#bharatanatyam classes

[shantharatii]

Best Bharatanatyam Dance Classes in Singapore for All Age Groups - Shantha Ratii Initiatives

Want to learn Bharatanatyam Indian Classical Dance? Join Shantha Ratii Initiatives (SRI) Bharatanatyam dance classes in Singapore. We are renowned for our own evolved teaching techniques for adavus(steps), mudras(hand gestures) & abhinaya (acting). We offer Bharatanatyam classes for beginners, intermediate and advanced levels for children and adults.

[santaclaralocalnews]

In a world where many native cultural forms are dying, Sunnyvale-based Prayukti Arts tries to preserve the artistic heritage of South Asia.“Prayukti Arts is an organization that aims to create a space for South Asian arts, particularly the Bharatanatyam dance form, in the Bay Area,” said Nitya Narasimhan, the organization’s artistic director

[brownpaperhag]

i don’t believe in new year’s resolutions as i don’t really believe in gregorian years, but a desire that has been particularly sharp in me lately is to learn to dance so! in 2024 my wish is that i am able to take accessible dance classes, most hopefully bharatanatyam 🙏🏽💃🏾🙏🏽

come visit my inbox with your hopes for the next few months? let’s compare!

[sarayu-sunrays]

guys i'm really sad :( i can't dance

[keoshaarts]

Call : +91 7997101777 | Whatsapp : https://wa.me/917997101777 | Youtube : https://www.youtube.com/@KeoshaArts

Barbie Girl Bharatanatyam Dance | Ganesh Chaturthi 2024 | Hyderbad | Keosha | Bharatanatyam Dance Music Arts

Watch an enchanting Bharatanatyam group performance by talented young girls at Harivillu Apartments, Manikonda, Hyderabad, on the festive occasion of Ganesh Chaturthi 2024. Set to the iconic "Barbie Girl" song, these dancers beautifully blend traditional Indian classical dance with a modern twist. Witness their graceful movements, vibrant costumes, and captivating expressions in this unique and festive celebration of dance and culture. Don't miss it!

Keosha | Bharatanatyam Dance Music Arts

#bharatanatyam #GaneshChaturthi2024 #BarbieGirlDance #CulturalFusion #ManikondaHyderabad

#keosha #KeoshaArts #Bharatanatyam #Arts #Dance #Music

#baratanathyam #ClassicalDance #IndianDance #IndianMusic #IndianClassic

Arts School Keosha Arts art is life Culture | Creativity | Celebration

[thedanceschool]

The Origins and Evolution of Bharatanatyam: A Historical Journey

Bharatanatyam, one of the most revered and ancient classical dance forms of India, is a testament to the country’s rich cultural heritage. With roots deeply embedded in the temples of Tamil Nadu, this dance form has evolved over centuries, transitioning from sacred rituals to a prominent art form celebrated worldwide. In this blog, we will take a historical journey to explore the origins and evolution of Bharatanatyam classes near me , understanding its significance and transformation through the ages.

Origins: The Temple Dance Tradition

The origins of Bharatanatyam can be traced back over 2,000 years to the Natya Shastra, an ancient treatise on performing arts written by the sage Bharata Muni. This comprehensive work laid the foundation for various classical dance forms in India, detailing the techniques, expressions, and spiritual aspects of dance and drama.

Initially known as Sadir, Bharatanatyam was predominantly performed by Devadasis, who were women dedicated to serving the deities in South Indian temples. indian classical dance classes near me These women were highly skilled in dance, music, and literature, and their performances were integral to temple rituals and festivals. The dance was not merely a form of entertainment but a means of spiritual expression and devotion.

The Tanjore Quartet: Pioneers of Modern Bharatanatyam

The 19th century marked a significant turning point in the history of Bharatanatyam, thanks to the contributions of the Tanjore Quartet – four brothers named Chinnayya, Ponnayya, Sivanandam, and Vadivelu. They were court musicians in the kingdom of Serfoji II, the Maratha ruler of Tanjore.

The Tanjore Quartet systematized the dance form, codifying its various components into a structured performance format that includes Alarippu, Jatiswaram, Shabdam, Varnam, Padams, and Tillana. Their compositions and innovations played a crucial role in shaping bharatnatyam classes as we know it today, making it more accessible and preserving its traditional essence.

The Colonial Period: Decline and Revival

The advent of British colonial rule in India brought about significant changes, including the decline of temple patronage and a shift in societal attitudes towards traditional arts. The Devadasi system faced severe criticism, and many temple dances were deemed inappropriate by the colonial administration, leading to a decline in Bharatanatyam's practice and performance.

However, the early 20th century saw a revival of Bharatanatyam, largely driven by dedicated artists and cultural revivalists. Rukmini Devi Arundale, a prominent dancer and the founder of Kalakshetra Foundation, played a pivotal role in this renaissance. classical indian dance classes near me She redefined Bharatanatyam by removing its association with the Devadasi system and promoting it as a classical art form suitable for performance on the proscenium stage. Her efforts not only preserved the dance but also brought it to a broader audience, both in India and internationally.

Evolution in the Contemporary Era

Today, Bharatanatyam continues to evolve, balancing tradition with innovation. Modern practitioners explore new themes, choreography, and fusion with other dance forms while maintaining the classical rigor and discipline. Bharatanatyam indian dance class has transcended cultural and geographical boundaries, finding a place in global dance festivals and educational institutions worldwide.

The dance form’s adaptability is evident in its growing popularity among younger generations and its incorporation into various contemporary and experimental art projects. The advent of online platforms has further expanded its reach, making Bharatanatyam accessible to a global audience and allowing students to learn from renowned gurus irrespective of their location.

Conclusion

The journey of Bharatanatyam from ancient temple courtyards to modern-day stages is a testament to its enduring appeal and cultural significance. It embodies the spirit of devotion, discipline, and artistic expression, reflecting the rich tapestry of Indian heritage. As online bharatanatyam classes continues to evolve, it remains a vibrant and dynamic art form, inspiring countless dancers and enthusiasts around the world. By understanding its historical journey, we can appreciate the depth and beauty of Bharatanatyam, ensuring its preservation and celebration for generations to come.

[beatscacademy]

Best dance and music classes in dubai

Dubai's art scene pulsates with energy, offering a dazzling array of options for aspiring artists of all ages and interests.

Love Bollywood? Learn the energetic moves at a Karama academy. Craving graceful elegance? Master the captivating Bharatanatyam. Want a fun way to get fit? Join the best aerobics classes for kids and adults. For those seeking unique dance styles, explore the flowing beauty of Kuchipudi or the mesmerizing Mohiniyattam. Feel the rhythm with Dubai's top rated Zumba classes or let your inner cool with the latest hip hop moves.

Music your passion? Dubai's top music academy can help you become a maestro, whether through vocals or mastery of an instrument.

And the artistic expression doesn't stop at movement and melody! your inner Picasso with the city's best painting & drawing classes, exploring diverse mediums and discovering your artistic voice.

[baladevichandrashekar]

Bharatanatyam Online Courses

Guru Bala Devi Chandrashekar's primary objective is to disseminate the essence of Bharatanatyam through online platforms, aiming to ignite your passion for this exquisite art form. Our intention is to facilitate your transformative journey of self-expression, creating a pathway filled with exploration and enlightenment.

For more info: https://www.baladevichandrashekar.com/

[contemporarydanceclassesonline]

Learning Bharatanatyam online offers numerous benefits that make it an attractive option for aspiring dancers. Firstly, online classes provide the convenience and flexibility to learn at your own pace and schedule.

[ipassio]

Looking for the best Bharatanatyam courses? Join Bharatanatyam classes online live from the world's top Bharatanatyam teachers on ipassio.

[akash019]

Are you looking for Bharatanatyam classes in USA.?

IndianNatya offers dance training programs for learning Indian classical dance forms including Bharatanatyam, folk dance, and Bollywood dance through online dancing lessons conducted through Zoom. They conduct online Bharatnatyam classes of variable term duration for beginners, intermediate and advanced levels with live online class lessons through Zoom. Students can join at an appropriate level of training to learn the Bharatanatyam dance online. Bharathanatyam courses are taught online according to the convenient global time zones, especially for students living in the USA, Europe, Africa, Asia, and UK countries time zone.

[ucanji20]

Best online hip hop dance classes from online dance school Ucanji

India is a land of art and everyone is an artist, especially when that art involves dancing. Has it ever occurred to you why Indians love dancing so much? The most common answer to this question is “it’s a way of communication”. For us, dancing is a language that communicates our emotions and initiates social interactions. Every function, every celebration, and every new beginning here involves dancing such as online hip hop dance classes and many more. So for more details visit at website: https://www.ucanji.com/

[rahuratna]

Edit:

Finally completed this fic! Here is a very short glossary of some of the terms used, which I will provide a link to in the fic. The rest of the terms are explained in the story:

1. Adavu: a series of basic steps that form the foundation of bharatnatyam performances. These are drilled in dance class.

2. Katakamukha: one of the single hand gestures (part of the standard posture I was taught in early classes, with knees bent at an angle. We kept both our hands in this mudra as a basic starting posture). A reference picture is here.

3. Atman: a reference, in Hinduism, to the true and eternal self, the soul. Consciousness and awareness of yourself is seen as a symptom of possessing a soul. 

It's the day before my birthday, and I've just completed writing a fic that is very dear to me, on many levels. This past year has been a difficult one, and my writing has helped me cope with that on many levels.

As a former dancer and student of bharatanatyam, and someone who has experienced the lengthy process of trauma, healing and grief, my latest piece offers some insight into those things and the weight they carry in my life, along with my thoughts on the meaning of love.

It is called 'Arangetram' (a post-Shibuya Nanami x Reader) and I hope that you enjoy it.

[featheredclover]

September Rain

Chapter Six

Also on Wattpad

Read from the beginning

Chapter Five> <Chapter Seven

“Topsy World it is” NK said, swinging his legs in the air.

Khushi walked over to the bunch sitting across the rocky ledge.

“Isn’t there also a water park somewhere inside that park?”

“Yes! Aqua Land! So don’t forget to pack your swimsuits” 

Mona raised an eyebrow,” How excited are you for this picnic ,NK?”

He grinned,”The second last one day trip before we get to go on weekend long trips? Hell yeah! I am excited “

Khushi giggled, “I have heard good things about the place”

“Aman is upset class 9 is going to a different place”

“I am not!”

Khushi climbed up, sliding beside Aman.

“It’s okay to be upset a little Aman”

He smiled, “I guess,K”

“So after lunch is the water park?” Preetika noted in her tiny book.

“What are you doing Preeto? Scheduling the picnic?” Mona scoffed.

Khushi hid her smile, while Preetika glared.

“Aah here comes the supermodel” NK whistled.

They twisted their necks as Lavanya Kashyap walked towards them, a dainty smile on her face.

“Hello guys” her voice settled down like mist against a window pane.

“Hi” , Khushi joined the chorus in a small voice.

“Arnav asked me to wait for him with you guys”, she shrugged.

“How nice,” Aman said dryly.

“Aha! Time for us to get to know each other more Lavanya “ NK grinned

“You can sit with us, you know ? Climb up!”

“No thanks NK, I don’t feel like sitting”

Khushi found herself rolling her eyes as her friends kept on asking Lavanya mundane questions. She desperately wished for Arnav to come and occupy his girl’s attention.

“So Khushi ? Aman tells me you are leading the dance club with him”

Startled at the sudden spotlight on her, she fell quiet for an awkward moment.

“Um yes Lavanya. Are you interested?”

“I don’t know. I did Bharatanatyam like you for a couple of years. But I don’t know if I should take up this or polo”

“Oh, you should take up polo! I could help you “ Preetika clapped.

“Thank you Preetika “ Lavanya shot her a charming smile.

Khushi looked up as she heard footsteps. 

“Hi everyone “ Arnav huffed out, catching his breath.

“You were in a hurry to get here, hah?” NK raised a brow.

Arnav laughed, “I am just getting away from Bakshi sir! He has been paranoid ever since green won against yellow ”

Khushi looked away as the thoughts of the last game flooded her mind.

“Eviscerated yellow house, you mean? We crushed them!” Mona laughed.

“Isn’t someone a little too smug for a match she didn’t play?” Aman teased.

“Ask Khushi! We brought luck to the team simply with our presence!”

“Khushi? You watched the match?” , the incredulity evident in NK’s voice.

“Yes. So?”

“So?” Aman chuckled, “You have never been at anything except the-“

“Finals”, Arnav interrupted. 

She didn’t need to look around to know she was bearing the brunt of all eyes.

“Things change”, she shrugged. 

Her eyes unwillingly met his. The storm visible in his depths. 

——————

Her fingers skimmed over the thick bindings, searching for something. Something which will last her for a week. Khushi looked up, to see golden letters gleaming from the bind of a brown leather bound. 

‘Emma’

She rose on tiptoes, an arm stretching out,a frown marring her face as she tried to reach it.

A warm breath of air grazed her neck. A shiver ran down her spine as her book was grabbed.

“Here” Arnav said hoarsely, “Jane Austen again?”

“Yes” Khushi whispered, “That one was ‘Pride and Prejudice’”

“Aah! Both your signature qualities !”

He grinned slyly, as she gasped in outrage.

“What the hell Arnav!”

“Sshhh!” 

Mrs. Roy’s disapproving glare was enough to stop their bickering. 

Sticking a tongue out at him, she brushed past him and placed the book on the desk.

“Miss Khushi I admire your reading habits but whenever Mr Raizada accompanies you,you spoil the sanctity of this library “ 

“Sorry ma’am, I am to be blamed” Arnav intervened charmingly, “And oh! The sanctity of this place is too strongly maintained by you to be broken by us!”

“Shoo off boy!” A rare smile broke across Mrs. Roy’s face.

————

Khushi stared at their entwined hands. Arnav had not let her have a moment of respite since they got out of the library. Her hand was quickly grabbed. And now, she was being dragged across campus.

She knew where they were heading. She knew they had to talk. But fear gripped her heart as she felt this could end up being worse for them. What if he confirmed her suspicions? Her hand turned rigid as an unpleasant feeling flooded her body. She was distracted as she felt Arnav clutching her hand tighter. 

She sighed. He was going to make it happen. Come hell or high water!

————

The bricks were home, Khushi thought as she climbed up the stairs, took off her bag and settled down in her usual spot, leaning against the wall.

Arnav smiled at her woebegone expression. He reached into his bag. And then brandished two sodas before her.

He threw his bag aside and settled down beside her.

“Thanks”, she cracked it open against the wall and took a deep sip.

“How was Payal di’s party?”

“You wouldn’t have had to ask me, had you been there”

Arnav looked away.

“You missed me?”

Khushi paused. She didn’t want to be flippant with him anymore.

“Yes”

Hearing his breath hitch, she felt her heart go a mile a minute.

“I am sorry Khushi” , he held her hand, “I just couldn’t come and be- be normal. I knew we couldn’t talk the way I wanted us to, had I been there. I was just too angry to see things clearly”

“So you admit you were unreasonable that day?” She raised a brow.

He frowned, “No. I wasn’t “

“Khushi, let me explain, “ he said as she struggled to free her hand.

“You’ll explain?”, she gave him a dubious look.

“Yes, just let me speak”

“Okay” she grumbled.

“I don’t like Dhruv. And I hate that he has asked you to attend every match of his. But because you want to be there for him, I won’t say anything again. But…I just want us to be us. If you are going to the ground, I would want you to tell me and not scatter off without a word!”

Khushi smiled at his exasperation.

“Dhruv is just the sub captain of our house, Arnav. He wants to be the captain next year. And if he feels, having visible supporters will help him win,I have to go, as his friend. I didn’t mean to brush you off but…”

“Lavanya is not my girlfriend “

She froze. Clutching her skirt, she felt cold. Her stomach was not being her friend.

“Khushi, she is new here. And we talked while I was showing her around. Her parents…NK must have told you. They are having an ugly divorce. It’s all in the papers. And she is getting stuck in between their fights . It was actually her grandmother who felt she would feel better here, away from the mess.”

She sighed, “I understand “

“And she is so reserved that she doesn’t even want to talk to other girls in our house. Even with NK and Aman around, she will fall silent! I just wanted to get her out of her shell. I feel sorry for her Khushi. And yesterday, I told her to go wait for me with you guys, so that she could make some friends”, Arnav shrugged.

She bit her lip.

“I get it, Arnav. I had just never seen you so occupied. I felt…that everything was changing. We were changing. And I was- I was simply upset”

A breath of air huffed out of her as Arnav mauled her into a hug.

“Never! We are never going to change Khushi “ his furious whisper reached her ears and calmed her heart.

She clutched him tightly, ignoring the flutter of butterflies in her stomach.

Everything felt right again. 

Under the dome, against the evening sky, they held each other, waiting for the twilight to chase away the sun.

————

Next chapter>>

Tagging:

@hand-picked-star @phuljari @msbhagirathi @thenainitaldisaster @thedupattaknowswhatsup @jalebi-weds-bluetooth @barshifan @andli @shiyaravi @chutkiandchotte @laad-governess @minpdnim @bigfatreader @arshiradio @simplycurlz @scorpio-smiles @bengudill @exosexosekai @0218fm

[thedanceschool]

Overcoming Stage Fright: Tips for Dancers

Stage fright, or performance anxiety, is a common challenge faced by dancers of all levels. Even the most seasoned performers can experience nerves before stepping onto the stage. Overcoming stage fright is essential for delivering a confident and captivating performance. This blog offers practical tips for dancers to manage and conquer stage fright, turning nervous energy into a powerful performance tool.

Understanding Stage Fright

Stage fright manifests as a range of physical and emotional symptoms, including rapid heartbeat, sweaty palms, dry mouth, and feelings of panic or dread. Bharatanatyam classes near me It's a natural response to the pressure of performing in front of an audience, and understanding it is the first step towards managing it.

Tips for Overcoming Stage Fright

1. Preparation and Practice

Thorough preparation is key to building confidence. Knowing your routine inside and out reduces the likelihood of mistakes and helps you feel more secure.

Rehearse Regularly: Practice your dance routine consistently until it becomes second nature. indian classical dance classes near me Familiarity with your movements will boost your confidence.

Simulate Performance Conditions: Practice in an environment similar to the performance setting. This can include rehearsing in front of friends or family to mimic the presence of an audience.

2. Visualization Techniques

Visualization involves mentally rehearsing your performance. This technique helps you anticipate and manage anxiety by creating a positive mental image of success. bharatnatyam classes

Visualize Success: Close your eyes and picture yourself performing flawlessly. Imagine the audience's positive reactions and the satisfaction of a successful performance.

Focus on Details: Visualize every aspect of your performance, from your entrance to your final bow. This helps create a sense of familiarity and control.

3. Breathing Exercises

Controlled breathing can calm your nerves and reduce physical symptoms of anxiety. classical indian dance classes near me Practicing deep breathing techniques can help you stay relaxed and focused.

Deep Breathing: Inhale deeply through your nose, hold for a few seconds, and exhale slowly through your mouth. Repeat this several times to calm your nerves.

Box Breathing: Inhale for a count of four, hold for four, exhale for four, and hold again for four. indian dance class This rhythmic breathing pattern can help reduce anxiety.

4. Positive Self-Talk

Positive self-talk can change your mindset and boost your confidence. Replacing negative thoughts with affirmations helps create a more positive outlook.

Affirmations: Repeat positive statements such as "I am prepared," "I am confident," and "I can do this." This can help reinforce a positive mindset.

Counter Negative Thoughts: When negative thoughts arise, challenge them with positive alternatives. bharatanatyam dance classes near me Instead of thinking "I might mess up," think "I am well-prepared and capable."

5. Physical Warm-Up

A physical warm-up not only prepares your body for the performance but also helps reduce anxiety by releasing tension.

Stretching: Stretch your muscles to release tension and increase blood flow. This helps your body feel more relaxed and ready.

Light Cardio: Engage in light cardio exercises like jogging or jumping jacks to get your blood flowing and release endorphins.

6. Familiarize Yourself with the Stage

Acquainting yourself with the performance space can help reduce anxiety. Knowing the stage layout and environment helps you feel more comfortable and confident.

Stage Walkthrough: Spend time on the stage before your performance. Familiarize yourself with the space, including entry and exit points.

Technical Rehearsal: Participate in technical rehearsals to get used to the lighting, sound, and spacing.

7. Focus on the Present Moment

Staying present helps you avoid becoming overwhelmed by nerves. Mindfulness techniques can help you stay grounded and focused on the moment.

Mindfulness Exercises: Practice mindfulness by focusing on your breath, body sensations, or the music. This helps keep your mind from wandering to negative thoughts.

Concentrate on the Dance: Focus on your movements, the rhythm of the music, and the joy of dancing. This helps keep your mind engaged in the present.

8. Connect with Your Fellow Dancers

Building a sense of camaraderie with your fellow dancers can help ease anxiety. Knowing that you are part of a team can provide support and encouragement.

Group Warm-Up: Warm up together as a group to build a sense of unity and support.

Encouragement: Offer and receive words of encouragement. Supporting each other can boost collective confidence.

Post-Performance Reflection

After your performance, take time to reflect on what went well and areas for improvement. This helps build confidence for future performances.

Celebrate Successes: Acknowledge and celebrate your achievements, no matter how small.

Learn from Mistakes: Identify areas for improvement and use them as learning opportunities for future performances.

Conclusion

Overcoming stage fright is a journey that requires practice, patience, and perseverance. By preparing thoroughly, using visualization and breathing techniques, engaging in positive self-talk, and staying present, dancers can manage their anxiety and deliver confident, captivating performances. Remember, every dancer experiences nerves—it's how you harness and transform that energy that makes all the difference. Embrace the challenge, trust in your abilities, and let your passion for dance shine through.

[hindulivesmatter]

I'm from the USA and took a lot of Indian history courses at my university. You might already know this or have guessed it, but a lot of what we learned was taught from a leftist--and at times explicitly Marxist--perspective. This was even stronger in other (but thankfully not all!) social studies departments where there were classes focusing solely on various social ills of Hinduism with regard to caste and issues of feminism, yet almost nothing negative could be said if it might be critical of Islam or Muslim figures, (Mahmud of Ghazni being a notable exception for one of my professors.) There was a whole class on British colonialism; no details were spared. Horrible famines in the Deccan, Odisha, Bengal. The decimation of the textile industry. Banning bharatanatyam. The salt tax. Accounts of how a British man kicked one of his servants to death, and another of how the poor and sick congregated outside the gates of a hospital in the south that at the time would only help Europeans. Jallianwala Bagh. But Aurangzeb? Completely whitewashed. You would think Sikhs carry a kirpan for no reason. It was only through reading additional books and documents for my essays and projects that I learned about how he tore down temples, smashed murtis (and stole valuable ones,) levied a double tax on non-Muslims, etc. I remember reading an account of a traveler going through the south at the time of the Deccan wars, remarking on how you could find entire villages empty and deserted fields full of unharvested crops because the people had fled advancing armies. In one region his forces simply killed some Telugu-speaking Brahmins serving the local king rather than force them to convert, and in another his forces captured a royal scribe, forced him to convert to Islam, and forcibly circumcized him before the man killed himself. Obviously the history of all things under the umbrella of Hinduism or any other system is not perfect, but there was a huge difference in how critical you could be of Hinduism (and even western traditions/ideas) compared to Islam.

Sometimes I daydream about what it would have been like to study Sangam literature in India or to experience Andal without needing an English translation, or going to translate old Sanskrit copies of the Mahabharata whose telling is unique to a certain village or something. But ultimately I'm glad I chose to be a research scientist instead and have a career in that, because I don't think I would have been able to succeed in academia unless I were a leftist. :\ Honestly I feel like even going to hang out with ISKCON for a few days would be a better introduction to Hinduism for the average person abroad with zero knowledge than a class called "Intersections of Gender and Caste in Hinduism" or something.

Very telling how Hinduism, and even Christianity is ripped apart in academia, yet when it comes to Islam, it is a religion of "tolerance, and beauty that respects women."

Honestly, though, it's because of how severely they react when their religion is criticized or even inspected. Apostates are given death, women who do not obey are given death, anyone who utters a word against their precious prophets is given, you guessed it! Death.

No religion is perfect, humans can be horrific creatures, and even Hinduism cannot escape that. But Islam has committed far more war crimes than any other religion.

It absolutely boils my blood to see traces of colonizers in our cities. One side of my family hails from Aurangabad, named aftre Aurangzeb, and you already know the atrocities he committed.

It's so fucking insidious to see how the youth have been told what to think. My own friend claimed to me, verbatim: "You cannot be neutral in the Israel-Palestine war. Either you support Palestine, or you support genocide."

Support Hamas? Support terrorism? The same terrorism that affects us? Has everyone forgotten 26/11?

It makes me so sad to think of the future we could have had. Sanskrit would be the most spoken language, instead of English. Gurukuls would exist, and India would still have all of its wealth.

You're right, even ISKCON is better than the propaganda they feed people about our religion.