#belousova
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I will be honest I don't care about Henry Cavill leaving as much as I care about Sonya Belousova leaving in the first season of the Witcher.
Like I get it. Henry Cavill is perfect for the role. I like to think of him as the Ian McKellen of The Witcher (it makes sense if you think about it). But I do want the music back. I listen to that soundtrack to this day. I'm listening to it right now. It's helped me so much with my writing. Please bring Sonya back.
Look I just don't want to contribute to the chaos. I'm going to have my blanket over my head for the rest of the time and have a sign next to me saying "do not disturb". Thank you and goodnight.
#witcher netflix#the witcher netflix#netflix witcher#netlfix#netflix#geralt of rivia#geralt#jaskier#henry cavill#sonya belousova#sonya#belousova#these are my priorities#if you can find the essay i wrote you xan understand where I'm coming from#I dont think the second season's composer was bad btw i just felt sonya was better#in my opinion you are more than welcome to tell me why I'm wrong I'd love to hear#but yeah I'm climbing back to baed
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Ludmila Belousova and Oleg Protopopov perform a death spiral, 1965. Photographed by Dave Buresh.
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Kseniya ❤️🌹❤️
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OPLA Soundtrack and Zolu Part 2
The brain rot has returned again. I was discussing with @general-cyno, You Better Not Mess With The Strawhats, the song that plays when Zoro is saying his "Totally Normal and Not Gay At All Life Devotion Pledge, Part 2" It has a tiny bit of Luffy's theme in the beginning when he is blaming himself. But it's overtaken by, Zoro's theme, which starts off soft, then builds up, Luffy's instruments (drums and trumpets) joining in in playing it, till it crescendos triumphantly. (They're themes combining and building on each other just like their dreams and Zoro lifting up Luffy both emotionally and musically in the scene and-)
And now that I've gone back and listened to it, the reverse can be said in "Totally Normal and Not Gay At All Life Devotion Pledge, Part 1". 'Wounds On The Back Are A Swordsman's Greatest Shame' which is the OST for the Zoro vs Mihawk fight, towards the end 4:26, you have the saddest version of Luffy's theme I have ever heard, as he cradles Zoro's body. Then, when Mihawk leaves, you hear Zoro's instruments return, around 5:00, and it starts to build again, still very sad. You can really hear it at 5:23, where they have Zoro's wind instrument (I don't know the name) carying the melody as it plays Luffy's theme(though it's still so sad). (Zoro's instruments rising up to weakly support Luffy's theme just like in the scene, because his captain is sad, and he doesn't want to disappoint him, and Luffy's instruments intertwine cuz he wants to keep him there, and he doesn't want to lose him, and he's scared-)
The fact that this damn soundtrack has not only Luffy's instruments playing Zoro's theme, but Zoro's playing Luffy's, and its the Oath scenes. They make me so ill, I can't stand them, I could write a love letter to the composers.
Part 1
#Sonya Belousova & Giona Ostinelli are the real Zolu shippers#I give them an honorary memberships to the Zolu club#zolu#luzo#luffy x zoro#zoro x luffy#roronoa zoro#zoro#monkey d. luffy#luffy#one piece#one piece live action#opla#opla spoilers#music#ramblings
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More people need to be on about the One Piece Live Action soundtrack as well, because my god
I’ve so missed hearing these big bombastic scores like this in popular movies and tv shows
in OPLA every note, every beat, every horn blown and string plucked feels so, so triumphant, it’s infectious, it’s memorable, it feels so joyous and synonymous with the show it’s used in
Like, I’m listening to the soundtrack now and it’s just like. HELL YES. It’s fun, it’s piratey, it’s fist-pumpy, it’s One Piece
My god, I’ve fallen in love with this show’s score.
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