#especially in bharatanatyam

[sarayu-sunrays]

guys i'm really sad :( i can't dance

[famousinuniverse]

Dances of India

Dance is an ancient and celebrated cultural tradition in India. Folk dances abound all across the country, and huge crowds of people can be found dancing at festivals and weddings. Dance and song features heavily in Indian cinema (so-called “Bollywood” films), too. But where does Indian dance draw its roots from? Here are six of the most important classical dance forms of India.

Classical Dances of India

Odissi

Dancer performing Indian classical odissi dance.

Odissi is indigenous to Orissa in eastern India. It is predominantly a dance for women, with postures that replicate those found in temple sculptures. Based on archaeological findings, odissi is belived to be the oldest of the surviving Indian classical dances. Odissi is a very complex and expressive dance, with over fifty mudras (symbolic hand gestures) commonly used.

Kuchipudi

Kuchipudi performance.

Unlike the other styles mentioned, kuchipudi requires talent in both dancing and singing. This dance, from the state of Andhra Pradesh in southeastern India, is highly ritualized, with a formalized song-and-dance introduction, sprinkling of holy water, and burning of incense, along with invocations of goddesses. Traditionally the dance was performed by men, even the female roles, although now it is predominantly performed by women.

Manipuri

Manipuri-style performance of Indian classical dance.

Manipuri comes from Manipur in northeastern India. It has its roots in that state’s folk traditions and rituals, and often depicts scenes from the life of the god Krishna. Unlike some of the other, more rhythmic dances, Manipuri is characterized by smooth and graceful movements. Female roles are especially fluid in the arms and hands, while male roles tend to have more forceful movements. The dance may be accompanied by narrative chanting and choral singing.

Kathak

Kathak school dancer, in Mughal costume, performing Indian classical dance.

A dance of northern India, Kathak is often a dance of love. It is performed by both men and women. The movements include intricate footwork accented by bells worn around the ankles and stylized gestures adapted from normal body language. It was originated by Kathakas, professional storytellers who used a mixture of dance, song, and drama. Like other Indian dances it began as a temple dance, but soon moved into the courts of ruling houses.

Kathakali

Kathakali dance

Kathakali comes from southwestern India, around the state of Kerala. Like bharatanatyam, kathakali is a religious dance. It draws inspiration from the Ramayana and stories from Shaiva traditions. Kathakali is traditionally performed by boys and men, even for female roles. The costumes and makeup are especially elaborate, with faces made to look like painted masks and enormous headdresses.

Bharatanatyam

Bharatanatyam performance

Bharatanatyam is a dance of Tamil Nadu in southern India. It traces its origins back to the Natyashastra, an ancient treatise on theatre written by the mythic priest Bharata. Originally a temple dance for women, bharatanatyam often is used to express Hindu religious stories and devotions. It was not commonly seen on the public stage until the 20th century. The dance movements are characterized by bent legs, while feet keep rhythm. Hands may be used in a series of mudras, or symbolic hand gestures, to tell a story.

6 Classical Dances of India | Britannica

[whatrasudeep]

I'll get so much hate for this but idc. Just read through before spewing brain rot. Open to discuss obviously.

I need y'all to stop with this cultural appropriation shit with bharatanatyam.

For people who don't know the discourse,

"Bharatanatyam is a culturally appropriated and sanitised form of Sadir-attam, a dalit art form".

Wrong on many levels.

1. Bharatanatyam is not the same as sadir. Sadir is considered a precursor but today's Bnat dancers are NOT dancing Sadir. In fact I can say that it is not even Natyam we are doing but that's another discourse

2. Sadir and devadasi/mahari culture was never dalit specific. Members of all castes learnt dance. Padmavati, Jayadeva's wife, was a devadasi and the daughter of a priest. Shantala Devi, the queen of the Hoysalas, was a former devadasi. I forgot the name but an Odia king (simha something. I read it for my junior exam) was a dancer. @ramayantika will know who I'm talking about being an odissi dancer. Y'all can be delulu about this but the proof is literally engraved in stone.

3. Bnat cannot be said is appropriating Sadir items into its fold with hundred percent certainty. Many of the items we perform now are introduced very recently. Many are taken from Kuchipudi. And Sadir itself is a product of Natyashastra. Devadasis danced to padams and javalis written by Brahmins.

5. Upper caste girls are predominantly dancers cos maybe they are the ones who stay in class. Y'all haven't had to sit on a desk convincing a parent to keep their recently "matured" daughter in class or try to tell them that boys can dance too (cos you naively assume misogyny) and them telling you in their caste "oNLy PrOstITuTes DaNcE".

And the worst part is y'all won't know shit about these things if you don't attend classes. This is not something you will find in Quint or whatever. You have to be there to know it.

Don't think that I am in any way denying casteism. I am way too well-read to do that shit atp and I have seen enough. But y'all wanna talk about caste in dance, talk about how lcs can't afford to attend classes because of systemic economic difficulties. Talk about stagnated uc male centric narratives in abhinaya pieces. Talk about the rampant superstitions and misogyny that keeps lc students from pursuing their art. Talk about the nepotism in the field and how it makes the system inherently rigged against outsiders, especially lcs who can't even claim a surname. Those are conversations worth having. Not your hot-takes with no basic fact checking.

[fatimajpeg]

i said i wouldn’t talk about spiderman india but i think i will now. i went in expecting the lame millennial chai-tea naan-bread jokes but halfway through the film i started to hope it would be better considering the love and care the writers put into miles’ culture and background. so while i wasn’t curveballed by the lazy jokes and stereotypes i couldn’t help but feel disappointed. The more i sat with the writing the more it became clear to me that they didn’t really try with pavitr and his world at all. his costume? like unless he’s learning traditional bharatanatyam dance why would it look like that? mumbattan? idk if it’s from the comics but why would mumbai and new york be merged together esp if the british still colonised india in this alternate reality and speaking of that i found it funny (and telling) that even in the fun spider multiverse we were STILL colonised. there’s also like tons of spiderman jokes in online desi spaces (mentioning cuz there was a lot of internet humor in the movie) especially eespiderman like that’s a song! they could’ve easily licensed it and make it a fun reference for desi viewers that would’ve been equally funny to non-desis. And then i find out there weren’t many south asian writers/creatives/artists working on atsv (if there were any esp for all the big creative decisions), and it was like damn. why even include him then? The voice actor had to jump in and give them notes about how one dimensional pavitr was (and tbh i can’t believe that the version we got was somehow an improvement). Lbr south asians don’t really need representation from hollywood cuz we have our own entertainment industries esp indians; but if you’re gonna include us then idk maybe try a little?

[sea-shanthis]

from a (half) south asian american who's dark skinned, i think one of the best examples of south asian representation in video games as of recent is frye from splatoon 3.

i think they did so many things great with her. even though she's not really desi considering human culture has been extinct for over 1000 years in the splatoon universe, they did a great portrayal of her as a south asian. the inclusion of her dark skin really adds to that, because as someone who's half south indian, with dark skin, colorism and racism against dark skinned ppl in south asia is a really big issue, and is rooted in the caste system. and even though i doubt the inclusion of her dark skin was meant to break that stigma and stereotyping, it really adds to her regardless!

some other great examples of south asian influence in frye that makes her great rep:

- her singing in splatoon 3 is based on indian vocal music, especially carnatic (south indian) music. there's also traditional indian instruments such as sitar/veena, dholak, and nadaswaram used in songs where she performs. her dancing performance is also reminiscent of indian dances like bharatanatyam, odissi, and kuchipudi.

- her fighting style in her boss battle is based off of snake charming, using a pungi flute to control her moray eels to fight the player, in a manner similar to snake charming

- her outfit is based off of western-south asian or indo-western fashion and clothing, wearing a dupatta over what looks like a choli, and her pants resemble patiala pants. her headpiece also resembles mango chutney or another south asian condiment

- the locker decoration received from story mode that depicts her, sunken scroll 11, is based off of traditional indian art, especially from south india. the pose she strikes and the surrounding motifs are reminiscent of south indian and sri lankan sculpture and art depicting hindu figures; an example of a work of art similar to this depiction of frye is the bronze statue Shiva Natarāja, depicting the god shiva as nataraja, the cosmic lord of dance.

- and although i don't know for sure if her big forehead is based in south asian traditional beauty traditions, i still think it adds to her greatly as south asian representation. video game characters from any underrepresented culture are often depicted under western beauty standards, and frye's appearance that defies both western beauty standards AND colorist standards of south asian beauty truly makes her a great example of south asian rep in video games.

special thanks to twitter user rosierajin, who also compiled a list of examples of south asian influence in frye's character

anyways, that's my conclusion about why frye is an amazing example of south asian rep, hope you enjoy :3

[ramayayi]

Date: 12.9.23

I survived a 3 hour practice today in the morning for bharatanatyam class today.

Combined it with making some of my own choreographies to some instrumental piece for my classical page.

Had dance class in the evening and my teacher told me that my dance exam went well.

Overall I think my stamina is getting better for certain adavus especially kuditta and tat tai ta ha because they literally burn the thighs.

Also I now have a glow on my skin as my mother commented. So hopefully I utilize all my time for dance before college starts because after that it's really going to be challenging to handle both

[sketchist-art]

Hi Jen!

For the OC ask game what about 😊, 🐕 and 🎳 for  Rainyi?

heyy Lola!!! thank you soso much for the ask ^0^

😊 - one of the things has got to be cuddles from Mereo. she loves how warm and loving they are, especially after a tiring day, they bring sunny smiles to her face!! 💞

🐕 - this is a tough one… i think i would say tiger! it’s a very beautiful animal, Rayini loves how gorgeous its fur is and has always felt some sort of connection to it! it also is a symbol of light, and goddess Durga—the Hindu goddess of power, strength, and protection—rides on it!

🎳 - ooh, she has a lot of hobbies! a few are dancing, doing people’s hair, and sculpting! Charlotte says she’s an amazing dancer, and she can perform dances like Bharatanatyam and Kathak, two forms of Indian dances! she’s an excellent braider, and she loves experimenting with her wife’s and Mai’s ( @artistic-endchamber’s oc ) hair! she could definitely braid Helena’s hair too, if she’d be interested! :3

[butchkaramazov]

A Shade Darker Than Red: just some Paro and Renu fluff<3

“Paro, have you ever seen this much rain?” I yelled over the grumbling thunder.

Paro ran, trying to keep up with me. “Get back under the umbrella, Renu!” she cried. “You’ll catch a cold!”

“So what?” I yelled back, skipping ahead of her. 

Paro grabbed my hoodie, tugging me towards her. “Renu I’m telling you, Bhairavi auntie will have my head.”

I wriggled out of her grasp. “Oh, dammit Paro, loosen up!”

Paro adjusted her umbrella, glaring at me. “And how does one ‘loosen up’?” 

I grabbed her hand and crossed the road, ducking into an alleyway. “You’ve never danced in the rain, have you?” I asked, raising an eyebrow.

“So what if I haven’t?”

I grinned. “You will, now!”

Paro’s eyes widened and before she could protest, I snatched the umbrella away from her, leaning it against the walls of the alleyway.

“Come on!” I yelled as lightning flashed across the sky, like a seam ripped apart in a lady’s blue nightdress.

Paro cursed loudly and somehow followed my lead as I grabbed her hand and, positioning my body parallel to hers, outstretched our hands together and lifted a leg, jumping a few steps forward and going back again. “This, Paro, is how you ‘loosen up’!” I said, stepping into a puddle and spraying mud all over her jeans.

Paro laughed despite herself and I chuckled, tearing my hands away from hers and spinning myself around. Paro clapped and laughed, the sound music to my ears.

Raindrops dripped from her soaked hair and travelled down her jawline, slithering onto her collarbone. It stayed there for a while before going further down as I tore my eyes away from where they shouldn’t be lingering.

“This is fun!” Paro chuckled, pulling me into a hug as thunder rumbled overhead and the sound of rain grew louder in my ears. “But, Renu, we really need to get home now.”

I pouted, looking up at her. “Do we, really?”

Paro smiled. “We do, Renu,” she said, her voice so soft yet one that I could hear over all the thunder and lightning. “They usually use this route.” Her eyes lingered on my scar.

“Are you scared?” I teased.

Paro scoffed. “Me? Scared of them?” 

“Then?”

“They should be scared of me. Bharatanatyam girls go through a lot, actually. We can easily beat anyone up. Especially if you mess with our best friend.”

I grinned and buried my face in the crook of her soaked neck as she opened the umbrella. “You’re amazing, Paro. But did we really have to leave when the fun was just starting?”

“Oh, come on, Renu, stop being so pouty,” Paro said, trying to be gruff. A snort escaped her when she saw my droopy eyelids. “Just a second ago you were dancing—if that’s called dancing—and now you look like you could fall asleep right here.”

“I could,” I said, raising my head and rubbing my eyes. “Neelam ma’am’s endless lectures on spherical mirrors may have broken my last braincell.”

Paro laughed, nodding. “Relatable. Now let’s get you home, sleepy sunshine.”

I grinned, checking whether the pen was still tucked behind my ear. It was going to have a lot of lines to write when we got home: about how today I made Paro, the best dancer I’d ever known, dance in the rain for the first time.

It was what my ten-year-old brain would have identified as the best day ever for an essay—but then, I would have a lot of better days to come. Everyday with Paro was a better day. And we would have enough of that.

We would have days, weeks, months and years to spend together, to dance in the rain and have tickle fights. 

I sighed contentedly, running my hand over my scar as Paro and I walked over to the bus stand.

We had time.

@avani-amulya @manujanolavu @nirmohi-premika @lovesickpdf @arachneofthoughts @sonilaalbindi @desi-yearning @alhad-si-simran @thatpagalchokri @trashmeowcan @waitingforthesunrise @vellibandi @thesunandstarss @chanda-chamke-cham-cham @damnn-dorothea @the-unhinged-fanwinggg @watchingblsnowandforever please let me know if you want to be added or removed from the taglist<3

this isn't really a chapter, just some fluff<3 probably isn't my best work, i almost actually fell asleep because of tuitions

[confusedgoldenflower]

Spider-Man: Across the Spiderverse was AMAZING. Extra props to Gwen’s name NOT being the patronizing, infantilising “Spider-Girl” like so many super women’s names are but the Spider-Woman she deserves!! 🔥🔥🔥 (If you don’t think it’s patronizing or infantilising, you ain’t ready for this conversation, sweetheart.)

Yet I have but one bone to pick: Hobie being Irish would be even more perfect.

Nobody asked but I’m continuing: Gwen is a ballerina… therefore I need them all to be dancers XD. Peter Parker ballroom, waltz and such not rhythm. Miles feels he’d be more hip hop and break, especially with the music he likes. Miguel could totally be sassy on the dance floor, give him rhythm. Hobie… contemporary/interpretive? Bonus points for Irish river dance lol. Pavitr dances Bharatanatyam with his beautiful kada.

Also, Miles bringing Gwen to his prom (or whatever that dance her Peter died in was) to, like, make up for that shitty experience and being stuck both trying to waltz would be cute and funny. Bonus if Peter Parker shows up like “hey, kids! Lemme give ya some pointers real quick,” and has to dodge the chaperones lmao. (The next day the whole student body gets a lecture about inviting their adult cousins.)

[ramayantika]

My dance sir is still salty because I did not give time for classes and I did explain myself. if I could have a way out I would have done my classes regularly.

So many dancers drop off from learning dance especially those who go to other states and are hostellers because hostels do not actually allow you to practice properly especially with the loud tap sounds of the feet and god forbid you can dance with ghungroos and my curfew is at 6.30 to go out and practice. I am still trying to make things work and dance here. I even told him that my first sem would actually be chaotic and messy because we are completing 6 months ka course in 3 months combined with all the exams and evaluation tasks toh I obviously can't give time to dance now because my degree comes first.

But even then sir passed a comment ki bas exam jab hoga tab practice karoge baki time classes nahi karoge and suddenly all the extra hours of classes the bi-weekly classes that I took after entrance exams are outside the window. Even I am trying to navigate my time, studies and everything with this college, I do understand sir's pov but I also want him to understand my view too.

Somehow my bharatanatyam teacher has been more understanding in these matters and she herself told me that it's a new city and it will take time to navigate through friendships and your studies especially being the first batch of your college, it will be challenging so first observe how your course and your time table schedule will work, and then we can plan out your dance training.

I am sad and annoyed and atp I want to engage in spiteful dancing but I know this will have a negative effect on me and my bond with dance.

I actually want to cry.

[sarayu-sunrays]

“Love is like wildflowers... it can be found in the most unexpected of places.”

hi, and welcome to my little corner of Tumblr! I'm Sarayu (but you can call me Ray/Sunny), and it's awesome to see you here <3 I speak Kannada, English and Hindi.

Moodboards on my aesthetic: by the amazing @onfindinghome - here! and by the lovely @alhad-si-simran - here! <3

I'm here to:

read

write

interact with people

have fun!

I'm a minor, so this blog is safe for minors and basically everyone else!

I love reading books, Spiderman (ITSV, ATSV) and especially Spiderman India! I read a lot of manga and watch anime, and I also love listening to music and making friends, so do reach out to me (via DMs, or just drop an ask into my inbox :)) I also like drawing, playing the piano, and singing <3

My moodboards (**CURRENTLY TAKING REQUESTS**):

Indian Classical Music

Bharatanatyam/Indian Dance

Indian Monsoon

Cottagecore/Light academia

Hating School/Loving School - Before and After

Orange

Blue (Light/Slightly Grey)

Red (Dangerous Love)

Yellow (Summer Daze)

Dark Blue and Beige (Stars are watching)

Psychology

Necromancy

Little Women (Louisa May Alcott)

Please tag me in anything you think I'd like to see! Honestly, I'm super friendly and it always makes my day when I get notifications (we all need that dopamine :D)

If you're still reading, then here's some flowers for you, 'cause you rock!

divider credits to @saradika - thanks for making them <3

[sous-le-signe-de-la-lune]

MARCH WRAP UP ☆

Empire of Sand by Tasha Suri

4.75 ☆

How to put into words how much I loved this book? I couldn't put it down, and I spend hours just thinking about it, thinking of Mehr and Amun and all they had to go through just to be free. Empire of Sand is a beautifully written book inspired by the Mughal empire and Bharatanatyam for its magic system.

When Mehr uses her powers, she's found by the Emperor's mystics and forced to accept an arranged marriage with Amun, one of the mystics. And here's lie the beauty of Empire of Sand: it's a story of coercion, of the importance of vows and promises, and the fight for freedom and free will. It's also a story of slavery.

Empire of Sand may not be perfect but it was everything I wanted and more. It was also satisfying to read a standalone fantasy book that succeeded in exploring many themes and tropes in a new way.

The Poppy War by R.F. Kuang

3.75 ☆

The Poppy War is a well crafted story inspired by the Second Sino-Japanese war during the 20th century. The book is separated into three parts that are very distinct from each other, and each part has its own atmosphere and narrative arc. Together, they offer a good introduction to the world building, the conflicts with and within Nikan, as well as Rin's pursuit of power and freedom.

The world building is very rich, and truly it's the best part of the book: there isn't a line that doesn't add something to it, and it creates a very engaging story. The writing is very good and I was immediately sucked into it. It was hard to put the book down.

I really liked Rin as a main character: she may not be likeable sometimes, but you can really understand where she comes from and why she's so desperate for power. She's always moving back and forth between being a hero or a villain, and to be honest, she can be her worst enemy. So, even though I couldn't always agree with her actions, it made sense, and I was rooting for her.

But one of my critics would be that, as a main character, she kind of "disappeared" from the story during the second part of the book in profit of the plot

The Wicker King by K. Ancrum

4 ☆

I've never written a proper review for this book because even now, I'm still haunted by the story and its characters. Told from August's pov, we follow him and his best friend Jack as Jack starts to experience hallucinations of a strange world superposed onto reality. Desperate to save Jack, August accompanies him on a quest to save Jack's fantasy world. It's a story of abuse, neglect and codependency but it's really well done and I couldn't put the book down (I read it from 1am to 4:40am).

Matcha Made in Heaven - vol.5 by Umebachi Yamanaka

4 ☆

I don't really have anything to say, it's still cute and I can't wait for the next update.

Never Seduces a Scot by Maya Banks

3 ☆ - reread

I was in the mood for an arranged marriage story and I thought of this book. It was as good as the first time. Eveline and Graeme are so soft, and I liked their respective families. It's not something I mentioned in my initial review, but I liked the way deafness was explored, especially because it's a historical romance.

L'Atelier des Sorciers - vol.1 by Kamone Shirahama

3 ☆

I've seen a lot of post on tumblr about this series, so I was intrigued and picked up at the library. I loved the magic system: it's very easy to understand while being unique. And I can't wait to read the next volume.

my goodreads 🪐

[bharatanatyamjewelry]

Bharatanatyam and Kuchipidi dance jewelry

 Investigating Bharatanatyam and Kuchipudi Dance Jewelry

Prologue to Bharatanatyam and Kuchipudi Dance Jewelry

Bharatanatyam and Kuchipudi, two old style dance structures starting from the southern locales of India, are not just about elegant developments and complicated footwork; they likewise gloat a rich custom of embellished clothing, including dazzling gems. Among these enhancements, Bharatanatyam and Kuchipudi dance Jewelry stand apart for their excellence, social importance, and craftsmanship.

Figuring out Impersonation Sanctuary Gems

In the domain of Bharatanatyam and Kuchipudi dance jewelry, one frequently experiences a variation known as impersonation Sanctuary Gems. These pieces act as additional reasonable options in contrast to valid Sanctuary Gems, normally created from materials like copper or base metal and enhanced with gold plating. While the utilization of these metals delivers the gems somewhat heavier than its genuine partners, they actually radiate a similar conventional appeal.

Qualities of Impersonation Sanctuary Gems

Impersonation Sanctuary Gems, attributable to its piece of copper or base metal, displays unmistakable qualities that put it aside from different types of enhancement:

Solidness and Support

When appropriately focused on, impersonation Sanctuary Jewelry can keep up with its gloss and appeal for a long time. To guarantee life span, it's fundamental for store these pieces in a dry, dampness free climate. Enveloping them by cotton material or tissue paper forestalls discoloring and keeps up with their immaculate appearance.

Weight and Delicacy

While copper is eminent for its toughness, base metal Jewelry might show expanded delicacy, especially when dropped. Regardless of this, with suitable dealing with and care, these pieces can endure the afflictions of dance exhibitions and ordinary wear.

Importance in Dance Exhibitions

Bharatanatyam and Kuchipudi dance jewelry assume a crucial part in upgrading the visual allure of exhibitions. Enhanced with unpredictable plans and embellishments, these pieces supplement the artists' clothing as well as act as emblematic portrayals of social legacy and custom.

Picking the Ideal Pieces

While choosing Bharatanatyam and Kuchipudi dance Jewelry, a few elements become an integral factor:

Plan and Feel

The plan of the Jewelry ought to orchestrate with the artist's clothing and the topical components of the exhibition. Multifaceted themes, roused by customary examples and themes, add a component of class and refinement to the group.

Material Quality

While impersonation Sanctuary Gems offers a more reasonable choice, it's fundamental to survey the nature of materials utilized. Choosing pieces made from high-grade metals guarantees both sturdiness and life span, permitting artists to partake in their speculation long into the future.

End

Bharatanatyam and Kuchipudi dance Jewelry encapsulate the combination of imaginativeness, culture, and custom. From the intricate plans to the careful craftsmanship, each piece recounts its very own account, enhancing the social woven artwork of India's traditional dance structures. Whether embellished via prepared entertainers or growing aficionados, these gems act as ageless images of excellence and effortlessness.

[indianclassicaldancer]

Unleash Your Inner Dancer:Bharatanatyam Classes

Have you ever watched a Bharatanatyam performance and felt mesmerized by the graceful movements, expressive gestures, and rhythmic footwork? This classical Indian dance form, originating from Tamil Nadu, is not just a dance but a rich cultural experience that tells stories through its intricate choreography. Whether you're curious about starting your journey in Bharatanatyam or looking to refine your skills, there are plenty of classes available to help you unleash your inner dancer.

Discovering Bharatanatyam

Bharatanatyam is a dance that combines expression, music, rhythm, and movement. It's a beautiful way to connect with Indian culture and history. The dance is characterized by its fixed upper torso, bent legs, intricate footwork, and a sophisticated vocabulary of hand and facial gestures. Learning Bharatanatyam can be a fulfilling experience, offering both physical and mental benefits.

Finding the Right Class

Choosing the right Bharatanatyam class depends on several factors, including your experience level, location, and what you hope to achieve. Here are some tips to help you find a class that suits you:

Experience Level: If you’re a beginner, look for classes that start with the basics, such as learning the adavus (basic steps) and understanding the foundational rhythms. If you have some experience, you might want a class that focuses on more complex sequences and performances.

Location: Convenience is key when choosing a class. Look for classes that are easily accessible from your home or workplace. Many schools now offer online classes, which can be a great option if you prefer learning from home.

Instructor’s Expertise: The teacher's experience and teaching style are crucial. Look for instructors who have a deep understanding of Bharatanatyam and can convey the techniques and the cultural significance behind each movement.

Class Size: Smaller class sizes usually mean more personalized attention, which can be beneficial, especially for beginners.

Benefits of Learning Bharatanatyam

Physical Fitness: Bharatanatyam is an excellent form of exercise. It improves flexibility, strength, and stamina. The rigorous practice sessions help tone muscles and improve overall fitness.

Mental Wellness: The dance requires focus, discipline, and concentration, which can help reduce stress and improve mental clarity. Learning and remembering sequences also enhances memory and cognitive functions.

Cultural Connection: Bharatanatyam is deeply rooted in Indian culture and mythology. Learning the dance provides insight into Indian traditions, stories, and values. It’s a great way to stay connected to your heritage or to appreciate a new culture.

Self-Expression: Dance is a powerful form of expression. Bharatanatyam, with its emphasis on facial expressions and storytelling, allows you to express emotions and stories in a unique way.

Getting Started

Here are a few steps to get you started on your Bharatanatyam journey:

Research: Look for dance schools or instructors in your area. Check their qualifications, read reviews, and, if possible, watch some of their performances or classes.

Attend a Trial Class: Many schools offer trial classes. Attending one can give you a feel for the instructor’s teaching style and the class environment.

Invest in Proper Attire: Comfortable clothing that allows free movement is essential. Some schools might have specific dress codes, so check with your instructor.

Practice Regularly: Like any skill, regular practice is key to improvement. Set aside time each week to practice what you’ve learned in class.

Be Patient and Enjoy: Learning Bharatanatyam is a gradual process. Be patient with yourself, enjoy the journey, and celebrate your progress.

Conclusion

Bharatanatyam is more than just a dance; it's a journey into the heart of Indian culture and tradition. Whether you’re looking to explore a new hobby, improve your fitness, or connect with your cultural roots, Bharatanatyam classes offer a rewarding experience. So, put on your dancing bells, find a class that suits you, and start your journey to unleash your inner dancer!

[argus-news]

Kangana Ranaut Celebrates Hema Malini's Artistry in Vintage Bharatanatyam Performance

In a heartwarming gesture, Kangana Ranaut has shared a vintage clip from 1968 featuring the legendary Hema Malini enchanting the audience with her Bharatanatyam performance at the age of 20. The video showcases Hema's classical dancing prowess, captivating viewers with her grace and skill.

Having recently come to Hema Malini's defense against sexist remarks made by a politician, Kangana Ranaut took to Instagram to honor the veteran actor and BJP MP once again. Praising Hema's enduring talent, Kangana highlighted her ability to deliver mesmerizing performances even at the age of 75, with shows lasting for 3-4 hours.

In her Instagram post, Kangana emphasized the importance of respecting art and artists, condemning those who belittle dance, music, and other forms of expression. She urged for a shift in mindset, reminding her followers of the divine origins of these art forms, drawing parallels to Arjun's training in Devlok and Lord Shiva's bestowal of artistic skills upon humanity.

Reflecting on an earlier interview with India Today, Kangana reiterated her criticism of the derogatory remarks aimed at Hema Malini, denouncing the culture of objectification and disrespect towards women, especially those who have dedicated their lives to art. She emphasized the need for society to value and honor the contributions of elderly women like Hema Malini, who continue to inspire through their passion and dedication.

Kangana's poignant tribute serves as a reminder of the enduring power of art and the importance of recognizing and celebrating artistic excellence regardless of age or gender.

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