down to your belly, he press there and release “Do you feel it?” A tingling sensation radiates to your pussy, as he repeats again and again, presses and releases.

A gentle, steady strain on your bladder, as he continues to stimulate your clit.

“Answer me, hun, can you feel it?”

You whimper a chocked yes.

“Is it good?” he growls

“FUCK - yes. It’s so good - so good, Joel, please don’t stop”

He presses down a little more and releases, rubbing so hard on your bud you feel like you're losing your mind.

“Yeah, that’s my good girl, just sink in it”

You’re overwhelmed, you hadn’t the slightest idea that it would be so good to let him masturbate you while you hold your pee.

You can't explain exactly in words but the feeling of your bladder full, on the verge of letting go as he touches you like that makes you feel like you've never taken full care of your clit before.

You close your eyes, letting yourself go with that feeling as he urges you with his hoarse voice “yes, my perfect little slut, take some more” and presses even harder and releases, now in small repeated jumps on the bottom of your belly.

It doesn't hurt, it's just too much.

You come, writhing above him, a devastating orgasm taking over every cell of your body.

“Let it go now” and you whine “no, I can’t!”

“Give me something baby, let me feel it. Pee”

“I can’t! I can’t pee on you!” your voice breaks through your peak.

And then he whispers “please”

He never begged for anything before.

He just takes, gropes, licks and bites whatever he wants and you’re fine with that.

But now it’s different. He whimpers another “please” and you just do what he asks.

You pee.

All over him.

The warm liquid slips out of you while he's still rubbing you, wetting your thighs, sliding down his legs, soaking the sheets.

He growls loudly in your ear, breathing heavy, his hard cock pressing into your ass through his boxers and your panties.

You feel empty, physically and mentally, only surrounded by an electrifying warmth.

He pulls you off of him and hugs you, both of you soaked from the waist down.

He kisses your forehead and then your lips “thanks, babe. Did you like it?”

“I- yes.” you pause for a moment, trying to process your thoughts “it was weird. Pleasantly weird though”

“We don't have to do it again if you don’t want to, though.” he murmurs moving his lips to your jaw leaving a trail of kisses there.

It's like a new complicity has been created between you, now that you share this dirty little secret.

The edges of his bad temper seem to have been smoothed out, his voice is kind, almost tender.

You look up, smile mischievously at him and say, “Who says I don’t want more?”

Part 2

[forgettable-au]

WHAT IS THIS AU? HOW DOES IT WORK?

A brief (I'm lying, this is a long post) explanation post for this AU for anyone new <3

As I've mentioned before, this AU is based on the theory that Papyrus is (was) Gaster. I did not create this theory, it has existed for a long time as far as I know and I'm also not the first person to do something like this with the concept, I'll touch up on that later.

This is a LONG post, so click keep reading if you really want to check it out :D

About the Papyrus is Gaster theory

I've looked up a lot of stuff about it but I don't actually know where it originated. It's not super popular but if you're a Papyrus theorist you might have heard of it before.

It's not a super serious theory really, it's more about pointing out the weird connections and similarities between Papyrus and Gaster and giving an explanation to the many weird things about Papyrus and his lack of backstory.

Just to mention some things:

Them both speaking in capital letters, having no asterisks, their weird way of phrasing things, Papyrus being described as forgettable, Papyrus hating hotland, pretending he doesn't know about a lot of stuff ( The lab for example, he know what a lab is but pretends he doesn't in front of Sans), Gaster being related to hands and Papyrus never taking his gloves off, Papyrus weird connection with phones (his photo-graphic memory for phone calls) and Gaster's weird connection to phones also(Fun events related to phones, using the phone in the darkworlds and only getting Gaster's garbage sounds), their love for puzzles (The CORE is a giant puzzle), THAT one quote that I still find misterious “beside, it’s rude to talk about people that are listening, right? not everyone is as though as my brother”, Papyrus DOES have Gaster blasters it's pretty much canon even if a lot of people ignore it, Papyrus is very very smart he has a LOT of books, knowledge on many subjects, building stuff, and even made a shakespeare reference when he died (why is he like this lmao), he's the character with the most dialogue in game yet we don't know a lot of stuff about him, he breaks the laws of physics and of the game, he's not in deltarune the heavily Gaster connected game.

Now that's some of the things I could think about, and look, yeah I'm probably looking too much into it and these are all just coincidences and the weird Papyrus things are related to other stuff maybe not Gaster. But I still like this theory, not because I think it's real but because I LOVE the possibilites!!!

About how this AU works

Okay, so this au is basically a -pretend this theory is real and how would the undertale timeline work then!- We're giving Papyrus his backstory and I'm also making a Gaster focused story at the same time.

I will adapt basically how I think a situations like this would play out (and also add some of my other favorite ut theories as a treat)

Papyrus used to be Wingdings and then Wingdings shattered across time and space, Papyrus and Gaster are different separate people.

Actually I kind of, treat WIngdings before and after accident as different people also... you change a lot when you become an omnipresent being. So, Wingdings, Gaster and Papyrus I treat them all as different people.

"How did Gaster become Papyrus?"

He didn't "become" Papyrus just like that. After he shattered he stopped existing like he was before, he became a being in another layer of the game but physically his body was just there

I based this on how the goners and Gaster followers have counterparts that are not, uh, goners that look different or deformed and gray

Papyrus was just kind af an empty shell at first, he still kept parts of Wingdings original personality but his Papyrus personality developed on his own with time!

"How did Gaster shatter across time and space?"

Usually everyone agrees it was because he fell into the CORE

About similar content

Not here! I don't think the CORE caused his accident, it is a power source not a time and space altering machine. In this story it was some other thing he was working on, and it wasn't so much of an accident per se

If you have more questions you can check the frequently asked questions post or send me an ask <3!!

I've seen some people tell me this is a good idea for an AU and I agree!! I love this idea so much, but as I said before I didn't create this concept or theory I just love it a lot!! and was desperate for content wich I surprisingly did not found much of

I was so surprised, I really thought there would be more people that made this before but I couldn't find much, so I'm just making it myself and one of my goals is to maybe make other people like this idea and make their own takes on it !! cause i think it's neat and would love more perspectives and content

If you by any chance also like this concept as much as I do I just wanted to make this section to name some inspirations for this AU

First, you all should really see "I know that I know nothing" by linssins

It's because of this comic that I discovered that theory in the first place and really loved the concept. It's my main inspiration, unfortunately the comic is unfinished. If you see it you will definitely see how I took inspiration... Still my story and this au is a different take on the theory, it goes on a different path.

Also another inspiration for finding more stuff about the theory were

@askthesciencesquad This comic is paused but it's also a Papyrus!Gaster comic! and I was very happy to find it, it is also a very different take on the concept but I liked where it was going. The same person also has this other blog where they put a lot of Papyrus is gaster stuff :0 @deviodofmeat

Okay so that's it, maybe I missed some stuff? but if I remeber i'll just add it later, that's what's good about tumblr.

[orphiclovers]

Okay. Long incoherent rambling theory post ahead. Specifically, I want to talk about how the Han Sooyoung 'split' happened/how Han Sooyoung got the avatar skill, extrapolating from canon where I can and headcanoning the rest.

Let's start from what she herself says on the topic. 3rd rounds Han Sooyoung tells Kim Dokja, in a conversation about how 'Avatar' works, that the very first time she made an avatar, she gave it too many memories and it 'went out of control' and ran off. This was a friendly conversation and hsy brought it up herself, so there's not really a reason for her to lie here - this is probably close to how she actually remembers the situation.

Which is interesting because 1863rd rounds Han Sooyoung denies this fact and says SHE is the main body and that she left an avatar behind to act as her. Now 1863 could be lying here to unbalance kdj, they were having a battle of words at the time with lying being an explicit part of the game, but she could also be telling the truth and maybe 3rd just doesn't know she's an avatar (like 49%). we don't get a comfirmation either way so that is left ambigous. So. That's a dead end.

Then, how does the Avatar skill evolve in general?

Kim Dokja says the requirements to evolve it is that you need to be in a creative field of some kind (so you have an 'Author' attribute) + under enough psychological distress for your mind to 'split' in a way that orv compares to DID (in not the most tactful way). It's a rare skill so I'm guessing it probably requires both of these to be true at the same time. A key hint is that we do actually get one other example of someone evolving the Avatar skill on screen. 1863rd rounds Yoo Joonghyuk. It goes like this:

So...not exactly a fun time. But actually I'm sensing a pattern here. Both Yoo Joonghyuk and Han Sooyoung, after evolving and using the avatar skill for the first time end up as two sepetate autonomous entities with their own free will - 1863rd!hsy and 3rd!hsy and white and black coat wearing yjh respectively (Kim Dokja too actually - with 49% 51%). So, I think this might be how the skill functions, spontaneously splitting you in half the first time and then both halves of you can make avatars at will after that. Let's assume this is true for the sake of the theory. This conflicts with the way both Han Sooyoungs describe it - they both say they 'created' an avatar the first time BUT I think neither of them were being entirely truthful.

Let's talk about that second parameter. 'Severe psychological distress' in a way similar to that of DID. How I interpret this, based on what we see of 1863rd!yjh, is that there needs to be some fundemental dissonance of core beliefs that cannot exist or be held at the same time, so requires the soul to split in half. For Yoo Joonghyuk it's 'I want to live/I want to die.' (Although Kim Dokja doesnt get the skill in the natural way, I think this concept still holds true. His dissonance is not so explicitly stated but maybe it's something along the lines of 'epilouge/eternity' i.e 'happily ever after OR atonement for his (percieved) sins'.)

But also there's an element of, how do I say this...'purifying self-destruction' to how we see our trio use Avatar. Yoo Joonghyuk takes the blackened and traumatized part of him that wants to die and kills it with a sword, leaving only the part of him that still has hope to regress to the 3rd round, free and unburdened by the weight of bad memories.

You could interpret 51%/49% this way too. The inherent act of Kim Dokja choosing to use this skill to split his soul in half means he did not see another way foward - that psychological distress and belief dissonance is an inherent part of this skill. 49%, the one who get's the 'happily ever after' does not remember needing Ways of Survival, maybe because Kim Dokja couldn't imagine himself having a happy ending with the weight of those specific memories.

But coming back to Han Sooyoung. Just look at the way she uses Avatar in kaizenix. She is a person who does not enjoy being emotionally vulnerable so in any heavy situation she clings to her dry and witty personality like a shield.

Let's just fully realize what she's saying here. When she says she erased the memories of her life deliberately, what she means is that she created an avatar, a sort of 'black coat wearing han sooyoung' and killed it again and again, every year, so she could keep that sarcastic and light hearted attiude. Otherwise she would have become someone like 1863rd rounds Han Sooyoung - hardened and unhappy. And I mean that she literally was on the path of becoming her - she even got 1863rds skill.

She deliberatley brushes off Kim Dokja and doesn't acknowledge the weight of her actions in kaizenix, both waiting for 50 years and killing parts of herself over and over.

And I think this is the sort of mindset she had while telling Kim Dokja about 'creating' an avatar for the first time. She doesn't see the point in potraying herself as vulnerable, so she probably would obscure some details of that story, for example if she was on her knees clutching her head a la 1863rd turns Yoo Joonghyuk at the time. This would seem like a pointless detail to add when the point of the story was that her avatar ran off.

So FINALLY, here's my headcanon on what I think the original belief dissonance was for Han Sooyoung and how she got the Avatar skill.

The split happened very early on in the scenarios. And well, there is one obvious Big Event that might cause someone to have a mental breakdown/identity crisis. The first scenario. I think whoever Han Sooyoung killed, she couldn't deal with the fact she had become a murderer and 'exorcised' those memories - and so 1863 was born, with blood on her hands, in an already destroyed world.

[tokutaiseichan]

I’ve pointed this out before but so far, Hotarubi is the only chapter where a Like Dove never made any appearances. Thanks to Taiga, we know that Like Dove is probably some kind of a spying device and everything points to the possibility that its duty is to monitor missions involving ghouls.

Yet it never made an appearance during the course of Hotarubi’s mission. Why is that? At first, I thought it’s perhaps because Taiga had killed and eaten the one that appeared during the Sinostra chapter. In the first place, we never found out if there are more than one Like Dove. It’s an anomaly—and a rare one at that. It might be the only one or maybe not.

But then I started thinking: what if the reason a Like Dove didn’t appear to monitor the ghouls’ mission this time is because they already have an “Insider” involved in the mission?

Zenji is automatically out. My man’s dead and Darkwick doesn't even know his ghost is still wandering around. Subaru? Makes sense since he has already lied to everyone before. What’s another secret? But after all that happened at the Ultio prison and considering his personality, I feel like what he confessed that time was everything he was involved with. Subaru’s awful at lying and hiding things, if he’s the spy he’d be a bit more obvious and feel even more guilty. So hmm… I wonder who we’re left with……

Remember how during that one time MC was trying to escape again, Haku was the one who just conveniently showed up and successfully convinced her to not defy Darkwick anymore?

Sure, we can see it as simply a considerate gesture of a senior looking after his anxious junior. Especially when it's so blatantly implied later that he had experienced the consequences of going against the rules. Still, the timing is just… too perfect…

MC trying to escape → Bumped into Rui who's about to head to a mission → Haku suddenly appeared (Rui: “But Moby said no one usually rides around this time of the day~”) → Haku scolded both MC & Rui一brought up the clause of disciplinary actions if one were to do anything funny during missions and reminded Rui of his standing (Haku: “You know it's even worse if you're the one she's with, right?”) → Haku got MC away from Rui → Haku reassured MC and convinced her to stay at Darkwick to break her curse first instead of running away (like what he did before?)

It's almost as if he was purposely sent there for damage control.

“I'll keep this incident a secret from the Academy,” when the reason MC can't even escape in the first place is because Darkwick already knows what she's trying to do? Yeah, right. If you have tried to run away before, you'd know Darkwick has eyes everywhere.

I also found his responses from chapter 2 of his Personal Story rather interesting.

If MC thanked him → “…You shouldn't put too much stock in what I said, you know.” (He acts like the ever dependable and reassuring senior to MC but when she expressed genuine gratitude, he immediately backed off. Does he feel guilty because of how MC seems to always trust his words now? Because he’s keeping something from her?)

If MC shook her head → “Looking at you trying so hard made me realize how underhanded I am.” (Now he just sounds so bitter here…)

There's also the bait and switch with Hotarubi.

During Sinostra, MC found out the existence of a spy among the ghouls. And immediately at Hotarubi early chapters, Moby told her that the Hotarubi ghouls are hiding something. This planted seeds of doubt in MC一she thought one of them might be related to the spy. But at the end of the book, it was… in a way, disproven.

The secret they kept was Zenji's existence一for Haku & Zenji一and Subaru's mission regarding Lyca and his true stigma. This, ironically, leads up to MC being much more determined to trust the ghouls and be more wary about the Academy and Institute一even more than she originally did.

The reason I brought this up? Because the narrative has now painted Hotarubi as the “innocent” house. They made us (both MC & the readers) think how the ghouls over there are just trying their damn best to protect their friends… so that you'd suspect it the least for housing any spy (whom, in Taiga's words, is supposedly trying to screw other ghouls over). They made it seem like Hotarubi must've shown all their cards by now and gave us a sense of… relief? In a way.

(Obviously, there's still the mystery of Haku's dorm transfer. But that's for another day…)

Last but not the least, I'll bring you Haku's last words he told MC before jumping into the fire:

EN: Sorry, I guess I couldn't be the guy you wanted me to be. Ha ha… Don't look like that. Never lost faith in me, did you?

JP: ……すまんね。おまえさんの期待に、応えられんかったわ。はは……そんな顔しなさんな。最後におれを信じてくれて、ありがとね (Direct, almost word-to-word tl: ……Sorry. Looks like I couldn't meet your expectations. Haha…… Don't make that face. Thanks, for trusting me even at the bitter end.)

“Thanks for trusting me to the end,” are you Implying MC has reasons to lose her faith in you, Mister Haku Kusanagi? 🤔🤨

This is probably just me reaching but, has anyone noticed how “trust” seems to be a recurring theme with MC and Haku in particular? “Trust me. You'll be fine here,” and “If you need any help, I'm always happy to lend you a hand,” but also, “Don’t take what I said too seriously.” Which is it???

Anway, since Obscuary is just around the corner, I just wanna say that: 

1) If a Love Dove doesn't appear then it means I'm just looking too much into things and that the reason it doesn't appear is simply because Taiga has killed the one during Sinostra. And everything I wrote up to this point are hogwash.

2) If a Love Dove does appear again, I'll add +1 sus point to Haku.

“Why are you so suspicious of Haku anyway?” Years of watching anime and reading manga/visual novels/etc has taught me that you should always be wary of the sawayaka oniisan type. =w=)b

If you read until this point then thank you for giving my 2 a.m. rambles a chance! But please keep in mind that they don't call me Detective Reaching #2 for nothing. 🤧 For now, I'm going to log off so 🫡 Ciao!

[milkycarnations]

HC's for the creeps aftercare after a rough night with their SO?

A rough night or a rough night? ;) Let's do both. Please keep sending stuff to my inbox I'm obsessed. For context, the sfw ones still apply in the nsfw context lol. I wanted the sfw ones to apply even in the context of just going through some tough shit.

Tim

sfw:

Makes you breakfast the next day - let's you pick. Or gets something for you if you prefer something from a cafe/restaurant/fast food chain.

You want a sausage egg McMuffin and breakfast ends in three minutes? He's gonna find a way to get you that sandwich.

He really believes in food as comfort and love, so whatever you prefer he wants to make happen.

nsfw:

Can't stop staring at you. Like, it's almost disturbing how his eyes are on you constantly.

Prefers if you don't get dressed, but if you must, would ask you to wear a long t-shirt or a slip.

In this moment, you could literally ask him to do anything for you - and he would. Use that information however you please. He just wants to pamper you.

Brian

sfw:

Won't let you go until you ask him to, even if he's lying in bed all day.

When you're genuinely bothered or upset by something, he can soften up and be really good support for whatever it is.

If cuddling for very long isn't your thing, then he's content just being near you.

nsfw:

This man is so smug.

Of course, if you're in sub drop or anything, he's going to go easy on you, but the back and forth between you doesn't really stop. He will bring up whatever happened and kind of keep that going - even if you're a bit embarrassed now that you came.

Really - he just wants to work you up all over again and keep the game going for just a little bit longer. I really do believe he's a mean dom and really does get off on humiliating you. He will remind you of everything embarrassing you did for him.

Jack

sfw:

Makes you drink a glass of water - even if you say you aren't thirsty. He knows you're dehydrated.

If you're hungry now, he'll make you a meal, but he's not opposed to waiting. He makes you what you like the most, whether that's from that restaurant you like or just Kraft mac n' cheese.

nsfw:

He knows what he's doing and he already has everything set up. He's cleaning you up with a warm towel before you can even catch your breath. He doesn't want you to get an infection, after all.

Usually spitting praises and compliments to you.

Often suggests a bath together - even though he can't fit in the tub at all.

Toby

sfw

Now is the perfect time for adventure. Wants to go on a night walk.

Just wants to go out and do things with you alone in nature - pretend to not exist to the rest of society with you.

You'll walk down the empty 2 am street and just talk about whatever's on your mind. Sit on the swings at the park and kick rocks enjoying each other's company.

nsfw:

His aftercare is horny.

He'll still be touching you in ways, or still be inside of you.

He's a biter and finds himself still giving little nibbles to your neck, but when he finally stops, he catches himself running his fingers over the love bites.

It's all fervent and reckless, but not neglectful. I don't really know how else to describe it like that. Toby loves like a teenage boy loves his first girl friend - unabashed and adventurous - even though he's an adult now.

Jeff

sfw:

He's a rock. Your rock, but still a rock. I don't imagine it's easy to get him all empathetic, but he's still there for your struggles.

Encourages more of an activity - cooking a meal together, smoking, whatever it may be.

nsfw:

I'll be honest, I think sex with him is very primal and animalistic. He's not too keen on you cleaning yourself up immediately after, so if you're cuddling he'll try to convince you to sit in it.

Obviously he won't force you, he just thinks it's hot when you get physically exerted over something. It plays into this dynamic of sneaky, taboo sex where you get off and then go along with your day pretending nothing happened. Might not be there emotionally, but again - he'll ask if you want to go out and do something.

Liu

sfw:

He definitely feels with you the most. Whatever emotions you're going through, he parrots them very easily.

A back rubber. Just constantly running his fingers over your back in gentle caresses. Wipes your tears gently, if you have any. Pokes your cheeks when you smile.

nsfw:

In regards to sex, Liu always makes you a cup of tea after. He's narrowed down your preferences (but I always like to think he'd give you unsweetened peppermint tea - unless you don't like it).

Prefers silent cuddles after sex. Usually this lasts for about half an hour (unless it's right before bed.)

Nina

sfw:

You probably fell asleep while watching movies or something. The movie is still playing when you wake up.

A moment for self-care and pampering. Pedicures, facials, and backrubs. Real stereotypical "girl" stuff - even if you aren't a girl. She wants the sleepover experience with you.

nsfw:

I imagine her aftercare for sex is very similar.

She doesn't want you to dress, but if you do, she insists you wear a cute matching robe with her and fuzzy slippers.

Lots of pillow talk - she really isn't content with just being quiet and cuddling.

[yuri-is-online]

Ok but how did ace even get a girlfriend in the first place? Did she confess and he just went along with it? Did he think having a girlfriend would make him seem cooler? Was it a dare or something? Cause for someone like ace to just go ghost on her and not have an actual talk, kind of makes me feel like these two were not friends before they were partners.

So then, fast forward to nrc, ace is trying so hard to lose the feelings he has for his best friend. Because that's all they are: friends, homies, if you (duece) will. Yuu has the cream of the crop to pick from, he's kind of at a disadvantage here.

Plus, whose to say their entire dynamic won't change the second they get together? He doesn't want to get bored and start to hate one of his dearest friends by proxy, so might as well just play it safe and suffer a little than take that risk and the both of you suffer a lot 🤷‍♂️.

Meanwhile yuu, who still has their old phone/mp3 player, has been playing Jenny by Studiokillers on repeat. Lying in their bed, just down horrendous for this absolute ball of boyish mischief. How dare he, honestly?

Well. At least he gives them a lot of openings to flirt with him?

*disclaimer, I was home schooled so my actual knowledge about middle school dating is beyond non-existent so take what I say with a grain of salt

The information we get about Ace's girlfriend comes from his suitor suit vignette and he does not mention how they actually got together, just some of the things that they did and how boring Ace thought all of them were. And I agree! The way they broke up does not make it sound like they were friends before dating, though they could have been casual acquaintances. The way Ace likes to goof around makes me think he was probably pretty popular, and had a lot of those types of relationships. His description of the relationship makes me think he probably went out with her because he thought she was cute and that it would be fun to have a girlfriend, but didn't actually stop to think about who she was as a person or what dating actually means. And hey, he was in middle school. He was going to be a bit stupid about those sort of things. The experience seems to have made him think a lot about what he wants in a partner, and we know from Ortho he was telling the truth when he's forced to spell it out:

His voice lines flesh out what he wants a bit more; he says he thinks it's important to find someone you have fun with and that he wants to get married later in life. So Ace knows what he wants... he just gets really embarrassed when called out on it and refuses to talk honestly about his feelings (though he kind of does that in general hehe)

So flashing forward to NRC. Ace knows what he wants and Yuu is such a perfect fit it hurts. Best friends to lovers is a popular trope in fiction sure, but in real life? At a school? Yeah right, Ace still has to see them every day if they break up, and not to mention... I feel like Ace, Deuce, Grim, and Yuu sort of fell into their dynamic almost immediately after the mine adventure and didn't ever stop to think about it because of how natural the friendship felt. And Ace knows if things end badly he's losing the whole squad, so yeah. Better to just swallow this and stay where he is. He's still in school! He doesn't need to think about dating! He's got a housewarden to surpass, upperclassmen he admires, and a bunch of idiots to take care of. He can worry about dating later. Besides, these feelings will go away after graduation he's delusional sure of it!!!

Meanwhile, back at the ranch Ramshackle Yuu is literally in a living hell. Maybe they're a bit more emotionally mature than Ace and they just know this could work out but THEY CAN'T TELL IF HE LIKES THEM BACK BECAUSE HE KEEPS GETTING SHY AND MAKING JOKES FML!!!! But like he also lets them steal his gym shirt :ccc and he gets pouty when someone else makes an offer :ccc and really smug when Yuu says no ccc: so like maaaybe? Or maybe not and this meaningless flirting is all they'll ever have and they just. Try to be ok with it and they sort of hate themselves for it.

until Sebek properly joins the friend group and looses his fucking shit

[rallamajoop]

An absurdly detailed analysis of That One Soldat Photo

Hang around wintersberg fandom long enough, and you'll likely run into a popular crack-theory that, since Heisenberg obviously thinks that building a set of huge, yellow-painted signposts is a good way to point Ethan to the Stronghold, maybe it's Heisenberg who's been leaving all those handy, yellow-painted supply crates all over the place for Ethan to find! It's exactly the kind of fun nonsense I'd enjoy if it didn't feel folks are starting to take it a little too literally (by which I mean I have now read multiple fics in which it's played completely straight ‒ and, like, people do get that it's just a crack theory, right? Like, why would Heisenberg have left so many yellow crates around his own damn factory? Look, you don't have to explain every last game mechanic, not everything is lore!)

But as anyone reading my own fic would know, I'm guilty of echoing the idea that Heisenberg-was-leaving-stuff-for-Ethan myself ‒ just not because of any yellow-striped crates. No, I'm way more interested in this one weird soldat-photo you can find in the village ‒ long hours before you'll ever see your first Soldat in the flesh...

Very creepy. And if you turn it over, you'll find a clue to a puzzle you'll have to solve in order to progress.

(And of course, when you do look out the window, odds are you'll get jump-scared by a lycan just when you're focused on the numbers, because RE8 loves that sort of misdirection ‒ but I digress.)

Anyway, the code you can see out the window will open a safe containing a jack handle you'll need to move a vehicle in the village, as well as the M1911 pistol (which will very likely be your go-to handgun for the rest of the game). The game is full of conveniently-helpful clues like that (heck, most games are), often with no obvious Watsonian justification. And there are other photos around the village ‒ Luiza has a whole photo album ‒ but photos of experiments created by Miranda and her lords don't generally turn up outside their own territory.

For a player exploring the village for the first time, that photo is a lovely little bit of foreshadowing, hinting at monsters and factory stages to come. But on replaying with full knowledge of Heisenberg's later attempts to get Ethan on his side, that Soldat photo is just enough to make you go, huh... did Heisenberg leave that for Ethan? Like, on purpose?

You can find another copy of that photo later, in Heisenberg's factory, along with his notes on his early series Soldat experiments. Which doesn't really prove anything beyond the fact that assets exist to be reused... but it does at least make it pretty canon that Heisenberg has photos of his Soldats sitting around.

Possibly also significant: both the clue photo and the factory documents are tagged 'geekmemo' in the game files. Most everything related to Heisenberg in the files is labeled 'geek'-something ‒ it seems to be an early nickname for his character that lasted well into production. Everything in the factory is geek-something, even the model for the passageway from the altar to the bridge is labeled 'pathtogeek'. Considering that so many soldat-related assets are already labeled 'geek', maybe that 'geekmemo' tag doesn't really tell us anything we don't already know ‒ but it certainly doesn't work against the idea that Heisenberg wrote that 'memo' himself.

Besides, it's not like there isn't precedent for this kind of thing. RE7 had a whole mechanic where you'd have to find 'treasure photos' pointing out the location of a few rare and useful items, all with "I hid something here" written on the back. We're never explicitly told who left those photos lying around, but it's obviously Lucas: he loves playing games, he loves taunting prisoners with the possibility of escape, and who else would it be? The complete population of the Baker mansion is like 6 people and a bunch of semi-sentient mould.

Over in RE8, there are a lot more village resident who might have left that clue lying around. Like it or not though, Heisenberg is very much RE8's equivalent of Lucas: the family's wildcard show-boater who loves making Ethan jump through hoops for his amusement. So how does the game let us know it was Heisenberg who left this particular clue? Well, who else would leave a message on the back of a Soldat photo?

There's may be additional supporting evidence Heisenberg could be involved ‒ most notably the location, being a locked-off cul-de-sac labeled 'Workshop' on signs and maps. The area is full of metal junk very much like you'll later see lying around the factory.

The workshop location does have other relevance ‒ it makes sense that you'd find the jack handle in the village workshop, whether Heisenberg was involved or not. But it also stands to reason that if there's anywhere in the village proper where Heisenberg might hang around and leave clues for Ethan, the workshop is it. And you have to admit that leaving Ethan useful stuff in a safe along with an easy clue that will likely get him jumped by a lycan is 100% more in-character for the guy than just leaving useful stuff out in the open, even if it doesn't really prove anything either.

There's one more weird-little does-this-mean-anything detail: there are three dead crows near the safe too.

It's not the first time in the game you've seen dead crows (there were a bunch outside the village, and I've talked about what that might mean in the context of Miranda's cult before). But I don't remember finding any others around the village itself, other than in this one spot. And instead of being hung from trees like a ritual sacrifice, these ones are just dead ‒ messily, and with blood everywhere.

Now, maybe it doesn't mean anything, but is there anyone in the village more likely to vent his frustrations by violently killing a few of Mother Miranda's avian avatars than Heisenberg? I'd think not.

In conclusion: I still don't think all those yellow crates have anything to do with Heisenberg. And I still don't know for sure whether the RE8 development team wanted me to assume that Heisenberg left Ethan that photo, jack handle and gun. I don't know if we're supposed to read that Heisenberg keeps a workshop in the village and sometimes kills crows out of spite. But the evidence sure does point that way ‒ and it's as valid an interpretation as anything else you might take from this game.

[melbatron5000]

Wild theory, hold on.

(Please do not take any of my theories to Neil himself! Don't do it!)

I've already hypothesized that Crowley and Aziraphale have been working on a plan since Armaggedidn't in season 1. Here's where I go off the rails a little bit. Come along.

Saraqael is part of the plan. She's in on it.

I have only hints and suspicions, not too much for Clues, but hear me out.

In this post, we see a weird movement between buildings behind Shax. Almost like . . . a person in a floating wheelchair coming around the corner? And Crowley is in his spy turtleneck. He's doing something spyish. Meeting an angel he's not supposed to have a connection to, perhaps? About something that maybe interests both of them? Like, not having a second end of the world?

And in this post, we see that Saraqael has opened a spy porthole onto the book shop -- but the picture in the apy porthole is in 2019.

I do not think for a moment that tiny, weenie half-a-miracle-each accidentally blew up into a 25 lazarii miracle. I think someone else at around the same time did a huge miracle, someone powerful, someone who no one is supposed to know about -- or at least, doing something no one is supposed to know about -- and Saraqael hid it the best she could.

Show the arc angels the book shop when Adam reset it. You know, after it burned in 2019. That would be some crazy big miracle energy.

Then go to Earth with the arc angels and nudge Aziraphale into taking responsibility for the miracle. He's good at lying to them, after all, he can come up with something quick. And who is it that says, "Don't tell me you did it?" Why, sarcastic Saraqael. Translation, "tell them you did it, or we're screwed." And Aziraphale jumps right in and says yes, I did that.

Then send someone who won't give back good reports to verify the miracle. Saraqael, why would you send Muriel? Muriel is so sweet and naive, she won't come up with anything she shouldn't.

Then when Crowley is searching around in Heaven, who does he run into but his (doesn't exist) contact? And she tries to give him a reason to recognize her, they worked on the Horsehead nebula together. And he laughs and says, I meet a lot of people. He doesn't need her cover story, he'll just play dumb. She kind of snorts and shakes her head, she tried to give him an out but he took his own way. Headstrong demon.

When the Metatron shows up, who recognizes him? No one but Crowley and Saraqael. Could be because they just watched the trial, could be because they've been actively working together against him for years now. Hard to say. Hard to say. I honestly didn't recognize him in a full human form for a hot minute, it's not like it's impossible to imagine no one would know him. But those two do. Feels important to me.

I don't know if I'm right, but I'm suspicious now. What are they hiding? Who was doing a big miracle that needed covering up? Whatever was the miracle for?

Also, this. More evidence. They are up to something.

[cuubism]

I’m BEGGING for more “retired!Dream opens up a weird magic fey bookshop” au. Its so intriguing!

you are in luck. i wrote more

--

"So," Hob says, leaning in the doorway of Dream's study-of-sorts, "much as I love the recommendations, do you mind if I browse?"

He's taken, recently, to meeting Dream on the upper floor of the shop, bringing coffee and watching Dream label and sort his new books in incomprehensible categories. He usually gets some interesting book facts out of it, too, or strange little stories -- "this book washed up on the Sardinian shore some years ago", "this was signed by a long-dead author, I've been curious to see how long it will take for a collector to find it," "an old man bestowed this upon me on the eve of his death, it's the only copy in existence" and so on -- not to mention the pleasure of Dream's company. He is so odd, and so engaging.

Dream looks up at him now with a tiny smile that crinkles the corner of his eyes. "Of course. Find whatever you wish."

Hob has been wondering if Dream's serendipitous knack with books will extend to browsing, to random finds. Only one way to know.

He leaves Dream to his labeling and goes to wander the shop.

This time, he does get swallowed in Oneiromancy, where he finds Sleeping Worlds, a book about dream travel. Then he wanders deeper into the shop, passes categories like, "Cat Training," CLOCKS, "Mathematics: Easy -> Impossible", and, "♾". Of course he goes into Infinity, and picks up The Birth of Numbers, a book whose text starts in the center of the page and spirals outwards, font growing larger as the book goes on, and in another section called "Romance: DIFFICULT LEVEL" -- whatever the hell difficult means -- he picks up a tiny book that's just one line, one syllable on each page.

I

on

ly

want

ed

you

to

see.

God, Dream's shop is weird.

Dream finds him there some time later, deep in Sleeping Worlds. "I see you've had a productive day."

"Yeah, sorry, lost track of time."

Dream keeps looking at him with a little smirk.

Worry darts through Hob's stomach. "Wait, what time is it?"

"Midnight," says Dream, with satisfaction. "I've absorbed you."

Yeah, no kidding. Hob scrambles to his feet. "Jesus, Dream, sorry. I'll get out of your hair."

"No matter. This is what The Library is for."

Hob goes to hand him the books, and he waves a hand. "Keep them, I will get them back eventually."

Ominous. Great.

"Gonna break into my house and retrieve them?" Hob asks. He probably wouldn't even mind, to be honest.

"Nothing so alarming." He gestures Hob forward, and Hob follows, lets Dream walk him out.

It is, indeed, pitch dark outside on their shared street. Hob's supposed to open the cafe at 6. Whoops.

"Thanks for the books, Dream," he says. "And for. Ten hours of distraction, apparently."

Dream leans in the narrow doorway of his shop. "Of course. Come browse... anytime."

And he melts back into the shadows as Hob steps down onto the street.

--

Hob wonders if he's an idiot for wanting to ask Dream out. Dream is clearly some kind of other thing, and hanging around him did kind of get Hob cursed. But the way he bites his lip when he's making notes in books is so cute. His unerring ability to make perfect book selections is both strange and endearing -- even the books Hob had picked up on his own had been exactly what he hadn't known he was looking for. Hob's heart picks up every time he steps into the cafe.

But if he's to ask out Dream, his own personal weird bookshop creature, he has to do it right.

And he knows how.

The next time Dream comes in for coffee, Hob sits down across from him and hands him a book. Dream looks at it in surprise, and Hob has the sudden thought that as the all-powerful selector of tomes, he probably isn't gifted books himself.

The book is called, Broken Hands. Hob had pulled it off his own shelf. Dream doesn't ask him what it is, instead he flips open the cover and reads, as Hob had hoped he would.

The first page of Broken Hands has the following paragraph:

Kissing her hand, he came to know himself. Kissing her mouth, he came to know them both. When they went onward, for now only in his mind, he kissed more of her, and more, and more, and then, he knew her. He wanted to know her.

Dream reads it, and looks back up at him. Offers a tiny smile. Yes, Hob knew he would get it.

"You have something you would like to ask me, Hob Gadling?" he says softly.

"You have something you want to answer?"

Dream takes a long sip of his coffee, but looks at Hob over the rim of the mug, a smile in his eyes. Then he swipes away the milk foam from his upper lip with his tongue and says, "I'd say that you are very foolish, to still wish to associate with someone who did, in a sense, get you cursed. But that I find myself grateful for this foolishness. People do often come back to the library, once they find it-- but they don't often come back for me."

It makes Hob sad to imagine--Dream the perennial custodian of The Library, shepherd of its patrons, gifting small touches of coincidence and magic, but always in the background, a bridge and not a destination. Meanwhile, Hob likes the strange books, but it's Dream he keeps wanting to hover around, to lure back into his own space.

He dares to take Dream's hand and squeezes. "...So?"

"I'd say that I'd like to get coffee with you, if you know a place."

Cheeky thing. "Yeah, there's a Starbucks a couple blocks down," Hob says, gesturing, and Dream chuckles. Hob's still holding his hand, and brings it to his lips for a light kiss, and gets to watch as Dream's cheeks tint pink. His heart lifts in his chest. So easy and light.

"You're gorgeous," he says, and that blush deepens. "I'd suffer even Starbucks for you."

"You would suffer much, then," says Dream.

"We'll get our Starbucks and wander around WHSmith and have a fabulous date," Hob says, and Dream's face goes through the most exquisite journey of horror.

"You demand too much," he says, faint. "You enjoy my suffering."

"Little bit, yeah." Hob's certainly enjoying the reaction.

Then Dream looks at him in challenge. "Very well," he declares. "You've set the date. Now you must follow through."

Hob can't even spare a thought to the distasteful activities he's now gotten himself into--he has a date with Dream. "So that's a yes?"

Dream smiles again, a tiny, pleased thing. "It is a yes, Hob Gadling."

--

They do go to Starbucks. Hob is treated to the glorious sight of Dream sipping a pink drink out of a long straw, which is so worth dealing with the coffee. Then he indeed drags Dream to WHSmith, where Dream stands in the middle of the brightly-lit store, spins in a circle staring at carefully lined book displays with wide eyes, says, "Hell would be more merciful," and bolts away. Hob follows him, laughing.

Outside, he finds Dream leaning in the shade of a tree, looking vaguely shell-shocked. Hob really shouldn't keep laughing at him, but he can't help it. "Were you traumatized permanently by the big chain store?"

"Yes," says Dream, but, despite the perilous adventure, smiles. "You are a cruel man, Hob Gadling."

"Nah. Just harnessed the fluorescent lighting to chase you back into the safety of my arms."

"Oh?" Dream pushes off the tree and steps closer, until he's standing just before Hob, close enough to touch. "Was that the goal?"

Hob takes the leap that's offered and touches Dream's cheek with a light hand. "Did it work?"

This close, in the midday light, Dream's eyes are almost grey. The shade of the tree dapples his skin. It's still odd to see him out of the contained space of his bookshop, of Hob's cafe, but it does make this feel more real. A part of the world beyond the spun-sugar story of their orbiting binary stars.

Dream rests a feather light hand on Hob's chest. Studies Hob from under his eyelashes. And instead of answering, he leans up and, with that same light touch, presses his lips to Hob's.

Hob revels in the mere touch of him for a moment, but doesn't let it stand at light for long. He takes Dream's face between his hands and deepens the kiss, sweeping his tongue into Dream's mouth, swallowing Dream's hum of pleasure. If only he could put into the kiss what he had felt when Dream had handed him Nightingales. A sudden finding of something long lost that was always meant to be rooted in his heart.

When they part, he makes good on a promise and does pull Dream into his arms. It feels like a great indulgence. It also feels right.

"Make me a solemn promise, Hob Gadling," Dream says against Hob's cheek, arms wrapped around his back.

"Anything."

"Never take me here ever again."

Hob laughs into his hair, squeezing him tight. "What could one possibly want from here when The Library exists?"

This seems to greatly gratify Dream, who preens in Hob's arms. Hob kisses the shell of his ear, then his cheek, then they part again, and he takes Dream's hand. "I'm glad you expanded your horizons with me for a day."

"And now I will shrink them again," says Dream. "Except for one." To which he runs his thumb along Hob's lower lip, a touch Hob sways forward to follow almost drunkenly as Dream smirks. "Come."

He starts leading Hob back in the direction of their quiet street, and far far away from any fluorescent lighting, and Hob follows, touching his lips fondly. And lets himself be cautiously, tentatively hopeful that this will continue spiraling up into something real, because he wants it so bad. Curses and all.

[the-ineffable-dance]

A Companion to Owls is my favorite of the minisodes. Possibly my favorite story in the whole show. But more than it being just good fun and visually amazing, (plus, it gives us Bildad the Shuhite, I mean, come on..)

Job's story, really, is the beginning of "our side."

Before the Job story, Aziraphale and Crowley of course know each other, but I think it's still been a bit of feeling each other out. No one has really put themselves out where they could get into trouble. There's the chat on the walls of Eden, and then again at the Flood. In both of those, Crowley does a little pushing of Aziraphale's boundaries, but Aziraphale, regardless of his internal struggle, outwardly toes the party line... Heaven's plans, no matter how they might look, are in fact ineffable.

In Job, we see for the first time that they are beginning to really see each other. Aziraphale knows that Crowley doesn't want to kill off Job's goats or his children.

Though, of course, he's got to be a little smug about it.

And even when Crowley puts that to the test when he's setting the house on fire, Aziraphale remains confident in Crowley's innate goodness. And is again proven right when Crowley miracles them all into the cellar.

Crowley, for his part, knows that Aziraphale is starting to question the ineffable plan. God and Satan making bets, letting Job be tormented by demons, killing children... he sees the questions that Aziraphale is starting to have, and eases the path for him by being receptive to those questions.

Here we also have the start of Aziraphale's hedonism and love of human things. He's not quite ready to take the step of drinking alcohol, but he does accept Crowley's temptation to eating... and realizes that he's starving. It's his first bite in his entire existence, and he eats an entire ox! It's a small step from there to other things that we see him loving in the present... wine, music, books, clothes (I'm looking at you, 1793), all the things the other angels look down on him for, and Crowley probably introduced him to.

In 1941, they have the exchange, "You told me to trust you." "And you did." But I think that we have that here, too... for the very first time. When Sitis and Job are told that their children are dead, Aziraphale and Crowley put on quite the show with their cobbler/midwife and angel straight man performance. It's actually quite impressive... every time one of them leans on the other to keep up the charade, the other obliges...

It's important to remember just how dangerous this dance is for both of them. First of all, Crowley could not be in a worse place. Not only is there a host of angels here, Gabriel the Supreme Archangel is in the lead. To find a demon here, interfering in the ineffable plan, would certainly end in a smiting. His cleverness and the trust of Aziraphale are the only things that keep him one step ahead.

Secondly, Aziraphale himself is in great danger. Not only has he been collaborating with a demon, tempted into eating, and so on, but he is lying to Gabriel's face. We've seen him lie before. Most memorably to God when she asked where his sword went. But those were little white lies, with few ramifications. "These are his new children" is a direct contradiction to what the Plan is. He is for the first time, turning from the Heavenly Plan, and instead throwing in his lot with Crowley.

Which brings me to my final point...

Aziraphale is terrified of falling. But he was willing to do it to save the children. And that is something that means a lot to Crowley. When he realizes that Aziraphale thinks he's already fallen, he does tease him a little bit, but more importantly, he is soft and kind, talking him through this huge change in worldview.

The most touching moment is when Crowley admits that this path he is walking and Aziraphale now finds himself on is lonely. Crowley has been feeling it since the Garden... but now, it will be less lonely. Aziraphale doesn't have to face it alone, because Crowley will be there, too. Now, they have "us."

[lunareiitic]

HSR 2.1 SPOILERS AHEAD BE WARNED.

---

Okay now that everyone who hasn't caught up has left: let's talk framing of the IPC.

When Topaz released, a lot of you were ragebaiting and telling people you hoped their jobs exploited them when people were like "oh I like her as character." Notably, I personally haven't seen that kind of ragebaiting with Aventurine's backstory and the answer isn't just misogyny, but it is related to how little some of you pay attention.

Topaz and Aventurine are peers, and are clearly juxtaposed as two sides of the same coin. While Aventurine was a literal slave, his people wiped out Aventurine eventually gambling his way into the IPC to become a Stoneheart, his backstory doesn't actually differ that much from Topaz's. Remember: both of these characters are antagonists to our Crew when the audience learns their histories.

Topaz lost everything to the IPC. She's a kind of scary career woman nowadays, but you have to remember that her world was on the brink of collapse and her world's leaders sold their entire population to the IPC. While Topaz may come across as more well adjusted than Aventurine is, the IPC's main strategy is putting their victims in a position where they can't reasonably refuse. It's why Aventurine is such a good lapdog of theirs: since he's willing to bet everything in order to win. He's adept at playing desperate and risky. A lot of discussion of Topaz's character misses this coercion aspect of her backstory because of how it's framed.

The Topaz Interlude is less focused on Topaz herself and more on showcasing the dark side of the IPC. Topaz herself is put in a murky light: friend, foe, and unlikely ally all in one. Her arc in that interlude puts the theme in neon lights "IPC bad, they're solutions aren't necessary if people work together" and Topaz as the "villain" is then "Defeated" and she withdraws and takes the L, leading to her arrival in 2.1 alongside Jade for Aventurine's plan.

Arguably, Aventurine is worse than Topaz in a lot of day-to-day regards: he doesn't have Topaz's sense of compassion and desperate desire to do good, he's openly lying to the cast and doesn't care particularly about their safety, and is actively trying to put Penacony back in the hands of the IPC so they can turn it back into an interstellar prison. (We don't have time to explain why Prisons Are Bad. Go listen to Angela Davis and get back here.) His goals don't feel as evil because of several factors: the first being that HSR knows he has a tragic backstory and is milking it for all that it's worth. Dead parents? Dead sister? Dead culture? Enslavement leading to indentured servitude leading to a deathwish? They give him the game's first perspective shift so you're even more willing to empathize and sympathize with him and his plight, something they'd never do for Topaz, a character whose morality is considerably more conflicted and put on the spot.

Penacony is also a much darker locale than Belobog: when Topaz arrives on Jarilo-VI, we've already solved all of their conflicts (theoretically. we're trusting that bronya can fix all of the shit her mother wrecked), so Topaz arriving is a unifying force of characters we already know an like. Penacony is a lot darker, and you're already primed to distrust and dislike them since they're well. The Family. People who might be just as bad as the IPC. This creates a weird moral flip in the eyes of the audience if you're not paying enough attention: the plot isn't "Penacony bad, therefore IPC good now" it's pretty clearly "Penacony bad, IPC possibly even worse" and the fact that Aventurine has set them up to win should send shivers up the spines of the viewers. Does the Dreamscape deserve to exist? If the IPC gets their way, it won't matter what the answer is. And Aventurine has gone all in to make sure it's so.

[lorynna]

i would consider myself a radical feminist also and i agree with the vast majority of your views. honestly i am just curious why you think aromantic/asexual people don't exist or shouldn't be labeled. i don't mean this as hate i'm honestly curious to know if it is part of most radical feminist views

if you can accept someone who is lesbian, and knows for themselves that they aren't at all attracted to men, why would you not accept someone who realizes both that they aren't attracted to men and they aren't attracted to women? (obviously very different identities and experiences i'm just wondering why some people can be trusted to know who they're not attracted to and others can't)

Hello anon, thank you for asking so kindly.

I am going to try and explain what my personal opinion on the topic is, as well as I can, and please keep in mind that I don't speak for the radical feminist community but just for my own views.

First of all, the definitions I have read of both terms (aromantic and asexual) so far aren't really specific, differ from each other at times and leave open room for interpretation. The gendies meanwhile continue to preach "everything means something different to each person" and "it is a broad spectrum" just like they do with gender, which according to them is so complicated and unfathomable that you have to ask each person identifying with it seperately, to know what their gender means to them.

The first thing that comes up when I google the definition of both terms displayed below (just as an example of what I mean):

Like, what do "sexual feelings" all include and to which extent does "little romantic attraction" go?

I do think that people who fit the mainstream criterias for being asexual or aromantic exist, I am not trying to say that it is naturally impossible to experience no sexual or aromantic attraction to anyone. I do think it is really really rare for this to authentically occur though, and that a lot of people identifying with these labels have experienced some kind of trauma or are doing it because it has become a trend.

The thing I most dislike about these labels are not only their inconsistency in definitions but also how much they are starting to get pushed online = trend. In my personal experience I have seen not only online but also offline how younger kids and teens start to pick up on these labels without knowing what they truly mean, because they are "cool" and just like gender it is starting to become a similar trend. Seeing who publicly identifies as those labels, it is again mostly the demographic of teenagers who are going puberty and the several different, crucial developmental phases that come with that.

Since you are asking if this is a common radfem belief, I cannot say. There surely is a variety of opinions, however I have seen some good takes from which I remember being said that a person doesn't need the label of "asexuality" or "aromanticism" as an excuse to not participate in dating culture or to not engage in sexual relations. It should just be common sense to not ask strangers about their dating lives and not ask "why" if they say they are not dating or having sex as if it was something unusual.

Also answering to your last question of "why I don't trust those people to know who they are attracted or not attracted to" is not what I am trying to do insinuate by questioning/criticizing the labels they use to describe said attraction. It is not about me trying to say "I don't believe you, you are lying" it is "why do you need those labels". I just don't think it adds anything valuable to society and it's getting more mainstream each day. Now even with teenagers using those labels when they haven't had the time to figure out themselves as a person yet. It just looses its meaning.

I've seen women going through long periods without having partners (radfems participating in male seperatism for example) being asked "oh, so you're asexual, right?" or "oh, so you're unable to form a romantic connection?" because people start assuming, forgetting that there are so so many reasons why people might not have partners or might not want to.

Again, people who truly are not experiencing any sexual desire or romantic desire are really rare but through so many people mindlessly adopting the label it looses it's meaning because it gets more broad in definition and everyone continues to define it for themselves. "Yeah, I am asexual but sometimes I have sex. Like once a month but that's barely enough so I must be asexual." Like... you might just have a low libido and that's totally okay! Why do you feel the need to label yourself as asexual? Is it easier because of your partner's expectations, maybe? Is a simple no not enough for them?

"I'm 15 and I haven't had a crush on anyone so far. I actually think boys/girls are ew and I can't imagine kissing anyone, like ew saliva. Also the girls/boys in my class are so annoying!!" And no, I've heard statements like this several times before. I mean, give yourself some time you're only 15.

Why do we always have to slap a label on top of everything and why can't we just go through life saying "yeah at the moment I really don't feel like having a partner, I don't want to date or have sex. Maybe that will change someday, maybe not and either way it's okay, I'm open for change. " but we have to say "oh yes, I'm an asexual aromantic without doubt and that won't change, that's my identity" and then when that changes we get an identity crisis realising that oh, maybe that wasn't me? Who am I now?

It all boils down to me not being able to take those labels seriously anymore, which is why I reacted so sarcastically in the post you're probably referring to, where I talked sarcastically about those terms.

"labels are different for anyone"

like no.. to define means to limit, to define means to exclude people who don't meet those criterias and that's okay, that's what makes labels and words meaningful = contributing to a conversation of mutual understanding instead of having to first discuss what each person means by using one and the same word.

Like I can't go outside in a clothing store saying "oh I want a red dress" and when she shows me a red dress I then say "oh that's not red for me, that's yellow by my own definition." How do you expect everyone to effectively communicate by leaving the option open for everyone to seperately define one single term??

But as we know, the gendies aren't fans of definitions.

[maleyanderecafe]

Hi! I love your blog and reading your game recommendations (really grateful to find some hidden treasure!!!) so I want to send you a recommendation as well! Recently the demo for the game "Snow White Ashes" by endysis has been updated, and though yandere elements are so far, quite subtle, the hints are there (esp in bonus scenes). Not to mention the stunning artworks, the original soundtracks, and the lovely writing weaving one gothic horror fairytale-like story. I'd love for you to enjoy it and share with us your analysis of the game! Have a good day and once again thank you for all of your recommendations!

This game really does embody a tragic fairy tale (which, originally a lot of fairy tales were like this) inside of a visual novel. The artwork is beautiful, the story is sad and the soundtrack is very nice to listen to. The yandere actions in this game aren't as prominent on Gabriel's side (and in fact are a bit more so on the female lead's side). There are about three routes that can go about that also unlock three different extra scenes. If you are interested, you can find more at @endys.

The story starts out with a woman walking in the cold forest. She seems to be out luring someone to her to kill them, as evidenced by the knife in her pocket. She decides to either draw blood or sing to lure them out, both of which brings out a man dressed in white to come to her aid. Seeing that the woman is cold, he offers to let her stay at his place as the nearest town is too far away. She graciously accepts his help and she brings her into a cabin in the woods. As they walk, they ask for each others names. The MC's name is Michelle and the man introduces himself as Gabriel. She seems to want to expose Gabriel for the monster he is, though so far he doesn't seem to be at all. The two converse, talking about the Mist Queen, a mystic person who seems to be someone inhumane terrorizing the town. While talking she mentions a family that she was accepted into, though now it no longer is something that exists. We learn that while he is a hunter now, he used to be a doctor and was married happily for a long while until the plague happened or we learn about how he and his wife met, with him tending to her wounds after she fell. Michelle then talks about either her fondness of singing or her fondness of sewing. They end up getting to the cottage after they hear some wolves.

Upon going to the cottage, the two are about to make out when Gabriel ends up pulling out the weapon from Michelle's clothes. He seems to know that she's lying to him about her name and identity. She cannot lie to him and reveals that she is indeed the Mist Queen, aka, Gabriel's former wife. She bites back at him, asking why he was bringing back girls to his cottage, where he retorts that he knew who she was the entire time. Gabriel retorts that she has taken a new body accusing her of murdering a young girl, when Michelle reveals that she only took the body of a girl who was already dead. She continues stating that the girl (and many others) have been found dead, likely because of one of their kind, accusing him of killing them. Gabriel tells her, (Selene is her true name) that he wouldn't do that and that he's been loyal to her for centuries, also revealing that she was the one who made him immortal like her. Gabriel leaves to see if what Selene said is true, which leaves her alone in the cabin. She can either decide to stay or leave, and if she stays, she has the chance to destroy his lyre, which if she does, will cause her to feel immense regret afterwards. Even if she leaves, she will end up being saved by Gabriel after she is almost attacked by wolves. After looking around, she ends up finally resting, which leads to a dream about her past.

She first has nightmare about the two girl's skin that she stole, Myia, and the one where she first met Gabriel and the one she is wearing now, Calliope. We see a flashback of when she first met Gabriel. Having gotten a new body by chance, instead of eating it, she decides to pretend to be her and live in the village. She later attempts to hunt for food, but ends up getting hurt, causing the person she was hunting, Gabriel to help her. Although she is pretty annoyed at his help, she ends up accepting it nevertheless, with Gabriel even carrying her back to the village. As time goes on, the two of them grow fonder of each other, until Gabriel ends up proposing to her. Initially she refuses, afraid that he will eventually find out who she is and will eventually outlive him. However, despite all of this, knowing that she is not actually the girl whos skin she wears, she ends up accepting and living with him as his wife in the village. Later on, Gabriel ends up losing one of his patients during childbirth and the two end up adopting her surviving son. Selene ends up making a doll for her new adopted son, with Gabriel impressed by her needlework. As time goes by and Gabriel ages, Selene's body does not, causing rumors to spread across her village. This leads to a fight with her and Gabriel as she feels incredible guilt that he will eventually die leaving her behind while she lives as essentially a zombie. As they resolve the fight, Gabriel promises to never leave her side until his death. A few years later, a plague starts to form in town. Gabriel tries to make Selene and their son leave so they won't get infected, while he wants to stay behind and do his job as a doctor. However, as she wants to be by his side, she sends her son off to safety while she stays behind with her husband. As time goes by, Gabriel gets sicker and sicker, even losing his arm, having Selene chop it off for him. Slowly he begins to die, and Selene's body also starts to deteriorate, and to keep him alive, Selene finds dead bodies and sews parts of them back onto Gabriel as his body decays. After this, she ends up giving some of her blood to him, causing him to live again. Gabriel initially doesn't recognize her as she's had to change bodies, but also is equally as frightened by his new body. Then afterwards the two live together for a bit before separating for thirty years. After the two of them wander in isolation, Gabriel returns to Selene, devoting himself to her as he cannot bear the isolation any longer, only asking for her to kill him if he goes mad for blood.

Upon waking up, she seems worried that she might have to kill him to keep the promise she made to him. She finds that Gabriel had returned, even making her food in return. Gabriel tells her that he indeed saw the things that she spoke of, and we see that he even kept one of the pieces of clothes she made him. After being fed (or not) the soup that he made. The two argue for a bit about the entire seducing thing in the beginning, with Gabriel being hesitant because she's not in the original body where they first met. They hear a knock at the door and upon opening it, see the body of Myia talking to Gabriel about how he missed her and how she missed him.

There are three extra scenes. I'll go from the first one Lullaby to the last one, Monsters. These are all from Gabriel's point of view, likely something that happens while she sleeps.

In Lullaby, we see that he is surprised to see her wear another skin. He seems to have a bit of body dysmorphia, not even recognizing his new hand despite everything, thus wearing the gloves he always does. He seems to have a lot of self loathing and ends up humming a lullaby to her at the end.

In Suffering, Gabriel wonders about how his wife is feeling, desperately wanting to touch her face but not allowing himself to. He doesn't want leave her side or have anyone take his place. It seems he believes he has to stay by her side no matter what, and that he needs her more than anything. This is probably the extra that encapsulates his more yandere nature in a more clingy manner.

In Monster, Gabriel seems to find it weird that his wife was able to live like this for so long. He is especially angry in this one, wondering if she knows how easy it would be for him to kill her as she sleeps. This extra is the one that is the most possessive.

The story itself is rather melancholy in tone, much like the original Grimms Fairy Tales, with a lot of inspiration seemingly being taken from things like Snow White and the Ice Queen, which you can kind of tell from the title. The artwork is extremely beautiful with moving parts of the backgrounds like leaves and snow, and there is a feeling of bitterness between Selene and Gabriel despite the love they clearly have for each other. The work is written in a more fanciful tone, and has a lot of mourning on Selene's part as she is essentially an immortal zombie/vampire- never really truly quite human and never really comfortable in the skin she's in (quite literally). The music is lovely too, very quiet but impactful which really gives the whole vibe of the game being a more sad retelling of a story.

Both Gabriel and Selene have a sort of attachment with each other and both of them are obsessed/possessive with each other. On Selene's part, while she did try to break away from Gabriel when they first met, she wasn't able to, and when she did get the happy life as a human, she very desperately didn't want to let go of it, claiming Gabriel and their adopted son as hers. In the backstory especially we do see that she internally is very possessive over Gabriel, considering this is the first time she's properly fallen in love with someone and is fully aware that she can't live this life forever. We also see this in the current time with Selene accusing Gabriel of luring other women into his cottage, even though he knew it was her in the first place. Despite this though, we can see where this idea comes from, as Selene is always pretending to be someone else as she's always in someone else's skin, and immortal, meaning that she can never fully enjoy a human life as herself. She knows that Gabriel will likely die one day and she fears being alone again, and losing the person she loves. On both sides there is a strong attachment with each other. Gabriel, even before turned in the creature that Selene was already devoting his life to be with her, loyal to the very end of his life. And even after when Selene turns him, he returns after many years to devote himself once again, wanting to stay by her side forever, much like the knight like family he was raised in. We see this more in the extra stories where we see Gabriel's point of view, seeing that he's obsessed with being with her because he has nothing else and that she is his, though we also see that it is part of a mix of other emotions such as his fear of being lonely and his feelings of dysmorphia due to the body parts stitched onto him. He still maintains his strong loyalty to Selene, but it is also filled with anger as she turned him against his will, even if it was in an attempt to save his life from disease.

I'm not really sure who this new person that comes in at the end is. She very clearly is using the body of when Selene and Gabriel first met and knows about their relationship. It is very likely another one of their species, though why she seems to specifically be targeting these two is still a mystery. We're also not sure who or what is causing the death of the many maidens, so it could actually be her depending on how long this story is. It's a good mystery and cliffhanger that invests you in wanting more.

But overall, a pretty beautiful game. The yandere moments are definitely much more muted and I'd even argue that currently Selene has more yandere moments than Gabriel mostly due to her feelings in the past, but it is nice to see a couple that is loyal to each other, even if they have bitter feelings towards each other. A complicated thing. If you are interested, please try it out.