#boom slaps. a banger. god damn.

[kalashtars]

what is it about episodes of doctor who written by moffat exclusively when he is NOT showrunner that makes them hit so hard. it's like it's his ideal enclosure. give him like 2 one-offs a season and they'll be guaranteed hits.

[is-jan-jan-is]

Dawn of Dc fucking slaps my dudes.

I've been meaning to make a post about the Dawn of Dc for quite a while but haven't due to depression and 80 hour work weeks.

My pull box used to be one third marvel, one third dc and one third indie. Nowadays, with marvel focusing on more of those godawful movies it's producing more and more garbage. Meanwhile, dc-who has been struggling since the 90s-seems to have found its stride. My box is honestly two thirds dc and one third indie.

I've maybe three or four marvel titles. Captain marvel, mckay's avengers run and ewing's thor. I did also pick up Sentry but havent read it yet. I was about to deep dive into the fall of the house of x stuff but the whole 'Genocide' storyline is in bad taste to say the fucking least. With last year's Symbol of Truth sam wilson run over i dont have much more marvel stuff catching my eye.

Meanwhile I'm collecting most of dc's catalog. The Dawn of Dc rebrand has been phenomenal through and through. Part of it is due to color coding which my autism especially likes. Mostly, it's great storytelling.

Here is how I would rate the Dawn of Dc titles I've been collecting so far on a scale of 'bruh' to 'BRUH'(all of the ratings are made up terms):

*******Spoilers*********

Jon Kent Adventures of Superman: absolute banger...if not a tad formulaic. If seems poetic to have Jon kent-a product of Joshua Williamson- fight injustice superman-a product of Dan Didio. Dan famously hated legacy characters and loved the idea of fascist superman so-get fucked Dan. 11/10 because he beats him with a hug

Action Comics: fuck yeah dawg. It's been great. The wholesome super family shenanigans, the inclusion of Kenan (finally) on top of just damn good story telling. 10/10 would super again.

Superman: BRUH. So, after years of piss poor 'superman' books we get the warworld saga (certified banger) followed up with this delightful story from Josh Williamson. All of the classic villains get the correct treatment. Lex, parasite, banshee-with the current 'Chained' reveal. Im so glad somebody understands how to write superman. This has genuinely become a title i look forward to every week. 10.5/10

Superboy Man of Tomorrow: Certified Banger. Listen, Connor Kent was the first love of my life. 90 percent of my personality is Teen titans and Young Justice was always my favorite flavor of teen titans. Either way I was always going to love a boom about Connor Kent. That said: this book is pretty good. It clearly skews young as far as its obvious intended audience but it was still fun.

Steel: CERT-FIED BANG-ER! God I love Worf. I'm glad that my boy Steel is getting the proper treatment. Michael Dorn does a damn good job. It was a good run, just read the last one (6 out of 6) today.

Powergirl: fuck yeah dawg. I love powergirl, and this series is not as annoyingly thirsty as previous stories. She's presented as a complex yet baddass character. Her motives are complex and her actions are badass. I also like that she's part of the super family officially.

Blue Beetle: Certified Banger. Pretty damn good. Once again it's a tad formulaic but still a fun read. 8/10

Green Arrow: Certified Banger! Pretty damn good, tbh. I love the fact that my boii Roy Harper is back. Pretty strong familial vibes all around. 9.5/10

Green lantern: bruh. Listen, I only picked up this title originally because it held the preview to John Stewart's 'War Journal'. Its well done, don't get me wrong. Jeremy Adam's is an asset to D.C. at this point. Quality wise, it's a knockout. Unfortunately, it's also Hal Jordan. He's as much of an unbearable p.o.s. as he's ever been. 6/10.

Green Lantern War Journal: BRUH!!! Fucking Slaps. John Stewart is back at it in an incredibly endearing story. I was really interested to see where they would take it after Gregory Thorne basically made my boii a demigod. The ultraviolet corps are super interesting and the b plot with his mother is heart wrenching. 100/10

Green Latern Alan Scott: fuck yeah dawg. Pretty good. Love the gay representation. Been meaning to get back into JSA stuff. Haven't read the huntress or sandman stuff yet but might after this.

Hawkgirl: absolute banger. Ngl, they kinda phoned in the antagonist but that's ok. Its a fun read about a cool character we've always wanted more content on anyways. Also Jadzia is god tier. 8/10

Wonder Woman: BRUH!!! I've never been a huge fan of Diana honestly but this story had me hooked from the beginning. It's a complex, heartfelt political intrigue. Tom King can do NO wrong. 20/10

Birds of Prey: absolute banger. Super fun to read. I definitely look forward to it every month. I love cass and I love barda so- 11/10

Batman and Robin: bruh. Listen, I love Joshua Williamson but all the love in the world won't make me tolerate Bruce fucking Wayne. After the catastrophic mess that was the Gotham War event we get this run by Joshy boii and Simone DiMeo. It's a decent little story which I follow only to ensure that Robin is OK. The breakout star of this title for me was DiMeo's art. It's so kinetic! Honestly, the art is the only reason this isn't a 0/10. That said...6.5/10

Outsiders: Fuck yeah dawg! The this series only has two issues out so far but it's been fun. I love Kate abd Luke respectively and together they are lots of fun. Also this title seems to lean in to the whole 'superhero fatigue' thing. So fuck yeah! 8/10

Nightwing: BRUH!! Tom Taylor has been in charge of what is honestly the best Superhero title on the market for the past couple years-and its Nightwing. His Grayson is charming, endearing and resilient: All of the good qualities of his deadbeat dad without any of the bullshit brooding and class warfare. This Dawn of Dc title feels different because it's less a relaunch and more a continuation. It's a super interesting deep dive into the BludHaven lore that Taylor began teasing years ago. Also pirate Dick Grayson-90/10

Titans: BRUH. 10/10 MY BOIIS (boiis is gender neutral) ARE ALL GROWN UP!! THEY'RE IN CHARGE. THEY RUNNING SHIT NOW. Seriously it's very good.

Titans/Beast World: heartbreaking but ill allow it. Crossover events are always iffy, we'll see where this goes. So far-7/10

Cyborg: fuck yeah dawg! I love cyborg and I love to see him getting his own title. It's been a good one and I can't wait for the finale next month. 9/10

Flash: BRUH! So far it's a very good Wally story but we're only a few issues deep. I like the Linda subplot. 9.5/10

Speed force: fuck yeah dawg. MAS AND MINOS ARE BACK!!!!! listen I was almost ready to write this series off as another story pandering to the youth. There is a Panel wherein someone describes the scene as 'bad vibes' and is told-'bet'-in response. That said, Joshy boii is clearly happy to be writing Wallace and Avery again AND MAS AND MINOS ARE FINALLY CANNON LETTSSSSS GOOOO!!!! 7/10

Jay Garrick Flash: fuck yeah dawg! Pretty good so far. I love Jay. Love the addition to his family. 7/10

Spirit World: BRUH! Crazy fucking good. I ADORE the way this title handles deadnames. Cassie, Envoy and John make a pretty good team and this depiction of the afterlife is really neat and engaging. 15/10

City Boy: BRUH! A+ for originality dudes. I love this character's motivation, powers and personality. This title genuinely makes a positive impact on the overall dc universe. 10/10

*note* I tried to color code the titles with the corresponding comic colors but tumblr mobile didn't have yellow so

[hertwood]

dts s3 e9-10

e9: -bahrain is such a beautiful track btw i love her -damn they just jump straight into it boom explosion -before logan was the sad wet lil meow meow......2020 alex was the ORIGINAL -the way reporters are asking abt checo->red bull before he even won that race, makes me curious how much he was seriously in the conversation for the seat beforehand. anyone who was on tumblr at the time i'd love to hear what the gossip mills were like at the time 👀 -dany's "please tell me he's okay" always GETS me bc i know dany's the car he crashed with and it was 100% a racing incident but i cannot imagine the guilt he was feeling in the moment. i'm so fond of him he definitely deserved better by the red bull machine -gunther talking about how fire is the worst thing you can have in a crash--and thinking about how guanyu said his biggest fear in his silverstone crash was the car catching fire. we're really lucky that his car didnt honestly -the music design on this in INCREDIBLE like they really did an INSANE job here. cacos "thats an act of god" always gets me. really summarizes how improbably lucky he was to survive that. i'm so glad he did -gunther sucks but the way he insists he has to meet the rescue guys to thank them personally 😭😭 -ALBODIUM MY BELOVED (when will she return) -i didnt write anything down for the grosjean post crash self reflection bit. i just wanted to sit and experience it and not think :) -one can say this sakhir crash was the original checo third wheeling lestappen -when ppl ask how to get into f1, i always bring up the inside story series on youtube, and TOP of recommendations is the inside story on this race! it is truly insane what he did here, cant wait to see this race in full -i just think it wouldve been SO iconic if george had won this race. first ever mercedes race win before he even got a mercedes seat? wouldive been ICONIC. ppl talk abt the domino affect of alex's appendicitis but if mercedes didnt fuck up BOTH their drivers pit stops, checo wouldn't have won (probably), would he have been signed then? new butterfly affect to discuss -I THINK. i know the idea of checo leaving the sport soon is being discussed a lot, and even in this episode he discusses that if its the end for him he is proud of what hes accomplished and thankful for as long as he had to drive in f1. his red bull seat really was a lifeline, a second chance, and he has added to his legacy significantly with red bull. if he loses his seat on 2024, no matter what mean things i've said about him in the heat of the moment, he has a LOT to be proud of. if its his time to go, its his time to go

ep 10: -i think AD is a BANGER of a race track. i'm glad its the finale race -ok so lets see daniel gives renault their first podium in 9 years......then gives mclaren their first win in forever as well.....hmmmm.....washed up who? -cyril getting a tattoo youtube video is So Important 2 ME. cyril calling his wife to tell her the details while daniel dies silent laughing is the instant seratonin boost for me -every time zak & lando have a lil clearly staged chat it has the most sugar baby energy ever why do they do this -lando says so many nice things abt daniel here yet the dando antis choose to ignore them and insist lando does nothing but distrespect him 😡 anti-lando daniel girlies r my least favorite -NOT DANIEL HITTING THE BEAM ABOVE HIM IN THE GARAGE TOO the dando agenda continues -damn i hope they give this much dts attention to the battle for 7th last year too -lawrence rly hired seb to mentor his son huh -aston martin colors Do Fuck we all must admit -frothing at the mouth over the 4433 moment here. its mental illness innit -i've always felt. like the lewis racism segment was a bit shoehorned in here. like they went oh fuck we need to include this somewhere lets just slap it on the end of the episode. i think it would've been so much better and more impactful in a fully lewis focused episode. but ya kno? i'd rather they do it this way than not at all, so i suppose i shouldn't complain too much

[tyonfs]

🤧:

me watching hot sauce for the first time: whoa that was a fever dream

also me: *watches it two more times right after*

I was so worried I wouldn’t like it and while the beat is definitely unique I really like the song it slaps! The pre-chorus is my favorite especially when Renjun sings it 🥰

Also Jaemin is trending on Twitter — makes sense he looks good — and Jeno hair slicked back makes me 🤩🤩

However my eyes were naturally on Renjun 99% lmaoo HE JUST LOOKS SO GOOD AND CUTE AND ATTRACTIVE AND JAHAHQJ LIKE HOW CAN YIU NOT LOVE HIS TWO-TONED HAIR PEOPLE HE JS JSUY YWUUW

Okay sorry I had to squeal to someone about the album and comeback ahah

I ordered the album (boring ver.) and my sister joked the world will end if I get a Renjun photocard — probably because I will be screaming lmaoo

Also thank you for the Renjun pics I always save them 🥺💓

What do you think about the comeback? I never told you but I missed you too and hope you are doing well 💕

Also can we talk about how WE FINALLY GOT A FULL ALBUM 💿 damn sm took you long enough

ANONNN IM SO IN LOVE WITH THIS COMEBACK LIKE PHEWW SO MANY GOOD SONGS AND HOT SAUCE IS A BANGER

gonna rant ♡

also before i simp, will start off with your comment in the end — i missed u too !! hope you’re doing well 🥺🥺 it’s my midterms week again so i’m kinda dead ish but not as much as before LOL

going back to the comeback !! honestly i get that, like i’ve heard a lot of ppl say they were worried ab it LMAOAOA personally i was digging the beat but MAN dream doesn’t disappoint like PHEWWW AND YES OMFG MY FRIEND AND I WERE CRYINT OVER RENJUNS BRIDGE he seriously ate up the vocals in every single song and left no crumbs my god

and hyuck’s high note??? i was in SHAMBLES AND PLEASEEE JENO AND JAEMINS WHISPERING PARTS I WWANTED TO COMBUST

also i’m jaemin biased so in my eyes he just eats up every single look but he SERIOUSLY ATE THIS UP LIKE GODDAMN WHOEVER WAS HIS STYLIST I HOPE THEY GET PAID HANDSOMELY and omfg i don’t know how the trends look like for you but renjun is the top trend on my twt 😳😳 his POWER

(and jaemin we’re gonna need those pictures later the fuck)

AND OHMYMGODSH YOU HAVE TO SEND YOUR PULLS WHEN YOU GET THEN ‼️ i impulsively ordered the set oops 😳 so pray i pull a jaemin like i have 6 chances so Pls 🙏 honestly my luck is all renjun and hyuck 😳 honestly insane bc i bought we go up, we boom, reload, and resonance and got renjun pcs in all of them but TBH i really really really really want the renjun pc for the boring version he looks so good 😭 SO I HOPE YOU GET IT SO I CAN LIVE VICARIOUSLY THROUGH YOU OR WE CAN BOTH GET IT AND TWIN

also i’m GLAD you save all the renjun pics and even if you do i’m just glad you like them bc yk we all could use a little renjun in our lives as a pick me up 🥰💓

also if you get me here, hot sauce just sounds very nct ?? like it’s just the perfect song for the neos and i think this comeback was just very “we are seven. we are nct dream” yk? idk if that makes sense LMAO but all the members got a chance to stand out like there are parts for all of them that are stuck in my head and just 😰 i’m mindblown

and YEAH honestly pissed that sm didn’t let them get their first album before but i’m just so happy it’s here and i hope sm stops sleeping on them :( they’re already the sm group with the most presale orders for their album so 💆‍♀️ maybe sm’s gonna come to their senses and give us more dream content

and ofc gotta drop the rics (renjun pics) 😽😽

[rheic-arts]

Just something I've been thinking about - hell knows I don't actually talk here much but tumblr is a wonderful place to spitball - is, like, Disney villains? How everyone waxes nostalgic for the queer-coded gems of the 90s renaissance and dismisses the modern twist villains? I have a theory.

First I reccomend checking out other posts and videos explaining the origins of the Hayes code and how only villains could be queer coded etc etc and that 'no rep is worse than bad rep' explains a tiny part of it. Those posts are way better written than mine and I'm tired.

Second is that villains just objectively get better songs and all are welcome to fight me on this but villain songs just slap so much harder.

But my theory comes in two parts. 1 - the old Disney villains were FUN, whereas new ones are SERIOUS. and 2 - campy, extravagant, loud and dangerous villains are a unique brand of queer *power fantasy*.

OK. Seriously. Old Disney villains were murderers, theives, backstabbers, tricksters and they fucking revelled in it. There was NO mistaking any second of screen time that these guys were having a blast being themselves - and as such anyone watching is going to be caught up in it! We're going to be entertained! Which is the point! Of a film! Arguably watching Ursula pull out ariels voice or Maleficent casting lightning from her tower was WAY more entertaining than the romantic tension between two leads we damn well know will snog at the end.

Modern villains like Bellwether and Callaghan spend most of their time onscreen pretending to be nice. They're still fulfilling their roles as antagonists, but now they're boring to watch because they're actively trying to come across as ordinary. Until their reveals - in which they show themselves (esp in Bellwethers case) as bad people. Which is less entertaining than a splash of real world depressing - like. Damn sheep lady if I wanted to watch lying rasicts get into power underhandedly I'd turn on the news.

Old Disney villains were escapism - camp, loud, entertaining escapism that let you live in a world where people can legitimately drop bangers out of thin air while monolouging about their planned regicide (be prepared) and it was the regicide that made you the villain, not the camp performance.

On to point 2 tho -

As a smol baby bi at the tender age of seven watched Jafar slay his eyeliner routine while manipulating the sultan, saw Ursula become a hundred feet tall with a deep booming voice and the power of all the seas, saw maleficent become a full on dragon and hook nearly stab a child onscreen - you know what that tiny child wanted more than anything? Especially given in mind she was seven and would have no concept of queerness for nearly a decade?

What that tiny child, who was connecting so much harder to the villains than the protagonists, wanted, was that kind of power.

Bear in mind im whiter than a snowflake so these films were absolutely targeting my demographic, but for ages I hated being asked if I wanted to be a princess. Like, no?! I wanted to be kick ass! I wanted people to notice me, respect me, be in awe at what I could do! Be Afraid Of Me!

(it is worth noting that I am extremely competitive and had just started karate. The thrill of paid for violence is intoxicating, but we're deviating from the point here.)

As I've grown older that wish for respect has mutated into an altogether healthier drive to do well at work and to generally be a good person. That wish for fear has made me killer at Halloween decorations and costumes.

But now that I'm 25, quite comfortably bi and experimenting with Agender pronouns, what brings me back to the old villains is that despite being drawn in the era where being LGBTQA+ on TV got you dead they were unabashedly themselves.

Look I barely have to code switch or pass for straight and have grown accustomed to my queerness in a wonderful age of acceptance, and I STILL find that kind of cackling-shrieking-delight a BALM for my soul. That kind of self acceptance, self CONFIDENCE, to be outwardly proudly different to the point of revulsion to the masses is such a power fantasy I can't even describe.

I can't imagine someone not becoming sick of hiding and hurting, sick of living a lie out of complete necessity, and not wanting that desperate karmic release of paying back that pain tenfold with no consequences. Damn right you should be scared of me! I'm everything you hate and I hate you right fucking back! The fantasy of dropping your moral compass into the dirt so you can finally feel good about your existence keeps me warm at night, and I'm the child who cried when my dad accidentally stole a CD because I couldn't bear the thought of getting in trouble.

Who doesn't look at 1959's sleeping beauty and just gaze in awe of how much Maleficent fills the frame and commands attention, respect, even as she inspires fear?

You're an absolute liar if quick witted, fast talking, God of inevitable death Hades didn't make you laugh in the way sassy gay besties do even as he tried to kill a baby. We're all going to die, might as well be as ourselves, right?

I've lost where I'm going with this. Just. I feel like new generations are seeing queer coded villains as 'being gay is bad' which was legit the intent in the 40's! While getting the most rep media wise in living history. It's like this unspoken ability to relate to the vibes in media while not condoning the villains actions (because its fiction. There's no need to condemn or not, because its a story and we had absolutely NO power to change the Disney megatitan trajectory, so we took what we could and ran with it) is slowly getting lost to takes so fucking flat that you could bowl some skittles across continents and not get a bump.

Idk, power fantasies about capes, eyeliner and having horns while committing crimes is very very cool. I'm going to go watch pirates of the carribean and look at the clothes I desperately want but will be forever too scared to buy. Cheers.

[smolie]

in december i wrote a 2020 year music review for myself that i intended to post here BUT...because i was infamously restricted twice last year, i didn’t bother since you wouldn’t be able to read it anyway because it was not possible to view my blog hjfdhfd

now that my restricted era is (hopefully forever) over i just want to post it here for the sake of completion since i want to do the same thing this year

this is really long so if you actually read it ... idk you are insane in the membrane and i love you... but i genuinely don’t expect anyone to read this hjfdhjf i just like reflecting on the music i have listened to and be able to look back on what i enjoyed in certain stages of my life! okiiii bye 💗

january

mac miller - circles (album) it’s a bit funny that i worried putting my thoughts down about this album and now it turns out to be first on the list, chronologically of course … oh bittersweet irony </3 listening to this album is such a double edged sword, either way i am always hit with a truckload of feelings when i turn to this release.

this album came to me in a time of my life where i was slowly but surely sliding down towards rock bottom again just after i got out of it and thought i was okay. the times i’ve listened to this crying in the bathtub with a glass of wine….girl let’s not lol…. it’s almost strange how much i can relate to the thoughts another person brought to paper. the comfort this album brings me is otherworldly, i feel so understood by mac’s words and it’s my go-to “wallow in self-pity for a bit then come out stronger than before” album. then again, i feel a little sting when any of mac’s songs come on shuffle. a friend of mine said she cannot listen to artists who have passed because it feels too strange and most of the time i agree but this time, it’s so so different. this album would have been mac’s salvation, i can feel it. everything would have been a bit brighter and lighter for him after this, it would have had to be. i feel like i would do him a disservice if i did not listen to this album, so i will cherish this final gift from him as his legacy and my comfort. i miss him incredibly and am all the more thankful he shared his heart with us.

album favs: circles, good news, surf

tiny meat gang - broke bitch (single) MAN I TELL THAT BROKE BITCH IF YOU WANNA GET IN TUNE BETTER CHANGE YOUR WHOLE PITCH LIKE WOAH !!!!!!!!!! did that give you whiplash? hehe funny to say this about a song called broke bitch by a duo called tiny meat gang but this song actually means a lot to me! it came out shortly before their show in berlin and i almost exclusively listened to it on my 7+ hours train ride from one side of the country to the other to see my meat boys. this played out of the fat ass speakers at the venue when they stepped on the stage and i will never forget meeting them :’) also the song fucking slaps obviously

february

loona - [#] (mini album) ah yes, the most controversial loona release to date! i’m not gonna lie and say this sounded anything like i expected it to. but also, i have come to terms with the fact that loona release noise music now and personally i am here for it. why not did not have the endless energy of hi high or otherworldly vibe of butterfly, but it’s a hype song and i am always there for hype. i also have to say the b-sides were not as strong for me as on previous releases but i think i have to come to peace with the fact that loona will never top their debut mini for me. though if i can wish for one thing…… let loona have title tracks with a chorus in 2021? pls? crumbs?

album favs: so what, oh (yes i am)

tame impala - the slow rush (album) *lights cigarette* i’m listening to pretty underground music….i don’t think you’ve heard of this band….they are called tame impala *intro of the less i know the better starts playing* yes i am a basic white bitch and listen to like 3 alternative bands but damn i listen to them religiously. like any other basic bitch on this planet i found out about tame impala through the less i know the better and checked out their music. i wasn’t too much into this album as i was into currents but towards the end of the year, i was in a moody alternative music slump that took me back to this album and i like it a lot more now! most importantly, tame impala fulfills my primitive urge to listen to songs that exceed the 4 minute mark. something clicks in my brain when i see a song that is like 6:34 and chances that it ends up as one of my faves on a album are high. i enjoy tiktok like everyone else but this trend of 2:50 long songs needs to be stopped immediately.

album favs: borderline, lost in yesterday, it might be time, is it true, posthumous forgiveness

honorary mentions: onlyoneof - dOra maar, everglow - dundun

march

nct 127 - neo zone (album) ah, yes. the album that fundamentally changed me as a person <3 i’ve been listening to nct for a while, matter of fact i checked my top tracks 2019 playlist on spotify and cherry bomb was on there lol. i remember trying to get into them in 2018 when they released their regular-irregular album but the endless member & unit concept scared me off, so i only listened to a handful of songs without looking into them march 2020, the fateful month in which they released kick it and screencaps of jaehyun’s sexy ass tiddies in the kick it mv landed on my tumblr or twitter and i HAD to look up who this man is…...remember when i thought jaehyun was my ult for like, 2 weeks? me neither, johnny suh only in this house <3

anyway, i checked out this album and by god, is this pure kpop perfection. last time i listened to a god tier no skip album like this was … maybe the perfect red velvet? hype songs, well crafted ballads, love songs that make me wanna learn the lyrics, genuinely fun and interesting pop songs, this album has it all. somehow, the way this album is crafted greatly reminds me of brown eyed girls’ sound-g, it has the same vibe, concept and mix of genres to me, i’m not entirely sure how to explain. anyway, this album is one of my favorites of all time and even though i’ve obsessively listened to it (lastfm says 1.4k scrobbles as of today, december 7th…) i am still not tired of this. i recommend this to anyone who loves kpop tbh, you will have a good time with this!

other than being just a musically solid album, the emotional ties i have with this are …. isabel stop making albums your emotional support 2021 challenge. i’ve listened to this release all spring lockdown, this basically played at every waking hour for all of march and april. the promotion time of this era and lockdown are deeply intertwined for me and so i am always remembered of all the nct content i consumed during that time which inevitably cheered me up so much. this album really means a lot to me :’)

album favs: kick it, mad dog, love song, boom

honorary mentions: itzy - wannabe,

the weeknd - after hours (album) my dear melchanoly, was one of my favorite releases of 2018, so i had been desperate for a new release by abel and boy did he not disappoint. the perfect thotty, dirty emo 80s, making it clap while crying in the club album! this is a no skip from top to bottom and all i can say is that the grammys can go to hell <3 abel aoty! there is really not much i can say about this album, the flawless production, lyrics and sound speak for themself. my only criticism is that i feel overwhelmed by 14 songs, especially when some of them are really long. a few songs greatly overshadow the weaker tracks on the album for me but i still love this to death.

album favs: escape from LA, blinding lights, after hours, faith

dua lipa - future nostalgia (album) after the weeknd’s masterpiece of an 80s inspired pop album i was really looking forward to this. i greatly enjoyed the pre-releases, i played don’t start now and physical up and down, they are still some of my favorite songs released this year! when i first listened to the album i really liked it, songs like boys will be boys or pretty please sound like fillers to be but the rest is solid. yet a month after release you couldn’t catch me listening to this and i cannot even really tell you why. i think it was a combination of the following: 1) i greatly overplayed dsn and physical to the point where i didn’t want more of the pop 80s sound that the album has 2) there were other releases at the time that caught my attention and interest more like neo zone or after hours 3) dua herself….girl….she really gave it her all this year to make herself as unlikeable as possible. nationalist propaganda and the constant traveling during a fucking pandemic were really the kicker. i can barely stand seeing her on my instagram feed anymore, much less listen to her album. her having the nerve to go “we’re in a pandemic lol” when people asked about an animated music video …. if you don’t shut the hell up lmao … also, she takes the crown for the corniest album opener of all time. i nearly closed spotify when i heard future nostalgia (the song) lmao

album favs: don’t start now, physical, levitating, hallucinate

honorary mentions: megan thee stallion - savage

april

apink - dumhdurum (song)

listen, i’m not gonna sit here and pretend like this mini album interested me in the slightest but god, the title is such a banger.i’m so sick, eung eung and dumhdurum are a holy trilogy that i will defend until the end of time! i really hope apink stick to this mature, elegant concept, it suits them so well and goes well with their new sound. come back soon queens <3

rina sawayama - xs (song) i feel like i’m gonna catch some hands here … xs is an absolute banger, the guitar riffs and disruptive sounds really get me going every damn time! but the rest of the album … tell me why it doesn’t catch me?! i literally cannot explain. i need to take an hour, sit down and do nothing but listen to the album from top to bottom once again and see if my thoughts change but right now i only care about xs.

chungha - stay tonight (song) drama! vocals! dance break! choreography! this release served it all. i listened to this obsessively during the time of the release and it still holds up today. can we talk about the run chungha had with gotta go > snapping > stay tonight? lord have mercy.

honorary mentions: april - lalalilala, nct dream - ridin’

may

lady gaga - chromatica (album) the immense disappointment i have in this album is tough to put into words lol. any other artist might have gotten away with this release but gaga having the discography that she has, well … she doesn’t get away with it. this has underwhelming all over it. i enjoyed the pre-releases and my hope was high but the rest just doesn’t live up what i expected, i can’t even say why. it’s just underwhelming pop for someone of gaga’s calibre. i listened to this album during release week and then never again till december to write this list and i can see why.

album favs: rain on me, sour candy ft. blackpink, stupid love

baekhyun - delight (mini album) it’s confession time … this is a name i never would have expected on any of my music lists to end up. exo has always been one of those boy groups i casually listened to. i greatly enjoy their title tracks and a handful of side tracks, i have a few members that i keep an eye on more than others but that’s about it. baekhyun was never one of those members i had any interest in, matter of fact i always thought he was kinda vanilla and boring 😭 i didn’t even plan on listening to this release if it wasn’t for his association with superm and thus nct, so i gave it a shot and we have no choice but to stan. his voice is like butter and can cut sharp at the same time, his versatility is insane. i dived a bit more into baekhyun related content and he is so likeable, it’s almost ridiculous. this production is absolute god tier, not a single skip on this mini. late spring/early summer i had this weird urge to listen to songs with mellow voices but still a banger instrumental and i wholeheartedly blame this release. matter of fact, this album is so good, i had to buy a physical copy. Y’ALL. THIS IS A BIG DEAL. i haven’t bought a kpop album of anyone that’s not holy top 3 (brown eyed girls, loona, nct) in like … idk, 5 years?! baekhyun’s impact. i’m a fan now <3

album favs: candy, r u ridin’?, love again

ak aussenkontrolle - in meinem benz (song) this … is very unrelated to this entirely list but i had to put it on here. i miss my ex boss and our 3 hour drives to meetings in the south of the country where we would blast trashy german rap music </3

nct 127 - neo zone: the final round (repackage) *airhorns* REEEPACKAGE TIIIIIME!!! my first nct era that i experienced from start to finish! i remember watching nct 127’s beyond live with luna where these mfs performed punch and we finished the concert having no idea what this song sounded like. the structure is so unusual and the intro catches me off-guard every time just to hype me up beyond compare. not gonna lie, the fact that johnny has exactly one (1) line hurts but! it’s my favorite line of the entire song! possibly related to the fact that it’s his line but let’s ignore that ….

album favs: punch, make your day

kim woo seok - red moon (song) i’m not even gonna lie to you. i have not a single idea who this man is. you could put him right in front of me and i wouldn’t know … all i know is that he has a banger song. i saw him perform this on a music show that i watched for nct and i ended up loving the song … thanks for your service sir, whoever you are ...

june

stray kids - go live (album) 2020 was kind of the year of boy groups for me, i’m so sorry … stray kids promoted simultaneously with nct 127 so i ended up hearing their title track and holy hell, is that a song. god’s menu is hype from start to finish. it reminds me of good ol’ 2nd gen noise boy group song a lá b*g b*ng fantastic baby. just pure hype and fun noise. i am forever grateful to witness the birth of the line cooking like a chef, i’m a five star michelin. the title track impressed me so much that i ended up checking out the entire album which i rarely ever do with boy groups and what is even rarer is that i enjoyed the b sides lmao!!! it’s not an album that i would put on and just enjoy from start to finish but it has some really solid tracks! this release made me want to keep an eye on stray kids, they seem like a really fun bunch.

album favs: god’s menu, TA, airplane

seventeen - left & right (song) the boy group run continues … same thing with stray kids, seventeen promoted during punch era so i heard their song while watching some music station show for nct and i heard this and was sold. solid, fun pop with the catchiest pre-chorus in history and a banger chorus. i listened to the entire mini and can’t say it really caught my interest so this is a title track only release for me.

dishonorary mentions: twice - more & more (i hate this song so much lol)

honorary mentions: ryu sejeong - tiger eyes, monsta x - fantasia, chloe x halle - do it

july

irene & seulgi - monster (mini) this is a weird release because it’s good. the title track is fun enough, the b sides are dope. but my issue with this is that it’s nothing new. this sounds exactly like a red velvet release. i get that they didn’t want to a  joy, seulgi, irene, yeri release only and went for the sub-unit route instead, but why not be experimental and stray away from the usual sound of the group? also, whoever made monster and not naughty the title track deserves to be spat on. at least the choreography here is more interesting and “experimental” for kpop standards. also, why only a seulgi solo and no irene? i have no idea how reveluvs reacted to this release but this has rushed written all over it.

album favs: monster, naughty (i’m counting this to the mini idc), uncover

exo-sc - 1 billion views (mini) doing my part as a filthy casual exo listener. this release goes in the same category as baekhyun’s delight where i like the album so much that i HAD to get a physical copy. i don’t know what they put in the title track for it to be so diddly darn addictive but it clearly worked. the only bad thing about this release is how criminally mismanaged it was by sm, when i get you lee sooman ...

album favs: 1 billion views, on me, say it

baekhyun - garden in the air (song) i told you i’m a loyal baekhyun fan now <3 king releases and i listen, that’s just how it goes now! this is a cover of a boa song and i really love his version. there is not much to say except that it’s a really smooth song and his voice absolutely carries the track. i enjoyed this much more than i thought i would!

hyoyeon - dessert (song) YOU KNOW WHAT I DESERVE??? DESSERT!!!!!!! *insert tik tok challenge here* imagine if miryo featured on this instead of the ethnic hip girl … why can’t we have nice things. anyway, a banger!

johnny - sunny side up episode 1 set (spotify playlist, actual set) johnny being the skilled, talented, multi-faceted king that he is has been dj-ing since before debut (not me acting like i was around at that time lmao) and thus he decided to bless our quarantined, lockdowned asses with an online dj set! that was the most turned up sunday morning i ever had in my entire life. this set kicked off an edm/house/techno affinity that i had for the following couple of weeks. this set is an absolute banger, i would go insane to this in the club. he has an amazing ear for transitions and drops and i still just put on this set on the regular when i have cleaning to do or so. he could fill the void that rona and thus no clubbing in 2020 left in my heart and i’m so happy he decided to share this with us <3 now … john … sunny side up episode 2 pspspspspsps

honorary mentions: gfriend - apple, jessi - nunu nana

august

cardi b ft. megan thee stallion - wap (song) late summer 2021. we are vaccinated, icu beds are free, barely any new cases, clubs are open, this song plays and i can finally make it fucking clap.

troye sivan - in a dream (mini album) a cute mini album! nothing life-changing or as exciting as previous releases but easy (haha!) to enjoy. i really, really enjoy easy, can always count on troye for a dreamy sound.

album favs: easy

honorary mentions: itzy - not shy

september

wonho - love synonym pt. 1: right for me (mini album) honestly? i know like, 3 monsta x songs. i never bothered to get into them and maybe i never will, but it was difficult to ignore the whole wonho & monsta x mess that went on. i have absolutely no memory of why i decided to check out this release, i guess i was curious what he was going to do and … i was positively surprised lol. open mind is the exact time of song i had been so desperate all summer (remember mellow vocals with banger instrumentals? yeah) and uhm … can’t ignore the obvious … mr wonho is fucking fine. sir, you just gained a fan … now, where is love synonym part 2?? huh?????

album favs: open mind, i just, losing you

joji - nectar (album) this one is on tiktok. i heard gimme love in a bunch of tiktoks and had to look up the song and here we are. what an album! it came right as seasonal depression started to hit and accompanied me for a good chunk of autumn. at this point one has to ask if joji can ever really miss? the entire album is a no skip, it’s almost difficult to narrow down my favorites if my favorites weren’t so damn god tier!!!

album favs: gimme love, ew, tick tock, pretty boy, your man

super m - tiger inside / 100 / drip (songs) okay, listen. technically tiger inside & 100 were already released in august. instead of those three songs i was gonna write about the entire album until i realized i really don’t give a fuck about it 😭 i really only care about those three songs. and YES, i unironically like 100. is it a good song? no. but neither is jopping and that fucking bangs. i don’t turn to superm for life-changing, profound music, i turn to them for a good time LOL and that’s what they deliver every time! that being said, taeyong’s VROOM VROOM, UHMM UHMM, GRRRAHHHH verse is life-changing and profound! speak your truth king! also i wish drip was a b side for nct 127 that song is so damn sexy

taemin - never gonna dance again act 1 (album) this isn’t kpop, this is taemin pop. taemin never misses and the fact that hw*s* won dance performance over taemin is a literal hate crime. i will never forget the industry for this daylight robbery … anyway, nice album!!!!

album favs: criminal, black rose, waiting for

stray kids - in life (repackage) *airhorns* REPACKAGE TIIIIME 2.0!!!! i was on the edge of my seat waiting what stray kids were going to deliver after i greatly enjoyed god’s menu. i was still not over listening god’s menu when the repackage came out so i didn’t listen to it right away and now i greatly regret the few days i could have listened to back door earlier </3

album favs: back door, any

jackson wang - pretty please (song) i’m not gonna pretend like i ever listened to a song by jackson ever before. he is short king from got7 in my head and that’s all! i don’t even remember why i listened to this song but all i know is that it slaps severely. i love the wong kar wai inspired music video and the choreography is fun too! i’m gonna check out more of his music <3

honorary mentions: fromis9 - feel good, knk - ride

october

blackpink - the album (album, duh) i don’t even know what to say about this … this might be the weirdest release on the list for me. there are song i absolutely fucking hate (ice cream …) and songs i get my life to (pretty savage) on here and the discrepancy just gives me massive whiplash. i would never put this album on and listen to the whole body of work, i just cannot with the brain damage it gives me. i am still stuck in 2016, begging for bp to release music like whistle/boombayah/stay/playing with fire but i think i need to give up on that wishful thinking … i am just grateful we a got a title track with actual lyrics in the chrous for once.

album favs: pretty savage, lovesick girls

nct - nct 2020 resonance pt. 1 (album) this era was … a ride. nct 2020 happening was near inevitable but with covid it got pushed back so far, i started to believe it wasn’t even going to happen. i was semi-terrified of what was going to happen during a comeback with 21 (now 23!!) member group since i only experienced nct 127 comebacks so far and uhh … a LOT happened lmfao but let’s keep this about the album … i had no idea what was going to hit me. johnny having effectively 3 lines in nct 2018 did not give me much hope and after he got denoted to no line treatment in punch again, i was ready to not even have any expectation but this release changed everything. make no mistake that most of my favorite songs are units with johnny, we knew that was gonna happen lmaooo they dropped the teaser video for misfit and i thought i had my favorite song in the bag and then faded in my last song happened. y’all. JOHNNY SINGS? LIKE? ACTUALLY SINGS? DOESN’T GET FORCED TO RAP OR TALK-SING? MY MAN’S VOCALS??? OH MY GAAAAHD! this song is dramatic, theatrical, emo, it serves vocals and rap, it has catchy english and korean lyrics, this is THE song, the ULTIMATE song. i love this song so much, i want to belt it on top of my lungs in the pouring rain. apart from fimls, i also loveeee misfit, that was to be expected after i was going completely insane over the track video. johnny has like 3 lines but again they are iconic (WARNIN’! NCT WE MOBBIN’!) and i just enjoy the track too much to be upset over that. nectar. holy fuck. nectar!!!! wayv never disappoints with their thotty songs, they now have an absolute god tier hoe-ly song trinity with love talk > bad alive > nectar. the first chorus and hendery’s first verse (CHOP CHOP CHOP!) get me every time, this song is so insanely good i am severely upset i cannot sing along to it :( music, dance has nct 127 written all over it in bold letters, it’s so inherently 127’s sound!!!! i love this song so much, it’s so fun, upset and has massive dance-ability, i wish we had gotten a stage for it but i guess you can’t have everything in life </3 make a wish……………………………..the cursed unit. i don’t want to say anything about this except that, unfortunately, the song is fun and i enjoy it. the end. overall, this album is so insanely solid. i know i talk about my favorites A LOT but i genuinely do not dislike a single song on here, this is an absolute no skip album! that’s it. see you for resonance part 2!!!!!

album favs: FADED IN MY LAST SONG !!!!!!!!!!!!!!!!!!!!!!!, misfit, nectar, music dance, make a wish

loona - 12:00 (mini album) controversial loona release 2.0! i don’t know what it is, but somehow they managed to lace the words di da dam di dam di dam dam dam dam di dam (yeah) with pure crack. i fucking love why not, i would even go as far to say it’s my 2nd favorite title track. that is right, i think it’s better than butterfly (btw: hi high > why not > butterfly > so what). so much was strange this comeback, from the inexplicable concept + teasers, the outfits, the styling (yves….i mourn your hot girl era) but the title track is just SO good, SO fun, SO catchy that i am willing to ignore it all. i also enjoy the b sides much more than on #, they are much more memorable to me. and now … HASEUL RETURN…………….i purely live to see the next loona comeback at this point

album favs: why not, voice, universe

twice - i can’t stop me (song) thank fuck twice released a good song this year. if more & more had been the only 2020 release, that would have been the real tragedy. not gonna lie, i still haven’t listened to the full album, it just keeps slipping my mind. but! i’m going to! until then i’m gonna bop to i can’t stop me.

ariana grande - positions (album) the way this album has people upset is so funny. i am a huge dangerous woman fan myself, it’s my fave ariana album to date but she has said repeatedly that this is not the sound she is striving for. now she has her coin and can do whatever she wants in music and if that is r’n’b then fuck! we have to live with it! lmao! i can live with the sex theme of the album because it’s delivered in a fun way? but it’s getting a bit old...if the next album is about riding dick only too idk how much i would enjoy that. i would probably always come back to ari because i like her voice so much but girl, there are other topics to sing about, i promise! anyway! i like this album, it’s one of those where i can hit shuffle and enjoy it in the background while doing other stuff.

album favs: positions, 34 + 35, love language, my hair, pov

tiny meat gang - sofia (song) ayyy, it’s my meat boys :’) ending the year the same way they started it, with a banger! i absolutely love the guitar instrumental, the melancholic love song type sound paired with the theme of singing about loving a robot … yup, that’s creativity and talent right here! this makes me so freaking desperate for a new ep and i genuinely have no idea how far or close we are to one but!!! i am always waiting!!!

noel - push (ep) this is something i absolutely did not expect. noel (of tiny meat gang!) released his first ep ever and i was absolutely wowed. noel has it all, the voice, the talent, the creativity and all it took him was the confidence to finally put something out and i’m so happy he did. he gets real personal on bus back, more than ever before and i always get a bit emo listening to this track </3 this man is gonna go places and i’m so happy to witness his journey.

album favs: crow, head sunk, bus back

honorary mentions: sam smith - diamonds

november

taemin - never gonna dance again act 2 (album) i’m gonna say it. idea is better than criminal. the chorus drop???? when he goes MY AH AH  MY AH AH MY AH MY IDEA MY MY IDEAAAAAA A-A-A A-A-A???? bitch … tell me you can sit still, i won’t believe you. i like part 2’s title track more, but part 1’s b sides are more interesting to me. either way, taemin delivered as expected!!

album favs: idea, impressionable, exclusive

nct - nct 2020 resonance pt. 2 (album) part two, baby! we made it! part 2 had more mellow, ballad-y songs with my everything, i.o.u. and all about you, overall less drama than part 1 but i still enjoyed it. work it is one of those controversial songs where you despise it with your entire being or you defend this top tier noise till the end and i am absolutely the latter. the agony of not being able to listen to it and seeing the timeline so divided nearly killed me, but i have concluded that people who hate work it have never felt joy in their life <3 honestly my opinion cannot be counted because i eat up anything johnny participates in … biased ass… what i’m not gonna talk about is resonance (the song), this absolute mess of a “remix”. the audacity sm had to release this as a single is insane. anyway!! this era was a rollercoaster ride. all the interactions truly made me interested in members of other units more. hendery (the rise and fall …), yangyang my beautiful son, jeno aka blue hair guy, chenle the chaos kid and xiaojun after he made make a wish his bitch in particular! all the interactions between the units were so fun to witness and it was fun while it lasted but i am … so glad it’s over lol. i miss nct 127, i miss some peace, i hope the boys get to rest for a bit and so does my bank account.

album favs: work it, 90s love, i.o.u., raise the roof

miley cyrus - plastic hearts (album) not in a thousand years would i have expected a miley release to be on here. this girl does everything to be absolutely unlikeable in my eyes but after severely banging out to her heart of glass cover, i was really excited for this and it did not disappoint. what is disappointing is that it took her so long to find a sound that fits her like a glove. i believe many people miss out on this release after her previous history and i nearly would have done the same. this alt/rock influenced pop does her voice so many favors and i really hope she sticks to this direction, i love this album greatly!!

album favs: heart of glass, midnight sky, night crawling ft. billy joel, wtf do i know

kai - kai (mini album) just. imagine debuting with an album like that. lol. what a god tier big dick move. we all knew whatever this release was gonna be, above all it was going to be sexy and boy were we RIGHT!!!! mmmh is exactly as thotty as i needed it to be and the b sides give me everything from r’n’b to trap. i love this release and i love that it’s only the beginning of kai! like!! he is only gonna gain even more experience and become even more powerful!! what the fuck!!!!!

album favs: mmmh, ride or die, hello stranger, nothing on me

honorary mentions. gfriend - mago

december

nothing? wtf?? 😭 no interesting release happened,,,,half the time i listened to christmas songs anyway lol

pre 2020 releases i only found this year

mgmt - little dark age (album, 2018) & oracular spectactular (album, 2007) another tiktok serve. i found little dark age through a tiktok trend and ended up really liking mgmt. they fit perfectly into my autumn/winter moody alt/rock mood that i had going on and i’m happy they have so much more music that i can check out!

artist favs: little dark age, electric feel, time to pretend

tame impala - currents (album, 2015) everyone’s favorite basic alt bitch album! i enjoyed this more than the slow rush for a good chunk of time, it also fit right into my alt rock autumn mood. i really love this album, like previously mentioned it has my favorite long ass tracks on there but also a good amount of short or medium long tracks. i’m still busy enjoying currents and the slow rush but i can’t wait till i finally take the leap to dive into their other releases because i’m loving everything i’ve heard so far.

album favs: the less i know the better, let it happen, new person same old mistakes

joji - ballads 1 (2018) after liking nectar so much, checking joji out was a given and i just love this album. only when i listened to this i realized i heard slowly dancing in the dark a few times on tiktok lmao that cursed app man … i would say i love nectar a bit more but this is still a fantastic album!!

album favs: slowly dancing in the dark, attention, test drive, yeah right

jus2 - focus (mini album, 2019) in my “mellow moody bangers” phase i was scouring playlists for more songs and i think i found focus on me first which fitted right into the niche i was looking to fill and i ended up enjoy this whole release! only later i realized this is a sub-unit from got7 lmao how come i enjoy solo or unit releases by got7 members but their group discography never interested me? anyway, very sexy ep!

album favs: drunk on you, focus on me, love talk

knk - sunset (song, 2019) part of my mellow bangers playlist. very sexy, i can imagine this as a runway song! i have no idea who knk are but given the fact i enjoyed two of their songs so far maybe i should look into them lol

baekhyun - city lights (mini album, 2019) i am repenting for my sins of missing out on baekhyun releases by consuming his music at an exorbitant rate. un village is one hell of a title track that i didn’t appreciate before, but i feel like in 2020 my music interests started to vary and i love the groovy r’n’b and string sound of this song so much. i also love stay up to death, the vocals baekhyun serves here are unreal. his BABY WE CAN STAY UP!!!!!!! gets me every single time!!!! what a mini!

album favs: un village, stay up

mac miller - swimming (album, 2018) i’ve listened to this album before 2020 but i had the urge to put this on here. this is going to sound so corny, but if i had to pick one song to be my life’s title track, it would be ladders. the hope this song gives me is unreal, it feels like a light at the end of the tunnel. this album is so fantastic, i love the upbeat instrumentals paired with sometimes gloomy lyrics are so incredible, mac was truly one of the greatest artists of our time. this album is  so outstanding and i miss him every day.

album favs: ladders, jet fuel, 2009, self care, perfecto

doja cat - hot pink (album, 2019) i can never decide if i like doja or not but the album slaps lol that’s it come on tiktok queen

album favs: say so, juicy, like that, streets

my fav 2020 playlists

slapping mellow

neo culture technology

malcolm

why go to therapy when this playlist exists?

top songs 2020

(by spotify)

[exploding-fountain]

Top 10 kpop songs of September:

DICE - Nmixx. The chorus is so damn addictive. Love the belt-rap-belt-rap switchoff. Don't like the mix part which is too bad because the one in O.O slapped whereas O.O's girl crush part was just okay.

Shut Down - Blackpink. Coming in right after Yonaka's Seize the Power lol. A very solid song. Only a few cringe lyrics. Wish the bridge went full orchestral and Rose/Jisoo were more than backup singers but nobody's waiting for YG to reach the bare minimum.

Trouble - Twice. A thoroughly fun song. Love Jihyo's powerful opening, and obsessed with Momo's I LIKE THIS TROUBLE BEBE

Love Foolish - Twice. Can't believe it took me so long to find this song. Wish the performance was up somewhere. This song was so sexy of Twice.

Future Perfect (Pass the MIC) - Enhypen. I mean…it's not surprising? But it was oNLY to learn the dance.

COOL (Your rainbow) - Nmixx. Didn't expect this to land at #9, but I mean, it's a good song. Love Bae's opening and the STRINGS GAH. Wish the chorus was a bit more melodic. Love the ending with the choir-like bridge and Sullyoon's gorgeous lines.

My sea - IU. Very unexpected for #11 but I'm not complaining. It's a breathtaking song that really builds to a magnificent belt–LOVE the choir section, now that I'm thinking about it, it's kind of like Cool but better.

Illusion - aespa. Dude I am so deprived of good girl crush. From this year we got Tomboy, which is good but god it's hard to get over the rap, Tri.be's Kiss which is a bit teen crush and I don't like the *kisssssssss* and Illusion. We actually got a Blackpink appearance only for them to not deliver a single girl crush banger.

Typa Girl - Blackpink. Very surprised at this song coming in at #14, swear I only listened to it 2-3 times. Lyrics weren't cringe so much as they were worrying ("Good figure" and "not like other girls") but what else can you expect from Bekuh Boom.

Starry Night (Orchestra ver.) - Mamamoo. Again surprised but at least not disappointed. Another gorgeous song.

Top artists were Twice, Lorde, Taylor Swift, Halsey, and Blackpink. As it should be. First BP appearance in a while. 3 Lorde songs in Top 10.

[randomvarious]

Today’s mix:

Skihütten Mix - Best of Apres Ski by SWG Mix Production 2000 Europop / Euro House / Eurodance / Schlager / Disco / Swing

Folks, I'm back, and I'm here with some totally ridiculous Euro-poppy silliness. And I'll be frank with you: the serious side of me, who adores things like OK Computer, really despises this 69-minute, 40-song megamix. But there's also like a hybrid of my inner child and a side of me (who's usually drunk) that actually revels in a good chunk of this patently absurd and gaudy and goofy shit. Definitely not all of it, but definitely some of it. Like "Boom, Boom, Boom" by the Vengaboys.

So, the selection, at least to satiate those pieces of me, isn't that bad. BUT the transitions on this are fucking horrendous. Like, it feels almost like a sloppy power hour at times. Just a hard cut-off in the middle of a song that's mid-word and then we're just on to the next song without any warning. Barely any mixing skills at all here. And I can usually ignore bad transitions if the selection's adequate, but good God, there's 39 transitions on this; they need to be at least decent if you're gonna have that many of them. So, this mix, in the end, isn't good!

By the way, if I have any German readers, I have a question for you: is this really what y'all got down to in 2000 after a long day of hitting the slopes? Like, did y'all actually enjoy this stuff? Did the ski resort DJs actually spin these types of tunes? Or is your collective enjoyment of this stuff like mine: shrouded in layers upon layers of irony? Just curious.

Honestly could've found a way to love this thing had the transitions not been so damn slap-dash. Still some bangers though, like a 1999 disco-house remix of Earth, Wind & Fire's "September," which I think comes courtesy of Phats & Small, the group that gave us the tremendous house classic, "Turn Around." Also love love love "Saturday Night" by Whigfield. I think if I had to choose just one song to keep forever from the enormous late 90s European crop of cotton candy-coated dance-pop and house, it would have to be that one. Super catchy open and the stabbing piano melody sounds like some classic early 90s house shit 🥰😍 .

Also looks like I found some songs to pop on when I'm in that silly and drunk mood, but they're unfortunately ruined here by the sharp transitions. Oh well 😞.

Highlights:

Earth, Wind & Fire - "September 99" Whigfield - "Saturday Night" Vengaboys - "Boom, Boom, Boom" Mousse T. vs. Hot 'n' Juicy - "Horny '98"

[thesinglesjukebox]

KESHA FT. BIG FREEDIA - RAISING HELL

[6.38]

Kesha with Big Freedia Energy

Leah Isobel: Kesha has been saddled with one of the heaviest narratives of 2010s pop music, which combines uneasily with her career-long interest in more grounded country and rock signifiers. Now when she works with those impulses, as she did on Rainbow, the effect is one of refutation; Animal becomes an outlier that she made against her will, one that doesn't represent the Real Kesha. To work her way back to the party music that made her reputation, she has to adapt it to the new narrative frame that surrounds everything she does. If she's having fun, she's having fun in spite of what she experienced; partying is no longer an end into itself, but an escape from something else. Hence, "Raising Hell" deploys one of the hackiest pop tropes - gospel choirs used as a shortcut for sincere emotion - married to a pretty decent Big Freedia drop. It's not awful, but I miss the actual, honest-to-god trashiness that she made her stock in trade. In 2019, I guess I'm the only one. [6]

Thomas Inskeep: Finally, an uptempo Kesha record that a) isn't touched by the evil Dr. Luke, and b) doesn't sound like the result of a three-day vodka-and-Red Bull bender, and c) is actually fun. I'm not a fan of the EDM horns in the chorus, but apart from those, this works. I'm a bigger fan of Big Freedia in theory than practice, and accordingly prefer her in small doses; she's quite effective here as a kind of DJ Khaled-esque hype-person. And Kesha sounds free and happy, which makes me happy. [7]

Kayla Beardslee: I'm glad Kesha got her balls back and all, but I'm not enthused that that means a return to honking 2012 pop-drops. I will admit, though -- the combined Kesha/Freedia "drop it down low" hook grows on me with every listen. The rest of the song is fine: it invites singing along and is fun in a hedonistic Ke$ha way, but it's also very, very noisy (lots of erratic shouts and claps in the background that, to me, lean more messy than energetic). My favorite part is the final chorus ("Can I get an amen"), which is a pleasantly melodic contrast to the rest of the track, a close second being the thrilling "aaugh!" Kesha does right before the second chorus. [6]

Alex Clifton: High Road appears to take the party-all-day spirit from Kesha's earlier work but mixed with the rawer, more down-to-earth material from Rainbow. In theory this is a dream come true, and there's so much about "Raising Hell" that makes it a joy to experience. The post-chorus is godawful, though. Tonally it doesn't fit and stalls the song from its natural flow. I'm also longing for the day that Big Freedia gets the feature she deserves: her appearance is mostly limited to drop-it-drop-it-drop-it-drop-it which is delivered well but also literally one-note. Kesha's trying to have it all ways she can--country and gospel and dance and bounce--which, as someone who likes a good genreproof song, I really respect. Unfortunately the whole package doesn't come together as fully as it could. [6]

Stephen Eisermann: "The best possible Andy Grammer single" is not what Kesha and Big Freedia should be collaborating on. This is a waste of time and talent and no amount of conviction from either participant can convince me otherwise. [4]

Alfred Soto: This sounds sacrilegious: instead of defiling a religion, it defiles my idea of Kesha. After proving herself up to thumbing her nose at any genre she experimented with, she acquiesces to gospel cliches. She's earned the right to want salvation in them, lord knows, but she needn't sound as if Julia Michaels was her pastor. [4]

Josh Buck: How do you have a hook like "I don't wanna go to heaven without raising hell" and video centered around prosperity gospel preachers and NOT make it a country song?? At this point, Kesha has proven that she can tackle a variety of genres, but this bounce effort just feels scattered instead of celebratory. I realize this a loaded statement and not at all meant to be a defense or endorsement of the man, but judging by Kim Petras' endless recent string of bangers, Dr. Luke may have been an irreplaceable ingredient in Kesha's more crowd pleasing, debauched pop efforts. In recent years, she's sound much stronger on her Struts and Eagles of Death Metal rock cuts, and i'd love to see her spend more time in that arena. This one reminds me a bit of the final album by The Donnas in terms of we-might-be-too-old-for-this vibes. [3]

Katherine St Asaph: The narrative, inevitable and damning, around Kesha was that in severing her ties to Dr. Luke, she lost her source of a signature sound. Rainbow, with its grabs at musical styles and Kesha's required-for-optics but personality-dampening show of penitence, didn't do much to dislodge it. Which is why "Raising Hell" is such a triumph: it's evidence that she was the source of her signature sound. The song feels massive; if sound alone determines a hit, this would be No. 1 everywhere. The hook is recognizably hers: a melody that's kin to "We R Who We R" and also to hymns. The drops r what they r; the interpolations are canny and nostalgia: an interlude of "My Neck, My Back" filtered through "Hollaback Girl," an interlude of preaching filtered through Prince. Freedia is incapable of sounding like she's phoning it in even when she is (I'm sure she'll do a lot of that in the next few years), and unlike Iggy Pop or the Eagles of Death Metal, she's an actually exciting guest pick, rather than one mostly exciting on paper to boomers. And throughout, Kesha recaptures the anarchic glee that made her career. [8]

Jonathan Bogart: Maybe it was my naïveté in 2010 that made her sound so recklessly out of step with the rest of pop; but her post-Luke music, however much better it has been for her soul, still sounds faintly like capitulation. The secular-gospel structure and chantalong melody followed by jump around breakdowns sound like every pseudo-celebration on the market: the saving grace is Freedia's booming authoritativeness (surely the angel Gabriel, when he tells the roll up yonder to drop it down low, sounds like her) and Kesha's impish use of language, dancing on the borders between sacrilege and piety, hooks it up to the great stream of American song, where there is no Sunday morning without a Saturday night. [8]

Kylo Nocom: Of all things, this reminds me of Vacation Bible School theme songs and the "Cheerleader" remix. I have scored this accordingly. [7]

Michael Hong: The bombast of early 2010s Ke$ha meets the soulful Kesha of Rainbow racing down that same road to self-empowerment. Ke$ha's talk-singing, a choir that makes a line like "bitch, I'm blessed" all the more enjoyable, drops mixed with the gospel influences, and Big Freedia's bounce make for a hell of a maximalist fantasy. [7]

Jackie Powell: When "Raising Hell" begins, it fools the listener. When the piano chords and Kesha's introductory vocalization grace my ears during the song's first five seconds, I'm convinced that a power ballad or at best a mid-tempo track is in store. But Kesha quickly changes direction. An explosion of camp from collaborator Big Freedia, a blaring saxophone in the chorus, the return of talk-singing in the verses and an epic build in the pre-chorus: it sounds very familiar. That's what Kesha wants. She wants us to feel like we are once again at a 21-century hoedown. (But without Pitbull this time.) On this track, Kesha proves that both she and her fans can be "animals" while simultaneously being people with "fantastic souls", which might have been something missing from the pre-Rainbow eras. Here, however, Kesha desires fun and a rebellion that are a rejection of evil behavior and suffocating authority figures. She's not just sticking it to the man without a purpose. That's the difference between Kesha of 2019 and Ke$ha of 2009. "Kesha got her balls back and they're bigger than ever," she said in the album trailer for High Road. But I don't agree with that. She's had them since her inception. Her evolution has been honest, which is something that not all artists can say. [7]

Isabel Cole: MY! GIRL! Having proven herself an actual musician to every idiot man in the country, Kesha (perhaps sick of being so serious) gleefully returns to her favorite stomping ground of, well, glee. Raising Hell makes text what has always been the implicit mission of the Kesha project: a commitment to the fundamental sacredness of joy. It's hard to imagine a more succinct encapsulation of her ethos than "I'm all fucked up in my Sunday best / no walk of shame cuz I love this dress": it's not that she takes no pleasure in the transgression of elevating ass-shaking to the level of the divine, but it's a gentle mischief born of the deep belief in the holiness of enjoying our corporeal gifts while we still can. Feeling good is a form of worship, and a killer beat is no less legitimate an access point than a hymn. When she combines markers of religiosity with artifacts of base delights (my favorite is "Solo cup full of holy spirits," although I also adore the the vulgarity of "bounce it up and down where the good Lord split it"), the point is not to revel in contradiction but to toast to the fact that there is no contradiction; and when she opens her scope in the coda, dedicating her preaching or perhaps this round of shots to the misfits of creation, there's a (frankly Piscean) generosity to it. Also, (1) it slaps (2) biiiiiiiiiiiiiitch I'm blessed (3) her voice sounds just wonderful, as dextrous with an implicit smirk as ever and with a thrilling power on the places she gets to soar; I love the bit of grit we get in the chorus, like she's singing this after a night out (4) it FUCKING slaps (5) "I'm still here still, still bringing it to ya": ten years since TiK ToK this month, and the party still don't start till she walks in. [10]

[Read, comment and vote on The Singles Jukebox]

[deadcactuswalking]

REVIEWING THE CHARTS: 25th March 2018

 Sorry it’s a little late but it’s here anyways so here we go – a slap-dash episode of REVIEWING THE CHARTS!

Top 10

Guess. Just guess. What do you think is in in this spot? Of course, still at the top, we have Drake’s “God’s Plan” that is slowly creeping down and giving the other spots maybe some speck of a chance, but not yet. It’s still a monster for now.

That is why I have to formally apologise to the runner-up spot, “These Days” by Rudimental featuring Jess Glynne, Macklemore and Dan Caplen, still struggling to rack up streams in order to beat that piece of Drake holding the top spot.

”Feel it Still” by Portugal. The Man surprisingly stays at number-three...

...while “Friends” by Marshmello and Anne-Mari e is staying at number-four.

The first real change-up here, however, is the seven-spot uptake that George Ezra’s “Paradise” took thanks to the album’s release, sending it straight to the top five, albeit barely scraping it at number-five. Joy.

“IDGAF” by Dua Lipa starts to slow down one space to number-six.

“This is Me” by Keala Settle and The Greatest Showman Ensemble takes another one-space drop to number-seven.

“Psycho” by Post Malone featuring Ty Dolla $ign also takes a one-spot loss to number-eight.

However, “The Middle” by Zedd and Grey featuring Maren Morris does the opposite, creeping up a position to number-nine.

Finally, we have “All the Stars” by Kendrick Lamar and SZA, down two spots to number-ten, rounding off the most popular ten tracks this week.

Climbers

While there aren’t many big climbs this week, there’s quite a few album boosts so keep up here. We have “Meant to Be” by Bebe Rexha featuring Florida Georgia Line taking an undeserving eight-spot jump to #12. I really hope this does not hit the top 10. “Lullaby” by Sigala featuring Paloma Faith also takes a seemingly random leap up six places in the charts, now to #13. However, the boosts here that make a lot of sense are just because of the albums they originate from, as XXXTENTACION’s “SAD!” climbs the eight-spot hill to breaking the top 20 (at #20), and Khalid and Normani take their soundtrack hit “Love Lies” on a six-space stream up to #24.

Fallers

I could talk about “Never be the Same” dropping down six spaces to #19, the slow but sad five-spot loss for “Sanctify” by Years & Years to #30, or even how “Blinded by Your Grace, Pt. 2” by Stormzy featuring MNEK bids adieu once again, taking a nine-space fall to #40, but what I really want to talk about is how Ramz’ “Barking” (ten spaces to #39) and Liam Payne and Rita Ora’s “For You (Fifty Shades Freed)” (13 spaces to #29) oddly are starting to drop out from the top 40 pretty early for how big these songs were in their heyday, earlier this year.

Dropouts

Rest in peace, “Finesse” by Bruno Mars and Cardi B gone too soon, narrowly dropping out from #40 to #41. It might come back soon, but we shall mourn for now. “Rapper” by Hardi Caprio also drops out from #38 because nobody cared about that song – I’m surprised it lasted as long as it did.

NEW ARRIVALS

#31 – “Moonlight” – XXXABOMINATION

I’ve listened to this prior thanks to my decision to listen to X’s whole album, ? (yes, that is what his album is called), before any of it debuted on the charts... and listen, I hate this scumbag as much as you do – and chart milestones definitely aren’t the only things he’s going to have a legacy for beating – but I really like this song. You’ve got the twinkling constantly changing and pulsating synth playing as back-up to the rattling hi-hats and hand-claps (that really could be mixed better but like the rest of the album, there are some lo-fi decisions here) as well as X’s vocals that show some smoothness to his yet-to-mature voice, with a nice acoustic guitar melody to boot and one of the catchiest hooks to come out of that album. Yeah, while the album is pretty mediocre at best, I still have a soft spot for this track.

#16 – “Freaky Friday” – Lil Dicky featuring Chris Brown

Yo, Lil Dicky: is this supposed to be a joke? Is this supposed to have a joke? No, seriously, where is the joke? Is it the part where Lil Dicky – in Chris Brown’s body and voice no less – rhymes the N-word with itself a dozen or so times? Is it the part where Ed Sheeran tops “Shape of You” in terms of pure laziness, having his worst charting appearance on a song to date? Is it the part where Lil Dicky mentions Chris Brown’s assault charges as a joke? Because that’s not funny either—well, actually, I mean, I just kind of did that in the last section but I doubt X is going to want to croon on my tracks anytime soon. Like, really, Chris? You think it’s okay to pass it off as a joke? I know it happened nine years ago, but none of us have seen a truly sincere apology from you, and in your many collaborations with Rihanna where you beat that kitty up, there’s no remorse, there’s no sense of knowing what on earth you’re saying. Chris is joking about this in a way you’d joke about accidentally tripping over a chair and pushing the wedding cake, cake, cake, cake, cake, cake, cake onto the floor – that’s a big mistake but in the end, you can get another wedding cake, right? You can’t really take back all the trauma and all the life-changing pain you inflicted on Rih, who was barely even 20 at the time, as if you were a replacing a cake, and it’s absolutely devastating that you think joking about it with your newfound friend, Lil Dicky, is okay. Oh, yeah, there’s also a cameo from DJ Khaled as well as Kendall Jenner, who sings about wanting to know the inner workings of a woman with the cheapest autotune, which I’d appreciate as some kind of presentation of lesbian pride or at least something interesting in this song if it weren’t tied to the loose and moronic plot of Chris and Lil Dicky switching bodies, until Dicky eventually switches with Ed Sheeran, DJ Khaled and Kendall Jenner in one of the unfunniest outros OR intros to ever come out of a hip-hop song – and that includes Joey Bada$$ and XXXTENTACION saying they want to catch all diseases in order to get rid of all diseases on “infinity (888)”. Seriously, what the hell, Joey? No matter how much you say that, catching Chlamydia is not “G-s***”. We’re getting sidetracked, thankfully, so I will continue to talk about Joey Bada$$, one of the best rappers to come out of our generation, who can make political and conscious music but also some damn good boom-bap jams and bangers, creating one of the best balances I’ve seen lyrically in this “new school”. Sadly, however, the baby kangaroo with the dollar signs in his name is not on this track, instead we have Kendall Jenner, a crooning muggle, a constantly-yelling bearded penguin who, no matter how many times he tries to say he does, does not make “THE BEST MUSIC!”, as well as an unfunny hack and a woman-beater. Thanks for that! Also, by the way, this debuted in the top 20, and will probably debut even higher in the top ten in the US! Joy. There’s no conclusion for two reasons: there’s only two tracks and isn’t it blatantly obvious which one I like more? Screw you, Lil Dicky, and a definite SCREW you, Chris Brown! I’m out.