#better than talking to a wall at least

[uhbasicallyjustmilex]

me stubbornly forcing myself to drink green tea and rest from my THIRD COLD THIS MONTH

[dw-flagler]

In this post, I will attempt to calmly, reasonably, and in-a-good-faith-manner argue all the points raised by tumblr user @library-bat-girl in the following posts. I am starting a new thread so as not to further destroy the original poster, @skitterenjoyer's, tumblr notifications. Worm (+MHA) spoilers ahead. This will be a long post.

Firstly, I would like to apologize on the worm fandom's behalf. We will not engage in ableism of any kind. I sincerely hope that this was a singular incident and @skittersdrippygirlcock will be better about this in the future.

"MHA has better characters,"

My Hero Academia's primary achievement, I think, is managing to make many decently well rounded characters in a fairly short time-span. It certainly has very good visual character design, with easily memorable character designs, like Mina Ashido or Tsuyu Asui. Most of Class 1A is shown to be more than single-note gimmick characters. For a story with such a tight schedule, and only so much page real-estate, that's impressive! For instance, a character decidedly outside of the main cast, Fumikage Tokoyami, is shown to have more to his personality than "is an edgelord," showing a humility and friendliness that is highly against-type. This is very different than a lot of its peers, especially in Shonen manga, where side characters (and sometimes even main characters) are never more than their tropes (see Fairy Tale, One Punch Man*, The Seven Deadly Sins, or Black Clover). My Hero Academia does clear that bar, by making side characters little more than their tropes. This is to say nothing of the primary cast, who, again, is largely defined by tropes and easily slotted into standardized interchangeable Shonen roles. Rival, Love Interest, Rival but Nice About It. Additionally, MHA has an uncomfortably sexualized main cast, for one composed primarily of minors.

This is compared to Worm, in which many characters are fully realized and could have been the protagonist (and often were in older drafts of the story, due to Worm's 10-year development hell). Every character that gets an interlude, and most that don't, all have fully realized interiority, traumas, and wants. In fact, this is one of the major themes of Worm. Every character, from the protagonist Taylor, to characters so minor they're seen only once (see Damsel of Distress, Dauntless), to major antagonists and monsters (see Jack Slash, Bonesaw) all have their own story, even if this is never shown on-screen. There are no "side characters" in the same manner as in My Hero Academia, because every character is a protagonist of their own story, and not in a trite "life is so beautiful" way.

Taylor isn't the center of the universe, there's an entire world outside of her 3-block bubble. The mechanism by which all characters get their superpowers means that the mere fact of having powers implies this about them. Even the seeming exceptions, aren't (see Alexandria, Garotte). Taylor is a good character. I don't even know how to elaborate on that. She just is. Worm does not have the character Minoru Mineta.

"a better plot,"

What... what is the plot of My Hero Academia? For the life of me, I can't seem to recall. I can tell you the general formula of most of the arcs for the first ~2/3rds of the story. Class 1A goes to do a hero high school thing, like do rescue training, or on-the-job training, or on-the-job-training, or on-the-job-training (they do it like 4 times for some reason), the League Of Villains shows up (even when it's seemingly not the league of villains it actually is the league of villains) they fight about it, the class beats all the villains, and Deku beats up strongest bad guy and also breaks his bones. Repeat step 1. But like. What's... the plot? The League of Villains is evil and wants to kill people and do bad stuff. They explicitly do not have greater motivations. There's generally themes of passing-on-to-the-new-generation, so there's Tomura Shigaraki as the arch nemesis to Izuku Midoriya, just as All Might's Nemesis is All For One. Eventually they fight a big fight about it and I stop reading because I find out about Worm. From what I understand (I have not read the conclusion) the series ends without addressing any long-running questions, wrapping up any character arcs, or concluding anything in a narratively satisfying manner. As if severely rushed.

Worm, there are maybe 15 main stories going on simultaneously, which are all tied into the final confrontation with Scion. The most obvious is Taylor's and the Undersiders' story, about taking over Brockton Bay and defeating Coil, which is a smaller part of Coil's story about taking over the bay, until their confrontation with him in arc 17, when it supersedes Coil's story, and then intersects with Cauldron's story, the Traveler's story, the Case 53s' stories, the Wards' story, all of it, in arcs 18-19. This is one example. A great deal of attention is spent making sure the reader knows that Taylor, the Undersiders, Coil, all of them, are bit players in a very large game. Despite this, it's never hard to follow, because Wildbow, while lacking some of the more flowery prose, manages extremely well at making his stories easy to understand.

"I feel like even people who like Worm can agree that Worm is not the most consistent piece of fiction ever written. The disjointed way it was written meant that emphasis was primarily put on 'What Wildbow thought was cool in the moment', [sic] and the story RADICALLY shifts gears every time a new arc starts."

What? Huh? Worm is extremely consistent. Like. 1.1 to E.x. It's, like. Not disjointed? Oh my god, are you talking about interludes? Is that what you mean? The interludes shift gears? Because that makes sense. It's one of the hardest things about worm, yeah. It's gripping! The interludes are a great idea to expand the world of worm, but the problem is that taylor's story is so intriguing that stepping away from it to focus on something else is hard, no matter how individually interesting. I want to read about taylor's escalation spiral, not the travelers! (As opposed to My Hero Academia having random escalation and de-escalation between arcs with no real explanation. We're reading about lives-on-the-line battles with child-slavers and then move to playing on a playground with little kids? Best I can think of is that this whiplash is intentional, but this is never communicated to the reader. Worm does not do this. Any de-escalation is met with the explicit understanding that this is merely a period of calm before things get even worse). Taylor's story wraps up in an extremely narratively satisfying fashion, following her story to its logical conclusion. There were so many ways it could have been avoided, but there was really only one way that it could have ended.

"better worldbuilding,"

This actually offends me. MHA could have had great world-building. It doesn't. Every potentially interesting bit of world-building is backpedaled out of or stopped before it could get anywhere. Or it's just never elaborated or expanded upon. Everyone having a superpower could have been cool, but the implications of this are nonexistent. The reasons for this having no real implications, that being the banning of quirks, also has implications that are also immediately backpedaled out of. It's been hundreds of years since our time, yet life is exactly the same. Nothing ever happens. Endeavor is a cool concept. I like Endeavor. his existence implies such interesting things about the world, how important hero ranking is to these people's lives, that he would create this horrific system of domestic abuse to try and get to the #1 spot. What does this say about this system of heroes that operates like a popularity contest? It could have said a lot. It says nothing. What does the League of Villains, a league of people who call themselves out-and-out villains, who base their ideology in opposing this system of heroes, say about society? Nothing. On purpose. Worm does something with this. One Punch Man does something with this. My Hero Academia puts it in the story, and lets it sit, unused, for a decade.

Worm has... unique world-building. Because it's both good and bad at the same time. Worm's #1 feature is its world. It's brilliant, full stop. Triggers, The Birdcage, the PRT, Exclusion Zones! Why does the status quo exist? what does it say about that society? What does it say about our society? Why hasn't society radically changed from how it is in our world? This is explained. This plays into the themes. The story wants to say something about this world, and so it does. There are characters whose stories explicitly delve into these themes that are set up in the worldbuilding, like Armsmaster, or Battery, or Bonesaw, or Coil, or Piggot or Alexandria or Taylor herself or Brian or Lisa or ANY OF THEM THEY ALL DO THIS. Sorry.

Anyway, the bad part is that the actual world is not well built (and is kind of racist). What's going on in Europe? There's a 3 blasphemies! a 3 what? never explained. What's going on in Asia, aside from Japan? China is a monarchy for some reason. Why? It's never elaborated on. India gets a little bit of elaboration, we're told its different but not how it's different. Wildbow uses machine translation wrong and names some guy caliph of dogs. This is like worm's #2 problem honestly (#1 is Amy). Wildbow tries to make the implication of a well thought out globe without actually making a well thought out globe.

"stronger themes,"

It really doesn't. As I said in the worldbuilding section, MHA makes a point out of not saying or doing anything. I don't know if editors made Horikoshi walk back the more ambitious story beats or what, but there are multiple points in the story where the author pretty much looks you directly in the eye and goes "This Story Isn't Saying Anything At All Even Though It Looked Like It Would. Lmao."

Worm has lots of themes. I think Armsmaster/Defiant's story is my favorite. His entire character arc (which is fully realized despite him being a background character for nearly the entire story) has a point to it. It says something. It's misanthropic and uplifting simultaneously, and manages to feel like it earns both. It's a shared theme with Bonesaw/Riley's story, explored in two different ways.

"Meanwhile MHA establishes an actual overall theme/message right from the start that expands and develops throughout the story. The worldbuilding is informed by the message, which informs the characters arcs and the people they become by the end of the story."

I notice that you never actually say what that message is. What is it? Like, for real. I'm not being confrontational or anything, like what is the message? Cuz' I can't think of one. My Hero Academia, at its very core, is a defense of the status quo. Much like its world-building, but much less forgivable, because it does do something new and unique with its world-building. MHA could have done some extremely interesting stuff with its early implicit critique of heroic society as shown with characters like Bakugo, or Shigaraki, or Endeavor, or Overhaul, or Midoriya himself! It just doesn't! It doesn't do stuff that Worm does do!

Worm does have a message. It has a lot of messages, actually, some that the author disagrees with somehow. Prison abolition, for one. We know Wildbow loves prison. Anyway, the big one is in the subtitle: doing the wrong things for the right reasons. Taylor's constant spiral of escalation, her dwindling attachments to her friends and greater focus on treating herself like a soldier is prevalent, and it is to be avoided. Taylor isn't a sin-eater. They don't exist. From what I remember, this is sort of explored in Deku's character arc for a short period of time, but much like everything else in MHA, it is backpedaled out of.

The funniest is "don't text and drive" though.

"Just on a basic level the way that the audience is meant to feel about Taylor oscillates wildly between being directed to think of her as a misunderstood victim of circumstance, or history's greatest monster."

That's kind of the point. Like. the audience isn't meant to look at Taylor the same way throughout the entire story. It's meant to change as she changes. Taylor's opinion of Taylor changes. The mistake here is saying it "oscillates wildly." it doesn't. It's a slow and steady change for the worse, as Taylor gets more violent and starts throwing away greater and greater parts of herself to become more like a robot and less like a person.

"But a bigger issue in general is tone. It's very focused on being dark and gritty and edgy, and it makes the mistake a lot of consciously edgy media does. IE: it thinks that all it has to do to be smart is be bleak and/or graphic. It doesn't really try to say anything, in fact it contradicts itself throughout the book as I mentioned before, it just throws in extremely graphic scenes and content periodically to remind the audience how fucked everything is."

Did you read the boys and think it was worm? What? It's not being smart when it's bleak or graphic? I actually personally like the endbringers or the slaughterhouse 9, and not because I like watching people suffer. These things exist for a reason. It's not being dark for the sake of being dark. The heroes could stop the slaughterhouse 9. We see that, when they almost stop the slaughterhouse 9 (it's explicitly shown that they are stopped from destroying the slaughterhouse 9). The question then becomes why don't they? It's a grim, brutal calculus, and one that wasn't worth it. That's the point. The Endbringers are different. It's not until arc 27 that they're really explained. You could either read them as a criticism of Eidolon or of ableism, honestly. I mean, it wasn't intentional, he didn't create them on purpose, he needed something to fight, because without that he's nothing. His powers are all he has.

"Worm spends so much time trying to be edgy that as with a lot of edgy media the edginess loses all impact quite quickly and becomes sort of cringe."

I don't really think so, but like. Okay. I don't think this is a reconcilable viewpoint (none of this is really but this especially), so like we're probably gonna have to agree to disagree. The only thing I can really think of as edgy for the sake of edginess is Amy's arc. But even that's not really true. It's meant to be an utterly avoidable tragedy that could never have been stopped because of the people involved. Much like Taylor, actually. Amy could have stepped back from the brink, but she didn't, because Amy could never have done that, and nobody else was willing/able to help. It's supposed to be a thing where you sit back and think of all the tiny ways this could have easily been avoided, but wasn't.

"When body horror happens it still has impact because it's not happening constantly."

I mean, I guess. But like. I never got desensitized to the body horror in Worm. It hit pretty consistently for me throughout. As opposed to MHA, where it was usually walked back by the end of every arc. I never felt much tension or suspense because it felt as if there weren't actual consequences. In Worm, when Brian was strung up on his nerves, it felt disgusting because I was fully aware Worm would explore the ripple effects of this. It felt entirely possible he would die there, or never recover, because Worm didn't pull its punches. MHA did. This is a matter of opinion. We'll just have to agree to disagree about it.

"But most importantly - you root for the heroes because the world actually seems like it's worth saving."

that's just, um. sorry. I'm really trying here. That's just. Uh. Dumb. Do you root for Batman cause Gotham is a nice city? Everything's worth saving, that's, like, at its most basic what the concept of a superhero is about.

"Not only that but MHA simply does villain protagonists objectively better than Worm."

um. No? There straight up aren't villain protagonists in MHA. The villains are the POV characters for, like, one arc? You know what, here's a good spot for it. It's stated throughout the story that Shigaraki and the League of Villains have a goal, beyond just death and destruction. They're here to stop the corrupt society of heroes (that MHA hints at the existence of before backpedaling away from), and bring about a fairer society. But then, and this part pissed me off, one of the characters, I think Bakugo, says: "you're just using that as cover! you just want to kill people, you have no noble goal!" and shigaraki's like "dang you caught me." and then it happens again with Deku! Because My Hero Academia is allergic to saying something. Nope! They're villains! No moral depth here! They're Villains, We're Heroes, Go Put Them In Jail.

This is opposed to Worm, where- "The characters of the villains and their origins are used to highlight the flaws in the Superhuman society"

"Most of the villains are only villains because society failed them in some way, and the specific ways in which that happened become big plot points that then play into the future arc of our heroic characters."

I had to walk away from my computer for this one. It's hard to be civil. It's really hard. Polite and reasonable.

So Worm is about this. To even say this without a shred of irony makes me thing you've never once read a single word of Worm and are doing this purely as bait. Or you've read all of Worm and are doing this purely as bait.

"They're actually extremely complex in a way that ends up being fundamentally important to the overall story - where in Worm the villains are either based heroes fighting a corrupt system or they're histories [sic] greatest monsters... until they're presented as heroes again."

I think I get it now. I really think I do. You're not supposed to agree with all the characters. Like. Worm is inconsistent, in that it follows the perspectives of inconsistent people. Of course Triumph and Armsmaster don't agree on what is right! They're different people, they have different perspectives!

"See. Worm fans keep saying "This is Bait." It's not Bait, you all are simply ridiculous and obsessed with this series to such a degree that you feel compelled to say "This is Bait" instead of just... ignoring it, because you have no actual counterargument."

Perhaps worm fans are inclined to believe you posted rage bait because you brazenly walked into another fandom's post and wholeheartedly proclaimed that the thing they liked was Stupid Idiot Bullshit For Fucking Morons, and refused to elaborate until prompted, at which point you said several things that are demonstrably false about Worm.

"Your only response to anything I've said is pedantry, bigotry, and deflection. If it was obviously just bait why are you engaging?"

Well, I'm engaging because I've been in a foul mood since I woke up this morning. Also because you, again, said some very rude and patently false statements about a story that I really enjoy and find narratively rich, even in its faults.

"MHA's characters do fall into archetypal shounen character roles - but they are all given a solid amount of focus explaining why they are like that and developing them into something bigger."

Again, as I said, it's a genuinely impressive feat to have an ensemble cast like what My Hero Academia has, and give so many of the characters a degree of depth, with such little manga to work with. I think worm does it better, but worm doesn't have to be economical about it. MHA does. The problem I have with this statement is that it becomes a question of scale. How much bigger? They're no longer defined by their tropes, instead defined by their opposition to their tropes. It's still a one-note character, you've merely changed the note from C to C sharp.

"so almost every member of the cast has an arc that either develops them past the person they initially seemed to be or explains why they're like that."

This is probably my favorite part about MHA. They do have arcs! I love ensemble casts! it does a much better job in this than all of its contemporaries, even One Piece. However, they are comparatively simplistic arcs that all follow a similar formula.

"I've heard people say MHA is neocon or pro-establishment but the story literally concludes by showing that society HAS TO FUNDAMENTALLY CHANGE or the same problems that created the villains in the first place will keep happening. The entire time skip specifically focuses on the fact that for eight years the main characters have been forcing change in the world and addressing the issues the villains brought up."

Now, I'm going to be clear. I stopped reading My Hero Academia around chapter 275. I don't know the exact number, but it was the latest chapter in ~mid 2020. I would occasionally attempt to reread, in an attempt to catch up, but give up around chapter 200 out of boredom. I don't know exactly how the story ends, but I have read ~2/3rds of the story. I feel this gives me a pretty good understanding of the general tone of the story, unless it wildly changes tone at the 3/4ths mark, which you have explicitly said it does not, as it is extremely coherent and consistent. Therefore, I believe I can state with some degree of confidence that MHA does not do that.

I would certainly believe that it tries (and fails) to SFP it, but SFP does not promote a fundamental societal change. That's the problem. Strong Female Protagonist was willing to come up and say that Alison lived in a fundamentally unjust world, even if it was never willing or able to offer real change. And hey. You do what you can. I sincerely doubt My Hero Academia is even willing to call its world fundamentally unjust, from the 200+ chapters that I did read.

"In the case of the actual main characters, they have extremely comprehensive character arcs."

Adding this behind the last point just so that I don't have to reiterate I haven't finished the book. I am, however, very much not inclined to believe the actual main characters had extremely comprehensive character arcs.

Which plays back into the initial theory that ANYONE CAN BE A HERO.

man, spider-man did that better (not a real argument, but like, spider-man totally did that better). Not least because midoriya specifically could not become a hero were it not for all might giving him a power.

No, the Villains don't get happy endings,

Why not? Why do they go to jail, even the ones who changed and wanted to redeem themselves? Endeavor never goes to jail. He did some horrible stuff. He's redeemed himself in the eyes of the story, right? Anyone can be a hero, right? So why not them? Why haven't they redeemed themselves in the eyes of the story?

You may wish to turn this back on me and ask why doesn't Armsmaster go to prison? Because he's similar in some respects. But worm never calls prison justice. (for some reason, even though wildbow totally loves prison). Prison is punitive, a tool for those in charge to control those it manages to capture. Maybe some deserve life in the birdcage. Many don't. It doesn't matter. Because the birdcage isn't a tool of justice. It's not meant to be. it's a box to put the uncontrollable capes in, until they can be used as meat shields. So Armsmaster doesn't go to prison because the story says explicitly there is no point to it. But MHA? MHA says there is a point to it. Endeavor needs to go to prison if he wants to atone. He's escaping justice every second he's outside.

I have actually read Worm, and for the first half to two thirds I loved it.

Weird. That's exactly how long I really enjoyed MHA. Not, like relevant, to anything. Just odd. I mean, I don't actually dislike MHA. I think it's fine, actually. It feels like Indiana Jones and the Last Crusade to me. Funny (when Mineta isn't around), bombastic, and a good time, even if I don't think it's super thematically rich.

I'm not coming at this from the perspective of someone who has never seen any of the merits of Worm, I'm coming at it from the perspective of someone who really liked it, gave it a fair shot, and was eventually disappointed when it ended up not tying together right.

See, this makes me more inclined to think it's bait, actually. since you said "Oh yeah. MHA is published. MHA's been an ongoing publication with a large following for ten years, in a notoriously competitive industry. Now this might seem kind of unimpressive, it's a very low bar to clear I know. But it's one Worm hasn't, so. I dunno, I'd say that's fairly objective. Now you may think "Yeah, but Trash fiction gets published all the time." And that's true but again - Worm hasn't. The worst piece of fiction you can think of got published and Worm didn't. You wanna be an asshole about this? The thing you love is so mid that it was self published in 2013, couldn't get picked up for professional publishing until 2019 and as far as I can see has stayed in development hell since then." in your previous post. Sure, perhaps we can say you were pissed at the time, but "the thing you love is worse than trash fiction, an altogether nothing piece of literature that isn't even worth the paper it would hypothetically be printed on" does not strike me as the words of someone who "really liked it, gave it a fair shot, and was eventually disappointed when it ended up not tying together right." In fact, going back through your other statements on the story, you seem to have genuinely disliked it from the very beginning, on grounds of being too edgy (which I can fully understand the logic of): "IE: it thinks that all it has to do to be smart is be bleak and/or graphic," thematically incoherent: "It doesn't really try to say anything, in fact it contradicts itself throughout the book as I mentioned before, it just throws in extremely graphic scenes and content periodically to remind the audience how fucked everything is," and utterly devoid of purpose or meaning. "When it does introduce new lore that new lore is almost always overly convoluted and acts as a catalyst for things happening, but not really things happening that play into a wider theme or message. It's just "Oh and here's this team of god-level serial killers who are gonna string a dude up by his nervous system." Like yeah, cool visual, but what is any of this actually saying?" This does not sound like a ringing endorsement of the first half of Worm to me. In fact, this sounds like you hated every second of it.

"And frankly given the number of comments that are just people saying "Bait" - I don't think any of y'all have engaged with this in a fair or honest way"

I'm going to reiterate on my previous statement. I like my hero academia. Capeshit is my favorite genre, it probably always will be. They're my favorite genre of story. While I find the themes—or lack thereof—extremely frustrating, I still think of it as fun. I gave it a fair shake. I would probably really enjoy the ending if I didn't have a reading list that was 300 books long.

[bricky-brikson]

I am perfectly normal about the Psychonauts timeline

Spoiler warning for...everything.

As I was playing Psychonauts 2, I had a vibe that Ford and the Psychic Seven were active during the late 1920s, early 1930s, mostly because of the Model T Ford in Cruller's Correspondence, but also because of the biplane in the diorama of Ford fighting Maligula from Fatherland Follies. But there were some issues with that - namely the Feel Mobile which resembles more a model of van released around 1964. I feel compelled to mention it looks like the Motherlobe is trapped in the 70s, technology-wise.

So I looked up the timeline on the Psychonauts fandom wiki, as well as the blurb from Psychonauts about the history of Whispering Rock. And while clicking through the wiki, I found a copy of the Li-Po document, which contains the following line:

[...] when [Ford Cruller] was [...] away fighting for the Lincoln Brigade in the Spanish Civil War [...]

Firstly, based.

Secondly, that means Ford had to be at least 16* by 1937 (when American volunteers were sent to Spain). At least if we are to believe that this...very specific part of the Li-Po document is still canon. Which...I mean, we could. We know Ford was already an adult when he assembled the Psychic Seven, but we don't know how old he was. From the looks of him in the mental vaults and illustrations, he was definitely older than 16 (considering the full moustache). Meaning that it is possible Ford spent his younger years fighting in the Lincoln Brigade, then when he matured started looking more into his and others' psychic powers.

Possible? Yes. Plausible? Ehhh...considering the story of Psychonauts 2 is deeply tied to the trauma the Psychic Seven endured surrounding the Grulovian Civil War then the Deluge of Grulovia, I doubt that Ford's previous involvement in a very bloody battalion (22.5% of Lincoln Battalion fighters died in the Spanish Civil War) would have gone unmentioned. Since it makes no appearance in Psychonauts 2, I think it's safe to say it's no longer canon.

So where does that leave us? With the only statement from the devs (specifically Tim Schafer himself) that points us towards a date for the game's events:

"We think of it as taking place in the 80's but not necessarily the 80's, in case we need a piece of technology that we're stealing from the 90's."

So...that leaves us with a year range of 1980 to 1999. However, if technology is an issue (specifically, taking place during the 80s but needing some tech from the 90s), that means the game probably takes place in the late 80s, early 90s. I interpret this as being between 1987 and 1993. So, we've narrowed it down! Based on my arbitrary definition of "late" and "early"!**

Is there any way to narrow it down further? Unfortunately, not from what I can find - the tech we see in the Motherlobe is more reminiscent of the 60s and 70s (the computers we see on peoples' desks and in Sasha's lab look akin to a Xerox Alto, which came out in 1973), and I don't know enough about the history of other technology we see in-game to infer information about the timeline. If someone else has knowledge about things I may have missed that point us towards a date, please reblog and let me know!

Now, before I get into what I see as the timeline, I do want to address Maloof's line when you release him from the GPC.

"Nah, the staff hasn't put any kids in the GPC since the fifties."

Which goes against the timeline written on the log in the parking lot (which states that Whispering Rock Summer Camp was only created 5 years ago). I'm leaning more toward the written lore, since it's entirely possible Maloof is misinformed. After all, this is his first time at the camp. It's entirely possible Bobby (or another camper) has been lying to Maloof about the history of the staff's use of the GPC. For this reason, I'm disregarding this conflicting bit of evidence.

So! On to the actual timeline - at least, what I think it is. Starting from the beginning and working our way to the present day. I will represent the dates as a range, so "1987 - 1993" means "between 1987 and 1993." It doesn't mean that whatever event took place took that long, just that it happened at some point within that range. Good? Good! Let's go.

Brick's Speculative Psychonauts Timeline

1487 - 1493: A psitanium meteor strikes the area that will eventually be known as Whispering Rock, leaving behind a psitanium deposit.

1787 - 1793: A local indigenous group starts working with the psitanium, creating the arrowheads found in the first game, and names the area Whispering Rock (just, in their language, not English)

1887 - 1893: The mining town of Shaky Claim is established as part of the gold rush, except they're mining for psitanium. The psitanium deposit severely worsens the mental health of the people there.

1888 - 1894: The first case of 'Paranormal Hysteria' diagnosed in Shaky Claim.

1912 - 1918: Houston Thorney constructs Thorney Towers Home for the Disturbed. Ford Cruller is born.

1927 - 1933: Houston Thorney commits suicide. The town's population is less than the amount of patients in Thorney Towers.

1932 - 1938: Thorney Towers Home for the Disturbed is closed but some patients still remain. The remaining residents of the valley leave and the area is flooded, resulting in Lake Oblongata.

[At some point, Ford assembles the Psychic Seven]

1967 - 1973: The Psychic Six fight Maligula. Grulovia is flooded then trapped below the frozen floodwaters. Helmut Fullbear is presumed dead. Shortly thereafter, Ford uses the Astralathe to modify the memories of Lucretia and Augustus, then to break his own mind.

[At some point, Charlie Psycho Delta is established then swiftly abandoned]

1982 - 1988: Whispering Rock Summer Camp is established.

1987 - 1993: The events of Psychonauts, Psychonauts: The Rhombus of Ruin, and Psychonauts 2 take place all within about a week (and that's being generous).

So there! That's what I think the timeline is. Again, if you have any feedback or want to point out something I missed, please let me know! I'm new to the games/lore/fandom so 'tis entirely possible!

The implications of this timeline are...interesting. The fact that during the fight with Maligula, something that was supported by multiple countries, they're using planes from the 1910s when it's at least 1967...the world of the Psychonauts isn't less technologically advanced - they have a jet that rivals ones from 2024! So I have no clue what that biplane is doing in Gristol's memory of the fight with Maligula. Unless we consider Gristol an unreliable narrator for that detail - but even then I'm unsure why he wouldn't have assumed they were using modern technology...? IDK. It's weird.

Anyways, if you got this far, thanks for reading! I'm flattered. I always love picking apart lore and timeline details like this, no matter the fandom I'm in. So consider this my hello to the Psychonauts fandom :-)

*According to the Wikipedia page for the Lincoln Battalion, that's probably the youngest any American volunteers were. ** The way I see it: if it ends in 1/2/3, it's early. If it ends in 4/5/6, it's mid. if it ends in 7/8/9, it's late.

[knightelf]

maybe i do need to go to therapy bc its probably not good that ive been living on autopilot and the last 7 years went by so fast but also bc i was deliberatly Wanting the time to go by to put as much space between me and the events of 2017-2020 as possible all while somewhat knowing my young adulthood was slipping me by and now both my teenage years and my early 20s are gone and i still feel like my 19th birthday was yesterday yeesh!!

[cringeism]

trying to go through the fallout tag to see what people are saying about the show and to reblog my silly little gifs but all i can think of is that tweet thats like "yall would fuck a fence if it was white"

[i-drop-level-one-loot]

What do you consider to be upper middle class? Because if theyre messy shitters...

I grew up below the poverty line, so my criteria for upper middle class may be skewed (lol), but more than half of the customers spend well over a thousand dollars per visit. On groceries. There are a few people who use EBT, but the majority drive cars my family has never been able to afford and spend money like it's nothing. Hearing "Oh, I thought it'd be worse!" when their total is nearly 2K.

Like I tell my coworkers: I worked at Walmart when I was much younger, and the only difference between these customers is the clothes they wear.

[oddogoblino]

Everyone always seems more willing to talk and exist when I'm not around. The sleep deprivation makes me want to believe this means I'm a smothering presence rather than considering maybe everyone just finally had more free time. If the bad thoughts are right though, I guess I have no qualms against disappearing since youtube exists for entertainment.

[jattendschaton]

so there is an actress I follow on Instagram who posted a story of some artwork she had on her walls and she had a Ladynoir print! And I recognized the Ladynoir print! I already followed the artists and they're relatively small—only a thousand followers or so—and I thought it was so cool that this actress with 6m+ followers had their artwork on her walls! So I send the story to their DMs explaining that it's their artwork in the photo and how cool that is before realizing that, while the artwork looks very similar, it is not...the exact same...

Of course, I immediately try to unsend the message, but Instagram won't let me! There is no unsend option! Apparently you can only unsend a message after the person has accepted the message (WHY??) and just deleting the whole conversation on your end does nothing to delete it on theirs.

I feel like I am fully going insane at this point, I'm so embarrassed and anxious I feel sick, so I make my roommate do a series of experiments with me on her own IG account so I can figure out a workaround to get these messages deleted. Long story short, I have now blocked an artist I really like and can never unblock them lest my embarrassing messages become known :')

[unproduciblesmackdown]

billions(tm): it's incredible how we just provide a little snippet of material designed to be "guy we all want to push down the stairs immediately somehow" and through this amazing acting alchemy it becomes gold. electric. magnificent. we can't get enough so we will just keep writing this loser character and the actor will somehow keep bringing the dazzling transmutation through his ability

actor will roland: [is aware autistic people are real]

[possum-tooth]

i can hear them yelling about us again

[gromlyn]

as someone who went to a private christian high school this perfectly describes multiple kids I went to school with all I'm saying is private christian high school is the perfect modern au setting if you're looking for a setting that captures systemic abuses of power like westeros

i am pretty anti asoiaf modern aus bc they seem to exist to remove any problematic content. this is why my modern au where larys is a school shooter and alicent is a pro life bible thumper is way better and different. plus american high schools love to reward homophobic and misogynistic repressed hot guy cops so it’s an au where criston always comes out on top

[dog-ending]

.

[screampied]

‘ ALLLL ON MY TONGUE I WANT IT ★ ?!

𝜗℘ feat. toji, gojo, geto, sukuna, higuruma. how the jjk men eat you out, ‘till the jaw aches

cw. fem! reader, cunnılingus, dirty talk, praise, edging, nose riding, hair pulling ( geto ), slight mommy kink ( choso ), squırting, overstim, p spanking, dumbification, puśsy drunk men, spıt kink, biting, i forgot nanami nuu, sukuna uses his hand mouth.

wc. 4.0k+

☆ SUGURU GETO.

“i’m hungry. spread ‘em,” balmy hot breath fans against the inner parts of your thighs as you sit still. lazily, you lean back against your bed, meeting the feral gaze of a very feral man with dark raven strands running down each sides of his face. there’s an almost pout forming on his lips before he kisses your pretty twitching pussy through your panties.

without hesitation, he ogles as your legs sprawl away from each other. he rests on his stomach, preparing to dig in before you stop him, lightly grabbing him by the hair. “s- sugu,” you breathe, feeling a tingle brew inside of your tummy, mixing along with a fluttering concoction of butterflies. he stares at you with a raised brow before you pull out the sable black hair tie that was secured around his wrist, pinning his hair up into a messy ponytail.

“oh,” he hoarsely hums with a shrug before preparing himself to dig in - licking a long sloppy stripe that forms a sticky wetness against the cottony fabric of your panties. “thank you baby. always so thoughtful.”

geto didn’t have to tell you twice. whenever he came home, he wanted you. whether it was thirst or hunger, the only thing that would clench his thirst and feed him right was that pretty thing between your legs. he’d eat you out for hours, up until his tongue is numb and his jaw is just aching.

“thirsty,” he huffs, and you could hear him swallow every few slurps. your legs were already shaking in dire anticipation. geto’s irregular breaths were gruffly strained—he runs his calloused fingertips against your slick folds before lapping them up with his tongue. “mhm,” dark eyes flicker back toward you and he grabs your wrist that’s dug into his scalp. “pull. harder,” he grunts, instructing you to tighten your grip against his hair. you’d almost forgot it was one of the many kinks he’s told you he’s into. as you gather a good enough feel, you drag his hair by the ponytail, pulling harder and harder until he grunts. a sly smile presses against your pussy before he chuckles. “good girl. better had.”

as he’s shoved face first into your cunt, you notice the shine on his lips were painted a pretty crimson. with his eyes close, lengthy black lashes flap every so often as he’s devouring his favorite meal of the day. of every day.

“sugu, sugu, suguuuu,” you whimper, the sensitivity of the nerves that store inside of your clit making you fail to stay still. he inhales, gathering a decent wad of saliva before spitting right onto your cunt. it’s so nasty, he’s nasty. you watch with wide eyes, feeling yourself twitch even more before he licks it right up with no shame. out of nowhere—you felt yourself blurt out your thoughts you didn’t expect to come from your mouth. at least not so soon. “s- spank it, sugu.”

“spank it sugu,” he mocks your words, rolling his eyes before briefly moving his lips away. “don’t tell me what to do,” and within seconds later, he spanks your cunt anyway. damp droplets of your slick plop onto his palm and he groans. “last time i checked, i don’t take orders from sloppy wet girls so lie back ‘n let me finish eating, yeah?”

“yes, s- suguru,” you pant, the quake within your thighs never subsiding.

there’s another eye roll that comes from geto, and he goes right back to eating you out like a starved man. he doesn’t even need to use his fingers, his tongue was just enough. more than enough actually. orgasm after orgasm, he’s emitting out the most sweetest sounds from you. you’re so loud that it bounces off the walls. he hears the reverb of your voice and it makes him snicker. “louder,” he growls, slurping up a remainder of your saccharine flavored juices. your grip remains in his hair and you bite your lip, preparing to finish yet again. “i wanna hear you. i want the neighbors to hear you. i wanna hear a scream come outta that pretty tight throat.”

and he meant it — your pleasure meant everything to him. with the way he’s sucking, you wouldn’t have lasted a second longer.

the moment you end up reaching your inevitable climax, a potent bawl rips out of your throat raw. he’s munching on your pussy, eyes shut with an innocent smile on his face as if he hadn’t just made you an entire broken mess. “s- suguruuu!”

you’re shaking, panting.

it’s as if every finish was way more powerful than the last one. a breezing squall of wind prises from your full lungs before you fall back. your legs remain spread, mouth formed into a circular shape whilst you’re still making a cute attempt at trying to catch your breath. “c’mere,” a low voice murmurs to you, and he sits up to go toward you. geto’s sweltering body heat radiates against you. he tenderly wraps a hand around your neck before pulling your bottom lip down with his thumb. “open.”

with half lidded eyes, you open, already knowing what’s to come. as you part your plump lips apart, rolling out your tongue, sharp hooded eyes stare down your throat before he leans in and spits right inside. you moan, feeling his free hand toy with your cunt some more, clearly not finished. “uh huh. now, swallow ‘n give me a kiss, sweetheart.”

as his hand squeezes against your pulsating pussy, you whine—swallowing, shutting your heavy eyelids before pulling him into a sloppy wet kiss. beads of sweat from his forehead press against yours before he returns the gesture, tasting yourself on his tongue.

“mhm,” he grunts, now starting to suck on your tongue. it took you a while to realize geto’s eyes were already open, and he was looking straight at you. abruptly, he pulls away and gives your forehead a kiss. “good girl,” but then he makes you lie back, spreading your legs even further.

“but ‘m still thirsty. let’s see if i can make ya squirt this time, pretty.”

☆ HIGURUMA HIROMI.

“dove, you wanna ride my nose, don’t you?”

a low voice coos at you as he’s reclined back against the sofa. he’s sexily manspread, work clothes still on and unkempt — tie pulled off halfway and he hums, watching your abashed expression grow. “it’s okay, i don’t bite. c’mere.”

and with an usher of two swift finger motions, he tells you to come closer. with your panties still on whilst you’re slowly sticking your own arousal between your legs, you prepare to hover over his face.

you pause, parting your knees apart and on each side of his face before huffing. “a- are you sure? i don’t wanna suffocate you, ‘romi.”

“that sounds like heaven, trust me,” he whispers, grabbing ahold of both of your thighs. it was a secure grip. with two broad hands, he outspreads them - gentle thumbs stroking against your sweet, candied skin. “so perfect. so nice ‘n soaked jus’ for me, huh,” and after about a few seconds, you take your seat down on his face. higuruma gruffly grunts, a low guttural moan escaping from his lips before he smooches against your cunt. it’s slick, not only slick but sweetly sweet. “that’s it, dove. ‘s just you ‘n me, don’t be shy. ride it.”

you whine, biting down on your bottom pulled lip as your pussy grinds against the bridge of his nose. the second you ride against it, the feeling sent your entire body into overdrive.

with your lashes fluttering, you feel the bumpy texture of his hooked nose - it’s rough and gnarled—perfect for riding against.

higuruma lowly grunts at seeing the way your hips leisurely pick up its pace.

you were a natural, moving against his face whilst your hands find their way into his hair. his messy, knotted strands was like a maze. your slender digits entangle through his darkened roots, giving them a firm tug before your head tosses back in ecstasy.

“f- fuuuck, hiromi,” and you start to feel his tongue lay itself flat. you’re rubbing your cunt against his slick-spit lips and his nose back and forth.

over and over, you’re already spiraling,

profusely, your legs shake and jitter before you whimper out a desperate wail. “jus’ like that, ‘romi. p- please,” and as you continue to use his face, he’s meeting your eyes. it’s only been seconds and he’s already pussy drunk. a sly smile spreads across his lips before he slides a thumb down the opening of your cunt. “ngh, fuck.”

“yeah, dovey. ride my face—mphm,” and he’s interrupted by your cunt silencing his words. your taste, he just couldn’t get enough. higuruma’s already got a slippery snail trail of your arousal that’s coating his chin. it’s got an almost glow to it, you yank on his strands until his head falls forward. a throaty chuckle comes out of him before he flicks his tongue against your clit. “heh, easy now. my hair’s one of my best features.”

you couldn’t even laugh because pretty soon, you were about to reach your chilling climax. its shivering, frigid and you felt like you were walking on eggshells.

“fuh— fuck,” you clench your jaw, feeling your legs merely collapse right then ‘n there. it was unpredictable, you were an entire full blown mess and his tongue wasn’t making it any better. as you continue to thrash your hips into his greedy mouth, you’re clinging onto his hair tightly. his nose, the bumpy texture continues to rub off against your swollen cunt before it finally comes.

you come,

it comes all at once - an overwhelming bundle of nerves surge straight out of you, electricity pulsing through your veins as you come undone.

you’re sucking your teeth and you don’t even realize it. as you’re slowing down by default, feeling his lips steadily suck against your tender slick folds, he purrs.

“oh, my love,” he breaks away for a moment to breathe, warm breath titillate against your twitching heat. “made quite a mess out of me, huh,” and with a thumb, he rubs against your pulsating clit, giving the nub one final kiss. “such a good girl. my good girl.”

☆ CHOSO KAMO.

“baby? c .. can we try this?” and you have a sheepish grin once choso’s showing you a video of a woman getting ate out. however, he’s imagining it’s you the entire time, feeling his mouth water at the pure thought of tasting your sweet cunt for the first time. it’s lewd, probably too lewd for him but he just couldn’t help it.

“sure, ‘cho,” you give him a soft smile. even your smile alone was enough to get him hard.

and it did.

with choso though, despite being over hundreds of years old, he was inexperienced but he was also a very quick learner. he tried to remember the video, the tongue work, how the man made the woman feel. but the second he’s diving into your cunt face first, there’s no prying him off.

you’re laid flat on your back whilst he’s right between your thighs, using a single thumb to trace down alongside your curves. he makes sure to pay attention to every part of your body at least he tries to. heart eyes blow its way into his pupils, dilating as he admires your pretty frame. “y- you’re so pretty, baby,” his voice was so soft and gruff. it almost sounds like a whisper.

not even seconds go by and he’s already drooling right before your pussy. a shimmery coat of saliva pours down the inner cracks of his lips as he gets a view of his meal. god, he couldn’t wait. every few seconds, he’d pull away to coat your slit with a multitude of amorous, sweet kisses. once you wrap your thighs around his face, he’s slurping anything and everything out of you.

you could barely stay still, going into a state of shock of pure pleasure. choso’s tongue was long, he makes it extend all inside of you, not missing a single spot. it curves its way through the inner parts of your cunt, taking time to swallow your taste and moan at the flavor that now lives on his tongue. your flavor. it doesn’t take him long to reach your sweet spot - because once you release that cute squeal, he sucks against it even harder.

“w- wanna make my princess feel good,” he murmurs, already drowning in your slick. your pussy was sopping wet, coating his chin with such ease. every once and a while, he flicks his tongue against his chin, relishing in your taste. “fuuuck,” he whines, feeling a cute tug of your hand drag his ponytail against your cunt. “use my ponytails like handle bars baby, ‘s okay— mmm.”

like a good boy, he slurps you clean, pressing a hand gently on your tummy, brushing a thumb against your navel as he’s happily luxuriating in your taste. “c- chosooo,” you mewl, feeling the intense shake of your legs arise.

it’s like a wave, everything’s preparing to crash down all at once. with the way you sung his name, it sounded like a harmony, a symphony.

his pointed ears twitch at the sound of your voice, the way your hips thrust into his mouth makes him drool for more.

already . . you’re stupefied. he’s drunk from your pussy and you’re drunk from his tongue. “ugh, jus’ like that, baby. you’re doing so good, making me feel so good.”

“i- i am?” his face cutely lights up. choso gives your cunt soft licks, delving his tongue in and out, exploring every depth. choso’s head moves side to side in a quick motion. it’s attractive, he’s already sweating and strands of black hair stuck against his forehead like glue. choso was a sucker for praise, especially whenever it came from you.

he can’t help but creep a hand down between his legs as he lies on his stomach, touching himself. he groans against your pussy, feeling your hips stutter from his erotic tongue work.

“y- yes,” you whimper, grabbing ahold of both of his soft dark ponytails. his eyes lock onto yours and he’s entirely pussy drunk—droopy eyes and that sheepish little grin. he looked so pretty, but the moment he stares down, choso knew that your sweet cunt was even prettier. as he’s lapping up your honeyed taste, slurping against your folds, you rub him against your soaked entrance with a more hastily tempo. “so good, choso. m- make me feel so good all the time.”

“i- i do?” he whimpers, moaning from your taste. he’s trying not to rush, he wants to savor the flavor of your cunt. your praises, it was enough to make him make a mess in his pants.

so much so to where he can’t help but reach down to touch himself. reach down into his obsidian black boxers, stroking his flaccid veiny cock. with choso, he gets off to you, your pleasure was always his pleasure. once he sees you nod, he lowly moans again against your cunt, quickening his tongue work and pace. “i- i do,” he repeats, kissing your folds again, and again, until you end up cumming on his tongue.

hard, it comes quick. it had your mind going for a loop — you couldn’t think nor could you register anything out of your little empty brain. you feel a hard pressure pressing against your abdomen, a pool of heat ghosting on your body and you get euphoric tingles. right away, your legs give out as he’s still dug between them, flopping back and landing with a cute oof. choso’s lower part of his chin was soaked and he loved it. he slides your panties back toward the center before having a soft pout. “are you okay? w- was i like the video?”

with a soft exhale leaving your windpipe—you huff, cupping his face. “even better,” and you lean down to kiss him. he moans into your lips, leaning into your gentle touch, sitting up to press his body against yours. swiftly, your tongue licks against his upper lip, tasting your taste that was lingering on his tongue - it’s sweet. choso could feel his heart racing, and you gasp once he slowly trails a hand down between your thighs. as he’s on top of you, he gives your cunt a gentle feel before licking a needy stripe up your neck. “c.. choso, you want more?”

“yeah,” he whines with a subtle nod, and he doesn’t even realize that he’s humping against your leg. “please— pleaseplease, take care of me now m- mommy?”

☆ TOJI FUSHIGURO.

“nuh uh, no ya don’t. get the fuck back here,” and a small squeak leaves your throat as he’s dragging you back by the hips. clumps of creamy cum stick against the fat of your thighs - it’s spilling, oozing out and he licks his lips at the sight.

you moan from his touch, feeling his hand caress against your curves. “bend f'r me, yeah,” he whispers hoarsely, witnessing the limp arch your body submits. “atta girl,” he coos roughly, bringing his face directly up close to your ass. “what a fuckin’ mess,” he smacks his fat angry tip against your needy slit. kissing his teeth, toji grunts. “really milked the shit outta me, babygirl.”

indeed you did - as he drags a thumb down the swollen bulb of your clit, he stares at the excess cum that pours out of your hole.

“ngh,” you whimper, feeling his toasty warm breath tickle against your wet folds. the second you feel toji’s tongue lap against your entrance, your thighs only grow weaker. you were already so sensitive from before, and the moment his tongue licks against your pussy — you were over. toji’s nasty, smearing his face all over your drooling cunt with the most cockiest grin on his face. the curving slant of his scar brushes against your folds and your toes curl at the rough texture. “tooojiiii,” you gasp out a sweet elongated hum, slapping a hand over your mouth.

“such a fuckin’ messy girl, huhhh,” he quips, flattening his tongue to slurp you full. your legs shiver as your eyes start to roll back, feeling his thumb tantalizingly plug its way against your puckering hole. “messy baby, gotta fuck you ‘n clean you right up,” and his breath against your cunt only makes you twitch more. you moan over and over until your voice was a broke record.

it feels peculiarly cool, a frigid slick coats against your folds as he latches his lips. you whimper, muffled moans clashing against the soft surface of your palm before he playfully bites your pussy.

“such a crybaby, maybe i should stop hm? ‘s it too much? thought you were a big girl.”

“n- no, please,” you choke out a weak sob, the pleasure practically giving you whiplash. your ass swerves against his face briefly, making an attempt to rut your rear against his face. “i am your big girl—don’t stop, ‘toj. ‘m gonna cum, hngh.”

with a scoff, he continues to swipe his tongue across - flicks turning into sloppy, sultry sucks.

it’s to the point where he’s practically just making out with your pussy, tongue kissing and giving it solid french kisses. sloshing sounds of your wet pussy rings against his sensitive ears before he inserts a single thick digit. with gracious ease, you clamp around his finger and you let off a breathless moan.

“c’monnn, give it to me. all on my fuckin’ tongue, girl,” and as he’s sucking you clean, you heave, feeling the plush of your tummy cave in in rapture. once he gives your cunt a rude abrupt spank with his free hand, you let off a cute whine. he tchs, narrowing his jade blown irises at you. “fuckin’ slut. get turned on from jus’ about anything, huh,” and your thighs jiggle with recoil. your shrilling babbles only pitch and grow louder before he’s nibbling harder against your pulsating nub. you huff, digging the edges of your teeth into your flesh. already, you’re dumb and it’s moments until you cum right on his tongue. “mhm.”

as you blissfully succumb to your teeth shattering release, your chest slumps into the mattress and you’re left stupid - entirely stupid.

your tongue was lolled out and your eyes flickered back to the very depths of your craniums “fuck, fuck, fuuuuck, toji,” you slur your words on melodic loop, chewing on each individual syllable. as you collapse, you feel yourself dampen between the crevices of your thighs.

“allllll clean,” he snickers, giving you pussy another smack. you whine, feeling your cunt all tender and sensitive. toji pries his lips off, licking them clean before dragging his thumb across his scar. it was wet, his stubble was drenched, and toji leans in to give your filthy folds one final suck. you’re too stunned to speak, trying to wriggle your ass away from his mouth but he drags you right back again. “not so fast, baby. ‘m not done,” and before he flips you over on your tummy, he spanks your ass just to see the little jiggle. “but since y’er a good girl, i think you can give me one more, right?”

“well—”

you’re interrupted with a mean slap to your pussy.

“that’s enough talkin’ baby. ‘s time y’er pussy gets the mic,” and the dark haired man gives your folds a soft, loving kiss. in a low, hoarse whisper, he hums, staring straight at your twitching entrance. “ain’t that right, princess? uh huh, thought so.”

☆ SATORU GOJO.

makes you squirt for the first time and immediately gets addicted to it.

“heh, angel if i had a dollar for every time you squirted f'me today, i’d be rich— well, technically i am rich,”

and of course with gojo, not only is he a good eater but he’s a fucking blabbermouth.

he’d literally talk your ear off while you’re riding his face. white thin strands of hair nearly occlude his view of vision. as he’s lying flat on his back, he needs to take a few seconds to dig his hand through his hair, combing the strands back in place. your legs tremor with desirable euphoria.

as you shifted your weight against him — his chiseled jaw all shiny and glistening with your arousal, he simpers as you prepare to speak. “s- shut up, ‘toru,” you repeat yourself for the nth time, eager for him to start up again. his tongue had you craving for more. this was his favorite view of you, without a doubt. just straddling his face, rocking your rickety hips back and forth until you gush out again. sucking in a long breath of air, you bury your shivery fingers into his smooth snowy-rich scalp. “ngh, talk so fuckin’ much just finish.”

“ugh, well excuse me,” he rolls his eyes, pretending to be offended. the white haired male used a single thumb to pry your legs open before he rolls out his long tongue. it’s clean, a pretty pink tongue that’s already watering at the tip. drip after drip. your breath hitches at the sight, he’s hungry for more and so were you. “let’s try with my fingers this time, pretty girl. think we can do that?”

you nod, inching a hand down to touch yourself but with quick reflexes - he grabs your hand only to then spank your pussy, earning a cute yelp from you. “ah ah. words, i was speaking to you, not your pussy, dummy.”

“y- yes,” you hiss, feeling the stutter in your waist accelerate. if it wasn’t for gojo’s hand gripping against your left hip, you’d have surely collapse onto him. “i can take your fingers, ‘toru.”

“fuck yeah you can,” he purrs - hot breath going right up against your slick folds. you whimper, watching with hazy doe eyes as he starts up again. gojo feels your cunt sporadically twitch in his mouth and he groans. he creates a swirl with the tip of his tongue before slowly inserting one finger. one eventually turns into two and the stretch, your legs were on its last final final hinges. you moan at the thickness of his digits curling all around your soaked gripping walls, swabbing up a nice amount of your slick slippery sweet. “yeah, listen to her. she’s got so much to say unlike you.” and his pristine azul eyes were staring straight at your cunt, not you. the wet wet squelches from your own slobbering folds makes your hips jerk forward quicker.

as he’s vigorously plunging two fingers in and out, his tongue continuing to slurp you clean. you whine, tugging on his hair, holding onto it tight for support. a hand claws into his silky strands before you hear the sloppy sluuuurps that slither out of his annoying mouth.

“sa— fuck, satoru,” you sob out, gasping once the tips of his digits locate your g-spot with such ease. he was so quick, his fingers knew exactly what to do. mimicking a bowling ball grip, he fucks his fingers into your swollen cunt, still latching his lips onto your pussy. “ngh, ‘toru. i just finished. satoruuuu.”

“babyyyy,” he mocks your moan in a faux manner, fully exaggerating the way you sounded. you rode his face at a more steady yet faster tempo, already feeling yourself about to collapse.

the stimulation had you floating on an incredible high. white thin brows of his arch into a furrow as he’s melting in your cunt, laying his tongue flat before overzealously sucking against your clit.

“mhm, that’s it. make another mess. awh. don’t be shy, ‘toru’s gonna clean—mmph,” he pauses with a grunt, giving you a half glare as you yank his hair forward. his smug grin returns and he briskly pistons his fingers further into your gummy walls. “as i was saying, ‘toru’s gonna clean you right up. always liked the mess.”

you’re spasming — the only thing you could see was a multitude of bright colors. as your jaw drops right on lewd cue, dangling goofily, you felt a gush of pleasure ripple out of you again. your thighs practically stuck together, the numbness adding its own kind of gripping sting before he quickly snatched his soaked fingers out. now, you’re just a drooling babbling puddle—with huffed breaths, you glance down at gojo who’s got the biggest grin.

as he’s lapping up your mess, you feel the tip of his nose swipe its way against your folds. he couldn’t help but smell you, your heat. you were so hot, in more ways than one. cerulean blue eyes meet yours one more time before he snickers, a tiny pout curling against his lips.

“oh, baby. are you cryin’?”

☆ SUKUNA RYŌMEN.

“no, go on. finish touchin’ her,”

hoarse low words embarrassingly creates a pulse between your thighs. as you stare at sukuna, not only are you knuckles deep into your swollen pussy but you’re also caught red handed.

curses, you knew full well how sukuna wasn’t fond of you touching what’s his. to him, you were his and that included your precious cunt. crimson red eyes bore into you as you slouch back, continuing to pump your sloppy drenched digits in and out. “keh. the audacity.”

you felt a burning heat settle against your skin, its feverish. you take a minute to swallow, a slimy coat coating the entirety of your fingers before you whine.

“kuna,” and he sucks his teeth - staring at you play with yourself right in front of him. with two hands, he spreads your legs, not wanting you to hide anything else. his touch send a feverish thrill up your spine and you gasp once he lightly smacks your hand away. “p— pleas-”

“quiet, woman,” he grouses, using the fat of his thumb to spread your quivering cunt lips apart further. he gets a full face view of how soaked you were. as you remain sat against a fluffed pillow, you gulp at the sight of the demon - licking his lips, forked tongue baring out a single fang the more his mouth stretches opens. within a second, he lolls out his long tongue before getting a sweet taste of your soppy pussy. you whimper, the texture of his pink muscle makes you shiver. “mhm,” he grunts, the low vibrations tickling against you.

but you start to feel an extra tongue glide against your soddened folds. voluntarily, your back arches and you heard a loud slurp before meeting the view of one of his broad hands.

you remember sukuna telling you how he had tongues on … certain other places of his body.

he’s told you about his stomach but never his hands. “s- sukuna,” you whimper, the texture feeling frigidly cold. it tickles at first, his clammy hand smearing back and forth against your cunt. “fuck, fuuuuck,” and your head leans back, all types of emotions foiling at your brain. and your irises slowly became docile. both slippery tongues were forked, long, and slimy. you shudder the entire time, gasping in long exaggerated breaths as your thighs try to stick together from the growing heat. “gonna cum, ‘kuna. ‘m not gonna last.”

“yes you are,” he snarls in correction, the mixture of two fat tongues diverting against your clit sends you pangs of obscene rapture.

he hums in amusement at the sight of your back and how it effortlessly arches for him and only him. another one of his hands creeps between your legs, plucking them open some more. his words were dangerously husky, they stirred something inside the empty depths of your tummy, making you pulse. speaking of, he feels the crazed pulse throb against each tongue, and his slurps become more carnal. “my, what a sloppy cunt. the audacity to be touchin’ her though is beyond me, little one,” and you could hear the possessiveness lingering off his tongue.

within each slurp, suck, and suckle—you just knew it was impossible to last. the stimulation of both concluding muscles against your folds makes you go further and further toward the edge. you’re so close that you could almost taste it on the tip of your tongue. sugary sweet with a sprinkle of saltiness. “sukunaaa,” you whimper, too weak to even pull at his hair.

you were at his very mercy - one of his favorite things in the world. the way you’d murmur out his name in that sweet pathetic voice, a desperate cry for more.

but alas, your words would always fall on deaf ears. he’d edge you ‘till the end, until you’re begging. with your legs feeling like practical mush, your jaw tightens before he finally lets you finish on both jarring tongues. “you’re so dramatic,” he grouses with a scowl, allowing you to conclude at your climax, heaving large breaths every few seconds. even though it was just minutes, with sukuna, he made anything seem like orgasmic long hours. “good girl, thaaaat’s it.”

and he moves his mouth away, allowing his hand tongue to do the remainder of the cleaning. the sensation was unlike anything you’ve felt before. you whimper, achy pipes in your throat all scratchy and hoarse from how vocal you were just a few moments ago. the tongue that rests against his palm sucks you clean—it’s more tender and gentle and you’re a stammering mess, secretly adapting to the strange yet pleasurable feeling..

you’re still trying to recollect breaths, invisible glue sticks and glosses between your legs before you glance up at sukuna who’s got a sly smile. “w- what’s with the look?”

“oh, nothing,” the demon retorts wittily, leaning up to press a soft kiss against your neck. his touch made you shiver and you wrap your arms around him almost instantly.

his cologne as always, was loud and made its name known across the entire room. leaning up against your ear, he licks it - which turns into seductive nibbles before he whispers. “i was just thinking. i think you’d prefer my stomach tongue a lot more, princess. i promise i’ll try not to swallow ya, heh.”

[draconicace]

scarvi being so underbaked and full of glitches and downright baffling design decisions makes me so sad because like. the games are still fun to play. the story's pretty alright. the characters are great! imo these games have the most queer subtext of any mainline game so far! the amount of character design variance (especially in npcs) is super nice! trying to do a mass outbreak in paldea near a rock wall makes me want to bite my switch

[yanderenightmare]

TW: implied nsfw, implied noncon/dubcon, poly yanderes, sprained ankle, captive reader, apocolypse au, talk of fertility, murder of unnamed characters, mentions of potentially killing reader

fem reader

Just thinking about the apocalypse, the two army men who’ve long survived it in their shelter with barely any trouble, and then you, a poor girl trying hard to outrun your last captives only to run into them.  

You didn’t realize back then that it was like trading piranhas for sharks, too caught up in begging for their aid to think better of it. You should have just kept running, but your ankle was sprained badly, maybe even broken, and you were wearing so little you would most likely have died from the cold during the night if they hadn’t taken you in.

It seems unfair of them to have kept the giant bunker all to themselves, only the two of them, but you don’t judge. You would likely have kept it all to yourself as well.

This new world has bred new humans, and they’re all monsters. It’s honestly quite surprising they’d even let you in, given this is what they’re protecting, this sanctuary from the past, a comfort most people would kill their closest friend in exchange for.

Trust is all but dead, and so is honor or any other morality—you would know, you’ve lived out there for it all, only having survived by spreading your legs at the right moments. It’s a shameful tactic, and many times, you’ve wondered if it wouldn’t have been better to spare yourself and just die. What was the purpose?

This—you think. This must be it. They have showers and working hot water.

You don’t know how it’s possible—the original owners of the shelter must have been some type of millionaire. You haven’t had a warm shower since the world went to shit—years ago. It’s been a choice of waiting for rain or finding a lake, hoping it wasn’t rancid. Meanwhile, they have soap—scented soap, the lush kind you’d forgotten existed. It feels so nice you have to cry—rejoice—sobbing while lathering yourself, watching all the filth go down the drain, leaving you smooth-skinned once again for the first time in forever. You can’t remember having ever been so clean before, feeling reborn.

They have fresh clothes for you too—new socks and underwear, all clean fabrics, so much more than what you wore—pants, a shirt, and a sweater to keep warm. You didn’t know there still existed people who lived like the old days—you’d thought it was long gone, a bittersweet dream you sometimes have the pleasure of at night instead of the usual nightmares. Never had you thought you’d experience anything even remotely similar, but here you are—looking yourself in the mirror after so long, surprised to see a human looking back at you.

And they feed you. Not scraps, not leftovers, not rot, or days-old flesh from the last successful hunt—but freshly baked bread, vegetables, fruit—for fuck’s sake, they even have juice. You cry again while eating, and then you find yourself begging them again, “Please, let me stay—please, I’ll do anything. I can cook, clean, work—anything at all, I can do it, just please let me stay…”

You’re on your knees, forehead pressed to the heated metal floors—toasty and comforting, you think you could sleep better than ever right there.

“We’ll think about it,” one of them mutters as he gathers the plates. His voice was so harsh he might as well have said, not a chance. It’s clear by his frown that he’d rather send you right out again, leave you to the monsters.

“We’ll at least let you stay until your ankle heals, so don’t worry.” The other is more sympathetic, helping you up. “For now, let’s get you to bed. You must be exhausted.”

It hadn’t crossed your mind that they’d have beds—actual real soft downy mattresses and duvets and pillows. The two of you help make it together. It feels so foreign that you wonder if you might have died earlier. Some years back, you wouldn’t have thought heaven would resemble a prison cell, but now it only made sense—safe metal walls and a bed. What more could one possibly want in the world?

“I’ll wrap your leg for you if you sit.” He holds out a bandage roll, gesturing to your ankle.

Blinking, you can’t even register what he’d just offered until he’s getting down on his knees before you.

You panic, then. Bandages are hard to come by—it hardly seems worth it. “There’s no blood, you shouldn’t waste it—”

“It’ll heal better and faster this way,” he adds reassuringly. His voice is so soft and compelling that you find yourself sitting down without further quarrel, even when it makes you feel spoiled.

He’s gentle with you—holding you steady while wrapping it just tightly enough to be supportive. There hasn’t been a man who’s touched you like it.

“Does that feel okay?”

You can barely tell he’s talking to you. It’s all so lost on you that you can only wordlessly nod your head.

He fastens it just as carefully before standing. “Is there anything else you might need?”

You shake your head just as wordlessly. You can’t believe how nice he’s being. It makes no sense at all. Not in this world. Not anymore.

“I’m sorry, but I’m gonna have to lock the door,” he apologizes with a sheepish look once standing on the threshold.

You’d been stuck thinking about how warm the room was, trying to remember a single time you hadn’t been freezing during the night. “That’s okay, I understand,” you say. After all, what’s a locked door in comparison?

“Good,” he smiles—it’s likely the kindest smile you’ve ever seen. “Alright then, good night.”

Once again, you’re left stunned. The last time you’d heard those words spoken must have been from a loved one long since dead. It makes your lip wobble again as you say it back, “Good night.”

It's strange—they could have left you for dead but didn’t. They don’t seem gullible—they can’t be if they’ve managed to protect this place for so long—but you suppose there still exist men who have a soft spot in their hearts for helpless damsels in distress.

As you sink into the comfort, draping your duvet atop your battered body, you don’t even care about the camera in the ceiling—blinking red while watching you.

“Did you have to bandage her up?” he grumbles as the other walks into the bedroom after having said his goodnights to you. 

He’s already in bed, observing through the cameras on a tablet—you were currently curling into the duvet, wrapping it around you close for comfort. You’d likely not slept on anything so soft in a while—it wouldn’t surprise him if you preferred the floor. But no, you drift asleep quite quickly.

“You know how badly things can heal without proper support,” the other answers, regarding it as no big deal. “And besides, it’s not like we often need it—we have plenty to spare.”

He removes his clothes and crawls onto the bed as well, lifting the covers to slot himself right next to the other man, who still has a scowl on his face.

“Oh, come on…” he drawls. “She’s exactly what we’ve been talking about, isn’t she?”

The grump doesn’t answer, still with keen eyes watching you, even as you’ve fallen asleep—as if waiting for you to do something befitting a wild animal in a cage. The other’s eyes fall to the screen as well, but he only awes in delight.

“Look at her, already fast asleep,” he purrs while zooming in on your face. “I mean, did you see how she was begging earlier, what she said? I’d do anything,” he continues, almost whining. “So cute, I could have fucked her right then and there.”

The other man sets the tablet aside with a disagreeing sigh. “We’ll wait at least a week for her system to detoxify from the wasteland,” he says strictly. “I’m not touching her before then, and neither are you unless you want to sleep alone.”

The other groans then, flopping down on his back. “Yeah, yeah, you and your safety protocols,” he dismisses before a smirk creeps up his face, glee twinkling in his eyes as he looks up at his grouchy counterpart. “But then we keep her, right?”

“Tch—we don’t even know if she’s fertile. The wasteland could have made her barren as long as she’s been out there,” the other shuffles down into the sheets as well, turning to look at his partner and the awfully keen look on his face.

“So we test her. Give her a medical check,” he says, again as if it’s not a problem, even when it very well could turn out to be.

They’ve already broken quarantine rules by letting you in here—and who knows what your real objectives truly are.

“I don’t trust her,” he states.

The other pouts. “I don’t see what one little lady can do—she’s hardly a threat. And we already purged the group that was following her. I doubt any of them made it out alive.”

True, he had gone out and sent several gas grenades into the settlement. Surely, none of them managed to escape, but then again—

“Pest control only works when you kill them all, and we’ve just let one inside our own house,” he grumbles.

The other one sighs. “Okay, so if it turns out she isn’t as cute as she looks, we’ll deal with her like the rest. But if I’m right, and she really is just a harmless little thing, we keep her, and I get to have the first go.”

Suppose there isn’t anything better to do aside from killing you straight away, which would only have been a waste of food, water, clothes, and bandages. 

“Fine.”

The other grins at the agreeance, humming, “I guess until then, we’ll just have to make do with each other—I've been hard since we watched her shower.” He leans forward for contact but is shut down as his bedmate rolls around with his back turned to him.

“Tch—take care of it yourself.” Tonight has been too stressful to tug each other’s dicks. 

He can hear him whine behind him, but he settles down soon enough.

Suppose it would be nice fucking a woman again. It’s been so many years he figured he wouldn’t need it anymore. They’ve made do with each other so far. But even he can’t deny, once you’d washed all the blood and muck off, once he saw the dewy hue of your soft skin and the silk of your hair, all those plush curves, and not to mention that awfully sweet look on your face—he felt the tug in his pants too.

He'll do a medical check on you tomorrow. He hopes you’re fertile. But even if you’re not, he might give in to the other’s wishes and keep you anyway. After all, they might have many luxuries, but the comfort of pussy is one they haven’t had in a long, long, long time.

♡ BNHA – KiriBaku, BakuDeku, ShinKami, DabiHawks, EndHawks, ErasurMic ♡ JJK – SatoSugu, ItaFushi, SukuIta, ♡ HQ – Miya twins, KageHina, BokuAka, ♡ CSM – AkiDen, YoshiDen ♡ BLLK – NagiReo

♡ FEM x M INSERT masterlist ♡ GN x M INSERT masterlist

[mostly-imagines]

Moonstruck

jason todd x reader

aka sober thoughts and all that

warnings: intoxication

Jason has a thing about drinking around you. He’d kind of skirted around it for a while when you were first dating, but after a while you’d noticed he never really has more than a drink or two regardless of how much you had. The only times you ever see him drink more is when he’s downing whiskey as a pain mitigater when he needs stitches. You’d initially assumed he just wasn’t a big drinker, but eventually you’d come to realize it was more of a matter of not wanting to lose his inhibitions around you. 

You know he’s still working on trusting himself, even sober, because he’s terrified of accidentally hurting you. But you have a hard time imagining him losing control like that in any state and you’re nearly certain he’s just being hard on himself.

You’ve been falling in and out of less than peaceful sleep for the past few hours, having trouble easing yourself while your boyfriend is still out. You at least attempted to get to bed earlier tonight because for once he isn’t out fighting crime and risking injury, though you haven’t found much more luck than usual. 

You lie on your back, half ready to give up and turn on a movie while you wait.

You’re momentarily startled to hear Dick bellow out your name, no regard for the fact that it’s nearing three in the morning and you have neighbors. He’s not much of a shouter so you’re instantly on alert, worried that he or Jason are hurt.

You fumble out of bed and rush to the living room, surprised to find your fire escape empty. You turn, proceeding towards the front door, opening it cautiously. 

“Dick? What—” You don’t need to finish your question because the second you take one good look at the two of them, the state of them is immediately clear. Dick, who’s barely standing upright on his own, supports your boyfriend's weight via Jason’s arm slinged around his shoulder.

“Hey!” Dick grins at you, far more lively than he has any business being this late at night. “Sorry, couldn’t remember which apartment was yours.”

You nod pensively, “Well the perspective’s different than when you’re coming in through the window.”

He continues on past that without thought, “I’ve come to deliver,” he says, gesturing up to Jason with a bit of a strain. You’re pretty sure there were supposed to be a couple more words at the end of that sentence but you understand well enough anyway.

You nod, eyebrows raised and try to hide a smile. “Thanks, Dick.” He shifts your boyfriend off of his shoulder to lean him up against the door frame, where Jason places a majority of his weight.

You eye him warily, not confident in his steadiness. He seems to hold well enough against the heavy door though, his eyes drifting around the tiled floor. Your attention shifts to Dick, who’s clearly satisfied with a job well done and ready to go.

You tilt your head, seeing him turn away. “You good?”

“I’m great!” He calls out with a thumbs up. You watch as he staggers away, nearly missing the exit.

You look back over at Jason, who’s already staring at you with a soft gaze. “You’re pretty,” he fawns, irises blown out and flickering all over your face.

“Oh you’re drunk drunk.” You grin, watching him stumble forward a bit.

He shakes his head, looking a bit dizzy after, “Shoulda seen Tim.”

You pause mid laugh, “…Who drove you here?”

He falters at that, gaze falling to the floor. “Uh…” He winces, “Damian…”

You nod slowly, eyes wide, “We’re gonna talk about that tomorrow.”

“He’s better than you’d think.” You’d hope so. 

Well, at least he’s spending time with his brothers.

You sigh, straightening your posture in preparation for the job to come. “Alright, come on big guy,” you pull him up from his slant against the wall, hauling him into the same position he’d been in with Dick—though you’re struggling significantly more to hold him upright. “You gotta help me out here, Jay,” you grunt, trying very hard not to fold under his weight. You swat the door shut behind you, making peace with the fact that he’ll scold you in the morning for not locking it.

He presses an uncoordinated kiss to the side of your head as you try to shuffle him along, not interested in the least in easing your labor. His self discipline isn't quite gone, but his awareness of how big he is sure seems to be. 

You wobble from the heavy weight of his arm around your shoulders, holding onto him by his waist. You manage to get him to sidestep your cat, narrowly, though Salem hisses at him all the same. Jason takes no notice. You stumble into your bedroom with only about 30% of his usual balance aiding your effort.

He collapses onto the bed the second his legs hit the frame, pulling you down with him. You lie, somewhat awkwardly, on his chest as he holds you tight—probably tighter than he would if he were sober. It feels nice though.

You lie your cheek flat on his chest, relaxing against him. “What’d you guys do? Thought you were just having an easy night.”

He takes a deep breath before answering, “Raided Dick’s liquor c—” he stops, mulling over his words. “...Bruce’s liquor that was in Dick’s cabinet.” He annunciates every word in that sentence very carefully.

You squint speculatively, “Didn’t take Dick for the stealing type.”

He grumbles, “He’s not. ‘Less it’s Bruce.”

You can’t help the smile that breaks out on your face, “Aw, you really do take after your big brother, don’t you?” 

He scoffs at that, “I don’t. I’m the one who gave him the idea.” Yeah, that sounds right.

He taps on your cheek lightly and you pick your head up to find him looking at you with puppy dog eyes.

“What’s that look for?”

“Can I kiss you?” his eyes drop down to your lips, “I really wanna kiss you.” He’s nearly whispering and you feel your heart skip several beats at the feeling of his eyes on you like this.

You press a light kiss to his lips and he practically purrs.  

You pull back, admiring the serene expression on his face. “You taste like whiskey.”

“I like whiskey,” he says honestly.

You smile, nodding. “I know. Don’t know why, but..”

He leans in for another kiss but you parry, only letting his lips meet your cheek. He frowns grimly, attempting to chase your lips. 

“Lemme kiss you,” the pout on his face is adorable and while you hesitate to deny him, you retreat, resting your chin on his chest.

You smile wistfully, tracing his cheekbone, “You’re drunk, baby.”

“‘M not that drunk,” he tells you, though everything about him says otherwise.

Your hand falls flat on his shoulder. “Your eleven year old brother drove you here.”

He shrugs, “He can drive the bat…batcar? Bat…”

“Batmobile,” you finish.

“The batmobile.” he nods, as if he was seconds away from remembering. You suspect he wasn’t. 

“Bruce lets him drive it?” you question, wholly disbelieving.

“No.”

Enough said.

“You’re gonna be hungover as hell in the morning,” you mumble, taking in his uninhibited demeanor.

He nods that off, “‘S okay. You’ll be here, right?”

You tilt your head, observing him chalantly. “Where else would I go?”

His arms snake tighter around you at that, giving you a little squeeze before relenting. 

“I wanna marry you,” he murmurs, brushing your hair out of your face and tucking it neatly behind your ear. 

You blink rapidly a few times, “What?” You push yourself up on his chest, sitting up on his abdomen.

“Wanna marry you.” He repeats, eyes lidded as he breathes easy under you. “You’re m’favorite person…want you t’be my wife.”

Your breath gets caught in your throat. “..You want me to be your wife?”

His lips are slightly parted and his pupils are wide as he stares up at you, taking in your features carefully. “‘Course I do.” He brings his fingers up to your cheek, touching you softly with all the wonderment of a little kid. “You’re so pretty.”

You’re quick to return, “So are you.” Especially right now.

He shuts his eyes momentarily, shaking his head morosely, “You gotta stop bein’ so nice t’me,” he lets his hand fall to rest on your thigh. “Don’t deserve it.”

“Shut up,” you lour, “You deserve it more than anybody.”

“No. Not more than you,” his hands knead at your thighs like it’s an instinct. “You deserve everything.” He closes his eyes, tilting his chin up as his head sinks further back into the pillow. “Think I’d do anything you wanted.”

“Jay—”

He continues on, “Want you t’be happy. Wanna make you happy.”

Your face falls into an expression of dazed awe, “You do make me happy.”

He dwindles at that, “No, really happy. Take care of you. Build you a house, give you babies. Wha’ever you want.”

He paws at your thighs, trying to get you to come closer again to him. You lay back down on top of him and his hand instantly buries itself in your hair, stroking softly. “You’re just…you’re so perfect…” He turns his head to mumble against your forehead, “Feel like I dreamed you, sometimes.”

You breathe deeply against the crook of his neck, eyes feeling glassy. “I love you.” It’s all you can get out, and it’s not enough, but it’s all of it. 

“I love you,” he says like he’s trying to turn it into gospel. “So much. I love you so much, so fuckin’ much.” His words start to get lost in his weary babbling.

Your chest feels full and you can distinctly feel every beat of your heart against it. Or maybe it’s Jason’s heart. But what’s the difference?

You press a tender kiss to the nape of his neck. “You’re really sweet when you’re drunk, you know that?”

He hums lowly, head lulling against yours.

You still for a second, finding his breathing has slowed and his hand has seized its movement in your hair. His soft breaths fill the air as you press a kiss to his collarbone before settling in completely. “You’re gonna love when I tell you about this in the morning,” you whisper, letting your eyes shut too.

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