#betbeder

[onenakedfarmer]

Currently Watching

LE VOYAGE AU GROENLAND [JOURNEY TO GREENLAND] Sébastien Betbeder France, 2016

[denorteanorte]

Obras de pavimentación en varias calles de San Isidro

Es un plan de pavimentación que abarca arterias en diversos barrios, informó la comuna en una comunicación.  Actualmente se trabaja en Rondeau, entre Mitre y Caseros; y en Héroes de las Malvinas entre Discépolo y Mitre. Por otra parte, el Municipio comenzó la repavimentación de la calle Betbeder, entre Montes de Oca y Tiradentes, en Boulogne. Y también en Habana, entre Santiago del Estero y Vélez…

[jess-smart-smiley]

Creatures 1: The City That Never Sleeps (Graphic Novel Review)

Creatures 1: The City That Never Sleeps (Graphic Novel Review)

Script by Betbeder & art by DjiefPublished by Europe Comics72 pagesSci-fi / Action & Adventure / Fantasy / EsotericWow! What a fantastic weave of characters living in a post-apocalyptic New York City, struggling to survive a gritty, changing landscape of horrific zombies and a strange green fog.Action-packed with frightening, nightmarish creatures and jump-scare scenarios. The perfect setup for a…

[detournementsmineurs]

"2 Automnes 3 Hivers" de Sébastien Betbeder (2013) avec Vincent Macaigne, Maud Wyler, Bastien Bouillon et Audrey Bastien, juillet 2020.

[federer7]

"Main dans la main". Pont de Bir-Hakeim, Paris, 2020

Photo: Patrick Betbeder

[junghwwwa]

Avec “Debout sur la montagne”, Sébastien Betbeder signe une comédie décalée de plus, sous fond de deuil, névroses et autres tracas et de retrouvailles à la montagne pour trois amis d’enfance. Le film ne manque pas de charme et il est même assez agréable à regarder, mais pour autant ne nous embarque pas totalement non plus. Il y a peut-être quelque chose d’un peu trop mou ou de ne pas assez fou ou profond. Le mélange des genres ne prend donc qu’à moitié. Sur la montagne du coup certes, mais plutôt à genoux.

[lobocomicsandtoys]

2021 LOST CHILDREN #1 (OF 2)

For fans of Akira, Domu: A Child's Dream, Ghost in the Shell & Children of Men Escape from New York meets the X-Men! It's 2021. Detroit has seceded from the United States and its citizens are under the control of a madman with extraordinary abilities. The only hope of retaking the city lies with four super-powered children. But their powers come with a price - using them means aging prematurely. Can they save the city before their powers use up their lives?

Available at Lobo Comics & Toys this coming Wednesday, 05/30/2018

visit us on facebook, google+, blogspot, our eBay store, and our website

[theo-erable]

"Les meilleurs films sont ceux qui infusent dans l'existence ". Après un travail acharné pour réduire ma shortlist de 224 films à 15, voici donc mes films préférés de ces 10 dernières années. Les films dans les posts qui suivent. Mais comme j'ai le cinéma dans la peau, je vous donne quand même aujourd'hui les réalisateurs et réalisatrices dont j'ai aimé tous les films mais qui n'ont pas forcément trouvés leur place dans le top. Photos :  @leofadrover (merci à lui de m'avoir accompagné sur tous ces films).

[shakespearenews]

Darwin was frequently caricatured in the press as an ape, as here in a colour lithograph by F. Betbeder. Wellcome Collection, CC BY

[heavymetalmagazine]

This is a very effective example of how to explain the plot of the story using sequential art. There is absolutely no question about what the point of the page is. The bright sepia tone color scheme is great, too. (Heavy Metal #242, July 2009 – Page 70 The Coffins Will Dance No More by Betbeder and Droal)

[keeptheemptinessaway]

2 Automnes, 3 Hivers, Sébastien Betbeder (2013)

Cinematography: Sylvain Verdet | France 

[hongsangsooweb]

Hong Sang-soo par Sébastien Betbeder ("2 automnes, 3 hivers", "Marie et les naufragés"), pour l’émission 291 de Blow Up d’Arte

/////////////////////////////////////////////////////////////////

A video essay about Hong Sang-soo, by french director Sebastien betbeder

[comiccrusaders]

It’s 2021. Detroit Has Seceded From The United States And Its Citizens Are Under The Control Of A Madman With Extraordinary Abilities. The Only Hope Of Retaking The City Lies With Four Superpowered Children.

But Their Powers Come With A Price – Using Them Means Aging Prematurely. Can They Save The City Before Their Powers Use Up Their Lives?

2021: LOST CHILDREN #1 Writer Stéphane Betbeder Artist Stéphane Bervas Fc, 56pp, $5.99, On Sale May 30, 2018

COVER A: James Stokoe COVER B: French Book Cover ​COVER C: James Stokoe Black and White Variant ​

PREVIEW: 2021: LOST CHILDREN #1 It’s 2021. Detroit Has Seceded From The United States And Its Citizens Are Under The Control Of A Madman With Extraordinary Abilities.

[cschiavo]

Journey to Greenland

Setting up camera and crew in a frozen and far-flung corner of the world, director Sébastien Betbeder presents a culture along with a movie. Fact meets fiction in a narrative where all but one of the characters -- Nathan - share their  names with the corresponding actor. . 

The story centers around would-be actors Thomas (played by Thomas Blanchard) and Thomas (played by Thomas Scimeca), who leave nothing but unfulfilled dreams in Paris as they embark on a visit turned adventure to Kullorsuaq, where the shorter Thomas’ father found his bliss some 20 years earlier. The plot isn’t as vibrant, dramatic or captivating as the landscape, which pops almost three-dimensionally -- icy blue sky touching snowy white hills. It’s clear when a helicopter deposits Thomas and Thomas on the ice floe that is  Kullorsuaq that they are soul searching. And when the helicopter returns, it’s unclear if they found what they were looking for. Little does it matter. The story may be merely a vehicle for Betbeder to bring this Inuit village to light. 

We encounter the villagers seal-hunting and ice-fishing, singing and dancing, and in one surrealistic episode, rapping. Nearly every scene is bathed in the summer’s omnipresent sunlight as the camera rarely moves indoors. The crunch of snow and the laughter of children fill what would otherwise be silence, as there are no cars and no accompanying street noises. 

This movie is mesmerizing..And it’s a bit sad, considering that traditions maintained for hundreds of years are teetering. Through brief encounters with the internet -- when the pesky dial-up connection is working -- the villagers see what they are missing. For one boy, that glimpse is devastating. For the rest, it’s a reminder that change is coming. With technology, the world is infiltrating. With climate change, a way of life is eroding.  Aside from two stomach-churning hunting scenes (you were warned), “Journey to Greenland” is a pretty postcard from a land few of us will visit. It isn’t great cinema, but watching it is time well spent. 

[detournementsmineurs]

"Debout sur la Montagne" de Sébastien Betbeder avec William Lebghil, Bastien Bouillon, Izïa Higelin et Jérémie Elkaïm, novembre 2019.

[androm1293]

Retrato del Happening Circular

Nuevamente este espacio de Tumblr oficia como una especie de bitácora de cuanta experiencia escénica me acontece. 

La foto, el link, las buenas memorias son algunas de las agradables “secuelas” del happening “Circular” que realizamos en Santiago del Estero entre diferentes artistas del Noroeste argentino. En la coordinación estuvimos Mauro Arch, Paola Guardo, Mariano Noriega, Rodrigo Ruiz y yo, Ruth Romero Urbina. 

Pero además de nosotros hubieron más participantes:  Wendy Lodwick, Eduardo Betbeder, Luis Gallar, María Virginia Coronel, Lucila Natali Banegas Salazar, Ayrton Gabriel Banegas Salazar, Celsa del Carmen Bonetti, Jesus Nazareno Escobar, Walter Achaval, Emily Camila Judith Laborde, Pablo Narvaja, Silvina Folquer, Juan María Ponce, María Victoria Marín y Rodolfo Horacio Ahumada.

Y no se puede dejar de nombrar a todas las organizaciones y gente linda que lo hizo posible:

- Programa Escena Pública del Ministerio de Cultura de la Nación

- Matias Minahk, que nos acompañó y orientó en todo el proceso. 

- La Facultad de Humanidades de la Universidad Nacional de Salta que nos dio su aval. - La terminal de Santiago del Estero, particularmente Nicolás Vial por toda su gestión, y a Paula Cruz que estuvo presente en toda la gestión. - El espacio cultural Bellas Alas de Santiago del Estero (Y Tony que nos abrió las puertas de su espacio con toda la buena onda) - Diego Palavecino y su Espacio de Artes Escénicas "Hércules". - Mariné Rivadeo, Facundo Vega Ancheta, Elías Santillan, Paola Barros, Violeta Paputsakis, Carla Bevilacqua y Matías Jeréz Leavy que estuvieron inicialmente en la gestión de este proyecto.

Todos, absolutamente todos, tuvimos que poner más que un granito de arena para que esto funcione, conmueva y traspase. 

Y efectivamente todo tuvo éxito... https://m.facebook.com/story.php?story_fbid=10155445729912285&id=48062037284

Creo que esta experiencia me llenó el corazón. Es hermoso poder trabajar en el espacio público, desconocer las reacciones, aventurarse a lo que pueda acontecer, hacer arte involucrando a ese “espectador” que ahora es participante.