#besides between the 2 of them it’s taylor the one who has a track record w cheating so!!

[letterstotheflre]

swifties understand that relationships can end on friendly terms and no one has to cheat or be the bad guy challenge

[undiscovered-horror-icon]

SlipKnot Members [Part Two]

[All of this info was copied form the archive of this blog on Skyrock.com circa 2009 -2010: User: maggot777 on Skyrock. com ]

[I’m just sharing it and take no credit]

[This post will include the current members, circa 2010]

Name: Sidney George Wilson Position: DJ N ° 0 Nickname: Monkeyboy or Ratboy Born March 15, 1978, Sid is the youngest of the group and by far the craziest. His scenic escapades helped to build the reputation of SlipKnoT in its early days. Since the European tour where he accidentally injured a fan during the concert in London, he has calmed down somewhat. Although with British origins, Sid is American and was born in Des Moines. Passionate about music, he creates a posse of Djs called Sound Proof Coalition. It is thanks to this posse that he will meet the group during Dotfest in 1998. “I don't know why, but this skinny dude with his red T-shirt and green shorts caught my eye that day. And then it must be said that a guy who listens to punk while scratching on hip-hop is not common, ”Shawn declared. Six months later, Sid will go to the Hairy Mary Club to see the band in concert. That night Shawn jumps into the audience and comes face to face with Sid. From this impromptu meeting was born the friendly rivalry between them, the goal being to knock out the other during the concert. For the record, this is the only time Sid has beaten Shawn. After this concert, Sid will meet SlipKnoT and tell them that he wants to be part of the group. The legend says that Shawn will not think more than ten seconds before saying yes, estimating the man enough barjo to join the group. Since then, Sid has been a mainstay of the band, justifying his presence with samples and scratches on many tracks, he's also working on a more personal project for which he took over his DJ name Starscream and released a solo album called Full Metal Scratch It in reference to the movie Full Metal Jacket. The album announced for 2001 did not actually see the light of day until 2004 following a number of problems with the label that was to release the CD. In the end, it was N2O that played the role of distributing the CD containing most of the samples that Sid uses in SlipKnoT as well as in various other projects. He also collaborates with Ampt, a band from New Jersey that he joined as a DJ.

Name: Nathan Jonas '' Joey '' Jordison Position: Drums N ° 1 Nickname: Speedball Born April 26, 1975 at the Mercy Hospital in Des Moines, Joey spent all his childhood and adolescence in the small town of Yankee, located fifteen kilometers from Des Moines. Very introverted because of his small size (1.60 m), Joey has often served as a pain reliever for his classmates, but he knew deep down that one day he would prove to them that he was better. than them. Arrived in high school, he is deeply into Kiss and Black Sabbath and decides to start a group; he held the position of guitarist there. The guitar has always been his passion and he plays it whenever he can. However, the pitiful level of the drummer in his group pushes him to get behind the barrels. He finished his studies in high school and decided to get into music. One of his groups (Modifious, of which Paul and Craig were part) has had some success but not enough to make a living from it. There is a job at a gas station. Working at night, he occupies his days rehearsing with the group. One evening, his best friend comes to see him with a certain Corey Taylor. Corey doesn't make a good impression on him and the evening ends with a sentence to his friend about Corey (who is red-haired and had long hair at the time): "Bring Dave Mustaine (singer-guitarist of Megadeath) to to treat, it is too serious this guy. " Some time later, he will be contacted by Paul to join an even more obscure called SlipKnoT group. Outside of the group, Joey is involved in various side projects, the most successful of which is Murderdolls, a punk / glam band in which he is a guitarist and with whom he released an album. one owes the magnificent tribal S and as well as the logo of the group. SlipKnoT's capital K is due to the fact that at the time he drew it Joey was a mega-fan of Korn.

Name: Paul Dedrick Gray Position: bass, vocal backing N ° 2 Nickname: Porky or Balls Born April 8, 1972, Paul is the only member of SlipKnoT who is not originally from Des Moines. Born in Los Angeles, he followed his family when they moved to Iowa. Paul is one of the creators of the group along with Shawn. Very discreet and yet very influential, he played with Joey in Anal Of Blast and in various other groups before creating SlipKnoT. He had moved back to Los Angeles when Shawn asked him to come back one evening because he had an extra project he couldn't miss. He died at the age of 38 on May 24, 2010 of an overdose.

Name: Chris Fhen Position: percussion, vocal backing N ° 3 Nickname: Pornochio or Mr Piklenose Born February 24, 1972 in Des Moines, Chris is the little comic of the group. Always playing the puppet, he does everything to be noticed and is happy to go on stage. Chris is one of the last to join SlipKnoT. He joined the group after Brandon left and his integration was not without difficulty ... for him. Shawn called him in for a rehearsal in which he had to prove himself. After two hours of playing, the group reunites in the garden while Chris, alone at the other end, paces. After letting him run around in circles for thirty minutes, Shawn finally waved him over and said, "Sorry man, you're not up to par." Annoyed, Chris lowered his nose and said, "Okay, it's okay guys," turning on his heels. This is the moment that Joey chooses to say to him, “We're kidding, man! », Before bursting out laughing with the rest of the group. But that was just a little taste of what to expect. He's the one we hear vomiting on the hidden SlipKnoT track while Paul laughs beside him. This memorable streak was actually Chris' initiation into the "SlipKnoT spirit", the others having forced him to watch a hardcore movie. Chris played an important role in the recording and mixing of SlipKnoT. He helped Ross Robinson and Joey with the post-production work. Ross Robinson says of him, “Chris is a great guy. He really has his heart set on his feet. "

Name: James Root Position: guitar N ° 4 Nickname: The Peach Born October 2, 1971, James (or Jim) is the giant of the group, dominating the situation of his 1.90 m. He joined the group at the end of the recording of SlipKnoT as a starting point for the previous guitarist, Josh. Prior to being a part of SlipKnoT, James was playing in Atomic Opera and Deadfront with which he released an album and was about to record another when Joey called on him. The latter explains: “James was one of the best guitarists in Des Moines. With Atomic Opera, they were by far the leaders of the Iowa metal scene. And then I knew the guy, he had the job profile. He also stars in Stone Sour.

Name: Craig Jones Position: sample N ° 5 Nickname: 133 mhz (we nickname him like that because he's crazy about machines and 133 times 5 plus 1 equals 666) Born February 11, 1973, “This guy is definitely the most crossed out of the nine. He never says anything and that's what gives me the fuck. It is there and yet we forget it. Having said that, it's better if he doesn't say anything. The only time he opened it we had nothing but shit. This is how Craig is described by Ross Robinson. This is hardly flattering but nevertheless very true: Craig is the “ghost” of the group, always the last to arrive on stage and the first to leave. He joined SlipKnoT as a guitarist to replace Donnie Steele. He will prove himself during the recording of Mate.Feed.Kill.Repeat .. He also contributed to the ambiences with his samples, which really impressed Shawn in addition to his performance on the guitar. Seeing his mad passion for machines and computers, Joey and Shawn decided to promote him and integrate him full time into SlipKnoT. In three weeks, Craig went from replacement guitarist to official sampler of the band.

Name: Shawn Michael Crahan Position: percussion, vocal backing N ° 6 Nickname: Clown or Kong Born September 24, 1969, Shawn is at the same time the leader, the pillar and the dean of the group. SlipKnoT is her baby. It was he who chose who would be part of the adventure and that from the start. Before joining SlipKnoT, he set up various groups which were only successful with critics. Unable to live on his music, he then manages with the means on board. He was first hired as a welder (this experience would later be used for the creation of drum-kits). The savings he made enabled him to buy the Hairy Mary Club, a bar in Des Moines called to become the SlipKnoT's lair for a few years. As a wise businessman, he will regularly organize metal evenings in his club and the Saturday night concerts will quickly become an institution in Des Moines for any metal and rock fan. It is during this period that SlipKnoT is formed. The future members of the group all hanging out regularly in the club, convincing them to play together will not be very difficult. Next is the recording of Mate.Feed.Kill.Repeat. Which costs Shawn all his savings and pushes him into heavy debt. He sells the Hairy Mary Club to repay his debts, before the scale gained by SlipKnoT allows him little by little to live on music. The Hairy Mary Club having been sold, the group had no room to rehearse, and it was only natural that Shawn put his family to contribution: SlipKnoT invests in his parents' cellar. They spent almost two years there, Ross Robinson came to see them rehearse before signing them on his label. It was also in his parents' garage that the photo was taken that served as the cover for SlipKnoT (album). Married with four children, Shawn is a very cultured person; he adores Cézanne and Picasso, which contrasts quite a bit with the image of the slightly psychotic Clown that we see at concerts (I confirm). He also likes to philosophize about life around a bottle of wine, which makes tell Corey, “Shawn is a very smart guy, even if you don't always understand what he's saying. "

Name: Michael Thompson Position: guitar No. 7 Nickname: Log Born November 3, 1973, Mick spent his childhood in Des Moines. Big fan of music, his tastes range from Jimi Hendrix to the Beatles through Morbid Angel and Deicide. He joined a group for the first time at the age of sixteen. Subsequently, he is part of various formations with the future members of SlipKnoT, but seeing that it is hard to make a living, he decides to give guitar lessons. It was then that one evening, taking advantage of Donnie's departure, Paul called him and asked him to join SlipKnoT. “I was really pissed off at that time. When Paul called me I jumped at the chance, ”says Mick to explain his arrival in the group. Outside the group, Mick is a very discreet person; he describes himself as a person who likes to live at night.

Name: Corey Taylor Position: Vocals N ° 8 Nickname: Faith or The Sickness Born December 8, 1973, Corey is in a way the guru of the maggots. His singing, his tone of voice and his charisma (I also confirm) make him a unique singer in the metal scene. Corey initially wanted to be a drummer but decided to write songs after listening to Screaming Life by Soundgarden and Bleach by Nirvana. Born of an unknown father, (but now we know who he is) he lived for a long time with his mother and his sister, traveling the North-East of the USA and sometimes (even often) finding himself homeless to sleep. Completely addicted to cocaine from the age of fifteen, he overdoses twice. The second made him realize the fragility of life and he went to settle in Ohio with his grandmother, to be far from his bad company. It was there that he developed a taste for music thanks to his grandmother's record who listened to rock 'n' roll and in particular Elvis Presley, of whom he became a very big fan. At eighteen, he chose to take his independence and return to the roads to finally return to his hometown of Des Moines. There, he assembles the group Stone Sour, with which he begins to record some titles. On several occasions, his path crosses the path of the members of SlipKnoT. And it is finally after a Stone Sour concert that Corey sees Joey, Mick and Shawn unload in the sex shop where he works. Corey sums it up in a few words: “Basically, they told me that if I didn't join their group they would give me my birthday. I admit I hesitated a little but finally I said to myself that it was the right choice for me. " Corey is very involved in songwriting; his difficult childhood is a source of inspiration for him. However, he refuses to talk too much about it. In early 2004, he married Scarlet, his long-time fiancée, with whom he had a son, eighteen months earlier.

[Might do a part three on new guys, maybe] 

[feel free to leave corrections in the replies]

[abundanceofsoph]

SkyFire 3: Chapter 9

BBC Radio 1 Breakfast Show with Nick Grimshaw : October 2017   

Word count: 3.8k

SkyFire 3 MASTERLIST

Please for the love of god, if you like the story just hit the reblog button. I’m starting to run out of motivation to post since no one ever shares these chapters.

>Instagram posts

After the Phoenix show, the band took a weeklong break before meeting back up in Paris to kick off the European leg of the tour. During their break, Adam returned home to his young family and Sarah and Mitch took a short vacation together, while Aurora and Harry joined Niall in celebrating the release of his debut album, Flicker. They, along with Liam, Louis and some of Niall’s friends and family all arrived at his London house for dinner and drinks to celebrate the launch after Niall had spent the day doing press. It was a really casual evening, with everyone scattered throughout the living room, kitchen, and heated patio. Later in the evening Aurora found herself sandwiched on the sofa between Liam and Louis while Harry was off being the social butterfly he was, flitting from one conversation to the next. Rori loved that about the two of them, as much as they loved each other they never felt the need to be glued to each other’s sides when out with friends. She had just finished filling the boys in on the excitement of the first leg of the tour when Liam posed a question.

“I noticed you guys have a 2 week break between Milan and Singapore,” he said. “Got anything planned?”

“We’re planning to be home for 8 or 9 days and then fly to Singapore a few days early to hopefully explore a little,” Rori explained. “Why?”

“Well I was wondering if you wanted to get in the studio with me,” Liam replied. “Lou and I wrote a song a few months back and the demo I put together got selected for the next Fifty Shades soundtrack, but they want it to be a duet. We thought you’d be the perfect fit.”

“Oooh, that sounds like fun,” Rori smiled. “Do you have the demo on your phone?” Liam nodded and Rori fished her AirPods out of her purse and quickly linked them with Liam’s phone to listen through the track. “I love it!” she declared once it reached the end. “Oh, this is going to be so much fun.”

They were interrupted from continuing by a slightly tipsy Niall calling everyone’s attention to where he was standing on the coffee table.

“EVERYONE!” Niall yelled. “I just wanna thank ya all for being here to celebrate all of this. It’s mental that after so many months my baby is finally out in the world and every single one of you played a part in helping make this happen.”

“TO NIALL!” Rori yelled, raising her glass in the air. Everyone echoed her words, cheersing the jolly Irishman.

xXx

A week and a half after Niall’s album launch, after shows in both Paris and Cologne, the Styles’ were back in London for two back to back shows in Hammersmith. The day after the shows, before they headed up to Manchester Harry was due to appear on Nick Grimshaw’s breakfast show on BBC Radio One as Kiwi was releasing as a single that day. Unfortunately, when Harry came of the stage after the second show his voice was in shambles. The tour doctor headed straight for Harry’s dressing room and after a quick consult he was placed on vocal rest for the next 36 hours in preparation for the next show. Aurora immediately called Grimmy to explain the situation while Jeff attempted not to panic before joining her on the call. After much discussion between the 3 of them and many eye rolls from Harry, it was decided that Aurora would attend the interview the following morning so that Nick wasn’t left hanging without a guest and Harry would stay home to rest before travelling up to Manchester in the afternoon.

xXx

“Good morning you’re listening to BBC Radio One, I’m Nick Grimshaw and this morning I was supposed to be joined by Mr Harry Styles but unfortunately Hazza’s come down with a bit of a cold so he’s sent along his wonderful wife to fill in for him. Aurora thank you for joining me.”

“Thank you for having me Grimmy,” Rori replied. “Wish it was a bit later in the day, but you did buy me a coffee so I’ll let you off without too many complaints.”

“How generous of you love,” Nick smirked.

“Only for you,” she giggled, throwing a wink across the table towards her friend.

“So, I had all these fantastic, insightful question for Harry about the album and the tour and the release of Kiwi as a single today, but alas I’ve had to throw all that out the window. Figured since I’m bluffing the questions, we might have a bit of fun today and given that it’s Hazzas fault you’re up this early, what do you say we have that fun at his expense?”

“Are you gonna get me in trouble when I get home Nick?”

“Wouldn’t dream of it love. Besides we both know he’d never get mad at you, that boy is smitten with you.”

“We’ll see about that. What sort of fun did you have in mind?”

“How about we throw to a song and when we come back, I’ll start with a few softball questions.”

“You’re going to play nicely, aren’t you?” Rori asked as the mics were muted and a song started playing for the listeners.

“Of course,” Nick smiled. “I know where your boundaries are, and I text Harry last night to see what he was comfortable with us discussing in regards to song meanings and he gave us the all clear.”

“Alright then,” Rori sighed. “I guess it’s too late now to back out.”

“Oh, don’t be like that,” Nick laughed. “We’re gonna have a fun morning. You ready? Song’s almost done.”

Aurora nodded and readjusted her headphones.

“Welcome back, if you’re just tuning in, I’m joined this morning by the one and only Aurora Styles. Now Rori, your husband Harry, he’s a good mate of mine and the fans listening at home will be very aware that our boy H doesn’t like to talk about his private life much but between us gals I’ve got a few questions.”

“Oh god.”

“Now, now. We’ll have none of that. I’m wondering what married life is like?”

“It’s wonderful,” Rori answered. “We’ve been married for a little over 7 months now and it couldn’t be better.”

“And you’ve been together for what, 4 years now?”

“Something like that,” Rori agreed.

“What was it that first made you fall for him?”

“Oh um... I’m not sure what the first thing was, it just kind of happened. The dimples certainly didn’t hurt,” she joked. “But in all seriousness, I think it was just how genuine he was.”

“Boring,” Nick replied, rolling his eyes dramatically.

“No, I’m serious,” Rori laughed. “We met at the AMAs right before my first ever solo performance and I was in the middle of a panic attack and he just sat down next to me in the hallway and talked to me until I calmed down. We’d never met before and he just saw me freaking out and thought ‘I’m gonna help her’. You don’t find a lot of genuinely kind people in this industry and he’s always astounded me with how selfless he is.”

“That’s too cute. It’s disgusting. How do you manage being in a relationship with someone who is idolized by such an intensely loyal fan base?”

“Honestly, I love Harry’s fans. How could I not? They love the same things in him that I do. They recognize his talent and his kindness and they’re so supportive of everything he does. I’m honestly just so proud of him so of course I love his fans because he deserves to be adored.”

“You’re very sappy this morning sweetheart,” Nick replied. “Don’t get me wrong I’m loving it, you’re normally much sassier with me when you’re more awake. So how has it been being on tour with Harry and being a part of the band?”

“Oh my god, it’s so much fun. We have the best time when we’re all playing together, and we all get along so easily that it never feels like work. The tour has been incredible so far, getting to play this fantastic album to so many fans. I’m very lucky. There aren’t a lot of careers where you get to spend every day with your husband doing what you both love.”

“Speaking of the incredible album let’s play the new single Kiwi and when we come back, we might have a bit of a chat about the other tracks.”

After Kiwi finished, Nick grinned cheekily across the desk at Aurora as he welcomed the listeners back. “And we are back everyone, now before the song break, we were discussing Harry Styles, the self-titled debut of Harry Styles and Aurora I��d love to pick your brain about it since you were involved in the entire creation process, weren’t you?”

“From writing to recording,” Rori agreed.

“So which track is your favourite?”

“That’s tough. There are a lot of very personal songs on the album and in one way or another they’re all my favourites for very narcissistic reasons, but I think if I had to pick one, I think I have to pick Sweet Creature. It’s just a beautiful song.”

“You would pick a song written for you as your favourite.”

“I mean in my defence every song on the album is either about me or I wrote it so there was no humble way to answer that question, and also Nick,” she paused, smirking in anticipation for the rest of her sentence, “who said it’s about me?”

“Wait. Are you saying you’re not Harry’s Sweet Creature? Well who is it about? Did he step out on you?” Nick joked.

Aurora chuckled. “No, he didn’t step out on me, and I’m not telling you. She knows who she is and all I’ll say is that not all love is romantic love. Besides everyone who assumed it was about me didn’t even really listen to the song. I mean how could we have started out as ‘two hearts in one home’?”

“Well I’m sure all the fans listening are having a bit of a breakdown right now over that,” Nick laughed. “I want to come back to talking about the album later, but since you’ve never been shy about addressing fan theories, I thought it might be a bit of fun to look at what fans are talking about online. I’ve taken to Twitter, Instagram and Tumblr overnight to find out what's on their minds, what do you say Rori?”

“Let’s do it,” Rori replied.

“Excellent. Let’s play a song first and when we come back, we’ll be addressing fan questions, and speculations. This is Taylor Swift with Look What You Made Me Do.”

While the song played Rori and Nick talked and joked around about what he had found online and he promised, once again, that he wouldn’t put her in any uncomfortable situations.

“Welcome back,” Nick said. “This morning we’re answering the internets burning questions with Aurora Styles. First ones gonna be a soft ball Rors. It’s from twitter user @IwouldSellMyLeftKidneyForAuroraStark, who tweeted: My life is in desperate need for an Aurora Styles solo album/tour. Who do I have to kill to make this happen? So, when are we getting your solo work, love?”

“Oh wow, that’s very sweet,” Aurora replied with a blush, “But please don’t sell your kidney for me, you’re gonna need that. As for the solo work, while I appreciate the support, I don’t think I will ever go solo. I enjoy the collaborative process too much and a solo tour just wouldn’t be as much fun as touring with Harry. I will continue posting covers and demos to my YouTube channel and we have been tossing around the idea of a demo tape album so maybe you will get an album from me at some point.”

“Well I for one would be first in line for a vinyl of your Demo Tapes series,” Nick replied. “I found a tweet with a theory about some of your songs from twitter user @HarrysSuits. How cute is it that Aurora Styles has like 5 Songs that she’s written either about or with Harry that have the same or very similar titles to 1D songs? I mean there’s The Little Things, Just You and I, Still I Fly, Where I Belong, and All Night.”

“I mean when you lay it out like that there’s definitely a trend,” Rori admitted with a chuckle.

“You didn’t do it intentionally?” Nick asked.

“Not at all. Yikes. Makes me sound like a bit of a fan girl doesn’t it? Naming all my songs after theirs?”

“A little bit,” Nick chuckled, holding up his hand with his thumb and forefinger pinched together.

“How embarrassing,” Rori said sarcastically.

“Very embarrassing,” Nick replied with a matching tone. “I hope they don’t notice because how awkward would it be if they know you’re a fan?”

“I’d die.”

“Thank god this is a private chat that no one else is listening too,” Nick laughed. “Ok so earlier in the show you hinted at the story behind Sweet Creature and I was hoping, since Hazza isn’t here to stop us, we can dive into the rest of the album. The fans and I couldn’t help but notice that there seems to be a bit of a common theme throughout the album with it being tied into the Columbia shooting and I've got a fan observation here from the account @18monthsTheySaid, it’s quite an in-depth thread but I’d love to get your take on it so here we go:

Whatever you do, don’t think about the fact that at least 4 tracks off HS1 are about Aurora and the Columbia shooting. These are obviously just my interpretations of the songs and I might be wrong but I’m gonna say it anyway.

Meet me in the Hallway: I think this is about the immediate aftermath. He’s roaming the hospital hallways, needing pain relief and he’s ‘gotta get better’ because he feels the need to pull himself together and be there for Aurora. He’s begging her ‘Just let me know…’ because he’d do anything to fix it or make it easier for her.

Sign of the Times is probably one of the most overt ones on the album, I mean ‘why are we always stuck’n running from the bullets’? and I’m pretty sure ‘we don’t talk enough… will we ever learn?’ is about how we can never seem to have an actual conversation about gun reform in this country and until we do we’ll never change.

Two Ghosts: ‘we’re not who we used to be’ is obviously about the fact that they both changed so much in the wake of the shooting and I think the idea of them being ghosts is Harry examining the alternative reality where she didn’t survive and maybe he wouldn’t have survived it either.

Ever Since New York: I mean the title says it all really. ‘Tell me something I don’t already know’ is maybe asking the doctors for better news because she went through so many surgeries and the results were always the same. And ‘Brooklyn saw me empty at the news’ I think is reference to Rori’s dad, Steve Rogers who’s from Brooklyn and some of the Avengers call him that occasionally in interviews.”

Aurora remained silent for a moment once Nick finished reading out the twitter thread. She was so often blown away by how observant the fans were and how much they picked up on. “When we sat down to write the album in 2016 we were so heavily stuck in the aftermath of Columbia that I don’t think it’s a surprise to anyone that a lot of the album is in reference to what happened to me and the fallout from that,” she explained. “This album was about us piecing ourselves back together in many ways and I think if you listen to the whole thing you can hear that entire process of us healing together. The incredible thing about Harry as a songwriter and as a performer is that he’s always been so good at making you feel exactly what he’s feeling when he sings, and clearly people are picking up on that tone and over-arching theme.”

“Was it difficult to write about what happened?” Nick asked.

“Some days,” Rori admitted. “There were a lot of tears but the thing I love the most about music, and the entire song writing process, is that it’s the best form of therapy. When I’m writing I can admit to feelings I wouldn’t otherwise be able to talk about. You can be really vulnerable in way that feels safe and comforting and then when you’re able to share that with the world and you let them in, it’s an incredible experience.”

“And I think I speak for everyone when I say how much we appreciate you and Harry letting us in. Now before either of us get too mushy, let’s throw it over to your favourite track off the album. This is Sweet Creature.”

While the song played, Nick looked across the desk to where Aurora was taking a deep breathe to steady her nerves after talking about something so personal. She loved talking about song writing and the meanings behind her lyrics, but she always got a little nervous when it was Harry’s songs she was talking about, knowing that he felt the opposite about sharing the stories behind the songs. He had told her countless times that while he wasn’t comfortable having those conversations he would never stop her from talking about it, but his silence on the topic always made his fans desperate for information which put a lot of pressure on her when she spoke about his work.  

“Alright,” Nick said, “you ready for the last one?”

“Is it what I think it is?

“It is. Not too late to back out if you don’t want me to ask. We can just talk about the BBC recording or about the tour some more.”

“No, it’s ok,” she replied. “It’s about time I say something. Just nervous about the response.”

Nick nodded in understanding and turned back to the microphone as the song reached its end. Aurora felt her heartrate rising and her hand started to shake as anxiety clawed at her throat.

“Now we’ve been addressing fan theories and answering the internet’s burning questions here this morning and we can’t really have a segment like this without touching on the biggest theory surrounding Harry that dates back to the very early days of his career and I know neither of you have ever addressed this publicly but when we were chatting last night about you filling in for him I asked if it was ok to bring this up and you both agreed I could ask…”

Aurora shifted in her seat hesitantly, her palm growing sweaty as she anticipated the next question. She’d avoided commenting on it publicly ever since she and Harry announced their relationship, which was not to say she didn’t have strong opinions about the topic. She just knew that it would cause a stir amongst the fans.

“For years now, fans have speculated that Harry and his bandmate, Louis Tomlinson, are in a secret relationship and that they’re management forced them to hide it so as not to alienate their fan base. In the past both yourself and Louis’ girlfriends have been accused of acting as beards for the lads, but you’ve never addressed the overwhelming online presence of what the fans call Larry Stylinson.”

“I really don’t like talking about it, Grimmers,” Aurora began. “But I guess by staying silent a lot of fans have taken that as an answer, so what I will say is that I’m not angry at those fans. I am sad though. I’m sad that they think it’s ok to harass myself or Eleanor or Danielle or anyone else in Harry and Louis’ lives. I’m sad that they saw two boys who saw each other as family and loved each other and that those fans couldn’t accept that two men could show affection for each other without it being romantic love. What worries me are all the boys out there who see the way these girls have acted over the years and how much that has reinforced the toxic masculinity in their lives. The fear of being seen as gay stops so many boys and men from telling their friends that they love them. My best friend Ella and I act the exact same way as Lou and H did in the early days of the band but because we’re women no one has ever accused us of being lesbians. The harassment has affected all of us and I know that the fans are acting out of a place of love. They love the boys and they want them to be happy, but it’s honestly just gone too far, and it needs to stop. The Directioners are such wonderful people who are so inclusive and loving and I think they need to remember that and remember that we see the things that they say online. I guess if there was one thing I would say to those fans if they’re listening it would be that I know you love Harry and Lou, but by attacking myself and the other women in their lives you are hurting them and I’m certain that that is not what you want, so instead I ask you to channel that love into supporting them and lifting them up.”

“Thank you love. I know you don’t like talking about, but I must say I completely agree with you. Now we’re going to go to one more song and then when we come back, we’ll wrap this up and let you get on with your day. How about you introduce this next track, Rori?”

“Thanks, Grimmy,” Rori said. “From his incredible new album which dropped less than 2 weeks ago, here’s Niall Horan and myself with Seeing Blind.”

“You handled that well,” Nick told her once the mics were muted. “Kept your cool and explained yourself clearly.”

“Thanks,” Rori replied with a small smile. “Think I might stay offline for the next few days to avoid the worst of it.”

“Probably a good idea love,” Nick agreed. “Ready to finish this off?”

“Let’s do it.”

When the song ended the pair chatted for a few minutes about the rest of the tour before they reached the end of their timeslot. “Well thank you for joining me this morning for a bit of a cheeky gossip session Rors,” Nick finally said. “For those of you listening at home that are missing Harry this morning, tune in to BBC on Thursday night for Harry Styles at the BBC, an hour long show with live performances and interviews with yours truly.”

NEXT CHAPTER

OR CONTINUE READING ON AO3

[jmeddows2]

Purple Thunder (Roger Taylor Series) Part 5

(present/old) Roger Taylor x  Reader Notes:

as promised, I still made it on time, well kind of.. as this relationships develops I’d be happy to hear some of the concepts you guys have/ would love Reader and Rog do/experience etc. :) I’d be really grateful and excited to hear some of that..

other wise, same old jazz: sorry for grammar/ mistakes, English is not my first language but anyways, I gave it a go. Enjoy and feel free to submit requests, feedback etc. :)

If you haven’t already, please check this out: Introducing: Purple Thunder :)

Warnings: a bit of cursing, cheating, we’ll get to more in time, don’t worry ;)

Words: 2.5k

„How was that?“ your drummer Sid gave you a questioned and expecting look through the glass wall from the recording booth, as he fiddled around with the drum sticks, twirling one in his right hand. Roger was already in the black leather chair next to you, willing to produce the whole new album and of course, he didn’t give you a chance to deny it, or to put it better, he insisted on taking over the job as producer. 

“It was good, really good…. but I don’t know.. I feel like we’re repeating ourselves over and over again” your eyes darted from the sound board to your band member. “It’s good, but it all sounds the same. Don’t you think?” You put your elbow to rest your chin in your hand in a thoughtful gesture looking to Roger beside you. His air was a bit messy, but still looked flawless. He put so much work and detail into each song, trying to make little masterpieces out of them, but as much as you appreciated his work, something was wrong. 

“I’ll try a new pattern then? To match the tempo you had in mind?” Sid made you beam back him again, already finding a new beat as he was waiting for your answer. 

“Have you tried drumming machines?” Roger firstly looked at you, then Sid, then back at you.

“It’s not exactly the real thing but it’ll give you something to experiment with” Roger suggested, lightly scratching his beard. 

“Your call, boss” Sid smiled at you , he was indeed excited about Roger’s ‘new role’ in your band, considering that he had been a life - long fan of his, picking up drumming because of Roger in the first place. It should also be mentioned that his parents met at Live Aid back in 1985 when they were just 15 years old, both stood in front row cheering on their favourite band: Queen. Sid especially recalled seeing pictures of Roger in magazines his parents owned, showing a younger Roger wearing some nice suits, having a glass of wine in his hand and always a beautiful young thing by his side. A major part in his decision making on wanting to become THE next Roger Taylor. And he did.. Well sort of.. Sid was someone who enjoyed life… and especially the ladies… He enjoyed it so much that he lost count of the hearts he had loved and left haunted. 

“Ok, let’s try it, you guys mind if I go out for a smoke?” you asked as Sid jumped excitedly into the seat next to Roger. 

“It’s alright love.” Roger gave you a smile and turned to Sid “Now, we’ll start with the basics, you can imitate any percussion on this, if you just…” Roger’s voice drowned out as you made your way out of the sectioned area you had rented, up the stairs to the roof terrace. After 10 minutes of smoking and collecting your thoughts you made your way back onto the ground floor, passing the counter in the foyer where Laura, a good friend of yours had been working. Dan had declined all calls since his outburst in the studio the other, which didn’t make the situation any easier. Arriving back in the booth the drum backing track had surprisingly fast, already been laid down.

Time went by flying as Roger showed Sid some tricks of his own on the drums, which left him amazed. 

“Today’s been great, you’re heading into a kind of different direction in terms of music, I mean your last two albums were excellent, but I think this is going to be even better” Roger smiled adding finishing touches to the mastering of yet another song. Sid had left you two to it again, heading off to meet his parents. Probably also to tell them that he is currently working with rock royalty, but we’ll leave that aside. 

“You listened to those? I’m sorry, I’m just.. I never thought someone like you would listen to my kind of stuff” you chuckled. 

“Someone like?” he laughed. “Why do you always think so bad of yourself? Those two records were really good! Of course I listened to them, got to know what’s hot in the moment… Y’know.. what the teenagers fancy… or whom. I read all the music magazines.”

“You’re probably the only person who still reads those” you laughed giving him a light pat on the shoulder. 

“Hey” he frowned a bit, but a smile appeared on his lips, signalling he wasn’t taking it too seriously. 

“You’re growing with your music, it’s a good thing. Without any of the growing and changing part, Queen would have probably never made it. Gotta think outside the box y’know, do what your heart tells you to do.” He touched your shoulder in a loving gesture. 

“And if it tells me to quit?” you whispered but it was still audible for him. 

“I don’t know if I want to keep doing it. I’m not feeling it anymore, the excitement, the relief, the love…” 

“Are you sure you’re still talking about music here?” Roger looked at you softly, trying to test the waters. 

“I don’t know... Music’s always been there for me when friends or family were turning their backs on me, or when I was too afraid to ask for help, I’d just put some record on and everything was fine. It helped me cope with so much, you helped me cope with so much.” looking into his eyes. 

“Listening to your music was almost like a healing process, I know it sounds weird but it was and still is. I’m just… confused right now. Do I want to continue? Make an album, tour and then end up in the same dark place I had been in two years ago, because absolutely nothing feels right about it? Do I attempt to make my fans happy, but end up disappointing them because nothing feels right?  There’s always so much pressure, I don’t even know who we’re doing this for anymore” by now there were a few hot tears escaping your face. You felt pathetic. Pathetic for always crying and being miserable when Roger was around. He must think you’re a fool by now, someone that’s not capable of the spotlight anyway. Someone weak and undeserving. 

On the other hand….. 

Roger knew what it meant to make sacrifices, also for the sake of his other three band members back in the day. When you’re up against 3 equals, you’re not always able to convince them with your ability or choice. Whether it depends on the melody and musical part of each song or the lyrical choices. Roger often recalls having a song idea, which then ended up being taken apart by his band mates, trying to change every little thing possible. 

This happens, especially when each individual has their own favourite type of musical style. The journey of a musician in expanding their horizon ends, with not feeling it inside their heart anymore. Or the feeling being lost, hurt and especially left out. No matter how many people they’re surrounded with.

You two were sitting with him on the black leather couch, one leg on the couch, one on the ground, while he was listening to you ramble on as if was the most interesting thing ever. Comforting you, giving advice, but most importantly not trying to lead you into any direction, which many people have tried before. He was there. He cared. Lost in comfort you pulled up your feet to place them in his lap.  “I was too stubborn when I was younger, but I know now! Don’t do what might sound like the best idea. It usually ends up going into the opposite direction. If following your heart means breaking free from everything that’s holding you back now, then you could do that” Roger gave you a sympathetic smile, softly rubbing your ankles.  “If it means taking a break from all of this” he made a circling gesture “then you could do that! Don’t feel like letting anyone down, they’ll understand. We used to release an album every year for quite some time, but the fans still continued supporting us, it’s not going to be any different here.” You brought your legs from his lap to the ground scooting closer to him. A failed attempt.  “Do you know how to play?” he picked up the drum sticks that had been lying on the little table beside him and you shook your head in response. He got up and walked over to the drum kit with you following closely.  “Be ready to learn from the best then” he sat down on the little stool behind the kit, making enough room for you between his legs, patting for you to sit down. You did. You held the drum sticks in both of your hands when he brought his around you, to teach you a simple pattern.   “So try hitting the high hat eight times in beat of one measure. Snare comes in at 2nd and 4th hit.” You followed his instructions perfectly earning praise.  “Yeah, just like that, keep the tempo. Now try adding the kick drum on both beginning and end of the 1st and 3rd beat.” You followed his instructions again.  “We have a natural here” Roger laughed reaching forward to brush the hair out of your face that was sticking to your forehead.   “Solo time” it took a few loud clashes on the cymbals to send the sticks flying through the room. “Ooops” you laughed covering your mouth with your hand, your head slightly tilting to one side as Roger laughed into your shoulder.  “A true rockstar” you turned your head to face him.

No phone this time, no text interrupting this moment. There it was. Your all or nothing moment. 

You leaned forward pressing your lips against his. He helped you turn around to sit in his lap without ever breaking the kiss.

“You’re the most impactful, strong and beautiful woman I got to witness in such a long time” he brought his hand up and brushed a few strands of your hair out of your face.  You moved closer to him, pressing your lips against his again and he deepened the kiss.  Your heart was racing when your lips touched his, the feeling of his beard tickling your chin as his mouth started to move along with yours, his lips surprisingly soft. You moved your hand into his messy hair as one of his hands moved to your hip, the other cradling your cheek. Sudden realization hit you and you pulled back. Roger opened his eyes at the sudden loss of contact, when he saw you with your head already in your hands as you were nervously pacing around the room. “I really seem to mess everything up, huh?” you mumbled to yourself, not intended for him to hear. “Hey, it’s alright” calming down was the last thing on your mind now. “You’re alright!”  “No, nothing’s alright, Roger! I’ve been telling myself that for far too long now.. I get it if you don’t want to see or work with me ever again “you were cut off when his lips crushed against your again, he pulled you onto the leather couch with him, back into his lap. A feeling of safety crept into your heart as he pulled you tighter, kissing along your jaw.  Nothing mattered, not the fact that your boyfriend was currently touring the states, avoiding every single temptation on the way, nor Roger’s wife who was patiently waiting for her husband’s phone call from the other side of the world.  Your face was pressed against his chest, the scent on his shirt in your nose and it felt like the safest place in this world. He held you as close as possible. “What are we now” “I don’t know. But I hate the fact you’re everything I was looking for, when I wasn’t looking for it.” Roger replied with a hint of sadness in his voice, caressing your hair.  “Have dinner with me, I know this restaurant, pretty hidden…”  “what if they-“ “Brian’s going to be there. No paparazzi to worry about.” So you agreed. Without having any other conversation your current status, he held your hand. On the way to the cab, in the car itself, earning no suspicious look from the driver who probably didn’t even notice your intertwined fingers. Roger only let go once you entered the restaurant.  Brian was already there, definitely not expecting you on joining them, as he had already taken a seat on a table for two. Roger was right, no paparazzi around.  A young waitress with long brown hair pulled up into a ponytail, which was about 16 years old, was willing to reseat you. She was nervous and almost trembling, so you suspected her to be star struck by the two rock royalties who you shared the table with.. She came back with a tray of drinks, nearly tripping over own feet when she finally reached your table. Brian was just about to ask her if everything was alright, Roger beside you with a smug smile but it wasn’t them she was interested in. “Actually I’m so sorry it’s not really professional, but (Y/N) I’m such a big fan!! Could I please take a picture with you! I’m so sorry to disturb you, I just can’t help myself” the young waitress bounced nervously from one foot to the other. Roger took a quick picture for the girl, who had now basically wrapped her arms around you, still trembling. It was cute, a small reminder of why you’re still doing this. Making people happy… but somehow always leaving yourself out of the frenzy of happiness. She thanked you by giving you another squeeze and you took your seat next to Roger.  “So… how’s the album getting along? Roger told about some complications concerning the guitarist? Did everything turn out alright?” Brian asked, taking a sip from the beer in front of him. You were struggling to answer that question. Your guitarist had basically left, you were far behind in production and material. Yeah everything went great, except for the fact that management was pressuring you, because of the money they were about to lose. Everything was great. Roger noticed the worry in your eyes so he was trying to change the topic.  “Let’s not talk about work now, what are y’all having? Bill’s on me” he placed his hand on your thigh under the table, making sure no one would see and gave you reassuring squeeze. It was all you needed in this moment to calm down.  Brian was quite suspicious. He had known his best friend for over 50 years now. Even considered him a brother. He knew when something was going on with Roger. And that was a lot in this moment. He saw it, right in front of him. Every single look that was exchanged between you and Roger, every single gesture and the exchanging touches. Love.

 Roger payed the bill as promised and wanted to drop you off at your flat. Brian though had other plans, which involved a serious conversation with his best friend. So tricked Roger into the belief that some ‘serious’ problem about the upcoming tour came up. 

“What the actual fuck do you think you’re doing Roger?” taglist: @bellamy1998 @oldfashionedlovergirlsblog

[bbaba-yagaa]

Sweet Pea (Part 1)

A/N: This is part 1 of a fanfic based on the heartbreaking headcanon by @esteladannishreyakamilah and for ES Appreciation Week Day 2 hosted graciously by @brightpinkpeppercorn and @mysteli. And for @choices-december-challenge day 8: family hosted by @kinda-iconic Characters: Estela Montoya, Nicolas Montoya, baby Olivia Montoya, Jake McKenzie Summary: This is a take on Estela's story post Vaanu ending. She handfasted M!MC and they were able to conceive a child (unknown to Taylor before his sacrifice). Rating: PG-PG13 Word Count: 3,400 Disclaimer: I do not own these characters, they belong to Pixelberry. There are two however original characters that I can claim. 

*************

Estela wakes in the middle of the night to the sound of her daughter crying down the hall. In an instant she's out of bed and heading for the door. She scoops up and throws on a pale blue robe along the way; hastily tying it around her waist before exiting into the corridor. Upon reaching Olivia's room, she takes great care to enter slowly and quietly. Curled up tightly beneath her quilted comforter, the distressed four year old thrashes, still in the midst of what Estela assumes is a nightmare. The young mother brushes the disheveled brown hair out of her face, kneels down and plants a gentle kiss on Olivia's head.

“Olivia, baby, it's ok. Mommy's here.” She runs a hand through her daughter's hair and slowly but surely, the little girl turns over to face her mother. Tears come in a steady stream as she whimpers and gently wraps her arms around Estela. “M-momma?” Her small body trembles as she struggles to speak. “Yes, I'm here baby. What is it? What's scaring you?” “The- the man.” “What man?” Estela's gaze snaps to the dark corners of her daughter's room instinctively but nothing seems out of place or otherwise disturbed. “The man with no face.” Her small body is overcome with tremors upon uttering these words. The blood running through Estela’s veins turns to ice when Olivia describes her tormentor. It couldn't possibly be? No. Not a chance. Just a bad dream. She quickly shakes off the nightmarish thought and focuses on comforting her little one. “It sounds like your tio abuelo has been letting you watch scary movies again. I'm going to have a talk with him first thing in the morning.” “Don't be mad at him mommy. He only let me watch the Terminanator movie with the liquid man.” Ah, now her nightmare makes perfect sense. Nicolas would definitely have some explaining to do. Estela's heart rate slows and the fear in her mind dissipates. “Would you like to sleep with me tonight?” “P-pwease?” The toddler begins to dry her face as a smile finally begins to form upon it. “Come on then; let's go. You have to be well rested for our visitor tomorrow.” The little girl's eyes grow wide with excitement when she remembers who is coming to visit. “Uncle Jake!” “Yes, that's right.” Estela playfully ruffles her daughters hair before leading the way back to the master bedroom. As Olivia once again falls fast asleep, her mother lays awake wrestling with painful memories. 

She recalls that it's been almost five years since her husband gave his life to restore the world. Her father, Rourke, who was brought to justice and later executed for the murder of her mother in addition to his crimes against humanity. The justice served to her father brought great peace of mind as she subconsciously blamed him for Taylor’s fate. She remembers finally returning home to San Trobida, her Tio Nicolas and the persistent morning sickness that followed soon after. Then came nerve racking trip to the doctor that revealed the biggest surprise of her life: she was pregnant. Taylor had left this world with no way of knowing he was a father to be and this thought left Estela broken for many months. But with the support of her new extended family and of course, tio Nicolas, she met the challenge of motherhood head on. When the day of birth finally came, the decision of what to name her took but a split second in the young woman’s mind. She would be named for her grandmother: Olivia. Estela wakes the next morning with Olivia clinging tightly to her side. She glances at the at the clock on the nightstand and mentally kicks herself for oversleeping. “Olivia; wake up baby. We have to eat and get dressed. Jake will be here any minute.” In the blink of an eye, the blankets are tossed over the young mother's head and a tiny body erupts from beneath. “Yaaay! Uncle Jake is coming! What are you waiting for mommy? Let's go alwedey!” The little girl leaps out of bed and runs off down the hallway before Estela can remove the blankets from her face. The ecstatic toddler runs all the way to the kitchen where Nicolas is making breakfast for the three of them. “Hey chiquita, where's the fire? Breakfast is not even finished yet.” “I came to warn you tio abuelo; mommy’s mad at you.” She pulls out a chair from the kitchen table before climbing up and sitting down. “Mad at me? What did I do-” Estela quietly walks up behind him and grabs his ear, twisting it just hard enough to get his attention. “You let Olivia watch Judgement Day?” “Ow, Estelita! There's nothing wrong with T2. Hell, by the time you were her age, we'd already watched Aliens like three times. Ellen Ripley was your idol. What's the problem?” “First off, language. Second: she had a nightmare last night! She woke up saying that a faceless man was scaring her.” Estela releases his ear and Nicolas tenderly rubs it before responding. “Aw chiquita Livita, is this true?” The old man thoughtfully strokes his greying mustache as he looks to his great niece sorrowfully. Olivia nods while taking a bite of the toast in her hand. “Yes tio… the man was scawey. But he didn't say anything. He just stared at me until momma woke me up.” “Well I guess we have to be more careful with what we watch from now on huh?” Nicolas turns his attention back to the the frying pan on the stove; carefully avoiding his niece's cold gaze. The distant drone of a plane's engine catches everyone's attention and prevents Estela from further interrogating her tio. “Uncle Jakey is here!” Olivia flies off her chair and makes a mad dash for the front door. “Olivia, wait! You're not even dressed.” Her words fall upon deaf ears as Olivia is already outside and running across the front lawn while looking skyward, anxiously searching for her highly anticipated visitor. “Damn, I'm not even dressed.” Estela turns and briskly makes her way back down the hall. She tosses off her robe after closing the bedroom door behind her and grabs a pair of jeans and a black tank top from an open dresser drawer. The pants are all but jumped into and the shirt is slipped on just as quickly while she ties her hair back into a messy ponytail. Last but not least, her signature blue hoodie is snatched up as she makes her way back to the kitchen. While walking past the breakfast table, she scoops up a bagel and clamps it between her teeth before finally wrestling on the jacket. Nicolas sees her choice of nourishment and holds up his hands in bewilderment. “Really Estelita, a bagel?” He gestures to the magnificent breakfast that took all morning to prepare. Estela simply shrugs while chomping into the baked good. “We overslept because of your bad movie night decision so I'd say we are even. We’ll see you in a bit. Bye tio.” With those words she kicks open the front door and runs off to find her wayward daughter. Nicolas, being the stubborn man that he is, follows and yells after her. “Hey, why don't you invite your hot shot, pilot friend to breakfast? He's got the best stories and is always welcome. Also, can you remind me again why you two aren't a… you know, thing?” The young brunette whirls around to face her uncle. “Tio, my love life is none of your business. We've been over this before. Besides, that's just… weird.” “How is it weird when you've already built him his own private airstrip on our land?” “We've gone over this before as well! I got tired of driving to the airport and he loves being able to drop in anytime to see Olivia. It's a win win situation until you make it weird. Anyways, bye tio!” Estela waves him off and heads toward the sound of a small child bursting with joy. Olivia is jumping up and down in a hedonistic manner just outside the front yard barrier screaming at the top of her lungs. “Yaaay, Uncle Jake! Do the thing. Do the thing!” An small, older model passenger aircraft,  barrels toward the Montoya property. As it closes in, the plane shifts completely onto its side, into an aerial jackknife before it blazes past the young mother and her child. “Momma, he did it! He did it!” Olivia jumps up and down while feverishly waving her arms. “Yeah baby I saw. But that's the wrong type of plane for doing that kind of stuff. If you knew his track record with things that fly, you'd be a little bit more nervous when he does that. Now, get inside and put some actual clothes on while I fetch the truck. You're not dressed for visitors.” Olivia looks down at the long, white sleeping shirt that hangs past her knees. “Aww mom, do I have to?!” She twists her face into the most pitiful expression that it can muster in an attempt to sway her mother. “Yes. Now go on. Let's not keep him waiting.” “Maaaan.” The toddler hangs her head as she half jogs back to the house. Once the door closes behind her daughter, Estela makes her way around the back side of the house and to the detached garage. With a quick tug of the handle, she lifts the door open and hoists it overhead before grabbing a set of keys and jumping into the old utility vehicle. The aged, yet trusty truck roars to life and Estela slowly guides it toward the front of the house. As she rounds the north east corner of the building, a door flies open and little Olivia emerges, fully dressed with a slice of toast in hand. The young mother barely has time to come to a complete stop before her exhilarated daughter climbs aboard. “Hurry mom! We're gonna miss ‘im landing!” “Seatbelt, Olivia.” “Mom!” The toddler bounces in her seat furiously; seconds away from erupting into a tantrum. “Olivia. You have seen him land more times than you can probably count. You'll live. Now put on your seatbelt or we're not going anywhere.” Estela folds her arms sternly as she waits for the stubborn little girl to comply. After an extremely brief stare down, Olivia relents and quickly snaps her seatbelt into place. “Can we go now, puh-lease?” “Yes. Thank you for listening faster this time.” With these words, Estela puts the vehicle in gear and speeds off toward the airstrip to meet their guest. The old utility vehicle pulls onto the runway just as their visitor climbs out of his plane. Olivia leaps out of the truck and takes off running; her messy ponytail bounces wildly behind as she runs into the arms of Jake. He bursts into joyous laughter as she knocks him to the ground unintentionally. “Sweet Pea! Did ya miss me?” The pilot swats at the child's ponytail playfully. “Of course I did uncle Jake! Momma made us late ‘cause she wouldn't let me come down here in my jammies .” “Yep, that sounds just like your mom. You wanna help me up so I can get your gifts?” He offers his up his hand as the little girl's eyes grow wide. “You brought me pwesents?!” She grabs his hand with both of hers and tries desperately to pull him into a standing position. “You bet I did. I missed your birthday and I'm still really upset about it. So, I made sure to get you something fun and something extremely special.” Jake rises to a standing position, allowing Olivia to believe she had lifted him herself. “Wait right there and close your eyes. No peeking!” “Okay uncle Jake.” She carefully opens one eye slightly, trying not to be obvious as the pilot disappears into back into his plane. When he reemerges with hands behind his back, the first thing he does is call her out. “Hey, I said no peeking sweet pea. Now close ‘em.” He quietly walks up to her, kneels down, and presents his gift. “I want you to meet someone. This is Felix.” Olivia opens her eyes to find Jake holding a plushie alligator that's anthropomorphic in nature; complete with suspenders, a plaid shirt and a big hat. Her eyes grow wide with excitement as she reaches out for the toy. “F-felix?” “Yeah! Say hello Felix.” Jake clears his throat and lays his accent on as thick as possible. “Whooyeee! Howdy there lil sweet pea! It sure is nice to meet ya!” The little girl giggles excitedly and takes the plushie from Jake. “This is silly. Alli-magators don't wear clothes or hats!” “You are absolutely correct. We actually eat gator where I'm from.” Olivia gasps and hides Felix behind her back. “You're not eating Felix!” “Of course not. He's your friend now and can already tell you're like two peas in a pod. Now. There's one more gift and this is more like a long term commitment/ project for you and I. Let me grab it.” Jake once again ducks back into his plane as Estela finally makes her way over to see what all the fuss is about. She smiles warmly at Olivia who is affectionately cuddling her new toy. Her attention snaps back to the door of the plane when the pilot reappears carrying a shovel and a sapling that has its roots wrapped in gunny sack. Mother and daughter share a confused look as Jake holds his hand up in a ‘ta-da’ fashion. “You brought me a twee?” “Not just any tree sweet pea. This is a Laurel oak; native to the region I call home. She's gonna get real big. I was thinking we plant her here and I make you a promise. In a few years, when she's tall and strong enough, I'll build you a treehouse. As she grows up higher we'll make the ladder going up to your fort longer and longer. We can make the treehouse bigger and better along the way too. Finally, one day when I'm ready to retire, I'll convince your mom to let me move down here and live out of a hammock we can hang from one of the branches. Sounds pretty good to me. What do you think sweet pea?” Olivia is speechless; her mouth is ajar as she tries to process Jake's proposition. When she's finally able to break free of disbelief, the little girl once again throws her arms around him in a grateful hug. “Th-thank you uncle Jake. So, it's a pwomise then?” “Yes. Yes it is sweet pea. Now lemme catch up with your mom a bit alright? Then we'll go find a good place to plant her.” The little brunette collects felix and jumps aboard the plane; presumably planning to jump from seat to seat as she usually does. “That's a big commitment for you, Jake McKenzie. Are you sure you're up for it?” Estela crosses her arms but the expression on her face is surprisingly soft. “Aw hell. You know I am. When I first laid eyes on her after she was born, I knew then and there that I was done for. Wrapped me around her little finger before her first poop.” The young mother slaps Jake across the arm and laughs. “Don't let my tio hear you talking like that. Just a few minutes ago he asked why we aren't a thing. He'll start badgering you to make a move and buy a ring.” Jake rubs his arm while chuckling and wincing in pain simultaneously. “He should know by now that it was never like that and never will be. Boy-, I mean Taylor would want someone watching over you guys and it might as well be me. I owe him everything.” He trails off as sadness gathers in his cerulean eyes. “While we are on the subject: Have you told her more about him yet?” Estela shakes her head while thoughtfully chewing her lower lip. “I haven't told Olivia much but only because I have no idea what she'll understand and what she won't.” “Well the five year mark is coming up real fast. I'll be picking everyone up and we're gonna head back for a few days. Might be good for sweet pea. Y'know, to hear all the stories about him.” “About daddy?” Olivia reappears at the doorway of the plane and jumps out. “Momma told me he that he saved the world. But that meant he had to leave forever.” “Yeah, sweet pea, that's right. It was really brave of him.” Jake stoops down, picks up the little girl and props her up on his hip. “But if you and mommy come to our little reunion you'll hear so much more about him. All the good times and fun stuff.” “I'd like that a lot uncle Jake.” “I know you would baby. Whaddya say, Katniss? Can we count you guys in?” Estela looks to Olivia who gives her mother a pleading look. “Alright, count us in. It will be good for both of us.” The toddler is overcome with joy. She leaps from Jake's arms and rushes to her mother. “Yay! Thank you momma!” The young mother returns Olivia's hug and swoops her up. “You're welcome. Now are we going to plant this tree or what?” “Yes! Can we put it close to the house so I can watch it grow?” “Sure we can. Just not too close. We don't want it to smother the house once it gets big” The trio collect themselves, as well as the gifts, pile into Estela's truck and head back toward the house in search of the perfect place for the oak tree. ****** On the the last night of the La Huerta group's reunion, the young men and women gather at the Celestial’s pool. Everyone is enjoying good food and company while they exchange stories of the one member who can't attend the festivities. Olivia is sitting on her uncle Aleister's lap as he tries to explain the fine details of his story. “But, I thought my daddy fixed the world.” “He did sweetheart. By leaving with Vaanu. When they left together Vaanu took all the time anomalies with him and the world reverted back to its normal state. Does that make sense?” “I guess so. But uncle Al, what was Vaanu, a space alien?” “Hmm, in a sense, yes. But he appeared to us as an intangible being. Almost like he exists in another dimension that doesn't obey the same laws of physics as our own.” “Now I have no idea what you're saying uncle Al.” Olivia giggles as she squirms away from him. “Well you're not alone sweetheart. There are many men smarter than you and I that don't understand that complex concept either.” Aleister ruffles her hair before she skips off to see what Craig and Zahra are up to. Jake and Estela are lounging next to the pool opposite of Aleister; both of them casually sipping a beer each. They watch as Olivia skips away from her uncle and launches herself onto Craig's back. As he begins to spin her in circles, Estela lets out a sigh of relief. “This has been really good for her. I'm glad we came.” “Oh, is she still having nightmares?” Jake cocks a questioning eyebrow the brunette while taking another drink from the bottle in his hand. “No. Well they continued for awhile but they stopped when I encouraged her to play outside more. She's be fine ever since it seems like.” Estela shakes her head and chuckles slightly. “She's getting too big to sleep with me anyway.” Raj rises to his feet, calls for everyone's attention and proposes a toast. The group of friends gathers around the host and each one says a few words for Taylor. When everyone has said their piece, all eyes fall on Estela, who hesitates momentarily before clearing her throat. “I'll keep this short and sweet. The time that Taylor and I spent together was short, but it was best time of my life. I'll always be grateful for him.” Estela raises her beer, and everyone follows suit. They salute their missing friend and clink their drinks together. After saying their goodbyes, the group once again goes their separate ways. Jake flies everyone to their respective destinations, leaving Estela and her daughter for last. The young brunette mother falls asleep as they near their destination; leaving Olivia wide awake with her thoughts. When they finally touch down on the private runway, Jake offers to help them unload their stuff at the house.

Tagging: @mysteli @brightpinkpeppercorn @roonarific and @mind-reader1

[themousai]

Q&A: Mini Simmons

What’s the ideal outcome out of a surfing trip through Mexico? For Mini Simmons, it was being told by a Mexican Palm Reader (nicknamed, Mini Simmons) - that they’d be famous, and so - a band is born.

You guys have just finished a pretty hefty run of cool festivals, like Nest Fest in Hawkes Bay, Rhythm & Vines in Gisborne, as well as a couple of rad little shows scattered throughout! Do you have any stand-out cool stories to share with us from any of these shows? The Festivals were great. Everyone’s happy and lubricated. We had nowhere to be the next day except another Festival. Someone drunk Zak’s piss. It’s not that cool but it’s pretty far out. He was lying beside Zak who was pissing in the vines and he stuck out an empty beer can and drunk it all.

You guys mentioned in your interview with Bailey Nelson, that you’d be blessing us with an album in March, is this still on track? Tell us about why we should be excited for it? We’ve pushed it out a little bit to allow for another single. May 17th is Album Release Date. We’re just mixing the last few tracks and Mastering as we go. We’re in no huge rush but we have a lot coming up between now and July. Music Video shortly for ‘Kids Off Broadway’, Third Single in March, Album Release and a NZ/Oz Tour. Excited for rock n roll I think. It’s 60s/70s, riffs, sex and slink. Nobody is doing it anymore. It’s our own sound though and it’s in your face.

Now that you guys aren’t surfing beaches in Mexico, where do you find inspiration for your new material? Just things that we do really. Probably the same as most people. Walk down the street see a rich person. Live fast too often and get dropped by your girlfriend. Watch Politicians on Television. Some of it is dribble, but makes for a good song.

Your sound, and clothing, remind me a lot of the London Indie scene at the moment, especially a band called Creatures, what musicians inspire you guys to be how you wanna be? That’s our first comparison to an Indie band or scene…we’ll take it. I just googled them. Can see where you’re coming from with the get-ups. Swinging London, Haight-Ashbury San Francisco. Very Flamboyant. We spread the flamboyance a bit thicker now. We stopped resisting. Fever, uncontrolled energy and chaos. That’s inspiring. If you’re good enough people wet themselves. Remember when great bands made people do that?

You guys have some of the most infectious live energy i’ve ever seen, and it’s mesmerising watching you all perform - do you guys have any pre-show rituals to get yourself all warmed up and ready to be your best self onstage? There are a couple of rituals. Usually we have a bottle of Jack on stage. We bring it in the Maracas case. Sometimes some vitamins and salts. Before a big show we get in a huddle and profess our love for one another. Really nice. And we finish by singing ‘Hava Nagila’ a traditional Israeli folk song.

If you guys could put together a show, alongside three other current New Zealand musicians, who would they be? BOAB – It’s The Lab Studio engineers blues band. Best band in NZ! Neil Finn – Great songwriter and hangs out with Mike Campbell. RIP Tom Petty. Arthur Abez – Cool band

What’s your favourite thing about the music scene? Lots of talented bands coming out of the woodwork at the moment. Also some great new festivals and shows are being thrown around the country which has breathed some life into the scene

And what’s one thing you’d love to see improve? More venues. And smaller band lineups for gigs. Two is the magic number. 3 is ok. 4 in one night is heavy. Just our opinion though. Sorry that’s 2 answers.

Lastly, convince our readers to come catch you at your next show in 3 words. Drinks on Yoni

Quick Fire

The one song I wish I wrote is… Zak: ‘The End’ - The Doors Jesse: ‘Midnight Rambler’ - The Rolling Stones Yoni: ‘Wild Horses’ - The Rolling Stones Brad: ‘I Can’t Think About it Now’ - Dawes (Brad)

Three things I can’t live without are… Jack, Music, Ocean

If I could only play music in one genre for the rest of my life it would be… Blues

Three adjectives that describe my life are… Black Magic Women (Plural). They’re not all adjectives though.

If I held a world record it would be for… Do you get to choose or is this meant to be what we’re good at?

My first memory of loving music is… Zak: Hendrix, Johnny B. Goode Live at Berkeley Community Centre 1970 on dad’s record player Brad: Crowded House, Better Be Home soon. Singing 4 part harmonies with my family as a child Jesse: BB King & Clapton, Riding With The King Yoni: Bob Dylan, Blown’ In The Wind on the radio driving to school with Mum

The song of mine that I am the most proud of is…  Jesse: Fowler Street Brad: Sunflower Fields

My favourite venue I’ve ever played is… Black Barn Amphitheatre, Hawkesbay (Nest Fest 2019)

The ideal environment for me to create music in is… Brads place in Whangamata

If I could have any two bands open for me they would be… Rolling Stones (with Mick Taylor), Peter Green’s Fleetwood Mac

Follow Mini Simmons on Social Media! Facebook | Instagram | Spotify | Youtube | Apple Music

Interview by Mandie Hailwood

[skip-to-my-boo]

TEEN VOGUE - Meet BTS, the K-Pop Group Loved By Wale and Charlie Puth

And it's well-deserved. By Taylor Glasby MARCH 21, 2017 1:33 pm In 2017, we’re spoiled for choice when it comes to good pop music. But what if you could have dancefloor bangers, socially-conscious hip hop, emotive ballads, and killer choreography all in one group? Look no further than K-Pop group BTS, who bring all of the above together in their recent genre-defying album, Wings. The seven members — Rap Monster (rapper), Jin (vocalist), Suga (rapper), J-Hope (rapper/choreographer), Jimin (vocalist/choreographer), V (vocalist), and Jungkook (vocalist/choreographer) — dropped their first EP back in 2013, which totally went against K-Pop’s general manufactured dynamic by taking a major role in writing (and later, producing) their own songs. However, it was their 2015 Youth concept albums, The Most Beautiful Moment In Life Part 1/...Part 2, that turned them into K-Pop superstars, with songs like “I Need U” and “Run” filled with their hopes and dreams, pointed jabs about society, and the pressure of being young and the hell that comes with it — from heartbreak to haters. This month, BTS return to America for a sold-out arena tour, armed with the accolade of being the only Korean group to have cracked the U.S. iTunes Top 10 with the recent single “Spring Day." And with Charlie Puth as a fan, a brand new collaboration between Rap Monster and rapper Wale, and hundreds of millions of YouTube views — we have no doubt they'll become a huge sensation stateside. As such, we talked to them about making music, fame, and, if you're new to BTS, which tracks will have you joining their fandom (called A.R.M.Y) in no time. Teen Vogue: How did you feel about landing in the U.S. iTunes Top 10 in February? Rap Monster: Reaching the top of any music chart is a thrill, but this was a shock. We were on [a strict TV appearance] schedule at that time, so it wasn’t like I could scream or anything (laughs). Jin: It was ‘Wow. Are you serious? Really?’ It was similar to what I thought when I first heard that Wings charted at 26 on the Billboard 200 last year. How cool is that! TV: For those new to BTS, what song and which video should they check out? RM: Hmmm, it’s like choosing between your mom and your dad, who do you like better! “Fire” was loved by so many, so that’s the song. Jin: I’d recommend “Blood Sweat & Tears” because I got the lead role and I kind of lead the whole story of video! And, of course, it’s beautifully designed and choreographed. V: I, too, think it’s “Blood Sweat & Tears.” It had so many metaphors and I had to make a lot of guesses to understand the relationship between characters. And there’s a scene where I make a strange smile to give you a chill, which I love! Teen Vogue: Rap Monster, K-Pop groups usually have designated roles for the members and yours is BTS’s leader, but what does that mean to you? RM: It’s my official role to represent BTS to the world and it’s been a chance for me to mature as a person, but, behind the scenes, I’m just one of seven members and I’m inspired by the others all the time. I get free life lessons from J-Hope and Jimin, sometimes it’s like they’re 10 years older than me. TV: OK, let’s play a little game. You’re now at the mercy of another member describing you. Jungkook: Jin used to be an ordinary guy in the team, but he’s the mood maker now. He’s the most wicked and funniest of all. No one in BTS is normal though, come to think of it. Jin: Jungkook’s delicate voice always mesmerizes our ears and that’s definitely his role in BTS. V: Jimin is a real piece of cuteness, like the youngest in the family. Jimin: V’s specialty is getting all the attention from others onto him! J-Hope: Suga is a true caretaker. He’s kind of a hidden leader who takes care of everyone. Suga: J-Hope’s a real hope-maker. He’s such a ‘hope-generator.’ TV: BTS have become highly respected for penning their own tracks. When you’re on tour, do you make time to write? RM: Mostly we’re in the hotel when we’re not on [our promotional] schedule so I bring all my equipment. I wake up, if I have a rehearsal, I go do that and when I come back to the hotel, I sit down and turn on the laptop, cause I’ve got nothing to do without that! TV: When you’ve got a new demo, such as the rough guide to Wings, do you take it to another member and play it and ask for feedback? Suga: I usually have as many people listen to it as possible because I think it really helps make it a better track. I always get great feedback from the rest of the band. RM: Firstly, I take it to (BTS’s executive producer) P.Dogg. If he likes it, he sometimes puts it into the album. I really trust him, he’s got the eye for it. TV: If P.Dogg says no, will you fight for it? RM: Yeah, of course, I really fight for it! I’m like, ‘Hey, this is the thing I gotta do right now. If you won’t do it, I’ll put it into my mixtape!’ The last one I fought for was ‘Reflection’ — there’s an original version, a whole different song. He didn’t not like it, it just didn’t fit the Wings concept, so I’ll release it myself someday. Suga: I think I kind of did for my mixtape, because I felt I should as AgustD [my solo moniker], and I’m glad I did. TV: Speaking of mixtapes, J-Hope, we’ve been looking forward to hearing yours. What can you tell us about it? J-Hope: I’m working on it as we speak and my inspiration really depends on my daily mood swing; sometimes I like to go strong and sometimes I make softer sounds. Since it’s a mixtape, I’m trying to experiment with various genres to test myself. TV: Jungkook, you recently covered Charlie Puth's “We Don't Talk Anymore” — you teased it in January but didn’t release it until the end of February. Were you making changes? And will we hear your own songwriting any time soon? Jungkook: I recorded it several times until I was sure that it felt and sounded perfect. I was more than ready to share it because I knew fans had been waiting, but we had You Never Walk Alone being released and I thought I’d better wait until BTS wraps up the official activities for it. I don’t feel confident about writing any of my own [material] yet, but if I ever write a song, I’d like to work on a very soft and sweet vibe. TV: The bigger an artist gets, the more people will try and bring them down. How does BTS deal with that side of fame? Jimin: I’m a very positive person and I don’t easily get intimidated by people who try to bring me or BTS down. Besides, my family is always there for me. RM: These days, I try to take everything as my fate and respond with dignity. I accept it, it’s like a shadow, it’s just there. J-Hope: I had a firm belief that I was going to be a successful artist, and that led me to what I am. I draw all the strength I need from that belief and try to share my energy with other members as much as I can. TV: Rap Monster, you’ve just released a collaboration with rapper Wale, which came about through a BTS fan helping bring you guys together over Twitter. What can you tell us about working together? RM: When he suggested the collaboration, that was a real shock. I thought about it, [and was] like, should we do a party song? But I wanted to do something different. The title is “Change” — in America. They’ve got their situations and we’ve got ours in Seoul, the problems are everywhere and the song is like a prayer for change. He talks about the police, and problems he’s faced since he was a child. For me, I talked about Korea, my problems, and about those on Twitter who kill people by keyboards. TV: Let’s do a finishing quickfire round! BTS experiments with a lot of genres, which one has been a challenge? V: I always find rock difficult. RM: I’m always ready to be challenged, like, “Wings: Outro,” it was hip-house, that was the first time I’d ever listened to that genre... but I liked it. TV: What do you want do while you’re in America? RM: I want to go to Barneys and Supreme! I want to see buildings and people on the street, their faces, what they talk about, how they walk. I do that in Korea. I go to somewhere I haven’t been and just watch people and colors, that’s my inspiration. Jimin: I really want to go on a day trip with the members. Or a picnic to Central Park on a sunny day would be nice.

[rynehambright]

20 Not So Sweet 16.

2016 felt like the weirdest mixed bag. Like one minute you could reach in to find a delicious piece of your grandma's homemade peanut brittle and the next you might pull your hand out to realize three of your fingers were missing. "It is what it is” so they say, and this year certainly...was.

Below you will find my top 20 of '16. On this list there are records, movies, books and more. Eligibility was granted to anything and everything that 1. entertained me and 2. had an original release date in the calendar year. Anywho, I've got to keep this short before our new President takes over and this domain changes to Trumplr.

20. Hello, My Name is Doris

As terrible as 2016 proved to be in the taking of some of our greatest artists, thank the Lord not a hair on Sally Field’s head was harmed.  Turning in her quirkiest and most charming performance to date, Field plays Doris, a young-at-heart sixty something who is trapped between the comings of old age and the millennial workplace.  When a new hire, played by New Girl’s Max Greenfield enters the picture, Doris finds herself falling for a man that could comfortably be her grandson. It all sounds so horribly wrong but feels so honestly right. You do you, Doris. (SPOILER ALERT: She does.)

19. Cleopatra - The Lumineers

With the strength of a thousand fedoras, The Lumineers roared onto the scene with 2012's Top 40 hit 'Ho Hey'. The self-titled album that housed the track proved to be a powerhouse of its own, expertly blending folk and Americana instrumentation with pop melodies. This year's followup, Cleopatra continues to expand the band's discography both sonically and narratively. Handily overcoming the pitfalls of the sophomore slump, the album finds The Lumineers shining bright as ever.

Standout Tracks:

'Sleep on the Floor', 'Cleopatra' and 'Sick in the Head'

18. Life's Too Short to Pretend You're Not Religious - David Dark

When I hiked 250 miles of the Appalachian Trail earlier this spring, I took one book with me: David Dark's The Sacredness of Questioning Everything.  Early on in my read, I started underlining what were some of the most profound and relatable thoughts on Scripture and faith that I had ever come across.  By the time I finished I realized I had highlighted something on every single page.  Dark’s followup is, in the best way, more of the same.  ‘If what we believe is what we see is what we do is who we are, there's no getting away from religion."  Again, I recommend a Costco pack of highlighters.

17. 10 Cloverfield Lane

2008′s Cloverfield single-handedly reinvigorated the found footage genre.  I remember sitting in the theater being completely overwhelmed and shocked by the true horror and helplessness I felt coursing through me.  The only thing that would come to shock me even more was to learn a sequel of sorts had been filmed back in in 2015 under a false project name.  Some eight weeks after the first official trailer dropped early this year, 10 Cloverfield Lane found itself in wide release, a true feat in the digital age where major spoilers daily flood the pages of blogs and forums.  Set in the same universe as the original, the film takes place days prior to the first attack in New York City.  With a whip smart script and a powerhouse performance from John Goodman, 10 Cloverfield Lane left me wanting more, a LOT more, from the Cloverfield chronicles.  Thankfully, this October, we get just that.

16. Integrity Blues - Jimmy Eat World

Jimmy Eat World is one of maybe three bands I can think of that have put out multiple perfect records.  Both Bleed American and Futures are, in my not so humble opinion, flawless from front to back.  Since their crossover smash ‘The Middle’ was released, the band has spent the last two decades building an impressive, albeit under the radar, discography.  And while the band’s more recent releases have been more inconsistent than those releases, Integrity Blues is a step back in the direction of perfection.  Showcasing what has become the staple Jimmy Eat World sound while also ushering in a new future, the album is the perfect companion for a night drive when you have nowhere to be.  Continuing the tradition of having THE best album closers, ‘Pol Roger’ is the denouement of Integrity Blues and finds the band wings outstretched, taking full flight.  (Aside: Clear winner for album artwork of the year).   

Standout Tracks:

'The End is Beautiful', 'Integrity Blues' and 'Pol Roger'

15. Glory - Britney Spears

I’ve always had an idea for a meme of Britney Spears playing Quidditch, flying high on a broomstick, arms outstretched for the winged, golden ball with the words ‘IT’S BRITNEY, SNITCH’ in bold.  Felt like the right time to put that million dollar idea out there.  Truth be told, I’m always rooting for Britney.  As horrible as it sounds, I feel like she should have probably died in her late 20′s.  She had an infamous breakdown in 2007 that I’m not sure we will ever quite know the extent of (even now her parents still have a conservatorship over her) that would have taken most of us out.  Since then, she’s released three full-length studio albums, secured a multi-year Vegas residency and slowly built herself back into form.  Glory is the culmination of it all.  Easily the most underrated effort of 2016, the album is absolutely STACKED with bonafide pop anthems and what Tom Haverford would deem ‘bangers’.  Had the majority of these tracks been released by Selena Gomez or Katy Perry they would have ruled the roost and the airwaves but alas Britney has become a dark horse of sorts.  It’s the comeback we knew was a ‘when’ not an ‘if’.  It’s the phoenix from the ashes.  It’s Britney, bitch.

Standout Tracks:

'Do You Wanna Come Over?', 'Hard to Forget Ya' and 'Liar'

14. Don't Think Twice

 Mike Birbiglia has quietly and carefully been crafting a name for himself in the comedy community for some time.  I was introduced to him by my good friend Netflix when the 2012 Sundance darling Sleepwalk With Me was added to Instant Streaming.  While that effort left a lasting impression, this year’s followup, Don’t Think Twice leveled me.  Often times, the things that move us the most serve as mirror held close, expanding our field of vision and allowing us to see things the way they are.  For 92 minutes, Don’t Think Twice made everything clear, even when it hurt.

13. This is Acting - Sia

Any artist would kill to have a single chart on the Billboard Hot 100.  Most would kill AND sell their first born to have that single reach the summit and be deemed ‘Song of the Summer’.  Sia did that all of that...with a B-Side track (see: Cheap Thrills).  Undisputedly one of the most prolific and talented songwriters currently working in mainstream pop, Sia Furler had exclusively been known as the go-to girl for artist like Rihanna, Britney Spears, Katy Perry and Adele.  Then came 2014′s Chandelier, a global phenomenon and top 10 hit that allowed Sia to became her own brand and ultimately her own artist.  This Is Acting feels in some ways like a massive middle finger to the cutting room floor, as every single song on the album was intended for another artist who ultimately chose not to use it.  Believing the material was good enough to stand on its own, Sia chose to release what had unintentionally become B-Sides under her own moniker.  The album is further proof that everything Furler touches is gold and serves as a reminder that we have a Midas in our midst, even when we foolishly forget.

Standout Tracks:

'Bird Set Free', ‘Move Your Body' and 'Reaper'

12. Arrival

Everything about Arrival is different.  It’s a slow-burn drama about the power of communication disguised as a sleek sci-fi.  It’s a fictitious work serving as a very real warning sign.  It’s a testament to Albus Dumbledore that “Words are our most inexhaustible source of magic. Capable of both inflicting injury, and remedying it.”  With yet another tour de force performance from Amy Adams (is there anything the woman can’t do), Arrival is the kind of film that sits with you for days and makes you feel distinctly human.  Not because you’ve been made to stand beside an alien, but because you’re reminded that, in the end, we all want understanding.  Even though I figured out the slight of hand the film tried to pull quite early on, it didn’t even matter.  Arrival is that good.

11. Hero - Maren Morris

I was late to this party.  I had heard for months that this debut was something special, but because I wanted to spend another night in or had a Netflix marathon to run I never showed.  Then, the week after Thanksgiving, I finally decided to RSVP.  Maren Morris’ Hero is a rarity in its distinctness and maturity, something that seems far too developed and harnessed for a first timer.  ‘I Could Use a Love Song’ is arguably one of the best country ballads of the year while ‘80′s Mercedes’ could have a seat at the table with the best of Taylor Swift’s crossover hits.  A firecracker that doesn’t care much for self-restraint, Hero attests to the fact that Less isn’t Morris.

Standout Tracks:

'I Could Use a Love Song', '80′s Mercedes' and ‘Once'

10. 4 Your Eyez Only - J. Cole

J. Cole is an Avenger.  He, with the likes of Chance the Rapper and Kendrick Lamar have assembled to save hip hop.  4 Your Eyez Only isn’t about the material world, a place modern hip hop seems to have set up shop.  It’s about the big questions: What is society’s perception of me?  Why?  How have I found love and what do I do with it?  Am I worthy?  Do I want to be alive?  J. Cole wrestles with it all.  Like all of us, there are times when he has to tap out and others when he can go another round. Riddled with insecurity and vulnerability, the album ultimately serves as one huge love letter to his new wife.  One written from the exact opposite perspective of Nicholas Sparks.  One that seems a lot more real. 

Standout Tracks:

'She’s Mine Part 1 and 2', 'Neighbors' and 'Foldin Clothes'

9. Fantastic Beasts and Where To Find Them

You may not know this (I tend to keep it quiet) but I am a Harry Potter fan.  Everything about the magic, the world, and most importantly the characters exhilarates me in way few things in life can.  If I had to pick a safe word it would probably be ‘Expecto Patronum’ (which, with more thought, seems horribly fitting).  After the final book was released and Deathly Hallows Part 1 and 2 had long left theaters, Potter Heads everywhere were left with a hole that could only be filled by revisiting the series.  Then, last year, in an apparent attempt to give millions of people worldwide a heart attack at exactly the same time, author J.K. Rowling announced that she would serve as the screenwriter for a new prequel trilogy taking place some 70 years before Harry’s time.  Rowling more than made good on her promise.  The originally planned trilogy instead became a five part series, kicking off with this year’s Fantastic Beasts and Where to Find Them.  The film is an expertly crafted launching pad for the 1920′s story of magizoologist Newt Scamader and his discovery and documenting of magical beasts throughout the Wizarding World.  The film evokes all the nostalgia and excitement that comes with reading a new Potter book for the first time -- the highest praise I know to give.

8. Where Am I Now? - Mara Wilson

The film that single-handedly shaped my childhood the most was Danny DeVito’s adaptation of Roald Dahl’s Matilda.  It’s also one of a handful of films from that time that I can still watch as an adult and completely holds up. Naturally, when star Mara Wilson announced she was releasing a memoir that would heavily discuss her time as a child actress on flims like Mrs. Doubtfire, Miracle on 34th Street AND Matilda, I Amazon Primed the shit out of it.  I had been following Wilson on Twitter for years prior because of her prowess as a young writer and also because we had had a brief exchange about how good the songs in A Goofy Movie were.  Where Am I Now? is an absorbing read that seemed to constantly rotate between warming my heart and breaking it.

7. Manchester By The Sea

I will burn the Academy to the ground (a pun that’s in poor taste here) if Casey Affleck doesn’t take home the Oscar for his work in this film.  He gives absolute and full commitment to a man processing one of the worst tragedies imaginable, all without the gimmicks of losing a lot of weight or crawling into a horse carcass.  For all the heartbreak Manchester by the Sea serves (and I’m telling you it is a LOT), I somehow left the theater slightly hopeful.  Not because of a happy ending or because it has an uplifting message but because anytime this degree of honesty is put on display there’s not much else to do but be inspired.

6. Stranger Things

The pop culture event of the year, Netflix Stranger Things was something I stumbled upon on a Sunday morning in July.  I had no clue what it was (except that it had an incredible poster) but I DO remember that some eight hours after I started episode one I finally surfaced from my room for a burrito.  Led by a very welcomed return from Winona Ryder and five young finds, The Duffer Brothers truly and utterly turned my world Upside Down.

5. Coloring Book - Chance the Rapper

The uncontested breakout of the year, Chance the Rapper’s Coloring Book doesn’t worry about staying in the lines.  Not only is the content different from what any other artist is doing, so are the means.  Chance is 100% unsigned, operating without the backings of a major label and offering large amounts of his music (this album included) at no cost to his listeners.  Coloring Book is a polaroid of the 23 year old rappers life growing up in Chicago, a snapshot of what navigating the waters where faith, family and life coalesce looks like.  Chance is a modern day prophet, who’s not for-profit or for sale.   

Standout Tracks:

‘Blessings', 'Same Drugs', and 'All Night'

4. Blond - Frank Ocean

The hype surrounding Frank Ocean’s follow up to 2012′s Channel Orange was legitimately palpable.  With each passing day of 2016 you could feel it a bit more.  After a mock library due date slip with over ten various dates showed up on Frank’s website, each apparently representing possible release schedules, it was as they say ‘lit, fam’.  However, one by one, the dates came and went, with the Internet breaking and subsequently repairing itself just in time to repeat the cycle again.  Finally, on August 20, the Ocean’s tides changed and Blond washed ashore.  Filled with vibrant use of unexpected instrumentation and vocal manipulation, Blond (originally titled Boys Don’t Cry) continues to push the envelope and break the boundaries of who Frank is and what his work is capable of.        

Standout Tracks:

‘Ivy', 'Solo', and 'White Ferrari'

3. La La Land

La La Land is what would happen if someone personally asked me for the ingredients to a perfect film recipe.  You take my two favorite actors, Emma Stone and Ryan Gosling, add a scoop of Damien Chazelle (who’s last project Whiplash was my favorite film of 2014), a dash of a L.A. based musical and let set 2 hours 8 minutes.  Truth be told, I hadn’t been this excited for a film all year (including Fantastic Beasts) and rightfully so.  La La Land not only lives up to every bit of its potential but takes the parts of its whole and makes them into something bigger than we could have ever imagined.  It’s a film for dreamers, a film for lovers, a film for the ages. 

2. Kubo and the Two Strings

Prior to the start of the year, I don’t think you could have done anything to convince me that there was even a chance of my liking another film more than La La Land.  Yet, here we are.  Yes, it’s animated and holds a risquè PG rating, but Kubo and the Two Strings really is as good as it gets.  With the breathtaking stop motion animation that Laika has become known for, a rousing script that sees its young hero navigating some of life’s hardest lessons and brilliant voice over work from the likes of Charlize Theron and Matthew McConaughey, Kubo finds itself in a league of its own.  'If you must blink, do it now’, says young Kubo.  Great advice before the film begins, as you won’t want to miss a thing. 

1. (TIE) Lemonade - Beyonce

I know that having two number one’s might seem like a cop out but this is my list and, as I plan to say quite often when I become a dad, "My House, Ja Rules".  Having to choose between Beyonce’s ground breaking Lemonade and Broadways’ show-stopping Dear Evan Hansen seems a crime on par with The Office or Parks and Rec?  What Beyonce has done with her sixth studio album is unprecedented.  It’s un-Bey-lievable.  Albums like this only come beyONCE in an artist’s lifetime.  Okay, I’m finished.  But in all seriousness Lemonade is an evolution.  From angry, heartbroken, questioning, to free, powerful, secure the album delves into the relationship of music’s most prominent couple.  And that would be enough.  But on repeat listens it starts to feel that maybe Beyonce isn’t simply speaking to the plight of the person who’s been cheated on but the person who is seemingly always cheated.  The downtrodden of society, the least of these, the marginalized.  In this case the black community.  Lemonade is her attempt to reconcile it all.  Darwin was right, life really is about the survival of the fittest and Lemonade finds Beyonce not just surviving but thriving.  As the old adage goes, ‘”When life gives you lemons, make the album of the year”.  

Standout Tracks:

‘Sorry', 'Freedom’, and 'Formation'

1. (TIE) Dear Evan Hansen

If you didn’t have a reason to go to New York City before now, I’m giving you the only one that matters.  I saw Dear Evan Hansen in previews over a month ago and am still putting myself back together.  What Ben Platt does everyday, sometimes TWICE a day, on the stage of the Music Box Theatre is nothing short of super human.  The show had been recommended to me by someone I trust on these matters, so I went in knowing absolutely nothing prior to my showing. Looking back, it’s the only way to do it.  Let the show wash over you and make you better.  Go in unsure and lost and I can promise, you will be found.

[newagesispage]

                                                                        AUGUST   2020

PAGE DEB

 There is a limited series coming to Showtime ,Blackbird: Lena Horne and America.

*****

Barack Obama joined a zoom call to Crip camp for the 30th anniversary of Americans with Disabilities act.** Hearing Obama, Clinton and even Bush speak as they remembered John Lewis reminds us how calming it can be to hear inspiring words.** Feel bad that Jimmy Carter could not attend since it was in Georgia. We miss ya.**John Lewis put his own words out there in the NY Times on the day of his funeral. He also wrote letters over the last couple of months to many activists to continue the fight.

*****

Racism is so American that when you protest it, people think you’re protesting America. – Romy Reiner

*****

Check our Smartless, the new podcast from Sean Hayes, Jason Bateman and Will Arnett. Each episode one of the hosts brings a surprise guest that answers questions.

*****

Opening some states is like opening a ‘peeing’ section of the pool. –Neil de Grasse Tyson

*****

Rumor is that Dave Chappelle will be on Letterman’s next batch of Netflix shows, My next guest needs no introduction.

*****

Check out the album Grandpa Metal from Brian Posehn, Brendon Small, Scott Ian, Al Yankovic, Corey Taylor and Jill janus.

*****

Reports have come thru that Brett Kavanaugh wanted the Supreme Court to avoid decisions about abortion and Trump’s financials.

*****

The Redskins have become the Washington Football team.

*****

Hulu will bring us Nine Perfect Strangers with Nicole Kidman, Melissa McCarthy and Michael Shannon.

*****

Days alert: I wish Bonnie would turn out to be Adrienne. If the switch was made when she chose Justin over Lucas,that would explain a lot. Eve is back for revenge but Ciara and Hope will find Ben. Will it be too late? I hope this brings Shane  and Teresa back to town.  Allie will have a boy but who is the Father? Rumor is that it could be Theo Carver or Parker Jonas or Tripp Dalton. Will Eli and Lani have twins? Sarah and Xander will reunite??

*****

Spencer Grammer was stabbed while trying to break up an altercation in NY. She is on the mend.

*****

The Green Banana is a sort of 425 foot bright blue sink hole that has been found off the coast of Florida. Divers say it is about 155 feet below the surface.

*****

The Department of Homeland Security has more law enforcement capability than all other branches combined.** Why aren’t the storm troopers working on real crime?? Fingers crossed for no more Trump troops for “Operation Legend.”

*****

Jim Jordan says that, “Big tech’s out to get conservatives.” The top performing FB posts that day: Ben Shapiro 2. Fox news 3. Dan Bongino 4. CNS news 5. Ben Shapiro 6. Ben Shapiro 7. Fox news 8. CNN  9. Blue lives matter

*****

2 million Americans do not have running water.

*****

Actor Bryan Callen has been accused of sexual assault.

*****

Breonna Taylor is on the cover of O.** The WNBA has dedicated their season to Breonna and the Black Lives Matter movement.

*****

Epix has brought us a sort of new look at Manson with Helter Skelter: An American Myth.

*****

Southern Crossroads has a slogan: Rednecks for Black lives!!

*****

Louis De Joy, the new Postmaster General has apparently shut down sorting machines and cut overtime so that mail carriers must leave mail behind.

*****

David Duke is permanently banned from Twitter.

*****

The Emmy noms are here: Netflix broke all previos records for number of noms. Leading the pack was Watchmen, The Marvelous Mrs. Maisel, Ozark, Succession, The Mandolorian, SNL and Schitt’s Creek. The best drama category is the toughest with The Mandolorian, Ozark, Succession, Better Call Saul, The Crown, The Handmaids tale, Killing Eve and Stranger Things. Best supporting actor in drama and comedy is tough including Kieran Culkin, Giancarlo Esposito, Matthew Macfayden, Andre Braugher, Tony Shalhoub, Kenan Thompsonand Daniel Levy. The limited series or movie supporting actress is loaded with goodies too like Holland Taylor, Uzo Aduba, Margo Martindale, Tracey Ullman, Toni Collette and Jean Smart. How can you pick?? The 72nd Emmy’s will be hosted by Jimmy Kimmel.

*****

A new low: College Covid parties in Alabama to see who can get it. I think we need to crack down on education because we have some pretty stupid people in this country. Why do we want to work the medical professionals within an inch of their lives??** 155 thousand dead. The total cases have dipped slightly but fatalities are up. ** Pelosi has issued mandatory mask order for the house.** In the new covid bill they want 1.75 bill for a new FBI building that will stay in the same place that it now stands?? This surely couldn’t be because it is across the street from the Trump hotel and he does not want competition and likes his special locale. **The Senate decided to take a long weekend and not deal with it until August. How do so many not care about their fellow man??** The longer it takes to get the virus under control, the more business’s we lose forever.

*****

The Catherine’s clothing chain is closing.

*****

We need more detective shows with real stories about cops that don’t do things by the book. We have all heard of the fucked up crime scenes like Jon Benet Ramsey or Jeff Macdonald and we know that is just the tip of the iceberg.

*****

There have been shootings all over the country at various gatherings which should not even have been held.

*****

There is a long history with these vipers, Bill Barr’s Father hired a 20 year old Jeff Epstein to teach at Dalton. He was a high school drop out with no degree.** The usual suspects, Nugent and Baio et al.will speak virtually for Trump at the Republican convention.** Contrary to what the administration said, Paw Patrol was not cancelled.** You knew he would get around to wanting to postpone the election. Too bad for him congress has to agree and if they can’t work it out  then the speaker may have to take over.

*****

Shep Smith has joined CNBC.

*****

Colin Kaepernick’s life will come to Netflix from Ava Duvernay. **

*****

The world hates us so much right now. We’ve been ruined in more ways than we know.** What kind of shithole President wishes a child sex trafficker well?

*****

Billy Eichner will play Paul Lynde in Man in the Box.

*****

The U.S. has told the Chinese consulate in Houston to shut down. Is this because of intellectual theft?? Now China has moved us out of our consulate there.

*****

Fairfax County will rename Robert E. Lee high after John Lewis.

*****

The Reagan foundation has asked the Trump campaign to stop raising money off of his name.

*****

I’ve been begging everyone for years; please wear a mask! –Emo Phillips** CVS and Wal Mart no longer require masks!!

*****

The company, Tele Tracking that took over control of the covid info is owned by Chris Johnson. The 10 mil contract went to the NY real estate dude.

*****

Funny how everything is a handout besides generational wealth.

*****

Hooray to the Yankees and the Nationals for taking a knee before the game.** Trump claims he was busy with Covid and could not throw out the first pitch. Come to find out, he was not asked. He made it  up.

*****

Favre and Trump golfing, yea, that sounds about right.

*****

A company can keep women from birth control if there are religious or moral objections. About 126 thousand women will lose coverage.

*****

Lt. Col Vindman had been approved for promotion but the President would make the final decision. The brave hero decided to retire.

*****

The Supreme Court ruled that Trump can’t block his records being released. It is in the public interest but Trump can try again to block with different tactics.** They also ruled that most of Eastern Oklahoma will remain Native American land.** The Esselen tribe of Monterey county have reclaimed land on  the Big Sur coast that was theirs 250 years ago. This was a cooperative effort between them, the California natural resources agency and a conservancy group.

*****

Trump calls the Black lives matter in front of Trump tower, “a symbol of hate.”** Cops shot, Cops killing civilians, mask confrontations: The mental illness in this country is officially off the charts.

*****

Biden claims he will use the Trump tax cuts to pay for 5 million new jobs in products and technology. The Dems released their agenda that touts free child care.** 100 days before the election, Brad Parscale was demoted.  Jared puts his friends in high places and it goes on.** They say John Kasich will speak for the Dem convention. **

*****

Hey Seth Meyers: I LOVE the sea Captain!!

*****

Muddy Water’s former Chicago home at 4339 S. Lake Park Ave. will be a museum.

*****

Sen. Tom Cotton called slavery, “a necessary evil.”

*****

Still advertising on Fox news: Verizon, Noom, Allstate, Pfizer, Ancestry, Honey, Poshmark, Purple and Sanofi. ** And we know never to eat Goya again.

*****

Jean Smart will star in Miss Macy.

*****

Oprah mag will stop print.

*****

It is so Scary Clown: The only thing the enemy can’t stand is being laughed at. –Mark Twain

R.I.P. all the Covid victims, Nick Cordero, Hugh Downs, Ennio Morricone, Bill Field, the elephants of Botswana, Ronald Schwary, Charlie Daniels,  Mary Kay Letourneau,  Max B. Bryer, Kelly Preston, Naya Rivera, Ben Keough,  Phyllis Somerville, Grant Imahara, Emitt Rhodes, Regis Philbin, John Lewis, John Saxon, Peter Green, Malik B., Herman Cain, Alan Parker and Olivia de Havilland.

[newyorktheater]

Below is a selection from an Off-Broadway season full of starry faces like Daveed Diggs, Jake Gyllenhaal, Isabelle Huppert, Uzo Adubi et al,  in plays by Lynn Nottage, Suzan-Lori Parks, Martyna Majok, Anna Deavere Smith,  Lydia Diamond, Enda Walsh, Donald Margulies, Halley Feiffer, Luis Alfaro, John Guare, Florian Zeller et al; and musicals by Tom Kitt (Next to Normal), Duncan Sheik (Spring Awakening) and Dave Malloy (Natasha, Pierre and the Great Comet of 1812.) It can feel overwhelming

Daveed Diggs in White Noise

Jake Gyllenhaal in Seawall/A Life

Isabelle Huppert in The Mother

Uzo Aduba in Toni Stone

Chris Noth in The Mother

Justice Smith in The Mother

Composer Dave Malloy – “Octet”

playwright Luis Alfaro – “Mojada”

playwright Martyna Majok – “Sanctuary City”

Tim Blake Nelson, author of “Socrates”

Anna Deavere Smith

Playwright Suzan-Lori Parks – White Noise

Halley Feiffer, playwright and star of The Pain of My Belligerence

Playwright Stefano Massini – The Lehman Triology

Cillian Murphy in Grief is the Thing With Feathers

Lynn Nottage — The Secret Life of Bees

Composer Duncan Sheik — The Secret Life of Bees, and Alice By Heart

Composer Tom Kitt – Superhero

Theaster Gates, Black Artists Retreat

Playwright Leah Nanako Winkler – God Said This

Marin Ireland in Blue Ridge

Playwright Christopher Shinn – Dying City

Playwright Jackie Sibblies Drury — Mary Seattle

Playwright John Guare — Nantucket Sleigh Ride

To make the sorting more manageable, the shows are largely grouped together by the theater that’s presenting or producing them, in order of my preference for those theaters (determined by such factors as their recent track record, the promise of the new season, and by the overall experience I’ve had with the theater as theatergoer and critic.) After my favorite theaters, I list some individual shows from other theaters.

Some might argue there is little distinction anymore between Broadway and Off-Broadway, especially in a season when so many downtown darlings are moving to Broadway, such as Taylor Mac,Tarell Alvin McCraney, Dominique Morisseau, Anais Mitchell (See Spring 2019 Broadway Preview Guide: A Season of Theater Geniuses Making Their Broadway Debuts)  

Yet, Off-Broadway remains less expensive  and, frankly, potentially more rewarding. It’s also more sprawling — not quite possible to present all the riches of a season in a single post.

I’ve put a red check mark — √ — besides a few shows about which I’m especially excited or intrigued. (I’ll only know if my excitement was justified once I see them.)

Click on the theater’s name for more information about the theater, and on the show title for more about the individual production.

(Also check out my monthly calendar of openings)

THE PUBLIC THEATER

425 Lafayette Street and in Central Park. Twitter: @PublicTheaterNY

The Public is on a roll once again, and not just because it originated Hamilton.  , The successful downtown empire that Joe Papp created half a century ago offers a eclectic, inclusive mix of challenging and entertaining theater. Truth is, I could put a check mark next to nearly every one of its offerings in the Spring.

Under the Radar Festival

January 3- 13

The 15th annual festival presents 21 artists from nine countries. See details of this and several of the January theater festivals in my January 2019 New York Theater Openings

 √ Sea Wall/A Life

February 1 – March 31. Opens February 14.

Tom Sturridge and Jake Gyllenhaal appear separately in a pair of plays, Sturridge in Simon Stephen’s “Sea Wall,” a monologue about love and the human need to know the unknowable, and Gyllenhaal in “A Life,” and Gyllenhaal in Nick Payne’s A Life, a meditation on how we say goodbye to those we love most.

√White Noise

March 5 – April 14. Opens March 20.

Daveed Diggs (Hamilton) returns Off-Broadway in a new play by Suzan-Lori Parks, directed by Public Theater artistic director Oskar Eustis. Long-time friends and lovers Leo, Misha, Ralph, and Dawn are educated, progressive, cosmopolitan, and woke. But when a racially motivated incident with the cops leaves Leo shaken, he decides extreme measures must be taken for self-preservation.

Ain’t No Mo’

March 12 – April 21. Opens March 27.

In this satire by Jordan E. Cooper that began at the Fire This Time Festival, African-Americans leave en masse a country plagued with injustice.

Socrates

April 2 – May 19.

A new drama about the Greek philosopher written by Tim Blake Nelson and directed by Doug Hughes. Michael Stuhlbarg portrays Socrates.

Mobile Unit: The Tempest

April 29 – May 19

Mojada

July 2 – August 11

Luis Alfaro, whose “Oedipus El Rey” bowled me over, returns with the New York premiere of his drama inspired by the Ancient Greek story of Medea

PARK AVENUE ARMORY

Everything I’ve seen at the Park Avenue Armory in the past couple of seasons has been spectacular, from A Room in India to The Damned to The Head and the Load, and this season looks to continue the feast. The theater they present is largely European, cutting-edge, often hybrids, and they sometimes require patience and an open mind. But, offered in the vast expanse of the Armory’s Drill Hall, these aren’t just shows; they’re events.

  Simon Russell Beale, Ben Miles and Adam Godley in The Lehman Trilogy

 √ THE LEHMAN TRILOGY

March 22–April 20, 2019. Opens March 27

Italian playwright Stefano Massini’s play, adapted by Ben Power and directed by Sam Mendes (The Ferryman!) stars acclaimed actors Simon Russell Beale, Adam Godley, and Ben Miles and the Lehman brothers and their sons and grandsons over nearly two centuries, climaxing with the end of the firm that bore their name in the crash of 2008.

  EVERYTHING THAT HAPPENED AND WOULD HAPPEN

June 3–9, 2019

Artist and composer Heiner Goebbels reenacts 100 years of history to show a world in strife through performance, sound, movement, and moving image

DRILL

June 20–July 21, 2019

Immersive, site-specific film installation Drill by Hito Steyerl that mounts new commissions by the Armory alongside pre-existing works in a dynamic installation exploring the world’s power structures, inequalities, and obscurities

In the Fall:

ANTIGONE

September 25–October 6, 2019

Japanese director Satoshi Miyagi’s multicultural adaptation of Antigone, which stages the classic Greek tragedy within a large river of water and incorporates traditions from Japanese Noh, Indonesian shadow play, and Buddhist philosophy

BLACK ARTISTS RETREAT 2019: SONIC IMAGINATION

October 11–12, 2019

Theaster Gates’ Black Artist Retreat, hosted for the first time outside of Chicago and designed to facilitate the exchange of ideas and innovation among black visual artists, recreating the kind of public-spirited dialogue associated with the civil rights movement of the sixties. As part of the weekend’s event, the public is invited to a roller skating celebration party in the Drill Hall amidst an installation of Gates’ seven-foot-tall disco-ball glacial sculptures, known as housebergs.

JUDGMENT DAY

December 5, 2019–January 11, 2020

 The world premiere of a new adaptation of Ödön von Horváth’s 1937 play Judgment Day, part moral fable, part sociopolitical comedy, part noirish thriller commissioned by the Armory and directed by Richard Jones  

NEW YORK THEATER WORKSHOP

79 East 4th Street. Twitter: @NYTW79

NYTW has gotten much attention over the past few years for presenting David Bowie’s musical “Lazarus,”    “Othello” with movie stars Daniel Craig and David Oyelowo, and “Mary Jane.” Its fare has ranged from the innovative and tuneful — “Hadestown” — to the cutting edge and incomprehensible — “Fondly, Collette Richland”

Fall 2018 offered a surprise hit, What The Constitution Means To Me, and a controversial debut, Slave Play.  Based on their track records, the offerings in Spring 2019 sound extremely promising, though we’re still not yet told much about them.

Hurricane Diane

February 6, 2019—March 10, 2019. Opens February 24.

In this play by Madeleine George directed by Leigh Silverman,  Diane is a gardener who is actually the Greek god Dionysus, returning to the modern world to gather mortal followers and restore the Earth to its natural state.

√?Sanctuary City

Opens May 6.

There are few clues as to the particulars of this play, but it’s written by Martyna Majok, last year’s Pulitzer Prize winner for “Cost of Living.,” who in such dramas as Ironbound and “queens” has given a voice to the new immigrant.   “DREAMers. Lovers. Life-long friends. Negotiating the promise of safety and the weight of responsibility, they’ll fight like hell to establish a place for themselves and each other in America”

√?Anna Deavere Smith project

Opens July 15 (?)

No clue whatsoever as to its subject, but her one-woman shows about race riots in Crown Heights (“Fires in the Mirror”) and Los Angeles (“Twilight”), about health care (“Let Me Down Easy“), and about the school to prison pipeline (“Notes from the Field“) have made it clear that Anna Deavere Smith is one of our country’s greatest theater artists.

PLAYWRIGHTS HORIZONS

416 W. 42nd St. Twitter: @PHNYC

Annie Baker’s “The Flick” is one of six plays that originated at Playwrights Horizons that have won the Pulitzer Prize for Drama. The theater offers new plays and musicals that are consistently worthwhile, in an environment that feels dedicated both to the theater artists and the theatergoers.

If Pretty Hurts Ugly Must Be a Muhfucka

February 15, 2019 – March 31, 2019. Opens March 10.

In the village of Affreakah-Amirrorkah, no one questions that Akim is the one true, perfect beauty — not even her jealous classmates. But they’ll be damned before they let her be the leading lady in this story. A decidedly contemporary riff on a West African fable by Tori Sampson

The Pain of My Belligerence

March 29, 2019 – May 12, 2019. Opens April 22.

Halley Feiffer’s play about an eight year relationship between journalist Cat and devilishly charming Guy, which charts a rapidly changing America.

A Strange Loop

May 24, 2019 – July 07, 2019. Opens June 17

Michael R. Jackson’s musical about a black, gay writer, working a day job he hates while writing his original musical: a piece about a black, gay writer, working a day job he hates while writing his original musical

ATLANTIC THEATER

Cofounded in 1985 by David Mamet and William H. Macy, this theater entered in a whole new realm of achievement with the acclaimed musical The Band’s Visit

Blue Ridge

Opens January 7. Closes January 26.

Marin Ireland stars in this play by Abby Rosebrock as aprogressive high-school teacher with a rage problem who retaliates against her unscrupulous boss and is sentenced to six months at a church-sponsored halfway house, where she attends to everyone’s recovery but her own.

The Mother

February 20 – April 7. Opens March 11.

Isabelle Huppert stars in a play by Florian Zeller (The Father) as a woman suffering from clinical depression and grasping for stability after her grown children move on to build lives of their own.

√ The Secret Life of Bees

May 12 – July 7. Opens June 13.

A musical adaptation of Sue Monk Kidd’s beloved novel,  with music by Duncan Sheik and book by Lynn Nottage, about two runaways in 1960s South Carolina, taken in by beekeeping sisters.

ST. ANN’s WAREHOUSE

Although, as with Park Ave Armory, St. Ann’s Warehouse primarily presents avant-garde European exports,  this Brooklyn theater climbed up in my preference thanks to Taylor Mac’s homegrown “  24-Decade History of Popular Music ,”  then nailed it with “The Jungle.” Its production of “Oklahoma!” is moving to Broadway.

 THE B-SIDE: “Negro Folklore from Texas State Prisons”

March 4-24

The Wooster Group brings the 1965 LP to life, channeling the voices of the men performing work songs, blues, spirituals, preaching and toasts on the record via an in-ear receiver, and providing context via the book Wake Up Dead Man: Hard Labor and Southern Blues.

Grief is the Thing With Feathers

April 20 – May 12

Adapted and directed by Enda Walsh from a novel by Max Porter, the play tells the story of Crow visiting a family whose mother just died. “This sentimental bird is drawn to the grieving family and threatens to stay until they no longer need him.” Stars Cillian Murphy.

IRISH REPERTORY THEATER

Listed here because it’s offering the “Sean O’Casey season”

The Shadow of a Gunman

January 30 – May 25, 2019

Juno and the Paycock

March 9 – May 25, 2019

The Plough and the Stars

April 20 – May 25, 2019

PRIMARY STAGES

In their second year in their new location at the Cherry Lane in the West Village, Primary Stages has a promising season lined up.

God Said This

January 16 – February 15

In Leah Nanako Winkler’s play, five Kentuckians face mortality in very different ways.

Little Women

“May to June”

Kate Hamill’s take on Louise May Alcott’s novel

  LINCOLN CENTER THEATER*

@LCTheater

The shows at Lincoln Center’s Off-Broadway venues are inexpensive (especially at the Claire Tow theater, where initial-run tickets cost $20) and often rewarding. I’m hoping that someday they will be literally more inviting to independent New York theater critics. 

Mary’s Seacole

February 9 – March 24

In this new play by Jackie Sibblies Drury (Fairview), Mary (Quincy Tyler Bernstine) is an ambitious Jamaican woman determined to live a grand life; her adventures take her across oceans and eras, from a battlefield of the Crimean War to a contemporary nursing home, and many times and places in between.

Nantucket Sleigh Ride

February 21 to May 5

In a new play by John Guare, John Larroquette portrays a playwright turned New York stockbroker, who ventures from Manhattan to Nantucket island one day on a surreal errand. “He gets mixed up with a giant lobster, Roman Polanski, a pornography ring, Walt Disney, stranded children, a murder, and Jorge Luis Borges…”

ROUNDABOUT* LAURA PELS

The empire that is now Roundabout includes three Broadway theaters, and that’s where most of the attention is focused, mostly on star-studded revivals, especially musicals.  But its fourth building houses two Off-Broadway theaters (one of them a tiny “Black Box” theater.) It is in its Off-Broadway facility that Stephen Karam’s The Humans originated, which went on to Broadway and Tony love. The Roundabout’s “Underground” series discovers new playwriting talent, with tickets priced at $35.

Merrily We Roll Along

January 12 – April 7. Opens February 19.

Fiasco Theater reimagines Stephen Sondheim’s musical about a trio of showbiz friends who fall apart and come together over 20 years, going backwards in time.

Something Clean

May 4 – June 30. Opens May 30.

Playwright Selina Fillinger’s new drama slips into the jagged cracks of a sex crime’s aftermath—the guilt, the grief, and the ways we grapple with the unthinkable.

√ Toni Stone

May 23 – August 11. Opens June 20

Uzo Adubi stars as the first woman to go pro in the Negro Leagues, in this play by Lydia Diamond directed by Pam McKinnon, based on a true story.

MANHATTAN THEATER CLUB*

This looks like a good lineup, but It’s hard to embrace a theater completely when you don’t get to see many of its plays.

The Cake

February 12 – March 31. Opens March 5

In what sounds like a recent Supreme Court case, Debra Jo Rupp portrays a baker in North Carolina who refuses to create a wedding cake for a same-sex couple. The difference — one of the brides is the daughter of a dear friend, now deceased. The play is by Bekah Brunstetter (who writes for the TV series This Is Us.)

Continuity

May 7 – June 9. Opens May 21

Though the description doesn’t tell us very much —  a comedy “in six takes where storytelling and science collide…” — it is written by Beth Wohl (playwright of the odd but satisfying Small Mouth Sounds) and directed by Rachel Chavkin (Natasha, Pierre & the Great Comet of 1812).

Long Lost

May 14 – June 30.  Opens June 4.

A play by Donald Margulies (Dinner with Friends) directed by Daniel Sullivan. “When troubled Billy appears out-of-the-blue in his estranged brother David’s Wall Street office, he soon tries to re-insert himself into the comfortable life David has built with his philanthropist wife and college-age son. What does Billy really want?”

  SECOND STAGE*

This 40-year-old theater has became the fourth “non-profit” to produce theater both on and Off Broadway.

Superhero

January 31 – March 24.Opens February 28.

A musical, with music and lyrics by Tom Kitt (Next to Normal) and a book by John Logan (Red), about “a fractured family, the mysterious stranger in apartment 4-B, and an unexpected hero…”

Dying City

“Begins May 2019”

Christopher Shinn’s play is set in a spare Manhattan apartment, where a young widow receives an unexpected visit from the twin brother of her deceased husband. Dying City explores the human fallout of global events, including the Iraq War and the terrorist attacks of 9/11, through the interwoven stories of three characters

  OTHER HIGHLIGHTS

Fiddler on the Roof in Yiddish moves to Stage 42, opening February 21st.

Alice By Heart (MCC). January 30 to March 10. Opens February 26 Two friends who escape in the cherished story of Alice in Wonderland during the London Blitz of World War II. The musical is by Duncan Sheik and Steven Sater, the team that came up with Spring Awakening.

Fleabag (Soho Playhouse) February 28 – April 7 The play by Phoebe Waller-Bridge that inspired the BBC television series currently being shown on Amazon Prime.

Daddy (Vineyard/New Group at Signature) February 12- March 24. Opens March 5. In the second Off-Broadway play by Jeremy O. Harris (who gained some notoriety with his Slave Play in the fall), Alan Cumming plays Andre, an older white art collector who befriends Franklin, young black artist on the verge of his first show. Their bond creates a battle of wills with Franklin’s mother.

Diary of One Who Disappeared (BAM) April 4-6 In 1917, Czech composer Leoš Janáček became obsessed with a married woman 40 years his junior. In the throes of despair, he penned more than 700 love letters and a haunting 22-part song cycle called Diary of One Who Disappeared, about a village boy who falls in love with a Romany girl. Director Ivo van Hove, in collaboration with Flemish opera company Muziektheater Transparant, brings his trademark physicality and stripped-down aesthetic to bear on Janáček’s opera.

Octet (Signature) April 30 – June 9 Dave Malloy, composer and conceiver of Natasha, Pierre and The Great Comet of 1812, is not through experimenting.  His new musical is scored for an  a cappella chamber choir and explores high-tech addiction, his libretto inspired by Internet comment boards, scientific debates, religious texts and Sufi poetry.

  Other companies and theaters worth checking out:

Ars Nova

Classic Stage Company

Mint Theater

Mayi Theater Company

There are also commercial shows put together by independent producers that are presented in theaters for rent, such as:

Cherry Lane Theatre Daryl Roth Theatre Gym at Judson Lucille Lortel Theatre New World Stages Orpheum Theater The Players Theatre Snapple Theater Center Theatre Row Union Square Theater Westside Theatre

*THE ASTERISK: Off-Broadway AND Broadway

*Just to complicate matters, several of the resident theaters also present shows in Broadway theaters they own  –  Lincoln Center (Vivian Beaumont Theater), Manhattan Theater Company or MTC (the Samuel J. Friedman), the Roundabout Theater Company (American Airlines, Stephen Sondheim, Studio 54), and Second Stage Theatre, which has bought the Helen Hayes. Their Broadway offerings are listed in my Broadway 2017-2018 Season Guide

What Is Broadway, Off-Broadway, Off-Off Broadway?

Off-Broadway theaters, by definition, have anywhere from 100 to 499 seats. If a theater has more seats than that, it’s a Broadway house. If it has fewer, it’s Off-Off Broadway.

There are some terrific Off-Off Broadway theaters, sometimes confused for Off-Broadway. These include (but are not limited to)

 The Flea

Labyrinth Theater

 LaMaMa ETC.

New theaters and theater companies crop up all the time.

Monthly Calendar of Openings

Because there are so many shows Off-Off Broadway, and their runs are so limited, I include them in my monthly theater preview calendar (along with Broadway and Off Broadway openings) posted near the beginning of each month.

FOR MORE INFORMATION

For more information about Off-Broadway, go to  The League of Off-Broadway Theatres and Producers (aka The Off-Broadway League).  This should not be confused with the Off-Broadway Alliance, which is a separate organization (though they should probably merge, no?)

What’s Off-Broadway Dough? Does that mean there’s not much of it? pic.twitter.com/KHH1kApUzb

— New York Theater (@NewYorkTheater) September 4, 2016—-

Off Broadway Spring 2019 Preview Guide Below is a selection from an Off-Broadway season full of starry faces like Daveed Diggs, Jake Gyllenhaal, Isabelle Huppert, Uzo Adubi et al,  in plays by Lynn Nottage, Suzan-Lori Parks, Martyna Majok, Anna Deavere Smith,  Lydia Diamond, Enda Walsh, Donald Margulies, Halley Feiffer, Luis Alfaro, John Guare, Florian Zeller et al; and musicals by Tom Kitt (Next to Normal), Duncan Sheik (Spring Awakening) and Dave Malloy (Natasha, Pierre and the Great Comet of 1812.) It can feel overwhelming

[marilynngmesalo]

GHOST TOWN: Inside a tiny English village abandoned during WWII

GHOST TOWN: Inside a tiny English village abandoned during WWII https://ift.tt/eA8V8J GHOST TOWN: Inside a tiny English village abandoned during WWII

TYNEHAM, England — Explore Britain’s southern coast carefully enough and you can still find relics of the dark years when the country awaited Nazi invasion: abandoned radar stations; tank-traps lost in farmers’ fields; half-hidden concrete bunkers overlooking wide, shingle beaches.

Then there’s Tyneham.

The first glimpse of this tiny Dorset village is from the long, steep road that takes you from sweeping views of the coast down into a small, wooded valley. At its bottom, Tyneham peeps out from behind a cloak of trees.

Or rather, what’s left of it.

“This is like Pompeii!” my young son exclaims, as we stand in front of what had once clearly been a row of cottages.

But now only the shells remain. No doors. No windows. No roofs. He’s right. Baking in a Mediterranean-like heatwave, the ruins do have the feel of an archaeological site, an ancient settlement that had met an apocalyptic end.

And in a way, that’s exactly what happened to Tyneham.

Its roots stretch back before that great watershed of British history, the Norman Conquest of 1066. For more than a thousand years, its residents had eked out a precarious living from land and nearby sea.

Then, one day, its long, unremarkable history stopped dead.

It was late 1943 and the tide of the Second World War was turning. D-Day was barely six months away. The British military urgently needed more land for tank training and manoeuvrs. With a large base nearby, already, its eyes quickly and easily fell on the quiet settlement by the sea.

In November, that year, residents received letters from the War Department ordering them to leave within a month. The note assured them this was “in the National Interest” and hoped they would make this “no small sacrifice” with “a good heart”.

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Within weeks they had packed up and left their lush Dorset valley. They’d lived with the dread of German invasion for four years, but the army that actually made them refugees was their own.

As they departed, one of them pinned a note to the church door:

“Please treat the church and houses with care … We will return one day and thank you for treating the village kindly.”

Since then, the roofs and upper floors have collapsed; the doors and windows fallen out. Trees, grass, and weeds reclaimed the land. But the people never did. What was said to be temporary became permanent. The land still belongs to the Ministry of Defence — signs on the approach road remind you of that — but most weekends the tanks and guns fall silent, and the public is allowed in.

It may be small — more hamlet than village — but a visit is utterly absorbing. As you pass down the rows of hollowed-out cottages, unobtrusive display boards show sepia photographs of how they used to look and who lived there, and tell you what they did — postmistress, farmer, gardener — allowing your mind to people the ruins with flesh and blood.

The schoolhouse has been restored to look exactly as it would have, in the early 20th century, and St. Mary’s church has been carefully maintained. But everything else has been laid low by time, and that’s what draws you in.

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We wander down shaded village tracks, from The Row to Rectory Cottages, then picnic beside a sun-bleached, stone skeleton that was once home to the Taylor family, who washed the village’s clothing till the fateful letter landed on their doormat. Butterflies flit from thistle to nettle and the blinding sunshine throws deep shadows across the ruins.

“It makes you realize how hard life was in those days,” says Dorset resident, Linda Bryan, 70, looking at Laundry Cottages. “How sad they had to move out. I wonder where they went?”

Her niece, Lesly-Anne Meader, 60, from nearby Hampshire, is on her first visit.

“It’s very evocative. You can see all the people living here,” she says. “I like ghost stories.”

——

If You Go…

TYNEHAM: Located about a three-hour drive from London, close to the southwest coast, roughly between Lulworth and Corfe, in the county of Dorset. There is signposting close to the village but it is minimal and easily missed. Even a GPS will only put you in the general location. It is not served by public transport. Open most weekends and public holidays, though it is best to check by calling (44)-1929-404819 for a recorded message giving current information. Parking is free though a donation of 2 pounds is suggested. There is no shop, toilets or visitor centre.

Canoe Click for update news world news https://ift.tt/2OTNzoe world news

[thrashermaxey]

Ramblings: Eichel Hatty, Sedinery Is Back, Couture Injured (Dec 16)

Eichel Hatty, Sedinery is Back, Couture Injured, plus more…

Hey there, it’s Ian filling in for Mike today.

It’s been that kind of season for the Buffalo Sabres. Jack Eichel posts his first career hat trick (two of those goals within ten seconds), records an assist on another goal, and they still can’t find a way to win. Eichel did everything he could to win this game for the Sabres himself, firing an incredible 11 shots on goal. He has been criticized for being good but not great this season. In other words, not worthy of his 12.9 ADP in Yahoo leagues. But his super night brings him up to 28 points in 33 games, so he’s at least on the right track.  

Evander Kane recorded three assists, giving him points in six of his last seven games. I agree with Steve that Kane is a player to shop, considering that he may not average 20 minutes a night or play alongside a player with the ability of Eichel on another team. But one “plus” from a trade is that his plus-minus could improve from his current minus-7, if your league uses that stat.

Not surprisingly but coincidentally, Sabres’ players’ plus-minuses resemble the winter conditions in Buffalo. The worst plus-minus on the team is held by Ryan O’Reilly, who is a minus-16. That was one reason I dropped him from one of my teams.

Because Mike wouldn’t have mentioned it if he wrote the Ramblings today (kidding Mike… just bringing up an earlier Twitter conversation), a Sabres’ defenseman scored a goal again! In fact, Jake McCabe also added two assists along with that goal. McCabe now leads all Sabres’ defensemen in goals (a big 2) and is tied with Rasmus Ristolainen for the team lead among Sabres’ defensemen with nine points. In case you’re curious, is McCabe worthy of a pickup? He went four games without a point between his first and second goals, averages under 20 minutes per night, and sees very little power-play time. So probably not.

*

The Brian Boyle story is a great one, even if he doesn’t move the needle much in fantasy leagues. Boyle scored two goals and added an assist in the Devils’ 5-2 win over Dallas. Boyle was used on the first-unit power play in this game and does have three power-play goals to his name this season, so there’s that.

Here are the New Jersey line combinations with no Taylor Hall:

21.05%  EV           COLEMAN,BLAKE – GIBBONS,BRIAN – ZAJAC,TRAVIS

13.6%    EV           NOESEN,STEFAN – WOOD,MILES – ZACHA,PAVEL

11.84%  EV           BRATT,JESPER – HISCHIER,NICO – STAFFORD,DREW

11.4%    EV           BOYLE,BRIAN – HAYES,JIMMY – LAPPIN,NICK

Drew Stafford hasn’t recorded any points in the two games that Hall has been out of the lineup. But he did fire six shots on goal in an attempt to end his 14-game pointless drought. Moving Stafford onto a line with Nico Hischier and Jesper Bratt appears to be a case of sticking a slumping player beside two hotter scorers in an attempt to get him going. But I use the term “hot” loosely here, as Hischier himself is now without a point in five games.

*

The Flow, the Brock Boes Monster, aka Brock Boeser scored another goal, one in which he simply wouldn’t be denied. He’s surviving just fine without regular linemates Bo Horvat and Sven Baertschi, as he now has a point in five consecutive games and is up to 17 goals and 30 points in 30 games, now leading all rookies in both categories. Great goal scorers simply find a way to score.

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Markus Granlund did him one better in this game, though, scoring a pair of goals. One goal was on the power play, while the other happened just as a power-play ended. Granlund was one goal shy of reaching 20 last season in just 69 games, so he entered the season with the potential to be a fantasy option in deeper leagues. But with just six goals and two assists, that hasn’t happened. But the injuries to Horvat and Baertschi have given him power-play time that he wasn’t receiving before.  

Daniel Sedin and Henrik Sedin each recorded three assists, while Daniel even fired six shots on goal. Since the aforementioned injuries, the Sedins are back to their usual 16-18 minutes per game, up significantly from the the 13-14 minutes per game (sometimes even less!) that they were receiving earlier this season. Are they back to their old selves? Henrik has 15 points over his last 13 games, while Daniel has 13 points in his last 13 games. They are worth a pickup once again if you’d dropped them earlier this season, since the Canucks will be thin up front for a while and will need to lean on them.

Alex Edler played in one of his better games as a Canuck, logging 28 minutes and change in icetime. With Chris Tanev injured again, expect Edler to take on serious minutes, even if he doesn’t score enough to stay in fantasy lineups.

*

There aren’t nearly as many injuries to mention as there were the last time I wrote the Ramblings. But I can’t get through one of these without mentioning at least one new injury. Logan Couture left Friday’s game in the third period after taking a hit to the mouth from Alexander Burmistrov (who was given a two-minute penalty). It’s possible that Couture didn’t return to the game because of concussion protocol. Before he left, he recorded an assist with six shots on goal. I can’t give you much else, though.  

No update on Couture after the game from DeBoer. And I mean no update.

— Kevin Kurz (@KKurzNHL) December 16, 2017

Remember when Brent Burns couldn’t buy a goal? That’s in the rearview mirror now. With a pair of goals on Friday, Burns now has five goals over his past five games. He also has multiple points in four of his last five games. Congratulations if you bought low.

In spite of very little power-play time, Justin Braun has been quietly getting the job done offensively. Over his last 12 games Braun has nine points (1g-8a). But he has logged 24 minutes in back-to-back games.

*

With all his injuries, I’m just as surprised as you are that Marian Gaborik made it to his 1000th game on Friday. He should probably be happy with the output, as he scored a goal and also added an assist. A late start to the season has held Gabby to 11 games, but he’s been fantasy-worthy during those games with five goals and three assists. Feel free to add him in deeper leagues.

*

The Sens could be parading the Stanley Cup around the ice and Eugene Melnyk would find a way to get to a microphone and ruin the moment.

— Bonk's Mullet (@BonksMullet) December 16, 2017

My thoughts exactly on Eugene Melnyk, on the eve of the NHL100 Classic, the big outdoor game being played at Ottawa’s Lansdowne Park football stadium on Saturday. I believe the temperature there is expected to be around -20 Celsius with the wind chill (that's below zero Fahrenheit, for our American readers). This will be an interesting game based on the weather alone. I will certainly mention it in the Sunday Ramblings, one way or another.    

In marketing, timing is everything. And Melnyk picked the wrong time to share his innermost thoughts on hockey as a business. If the Senators didn’t have an attendance problem during last season’s playoffs, I believe they will now. 

In case you missed his eyebrow-raising comments, see below. There’s a lot more than what’s in that tweet.  

Eugene Melnyk on potentially moving the #Sens: "If it becomes a disaster, yes." (@lukefoxjukebox)https://t.co/dkSLEesDxY pic.twitter.com/EhfeEWwXEn

— Sportsnet (@Sportsnet) December 16, 2017

*

For more fantasy hockey information, follow me on Twitter @Ian_Gooding.

from All About Sports http://www.dobberhockey.com/hockey-rambling/ramblings-eichel-hatty-sedinery-is-back-couture-injured-dec-16/

[paulisded]

Live Ledge #314: Best Records of 2017

As I was putting together this year’s list of my favorite records I came across a article from a music journalist claiming that lists such as this are idiotic. Since it’s impossible to hear every single album that was released over the year, nobody has the needed knowledge to proclaim anything as the year’s best records.

Come on. This is ridiculous. Nobody is claiming to have the definitive look at the year in music. I’ve never read any music critic claim to have heard each and every record.

But that doesn’t mean these sorts of think pieces aren’t worthwhile. Every writer, fan, or publication has an area of expertise, and if they’re honest they’ll admit to their cultural shortcomings. Mine just happens to include pop, hip-hop, and bro-country. I know that the new Kendrick Lamar is probably the year’s greatest musical achievement, but it’s not my thing. At the same time, I don’t need to hear the latest records by the likes of Luke Bryan, Taylor Swift, or whatever Jonas Brother that still makes music. Why would I waste my time when I know I’m going to hate it?

The purpose of these lists aren’t for people to proclaim themselves as the world’s biggest music expert. They exist mainly because as fans we want people to discover records they may have overlooked. I look at dozens of these types of articles, from giant publications to local music nerds, hoping to discover something that I’ve missed. Inevitably, I find quite a few, and I hope that my yearly list does the same for others.

This is a good year for this type of exploration. It’s been the best year in music in quite some time. Oftentimes, finding 40 records worthy of inclusion is not easy. This year, I started with over 80 candidates, and it took quite a bit of soul-searching to cut it down to my usual length. It’s such a good year that artists that routinely reside near the top (The National, Spoon, Steve Earle) didn’t make the cut.

What is it about 2017? Why was this a fertile year for music? Given the state of the music industry these days, there really shouldn’t be such an abundance of fabulous tunes. My theory is that as the possibility of fame and fortune fades away we’re left with artists who just HAVE to create. It’s in their blood. A musician and/or songwriter is who they are, and they’ll carry on as long as they can.

What’s even more surprising to me is the number of great releases by veteran artists. So many of my favorites from years past came out with their best records in decades. Who would have predicted the return of The Jesus and Mary Chain? Or that Robyn Hitchcock would put out one of his best records? Or that Guided By Voices would release not one but two albums that weren’t full of half-assed, seemingly unfinished tracks?

So here are 40 records that I consider the best albums of the year, and I’d love to hear your thoughts on my picks. Let me know what records have turned your crank this year. Tracks from each of these albums were also aired on Live Ledge in a reverse, countdown format. Click here for Live Ledge #314, or nab it via iTunes, Stitcher, Google Play, TuneIn, or many other online spots.

1. Bash & Pop, Anything Could Happen. Anybody that knows me well probably knew this would be my favorite record of year. Yet the return of Tommy Stinson’s first post-Replacements band is even better than I ever predicted. It’s every bit as good as the 1993 Bash & Pop debut. In fact, it may be even better, as the original was Stinson’s first serious stabs at songwriting. Almost 25 years later, Stinson’s skills as a tunesmith has deepened, and combined with the Faces-ish feel of his outstanding bandmates this would have been towards the of any year’s list.

2. The Courtneys, II. The best description I’ve read of this great Canadian trio is “fuzzy, slacker pop”. Yeah, that’s pretty much it. Yet that would be meaningless if it wasn’t combined with sugary, singalong melodies. There’s a bit of a Blake Babies influence, but I also hear elements of late 80’s post-Jesus and Mary Chain bands such as The Primitives.

3. Ty Segall, s/t. James Brown used to be called the “hardest working man in show business”, but he’s a slacker compared to what Segall accomplished in a given year. Besides his usual album and a handful of singles, he’s involved with at least a half dozen other bands, and is inevitably a contributor as a musician or producer on a ton of his friend’s records. This year’s main release is also among his best, as it flows in and out of a number of styles.

4. The Jesus and Mary Chain, Damage and Joy. It was a big enough surprise that the warring Reid brothers reunited for a tour in 2007, but few thought that would result in a new album by the groundbreaking 80’s noise-pop veterans. The fact that it took a decade for it to happen is probably a sign that not all wounds have healed over the years. Yet this album is a pure joy for any fans of the original run. Yeah, it rarely deviates from the patented J&MC formula, but if it works why fix it?

5. Jason Isbell and the 400 Unit, The Nashville Sound. Easily the most acclaimed Americana album of the year, and it deserves each and every accolade. Isbell is at the top of his game, as rousing anthems comfortably sit next to heart-wrenching looks at crumbling relationships and the difficulties of chasing the American dream.

6. Guided By Voices, August By Cake/How Do You Spell Heaven. Robert Pollard has always been one of rock’s most prolific songwriters, and is also quite possibly the worst at quality control. Each and every year has seen a handful of albums that are frustratingly dominated by half-baked song fragments. 2017 saw the release of his 100th and 101st albums, and both of them Pollard’s best efforts in well over a decade.

7. Juliana Hatfield, Pussycat. How can a record of bitter politics sound so sweet? Juliana Hatfield is not happy with what’s happening these days, but it’s somehow inspired her to write some of her catchiest songs ever.

8. Warm Soda, I Don’t Wanna Grow Up. Let’s get this out of the way. Matthew Melton found himself dropped from his label earlier this year for comments he and his musician wife said about immigration. Having said that, the final record by Warm Soda is easily the best power pop record of the year. Can one separate the music from the opinions of the person who creates the music? That’s definitely a major question these days, and I’m not sure that’s entirely fair.

9. Kevin Morby, City Music. One of my favorite new finds of this year. Formerly of Woods and The Babies (not the 70’s pop band), Morby’s fourth album has been described as a tribute to New York City. While there is a definite nod to the Ramones (“1234”), the record’s nods to the metropolitan experience works with almost any skyline.

10. The Feelies, In Between. Hoboken’s greatest band’s first album in six years actually feels like a sequel to 1986’s The Good Earth. Those same loud/quiet dynamics are again the focus, but not in the Pixies/Nirvana way. Instead the record’s best songs feature a gradual buildup that ultimately turns into a cacophonic roar.

11. Beaches, Second of Spring. Certain albums deserve to be played in full. This is one of those records, even if it’s a 17-track double album. Each and every song of the all-female Australian psych rockers’ third album perfectly fits with what precedes and follows it. Sonic landscapes of fuzzy instrumentals dissolve into catchy pop nuggets, which then spins into more experimental fare.

12. L.A. Witch, s/t. This fabulous new trio is pretty much impossible to pin down. There are elements of 60’s girl groups, but it’s mixed with surf, rockabilly, psych, and garage rock. It’s sort of like if The Runaways had a bigger record collection (and minus the dictatorship of Kim Fowley).

13. Matthew Ryan, Hustle Up Starlings. Only a handful of songwriters can create intense environments with (relatively) quiet sounds. Matthew Ryan is one of them, and it’s simply because he completely inhabits the identities of the subjects of his songs. Those subjects tend to be the forgotten members of society. The people who struggle to find work, let alone keep their jobs. The people with regrets over past mistakes. People who need their voices heard.

14. Danny Dodge, Baby Let Me Be Your Mess. I know next to nothing about Danny Dodge except that I love this record. Discovered via bandcamp, the only information I’ve been able to find is that he’s a veteran of various garage and glam bands in Portland. This album definitely has elements of those genres, but there’s also a does of sugary jangle pop.

15. Waxahatchee, Out in the Storm. I’m not going to lie. I’ve found most of Kate Crutchfield’s prior releases to be a bit hit and miss. However, her fourth album under the Waxahatchee name is great from beginning to end. Credit may have to go to producer John Agnello (Dinosaur Jr, Sonic Youth), who primarily recorded the band playing live in the studio.

16. John Moreland, Big Bad Luv. After the success of 2015’s mostly acoustic High on Tulsa, it would have been pretty easy for Moreland to just copy the sound and production of that record. Instead, he wisely expanded into a full-band sound that accentuates his hook-laden songs of heartbreak.

17. John Murry, A Short History of Decay. Murry has lived quite the life. A second cousin of William Faulkner, his childhood was marked by undiagnosed autism. He eventually turned to drugs, and was hospitalized for both psychological and drug issues. Music may have saved his life, but it also led to other issues too numerous to list here. His second solo album was recorded in five days with help from members of Cowboy Junkies, and his heartbreaking songs detail much of his life’s lower moments.

18. The Cairo Gang, Untouchable. Discovered due to his summer appearance in town, Cairo Gang leader Emmett Kelly is best known for his presence on the last two Ty Segall records along with various Bonnie “Prince” Billy releases. The fifth album under The Cairo Gang, produced by Segall,  is truly a solo album, as Kelly plays that vast majority of instruments.

19. The Buttertones, Gravedigging. Another great bandcamp find, the debut release by this Los Angeles band is sort of like rock and roll history condensed into one full-length album. What other record combines surf, rockabilly, post-punk, garage, and psych with elements of The Clash and Cramps?

20. Meatbodies, Alice. I’m not going to lie. The name Meatbodies threw me off a bit. Yet once I heard this latest album by Chad Ubovich and crew I was itching for the rest of their discography. A little bit of research explained exactly why. Ubovich has spent time in Mikal Cronin’s band, and also plays in Fuzz with Ty Segall and Charles Moothart. Yep, it’s part of that L.A. orbit of musicians and bands.

21. Hurray For the Riff Raff, The Navigator. This record could have easily made the top ten, as the first half is about as exquisite as one could expect. Most of the second side doesn’t live up to that standard, though, so while it contains one of the year’s most inclusive record. Inclusive? Yes, leader Alynda Segarra combines various elements of Latina styles with classic American doo wop, folk, gospel and Motown sounds.

22. Alex G, Rocket. Alexander Giannascoli started off as a bedroom singer/songwriter who somehow got the attention of Frank Ocean. This led to his guitarwork appearing on a recent Ocean album, which has given him a weird notoriety that has very little to do with the lavish dream pop-ish sounds of his latest album.

23. Together Pangea, Bulls and Roosters. I first discovered this great band thanks to Tommy Stinson, who recorded their 2015 EP, The Phage. Their sound is firmly established in garage rock, but a bit quirkier than most bands of this type.

24. CFM, Dichotomy Desaturated. Here we go again. CFM is Charles Francis Moothart, who we’ve already noted is Ty Segall’s drummer. He’s also toured in Mikal Cronin’s band, is the guitarist/vocalist with Segall in Fuzz, and also participates in other Segall side projects. CFM is his band, though, and this second album is a great companion to that self-titled Segall album at the top of this list.

25. Old 97’s, Graveyard Whistling. After a few albums where the alt-country veterans took some mini-detours, this year’s model harkens back to the mid-90’s revved-up country roots. Leader Rhett Miller is still a master at turning a clever phrase, and the rest of the band has not lost a step.

26. Courtney Barnett & Kurt Vile, Lotta See Lice. This is something I’d love to see more often. Two critically acclaimed songwriters befriend each other on the festival circuit, and decide to collaborate on an album. Each of them brings some new tunes, and they both sing a song written by the other. Plus they cover a Belly song, and another tune written by Barnett’s girlfriend, Jen Cloher.

27. John Wesley Harding, Wesley Stace’s John Wesley Harding. Let’s get everything straight. The artist known as John Wesley Harding was born Wesley Stace. He uses his birthname on his novels, and has also put out a few records under that name. This year’s album, his best in decades, attempts to clear up the confusion over his name. His writing is still full of wit and snark, and who can’t love an artist who makes fun of the music industry? It’s also worth noting that his band on this album is The Jayhawks, who do a masterful job at staying out of his way but adding whatever elements are needed.

28. Flat Worms, s/t. Flat Worms would be considered a supergroup in some circles, as everybody in the band has played with artists such as Thee Oh Sees, Ty Segall, Kevin Morby, and Dream Boys. Regardless of where they’re from, this collaboration doesn’t rely on the usual sounds that generally come out of the Segall/Cronin/Thee Oh Sees circle of friends. Instead, this is a bit of a tribute to the heavier postpunk bands of the past. There’s a bit of Wire, later Buzzcocks, and even some pre-grunge Seattle in their sound.

29. Wand, Plum. You know what I love about this band? First off, they’re prolific, as this is their fourth album in three years. They’re also a band that’s constantly changing, as none of their albums sound the same. Plum may be the best of the bunch. It’s certainly their most varied, which makes it next to impossible to describe as it flows in and out of various subgenres.

30. Dream Syndicate, How Did I Find Myself Here? Here’s another band I never expected to see release new music. And I certainly would have never predicted that anything they did record would be so great. Their first new studio album since 1988 is similar to the new Feelies record in that it’s like there hasn’t been any time between releases. It’s a perfect companion to their neo-psychedelic classics The Days of Wine and Roses and Medicine Show.

31. Palehound, A Place I’ll Always Go. Palehound leader Ellen Kempner recently lost her grandmother and best friend, and poured all of her grief into her second album. While that may sound depressing, it’s tempered by the fuzzy, alt-rock guitar rock that fans of Waxahatchee should love.

32. Son Volt, Notes of Blue. It’s been quite some time since anybody but the biggest Jay Farrar fans paid any attention to Son Volt. Weirdly, it took a recent obsession with Skip James and Mississippi Fred McDowell that led to a record that’s reminiscent of the band’s classic early records.

33. Robyn Hitchcock, s/t. Again, a veteran artist puts out his best album in decades. For his 21st album, Hitchcock actually gives a few nods to his Soft Boys power pop days, and that energy permeates through the entire album.

34. Ne-Hi, Offers. Chicago’s place in indie rock circles has certainly grown in recent years, thanks to the likes of Twin Peaks, Whitney, and our very own The Kickback. As they told me in an interview before playing Total Drag earlier this year, Ne-Hi originally formed to record a soundtrack for a friend’s film, and it worked so well they decided to become a “real” band. After a debut recorded in a basement, they hit an actual studio for this record, but the resulting still feels like the result of a marathon jam session.

35. Micah Schnabel, Your New Norman Rockwell. Two Cow Garage is one of our country’s most underrated musical jewels that took Americana and gave it a Replacements-ish edge. This record may be a solo record, but it’s really a more stripped-down version of a typical Two Cow Garage album. Which means, of course, that it’s brilliant.

36. Daddy Issues, Deep Dream. This list doesn’t have enough snotty all-girl punk rock, even though it’s been a great year for bands such as this. As my friend Gorman Bechard says, they’re so good that they can even make a Don Henley cover (“Boys of Summer”) sound great.

37. POW!, Crack an Egg. This is a record that one needs to hear on vinyl. The first time I heard this was a digital version, and it was way too dominated by their propulsive synths. The vinyl version, though, obviously still has this despised (by me) instrument prominently in the mix, but the analog version is highlighted by the deeper, fuller sounds of the entire band.

38. Damaged Bug, Bunker Fun. John Dwyer is another artist who obviously had little to no free time this year. Besides running a busy, successful indie label that’s well-represented on this list, Dwyer released records under the names Oh Sees and OCS. (Thee Oh Sees name was retired after two 2016 releases.) He also had time for his solo side project that relies more on electronics than his other bands. His third release under this name is a bit heavier, a bit funkier, and heavier on prog elements than his main band.  

39. Greg Ashley, Pictures of Saint Paul Street. Although a veteran of Texas garage-punk bands, along with a number of solo records, this record was my first hearing of this interesting songwriter. From the very first song, I heard a bit of Flowers-era Stones, mid-period Kinks, a pinch of Dylan, and even a touch of Lou Reed and Leonard Cohen. Ashley’s songs may primarily deal with despairing, hopeless characters living on the fringes of society, but he manages to turn them into messengers of righteous anger.  

40. David Nance, Negative Boogie. Describing this lo-fi Omaha musician is next to impossible, as he’s anything and everything. There’s a bit of Crazy Horse at their one-take coked up best, quite a bit of Pere Ubu-weirdness, and maybe a bit of the Velvets and The Chills, and even a touch of 70’s outlaw country. Yet it somehow works, even when he throws in a surprise shambolic cover of Merle Haggard’s “Silver Wings”.

[dibonitafanpage-blog]

Will “Bodak Yellow” serve to help unify women in hip-hop once and for all?

This week, reality TV ingénue turned hip-hop star Cardi B changed the game when her single “Bodak Yellow (Money Moves)” hit the top spot of the Billboard Hot 100. The 24-year-old artist had the honor of dethroning pop icon Taylor Swift for the crown, as Swift’s comeback single “Look What You Made Me Do” slipped to No. 3.

The historic nature of the No. 1 is practically common knowledge at this point: The Love & Hip-Hop: New York alum not only holds the highest-charting track by a female rapper so far this year, but the first solo No. 1 from a female rapper in nearly two decades. (The last time was in 1998, when Lauryn Hill’s “Doo Wop (That Thing)” made the Fugees veteran the first female solo rapper to ever have a chart-topping single.) Only three other female rappers have ever seen the top of the charts, but unlike Lauryn and Cardi, they didn’t do it alone.

READ MORE

Cardi B 'Moves' to No. 1 on Billboard Hot 100 With 'Bodak Yellow,' Post Malone Debuts at No. 2 With 'Rockstar'

This multi-tiered achievement was arguably willed into existence by the MC, as many have referred to Cardi B’s (née Belcalis Almanzar) story from exotic dancer to superstar as a real-life fairytale. Celebs and low-follower accounts alike tweeted in support of getting the Bronx native to the coveted top position -- a feat that can now be achieved through streams and algorithms as much as racing to a record store to purchase a cassette single. It’s indicative of the times, though perhaps it’s reflective of more changes to come, considering all of the congratulations that poured in following “Bardi’s” No. 1 announcement.

Hip-hop legend Missy Elliott tweeted in support of Cardi B, as did fellow venerated rap greats Lil’ Kim and Trina.  

Congratulations @iamcardib for having a #1 record in the country that's not as easy as it seem this huge---- May u have continued blessings----

Congratulations to my baby cakes  @iamcardib I always knew this day would come and I am so happy and proud of U!! https://t.co/LA83Rnh9LFpic.twitter.com/v6NWKsRWXM

Congratulations @iamcardib ‼️‼️ Keep shining young boss .... ♥️ #BloodyMoves ----

Taylor Swift even sent her a bouquet of pink roses.

Sooo beautiful and lovely .Thank you @taylorswift for the flowers --❤️❤️....and I freaking love your music --

A post shared by Cardi B Official IG (@iamcardib) on Sep 26, 2017 at 3:26pm PDT

The most surprising shoutout, though, came from Nicki Minaj: “Congratulations to a fellow NEW YAWKA on a RECORD BREAKING achievement. Bardi, this is the only thing that matters!!! Enjoy it.”

Congratulations to a fellow NEW YAWKA on a RECORD BREAKING achievement. Bardi, this is the only thing that matters!!! Enjoy it------ @iamcardib

Just before Cardi B’s simmering success reached its boiling point, the rumor mill had been churning that a new beef was brewing between Barbs and Bardi. Following Nicki’s verse on London On Da Track’s cut “No Flag” -- where she barks “Lil’ bitch I heard these labels tryna make another me/ Everything you getting little ho is ‘cause of me” -- and Cardi B’s verse on G-Eazy’s “No Limit,” where she says, “Can you stop with all the subs?/ Bitch I ain’t Jared," bets were hedged. One congratulatory tweet from Nicki proved them all wrong. Are the tides finally changing for camaraderie amongst women in the upper echelon of rap?

For the duration of hip-hop, an underlying theme has always been that two female rappers couldn’t occupy the same space at the same time. When it did happen, one had to be named as the superior, to assure the surrounding rap male egos that their genre would never evolve into a girls' club. If immediate dominance wasn’t singled out, the female rappers would be pitted against one another.

It first happened in the ‘80s when the battle between Roxanne Shante and the Real Roxanne led to a schism of sorts where the name “Roxanne” became rap-lyric fodder and led to scattered female rappers adopting the same name. While Queen Latifah and Monie Love would bring some sense of community with “Ladies First” (aligning with other rappers like MC Lyte and Yo-Yo) it would only be dismantled by 1996 when Lil’ Kim and Foxy Brown destroyed our Thelma and Louise dreams by getting entangled in a multi-year war that has remained unsettled to this day. Two years later, Lauryn Hill would be plucked from the rest and placed directly as the female rap figurehead in pop, though the pressures of that duty seemingly took their toll on her. In the underbelly of women in hip-hop, the petty arguments would ensue, surely over who could someday sit in Lauryn’s place (since sitting beside her wasn’t an option).

READ MORE

Five Winners From 'Bodak Yellow' Going to No. 1 (Besides Cardi B)

Lady Luck and Remy Ma. Lil’ Kim and Nicki Minaj. Nicki Minaj and Remy Ma. Battles between women in the rap space became par for the course. And sure, for the two decades following the Foxy/Kim battle, the most commonly blamed force behind the creation of these conflicts was the male-driven marketing machine. But not all popularity contests are devised by men: The origins of the divisiveness between the female MCs were oftentimes not without cause, and not always rooted in jealousy.

When Nicki Minaj found her first taste of fame in 2009 with her Beam Me Up Scottymixtape, her marketing package was nearly identical to Lil’ Kim’s, right down to replicating Kim’s iconic panty-squatting photo. Of course Lil’ Kim would be annoyed, though her extensive right hooks to a dead horse became the real point of contention. When Remy Ma was released from prison in 2014, she was welcomed by yet again Nicki Minaj, sporting the female-rapper crown in the name of New York City. Theoretically, Remy could have been in that position had the law not gotten in the way.

The real takeaway here, though, is that women in hip-hop are consistently made to believe that you can play with all your girlfriends in the minor leagues, yet once you level up it’s time to fight. Meanwhile, we can live in a world where JAY-Z, Nas, Diddy, Rick Ross, Future, Lil Wayne, and now even Kendrick Lamar can all call themselves “kings” without the once-coveted G.O.A.T. debate surfacing. The final conclusion with male rappers is that there can be many G.O.A.T.s in the farm. Are women in the space now allowed to apply that same formula to their peers?

Earlier this week, Cardi B tweeted that every female rapper congratulated her on her success, which may signify a shift once and for all. This past Summer at New York rap station Hot 97’s Summer Jam, Remy Ma brought out Cardi B, MC Lyte, Lady of Rage, Young M.A., Monie Love, Lil' Kim and Queen Latifah to perform Latifah’s “U.N.I.T.Y.” Nicki Minaj was clearly missing from the picture; not all fights can end that easily.

Every single FEMALE RAPPER CONGRATULATED ME TODAY .Is the best feeling cause I listened to ALL OF THEM

But even when Azealia Banks attempted to throw casual shade at Cardi B through her secondary Twitter account @xocheapy along with scathing comments on Instagram, Cardi B posted a video of Azealia Banks singing along to “Bodak Yellow” -- proving that while jealousy is a hell of a drug, so is a catchy hook.

The real power move, however, is in how Nicki Minaj has handled Cardi B’s success. Minaj is the female rap paragon who has left more hurt feelings with her striking success than any other female artist. But when Lauryn Hill welcomed Nicki Minaj with open arms earlier this year, Nicki fell to her feet; a true turning point. When respect is given, it’s returned.

A post shared by Barbie® (@nickiminaj) on Oct 15, 2016 at 10:42pm PDT

Women are currently in a position of strength in hip-hop, more so than in recent memory. Cardi B has the No. 1 single. Rapsody’s second studio album Laila’s Wisdom has been met with wide critical acclaim. Nicki Minaj is still iconic, and in fact sits in the Hot 100's top 10 this week alongside Cardi with her guest verse on Yo Gotti's "Rake It Up." Lauryn Hill is touring. Lil’ Kim is still performing. Remy Ma is churning out anthems. Newcomers like Leikeli 47, Princess Nokia, Kamaiyah, Young M.A. and more are still building their buzz. Everyone is winning all at once. We can say “that wasn’t so hard was, it?” But, yes. Yes it was.

And so we wait for the day when the “female” no longer invariably sits in front of the word “rapper,” though we may be damn close. While the key to diminishing that singling out is strength in numbers, so is a supportive community. As Cardi B receives the praise from her peers that none have previously received, she may have given us all far more than just a hot song.

[ulyssessklein]

The biggest myths about music streaming

Between conferences, emails, blog comments, and just hanging out with musician friends, I hear a lot of independent artists’ opinions about music streaming — both plus and minus.

Some of these opinions are well-informed while others seem like they’re based on myths. So let’s debunk a few!

1. There’s no money in it

There IS real money to be made from music streaming. For instance, the Grammy-nominated act Tycho now earns 53% of their income from Spotify.

In the major label world though, most songs are written by teams of people. If the artist is lucky enough to be credited as a writer, they’re still often splitting those publishing royalties three, or six, or twelve ways. As for the royalties generated by the streaming of a sound recording, well, let’s just say the labels have done a fine job keeping much of that dough for themselves. So when you hear Megastar X saying they had 100,000,000 streams on Spotify and only made sandwich money, you know to take it with a grain of salt. That money is going SOMEWHERE.

For artists who own 100% of their publishing and sound recording rights, all their streaming revenue flows to them. No label advances, catalog licensing deals, or complicated splits to contend with. From there, if you’re savvy and/or lucky enough to get a song placed in a prominent playlist, your year is made. The success of a single song on a streaming platform also creates interest in other songs or albums in your catalog, driving more revenue.

This will continue to be the case more and more as streaming now accounts for over 50% of music revenue and has driven the industry’s highest growth in two decades.

2. It killed the album

Wrong. Streaming didn’t kill the album. Downloads did. As soon as Napster was a thing, people stopped needing to buy the whole record just to hear one song they liked.

If anything, I’d argue that streaming might actually HELP albums.

I mean, don’t get me wrong, streaming playlists are clearly the organizing principle of the moment for tracks, but the fact that there’s no additional charge besides the subscription fee means that listeners are free to explore an artist’s catalog as they choose.

In the download days, you probably weren’t going to pay $10 to take a chance on something you were only mildly curious about. Today you can listen to that album worry-free. If you like it, keep listening. If not, next!

3. I can window or withhold to drive physical sales or downloads

Taylor Swift can withhold. Adele can window. You — most likely — can’t.

Windowing is the act of releasing a certain piece of music to different platforms/formats at different times so you can direct fans to whichever outlet benefits you most. Again, that might work if you’re Adele. Her fans will go where she commands. But ask yourself: am I Adele?

If your music isn’t on Spotify (or maybe YouTube), I’m not going to hear it, period. I won’t download it. I don’t want to manage the files on my computer. And I don’t care if you mail me a CD for free; I’m probably not going to open it. My only CD player is in my car and that’s my NPR time.

So… don’t window and don’t withhold. Be everywhere, because your fans need you to meet them where THEY hang out. Not visa versa.

4. All streaming services are pretty much the same

This is an easy assumption to make. Find digital music file. Stream it.

But there are real differences between the platforms, and it fosters a different experience with each:

YouTube Red comes with the whole video component (and ad-free access to everything on YouTube).

Pandora Premium taps into Pandora Radio’s past and your listening habits, to provide a particular kind of custom song selection.

Apple Music is heavy into human curation, featuring their own playlists and their Beats 1 radio service.

Spotify is a data-heavy system that has thrived because it encourages users to create their own playlists, further instructing its own algorithm.

And on and on. To varying degrees, the streaming platforms are different from one another.

5. It’s only a matter of time before people realize they miss having the tangible, physical record or CD

Yes. I actually hear this. Ah, nostalgia.

If you grew up with vinyl or CDs, I get it — you miss them (or some aspect of them, at least). But most people who were born in the past two decade don’t miss them, don’t need them, and won’t demand their return.

MUSIC is what’s important. Not how big the paper sleeve, not how shiny the object it’s delivered on, and not how easy it is to touch. It’s music. It goes in your ears, to your brain.

Bonus myth: If we boycott streaming, everyone will have to go back to [insert format: downloads, CD, cassette, vinyl, wax cylinder, concert hall, folk dance,…]

To which I say: try it! Usually I’m all for organization and action. Boycotts can be very effective.

But here’s the thing, Ed Sheeran isn’t boycotting streaming services. Know why? Because he’s making a boatload of money from them.

So whoever does get together to remove their music from, say, Spotify — it’s just not going to make that big a difference, because your music isn’t as in-demand as Ed Sheeran or Drake. And then you’re just left out of the party, because your potential fans will be dancing to another artist’s jams.

Besides, this impulse usually comes from believing myth #1. Should rights holders continue to pressure streaming services (and Congress) for higher royalty rates? Absolutely. But let’s not pretend there’s no money to be made.

Did I forget any common music streaming myths? If so, let me know below. And let us know why it’s not true.

The post The biggest myths about music streaming appeared first on DIY Musician Blog.

[voodoochili]

A Special, EXTRA BIG Edition of Reviewing the Hits (2016/2017)

It’s that time again! It’s time to review every song that topped the Billboard Hot 100 in 2016. Wait, you’re saying “that time again” passed sometime in December, or at the very least January, when people still gave a shit about reviewing the year that was? Fair enough. In my defense, I like to let the dust settle a bit on these hits before I review them to try to get a big picture on the previous year’s pop trends. Either that, or I am unforgivably lazy. Probably a combination of the two. My apologies to my three or so loyal readers who look forward to this column every year!

As a special treat, and so people might actually want to read this in May 2017, I’m not only gonna review all of last year’s number ones, but review all of the current year′s number ones up to this point as well. Relevance! 

Just gonna do a quick rundown of 2016 (and I guess 2017), because it already feels like a billion years ago, but the most important trend on the charts in 2016 was the appropriation of Caribbean styles of music, particularly dancehall, into mainstream pop music. Hooray! Another fun, vibrant style of music for the pop charts to chew up and spit out until Ed Sheeran thinks it’s ok to use it.

The parallel story was the resurgence of Hip-Hop, the biggest beneficiary of new Billboard methodology that rewards stream counts as much as radio play. There are still many issues about Billboard methodology and the weighting and averaging of certain metrics over others, but the inclusion of streaming seems to me to be a positive development. Despite the surge in popularity of Hip-Hop in recent years, Top 40 radio is as segregated as it ever has been. Radio programmers are completely stuck in their ways, and less willing than they once were to shift genre or format boundaries to accommodate a rising hit song. The influence of streaming forces programmers hands, but they often don’t succumb to the popularity of the latest Hip-Hop or dance track until well after many genre fans are sick of it. Still, radio programmers still have control over what they play, and this can create a weird incongruity between the top song on the Billboard charts and the top song on the airplay chart--”Panda” and “Black Beatles” topped the charts, but you weren’t exactly hearing those tracks at shopping malls.

I guess what I’m getting at is this: Billboard is the culture now! Songs that would peaked in the outer reaches of the top 40 five years ago routinely reach the top ten--”Broccoli,” “2 Phones,””Don’t Mind,” “XO Tour Llif3″etc. Sometimes when I look at the charts these days, it feels like Billboard charts 80 of the most popular songs in America and leaves it to Complex and The FADER to pick the rest.

Edited to add: Can’t believe I forgot to mention this the first time around, but we are currently amidst a record run of men topping the Billboard chart. It’s been nearly a year since Sia topped the charts with “Cheap Thrills” and since The Chainsmokers’ and Halsey’s “Closer” came off the number one spot, there haven’t even been any female featured artists. I honestly have no idea what to make of this, and I have to think that it’s a blip. Hopefully, this will change soon and it won’t take another Taylor Swift or Adele to wrest the Billboard charts away from the grubby hands of Drake and Ed Sheeran and the rest of their male friends.

Anyway, onto the hits.

2016 - Pirates of the Caribbean

“Hello” – Adele; 11/14/15-1/16/16 (10 weeks)

Wrote about this song in last year’s recap! Here’s what I said (I still agree with most of it, though I probably would dock a point off the final score):

“Adele is the biggest star in music.  It’s taken as a given nowadays, but let’s take a moment to contemplate how strange this is.  Taylor Swift, Rihanna and Beyoncé have bigger Internet cults of personality and maybe more “cultural relevance,” but Adele is the only true four-quadrant star in today’s music business.  Adele is treated like a unicorn by the music press—“so she sold 3 million albums, but Adele is the exception.” Well, yeah, she’s the exception now, but she didn’t magically fall from the sky on a pile of platinum albums.  She developed.  She stopped being that Amy Winehouse-imitator that many pegged her as when she first came to America in 2009, and developed her own take on that retro-style, foregoing the brassy horns of ‘60s soul in favor of the revealing songwriting and acoustic bombast of ‘70s singer/songwriters like Carole King.  People these days seem to forget that Tapestry sold more albums than Off The Wall.  Adele’s unique combination of affable and engaging personality, polished songcraft and unmistakable voice got her to the top of the music world, but she’s no unicorn.  There can and probably will be another Adele, but only if they can belt out choruses as memorable as “Hello.”

Now for “Hello”: It’s alright.  The chorus is great and ridiculously fun to sing along to and the song and the production perfectly build until the chorus explodes.  Still, is this a song or just a chorus?  The verse lyrics do not add much to the chorus and they don’t provide a coherent emotional arc and too often it seems like Adele and her backing band are biding time until the chorus comes again.  Still, what a chorus!”

7/10

Justin Bieber - “Sorry”; 1/23-2/6 (3 Weeks)

A deceptively simple pop song with three chords, a dancehall beat, lots of cool sounds courtesy of Skrillex, and a maddeningly catchy chorus, “Sorry” feels like it should be better than it is. After a quatrain of massive hits in ‘15 and ‘16, Bieber enjoyed something of a critical rehabilitation, especially since most of pop radio seems engineered to recreate the hitmaking magic of “Sorry.” If you haven’t heard yet, Justin is an adult now, who likes to sing about “mature” subjects without any emotional maturity. I’ll give props to the man for trendspotting, but I’m not quite sold on his transformation. The superficially earnest and skin-deep faux-introspective lyrics are a bigger problem in his follow up hit, but the main thing that sidelines “Sorry” is Justin’ vocal, which is overly breathy, melodramatic, and often irritating. Still, it’s hard to deny the chorus melody and the production by Skrillex and Blood strikes an impressive balance between bubblegum pop and the harder-edged sounds for which Skrillex is famous. I don’t need to hear this song ever again, but it doesn’t make me mad.

5/10

Justin Bieber - “Love Yourself”; 2/13, 2/27 (2 Weeks)

“Love Yourself,” co-written by Ed Sheeran and produced with admirable restraint by Benny Blanco, recently won “Best Lyrics” in the 2017 IHeartRadio awards. Leaving aside award-winning couplets like “You think you broke my heart, oh girl for goodness sake/You think I'm crying on my own, well I ain't” and the censored title insult, “Love Yourself” is a cripplingly, hopelessly petulant song. It’s “methinks the lady doth protest too much” in musical form. To his credit, the Biebs does a decent job selling the performance--whatever sweetness there is comes from his voice not the composition. The stripped down arrangement, with amateurish, whispy electric guitar and a trumpet teleported in from a happier song, shines a spotlight on the nasty and vindictive words. I’m thinking that whomever Justin is singing about isn’t missing him too much.

2/10

Zayn - “Pillowtalk”; 2/20 (1 Week)

For a minute there it felt like 2016 would be dominated by former teen stars who are now all-too-proud to boast “Hey, I’m having sex now!” through their music. "Pillowtalk” is an oversung, oversexed, overproduced slog--clocking in at 3:25 that feels like an eternity. It aims for “Climax,” by Usher, but it barely reaches “Radioactive” by Imagine Dragons. The song is called “Pillowtalk,” Zayn, so please stop shouting at me!

2/10

Rihanna - “Work” ft. Drake; 3/5-4/30 (9 Weeks)

A refreshingly minimalist, slinky slice of music box dancehall from the best damn pop star working. Nobody stood out on the radio in 2016 like Rihanna. The songs that tried to imitate “Work”--oh and there were plenty--failed to capture the confident spontaneity, effortless melodicism, and sheer force of personality exhibited by RiRi on the track. Most importantly, and the thing that makes “Work” such a radio standout, the producers know to stay out of Rihanna’s way, barely embellishing the original “Sail Away” riddim and letting the diva do her thing. “Work” sails towards a 10, but then Drake shows up to talk his favorite subject: what the object of his affection “used to” do. Ease up, man.

8/10

Desiigner - “Panda”; 5/7-5/14 (2 Weeks)

A bombastic trap anthem from an excitable Brooklyn teenager on the mic and a former Mancunian cell phone salesman behind the boards, “Panda” is one of the more unlikely number ones in a while. Desiigner bought the beat that eventually became “Panda” from producer Menace for the low low price of $200, after discovering the beat on YouTube. The track quickly caught fire, reaching the ear of Kanye West, who slapped his own version onto The Life of Pablo. Strangely enough, “Panda” caught more heat than any of Kanye’s solo tracks, climbing up the charts to become first solo rap hit to reach the top of the Hot 100 since 2011 (Wiz Khalifa, “Black & Yellow).

All that stuff is super cool and all, but besides the origin story, I'm fairly conflicted about this song. There are some truly unique aspects to the track that help me understand why it caught on so quickly. In an era where artists are encouraged to throw a hook at you right off the bat, it takes some balls for Desiigner to let the beat build--holding back for the first 40 or so seconds of the track, letting the natural contours of the instrumental and his wild ad-libs do the work. Did I say natural contours of the instrumental? Yeah, the beat is great. At first blush, it seems a bit rudimentary, but so few radio rap tracks actually have any dynamics--they’re all full steam ahead all the time. It’s refreshing and kinda weird to hear the LOUDquietLOUD formula that’s been done to death in alt-rock in a trap song.

But overall, despite the more interesting aspects, the whole of “Panda” is just garden-variety trap, but without the hook that makes trap music interesting--a unique personality. Desiigner can’t help if his rhythmic baritone sounds similar in timbre to Future, but he uses the EXACT SAME FLOW as Future as well. In fact, I bet there are STILL people out there who think that “Panda” is a Future song and the fact that it topped the charts before any real Future song feels a little bit like Pat Boone’s “Tutti Frutti” outselling Little Richard’s.

6/10

Drake - “One Dance” ft. Wizkid & Kyla: 5/14, 6/4-7/30 (10 weeks)

Leave it Drake to litter a scorching sample and piano loop with his atonal ramblings, magically transforming a potential banger into a Pavlovian stimulus to change the station. Do me a favor and listen to the original instead.

3/10

Justin Timberlake - “Can’t Stop The Feeling”: 5/21 (1 Week)

Like Pharrell’s “Happy,” JT’s “Can’t Stop The Feeling” is a feel-good cash grab from the soundtrack to a kids’ movie. Also like “Happy,” it’s a song that sounds a lot more like a jingle from a Coca-Cola commercial than a pop song that has any business near the radio. JT is a more engaging performer than Pharrell, so this has some sterile charm (and I dig the finger snaps), but mostly, this song is the sound of a once-great pop star grasping for a niche in today’s crowded marketplace now that the other Justin captured his sex appeal and Bruno Mars eclipsed him as the most beloved translator of ‘80s R&B slickness.

4/10

Sia - “Cheap Thrills” ft. Sean Paul: 8/6-8/27 (4 Weeks)

The second catchiest dancehall-influenced track to top the charts in 2016! (Due respect to “Work,” get lost “One Dance”). With the sound of pop music ever drifting toward the Caribbean, it was inevitable that one of pop music’s biggest dancehall crossover stars would rear his head for a comeback. And voila! Here is Sean-a Paul bringing back his bi-di-bam-bam to the pop charts, livening up an otherwise blah track. Sia, as usual, delivers a solid melody and a strong vocal, but the backing track is punchless with no memorable instrumental hooks and a barely noticeable rhythm section.

5/10

The Chainsmokers - “Closer” ft. Halsey: 9/3-11/19 (12 weeks)

When future social scientists study the popular music of America in the late 20th and early 21st centuries, they will find that a single turning point plunged the quality of the artform into an irreversible decline: the moment that one dude from the Chainsmokers psyched himself up in the mirror and convinced himself he could sing.

2/10

Rae Sremmurd - “Black Beatles” ft. Gucci Mane: 11/26-12/31; 1/14/17 (7 Weeks)

I’M A FUCKIN’ BLACK BEATLE CREAM SEATS IN THE REGAL ROCKIN’ JOHN LENNON LENSES LIKE TO SEE ‘EM SPREAD EAGLE...

ahem. excuse me.

It’s hard for me to retain my critical faculties when listening to this song, but I’ll try my hardest to succinctly describe why I think "Black Beatles” is one of the greatest rap songs of the past decade or so. 

First, Mike WiLL’s beat--with those strange, Eastern-style modal ascending fourths, the Glass-like arpeggiated synth riff that hangs in the air, the brilliant use of negative space in the bottom that transforms any room into a haze-filled cavern, those hi-hats that sound like a million monkeys crafting a masterpiece on a million typewriters...I can go on and on.

Second, I would like to congratulate Swae Lee and company for creating a five minute long song where nearly every moment is a hook. Seriously, there are at least seven or eight lines in Swae’s verse that could be the key line in a massive single (”New day, new money to be made,” “Like clockwork, I blow it all” “She think she love me, I think she trollin’”).

Third, while this might feel like a participation trophy for Gucci Mane and Slim Jxmmi, it’s not. Slim’s absurd lyrics and crazy high energy provide the perfect anchor lap, and Gucci’s verse provides some twisty wordplay as the cream filling the Rae Sremmurd oreo.

Are Rae Sremmurd the next Beatles? Probably not. Are they the trap N’Sync? Warmer. Either way, here’s to many more number one hits and trashed hotel rooms for these crazy kids, who hopefully never grow up.

9/10

2017 - THE YEAR THAT IS NOW

The Weeknd - “Starboy” ft. Daft Punk: 1/7 (1 Week)

In which Abel Tesfaye chops off his famous ‘do and magically transforms into Tears For Fears. Three-and-a-half minutes of build-up that never quite resolves into a climax. I’m not sure what Abel was going for with that chorus--”starboy” is a silly phrase that the song demands you take very seriously. I’m sorry--to me a “starboy” calls to mind the “Star Child” from the end of 2001: A Space Odyssey or a superhero’s sidekick. Maybe he’s trying evoke David Bowie (”staaaarmaaan”), but this is a lot more Starship than Stardust.

5/10

Migos - “Bad and Boujee” ft. Lil Uzi Vert: 1/21, 2/4-2/11 (3 Weeks)

A sinister, cavernous, evil trap banger like this topping the Billboard charts?--momma we made it. This year, people finally realized that putting three uniquely talented, rappin’-ass-rappin’ emcees who finish each others sentences and help each other out with absurd ad-libs on every track was a very good idea. Failing that, just grab Quavo and let him sang. As great as Quavo is on everything, and he comes through here with a brilliant secondary hook (”yeah..dat way”), the real star of “Bad and Boujee” is Offset, who peppers Metro Boomin’s track with rhythmic witticisms and provides the year’s most memeable chorus. As for Lil Uzi Vert (eyeaaah)...well... it would have been nice to hear Takeoff on this track, but no matter, he shines on the follow-up hit, and our nation’s new national anthem, “T-Shirt.”

Is Migos better than The Beatles? No. Is “Bad and Boujee” better than “Black Beatles”? Almost.

9/10.

Ed Sheeran - “Shape of You”: 1/28, 2/18-4/29 (12 Weeks)

RIP Dancehall (1985-2017) -- Killed by a charmless, rhythmically challenged chia pet and the tinniest, rinky-dinkiest production to ever top the charts.

1/10

Kendrick Lamar - “HUMBLE.”: 5/6 (1 Week)

Considering all that Kendrick Lamar has done in the past five years, it’s kind of remarkable that people were concerned that Kendrick Lamar might have to sand off his rougher edges to achieve mainstream acceptance. Well, here he is in 2017, the biggest pure rap star in the world, and he gets his first number one, not with an attempted crossover but with a lyrical exercise, with a spare, pounding, piano beat by Mike WiLL Made It. Kendrick’s long-awaited successor to “Backseat Freestyle,” “HUMBLE.” is a bracing listen with the rapper delivering memorable line after memorable line in lockstep with the beat. “HUMBLE.” doesn’t quite have the emotional range or level of detail as some of the better songs on DAMN., but then again, I can’t think of a number one hit since the heyday of B.I.G. that has this level of pure, athletic rapping.

8/10

Bruno Mars - “That’s What I Like”: 5/13 (1 Week)

I’ve been doing this post every year for over a decade, and in that time, Bruno Mars has had SEVEN number one hits. So I’ve had plenty of chances to write about Bruno and I’ve made my opinion on him very clear: dude is a skilled craftsman and talented performer who’s never had an original idea in his oft-fedora’d head. In the past, I’ve levied that as a criticism, but now...I kinda like the dude. All it took for me to change my opinion was for Bruno to stop aping people like Billy Joel and start aping people like Zapp and Roger, or the Gap Band, or Teddy Pendergrass. “That’s What I Like” echoes the adult-oriented R&B of the ‘80s, but it doesn’t feel like as much of a retread as Bruno’s other big hits—borrowing stylistic elements but not in an obvious way. It’s a well-constructed song, written in 2/2 time with jazzy chords, endearingly dumb lyrics (“wake up with no jammies” “Julio cook that scampi”), and a big fat ‘80s-style analog synth on the bridge. What’s not to like?

8/10

DJ Khaled – “I’m The One” ft. Justin Bieber, Quavo, Chance The Rapper, and Lil Wayne: 5/20 (1 Week)

Ever the master of A-List posse cuts, DJ Khaled built upon his recent Snapchat celebrity and earned his first number one hit with this beach bbq-ready slice of summer. This is possibly the most impressive combination of talent that Khaled has ever assembled on a song...so why is this so boring? I like most of the individual parts in the song, though I could really do without Bieber’s Caribbean patois at the end, but they come together to form this overlong mish mash. The main culprit, unfortunately, is the instrumental from Nic Nac, who I normally like a lot, which uses and abuses the ‘50s doo wop chord progression without dressing it up with sounds to make it more novel or interesting. I’m happy for Chance and Khaled for earning a #1, and I won’t change the station when it comes on, but “I’m The One” is overstuffed, brimming with wasted potential.

5/10

Luis Fonsi – “Despacito” (Remix) ft. Daddy Yankee & Justin Bieber: 5/27-6/10 (3 Weeks [so far])

The first Spanish-language track to top the Billboard charts since the “Macarena” propelled Bill Clinton to victory over Bob Dole in 1996, “Despacito” is an infectious, if rote, slice of Latin Pop, anchored by Puerto Rican cuatro and an expressive vocal from Luis Fonsi (who I’d embarrassingly never heard of before hearing this song). As the American monoculture fragments into dozens of competing scenes and genres vying for attention, the Billboard reign of “Despacito” demonstrates the positive effects of putting the charts in the hands of streamers instead of radio programmers.

Then again, those dastardly programmers had to sully this with a Justin Bieber intro. I understand that adding Justin Bieber to “Despacito” was the only way to convince English-speaking radio to play it, but its melody is plenty strong enough to stand on its own. The original version benefits from the counterweight between Fonsi’s verse and Daddy Yankee’s rap, which the Bieber intro throws out of whack. Add the fact that Bieber seems to lack respect for the original artists and it looks like a transparent cash grab from a guy who probably doesn’t need the cash. Still, 30 seconds at the beginning of the song can’t take away from the remarkable achievement from the two artists, nor the the Cuatro wizardry of Luis Fonsi.

6/10

BEST #1 of 2016: “Black Beatles”

WORST #1 of 2016: Lots of competition, but let’s go with “Pillowtalk,” narrowly edging “Closer”

BEST/WORST of 2017 coming at the end of the year--this is shaping up to become one of the best ever years for number 1 hits (no thanks to you, Ed).