#boduf songs

[doggerell]

My Continuing Battle With Material Reality // Boduf Songs

I am what I have seen A temporary hold

[radiophd]

boduf songs -- claimant reclaimed

[buttererer]

Boduf Songs - Quiet When Group (2008)

[dustedmagazine]

Horse Jumper of Love — Disaster Trick (Run for Cover)

Photo by Pond Creative

Horse Jumper of Love’s second album blows out introspective songs into wailing crescendos. Guitars bristle, flare and dissolve into fuzz, while quiet, contemplative lyrics unfold in the hurricane’s unblinking eye. “Wink,” the first single, spools out in chilled post-rocking chords, drums kicking up dust in the long sustained intervals. The singer, Dmitri Giannopoulos, sings in a shrugging, self-effacing tenor, navigating twisty melodies with an unhurried, unbothered nonchalance. The song is a battering ram and a weighted blanket, equal parts brute force and solace.

The music has undergone a shift since Heartbreak Rules, from 2023, an album I liked a lot. That record was a mostly solo endeavor, just Giannopoulos singing songs he’d knocked out during COVID quarantine and John Margaris coming in late to play a few piano parts. This one is much more of a band effort. Margaris plays bass throughout, and James Doran drums. There are guest appearances from of-the-moment indie rockers including Wednesday’s Karly Hartzman, MJ Lenderman and Ella Williams of Squirrel Flower. Though still morose and inward-looking, the songs bloom into sprawling, distorted, nocturnal flower. They are larger but very personal.

“Snow Angel,” for instance, establishes a slow acoustic strum, then blows it to bits with fuzz. The sound coils and uncoils, storming ahead with inexorable anthemic vigor, then turning inward on itself in wounded dissonance. “Curtain” strips back the Horse Jumper experience to flared electric chords and vocals. The song digs into the bleakest existential questions—the self, its relation with others, mortality — in clean, echoing isolation. Giannopoulos croons, “Do you think yours is the only point of view? Do you that think others haven’t done it, too? Did you follow that nasty rule? You wave that goodbye and they close the black curtain on you.”

The sound is mesmerizing, pitched somewhere between Polvo’s guitar-wrenching abstractions and David Grubbs’ surreal sung poetry and Bedhead but with more explosions. Ovlov comes to mind, too, in the tactile onslaught of distorted guitar sound. Yet the words are good, too, if hard to catch, as they bob up to the surface of guitar skree, then sink under again. “Lip Reader” has one of the disc’s most arresting images, in a verse that goes, “You were singing your song in the doorway/I could see you in the other room/like a lip reader from the other side/you’re from another side.”  The line between the living and the dead, the real and the imagined, is wavery and blurred.

At times, Giannopoulos recalls other, far more acoustically centered artists. The spare, stark “Word,” for instance, sounds a good bit like whispery, gothic Boduf songs. The trick he’s mastered, however, is hitching vulnerability to blaring, swelling, overwhelming guitar sounds. It’s not often that music this loud and distorted can break your heart.

Jennifer Kelly

[skin-bible]

Kind of a fear and hunger song

[emojunkdog]

dazed

[dealgemeneverwarring]

De Algemene Verwarring #107 - 19 February 2024

Episode one hundred and seven of De Algemene Verwarring was broadcast on Monday, February 19, 2024, and you can listen to it by clicking on the link below that will take you directly to the Mixcloud page:

Pictured below is, well, you know who is pictured below don't you? Yes, it's The Birthday Party. Last week I saw Mutiny In Heaven, the documentary about the band made by Ian White, and it was fantastic, for several reasons. First of all, it was a pleasant re-acquaintance with the angry, dangerous, aggressive Nick Cave, who I like a lot more than the quiet and sad Nick Cave we have seen the last few years, and I'm saying this with all the respect I have for the man's tragic losses, I mean, I admire the way he copes with all of that, but musically he has lost me a bit. Of course I was too young to have consciously known The Birthday Party, and I don't really remember 100 % when Nick Cave & The Bad Seeds came on my radar, I think I picked up the Kicking Against The Pricks and Your Funeral My Trial lp's up from the Kortrijk library (again, endless thanks to the Kortrijk library with their fantastic collection), but I don't know if that was before or after I bought the 1988 Tender Prey album, but anyway. The Birthday Party, the aggression, the feedback, the unique guitar sound of Rowland S. Howard, bass god and naughty boy Tracy Pew, the always quiet and sober (except that one time) Mick Harvey and the primitive drum sound of Phil Calvert, they were truly a force. The drinks, the drugs, the pills, and the hunger. The loathing of London, but not exactly a rebirth in Berlin. The making of the Nick The Stripper video. Just go see it. Also fantastic was the entry into the cinema of an elderly couple, they were too late so they had to sit on the front row but then looked around and noticed some more empty seats in the fourth row, so they went there, asked some people to move, and then sat there for ten minutes, after which they left the cinema again. Wrong movie? Wrong Nick Cave? Too loud? Who will tell? Anyway, I'm playing Deep In The Woods in the show, a song that I have always liked a lot because it showed the way Cave would slowly move towards what would become The Bad Seeds but still has that distinctive Rowland S. Howard feedbacking guitar.

There is also a lot of other music in the show, from Dead Nittels, Dat En Wat, The Velvet Underground, Boduf Songs, People Skills, Collate, The Vanishing, Violent Change, The Triffids, Drifting, Z'EV, Organ Of Corti and more! And beneath the photo you can find the playlist for th show. Enjoy!

Playlist:

Dead Nittels: Justizirrtum (7” “Anti New Wave Liga”, reissue on Bachelor Archives, 2020, originally released in 1983, not on label)

The Primate Five: I Need Your Luh (7” “The Primate Five vs The Traditional Fools” on Goodbye Boozy, 2021)

Dat En Wat: Dead Man Blues (LP “Diggin’ For Gold Vol 2, reissue on Rubble Records, 2018, originally released on Smorgasbord Records, 1994 and in 1966 on & 7” on Soho Records)

The Velvet Underground: Foggy Notion (LP “VU” on Verve Records, 1984)

Violent Change: Fabio’s Playhaus (LP “Starcastle” on Sloth Mate Productions, 2023)

The Stroppies: Cellophane Car (LP “Whoosh” on Tough Love Records, 2018)

The Triffids: Raining Pleasure (12” “Raining Pleasure” on Hot Records, 1984)

Boduf Songs: Decapitation Blues (Redux) (7” “Split” Jessica Bailiff/Boduf Songs on Morc Records, 2013)

People Skills: Flag For Gravity (LP “Hum Of The Non-Engine” on Digital Regress, 2023)

The Birthday Party: Deep In The Woods (CD “Hits” on 4AD, 1992, originally released on the 12” “The Bad Seed”, 4AD, 1982)

The Psychedelic Furs: It Goes On (LP “Talk Talk Talk” on CBS, 1981)

The Vanishing: White Walls (LP “Songs For Psychotic Children” on Gold Standard Laboratories, 2003)

Collate: Obliterated By Flowers (LP “Generative Systems” on Domestic Departure, 2023)

Al Karpenter & CIA Débutante: Put On Your Mask (LP “Al Karpenter & CIA Débutante” on Ever/Never Records, 2023)

Z’EV  For Manfred (LP V/A “Dossiers” on Dossier Records, 1986)

Drifting: Finding New Age In An Abandoned House (LP “Dream Autopsy” on Förlag För Fri Music, 2023)

Organ Of Corti: Halucinatio (CD “Fanaticus” on New Forces, 2024)

[musicmakesyousmart]

Boduf Songs - Stench of Exist

The Flenser

2014

[nofatclips]

December 12 by Infinite Light Ltd. from the album Infinite Light Ltd.

[zoeflake]

Boduf Songs – 27th Raven's Head

Video:  M. Sweet & S. Shearing

[doggerell]

Boduf Songs and the Depeche Mode vinyls on today for my writing sess…..

[inkhartoum]

[dustedmagazine]

Boduf Songs — Abyss Versions (Orindal)

Abyss Versions by Boduf Songs

The hushed acoustic dread of Mat Sweet’s Boduf Songs returns after a brief flirtation with electronics. Abyss Versions is much more in line with the minimalist goth of Sweet’s earliest recordings, the 2005 self-titled debut or the following year’s Lion Devours the Sun.  This seventh full length is quiet and deadly chilling, a retrenchment after 2015’s Stench of Exist, of which I observed that “moody synth textures and blipping, buzzing electronic elements turn Sweet’s existential inquiries into something gleaming, futuristic and engrossing.”

This time Sweet’s songs are stripped bare and trembling, just a whistle of atmosphere, a tangle of guitar picking, a few lucid notes of bass separate them from whispery nakedness.  Existential angst binds the album together — it begins in a vortex and ends in a void — not just thematically but with a palpable shiver. Sweet’s verses have are alienated, evocative, full of murmured violence.  “The skies are filled with a light that shines from mouths wide open in screams and sighs,” he confides in the opening stanza of “Gimme Vortex” and if you can imagined a scream that is sighed you’ve got the main disquieting tone Abyss Versions.  

You might compare what Sweet’s doing with Nicholas John Talbot’s Gravenhurst, the late, wonderfully haunted folk project whose cool toned loveliness masked extremes of horror, despair and dystopia.  Boduf songs has the same spectral gorgeousness, the same grave-scented equanimity, as if all the events in Sweet’s softly chanted lyrics have been settled years and years ago.  Listen, for instance, to how “Sword Weather” takes shape out of humming, trembling vocal textures, a bee hive of sonics framed in acoustic guitar picking, shrouded in cicada-ish electronics, and yet which is fundamentally one isolated lonely voice, musing on how “fingers break, flowers fall.”  

When Sweet experimented with denser, more jubiliant textures on his last album four years ago, it worked reasonably well, but this hushed intensity feels truer and closer to his core.  Let the chill run down your spine, let the melancholy linger, Abyss Versions speaks to your quietest, deepest doubts.  

Jennifer Kelly

[100percentdirtball]

i built a house for my mistakes