#bohémien
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perfettamentechic · 2 years ago
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Marni
Marni: per una vita eccentrica. #stilista #creatoredistile #creatoredimoda #fashion #moda #marni #consuelocastiglioni #vintage #funky #marnijapan #perfettamentechic
Marni è un marchio di moda lusso italiana fondata nel 1994, a Milano, dalla stilista Consuelo Castiglioni, riconosciuta nel mondo per le collezioni ready-to-wear uomo, donna, bambina e accessori. Marni è stata acquisita dal gruppo di moda italiano OTB (OTB Group) nel 2015 e Francesco Risso è stato nominato Direttore Creativo del marchio nel 2016. Nel 2018 l’azienda ha nominato Stefano Biondo…
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funstealer · 2 years ago
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Poème Bohémien circa 2013
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deathshallbenomore · 11 months ago
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mi rendo conto or ora che la mia combo faccia che non sa cosa siano le e-mail + occhiaie + maglione bianco + cappotto blu mi rende una ottima cosplayer spontanea di tutti i personaggi di the terror e posso dire che sarà un po’ il freddo sarà un po’ il mood ma l’umore ultimamente si aggira a quello della crew verso l’episodio boh, facciamo 7 per essere ottimisti
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queerographies · 2 years ago
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[Trauma][Daphne Bohémien]
I mostri non sono solo nelle favole, sotto i letti o negli incubi. Alcuni li abbiamo dentro, altri, invece, sono fuori, pronti ad approfittarsi di una debolezza, di una richiesta d'amore, per lasciarci ferite profonde e rubare una parte di noi
I mostri non sono solo nelle favole, sotto i letti o negli incubi. Alcuni li abbiamo dentro, altri, invece, sono fuori, pronti ad approfittarsi di una debolezza, di una richiesta d’amore, per lasciarci ferite profonde e rubare una parte di noi che non ci verrà mai più restituita. Fin da piccolo, Max ha scoperto a sue spese che i mostri peggiori possono essere proprio quelli che ci stanno più…
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naked-atelier · 1 year ago
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E. Bénis. Aventures d'un Bohémien, 1923
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thedeafprophet · 1 year ago
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Finished drawing my character designs/ line up of the Light Fingers Crew to formalize my drawing of them
Overview/ Design talk under the cut if anyone is interested in that sort of thing
For all the designs I used the art given for them in the game as a starting point and then went from there. For all but Hephaesta of course that means using a non character specific art. I also wanted all the colors to sort of fit together so where i would have done more vibrant stuff and i strayed away from that.
Clara and Her Sister
Putting the discussion for these two together, as their designs recieved similar thoughts because they are identical twins. ('She is wearing the Fading Music-Hall Singer's face, which seems rude.')
The basic art of the bohemian faction is used to depict the sisters.
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So this was my basic starting point for the visual design. I ended up diving further into research into bohemian fashion, which of course lead to me reading up on the history of the term and the connection to the Romani people. According to wikipedia, the word comes from the french term 'bohémien', which was the word for the Romani people.
This of course put a complex spin when i looked into the clothing used in the time, as theres a question between cultural appropriation and cultural appreciation, and one I don't have the full understanding for.
Nevertheless i did take some inspirtation for the clothing here, Clara with having her hair loose and down and looser clothing, the singer with the hair scarf and the necklace among some inspirations.
Inbetween the two I imagine the singers appearance to be more reserved then Clarabelle's. For one, my interpretation of the singer is as someone who uses her singing as a backdrop for sneaking and gathering information (per her role as a 'contact' of the player). The other being that we are told Clara's title is the 'eccentric opera singer' to me implies a grander sense of creatativity and wilder clothing. In less stressful times I imagine her wearing brighter clashing colours and skirts with patterns on them and jewlery (which i intend to draw at a later time when i get better at adding patterns to clothes lol).
We also know the two of them are 'not young' so i attempted to not make them appear so.
Hephaesta
Heph is of course the one character of the group with a personalized art, which i used as the base for my design.
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Hephaesta is supposed to be a large figure, as she is a strongwoman, and is described as towering over even jasper and frank. So of course I had to make her tall compared to the others of the group.
And of course i can't go without bringing up Katie Sandwina (again), a real strongwomen of the time who serves as a great inspiration both in body type and height.
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What a woman huh.
Dr Vaughan
The Campaigner template art was the one used to depict her when you first speak to her and was a starting point here.
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To me i always pictured her as a fairly older women given her experience and amount of time she's been researching. Clearly someone with a lot of exprience. And also i just vibe with it.
I kept her outfit simple, as i dont figure her as someone to put too much into the latest fashion given her focus on her work. I took the green from the art to use as her skirt to tie in that colour. I also looked up some photos of female doctors of the time and that partially influenced my art direction here.
Obliging Silverer
I debated including him or not given that you only have him as part of the team if you use the light fingers exclusive option to access the parabolan basecamp. But given the fact that he literaly dies defending the camp, I think its only fair that he gets included.
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i just had a bit of fun with the design as there wasnt too much to restrict off. I dont draw a lot of characters with mustaches depsite them being a thing of the time, so I figured this was a good excuse as any. I kept with some orange colours within his colour scheme for further callbacks to parabola and his work.
Also hey did you know that people of an ashkenazi background can also have red hair? Fun fact heh.
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fragrantblossoms · 3 months ago
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Anonym. Bohémien (ein Künstler?), around 1845.
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nemosisworld · 8 months ago
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Par les soirs bleus d’été, j’irai dans les sentiers, Picoté par les blés, fouler l’herbe menue : Rêveur, j’en sentirai la fraîcheur à mes pieds. Je laisserai le vent baigner ma tête nue.
Je ne parlerai pas, je ne penserai rien : Mais l’amour infini me montera dans l’âme, Et j’irai loin, bien loin, comme un bohémien, Par la Nature, – heureux comme avec une femme.
Mars 1870
Arthur Rimbaud,
Ph. Zezulka Lukáš
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libriaco · 3 months ago
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I battuti
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Scrive l'autore nella sua prefazione:
If any city in American deserves the title of home of the Beat Generation, it is San Francisco. Although New York can rightly boast to be the birthplace of the Beats, the literary group came to maturity and national prominence in this most beautiful city by the bay. In the 1950s San Francisco was a magnet attracting inventive writers, artists, and thinkers during the conservative postwar years. Intellectual freedom blossomed with the publication and trial of “Howl” and by the 1960s, San Francisco was the destination of choice for a new generation of radical innovators.
La foto di copertina, di Larry Keenan, scattata davanti al City Lights Bookstore, è del 1965 e comparve anche sulla copertina del numero tre del City Lights Journal che uscì con data 1° gennaio 1966. Lawrence (aka Lorenzo) Ferlinghetti voleva documentare la scena Beat di San Francisco con lo stesso spirito delle classiche foto degli artisti e scrittori bohémien di Parigi agli inizi del '900. I Beat: fila in basso da sinistra a destra: Robert LaVigne, Shig Murao, Larry Fagin, Leland Meyezove (sdraiato), Lew Welch, Peter Orlovsky. Seconda fila: David Meltzer, Michael McClure, Allen Ginsberg, Daniel Langton, Steve (?), Richard Brautigan, Gary Goodrow (a metà). Dietro: Stella Levy e Lawrence Ferlinghetti che col suo ombrello della casa editrice City Lights Books protegge tutto il gruppo.
B. Morgan, The beat generation in San Francisco. A literary tour, San Francisco, City Lights Books, 2003
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blackswaneuroparedux · 2 years ago
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Je ne parlerai pas, je ne penserai rien : Mais l’amour infini me montera dans l’âme, Et j’irai loin, bien loin, comme un bohémien, Par la Nature, - heureux comme avec une femme.
- Arthur Rimbaud
Lambrettas don’t leak oil, they mark their territory.
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krakrava · 5 days ago
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Bourgeois bohémien (=bobos)
Yuck
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oviri7 · 1 month ago
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« D'où l'aspiration profonde, désespérée des hommes d'exception à rester intérieurement libres. C'est là et seulement à partir de là que l'individualisme prend son essor en s'opposant à la psychologie de la "masse". Telle est la dernière rébellion de l'âme carnassière contre la captivité culturelle, la dernière tentative pour se soustraire au nivellement intellectuel et spirituel, nivellement causé et représenté par l'existence du grand nombre. De là les figures du conquérant, de l'aventurier, de l'ermite, et même d'un certain type de criminels et de bohémiens. On veut échapper à l'effet vampirique du grand nombre en se plaçant au-dessus d'eux, en les fuyant, les méprisant. »
Oswald Spengler - L’homme et la technique
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lisaalmeida · 1 year ago
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Je ne parlerai pas, je ne penserai rien :
Mais l'amour infini me montera dans l'âme,
Et j'irai loin, bien loin, comme un bohémien,
Par la Nature, - heureux comme avec une femme.
- Arthur Rimbaud
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thedarkat · 22 days ago
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Ideal Life, 1950, Leonor Fini (Buenos Aires 1907 - Paris 1996)
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La vida ideal, 1950 Leonor Fini (Buenos Aires 1907 - Paris 1996)
(English / Español)
Talented, glamorous and ambitious, Leonor Fini was one of the most influential female artists of the 1930s. From her opulent, bohemian childhood in Italy to her debut in a group exhibition at the age of seventeen and her rise in the international art world, Fini was legendary for both her vivacious personality and her ethereal subjects. Fini’s figures—sphinxes, felines, nymphs, priestesses, nudes— are bold proclamations of female sexuality that convey a powerful feminine subconscious. Also renowned for her theatrical set-design, costumes and posters, the artist developed close relationships with other avant-garde Surrealists including Andre Breton, Salvador Dali, Man Ray, and Max Ernst, who became her lover.
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Talentuosa, affascinante e ambiziosa, Leonor Fini è stata una delle artiste più influenti degli anni Trenta. Dall'infanzia opulenta e bohémien in Italia al debutto in una mostra collettiva all'età di diciassette anni, fino all'ascesa nel mondo dell'arte internazionale, Fini è stata leggendaria sia per la sua personalità vivace che per i suoi soggetti eterei. Le figure di Fini - sfingi, felini, ninfe, sacerdotesse, nudi - sono audaci proclamazioni della sessualità femminile che trasmettono un potente subconscio femminile. Rinomata anche per le sue scenografie teatrali, i costumi e i manifesti, l'artista sviluppò stretti rapporti con altri surrealisti d'avanguardia, tra cui Andre Breton, Salvador Dalì, Man Ray e Max Ernst, che divenne suo amante.
Source text: Widewalls
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naked-atelier · 1 year ago
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E. Bénis. Aventures d'un Bohémien, 1923
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EL 3302 PHILIPS 1972 Il registratore portatile Philips a mattonella degli anni Settanta
Cassette e compilation
C’è di più. Molti oggetti sono collegati tra loro. Il mio registratore portatile Philips a mattonella anni ‘70 non si è mai separato da alcune cassette autoprodotte (Basf C90!). Registravano canzoni dalla radio, dai nostri Lp, dai dischi degli amici, con furore artigianale. Non siamo mai andati in galera perché — a differenza dei napoletani fratelli Frattasio (��Mixed by Erry», guardatelo su Netflix!) — ne facevamo un uso personale. Una volta create le compilation, le riproducevamo fino alla consunzione. Soprattutto nell’autoradio. Estraibile, antifurto. Un marziano che fosse sceso sulla terra nel 1975 sarebbe rimasto sbalordito. I ragazzi italiani giravano con un’autoradio sottobraccio. Qualcuno, ogni tanto, concedeva l’altro braccio alla morosa. Ognuno aveva i suoi cantanti e i suoi gruppi preferiti. Solo un nome otteneva l’unanimità: Lucio Battisti. Conoscevamo le sue canzoni e memoria, e i testi di Mogol finivano per diventare i sottotitoli delle nostre giornate. A volte li prendevamo alla lettera. «Cantine», per esempio, non era un termine generico per indicare un locale bohémien. Le nostre cantine erano cantine: moralmente, climaticamente, catastalmente. Quando Battisti sussurrava «E la cantina buia dove noi / respiravamo piano» («La canzone del sole») descriveva una situazione reale. Se avessimo respirato forte tutti insieme, avremmo esaurito l’aria.
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