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#best graphic designers in the world
shilshatech · 4 months
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Looking to hire a creative graphic designer or a graphic design company in India Our professional team of designers offers excellent design solutions From logos and branding to web and print design, we have got you covered.
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sunlit-mess · 5 months
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I envy your art style 😭
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Ok, take this. You're welcome
For those who want inspiration from my art style. ::")
No, this is not a tutorial but some key points from my style you can try and practice to explore yours!
PS. I am not a professional artist, nor an art expert. I still have A LOT to practice/improve, especially since I just got back to drawing. One could say my skills are just average!
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blueskittlesart · 26 days
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
#i really do have a love-hate relationship with this timeline#because it's FASCINATING lore. genuinely. and i think it carries over the themes of certain games REALLY well#but i also think it's indicative of a trend in loz's writing that has REALLY annoyed me for a long time#which is this intense need to cling to oot#and on a certain level i get it. that was your most successful game probably ever. and it was an AMAZING game.#and i think there's definitely some corporate profit maximization tied up in this too--oot was an insane commercial success therefore you'r#not allowed to make new games we need you to just remake oot forever and ever#and that really annoys me because it makes certain games feel disjointed at best and barely-coherent at worst.#i think the best zelda games on the market are the ones where the devs were allowed to really push what they were working with#oot. majora. botw. hell i'd even put minish cap in there#these are games that don't quite follow what was the standard zelda gameplay at their time of release. they were experimental in some way#whether that be with graphics or puzzle mechanics or open-world or the gameplay premise in its entirety. there's something NEW there#and because the devs of those games were given that level of freedom the gameplay really enforces the narrative. everything feels complete#and designed to work together. as opposed to gameplay that feels disjointed or fights against story beats. you know??#so I think that the willingness to allow botw and totk to exist independently from the timeline is good at the very least from a developmen#standpoint because it implies a willingness to. stop making shitty oot remakes and let developers do something interesting.#and yes i do very much fear that the next 20 years of zelda will be shitty BOTW remakes now#in which botw link appears and undergoes the most insane character assassination youve ever seen in your life#but im trying to be optimistic here. if botw/totk can exist outside the timeline then we may no longer be stuck in the remake death loop#and i'm taking eow as a good sign (so far) that we're out of the death loop!! because that game looks NOTHING like botw or oot.#fingers crossed!!#anyway sorry for the game dev rant but tldr timeline good except when it's bad#asks#zelda analysis
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theboystequila · 9 months
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S.E.S
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rationalisms · 1 year
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been thinking a lot about this specific phenomenon that's hard to put into words (so bear with me) where the technological limitations of the medium at the time a work of art was created are sometimes exactly the thing that helps lend it the atmosphere that makes it so compelling. and how sometimes superior technology is, despite the progress that's been made in so many ways, entirely unable to capture that same atmosphere for a multitude of reasons.
like, there's that brian eno quote ("whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature") that gets at some of what i mean, but not all of it.
i'm thinking about video games in particular, the way the forward march of technology does open new avenues but at the same time it inherently disappears older technologies and their aesthetics in the process, which is so tragic to me. and of course there's always nostalgia-driven attempts to recreate them, but those recreations inherently can't ever be entirely faithful to the specific charm of those older technologies and their drawbacks. (pixel art is a good example because sure, there's pixel art games being made now, but on modern LCDs they just won't ever look the same as they did on fuzzy CRTs; the fuzziness of the image made the pixel art come alive in a way modern TVs just can't.)
and this is extra amplified if games are set in a specific real world period or trying to emulate a specific real world aesthetic. because there's a little golden window of time where a game's technical limitations and the resulting art direction, and the period of time the game is meant to be set in, can perfectly compliment each other, like some sort of time prism. and any games made after that point can still do a good job at capturing the aesthetic of the era, but they won't ever be able to harness the inherent authenticity and atmosphere that e.g. noughties games and their 5 polygons can lend to a game set in the noughties.
there's no real solution to this and i'm obviously not advocating that we should be stopping any and all technological progress in favour of preserving certain aesthetics in amber, but it's still really melancholy that this is all so transitory. but i guess on the other hand we do get to enjoy those moments when technology and art/narrative can converge in the exact way they need to.
anyway, this was all just a really longwinded way to say that persona 4 is actually the best video game of all time. sorry if you thought this was about literally anything else
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taliaxlatia · 1 year
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looking at the kh2 graphics and tearing up a bit. normal behaviors
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whiskeyswifty · 2 years
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agentromanoffsir · 1 year
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neocities guide - why you should build your own html website
do you miss the charm of the 90s/00s web where sites had actual personality instead of the same minimalistic theme? are you feeling drained by social media and the constant corporate monopoly of your data and time? do you want to be excited about the internet again? try neocities!!
what is neocities?
neocities is a free hosting website that lets you build your own html website from scratch, with total creative control. in their own words: "we are tired of living in an online world where people are isolated from each other on boring, generic social networks that don't let us truly express ourselves. it's time we took back our personalities from these sterilized, lifeless, monetized, data mined, monitored addiction machines and let our creativity flourish again."
why should I make my own website?
web3 has been overtaken by capitalism & conformity. websites that once were meant to be fun online social spaces now exist solely to steal your data and sell you things. it sucks!! building a personal site is a great way to express yourself and take control of your online experience.
what would I even put on a website?
the best part about making your own site is that you can do literally whatever the hell you want! focus on a specific subject or make it a wild collection of all your interests. share your art! make a shrine for one of your interests! post a picture of every bird you see when you step outside! make a collection of your favorite blinkies! the world is your oyster !! here are some cool example sites to inspire you: recently updated neocities sites | it can be fun to just look through these and browse people's content! space bar | local interstellar dive bar creature feature | halloween & monsters big gulp supreme peanutbuttaz | personal site dragodiluna linwood | personal site patho grove | personal site
getting started: neocities/html guide
sound interesting? here are some guides to help you get started, especially if you aren't familiar with html/css sadgrl.online webmastery | a fantastic resource for getting started with html & web revival. also has a layout builder that you can use to start with in case starting from scratch is too intimidating web design in 4 minutes | good for learning coding basics w3schools | html tutorials templaterr | demo & html for basic web elements eggramen test pages | css page templates to get started with sadgrl background tiles | bg tiles rivendell background tiles | more free bg tiles
fun stuff to add to your site
want your site to be cool? here's some fun stuff that i've found blinkies-cafe | fantastic blinkie maker! (run by @transbro & @graphics-cafe) gificities | internet archive of 90s/00s web gifs internet bumper stickers | web bumper stickers momg | gif gallery 99 gif shop | 3d gifs 123 guestbook | add a guestbook for people to leave messages cbox | add a live chat box moon phases | track the phases of the moon gifypet | a little clickable page pet adopt a shroom | mushroom page pet tamaNOTchi | virtual pet crossword puzzle | daily crossword imood | track your mood neko | cute cat that chases your mouse pollcode | custom poll maker website hit counter | track how many visitors you have
web revival manifestos & communities
also, there's actually a pretty cool community of people out there who want to bring joy back to the web! melonland project | web project/community celebrating individual & joyful online experiences. Also has an online forum melonland intro to web revival | what is web revival? melonking manifesto | status cafe | share your current status nightfall city | online community onio.cafe | leave a message and enjoy the ambiance sadgrl internet manifesto | yesterweb internet manifesto | sadly defunct, still a great resource reclaiming online social spaces | great manifesto on cultivating your online experience
in conclusion
i want everyone to make a neocities site because it's fun af and i love seeing everyone's weird personal sites that they made outside of the control of capitalism :) say hi to me on neocities
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imageclassified · 7 months
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Best digital marketing course in Nangloi
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batshit-auspol · 10 months
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So a bit of background first for our international followers: Clive Palmer is one of Australia's many mining billionaires who like to meddle in our country's politics, and as such he is utterly despised by all of Australia.
Picture for context:
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He is most commonly known online by the title "Fatty McFuckhead", (problematic as it may be) because he tried to sue a youtuber for $500,000 for calling him that - and he lost. So the name stuck.
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Up until his most recent foray into parliament, the legally certified Fuckhead was best known for his batshit business ventures, such as attempting to build "The Titanic 2" (failed) and trying to build a dinosaur theme park (also failed, but at least nobody got eaten by a T-Rex in this one).
For a very long time Clive played the role of sugar daddy to Australia's largest conservative party, the ironically named Liberal Party, until they had a falling out in 2012 after Clive claimed there was too much money influencing politics (lol), at which point he started his own party, days after saying he totally quit and wasn't fired and he only left because he didn't want to be a distraction.
His initial run at parliament was actually kinda successful, with Palmer's group winning 4 seats, plus a member from the "Motoring Enthusiasts Party" joined them too after accidentally getting elected and not knowing what the fuck to do.
Despite this initial success however, Palmer's party (which ran on basically no platform other than "I'm rich") hit an iceberg (titanic 2 achieved) and seven elected state and federal politicians quit within the first year.
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By the time the next federal election rolled around, only one Palmer party candidate was still running for re-election. The most successful of this group - Jaquie Lambie - quit to sit as an independant and is still in parliament today.
Here she is with a painting of herself strangling Clive (she sells signed copies of this)
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And here the senator is posting about liking sausage:
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Anyway, we're getting to the point: which is the yellow posters. By the 2016 election, just two years after forming, the party was in complete freefall. It won just 0.01% of the vote at their second election, and it was announced shortly after that Clive was quitting politics and the party was being shut down. Australia breathed a sigh of relief.
It was, of course, short lived.
Clive, in desperate need of attention, restarted the party for the 2019 election, fielding candidates in every seat and spending $60 million in advertising in an attempt to win votes.
Every single candidate lost.
It was in this campaign however that Australia really started to fall out of love with Palmer, because most of that $60 million went towards putting up the world's least compelling marketing billboards on almost every single free space in the country.
For a good six months this was basically the only thing you would see in Australia if you went outside:
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Clearly Graphic design is his passion. And yes, the genius did just straight up try and copy Trump's homework while changing a few words, hoping nobody would notice.
Very quickly these all got vandalised and it seemed the ad companies didn't care enough to replace them.
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We could go on posting examples, there are thousands, but the best is definitely the one Ikea put up shortly after Clive lost the election:
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In 2022, Clive's party contested the election AGAIN, this time also opting to send millions on spam text messages to every person in Australia begging for people to vote for him, as well as buying almost every youtube ad for a year, at the cost of $100 million.
He won a whopping one seat.
During this election Clive ran on an anti-lockdown, anti-vax platform with the slogan "freedom, freedom, freedom". That message, however, was slightly undermined when his goons, dressed in 'Freedom!' shirts, made national news for trying to beat up a protester who turned up at a rally dressed as an annoying text message, shouting "pay your workers" at Clive.
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As if that wasn't bad enough, at another rally Clive knocked himself unconscious while trying to jump up on stage, and then a few weeks later was rushed to hospital with covid, while his anti-vax ads were still in regular rotation on TV, at which point it was also leaked to the press that Palmer had been alledgedly trying to buy Hitler's car.
Utterly humiliated, the party deregistered again shortly after the election.
Can't wait until he runs again in 2025.
Anyway, on the other "Clive tweeting Miss Kobayashi's Dragon" thing, we have no idea what that means but here's a screencap:
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silkentine · 4 months
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All I could think while drawing Nami was, “Wouldn’t you like to know, weatherboy?” And, of course, with Robin I was thinking, “save a horse… 🥵”
Design Notes and other opining below the cut:
For Nami, I wanted to go for a mix of cocky Jersey mafia newbie and surfer boy. I like to think that some of the horrendous outfit choices that Sanji makes (especially in the movies) were actually picked out by Nami. She’s the shopper!!! But yeah, the vibrant swim trunks and graphic tees just scream Nami. I also wanted to put him in a wetsuit/rash guard because I think that’s a sexy look so sue me if you hate it. You cannot argue with me that Nami doesn’t wear swimsuits as clothes.
He’s toned but not as muscular as Robin or Luffy (for example) because he isn’t a front-line fighter, I want him to maintain the same kind of role that Nami has in the animanga. He’s the best navigator in the world!! I couldn’t decide if I wanted to change the violent tendencies that Nami has, but ultimately I think he’d still give the more deserving members of the crew a healthy wallop (although I might portray it more cartoonishly). Boy Piece!Nami still grew up under Arlong’s authority so he spent a lot of his childhood walking on eggshells to protect his village and his brother, Nojiko, so I think he never really got to learn “you’re not supposed to hit people just because they frustrate you” lesson. I gave him a shark-tooth necklace because surely Arlong had a few loose teeth to spare once Luffy took her down. Victory spoils LOL
If he can get the girls to stop wrestling and sit down quietly for a while, he likes to host card games (with betting, of course) or watch the clouds while sipping whatever fruity cocktail Sanji whips up. I believe that Canon!Nami is a total lesbian, and I can’t possibly envision a Nami who doesn’t like women so Boy Piece!Nami is bi. I am, of course, a Namivivi truther and Vivi is also a man in this AU. I don’t hate Sanami within this dynamic though… lots to think about.
Okay!!! All-shipper mindset aside, let’s talk Robin. I gave him long hair because 1) it’s hot and 2) I think it makes him look like Dragon. Yeahhh, I subscribe to the Luffy and Robin are half-siblings theory because I think it’s funny and makes some sense. Crocodile is 100% Luffy’s Mom in this AU and I think Robin knows it LOL
For his outfits, I wanted to lean a bit more Indiana Jones where I could; he’s still primarily cowboy inspired though. For the main look, I went with the Skypeia color palette hehe, I think Robin looks good in yellow. I did some flower-petal shaped color blocking on his chaps because I think it’s cute and subtle. I really love that the powers of the Hana-Hana-no-mi are like… unexpected for a “flower flower” fruit and I think Robin would be more aware that juxtaposition as a guy. You might also be wondering about the gloves and I initially just had it for his cowboy look but I decided to put them on all the outfits up until the events of Enies Lobby. Canon!Robin has a really difficult childhood and I think it’s exacerbated by the fact that she’s a girl on her own. If Robin was a boy, he’d probably have an easier time living on his own but would be a lot less emotionally open. All of these elements combine to make him want that physical barrier between his real hands and the world. Once he can trust that the Strawhats will always be there for him, he’s more willing to be more physically open.
I also think it’d be cute if he was much more of a coffee drinker :3c I see Canon!Robin as a connoisseur who likes a well-brewed espresso but Boy Piece!Robin needs a cup of joe (no matter its quality) every chance he can get. So I drew him with his special #1 ARCHAEOLOGIST mug.
It would make me so happy if you left your thoughts in the tags or replies!! Even if you hate everything about them, I just really like engagement hahaha. I’m thinking girl Usopp is next despite the poll results because she’s on my mind rn (don’t hold me to this, LOL I’m fickle). I’m making these for fun so I just wanna make designs in the order that interests me the most. Check out the tag “girl piece” on my blog to see all the genderbends I have so far. And happy pride!!!
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badgertracksart · 1 year
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Portfolio advice, from a lead who hires Concept Artists
(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.
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2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -
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5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.
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7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.
9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs
11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?
13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:
You haven't shown you are considering the design from all angles.
In many games rear view is the main view.
Stop cropping feet.
15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.
16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.
16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.
17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.
18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O
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maestromarketer · 2 years
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boulahlib · 2 years
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Celebrate with us the bravery of our soldiers, sailors, and airmen during the cowardly attack on Pearl Harbor on December 7 during World War II. It remembers the sacrifices of the warriors of that time who fought in World War II against Japan. This beautifull
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sirfrogsworth · 5 months
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I tried to find more information about Albert here. There is an article in The Mirror, but some of the reporting seems dubious. Which I believe is standard operating procedure for that particular news outlet.
But according to the article, "Fat Albert" lives in the very specific area of "Alaska, USA" and is believed to be the fattest polar bear in the world. And they claim he got fat because the townspeople of "Alaska, USA" are following an ancient tradition that dates back "thousands of years."
"The locals throw out large amounts of whale blubber to the bears as a sign of 'respect'. They would cut a large portion of the whale and blubber, and drag it four miles out of town for the bears to find. This stops the bears from travelling into town to harvest and disrupting the process. In other words, it's a way to stop a group of hungry bears coming towards you in a hurry."
From supplemental research there is precedent for folks in Russia and Alaska to leave whale carcasses for polar bears, but I could not find any corroborating evidence about Albert specifically.
So, I rate this myth...
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In any case, when I saw this picture of Albert, it seemed like a good opportunity to practice my Photoshop skills. He has clearly been rolling around in some mud and his beautiful white coat has been obscured.
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It is very easy to change the color of something to red, blue, or green and every color in between. Just hit that hue/saturation and check colorize and you've got Pride Albert in a jiffy.
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However, it is much more challenging to change things to white or black. This is the bane of graphic designers who have to take the same picture of a t-shirt and digitally alter it to be every available color including black and white.
So I challenged myself to give Fat Albert a bath.
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And then I challenged myself again to make him a distant relative.
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I wish I could tell you the exact process for how to do this, but this is one of those things you have to trial and error your way through and I honestly don't remember everything I did.
One thing I can tell you is that I definitely, absolutely, positively named all my layers properly—as that is best practice and I am a good Photoshop boy.
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st4rtar0t · 4 months
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Describing your love trope with your future spouse as a writer
Pick a picture
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MASTERLIST ☆ PAID SERVICES
LONG POST AHEAD!
Pictures belong to their rightful owners, I only own the content of this post.
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Picture 1
Arranged blind date
I stared at my reflection, the dress clinging to my frame in a way that was both flattering and unfamiliar. It had been months since I’d worn anything other than sweatpants and old t-shirts. My heart pounded as I thought about the evening ahead. What had I let Emma talk me into?
“Trust me, y/n,” she had said, her eyes sparkling with excitement. “You deserve someone who treats you right. This guy is perfect for you.”
I wanted to believe her. After all, Emma knew me better than anyone. She had seen me through the worst of my relationship with Adam, watched as I shrank into myself, convinced I was unworthy of love and respect. She had been my rock when I finally walked away.
Now, she was determined to help me move on, even if it meant dragging me into the world of blind dates.
“You look stunning,” Emma said, stepping into my bedroom. Her smile was warm and reassuring. “And you’ll be fine. Just be yourself.”
I nodded, trying to steady my breathing. “What if he’s... I don’t know, another Adam?”
Emma shook her head firmly. “He’s not. Trust me. I’ve known him for years. He’s kind, funny, and he’s been through his own share of heartbreak. You two will understand each other.”
Taking a deep breath, I followed Emma out the door and into her car. As she drove, I gazed out the window, my mind a swirl of anxiety and hope. The city lights blurred past, a cacophony of life that felt distant and unreal.
We arrived at the restaurant, a cozy little place with warm lighting and the comforting aroma of home-cooked meals. Emma squeezed my hand. “He’s waiting at table five. Go on, I’ll be right here if you need me.”
I hesitated, then nodded. “Okay. Here goes nothing.”
As I approached table five, I saw him. He was looking down at his menu, but there was something about him that immediately put me at ease. He had an air of quiet confidence, and when he looked up and our eyes met, he smiled. It was a smile that reached his eyes, genuine and warm.
“y/n?” he asked, standing up and offering his hand.
I took it, surprised by how natural it felt. “Yes. And you must be Michael.”
He nodded, his grip gentle yet reassuring. “It’s really nice to meet you. Emma’s told me a lot about you.”
I laughed nervously, taking my seat. “All good things, I hope.”
“Only the best,” he said, his eyes twinkling with kindness. “She’s very fond of you.”
As we started talking, I found myself relaxing. Michael was easy to talk to, his sense of humor lightening the mood. He shared stories about his work as a graphic designer, his passion for painting, and his dog, Max, who sounded like a real character.
“So, Emma tells me you’re quite the photographer,” he said, his tone genuinely interested.
I blushed slightly. “I dabble. It’s just a hobby, really.”
“From what I hear, you’re pretty talented,” he replied. “Maybe you could show me some of your work sometime?”
I nodded, feeling a warmth spread through me that I hadn’t felt in a long time. “I’d like that.”
The evening passed in a blur of laughter and easy conversation. For the first time in what felt like forever, I was enjoying myself. Michael was attentive, respectful, and genuinely interested in what I had to say. It was a stark contrast to the indifference and criticism I had grown accustomed to with Adam.
As we said our goodbyes, Michael looked at me with a hopeful expression. “I had a great time tonight, y/n. Can we do this again sometime?”
I smiled, feeling a lightness in my heart. “I’d like that very much, Michael.”
As I walked back to Emma, who was waiting with a knowing smile, I realized something. Maybe, just maybe, I was ready to open my heart again. And maybe this time, I’d find the love and respect I truly deserved.
⁠—⁠☆
Emma hugged me as soon as I reached her. “See? Told you it would be fine.”
I hugged her back, gratitude welling up in my chest. “Thank you, Emma. For everything.”
She grinned. “That’s what friends are for.”
And for the first time in a long while, I felt hopeful about the future.
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Picture 2
Friends to lovers
I stood outside y/n’s apartment, nervously shifting from one foot to the other. The city was quiet tonight, the streetlights casting a warm glow on the sidewalk. I had been here countless times, but tonight felt different. Tonight, everything was about to change.
Taking a deep breath, I knocked on the door. Almost immediately, I heard her footsteps approaching. The door swung open, and there she was, her smile lighting up the entire hallway.
“Hey! Come on in,” she said, stepping aside to let me pass.
I walked in, my heart pounding in my chest. “Hey, y/n. Thanks for having me over.”
We settled on her couch, the same spot where we’d shared countless conversations, laughter, and even tears over the years. She handed me a cup of tea, her eyes sparkling with the warmth I had come to cherish.
“So, what’s up?” she asked, taking a sip of her own tea. “You sounded a bit urgent on the phone.”
I looked at her, really looked at her, and realized just how much she meant to me. Her kindness, her strength, her infectious laugh—all the little things that made her who she was. It hit me like a tidal wave. I was in love with her. I always have been.
“y/n, there’s something I need to tell you,” I began, my voice trembling slightly.
She set her cup down, her expression turning serious. “What is it? You know you can tell me anything.��
I took a deep breath, gathering my courage. “y/n, you’ve been my best friend for as long as I can remember. You’ve been there for me through everything, and I don’t know what I’d do without you.”
She smiled, reaching out to squeeze my hand. “I am your best friend. I will always be there for you no matter what happens. Now tell me, what is bothering you?”
I swallowed hard, feeling the weight of the moment. “But that’s the thing. I don’t just see you as my best friend anymore. Somewhere along the way, my feelings changed. I’ve fallen in love with you.”
Her eyes widened, and for a moment, there was a silence that felt like an eternity. My heart was in my throat, fear and hope battling within me.
“oh…” she whispered, her voice barely audible.
I pressed on, needing her to understand. “I know this might come as a shock, and I don’t want to ruin what we have. But I had to tell you. I can’t keep pretending that what I feel for you is just friendship.”
Her eyes searched mine, and I saw tears forming. Panic surged through me. Had I made a terrible mistake?
But then she smiled, a radiant, beautiful smile that took my breath away. “I’ve been waiting for you to say that for so long.”
Relief washed over me like a flood. “You... you have?”
She nodded, tears spilling over her cheeks. “I’ve loved you for years. I was just too scared to tell you. I didn’t want to risk losing you.”
I reached out, brushing a tear from her cheek. “You’ll never lose me, y/n. You’re everything to me.”
She leaned into my touch, her eyes filled with love and vulnerability. “I love you.”
The words were like music to my ears. I pulled her into my arms, holding her tightly. “I love you too, y/n. More than you’ll ever know.”
We sat there, wrapped in each other’s embrace, the world outside fading away. All that mattered was this moment, the love we had finally confessed, and the promise of a future together.
As I held her, I realized something. Love had been right in front of me all along, in the form of my best friend. And now that I had found it, I was never letting go.
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Picture 3
Opposites attract
I watched him from across the room, the way he moved with such effortless grace and confidence. The party was in full swing, laughter and chatter filling the air, but all I could focus on was Ethan. He was the epitome of extroversion, charming everyone around him with his easy smile and quick wit.
I, on the other hand, was more comfortable in the shadows, observing rather than participating. I preferred a good book to a loud party, a quiet evening at home to a night out on the town. Yet, here I was, drawn to someone who was my complete opposite in every way.
Ethan caught my eye and waved, making his way over to me. My heart skipped a beat, a mixture of excitement and nervousness swirling inside me.
“Hey, Y/N,” he said, his voice warm and inviting. “Why are you hiding over here all alone?”
I shrugged, trying to appear nonchalant. “Just taking a break from all the excitement.”
He laughed, a rich, contagious sound. “You know, you’re the only person I know who comes to a party to take a break from it.”
I smiled, feeling a little more at ease. “Well, someone has to keep an eye on things from the sidelines.”
“Mind if I join you?” he asked, his eyes twinkling with that mischievous spark I was starting to adore.
“Sure,” I said, surprised by how much I wanted him to stay.
We sat down on the edge of the patio, the cool night air a welcome contrast to the warmth of the crowded house. For a moment, we just sat in comfortable silence, the sounds of the party fading into the background.
“You know, Y/N,” Ethan said, breaking the silence. “I’ve always admired how you can just... be. You don’t need all this noise and attention to feel happy.”
I looked at him, surprised by his honesty. “And I’ve always admired how you can light up a room just by walking into it. You make everything look so easy.”
He smiled, a softer, more genuine smile than I’d seen before. “It’s not always as easy as it looks. Sometimes, it feels like I’m just playing a role. But with you... I feel like I can be myself.”
My heart swelled at his words. “I feel the same way, Ethan. With you, I don’t feel like I have to hide.”
We continued talking, sharing pieces of ourselves we hadn’t revealed to anyone else. I told him about my love for painting, how it was my way of expressing emotions I couldn’t put into words. He opened up about his fear of being alone, how he surrounded himself with people to avoid facing his own insecurities.
As the night wore on, I found myself drawn to him in ways I hadn’t expected. Despite our differences, or maybe because of them, we fit together in a way that felt right. His outgoing nature balanced my introversion, his confidence bolstered my shyness, and his warmth melted my reservations.
Ethan reached out, taking my hand in his. His touch was gentle, yet it sent a jolt of electricity through me. “Y/N, I know we’re different, but I can’t help how I feel. Being with you makes me want to be better, to be more.”
I looked into his eyes, seeing the vulnerability and sincerity there. “I feel the same way, Ethan. You make me feel... alive, like anything is possible.”
He leaned in closer, his gaze never leaving mine. “So, what do you say we give this a try? Us, I mean. I know it won’t always be easy, but I think it could be something amazing.”
I smiled, my heart full of hope and excitement. “I’d like that, Ethan. I’d like that a lot.”
As he pulled me into a gentle embrace, I realized that sometimes, the most unexpected connections can be the most beautiful. Despite our differences, or maybe because of them, we were falling for each other, and I couldn’t wait to see where this journey would take us.
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