#both are very subtle details /j

[panleystarable]

Stanley loves pushing buttons. We see this as he pushes the narrator's to piss him off

[glfry]

Giggles hi my beautiful royal with identity issues

[Image ID in alt text]

[multifandomfix]

Carol Aird Smut Alphabet

A = Aftercare (what they're like after sex)

Carol is attentive and gentle after sex. She makes sure you feel comfortable and loved, offering quiet affection, soft touches, and reassuring words.

B = Body part (favorite body part of their partner's)

She's captivated by your hands, appreciating their elegance and the way they move, but she also adores the curve of your neck, more so if it’s a particularly sensitive spot for you.

C = Collar (do they mark you as theirs in some way?)

Carol doesn't physically mark her partner, but she leaves a sort of emotional imprint. Her presence lingers, and you feel claimed through her intense gaze and tender gestures.

D = Dominant (who is in control? are they a top or bottom?)

Carol has a natural air of dominance but prefers a balance of control. She's comfortable leading but enjoys when her partner takes initiative too.

E = Experience (how experienced are they? do they know what they're doing?)

Carol is experienced and confident in her sexuality. She knows what she wants and isn't shy about exploring her desires or yours.

F = Fuck (do they prefer to fuck or make love?)

Carol prefers making love, slow, passionate, and emotionally charged. However, she can be a bit more assertive and demanding when the mood strikes.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Carol is typically serious and deeply focused in the moment, but there's a glint of playfulness in her eyes. She can be teasing but rarely full on humorous during intimacy.

H = Hot (what turns them on, gets them going)

Carol is drawn to moments of vulnerability, finding passion in being trusted with you divulging your innermost desires to her.

I = Insatiable (how do they act when they're desperate to have you?)

Carol maintains composure even when she's desperate, but her actions become more direct. She's intensely focused, with a hunger simmering just below the surface.

J= Jack off (masturbation headcanon)

Carol might indulge when she's alone, particularly when she's missing you. It's a rare occurrence, as she's a woman who values the intimacy shared with a partner more than self pleasure.

K = Kink (one or more of their kinks)

Carol has a sensual appreciation for lingerie or fine fabrics, as well as sensory play, such as feather like touches and soft, light bondage with silk ribbon.

L = Location (favorite places to have sex)

She enjoys the privacy of a bedroom, particularly in luxurious settings, but there's a secret thrill for her in semi public spaces where discretion is key, hotel rooms with large windows, for example.

M = Mood (what's the foreplay like? how do you get them in the mood?)

Foreplay with Carol is always slow and sensual, very drawn out. She likes to build anticipation through touch and conversation, getting lost in the chemistry before things heat up.

N = Naked (how do they undress? do they like to watch you undress?)

Carol undresses slowly and deliberately, savoring each moment. She enjoys watching you undress too, taking in every detail with a subtle smirk of admiration.

O = Oral (preference in giving or receiving, skill, etc.)

Carol is generous, skilled, and enjoys both giving and receiving. She takes her time, relishing the intimacy of the act and the effect she has on you.

P = Pace (are they fast and rough? slow and sensual? etc.)

She prefers slow and sensual, drawing out every moment to make the experience as intense as possible. However, she's not opposed to increasing the pace when the mood demands it.

Q = Quickie (their opinions on quickies, how often, etc.)

Carol isn't a fan of quickies in general. She prefers to take her time, though on rare occasions, if the moment calls for it, she'll perhaps indulge.

R = Risk (are they game to experiment? do they take risks? etc.)

Carol is somewhat open to experimentation, especially if it strengthens your connection. However, she prefers smaller risks over anything too extreme.

S = Stamina (how many rounds can they go for? how long do they last?)

Carol can go for a couple of rounds, taking breaks in between to bask in the afterglow. Your encounters tend to last a while, as she enjoys taking her time.

T = Tryst (are they into casual sex or one night stands?)

Carol doesn’t go for casual sex. She craves emotional connection, and her intimacy is more meaningful when it's shared with someone she feels close to.

U = Unfair (how much they like to tease)

Carol can be quite the tease, drawing out moments of tension and pleasure to keep you on edge. She knows exactly how to leave you wanting more.

V = Volume (how loud they are, what sounds they make, etc.)

Carol isn't loud, but she does let out soft, breathy sighs and moans. She's more about the intensity and feelings of the moment than making a lot of noise.

W = Wait (how long do they wait before having sex with their partner for the first time?)

Carol takes her time before having sex, preferring to establish trust and emotional connection first. She's in no rush, letting things unfold naturally.

X = X-ray (let's see what's going on under those clothes)

Underneath her elegant attire, Carol is refined and sensual, wearing delicate lingerie. She appreciates fine fabrics and always looks effortlessly put together.

Y = Yearning (how high is their sex drive?)

Carol's sex drive is moderate to high, though it's more about quality than quantity for her. When she desires someone, it's intense and all consuming.

Z = Zzz (how quickly they fall asleep afterwards)

Carol doesn't fall asleep immediately after. She enjoys lying together, sharing quiet moments of closeness before drifting off.

For anon

Forever Tag: @baubeautyandthegeek, @ghostsunderstoodmysoul, @immyowndefender, @valencethefriendlychangeling, @crimsonwidow666, @rebelbossheart, @thedailyspiritualist, @orangeisnttheonlyfruit, @woman-simp, @aperol-with-izzy, @leonoralessoem, @ellepossum69, @lakita-fisher, @trexsuit, @analuw, @luvlesavyy, @malfoyfeed, @aliciabrower, @sparrowspixie, @imaginationismyworldlypleasure, @og-kxsh-420

Carol Aird: @iticaboopsyou, @caffelattte

[thisblogisaboutabook]

Cowboy Like Me - Part 1

Azriel x Reader

Azriel meets his match in a contract spy while attending a barge party in the Summer Court. Together, they are tasked to investigate rogue shipments coming into Prythian. Will they be able to tolerate each other? Will they fall in love along the way?

Inspired by the queens of my heart, Taylor Swift and Sarah J. Maas.

Part 2

Warnings: Language and some suggestiveness.

These functions were odious. Hundreds of elite fae from throughout Prythian gathering to spread gossip, exaggerate how deeply their coffers ran, and boast of their latest voyeurs in both the sheets and battlefields. Yet, amidst all of the cock measuring, bits of truth revealed themselves to those with the proper skill set. So yes, while odious indeed, a lucrative affair for me.

Tonight I’d found myself aboard a pleasure barge on the Adriatic Sea. Several High Lords accepted Tarquin’s invitation to a summer soirée honoring some milestone birthday of Cresseida’s. I couldn’t remember her age, I didn’t care honestly. The information I sought was of a more confidential manner.

Whenever any High Lords made their appearance at such gatherings, nobility from their respective courts came out in droves in hopes of rubbing elbows with the upper cress of their kingdoms. Minor lords sought advantageous matches for their heirs, esteemed merchants networked to expand trade routes, tittering courtiers cozied up to nobility in an effort to advance whichever cause they were pursuing that night.

A well-trained ear and eye lusted for occasions such as this. Those Minor Lords so easily letting details slip of their needs, allowing a glean of where their courts higher nobility were failing them. The merchants whispering confidential details of questionable consignments slipped in with their usual fare.

And the courtiers, it was too simple to read in between the lines of their oh-so-cryptic conversations. The courtiers of lesser nobility who hadn’t yet mastered the art of subtlety were easy to read, even easier to trade gossip with.

My glamour skills were exceptional. Some would call the statement arrogant, but it was truth. On top of my assets as a spy, my ability to work my way into high profile events with subtle changes to my hair, eyes, and scent made spying a lucrative profession.

A contact from Adriata’s Port Authority had contracted my services for tonight. A shipment of jewels, spices, and varying textiles procured from the continent had arrived days ago with fake gems, missing rolls of fine silk, and poison laced spices that had been set aside for the royal kitchens. I’d been tasked with garnering any information that may lead to the perpetrators.

Initially it was suspected that the act had occurred before leaving the port of origin. However, Tarquin’s own contacts had accounted for everything at the port and again halfway through sailing. I had my suspicions of who was behind the act which led me to my current position, pretending to be engaged in conversation with the pompous son of some Minor Lord from Dawn.

Honestly, how many “Oh”, ��Wow”, and “That’s very interesting”’s could I throw into the conversation before he realized I wasn’t paying attention.

Yet, what I saw behind the male was quite interesting. Eris Vanserra making a rare Autumn Court appearance, far too casually winding through the crowd toward the High Lord of the Night Court as the lovely High Lady shared an animated story about, “Water Wolves”, whatever those were. The story just interesting enough to garner the attention of the surrounding audience long enough for the High Lord to stride off to a more secluded area toward the bow of the ship. The same place Eris had conveniently found himself at.

Feigning ill, I excused myself from the one-sided conversation. Quickly, I glamoured myself to look a bit more pale, and padded toward the bow. Fortunately there was a blind spot within earshot perfectly hidden by a few crates of spare items for the night should any dishwear or wines run out from the various tables spread around the barge. Keeping up my ruse I leaned over the rail, quietly dry heaving.

“All I’m saying is watch your shipments. An influx of boats have been reported leaving our ports recently. He’s up to something.” Eris’ hushed voice warned.

Oh, this was very interesting. Autumn’s heir apparent heeding warning to the Night Court.

The High Lord’s voice lowly inquired, “Do you know wh-“

The atmosphere suddenly turned dark as shadows swirled next to me. Raising from his perched position in the dark stood the High Lord’s spymaster.

Shit.

“Did the oaf you were speaking with bore you to sickness or is this washed out complexion a new glamour?”

Shit!

“People are staring, Shadowsinger. Are you going to ask me to dance or should we make a spectacle of ourselves?” I smirked cooly. Unsure of how I managed to pull off the collected facade in the face of the feared, and…. devastatingly gorgeous? Spymaster of the Night Court.

He smirked - a deadly, seductive smirk, extending his hand. This was a dangerous game. “My lady, honor me with a dance?”

I stepped toward him, aware of every weapon carefully placed underneath my silken cobalt blue dress. His shadows keenly aware of them too as they swirled around the location of each hidden sheath.

Oh, they were good.

His fingers gripped tightly atop the most easily accessible of my daggers, firmly pressed to my waist as a herringbone corset would be. His opposite hand gripped mine just tightly enough that it couldn’t slip free.

“You know, beautiful, it seems you’ve got a couple of weapons under your dress. You’re quite the double threat.” his face remained relaxed but those hazel eyes promised strife if I didn’t comply.

They stepped in rhythm to the Summer Court medley that played “It takes one to know one, handsome.”

He twirled me outward and pulled me back in before I could dare consider escaping. “I’m protecting my High Lord. Weapons come with the territory. Who are you serving?”

I batted my eyes innocently “I’ll serve you if you ask politely.”

I could have sworn the slightest shift in scent invaded my senses, “Ah, but you’re not a courtier, darling. You’re a spy. And I don’t take kindly to spies listening in on my courts affairs.”,

“Luckily for me, our interests seem to align.” I countered.

He dipped me back just in time to lock stares with the High Lord, stars twinkling in his eyes as he looked down at me, “Ah, brother. Who is your lovely dance partner?”

Once again,

Shit.

And then everything went black as we winnowed.

~~~~~~~~

“Welcome to the Hewn City - My name is Azriel. Care to share your name?”

“Elyse.” I lied.

Azriel stepped forward, “No dear, I don’t believe it is. Let’s not get off on a worse foot than we already have.”

I rolled my eyes. Fine. “Y/N.”

Good girl. He purred. The heat that pooled in my core at his tone was pathetic. Traitorous body.

“Why were you spying on Rhysand?”

I was a spy for hire. Being tortured in the name of Adriata’s Port Authority was not how I was going down. So I told him the truth.

“Adriata received a shipment with stolen goods and poison laced spices. I was simply seeking information on the matter.”

“And you felt that my High Lord was involved?”

I scoffed. “No, not exactly. While your High Lord is rather cunning, he’s not one to risk sparking a Civil War. Especially against his own ally.” I looked intently to the Spymaster with a smirk, “That bastard Eris Vanserra on the other hand…”

I could have sworn amusement briefly flashed in his eyes at the statement as he sat before me. “I’ve seen you at several functions recently. You are sly, I’ll give you that. But you have tells. The way your eyes wander off of those you are in conversation with. The slight lies you give the courtiers in an effort to bring their guard down and let information slip. Your glamours are excellent but not enough to disguise you once you’ve been spotted.”

Confusion swirled in my brain at this tactic. Certainly the willingness to share was an effort of bringing my guard down.

I stiffened. “Why are you telling me this?”

He raised an eyebrow “You shared information with me, I am simply returning the favor.”

“How generous of you , Azriel.” My tone was sharp. But his name… Oh how it tasted like honey on my tongue.

He shrugged. “This doesn’t have to be hard. Despite what you may have heard about me, I am a reasonable male. From what I’ve seen, up until tonight, you’ve never been a threat to those I’m allied with.”

I relaxed a bit at the statement. “You’ve watched me that closely?”

“What kind of spymaster would I be to not keep tabs on potential enemy spies?”

“I am not your enemy, Azriel.” Damn my tone for coming out so softly.

He looked at me earnestly, “I know.”

“Then why am I here?”

His gaze once again shifted to that of the infamous spymaster, “I want you to work with me.”

——————————————————————————

Thank you to everyone who voted in my poll and/or took the time to read this! I hope to post Part 2 this week. Stay tuned!

[chromaticleaf]

Been thinking about Tessa and the Murder Trio, and I've started wondering... how do the drones even feel about Tessa, in canon?

Reviewing what we have, it's a bit less clear than I expected, so I'll break down what we actually get in canon for each pair.

Tessa / J:

J having romantic feelings for Tessa is quite the popular fanon of course. I like that interpretation quite a bit myself, and a few subtle details I've seen discussed can even imply it as subtext.

As far as actual text goes, though, J is a loyal sidekick. She follows Tessa's lead and seems proud to assist and protect her. Pretty clearly a positive relationship, and easy to extrapolate further for shipping and fun head-canons.

But canonically, it isn't too different from her relationship with Cyn, or even the "company" in episode 1. Loyal, proud of her capable service, dedicated. Blasphemous as it may be, one could question if she actually cares for Tessa specifically, beyond her position as her "boss".

And this isn't to accuse J of being heartless: she reacts with clear horror at the thought of V (and the other library drones?) being discarded in episode 5. She cares about V (and, I would argue, N) in some capacity. Her rejection of them in episode 8 is easy to read as a defensive denial: casting them as a lost cause in order to justify fighting them to herself.

Even so, I do still interpret J and Tessa as having a close relationship, especially since contrary evidence is lacking.

Tessa / V:

We get basically nothing with actual Tessa. V has a few interactions with Cyn as "Tessa", though. She shows no real loyalty to her, seeming to go along with their excursion into the labs only for N and Uzi. She's very quick to snap at "Tessa" for her inability to protect them, but also seems quick to look past that. Most notably, she's quick to save "Tessa" from a bullet, so it's easy to read her as being as "tsundere" towards her as she is towards N and Uzi.

So canon doesn't necessarily imply a very strong relationship between them, but at least some basic level of loyalty probably existed, at least before Cyn's rampage.

Tessa / N:

This one is pretty interesting. Tessa's adoration of N is very apparent, of course. But we don't actually see any reciprocation from N. With actual Tessa in his memories, he seems to begrudgingly accept Tessa's affection, but his primary focus at the time was Cyn (and the ghost witch sending him messages). Perhaps this can be written off as extenuating circumstances, especially with Uzi's interference influencing his perception of the memories.

The other meeting we see, with Cyn as "Tessa", has Cyn mimic similar affection. N however seems more worried than excited to see her. Especially notable, in the same meeting, he seems delighted to see J (the same goes for V too, on both counts). "Tessa" gets a worried frown from N, where J gets a smile.

"Tessa" of course does little to endear herself to N during their lab mission. N shows plenty of concern for V and Uzi, and almost no concern for "Tessa". However, he still seems willing, if reluctant, to follow her orders, up until he catches her in a lie, upon which he beheads her with no hesitation. Even with N's genre savviness, he did not know she was Cyn at the time. Again, compare to J, who even as an enemy receives a hand-drawn IOU from him.

One can again argue extenuating circumstances, but it stands out for the golden retriever "I love doing anything" drone, doesn't it?

Conclusion:

It is surprisingly easy to build a case that the drones do not actually care about Tessa all that much. And it is even more surprisingly easy to build a case that N rather dislikes Tessa.

Do I think this is the intended reading of the characters? Not really.

I think the murder drones did like Tessa. There's not much positive evidence that any of them disliked her while they were in the manor, and all of them probably felt loyalty to her for repairing them and at least attempting to protect them from her parents.

Cyn's easy manipulation of N and V while pretending to be Tessa almost certainly relies on their lingering loyalty to her, overriding their natural wariness and doubt about the situation, so the fact that they aren't even more hostile and distrusting of "Tessa" on Copper 9 is probably a positive sign for their past relationship.

Still, it's an interesting thought experiment to interpret their relationship with Tessa in different ways and see how it can fit with canon.

Anyway, that's my sleep deprived ramblings on the topic. Hopefully someone finds them interesting!

[coffeetraces]

the judge from hell: ending thought dump

i would say i'm insane that the first thought i had when the credits rolled was "where's human bitna's soul???" not because the drama would be better if she shows herself, but because they showed her escaping and just didn't give us any closure. nevertheless, despite this, they gave us such a unique way to justify justitia's stay on her body. not to mention the bael deal (giving her 3 years of vacation before returning) and the cliffhanger lucifer deal (10 sinners killed in a year to be fully human) (we should get a season 2 at this point). the three scenes leading to the ending clearly showed us how her morals changed in the way she was conflicted with her decision about the un-remorseful defendant, to her (VERY BEAUTIFUL) callback on her scene with the children asking her about justice.

they also resolved the serial killing trope really well. the idea already of making the murderers feel how they killed their victims had such a nice build up from the first SA suspect until this serial killer. then when they built the coffin displays for all the victims while J was hanging himself was, in a way, a peaceful closure for the victims. it showed his remorse (despite bitna forcing him to do so), and putting an end to their worries that justice won't be served to him (he escaped, plus the way he told myeongsuk ahjumma that he was eating well inside jail) and he got what he deserved. again, not to mention that in the earlier episode, bitna and her chief judge refused to give in to the assemblymen's pressure to acquit him. i know, justitia has her own firm judgement already. but it made her human anyways.

side note: i found it funny (a bit) that bitna's death scene in episode 13 never fazed me. was this an effect of snowdrop still? jk.

and coming from this - i loved the pay off of every decision and interaction bitna and gabriel had. i already had the vibe initially that every test gabriel gave bitna would be beneficial for her to have more points from God, hence the reincarnation. and the cute scene too at the end - where his new form asked her to treat her to burgers because she promised on her funeral that she'll buy her dinner. the details of this show is very meticulous and i love it.

it was also so heartwarming to show all the victims after two years with the closures they showed. it's also really a good thing that the show only showed around 5 suspects instead of stretching it to how many episodes they have (a lot of law shows do that) so we still get to see everyone.

and, of course - han daon and kang bitna. i loved how much they trusted each other's judgments when it comes to the heavy decisions about their morality. i think this is the best way to show a relationship - or if anyone should pick a partner in the future, it would be with someone who trusts your wisdom to choose what's best for you. and both of them are, in a way, morally good decision makers. not to mention they were both so supportive of each other. daon never gave bitna the burden of giving up her future in hell by not doing the killings. he has his role as a detective, she has her role as a judge. such a nice partnership! and when it comes to their romantic scenes, i'm fine with all the subtle and natural moments that they had. they didn't have any extravagant cliche romance scenes except for the imaginary wedding. the long kiss was also a huge pay off after all the teasing of steamy moments with no kisses, interrupted kisses, the pecks, then we get "[nv] you should kiss me as much as you love me." [!!!!!!!!!!!] damn!

and park shinhye, of course! the best thing that happened to this drama. i apologize as i was a bit doubtful of her. i didn't like how she portrayed cha eunsang in the heirs and now i realized it was just because the writing of her character was so goddamn stale. but like what the director said - if there was an actress who can show her subtle cute style and be an action star villain-main character, it should be her. she showed well how justitia's mentality transitioned from being a full blown demon with no remorse to someone who felt immense sympathy from the victims and han daon's experience, and of course, the girlboss girlfriend vibe.

of course, not everything in this drama is unique. but it is refreshing. it also stresses important messages about justice that should be said especially in this era - the number one rule of justice is the law should not forgive what the victims couldn't. apologizing is an obligation, but forgiveness is not. justitia's trials cover admission of crime, asking for forgiveness to the victims, and remorse for the deed, all three core things that people sometimes forget when cases like murders and such happen. korea should know better after seeing this show. [coughs]

and, as always, we should never waste the potential of kim jaeyoung and park shinhye. GIVE THEM A MOVIE!!!!!

also kim jae young the new korea IT boy lfg

[cupcakeslushie]

Hey Slushie. I have some questions about your AU:

1. I am seriously confused on Donnie’s situation in the bad timeline.

like I know it was mentioned in one of your short stories when he and Mikey were having a quarrel and that red thing-a-ma-bob but it is still very unclear to me.

2. When Donnie meets mayday, how does he process the fact that his older self made a child of his own genes and what would timothies reaction be (both in the good timeline and the bad timeline [I know the bad timeline one is mentioned but like J want his initial reaction])

3. (related to the 2nd Q) did Timothy know about his idea of making a child before she was made. If he did, ot would show a really powerful trust that Donnie has for Timothy

4. in the good/bad timeline, what is Mayday’s reaction to draxum before and after she found out about what he did to her father.

5. How does Timothy help with Donnie’s hallucinations and since Mayday is his child, does she also have them, like about never saving her father or not being strong enough.

6. In canon, The mud dogs are the complete opposite of the mad dogs. So since everyone is a bit different, what will the mud dogs in your AU look like.

Yeah… these are a lot of questions and I hope it isn’t too much. Hope you can answer them and please, continue the great work!!!

1. So, it’s okay you’re confused. I’ve only given out a small amount of teasers for the direction that the future timeline is going. There’s been a bit more expansion on my patreon, but not much. The little bits I’ve dropped are more world building and filler, and less plot. So I don’t want to say too much. There hasn’t been any more expansion on that stone in particular. Just know, it’s Krang related, and we’ll see it again! I’m setting things up that we’ll see further down the line. Some stuff I’m okay with mapping every little bit out for ppl but there is some stuff I’d like to keep you guessing 😜!

2. This is one of those things I’m keeping shh🤫!

3. Timothy knew that Donnie was trying to come up with contingencies, but he thought the plans were more along the lines of like some kind of binder with all his passwords, or maybe a cool ass avatar that could still control the resistance tech in a worst case scenario (*subtle wink at Kat*) Timothy had no idea about Mayday or Donnie trying to create clones.

4. She’s heard a few sanitized stories, but Mayday of the bad timeline has never met Draxum (he was already dead). And in her traveling to the past, I don’t think she’ll meet him. Like canon, Draxum won’t be taking part in the movie plot—also I’m still not sure of Mayday’s post-movie future, so bad timeline Mayday might never even get the chance to meet her Grandfather at all.

But Baby Mayday in the good timeline, on the other hand, will grow up with Draxum around. She won’t be given all the details until she’s probably old enough to understand the complexity of the situation. She’ll be conflicted, but with Donnie being in a healthier place, and her getting a very watered down side of things, Mayday will find she can’t hate her Grandfather for long. Her uncles have all done stuff they’re not proud of, she can still love them, and so despite the things he’s done in the past she can still love Grandpa Draxum.

5. Timothy will sometimes ramble on about his favorite anime, comics, or video games, or he’ll just read a book while being present in the same room. He can walk Donnie through breathing or grounding exercises when things get really intense. Mayday doesn’t have Donnie’s hallucinations.

7. Sorry, to say. I like the Mud Dogs enough in the show, but they’d pretty much be the same.

[demigoddessqueens]

my favorite (patient) doctor

A/n - is it ok to just fast forward for only the scenes of a hot doctor? Well I did, hence the fluff alphabet

Summary: A-z fluff Alphabet for Dioneo

Masterlist 11

A = Affection (How affectionate are they? How do they show affection?)

In the public eye, it’s soft touches and subtle (not really) glances but behind closed doors, you can’t keep your hands off each other

B = Best friend (What would they be like as a best friend? How would the friendship start?)

Dioneo is top tier (boy) friend material; perfect listener and a deadpan sense of humor that always makes you grin

C = Cuddles (Do they like to cuddle? How would they cuddle?)

That tall frame with muscles biceps?? Born to cuddle, forced to be a doctor

D = Domestic (Do they want to settle down? How are they at cooking and cleaning?)

As a doctor, he’s used to nore time nursing other patients and nobles but would not be a stranger to other domestic tasks, and if you ever got together, at least you would have some of the help for the home

E = Ending (If they had to break up with their partner, how would they do it?)

Chances are you would be the one calling it off because Dioneo could not conceive of any reason to let you go, and it would destroy him still

F = Fiance(e) (How do they feel about commitment? How quick would they want to get married?)

Just say the word and set date and he’ll be there by your side, just as you desire.

G = Gentle (How gentle are they, both physically and emotionally?)

Very gentle, wants to make sure you feel safe around him, and keens for how gentle you are with him too

H = Hugs (Do they like hugs? How often do they do it? What are their hugs like?)

Those arms are meant for hugging and holding, and you have no qualms reciprocating right back

I = I love you (How fast do they say the L-word?)

It’s canon he does fall hard and falls fast, so don’t be too surprised after a few days or even a week, at most

J = Jealousy (How jealous do they get? What do they do when they’re jealous?)

Very jealous and you see it cross his face if Tindaro tries to make advances towards you. He knows you don’t reciprocate but it’s a harsh reminder of the differences

K = Kisses (What are their kisses like? Where do they like to kiss you? Where do they like to be kissed?)

Dioneo just adores your lips, how sweet they taste when you kiss, but feels more smitten if you ever kissed his cheek

L = Little ones (How are they around children?)

Given his streak of patience, I’d say Dio would make children feel safe, indulging them with a story or two

M = Morning (How are mornings spent with them?)

You and Dioneo try to enjoy the morning as much as possible with kisses and affection before there’s a banging at the door for the day

N = Night (How are nights spent with them?)

Sometimes passionately, but also so sweetly as it’s a refuge from the Plague ravaging outside

O = Open (When would they start revealing things about themselves? Do they say everything all at once or wait a while to reveal things slowly?)

Pretty early on, like as soon as you start talking to get to know each other.

P = Patience (How easily angered are they?)

It would take a lot to hurt him; and if anything, even if you didn’t reciprocate his feelings he wouldn’t bother you

Q = Quizzes (How much would they remember about you? Do they remember every little detail you mention in passing, or do they kind of forget everything?)

You may have not given second thought to any answers about yourself but Dio

R = Remember (What is their favorite moment in your relationship?)

You were out walking the gardens with him early one morning before everyone else awoke, the sun peeked through to kiss your hair, an amused smile on your face as a butterfly landed on your hand

S = Security (How protective are they? How would they protect you? How would they like to be protected?)

Very protective!! Mercenaries, diseased people trying to get in, just get tucked away right behind him

T = Try (How much effort would they put into dates, anniversaries, gifts, everyday tasks?)

When is he NOT trying is more like it?? Grand gestures may or may not be your thing, but Dioneo always wants to communicate how much he cares for you

U = Ugly (What would be some bad habits of theirs?)

Self doubt or a form of all consuming jealousy if a noble gets too close to comfort with you

V = Vanity (How concerned are they with their looks?)

Maybe just a healthy amount of “I know I look good” with a mix of “but I think you look better”

W = Whole (Would they feel incomplete without you?)

Dioneo knows his work is a part of him but if he didn’t have you, the happiness and fulfillment and brighter optimism you’ve brought would cease

X = Xtra (A random headcanon for them.)

Likes it when you cook (if you can), a homecooked meal can be a love language

Y = Yuck (What are some things they wouldn’t like, either in general or in a partner?)

The snobbish attitude or looking down on others just because of the circumstances of birth

Z = Zzz (What is a sleep habits of theirs?)

Maybe some light snores but you are entirely cuddled and tucked away safely under his biceps

[pukefactory]

Hi! If you’re still taking requests, can we have a yandere V x reader (if you accept yandere requests)

Ohoh, as a massive fan of V, I had to take this one on! Thank you for your request, Anon! I hope both you and all the other readers enjoy it!

⌖ Summary: A compilation of headcannons featuring V as your obsessive lover

⌖ Character(s): Serial Designation V (Murder Drones)

⌖ Genre: Headcanons

⌖ Warning(s): Stalking, Toxic Relationship

✦•······················•✦•······················•✦ ✦•······················•✦•······················•✦

⚡︎ From the very beginning, it was clear that V is the possessive type. Protective and obsessive, she is never far behind, even if you aren’t entirely oblivious to her behavior. Whether you are out for a walk or spending time with friends, she is always somewhere nearby. Strangely, anyone who caused you even the slightest inconvenience seemed to vanish without a trace, and V somehow knew more details about you—things you had never shared with her. At least it means you are safer now. Probably. Hopefully.

⚡︎ I suppose that means she doesn’t like it when you’re out of her sight. After all, who knows what could happen? Who knows what you might be doing or who you might be talking to? You could be in danger—or worse, doing something she wouldn’t approve of. It’s clear that she feels far more at ease when you’re by her side at all times. V insists on holding your hand constantly. Before long, it feels as though you’re practically fused to her, and she has no interest in listening to your complaints about it. Any attempt to protest is swiftly silenced, leaving you with no choice but to comply.

⚡︎ She absolutely despises it when another disassembly drone is anywhere near you. It doesn’t matter if you’re simply in the same vicinity without interacting—V becomes intensely hostile toward N and J if they so much as glance in your direction. On the surface, it might seem reasonable to assume that V is merely concerned about them posing a threat to your safety. However, the truth is far more personal: she perceives them as potential rivals for your attention and affection.

⚡︎ If you begin to feel uneasy about her behavior and attempt to create distance, it will inevitably lead to an undesirable outcome. V has little patience for your excuses and will only grow more obsessive and possessive as a result. Her need to keep you close becomes increasingly suffocating, as she interprets any effort to pull away as a betrayal of the bond she perceives you share. Attempts to reason with her are met with dismissive deflection or a chilling intensity that leaves you questioning whether it’s safer to comply than to resist.

⚡︎ Although V becomes easily agitated when you ask for space, she is otherwise deeply affectionate. Her love isn’t expressed through words—she’s never been skilled with them—but through intense physical closeness. From tight, unyielding hand-holding to breath-stealing hugs, her affection borders on possessive devotion. Her favorite gesture seems to be lovebites, gentle at first but firm enough to leave faint marks. While her tenderness can be comforting, it’s shadowed by an undeniable possessiveness. Her love is sweet, yet suffocating, a constant reminder of the unrelenting grasp she refuses to loosen.

⚡︎ One of V’s favorite things to do is unsheath her large claws, gently press them against your lips, and pry your jaw open. She peers inside with an unsettling curiosity, observing the subtle movements of your tongue as it instinctively reacts to the pressure of her claws. Occasionally, when she’s feeling particularly playful, she’ll dip her fingers in oil beforehand, slipping them into your mouth to gauge your reaction. Whether you enjoy it or not is irrelevant to her; she delights in teasing you, savoring the way her actions unsettle and fluster you. To her, it’s all a game—one that she’s endlessly amused by.

⚡︎ She insists on taking you everywhere with her, regardless of the time or place—you’re coming along whether you want to or not. However, much to your relief, she never brings you anywhere that might put you in harm’s way. These outings often feel like impulsive, albeit unconventional, dates. Her only goal is to spend as much time with you as possible, but this desire comes at the expense of your personal time and space. Say goodbye to solitude—once you’re in her orbit, it’s impossible to escape.

[rusty-gloinks]

MURDER DRONES EPISODE 5 : Random details and favorite parts of this episode

Will be putting major spoilers under cuts if anyone has NOT seen the new episode, or has yet to see it. CW/TW: Blood, body horror, murdery stuff! SPOILERS!! AHHH!!! You get the point. I am not responsible for your actions :3

(This post is a mix of different things btw, Md related tho)

None of this will be in order, and I might need to make a PART TWO!!! Since the total is 45 images. :’)

FIRST UP. I would like to take the time to appreciate doll so have some LOVELY LITTLE images of her I took.

She looks so fucking awesome???? Like holy shit. She slayed!!!!!

not to be fruity .but. yea

SHE. also Isn’t that the campsite? Or just a different location with the same appearance.

OKAY. Next up. BABYGIRL . I SQUEALED AT LIKE EVERY SCENE OF THEM SHES SO FUCKING CUTE. MAN😭

BLEEEEEH (I’m going to make this my icon soonthat was the purpose of the screenshot. Also because I love them)

World is mine by Hatsune mi- cyn. World is mine by cyn. The famous vocaloid /j (HSES 😭😭😭😭)

Noticing how her balance is SOOO Much better while holding someone?. Also MOOD .just like me .real 💔

i lov e you🥺EEEK /p. Shes melting

MY SIB AND I WERE FUCKIJG DYING OVER THE PUPPY EYES.LMAO. I love their humor

J* , and they locked her in the basement. I am so SAD about this information

PROTECTIVE BIG BRO MODE…babys

Okay, listen, i know these 2 got shipped before the release but OUCH this makes things so much weirder!!! eugh:( (mainly saw em as friends.tttotallt not becsuse I project my friendship with my silly mutual onto them.no. /sarc)

anyways forget them being friends as my headcanon. THEYRE FUCKING SIBLINGS EVEN BETTER!!! (prjdedcts me and my elder sib onto th— *gets killed /j*

GAY RIGHTS(After the 2nd watch i realized she was making them kiss each other and I started laughing so hard my sides hurt)

Okay glitch QUIT SHOWING OFF. god damn !!!!! Literally appreciating this scenery so hard. 10000/10. :3

YKNOW HW I WANTED TO SEE TEARS IN THE NEW EPISODE!! LOOK. KIND OF CLOSE!!

LOOK HES SOBBING!!!! ALMOST. I GOT WHAT I WANTED OMFG!!!!! YAYYA!!!! (Love it when ppl cry /j

Lovely little lad. Reading abt dogs:) so cute…

subtle hints of favoritism..👀(she obvs likes J more I think,)

I love how immediately i could tell this was drawn by Liam. Canonically J in the show but like his style is so adorable and bouncy!!!! AND LIKE yummyys:3 eated

Cute detail in Uzi’s room. SHE LIKES BABY COWS GUYS. ITS TIME TO MAKE FANART OF UZI WITH BABY COWS. /J

Blushys:)!

For those wondering what this is it’s basically a ripoff of YouTube. The caption is titled "Top 100 Doors ever!!11!" and then the views at the bottom 😭😭. KHAN AND HIS FUCKING DOORS GOD DAMNIT

This part scared the shit out of me i was literally about to cry. I THIUGHTT SHE KILLED HIM

I had to slow this down and repeat the same clip OVER AND OVER Just to get it right, apparently the solver can swap roles? (The order is supposed to be yellow then purple since Uzi takes over as an admin instead of CYN.) very cool.

STP FIGHTING D:

BOTH VRY SCARY :(

Better glimpse of her backpack. Cute little skullbat zipper!! Also batteries. 👍

Apparently DEAD BATTERIES, aka the logo on Uzi’s sweater could be a possible band? Or reference to a band I don’t know? Like how they have my chemical robots (or something like that) as a ref to the band MCR (romance).

Sigh., N was that you.

Conlang? Fictional language? Glyphs? I’m assuming it’s VERY important (since liam lovessss foreshadowing, i will further elaborate). Hoping there will be ways to "simplify" it to english!

Yknow how in episode 2 Uzi takes braidens sentience or sumn like dat. Yea 💀

Alright I’ve hit the limit, gonna rb again with part 2!!!!! Soon. Maybe

[dropout-if]

Unique - for all the ros, please. i know you did something similar in your 'pick this route if you like xyz'. but in an instory pov, what are unique or individual to them things that they do that makes them stand out [or just are subtle and soft] as a partner?

AAA I was very excited for this one!

U = Unique(What makes them unique as a s/o?)

Jean/Jade is very meticulous. They're a perfectionist, and this translates into their relationships. When J dates someone they're very self-sacrificing in every way, shape and form. This stems from the fact that J is pretty stupid around their feelings lol (everything is rational and everything makes sense, but romance most certainly doesn't).

Uma’s uniqueness might as well be how detail-oriented they are. They also have a great memory (they're going to remember everything about their s/o, the good and the bad). Gift-giving might not be that high up as Uma's love language, but they do love to make sure their partner is appreciated (and to let them know that Uma's been thinking about them). They also give the best gifts🫂💕

For our n.2 self-sacrificing fool, Statler I’m going to choose both their resilience and their self-awareness. Statler is far from being perfect, but they've grown so much as a person since they were a teen. The amount of responsibility Statler carries and how much they love the people around them (taking care of them, being dependable for their sake). It comes with tons of stress (and Statler not being able to fully live their own life), but it's still admirable in a way.

Wanda stands out because of her emotional maturity alone lol (it's something very normal and very valid to ask in a partner, but she's the most emotionally stable out of all the ROs and that deserves to be acknowledged). Wanda rarely gets jealous, she's emotionally expressive, she's not demanding of her partner's time, she's supportive. Where can I find someone like her🧍

Lol Kai is such a mess they're a bit hard to define without spoiling anything. The way they've grown and the way they've viewed the world up to this point has been very unfair, and Kai genuinely doesn't know the first thing about having a healthy relationship. For Kai's unique feature, I'd choose their role in MC's life. They're the RO in whose route MC feels the most free/liberated.

Travis is also unsurprisingly hard to pinpoint. I think his bluntness makes him stand out. Travis' partner will never have to doubt him or his feelings, he's always going to be straightforward with what he believes and thinks. It might not be such a good thing all the time, but it is commendable when all the other ROs lie more often than not (due to various reasons ckskxk).

[mayonaisalspray]

SEVIPER TETRA‼️‼️

(+a size comparison drawing)

Unstructured un edited hand made blorbo design ramblings under the cut if you don’t give a shit about these losers keep going

Okay so first I want to talk about Jester and Tetra’s normal designs and why I find them so appealing and all the little things I like abt it because I’m the only one who’s probably going to ever ask for it. Well me ask and you shall receive

Jester:

Jester was the first character of the two to be made, but he came way after Trix. The two shared more design similarities early on, though they both do still share a lot of similarities. Maybe I’ll talk about that one day. Hm.

Anyway. Jester’s clown like appearance is due to his desire to not be taken seriously. Jester is a firm believer in the idea of Jester’s Privilege, which is the idea that jesters are able to talk freely and mock people on account of being a jester. Jester (whose “real” name is Jay. Btw. Because it takes up identities that have names starting with J. Just wanted to finally put this info out into the world) doesn’t want to be taken seriously, because he sees himself as a mockery of both the human and Pokémon worlds. He’s torn between the two, unable to fit in either. This is also because it doesn’t want to take himself or his problems seriously but whateva

The rest of his design is more. Hm. Practical probably isn’t the word but idk what is. His hair is long and covers his eye because 1, its eye on that side was removed and it makes his life harder if people see it, and 2, because he doesn’t care to cut it. The sweater is an old gift from Wade, and it wears it so often because it’s one of the few high quality (not ripped) pieces of clothing he has. The pants are brown to hide dirt so he doesn’t have to wash them as often. Things like that.

The only part of its appearance that Jester puts any effort into (besides the clown makeup and collar) is painting his nails. Jester’s nails are very important to it, since a Zangoose’s claws are its strongest weapon. This mostly manifests in the form of manicures.

Tetra:

When I tell you I’m pretty sure Tetra beamed his design into my brain you have got to believe me. I was sitting in the car listening to the mochi madness theme and then BOOM. Twink in my mind.

The most obvious parts of Tetra’s designs are the poison aspects. Tetra has a pretty clear poison motif, from the literal drip that is his sweater, to the toxic chains coming from his head, to the little Pecharunt collar.

But that’s it. He’s just poison, not a specific Pokémon. Jester’s design is (at least partially) based around Zangoose, but aside from the Pecharunt influences, there’s no clear Pokémon theme. That would be thanks to the fact that years of being mind controlled by Pecharunt’s brain poison has left him fairly devoid of identity. Tetra is more the idea of a person who once existed then any real person who still exists.

That’s also partially communicated through the fact that he’s a literal corpse! Yeah there’s a reason he’s that fucking pale, it’s cause he’s dead. Tetra, like the loyal three, ALSO died on the night Ogerpon attacked. But, with Pecharunt’s return, his body “healed” itself. Tetra is still very dead though (I could also talk at length about what I think Pecharunt’s poison can do but it already late and this is long as fuck).

This is a small thing but, before I decided to make them a thing neither of them really had canon heights? But ever since I did I knew Tetra had to be taller then Jester. It just feels right

SEVIPER TETRA:

Alright here’s the main event. I feel like it’s pretty obvious why I made the a design where Tetra finally gets a Pokémon influence and made it Seviper. But why shiny Seviper? You could argue that regular Seviper fits Tetra’s color scheme better.

Uh the reason is I think its cooler and more badass and I like how it brings out details of his design that are more subtle when he’s normal style

The original purple of his toxic chains, toxic stitches, and hell even his choker, all made it pretty clear that this was poison, but it looked like parts growing off him, not as much part of him. Now that it’s pink, it’s more obvious that this is his blood! Yep, the poison in Tetra’s body is the only thing keeping him alive. Without it, Tetra would probably just disintegrate into a bone heap.

Tetra’s eyes, which were originally yellow to match the loyal trio, now reveal their true color. His eyes have always actually been purple. He’s always been under Pecharunt’s influence, even when it isn’t there to directly control his actions. The whites of his eyes are also bloodshot now cause I think it looks cool

I’ve added a (admittedly very light) skeleton motif as well, by trying to make the triangles on Seviper look like rib bones, and modifying the ends of his toxic chains for look more like skulls. I’ve also tinted his skin slightly green, to add more to that undead aspect.

Now why did I do this? Well I got the idea for an animatic and part of it is Jester having a nightmare about Seviper Tetra because Jester has been chasing a group of people he calls his Sevipers for years because of something they did to someone he cares about, but now that the something is directly happening to it (and he doesn’t care about itself) he cannot bring himself to stop Tetra’s mistreating of him. And also because it makes Tetra hotter

Anyway thanks for reading all this if anyone will good NIGHT

[tolkiens-middleearth]

Topics & Themes in Tolkien’s Legendarium

The Perilous Realm

“Stories that are actually concerned primarily with ‘fairies,’ that is with creatures that might also in modern English be called ‘elves,’ are relatively rare, and as a rule not very interesting. Most good ‘fairy-stories’ are about the adventures of men in the Perilous Realm or upon its shadowy marches.” – J. R. R. Tolkien. On Fairy Stories.

Tolkien called it the Perilous Realm, Faery or Faërie, and for me these words represent one of the most fascinating theme in Tolkien’s Legendarium. It is both a narrative and a world-building element that can be found in all his major Middle-earth stories and is in a way essential for understanding Tolkien’s approach to his own created world.

Yet I feel it rarely gets talked about, so I want to briefly highlight what it is, how it functions in the narrative, and give a few examples from various stories. Unfortunately can’t go into a deep analysis because doing so would require me to write a book – which I would love to, but I don’t have the time or qualification). Quote sources and further reading recommendations are given at the end.

WANDERING INTO FAERY

 “It is common in Fairy tales for the entrance to the fairy world to be presented as a journey underground, into a hill or mountain or the like. [...] My symbol is not the underground, whether necrological and Orphic or pseudo-scientific in jargon, but the Forest […].” – J. R. R. Tolkien. “Smith of Wooton Major” essay.

The core of this theme is the mortal wanderer who comes to or crosses the borders of Faërie, the land of fairies or elves. This idea has been part of legends and myths for a long time, one of the most prominent examples probably being the island of Avalon in the Arthurian legend. Depending on the story, Faërie can occupy a different time and space than our own world, or share the same space or time “in different modes”. Getting into Faërie is not always possible and many things can stop someone from entering: it may be completely inaccessible, it may be hidden and people have to find it, or it may be accessible only to those who know the secret on how to enter it. Once you are there, it may be difficult to leave, or it may take some time. Being there could turn out to be dangerous, but it also doesn’t necessarily have to be. Tolkien wrote that “in it are pitfalls for the unwary and dungeons for the overbold”.

In The Lord of the Rings, there are many examples of such a realm, some barely noticeable and some very clear and detailed.

It starts subtle when Frodo, Sam and Pippin meet Gildor and his Elves near Woodhall. It is no specific realm that they enter, but just wandering with the Elves already lets the Hobbits experience something they are not used to. They have trouble finding words for it afterwards or remembering it clearly, with Tolkien describing it that for Pippin it felt like he was in a waking dream. The next example is then already more direct: the four Hobbits enter the Old Forest. This time it really is perilous for them, they get lost and cannot find a way out. Tolkien describes it as follows:

“They began to feel that all this country was unreal, and that they were stumbling through an ominous dream that led to no awakening.”

Frodo almost falls asleep near an enchanting river, Merry and Pippin almost die. Without the help of an unexpected inhabitant of this forest, they never would have gotten out.

Reaching Rivendell is another less clear example. Rivendell itself is easier accessible than the Old Forest and less perilous for the Hobbits. But reaching it also includes a river, a river that is under Elrond’s command and that rises “in anger when [Elrond] has great need to bar the Ford”.  And within Rivendell, Frodo experiences another kind of “Faërian Drama” as Tolkien calls it: the stories and songs told in Rivendell hold him “in a spell”, and “the enchantment became more and more dreamlike” until in the end Frodo falls asleep once more. Bilbo comments that it’s difficult to stay awake “until you get used to it”.

The most prominent example is of course Lothlórien, a land of Elves that is rarely visited by mortal beings and where the flow of time is indeed different than that in the outside world. It’s also well defended against wanderers, and both in the world and the narrative the fellowship has to pass through: there are guards at the boarders that have to be convinced, there is a river that has to be crossed, a hidden path that has to be taken blindfolded. Tolkien is in no rush to get the fellowship to Galadriel – the reader, together with the wanderers, have to experience this journey.

The purest form of this theme in The Lord of the Rings is, of course, Frodo and Bilbo leaving for the island Tol Eressëa at the end of the story. It is the longest journey into Faërie, a journey that only a few are allowed to take and that you won’t come back from. Tol Eressëa is no longer in the space of the human world, and it’s very telling that Tolkien named the haven on the eastern shore on the island Avallónë.

More examples can be found in Tolkien’s other stories, and I will mention them less detailed when talking about the actual centre of the theme:

THE MORTAL VISITOR

„It seemed to [Frodo] that he had stepped through a high window that looked on a vanished world. A light was upon it for which his language had no name. All that he saw was shapely, but the shapes seemed at once clear cut, as if they had been first conceived and drawn at the uncovering of his eyes, and ancient as if they had endured forever.” – J. R. R. Tolkien. The Lord of the Rings.

All of Tolkien’s major stories have one thing in common: they have someone human at the core who is unfamiliar with Faërie and able to experience it as new and from an outside perspective.

In The Hobbit it is Bilbo who stumbles into a world he is not prepared for at all, and while it is less clearly shown in the narrative of a children’s book, the journey of Bilbo and the Dwarves clearly show signs of this theme – a dangerous forest, an enchanted river, a white deer, and Elven fires that suddenly vanish.

For The Lord of the Rings I have shown above that all four Hobbits experience this in one way or another, although Frodo is probably the one given the most focus.

“This is a history in brief drawn from many older tales; for all the matters that it contains were of old, and still are among the Eldar of the West, recounted more fully in other histories and songs. But many of these were not recalled by Eriol, or men have again lost them since his day. This Account was composed first by Pengolod of Gondolin, and Aelfwine turned it into our speech as it was in his time, adding nothing, he said, save explanations of some few names.” – J. R. R. Tolkien. Quenta Silmarillion.

The Quenta Silmarillion is a different type of story, so here the theme also takes a different form: it’s not a narrative as The Hobbit or The Lord of the Rings and more a historical chronicle in style. It’s written as such, but also given the corresponding context: when Tolkien was first writing the Book of Lost Tales and later the Quenta Silmarillion, the framework he had built for it was that of a mortal men coming to Tol Eressëa and learning of these past events. The one wandering into the Perilous Realm is Eriol or Ælfwine, listening to the stories of the Elves and writing them down for other humans to read. When Tolkien eventually started writing The Lord of the Rings, he was able to change his framing story. There was no longer a need for Ælfwine to reach Tol Eressëa to learn about these tales – now it’s Bilbo who wrote it down in three volumes called “Translations from the Elvish” that he had added to his private diary when he handed it over to Frodo.

This concept applies to the Quenta Silmarillion as a whole, but the main three stories within the Quenta Silmarillion still have a similar mortal visitor as The Hobbit or The Lord of the Rings. In Beren and Lúthien, it’s the mortal Beren who wanders into the Elven Kingdom Doriath and gets enchanted when he sees Lúthien dancing and singing. In the Children of Húrin, it’s Túrin who enters Doriath as well, but also the Elven Kingdom Nargothrond. Both times, Túrin is unable to find the entrance himself; he is lead there by Elven guides – first Beleg, then Gwindor. And in the Fall of Gondolin, Tuor is led by an Elven guide to through many gates under a mountain to the Elven Kingdom Gondolin – one of the rarer cases of a "journey underground, into a hill or mountain".

And even the Akallabêth incorporates this theme, although in a different way than the previous stories. The story of the Fall of Númenor is about wanting to go to Faërie, and not being allowed to. There are other aspects to this as well of course, but looking at it with this theme in mind, that is the core of the story. Ar-Pharazôn is the mortal man who desires to reach Faërie, but when he tries to get there by force it ends in his death.

The mortal visitor as the protagonist in their story is essential for this theme to work. To experience Faërie as a visitor, to enter a “dream that some other mind is weaving” in such a way, it is a uniquely mortal experience that the reader could imagine to have, but that the immortal Elves can almost never share – after all they create their realms, they are the creator of a dream that the mortal wanderer, Tolkien as the writer, and we as the reader are dreaming.

THE CREATOR OF THE DREAM

“Faërie contains many things besides elves and fays, and besides dwarfs, witches, trolls, giants, or dragons: it holds the seas, the sun, the moon, the sky; and the earth, and all things that are in it: tree and bird, water and stone, wine and bread, and ourselves, mortal men, when we are enchanted.” – J. R. R. Tolkien. On Fairy Stories.

The immortal creators are not irrelevant of course, although they cannot be the centre of any story about wandering into the Perilous Realm. The outsider experience, essential for this theme, cannot come from the one living inside the Perilous Realm. The inhabitants in Tolkien’s stories are Elves most of the time – near Woodhall, in Rivendell, Lóthlorien, Mirkwood, Gondolin, Doriath and Nargothrond. But they are of course not the only creators of such realms. Dwarves come in and out of these stories, and in the case of the Old Forest the implication is that Old Man Willow is the main force behind the spell:

“His grey thirsty spirit drew power out of the earth and spread like fine root-threads in the ground, and invisible twig-fingers in the air, till it had under its dominion nearly all the trees of the Forest from the Hedge to the Downs.”

And of course the Valar and Maiar have their part in the story. Especially Tol Eressëa and Valinor are mainly built by the Valar, and in Middle-eath the magical boundaries of Doriath were set by Melian. In moments where Fëarie is not solely or not at all made by the Elves, they may enter the dream of another mind as well. It happened when the Elves first came to Valinor, and a more personal example is Thingol meeting Melian for the first time, where “an enchantment fell on him” in which he was caught for years without moving. This is only possible, however, when Elves meet someone with a creative power far greater than them – one of the Maia or above is required.  

However, this was never Tolkien’s focus. In Tolkien’s stories, the Perilous Realm is often a place inhabited by the Fair Folk – but I have also mentioned that sometimes Faërie exists in another mode. Throughout the examples given, dreams have been an important element of the experience of Faërie, and it’s one that Tolkien also thought a lot about. In our own world, we cannot reach Faërie in our space, but it may be approachable in another mode – through dreams. This becomes especially apparent in his texts The Lost Road and The Notion Club Papers, and it was also a part of how Tolkien saw his own relationship with his work: a mortal entering a dream of Faërie.  

ENDING THOUGHTS

There are many aspects of this that I haven’t touched on, and that I would love to explore or discuss. There is for example the case of Frodo, a mortal who has been in touch with something that belongs into the world of Faërie, that he cannot properly come back: when coming back to the Shire, Marry comments on how it feels like a dream is slowly fading, like he is waking up. Frodo however says: “To me it feels more like falling asleep again.” Already, it is clear he can never fully return.

Then there is the case of reversing the idea of Faërie in the case of Túrin – he is trying to bring Nargothrond closer to the outside world so that he can use its force in war. In return, he makes it accessible and the kingdom falls. In general, it’s a fascinating thing to see Túrin’s relationships with the Perilous Realms.  

Or if we talk about dreams, what about the nightmares? Is Mordor basically an anti-Faërie, inhabited by Orcs instead of Elves, where the path leads through a spider lair instead of over a river, and where any mortal being can only end up as a corrupted slave if they stay there for too long?

What about including such an essential theme in adaptations? In Peter Jackson’s The Lord of the Rings movies, flawed as they may be at times, the experience of Faërie through the eyes of the Hobbits is notable – especially in Rivendell and Lóthlorien. Meanwhile in Amazon’s The Rings of Power, this theme is completely absent and the Elven realms in Middle-earth have no more mystery than a Harfoot camp or a random human village in the South.  

I hope I get to explore this theme more, I’ve been eager for month to write at least a tiny bit about it and it’s already way too long for tumblr again. But there are other themes that are also very interesting, so we’ll see how it’ll go…

If you have read up to here to the end I would like to thank you for your time and attention – both is much appreciated!

READ MORE ON THIS TOPIC

On Fairy Stories, an essay by J. R. R. Tolkien.

Smith of Wootton Major, by J. R. R. Tolkien.

The Lost Road, fragments by J. R. R. Tolkien.

The Notion Club Papers, fragments by J. R. R. Tolkien.

Faërie: Tolkien’s Perilous Land, an essay by Verlyn Flieger.

A Question of Time, by Verlyn Flieger.

QUOTE SOURCES

J. R. R. Tolkien. On Fairy Stories.

J. R. R. Tolkien. The Lord of the Rings.

J. R. R. Tolkien, edited by Christopher Tolkien. The Silmarillion.

J. R. R. Tolkien; edited by Veflyn Flieger. Smith of Wootton Major ‘Extended Edition’, Smith of Wootton Major essay.

J. R. R. Tolkien, edited by Christopher Tolkien. The Lost Road and other Writings, Quenta Silmarillion.

[true-blue-sonic]

Would you say that Silver is low wisdom but high intellect? (Sorry to get all D&D on you again)

No worries, I have played D&D for a bit before so I enjoy it🍀 The internet defines intelligence as how "smart" a character is in the way of possessing knowledge and problem-solving skills, whereas wisdom would be one's intuition, ability to pick up on subtle clues, and their perception on their surroundings. With those definitions, I'd actually argue Silver has higher wisdom than intelligence!

For example, in Rivals 1, Silver clues together that "Eggman" is actually Eggman Nega due to "Eggman's" mannerisms and speech that he's been exposed to over the course of the game. In the scene before, he concludes that Eggman Nega would never let his camera out of his view, making it rather strange that "Eggman" has it all of a sudden; here Silver has also previously discussed the fact that the camera's technology doesn't exist yet in Sonic's present. He furthermore notices that "Eggman" mentions the present and future as places where he will be opposed no more. These are all quite small details to notice, which I argue tie into Silver's ability to perceive them well. And perception is part of wisdom, not intelligence. Heh, Eggman Nega even outright calls him perceptive in Rivals 2. Perhaps a case can be made that Silver going to Eggman in TSR after noticing him and Dodon Pa talking is a sign of perception as well, since Silver is the one originally taking note that the two of them appear to be working together. And in Colours DS, he is the one stating it feels like he and Blaze have teamed up before.

However, I reason Silver's intelligence isn't poor either. Though I can't speak for much of '06 since I never played it (see below as well), I do know he's got the occasional puzzle to deal with (such as the beloved ball puzzle in the desert, haha; he also has to do stuff with scales and his powers in Radical Train, I happen to know): that could be taken as a sign of him using his smarts to continue on his mission. He also is the one doing the Test of Memory to get access to Kingdom Valley, wherein the player must choose the correct option when provided with a bunch of prompts about Silver's adventure. In TSR again, he concludes that Eggman is yearning for the Ultimate Energy Engine and hired Zavok to steal it, where Eggman laments he was being too obvious about it. I argue that there Silver combines the clues he picked up with information he knows about Eggman in general to draw a (correct) conclusion, which I figure is also intelligence.

On the other hand, '06 with Silver trusting Mephiles very much exists, which doesn't speak wonders for Silver's intelligence (or wisdom, for that matter). But a critique of the game I've often seen is that everyone, heroes and villains alike, are juggling the idiot ball like mad and that a lot of plot points legitimately just inherently do not make sense. Thus, I cannot say how much of the game can be used to show Silver is a dumbass and how much of it is simply everything going wrong because the plot goes in a way that makes everyone look bad. So for '06!Silver I find it hard to say what his intelligence and wisdom are, but I argue that his characterisations from Rivals 1 and onwards are geared towards him having both decent enough intelligence and wisdom alike. He's repented himself by not immediately trusting Sonic in White Space and fighting him first before handing over the Emerald /j XD So generally, my own gut feeling is that Silver's perception and intuition are higher than his smarts: he's perceptive and can use information gained there to draw correct conclusions, but he's also very honest and straightforward, where a smarter character would perhaps know to watch their mouth and not say something that actively hinders their mission (e.g. with Knuckles in Rivals 2 or the Soleannan officials in the 2021 Sonic Channel story). Thus my overall conclusion would be that Silver's wisdom is higher than his intelligence; but with low intelligence I mean he's straightforward and doesn't mince his words which can get him in trouble, not that he's outright dumb.

[rin-and-jade]

...can i ask for some advice?

We have lots of system friends that are pretty much 100% sure that we're plural. And I want to believe them, because it makes so much sense with like, everything. It genuinely feels so right. But if I have headmates they don't reveal themselves or talk to me or anything. And it makes it really hard to believe I'm not just placebo-effecting myself or smth :/

Any advice on not feeling like I'm lying to myself and the world at large? Or maybe help with communication? Or both? Please?

(also while my native language is English I'm visiting family who don't speak much and it's rubbing off, I'm aware this is written kinda clunky sorry 😭)

I can give advices on communication and the particular issue of "lying to the world", which sounds closer to imposter syndrome, here is the general guide (and older post here) for it though you can come to me for a personal approach to fix it.

There must be a reason your alters are not active, so far the details has been general so i cannot pinpoint a specific answer to solve this. Will still try to figure them out though:

Poor communication One reason you might not be able to contact others is because of needing to practice. The skill with communication isn't always natural, as how some might imagine. For starters, take your time to notice certain emotions that comes up, or subtle thoughts lingering, and politely ask if anyone is near, see if anything changes.

Fear factor Some might retreat after being found out of it's disorder or existence, it might be wise to approach this gently by assuaging any worries that may arise that caused them to avoid contact at the first place.

Not ready for the reveal I've worked with people where alters are not ready to meet or see them due to "fear of panicking" or due to the negative reaction/aftermath which could cause a mess, so to remedy this, it would be educating yourself slowly and understand as much as you can, and shoo away the doubts. This will make you seem more ready and prepared to brace the truth.

Fight and flight state Given with the total innactivity, it can also come from the fact that your state of mind is interfering the flow of other parts influencing or be aware of the situation, this is because most system activities happen within the rest and digest state (very complicated and this is the easiest way to describe it). This means you have to create a more effective plan for bring your parasympathetic response back up again. Many suggestions and steps are on the internet, i even have my own post right here if you'd like to see.

This is all i got for now, i think there's a deeper issue to this, so please contact me gia DMs when youre ready--remember to refer this link when you do meet me later!

See you, goodluck.

- j

[whimsyandbooks]

The Hurricane Wars: A Stellar 10/10 True Enemies to Lovers Adventure In "The Hurricane Wars" by Thea Guanzon, the lush tale of a fantastical realm is vividly portrayed. Within this richly woven narrative, the story revolves around Talasyn, the last known light weaver on the continent, and Alaric, the formidable Prince of Kesath and an adept Shadow Weaver. Their world, torn apart by the devastating power of storms wielded by ships, is brought to life with intricate detail. As their paths collide and their magic clashes in unexpected ways, a tale of profound enmity, unexpected alliances, and the delicate balance between love and hate unfolds. Against the backdrop of a nation, Sarodivia, struggling under the oppressive rule of Kesath, these characters come alive, their complexities adding layers to a story that weaves together themes of identity, freedom, and the intricate dance between darkness and light. Join Talasyn and Alaric on a mesmerizing journey where the battlegrounds of the heart mirror the stormy conflicts of their world.

The story begins in the heart of Sarodivia, a nation ravaged by the power and greed of Kesath, whose ships wield the power of storms, giving rise to the name The Hurricane Wars. Talasyn, a Sardovian orphan, emerges as last known light weaver on the continent, her very existence a testament to a power believed long ago eradicated by Kesath. Her nemesis is Alaric, the Prince of Kesath, and a powerful shadow weaver, becomes joined in her fate. When their magic clashes, an unexpected confluence happens between light and dark, and their lives become intertwined in ways neither ever expected. This leads them to the secluded vibrant world of Nenavar, inspired by the Philippines, where even the dragons draw from South-Asian mythology. War-time weddings really are all the rage. Guanzon crafts a complex tale of identity, ancestral Mythologies, the fight for freedom, the nuances of nationhood, along with the passionate tension between love and hate that hinges the precarious balance of the fate of the world.

Guanzon's writing style is eloquent and lush, painting detailed pictures with her words. The pacing keeps readers engaged, although I found myself slightly thrown off by the absence of a world-changing cataclysmic twist in the final 100 pages. However, this might be due to my recent dive into Sarah J. Maas' books, which are known for their intense plot twists. The end of the book is still incredibly satisfying, as well as perfectly having set the gears in motion for epic twists and turns to happen in the following books of the series. The character development is subtle yet profound; both Talasyn and Alaric learn to navigate their brash hot-headedness and gradually understand each other. Themes of opposites, enemies to lovers, dark vs light, war, politics, and destiny intricately intwine throughout the narrative, creating a captivating tapestry.

The world-building in this book is extraordinary. While it began as an epic fan fiction, Guanzon has masterfully crafted a unique world with intricate political systems, customs, and mythos. Guanzon's academic background in international politics shines through, adding depth and realism rarely seen to the fantastical elements of the story.

The romance in "The Hurricane Wars" is a slow burn of the highest order. Guanzon expertly entwines romance and spice, making the reader cheer for these two oblivious souls falling for each other amidst the chaos.

This book is a treasure for fans of slow-burn enemies-to-lovers stories set in a meticulously crafted fantasy world of magic and politics. I wholeheartedly recommend it, rating it 10/10 stars. "The Hurricane Wars" is an excellent book, a testament to Guanzon’s exceptional writing. I loved it and greedily anticipate the next installment.