#believe it or not it WAS plot-relevant

[opbackgrounds]

I think Hogback surviving getting full-on stomped by Oars makes me more angry than Spandam surviving Robin snapping his back like a twig.

[olenvasynyt]

Guys. Elain is connected to the Koschei plot. Idk why this is a debate. Obviously Vassa is connected to Koschei too but Elain was the one who INTRODUCED US to the Koschei and Vassa plot. She had the vision of them, and she also had the vision of the black box which is still unresolved.

Elain will have relevancy to the Koschei plot.

[verosikastrikerstellaexcuser]

Does anyone else think Millie should have been the one who met Blitz first?

Millie can kill like anything and likes doing it. I really can see something like her feeling unfulfilled at home having to repress her violence and farm. When she meets Moxxie she loves him so much she leaves home to go live with him (which would explain her parents animosity to Moxxie even better too). However she struggles to find work and adjust to life away from home. All the jobs she gets she loses her temper and can’t hold them down. Then she gets into a public scrap in front of Blitz. Blitz sees it and is like WOWOW WORK FOR ME WORK FOR ME LOOK AT THAT LOOK AT YOU really insistent on it he NEEDS her for IMP. Millie says yes and they’re quickly both happy. She’s relieved at finally having a job.

Millie looks past Blitz’s antics way more than Moxxie. Obviously a huge part of that is Moxxie’s personality Vs. Millie’s . But if Millie also “owed” Blitz being pulled out of a string of failed jobs I feel like that would explain a lot of her ignoring of his bad behaviors and her having admiration trust and respect for him and his decisions. She also seems to somewhat dislike Loona and her not liking Loona because Loona disrespects Blitz a lot and she thinks Blitz is a smart cool guy from having had him insist she works for him and then hire Moxxie I just feel like would tie all that together so elegantly. And this change would make Millie’s story way more central because outside of Stolas almost everything revolves around Blitz or Moxxie in this show and it’s a problem.

[mostofthingsmostofthetime]

Calling all Dair shippers!!!!!

I want to start reading fan fiction of them, but I have no idea where to begin.

My only requirements are that it's in English (why must you be the only language my stupid brain could leadn), is an AU and that (while I don't mind if he shows up) Chuck doesn't get any kind of a redemption arc like if he's in the story I want the narative to treat him like the villain he is (the same with Louie tbh but I'm guessing he dosn't get much focus).

I would also prefer it if it took place when they're adults (but I'm willing to give fics of them getting together sooner a try).

So, if you know of any fics that fit that description, please leave your recommendations in the comments.

[fromtheseventhhell]

I'm not sure how to get it into people's heads that Arya is a female character. She's not a boy, not nonbinary, trans, agender, or genderless. I don't intend this in a way to be negative or wanky, but her girlhood is imbedded within her character. The problem isn't that Arya stans are missing the point by overemphasizing her femininity and wanting her to be a barefoot tradwife baby making machine, but that we're stating it exists when the majority of fandom and the show itself have gone out of the way to minimize the relevancy of her gender. I'm fully convinced there are a lot of people who think Arya would be the exact same character had GRRM created her as a male character named Arry instead, perhaps they'd do a better job at acknowledging her importance.

What's most ironic to me is how these same fans will gush and coo over the sisters being more alike than we think, but only if it involves giving Arya's characteristics to Sansa. Well acktually, Sansa likes to ride horses just as much as Arya does! They're so alike uwu! But dare acknowledge that Arya has traits and aspects commonly associated to Sansa then not only does that get accusations of wanting Arya to become Sansa, but that it's solely about showing Sansa up and wanting her to grovel in Arya's shadow and superiority 🙄 Hypocrisy and projection showing itself.

Somewhat of an aside, but I recently saw a post on reddit complaining about the fact that all four of Daemon's children survived the Dance specifically focused on the fact that both Rhaena and Baela lived. According to the OP, one of them should've died and their post-war roles in the story should've been given to only one of them. Which at its core is really the main conflict between Sansa and Arya stans, no matter how much the Stansas want to cover their ears and play dumb. It's not about Arya stans projecting their sibling squabbles onto the two of them but simply the fact that it's not possible for two characters to fulfill the same role in the story, specifically when it involves two female characters. The existence of two Stark sisters is an inconvenience for the people who want the story to revolve around Sansa.

I have to believe there's some bubbles that they don't want to admit will burst if TWOW will ever be released and that's why they cling to the idea that Arya stans are the delusional ones. They have to believe that the parts of Sansa's seasons 5-8 storyline they like came from GRRM instead of D&D or else their Jonsa and QITN fantasies will fall apart. I have no idea how someone can watch the scene where Sansa tells Arya she couldn't survive what she had while Arya can only sputter out that she was training and believe 1) it makes sense for their book characters and 2) D&D didn't blatantly favor Sansa and Sophie over Arya and Maisie.

This ask came literally seconds after I drafted a post talking about this exact topic and it's so wild to me that we were both up thinking about Arya + her girlhood and wanting to discuss it 🥹

As for this ask, you really hit the nail on the head. Arya's gender is an essential aspect of her journey but fandom ignores that because they've decided that there's only one "right" way to exist as a female character. Arya's self-esteem issues stem from her being a non-conforming Lady in a misogynistic society, she has to disguise herself as a boy in part because of the threat of sexual violence, in Harrenhal she is assigned gender-specific tasks/labor, political matches are made without her knowledge/consent, she is threatened with sexual violence multiple times, and even her role within the FM is influenced by her gender. Her being non-conforming doesn't mean she's the complete antithesis of everything feminine. The obsession with propping up Sansa has ruined people's ability to perceive complex female characters, ironically including Sansa herself. They genuinely would've respected Arya more if she had died passively rather than fight for her life and you can't tell me that isn't misogyny.

That Reddit post is a great example of how people genuinely can't (or refuse to) comprehend the idea of two female characters occupying the same space. Cause you're right, that is the root of the issue. I think the only reason they bother with the fake "Stark sisters uwu" crap is because they've backed themselves into a faux-feminist corner and they don't want to look hypocritical for disliking Arya. So instead, they pretend to care all while rewriting her to serve as Sansa's prop. This is also why so many Queen!Sansa truthers are also anti-Dany + think that Sansa becoming Queen depends on Dany's downfall. They desperately cling to the show as canon, when D&D have openly admitted they changed the story because they favored Sansa/Sophie. They're fine with how show!Arya is written because to them, that's exactly how she should be; a subservient lapdog for Sansa. TWOW is definitely going to ruin that illusion, and one of the reasons I'm optimistic about it being released is getting to see fandom's reaction.

[vero-niche]

i still couldn't say with 100% certainty who the dad is

[tea-earl-grey]

broke: go to the Star Trek future to meet aliens

woke: go to the Star Trek future to speak with whales

[skitskatdacat63]

This is my personal crossover event of the century

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[artyartpile]

a glimpse of the great transgressor's power

i took one look at the latest manga chapter and knew i had to colour vicious's new half-demon form sdgsdgsdfgsdfsf

[nymphilily]

Sometimes, the AU's I spend the most time on are the ones I only make memes for

[mic-check-stims]

I love when my blorbos have game sprites with easily color-pickable palates.

Look at my obnoxious gender headcanons boy

[codes-and-stuffs]

i may not be a reader of the romance genre but i will always support it.. do i realistically care that the love interest is a little overboard with his protectiveness... that he's a bit fucked up and violent.. no i dont.. of course people arent reading these books to be examples for real life.. like they know its literally fiction why do we assume theyre dumb.. women have been reading these for self indulgence for centuries and throughout time they'vealways been called shallow for it.. and i support these readers.. there's always going to be a pushback against romance stories .. and i will always stand by their right to exist with all their unrealistic rose tinted lenses

[possamble]

I think the most egregious case of "tagging a background f/f ship" is when the f/f ship is an established couple that spends most of their screentime trying to get the m/m or f/m ship together. They barely even flirt. Many such cases. :(

I know there are real problems I could get heated about but this one truly makes me want to book a rage room

[theartthatleavesthemark]

do you think that at the end of 2x10 when they were destroying charlestown and silver was screaming in the hold getting his leg cut off james (who had no idea that was happening) thought the screaming was inside his own head?

[syl-stormblessed]

i love watching certain wheel of time moments and going “oh tumblr user [insert canon wot url] is probably having a field day with this”