#body tape fashion

[barewear]

Body Tape Fashion Learn about the body tape fashion and find out about the aesthetic appeal of inner garments carried out by body tapes, nipple covers. Read on.

[dkettchen]

it's month 7 of pants research and this is the scene of the latest fashion cryptid sighting unsuspecting civilians were subjected to at the local charity shop this morning

[blacktapeprojects]

The Black Tape Project

The Black Tape Project is a series of photographs by artist Spencer Tunick that features nude models covered in black tape. The project is a commentary on the objectification of women in the media. Tunick uses the tape to create a sense of anonymity and to challenge the viewer's perception of the human body.

The project has been exhibited all over the world, including at the Museum of Contemporary Art in Los Angeles and the Tate Modern in London. It has also been featured in numerous publications, including The New York Times, The Guardian, and Artforum.

The exclusive photo from the Black Tape Project:

Related popular tags:

#BlackTapeProject

#SpencerTunick

#NudePhotography

#BodyArt

#Art

#Photography

#Feminism

#BodyPositive

#SelfLove

#Empowerment

Additional information:

The Black Tape Project was created in 2007.

The project features over 100 models.

Tunick has also created similar projects using other materials, such as white tape and red tape.

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[mel-loly]

-Lela's art that I asked her to draw in my sketchbook <3

@lelaloly

[bodytaperunwaymodels]

VIRGINIA SANHOUSE - Body Tape Runway Model - The Black Tape Project Runw...

[sonicunleash]

society if stockings sellers stopped fucking saying "one size fits all"

[ithurtswhennn]

Celina Smith 🔥🔥

[anmolsmsblog]

THE GADGET KING Strips Fashion Body Tape Clear Fabric Strong Double Sided Tape for Clothes body tape for women clothes fashion tape for clothes dress Bra Skin Pack of 6, White

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[dresshistorynerd]

Sewing a turn of the 15th century French kirtle in doll scale

Another day, another historical doll outfit! This time it's Late Medieval. This was a popular style from about 1380-1420 France and Alpine area, but I specifically based this dress on French illuminations from the early 15th century, which mostly effects the details, like headwear. As always I hand stitched everything and stuck to historical construction methods as much as I could.

Chemise

I made a very simple chemise. The construction is based on what we know from extant finds, made out of simple rectangles and triangles, like earlier unlaced kirtles. Based on illustrations, chemise was fairly slim but unfitted enough it didn't need closures. I made it from linen, because it's not very gathered and won't bulk up too much, so I don't need to use my very fine cotton voile.

Cote

Cote is just the French word for kirtle, so appropriate here. This is the supportive layer cote, which was sort of an undergarment, but was considered fully dressed, if informal on it's own. The sleeves on this underlayer were always long and either fully fitted or gathered at the wrist. Some fitted sleeve styles had a flare at the wrist which covered the hand. The very fitted look was achieved with buttons. The silhouette was smooth and fitted, the waistline was slightly above the natural waist, though that was not as pronounced in France as in Northern Italy. Abdomen was emphasized, round lower stomach was the body ideal. The cut of the dress left plenty of room there. To fill that room I folded the chemise under the abdomen as a sort of padding. This was common to do with any kind of skirts, primarily to raise the hem when working, but why not for this purpose also? The necklines were fairly low and very wide.

I used cotton because I didn't have suitable thin enough wool that wouldn't have created too much bulk on this scale, but the cote should have been made from. The cotton is tightly woven and sells the look of a woven wool in this scale well enough for me. I didn't finish seems or line it to avoid bulk. I did give the lacing a cording to reinforce it and avoid wrinkling. The cotton was originally white, but I dyed it with iron oxide, basically rust, which at least is very much historical.

Hose

I made the hose from cotton as well for the same reasons as I did the cote. Long pointed style became fashionable around this time, as well as sewing leather soles in the bottoms of the hose instead of using shoes. Though often pattens (wooden flipflops basically) could be used when walking outside to protect the leather soles.

Cornettes or horned hair

I tied the hair with a tape on cornettes, where the volume of hair was tied on the temples to create a bit of horned appearance, especially when combined with the horned headwear. The sort of fillet which became more of a forehead loop seemed to have been tied into the hair, which I did.

Cotehardie

Cotehardie meant literally "bold cote", and in France that was what the formal outer cote was called. It was basically the same as cote, but made from more expensive materials and often had large hanging sleeves. I went with widening triangular sleeves, since they were perhaps the most popular sleeves at the time. I used fine fulled wool (verka) I had enough scraps left from. White fur was popular lining material, but obviously I can't use fur in this scale, I wish I had some light white velvet, it would have been pretty good, but I didn't. I lined the skirt and the sleeves with white cotton to imitate the look without adding too much body or extra bulk. I decorated the neckline with a simple golden trim. I thought about adding a bit of golden embroidery around it too, like seemed to have been popular, but my local crafts store had run out of golden thread so I decided to go with this only.

Accessories

Unlike the belt used with houppelande, which was below bust, the belt used with the kirtle or cotehardie, was very low, under the abdomen to emphasize it. I went for a silk belt look, which I'm imagining is embroidered/woven with golden thread, since embroidery that small would have been too painful. I had an old broken necklace, which I could use for the metallic parts.

With the pouch I went for the tasseled drawstring look, with simple embroidery manageable in this scale. I used linen for it.

Headwear

I made her a chaperon, which likely was where the escoffion got it's beginning, escoffion being the round tube-like headwear worn on top of the head seen in several primary source images above. Early form of escoffion was becoming very popular at the time, though chaperon's were still seen on women too. Chaperon, as seen below both on the left-most woman and the man in the middle was actually just the hood rolled into a circle.

Because the horned look was popular, the escoffion and chaperon were often worn over the wired horned veil, so I first made that. I made it from cotton to make it as light as possible. It was just a square I hemmed. I just used some wire to poke out the horns from her hair and pinned the veil close from the back and onto her hair from the top.

Then I made the open hood. It was just the regular hood which had become very popular during the last century and which had ever longer narrow tip, but it was pinned and worn open, probably because of the hair style and to again create the horned look. I made if from the same cotton I made the hose, even though it too should be from wool. But it was already too bulky as it was.

And finally I could make the chaperon. Here's first chaperon without wire or veil under it and then with those. The effect isn't as pronounced as I would have hoped because the hood is too bulky, but there is an effect which is nice.

[barewear]

Body Tape Fashion

Are you looking to style body tape? Explore the Bare Wear body tape styling guide in this blog. Embrace body tape fashion.