#billy boyle

[105nt]

Strike Alumni TB Tweets # 2

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[theredandwhitequeen]

Book 11 of the 50 book challenge. From the Shadows by James R Benn. Book 17 in the Billy Boyle wwii historical fiction series. It had all the usual suspects plus the 442nd Regimental combat team who was made up of Japanese American soldiers from the camps in the US and from Hawaii. The book also included Jack Hemingway the son of Ernest Hemingway. The mystery was so good and I really enjoyed it a lot. It’s a great series.

[riley1cannon]

DOROTHY L SAYERS AND THE THIRTY-FOOT DRAIN: SEARCHING FOR PETER WIMSEY

James R. Benn goes on a quest to discover the original inspiration for Sayers' iconic war-weary character.

SEPTEMBER 6, 2023 BY JAMES R. BENN

VIA SOHO

Dorothy L Sayers was my gateway author to the world of crime fiction. I’d read the Sherlock Holmes stories earlier on, but that superlatively singular creation of Arthur Conan Doyle did not lead me any further. Holmes was unique, existing in his own universe, and there he remained. Not so with Sayers and Lord Peter Wimsey. The Wimsey family motto is “As my Whimsy takes me,” and Sayers’ whimsy took me right through her books and then onto Agatha Christie, Margery Allingham, Josephine Tey, and other authors writing in that great tradition.

My Billy Boyle World War II mystery novels are often set in Great Britian, but it is not the Great Britian of the Golden Age of crime fiction. That Golden Age held sway in the interwar years, 1920 – 1939. But even then, characters like Lord Peter and Harriet Vane represented the values and way of life already shattered by the experience of the Great War. Wimsey has his roots firmly in the nineteenth century. He is graceful upon the page, but it is a grace disguising the transcendental impact of the horror in the trenches and the dreadful thinning of the population of men in so many towns and villages across the country. This is exemplified by Lord Peter’s shellshock, on full display in the first book in the series, Whose Body? where we find him firmly in the grip of vivid nightmares. His world has changed, and all the fine manners and proper deportment he can summon will never bring back the bright, golden days before 1914. In one of her short stories, Sayers has Wimsey declare his own epitaph: “Here lies an anachronism in the vague expectation of eternity.”

Even given this divide between the universe of Lord Peter Wimsey as created by Sayers and the mid-1940s of Billy Boyle and the Second World War, I’d never given up on the notion of finding some sort of intersection between these two worlds. If not a direct connection, then one at least fueled by elements common to both.  A homage that, perhaps, only I would recognize.

As I developed the plot for the eighteenth novel in my series, I decided it was time for a change of pace. This entry would be removed from the battlefield and the more exotic locales of the recent books. Since Billy Boyle and friends had never enjoyed any time off, I was overdue to grant them leave. This takes place in the quiet (fictional) village of Slewford in Norfolk, at Seaton Manor, the home of Sir Richard Seaton, father to Billy’s lover, the English spy Diana Seaton.

I had to revisit the first book in the series, Billy Boyle, to see where I had originally placed Seaton Manor. For no special reason, I had selected the county of Norfolk, on the east coast of England. Seaton Manor sits near the Wash, a bay and estuary marking a large indentation on the coastline. Tidal forces and shifting sands make the Wash treacherous for those who are unprepared for how fast and swift the tide can come in.

As I studied the countryside around the Wash, it seemed oddly familiar. Then it hit me. This is the Fens, or Fenland, the setting for one of Dorothy L Sayers’ finest works—The Nine Tailors. Her fictional village of Fenchurch Saint Paul is located in Cambridgeshire, just over the border from Norfolk and close to the edge of the Wash. The Fens, a huge expanse of reeds and shallow, freshwater lakes, borders the Wash. Beginning in the seventeenth century, landowners began to drain the Fens in order to turn it into fertile farmland. By Lord Peter’s time, long drainage ditches drew water away from the fields and into the Wash. At the beginning of The Nine Tailors, such a ditch—known as the Thirty-Foot Drain—is exactly where we find Lord Peter Wimsey and his sturdy manservant Bunter.

“That’s torn it!” said Lord Peter Wimsey.

The car lay, helpless and ridiculous, her nose deep in the ditch, her back wheels cocked absurdly up on the bank, as though she were doing her best to bolt to earth, and were scraping herself a burrow beneath the drifted snow . . . right and left, before and behind, the fen lay shrouded. It was past four o’clock and New Year’s Eve; the snow that had fallen all day gave back a glimmering greyness to a sky like lead.

Now I had an intersection. My story of interrupted leave at Seaton Manor also hinged upon treacherous waters. My (first) murder victim was also found in a totally unexpected location, as was the dead gent in The Nine Tailors. Also, I was but a short distance not only from the setting of The Nine Tailors but the home turf of Dorothy L Sayers herself.

Sayers grew up in Bluntisham, Cambridgeshire, right on the edge of the Fens. From 1917 to 1928, her father was the rector at Christchurch, a tiny Fenland village with a notable Victorian church. Here, she would have become familiar with bell ringing, which forms such an important part of the plot for The Nine Tailors. She also would have understood the danger to people living in the Fens from the power of water and tides. The area is kept dry by a series of sluices and floodgates which, on the occasion of heavy rains and high tide, can overflow and wreak havoc.

I already had my own story to tell about treacherous waters and shifting tides. I’d long been fascinated by the Maid of Harlech, which is how locals in Wales refer to an American P-38 Lightning fighter plane that crash-landed just off the coast in 1942. It was only in 2007 that shifting sands and changing tides revealed it, half-buried in the mud. But the sea routinely reclaims it, only to have it appear months later.

With Seaton Manor already established on the east coast, using the Maid of Harlech was out. But I did construct a plot about a German bomber that crash-landed in Norfolk and skidded off a cliff into the Wash, only to have the intense tides reveal it two years later, during Billy’s leave, along with its mysterious cargo. Just as the Thirty-Foot Drain played a key role in The Nine Tailors, so do the tides in Proud Sorrows. I could not resist inserting mention of that drain in reference to a local man brought in to hoist the wreckage out of the water. He comes to the task fresh from dredging the Thirty-Foot Drain.

So, I had my intersection with Dorothy L Sayers. Thin, but enough for me. The Fens, the Wash, high waters, and a dead body in the same general vicinity as the corpse in The Nine Tailors. Subtle, but satisfying. What more could I ask for?

As it happens, one Ian Carmichael. My research turned up the fact that the actor who would portray Lord Peter Wimsey on the BBC from 1972 to 1975 had been an officer in the Royal Armoured Corps during WWII. Carmichael served with the 22nd Dragoons, landing on Juno Beach on D-Day and serving in battles across France, Holland, and Germany.

The 22nd Dragoons was no ordinary unit. They were equipped with specialized Sherman Crab flail tanks. These tanks were modified with heavy chains ending in fist-size steel balls, or flails, attached to a horizontal rotating rotor mounted on two arms in front of the vehicle. They would clear a path through a minefield by slowly driving and flogging the ground ahead of them, exploding the mines. To be effective, the tanks had to drive at no more than one and a half miles per hour, often in the face of enemy fire. That was how Captain Ian Carmichael spent his war.

With that intriguing bit of history tucked up my sleeve, I bring Carmichael onstage. Since the village of Slewford played host to an exclusive POW compound for high-ranking German officers, Captain Carmichael is brought in from the Continent to interrogate a prisoner about German defenses the Dragoons is facing in Holland. He encounters Billy and assists with his investigation, providing yet another Lord Peter intersection.

It would be thirty more years before Carmichael would play Lord Peter, on both radio and television programs. But in 1944, he was close to the age Wimsey is at the time of the novels. I had to work at not letting him slip into the aristocratic patter of Lord Peter, reminding myself that Carmichael was an aspiring actor from northern England, the son of an optician, not the Duke of Denver.

For those fans of Dorothy L Sayers who prefer Edward Petherbridge as their Wimsey (he starred in several BBC productions during the 1980s), I can only report that he was a mere eight years old in 1944, far too young to have any role in investigating the murders in Slewford.

***

James R. Benn

James R. Benn is the author of the Billy Boyle mystery series, set during the Second World War. He has been nominated for the Dilys, Sue Feder Historical Mystery, and Barry awards, long-listed for the 2015 Dublin IMPAC Literary Award, and was awarded the 2018 Al Blanchard Short Story Award. His forthcoming book, Road of Bones, is the 16th in the Billy Boyle series.

Dorothy L. Sayers and the Thirty-Foot Drain: Searching for Lord Peter Wimsey

[closetofcuriosities]

Twin Peaks (1990-2017)

[retropopcult]

some 1980s & 90s audition polaroids of celebs, when they were much younger and (mostly) undiscovered

[intothedysphoria]

Anytime Mr Harrington comes in with a snotty opinion on Billy’s relationship with Steve (because he wasn’t “brought up right”) and then tries to “educate” him on things young men should do, Billy responds with “sorry I don’t play golf because I’m not trapped in a loveless marriage”

[bretzkysbs]

Audition Polaroids taken by casting director Mali Finn, 1985-1995

[texaschainsawmascara]

Monster’s Ball (2001)

[g4ll0wd4nc3r]

if i think about dishonored women too hard my stomach hurts

[agir1ukn0w]

in conclusion save the horse ride a cowboy🐎

[fortheloveofbritishactors]

International Friendship Day

[nanowrimo]

Four Steps to Plontsing

Plotting? Pantsing? Why not both! Billy Ovid Boyles, a longtime NaNoWriMo participant is a proud Plontser and has tips on how you can utilize plontsing for your novel! Well, it’s that time of year. My desk is covered with articles about plotting versus pantsing. I’ve had my own experience with the two approaches and confess that these days, I’m a hybrid. I’m a Plontser. I both plot and pants. Sounds absurd? It’s not. In fact, it seems to me the most straightforward way to proceed with a novel. There are four things I keep in mind when I’m prepping for NaNo.

1. Initial Plotting

Whenever Plotober (October) rolls around I start plotting. Usually, I’ll storyboard the story I imagine writing. I have a whiteboard that I divide up into squares, each square representing a specific scene/chapter in the book. I usually come up with an initial title for each chapter and record a couple words on the whiteboard what I imagine the chapter is about. One important thing about the advantage of plotting is you have a beginning and you have an end. It’s very nice to have those two things resolved before you start NaNo. I’ve had spells of agonizing over beginnings and endings, and it’s no fun if you’re under the thirty-day gun.

2. Create a Detailed Outline

So, the second step is to compose a detailed outline based on the storyboard. There are lots of tools you can use for this, fairly sophisticated stuff from Scrivener to Aeon Timeline. I just use a word document and styles to organize my outline.

An outline can help to reveal any plot holes or timing issue. Use whatever tool you want to catch that draft outline, but make sure the work follows a logical progression with no gaping holes in the storyline.

3. Develop Characters

In the third step, characters are important, and Plotober is a great time to develop characters. The same tools that help you build your storyline can help you build character profiles, with an organized way to approach the creation of the keys to your story. I personally like to take my characters out and about. I ride a bike and it’s easy for me to imagine my characters if they were faced with a bike ride. What kind of physical condition is the person in? How do they react to the flow of traffic around them? Is there any joy in the riding itself?  Yeah, yeah, I get creative in Plotober. It’s important to have as close a relationship as possible with your characters and it doesn’t hurt to put them in situations where they have to “come to life”.

And that’s the final key to this. I have developed several detailed outlines for my November efforts over the years … and almost every one of them has been hijacked by some twist I think up when fleshing out the storyline, taking the whole story in a different direction.

That’s a reward.

4. Let the Outline Roam Wild

Step four is allowing your outline to get jacked by a better direction. That is one of the true joys of writing: when the novel “comes alive.” When my story starts writing itself, that’s like … getting to the heart of a freshly steamed artichoke!  Or Uncle Biff’s Killer California cookies. It’s what you really want to happen. When the characters start talkin to each other. When the story turns on the strength of the characters. And, if your twist doesn’t turn out, you’ve always got the outline to fall back on. Remember, every word during NaNo counts—even if they’re in the wrong direction for a bit. That’s your four steps to Plontsing. Best wishes!

Billy Ovid Boyles is a 65-year-old, retired computer geek now dedicated to writing crazy fiction.  He’s been participating in NaNo since 2011 and has met the 50,000-word challenge four times.  All four of those ‘wins’ eventually wound up being published through Kindle Direct Publishing. You can visit his Facebook page or his website. Image by Pexels from Pixabay

[a-chris-lloyd-big-fan]

The Dream Team 1989

[anamon-book]

チョコレート 東宝（株）出版・商品事業室 監督：マーク・フォースター／出演：ハル・ベリー、ビリー・ボブ・ソーントン、ヒース・レジャー、ピーター・ボイル、ショーン・コムズ、モス・デフ ほか

[closetofcuriosities]

Twin Peaks (1990-2017)

[deathlonging]

billie would be a different person if she got to listen to music in more than passing snatches while doing recon or on lookout