the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
The South China Sea is an ancient gateway between East and West, between civilizations, between dreams and nightmares. It is a place where, for centuries, fate has been decided during heated showdowns. Overflowing with uncertainty and potential for tragedy, the area is buzzing with secrets and forces unseen by the human eye. Perhaps it is time to pay attention to what is unfolding in the depths of this body of water, lest we all pay the price for our blindness.
the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
the fact that reboots used to be like thirty or forty years apart and are now instead like 3-10 years apart is absolutely ridiculous. like are we so trapped in a capitalist hellscape that instead of us naturally cherishing a beloved piece of media like it deserves and looking forward to NEW stories with NEW universes we have to watch the same thing over and over and over again with reboot after reboot after reboot until that media has been so sucked dry that us as an audience are literally sick at the mere mention of it
I keep seeing Takes about how recent media like Glass Onion and The Menu aren’t taking “eat the rich” seriously enough to launch real change or revolution and like?? yeah??? popular crowd-pleasing entertainment where horrible rich people Suffer A Comeuppance for the pleasure of an audience is one of the oldest tropes in all of human history???? It is a crowd pleaser! It is the bread (ha) and butter of the Western canon! It is in Chaucer it is in Dante it is in Shakespeare it is the stuff of Dickens and 95% of Agatha Christie and almost every teen movie ever made??????? “look at these horrible rich idiots and hypocrites…and now enjoy their DESTRUCTION” transcends time and space and historical moments! It is so strange to be surprised that Hollywood returns to this well without any intention of seeking anything more transgressive than an audience having a hearty chuckle lmao
yea it's a show about nepo babies but Succession really said "20 billion dollars doesn't erase the persistent trauma of childhood abuse, or absolve the abuser" so like. remember that next time your parent tries to uno-reverse-guilt-card you with "but we gave you so much"
no money for education. no money for free healthcare. no money for housing. can't end world hunger. can't fix homelessness. but plenty of money to fund a genocide.. gotcha
The thing about ghosts and its queerness is that not only is it done very well via the captain and sam and clare, but it’s made for us.
A friend of dorothy, kylie minogue, brighton, cole porter, etc. those are all queer things that (for the most part) queer people recognize. The six idiots did their research and added little nods to the queer audience they know they have. They saw us and said “here’s a little treat for you!” and they pulled it off flawlessly. I’ve probably gone on and on about this but y’know I just love this show
As the world watches a potential showdown in the South China Sea, few are paying attention to the real stakes at play. At the heart of the matter is a battle for control of the global future. Whoever controls the South China Sea will control the flow of billions of dollars in trade each year. They will also have a strategic advantage in the region, allowing them to project power and influence in a way that no other country can. This is a battle for the future, and it's one that we can't afford to lose.