#beyond house

[goryhorroor]

“1950s horror movies contrast radically with their 1940s predecessors. understandably – they were reflecting a whole new world. audiences wanted stories that connected directly to their lives, to the ever-expanding technology in their homes and workplaces. they also wanted horror movies that played to their fears – stoked by politicians – of the shadows that lay beyond their immediate, personal experience of the shiny american dream (applies to some of these movies).”

[prideprejudce]

the scenes of rhaenyra and alicent going to each other this season, desperately trying to halt fate even though they have always known deep down they are stuck with seeing this to the end. the future visions of the game of thrones universe and how everyone is stuck in their own destined deaths for a story hundreds of years beyond their own lives. alicent and rhaenyra being just two girls wearing blue who might have been soulmates in another life but are now too clouded by their own paths to save each other anymore

[creatuesfromthedeep]

Tips for introducing more conflict into your Flight Rising lore (that aren't just "get a generic villain character")

Your dragons should be wrong sometimes. It doesn't have to be all the time, but they should misunderstand things, lie (intentionally or unintentionally), lash out when they're stressed, or just flatout dislike someone for no reason. Everybody will make bad decisions, and it's an easy way to introduce conflict without needing a specific antagonist character.

The world should be dangerous in some way. Think about your clan, and think about where your dragons would reasonably encounter some kind of danger. Is there a lot of crime in your clan? Is there a portion of your clan's territory that has a lot of hostile fauna? Is your clan currently clashing with another clan? Who knows, maybe the biggest danger is getting humiliated at the PTA bake sale, but try to think deeply on this. Once you know what places are dangerous, you can start thinking of how your clan deals with that danger.

A 100% approval rating government doesn't exist. The larger your clan, the more likely that there's dragons who disagree in some way, shape, or form with how the clan's being run. Maybe you've got an Anarcho-Capitalist Lightning clan with a small sect of Eco-Socialists that dislike the current rulers. Maybe you've got a tight-knit family unit but there's a dragon who doesn't agree with how chores are being divvied up. Maybe you've got a monarchy but, oops, you've got one dragon who REALLY disagrees with the concept of a monarchy!

Quick conflict is easy, prolonged plot is interesting. A conflict that can be resolved in 2 hours has a lot less narrative weight (typically) compared to a plot that takes 2 weeks to resolve. Err on the side of letting things fester and intensify if you want the juiciest conflict.

Your dragons should have wants just like anyone else, and those wants should conflict. A highly ambitious dragon joining a clan with well-established authorities is going to feel stifled by their inability to rise through the ranks. What happens when multiple dragons are courting the same dragon? What happens when multiple dragons want the same den location? Two dragons with deeply opposed desires can be the cornerstone of a lot of great lore.

Sometimes bad things happen for no reason. Natural disasters, plagues, sudden global conflicts (ex: Luminax), all of these things can be introduced quickly to churn up some conflict. Be careful to rely too heavily on this though, as it can erode away at your dragons narrative agency and make things feel grimdark (unless that's what you're going for)

Sometimes dragons are just jerks. People in real life are occasionally just mean, and there's no reason to say that your dragons can't just be a bit mean too. Schoolyard bullies, prissy Karens, workplace lunch-thieves, people who cut in line, etc. Don't be afraid to make some of your dragons just a bit mean, or annoying, or frustrating! In fact, I'd argue most dragons should have at least one trait that could potentially drive another dragon up the wall.

[heathersapples]

EMMA D'ARCY 82nd Annual Golden Globe Awards (Jan 05, 2025)

[thewatcher0nthewall]

"Dance with me then"

[persona-brainrot-real]

Sae Niijima is such a good character it drives me insane a little. She's not a mother nor a maternal or doting older sister but instead a twenty four year old who was thrown into a position of responsibility that she never asked for. She loves Makoto just as much as she resents her and its so apparent every time they talk up until November. "Are you studying?" (I want you to do well) (I need you to get a job and stop making my life harder) "I'll use any method necessary to get this promotion" (Life will be easier for us) (So stop distracting me with your problems) "Focus on your future" (I know that you're capable) (I can't afford to waste my time on you, so stop wasting time on others)

Makoto is not only the sole reason she pushes as hard as she does for a promotion, for success, and the reason that she loses herself in her animosity over her fathers death, but also someone she can't stand for so long. Makoto was 14-15 when their father died. Sae was 21. As soon as she got the career she wanted and things started to look up, her stability was robbed from her and she was disillusioned with the system that her father had taught her to rely on and completely adhere to. How do you manage, the daughter of a cop, following his footsteps towards law enforcement, when you're suddenly reminded of how unfair it is? You can't quit, your little sister relies on you and she's so young and struggling just as badly with this grief. So you pick yourself up and you get moving again. You push harder, press further. You abandon your morals and your ethics because punishing criminals (guilty or not) is almost like punishing the man who killed your father.

And the whole time she's fighting for promotions, going for drinks with the SIU Director to make herself more favourable for promotions, trying to navigate being a woman in a competitive, suffocating, male-dominated field, falling behind despite doing so much where others are promoted for doing so little - all the while your little sister comes back from school and her biggest issues are so small compared to yours.

Persona 5 revolves so heavily around grief and loss and change and Sae embodies all of that so well, all of the sharp and unpleasant and jagged parts of grief.

[inezrable]

Everyone go read the house in the cerulean sea and then the sequel somewhere beyond the sea it needs a bigger fandom. Perfect if you like good omens, our flag means death, queer romance, and the found family trope (and if you hate jk rowling).

[birdshoes]

only a few pages in but - an antagonist who is a woman with reddish hair and is virulently anti-LGBTQ+ and is named Jeanine Rowder?? tj klune the legend that you are

[theicarusconstellation]

when today is the two-year anniversary of you getting released from hospitalization; you discover that the book that saved your life has a new sequel, and open it to this dedication:

[wearenotjustsadstories]

this man is hilarious i rarely had so much fun reading a book

[waywarder]

I just love that we get Arthur Parnassus as the all-time queer kind, patient, flawed-but-working-on-himself-and-acknowledging-his-own-worthiness phoenix mentor whom the youth need and deserve.

Fuck off FOREVER, Albus Dumbledore.

[smallsinger5901]

it’s hilarious to me how differently wammys house is depicted in the different media surrounding death note

wammys in labb: horrible. Horrible fucking place. Ruined the lives of all of L’s successors, put immense pressure on everyone until someone killed himself, someone else went on a killing spree and another person willing and knowingly sacrificed themselves just to be of use. *spits on the ground by its feet*

wammys in L change the worLd: everyone fucking loves watari so much L feels so guilty that he died that he considers himself personally responsible. There were generations before and after L and in them only 26 per generation got a letter signifying that only if they wanted to, their specific interests could help them change the world. The mere thought of it redeems one of the main villains (an ex-wammys kid)

wammys in the anime/manga: woahh look at that look place L came from (never mentioned again)

wammys in the 2015 tv drama: seemingly just watari and his two(three) adopted sons that he loves more than anything. Simultaneously the most heartwarming and heartbreaking thing ever

wammys in the musical:

[buildoblivion]

“He always slept better with the great white wolf beside him; there was comfort in the smell of him, and welcome warmth in that shaggy pale fur,” - Jon VII, A Clash of Kings

[boar-cry]

Gear Station is not haunted. No, Gear Station is alive and well.

A bit of an explanation below the cut:

I had this idea at the end of September, and it has had me in a death grip ever since.

I've always had a fascination with stories about haunted houses, of which aren't haunted by ghosts or demons or monsters, but are instead deemed haunted because the House itself is Alive. The Haunting of Hill House by Shirley Jackson, Anatomy by KittyHorrorShow, House of Leaves by Mark Z. Danielewski, just to name a few.

But after a while, it got me thinking; if a House could be Haunted, then what else could? What about other feats of architecture? How about ships or stations?

And if Houses learn to hate because they are abandoned by humanity, can other places learn to love because they are loved by humanity?

Anyways, this is a very VERY long-winded way to say that two of my special interests have combined into the idea of Gear Station itself being Alive and watching over the twins and its other inhabitants. Hopefully nothing bad happens after realizing an eldritch Being is possessing your workplace, and I hope nothing bad further happens after realizing it Knows you! 🫶 surely nothing can go wrong!

[magicandjuliet]

Mr. Parnassus lives in my head rent free at this point.

[goryhorroor]

horror sub-genres: anthology