#being left in the dark and not getting closure can actually cause so much unnecessary anxiety

[kiegotakami]

in the best way possible. it’s possible that was all in my head

[shiningjoy]

so i’ve finally watched s3 of free! and i wanted to put my thoughts in about it and hopefully also get some ppl to reply (respectfully) with their own input? also sorry if my knowledge of free seems spotty or incomplete since i don’t obviously have all free lore burned into my head so pls inform or correct me on anything i’m missing!

anyways before even watching s3, i noticed it was pretty widespread that s3 was rather disappointing or at least fell short to s1&2. and not only that, but i could see that s3 was likely going to be a bit disappointing just bc of how many less ppl were interested in it or even knew about it (ofc popularity=/=good but i doubted that the loss in numbers was just bc time had passed) sadly, the season actually exceeded my expectations of the worst.

first of all, i think way too many characters were introduced without any need of them being there. ofc not all of them seemed worthless to being there, but i think at least half of them didn’t have a need of being there (or at least didn’t need to appear as much as they did) or they could’ve at least waited to introduce them. don’t get me wrong, i loved characters like isuzu and albert, but with how little they appeared or added to the plot, i don’t think they were necessary at all. they introduced so many characters and kind of tried to forcefully endear them to us but it just seemed really shallow and random. i was really uninterested in the new iwatobi hs sc tbh (i love rei and nagisa, but i just don’t feel anything for the new members tho it was funny how the new manager is interested in fat instead of muscles) i don’t think isuzu was worth introducing, but i do get why they introduced albert at least. he was supposed to serve as their first rival introduced strictly from the professional world, and to emphasize there are many people above them not just in japan but the “world stage” but i definitely think they could’ve waited on that until the free 2021 movie tbh. plus i felt that any conflict he brought to haru was resolved within 1 maybe 2 episodes so yea they definitely didn’t really need him bc he hasn’t had much impact (yet) if anything, they could’ve just had him briefly appear at that training camp haru was at to race him and beat him to remind him that he still has a long way to go to get to the top. but all other appearances of albert were so extra and unnecessarily emphasized how inhumanely talented he was (the arcade scene, the thing with the chopsticks,etc) it just felt like really weak foreshadowing

also, the main conflict in s3 was just way too prolonged and solved unsatisfactorily. first of all, i don’t know why the blame seemed to be shifted by ikuya and hiyori almost solely to haru, like yes he was the one who quit first but it wasn’t an attack specifically to ikuya and the rest of them left too, so they should’ve held more grudges on haru makoto and asahi rather than just haru (or if anything at least have more blame on asahi bc makoto at least talked to ikuya beforehand) like did he just forget asahi also made a promise to not move away? honestly from the content they gave us, i’d argue that asahi and ikuya were actually closer than how ikuya and haru were, since i feel like most of the latter relationship was based on ikuya admiring harus swimming.

second of all, hiyori was another character i found so unnecessary and just weirdly protective over ikuya. he repeatedly gets in the way between them and ikuya when ikuya never said he didn’t want to talk to them (and it’s not like talking to them is gonna give him a health relapse) and so he just seemed to be there to prolong the conflict between them which was irritating. not even natsuya, ikuya’s actual brother, was that obsessive over him so i really don’t get hiyori. even sousuke, who was actually friends with rin before haru and the others were was not that possessive over rin, and there was actually pretty good reasoning why he had a grudge against haru (he didn’t see haru taking swimming as seriously as rin and thought that would cause him to hold back rin who looked up to haru, and was jealous that haru who had the talent to swim the world stage with rin wasn’t taking advantage of it when sousuke wanted to but couldnt bc of his injury) and like what right did he have to say to haru that his swimming hurts others when it didn’t even affect ikuya negatively (instead it inspired him and led to him wanting to swim like haru) like how haru originally thought it did to rin and how it did to asahi in high speed 2?

third of all, like i said before the way they solved the conflict between ikuya and the rest made little sense. like yes harus swimming is magical but i don’t get how swimming IM with him could instantly solve all the problems between them. (ik that it was based on the promise they made to race each other but i’ll get into that part and how shallow it felt later) if anything, i think what would’ve been more impactful was something happening to ikuya that made him realize that he can/should rely on/trust others, (maybe a more serious accident?) and enjoy swimming with a team and not just alone since his personal conflict was that he thought swimming alone was better than swimming with others when actually he was lonely (at least it was in starting days). and that wouldn’t even have to be with haru and the others that he learns that lesson. it could be with his own university team and hiyori, which would give hiyori a much better purpose of being there. (or they could’ve just not had him exist) if they were so inclined to have closure between ikuya and the other boys by having them resolve ikuyas personal conflict, i feel like it should’ve been at least haru AND asahi (maybe even makoto too but idk how thatd work when he’s no longer competing) racing him in the same race (if not them doing a relay but i guess they didn’t want to make it too obvious than they already were that they were just recycling the plot of s1 (lol)) if anything i think they could’ve even waited for them to reconcile while they were on the olympic team, but ig kyoani didn’t want to wait that long to reintroduce ikuya and wanted to use s3 to warm ppl up to the idea of ikuya being on the olympic team which they didn’t do very well considering how bad the development was

also what was with ikuya saying he swims his own way while obviously taking sm inspiration fron the way haru swam? it was so contradictory and even as kids haru told ikuya to swim his own way when ikuya told him that he wanted to be like haru and he understood that obviously but didn’t apply that to his actions at all? and i’m surprised haru was ok with ikuya blatantly copying him when i vaguely rmb that he’s been shown to get annoyed with even makoto when he seemed to be doing that?

another fault in having all these characters was that haru’s actual personality seemed to be taken away for the sake of these characters.

they wanted to establish a deeper relationship between ikuya and haru, but it just seemed so off the way they went about it in free! haru promising ikuya to race him just felt so ooc to me and had little emotional impact tbh bc of the lack of reasoning i felt haru had to agree to such a thing besides him promising ikuya that just bc he asked rather than bc he actually wanted to race ikuya. (while it took rin weeks to get haru to warm up to him and then agree to the relay, and seeing the process of haru getting used to the idea then openly enjoying swimming with the others was really touching) i think they just added that to make harus quitting have more impact on ikuya but i don’t think it was necessary at all when they already made plans with the rest to swim the relay again and win. if they wanted to make it seem like ikuya and haru had more of a one on one relationship with each other they should’ve gone into more about how haru saw the same darkness in ikuya that he did in himself like in high speed 2. make them bond over their similarities since i’m pretty sure ikuyas purpose as a character is to give haru a rival that is like how sousuke is to rin is; which is being rivals while being two of the same person. (in contrast to haru and rin who are very different and are rivals that inspire each other) but the way they try to establish the relationship between ikuya and haru pales sm in comparison to sousuke and rin that it’s a bit laughable, even more so in those occasional moments where they try to act like ikuya can measure up to rin’s impact on haru

another much more obvious event where haru’s character is forced to act ooc for the sake of the establishment of another character is with albert. yes, haru has grown a lot from the beginning of the series and has gotten a lot more open, expressive, and friendly, but that’s mostly just to the friends around him, but that’s not even to all of them (he still seems to find kisumi irritating and in TYM tries to leave at the sight of him lol) so him noticing, randomly approaching a stranger he doesn’t know a single thing about to help them order food and then even going far as to have lunch with him was the most blatantly ooc thing in the season. i think he may be polite enough to help him order his food but i don’t get why he even noticed albert in the first place. they should’ve just left him noticing albert to be at the practice race. like i said that scene was just there to emphasize albert’s skill with the chopstick thing but i think saying he was the world record holder and also being way ahead of haru in the race was already enough

besides haru’s character, another character i felt they did wrong was makoto. besides the plot of s1 being recycled, s3 makoto seemed to just repeat the development he went through in s2. by the end of s2, he already establishes that he wants to coach swimmers. and at the end of s3 he comes to that same realization but acts like it’s something completely new to him introduced by nao that he never thought of before?? the only difference was that he said in s2 he wanted to help kids realize how great swimming is, which was sweet and suited his personality, but in s3 he says he wants to do it for athletes on the world stage. tbh i like either way, and the latter one would help him be able to stand with rin and haru who in s2 he was afraid of being left behind by (hence why he swam the free against haru in s2) but saying that being an olympic trainer can also help him inspire kids and show them swimming is fun makes no sense. choose a path you want for the character already and make it consistent does he want to help athletes in the world stage or does he want to help kids fall in love with swimming? bc i doubt any kids pay attention to the coach or trainers in the olympics rather than the actual athletes so that reasoning like i said didn’t make sense.

and after haru lost what i think was the 200m (?) free at the All Japan Invitational, i found it weird that they had makoto there after to talk with haru and rin about the race? idk to me it just feels like it’s tradition for it to end up just being rin and haru talking when they’re struggling with swimming (in s1 was their fight in front of the tree that looked like the one by their elementary, in s2 it was the australia trip) his presence didn’t even feel necessary either, he just randomly interrupted the moment by saying his future plans after haru had that angst yell lol. it felt like just an appeal to mh shippers which is not a good enough reason at all

the last point i can remember at the moment is that the ending was so underwhelming. i don’t understand why they couldn’t have shown the ending to rin and harus 100m free race when the movie trailer already confirms that they’re going to the olympics. why cut to albert watching them on the tv?? all this build up to not even show the results of it? I think this ending really just confirmed that s3 was so unnecessary and just there to warm ppl up to the olympic movie but not actually give us anything good or plot moving

anyways sorry for this dump. besides all these criticisms, i want to say there were parts of it that i enjoyed, i just didn’t go into it bc this post is already so long, and me bagging on ikuya was not hate; i actually like him and the only time i teared up in s3 was in his race with natsuya lol. i’m afraid that at some parts i may have not expressed my thoughts exactly so please don’t be too harsh if you engage, but i’d love to hear other ppl’s analysis of s3 and the characters as well !!

[nintendylan64]

My problems with FNAF Lore

Hey guys. I felt like I wanted to explain my problems with the FNAF lore, and how the lore was ruined for me years ago.

My history with the franchise and the lore Now, I discovered the Five Nights at Freddy's franchise back in 2014 through DanTDM's Let's Play of Five Nights at Freddy's 2. It was the first time I had ever been introduced to the jumpscares and characters in-game. But I actually discovered the first game through a YTP someone made of it. With how little I knew from discovering that YTP, I assumed that Freddy, Bonnie, Chica, and Foxy were anthropomorphic animals that ran the place, and that Freddy just liked to leave scary stuff in his office because he was a horror guy. That assumption was way off and DanTDM's Let's Play let me discover that the antagonists weren't anthropomorphic animals. I then discovered Markiplier's videos on the games in 2014, and fan-animations of the games like SMG4's Freddy's Spaghettiria series, and Piemations' 5 AM at Freddy's series. Besides the surprising jumpscares, what really got me hooked on the FNAF series was the 80s-90s aesthetics, and the lore behind it all. Around late 2014 and early 2015, I had discovered the hidden lore series by MrCreepyPasta, which was what got me interested in exploring the lore. I loved the FNAF lore when it was just, "Man kills 5 kids in pizzeria joint and the animatronics become haunted by the spirits of the kids". This made it feel much more realistic, as murder of kids in a place like this can happen in real life. The fact that the staff weren't behind any of it, and that the guards were originally just some average joes who got hired for a night guard position without knowing the dangers of it was also very realistic too. And the inclusion of another tragic event known as the "Bite of '87" was also interesting. But the biggest thing that made the lore have a charm to it, was how there was an implied history of Fazbear Entertainment, and FNAF 2 showed us the history of the place before the tragedies happened, as well as implying that the negative impression was stuck before the murders was also interesting. The lore was interesting back then because of how realistic and mysterious it was. And when the third game came out, it was a great conclusion to the franchise, in which the killer got his comeuppance, leaving the kid's souls to rest in peace. And the killer haunting the suit he died in as an attempt to escape his torment of being trapped in a suit, eventually leaving him to be burned alive in the location he was at was a very nice way to end things. But the way it had expanded on the story by taking place thirty years after the events of the first game, with the unsolved mysteries of Fazbear Entertainment trying to be recreated by people was a good way to expand upon the story. So basically, I prefer the FNAF lore when it was the story of how kids were murdered in a pizzeria joint, and how they eventually got revenge on their killer, while room was made to show us how the pizzeria joint handled this, and how the alleged hauntings were shown through the animatronics being possessed. Because of the lore being so interesting, I tried making up my own timelines to tie the story of the first three games together. And seeing as how the lore was concluded, it should've just ended there, right? Well... it didn't.

Where the problems crept in I think that the problems with the lore crept in with the fourth game. Now, this game could've had potential, as it could've taken place in the location where the withered animatronics were used in before FNAF 2, but it didn't do that. We got instead a child suffering through nightmares, with animatronics that have particularly stupid designs. Plus, what made it worse was that the Bite of 83 was introduced, making the topic of the Bite of'87 confusing since it was implied it happened in the second game, but now it was happening in the fourth game? But then it was revealed to be a separate event, why two separate events of the same thing? What constitutes the idea of establishing a similar event to the Bite of '87? It had nothing to impact the games itself at all. The bigger thing that was confusing is this, Fredbear's Family Diner was implied to have been closed for longer than 1983-1987, and the fact that you see the unwithered versions of the withered animatronics in Fredbear's makes it all the more confusing, since Fredbear's was established as a separate, and early location before it was later re-enfranchised as Freddy Fazbear's Pizza. So why retcon what was established in the previous games? Why not just show us in the fourth game what happened with the withered animatronics before they became withered, and then make a fifth game that took place in Fredbear's Family Diner? I don't know why Scott felt the need to retcon things, especially since most people thought that the franchise had already ended with the third game. Later on down the line, Sister Location came out in 2016. And I honestly hate Sister Location, lore-wise that is. The reason I say this is because Sister Location fucked up everything more than the 4th game. This time, there was more retconning, the horror tone and 80s-90s aesthetic was gone, the game felt like Sci-fi and less like the older games. Worse, Purple Guy was given an actual name, and turned from a cold-blooded killer that killed kids because of being a psychopath, into a mad scientist obsessed with placing souls into animatronics using soul juice in an attempt to create murderous animatronics, and he killed kids to do this, but most of them were his own or his friend's kids, Fazbear Entertainment was actually started by this maniac, and Mike Schmidt from FNAF 1 was no longer an average joe working a night shift job, but instead the son of the killer and later became an unrealistic purple zombie that somehow got hired for night shift positions. Jeremy and Fritz were no longer average joes either, and were now aliases for the purple zombie who's actual name was Michael Afton, making Mike Schmidt another alias for this zombie. And now, this was more about a family that was insane to begin with trying to put their own personal demons to rest, rather than the story of the murder of 5 children in a pizzeria joint, and the killer gets his comeuppance while the faceless pizzeria chain tried keep its reputation afloat, eventually failing which lead to the closure of it. All of this shattered how I interpreted the lore. The biggest things that Sister Location fucked up were the following. 1. Taking away the 80s/90s aesthetic. In the first and second game, the game has an 80s and 90s aesthetic with the looks of the locations and decor, as well as the camera sounds sounding like cassette tapes, and the first took place in the early 90s, while the second took place in the late 80s. FNAF 3 kept the 80s/90s aesthetic, and I'd argue FNAF 4 kept the old aesthetic too, such as how old everything looked in FNAF 3, and how the house looks particularly old in FNAF 4. FNAF SL's aesthetics look way too futuristic for a FNAF game, especially since it's said to take place before the first 4 games. 2. Making it more sci-fi. The original FNAF games, and the fourth one were meant to be horror games, and they established this greatly with audio and visual cues, as well as the storyline having a horror-esque feel to it during the first 3 games, and even the 4th game kept. The focus on sci-fi traits or elements in SL kind of kills the horror-esque feel that FNAF originally gave off, especially the whole soul juice and mad scientist part. 3. Making Fazbear Entertainment have an owner. Fazbear Entertainment should've just been left as a faceless corporation that had nothing to do with the murders, the type of company to try and cover up the damage done to their reputation by cutting costs or not batting an eye when a man kills children in their restaurant. 4. Making Mike, Jeremy, and Fritz into aliases. It doesn't make any sense as to why a company would hire a foul smelling zombie who kept changing his name. I think that Mike, Jeremy, and Fritz should've just been average joes that got night guard positions not knowing that their jobs were dangerous and not knowing the hauntings of the pizzeria they applied to work for. And 5. The Afton Family. The Afton Family completely ruined the idea of the children being killed at Freddy's by an unknown man, since now it's just about a family killing his own for a dumb mad science experiment and the son is trying to stop his own father, making it so you no longer play as an average joe that discovers the dark secrets and hauntings of a pizzeria joint, but instead you're just playing as a zombie that needs to kill his own father in order to stop his father from killing anyone else. Seriously, it feels less like a horror game, and now feels more like a badly written self-insert sci-fi story with some bit of horror mixed in. The FNAF series is way too complicated to figure out now due to loads of retconning and unnecessary changes made to the story. Worse, the Nightmare, Funtime, and other animatronics that have been added to the franchise just seems like an excuse for Scott to just add new characters simply to keep the franchise going. Now, let's look at a FNAF fan-game series with a better written story.

Five Nights at Candy's Five Nights at Candy's has a much easier to understand story than FNAF. In the first game, you play as a female night guard at a burger joint where an unfortunate incident occurred between an animatronic and a customer, and an incident involving two kids at the factory where the animatronics were made. The backstory of everything, such as the original location and the burger joint's opening are explained in FNAC 3, showing how two unfortunate incidents at the puppet/animatronic theatre led to the closure of the place. We also learn more about the main character from the first game, and the one who caused the murders as well as the victims. In the second game, everything is concluded with the daughter of the guard solving the mysteries of the old factory. The reason is because Emil Macko managed to actually tell the story in an effective way, without retconning anything and without relying entirely on twists and misdirection.

Conclusion So yeah, I can't stand FNAF lore post-FNAF 4, because of how it became way too confusing to understand, and with how the series started retconning tons of things and making unnecessary changes. And it's amazing how a FNAF fan-game was able to tell its story better than the actual FNAF fan-games. So for me, I'm sticking with the FNAF 1-3 lore, which is my interpretation of it. Before I end this blog though, what's annoying is that no matter if you mention the FNAF 1-3 lore on YouTube, people will instantly start bringing in the modern FNAF lore and correct you, even if you're following you're headcanon.

[themattress]

OUAT AND ME: SEASON 5

Story - The story for the first half of the season is the Dark Swan Saga and the story for the second half is the Underworld Saga.  The Dark Swan Saga is split between a flashback story where the main characters travel to Camelot to help free Emma from the Dark One curse and a present day story where they are back in Storybrooke with no memories of their time in Camelot and Emma appears to have become a full-on villain who seeks to claim the power of the sword Excalibur for herself. The Underworld Saga is a direct follow-up to the Dark Swan Saga, as the heroes brave the dangers of the Underworld, a limbo zone between life and death that curiously appears to resemble Storybrooke, in order to retrieve a fallen friend.

The Dark Swan Saga...should not have happened. Or to put it more clearly, Emma should not have ever been the Dark One and Storybrooke should not have been a setting here at all, as it ends up ruining the potential inherit in a Camelot-based arc. And that potential is all over the place, everything about this show's interpretation of Camelot is subversive and unique and reminiscent of OUAT at its best, and yet it takes further and further of a backseat in favor of Emma as the Dark One....whenever it's not taking a backseat to elements from Disney/Pixar's Brave! Yes, this is a problem I neglected to point out when talking about Season 4: the Disney influence on the show that was always there in moderation has started to become more pronounced, and it's to the show's detriment. Brave isn't even an adapted story, not even loosely like Frozen was, it's a pure Disney/Pixar invention. And yet the show is linking it to Camelot and the legend of King Arthur!? Frankly, I find that to be a little insulting.

And on top of everything, the arc pulls a plot twist in the last third that is completely unnecessary and merely overcomplicates things while pleasing virtually no-one: Emma isn't evil at all, but Hook is because she turned him into a Dark One against his will in Camelot when he was dying of a mortal wound! Given that the arc was doing an equally asinine thing with Rumple in claiming that he had become a pure hero worthy of pulling Excalibur from its stone because he threw some magic dust at a bear, this twist just adds to already mounting frustration. And then they pull ANOTHER twist where after Hook comes to his senses and has his big self-sacrifice moment, we learn that Rumple was still evil all along and has invalidated Hook's sacrifice to destroy the Darkness by taking it all back, becoming the Darkest Dark One who is more powerful then ever before, with Belle being none the wiser.

So after that bullshit is through, we get the Underworld Saga and...it's honestly the best that OUAT has been since Season 3! It seriously feels like the Neverland Saga and the Wicked Saga mixed in a blender, and while that's not always ideal, for the most part it works perfectly. Many of the characters begin to feel like their old selves again, we actually start to get moments of hope and happiness back even amidst the bleakness of the setting, Zelena finally begins changing for the better, we get an influx of returning characters who - for the most part - it's great to see again, and we are provided with an excellent Big Bad, Hades.

But sadly, it was not to last. The Underworld Saga ends with a highly questionable decision, in the third-to-last episode, leaving just a two-part season finale left. If that decision hadn't been made and the show hadn't been renewed, we could have had ourselves a blowout finale that left most viewers satisfied. But because neither of those things happen, we instead get a weak finale which sets the stage for weak finales in the next two seasons as well, and all three of these finales hold elements that could have worked blended together into one finale, but are underwhelming when taken on their own. If there was any need to confirm that this show's best days were long behind it, this absolute joke of a finale was that confirmation.

Characters - Misery, misery, misery. That's what you've chosen.

* This is Emma Swan's worst season, bar none. From beginning to end, the writing is all about Emma Torture Porn, putting her through metaphorical and literal Hell and turning this once proud hero into a punching bag. No matter what she does, no matter what choice she makes, it's always the wrong way to do things and she is endlessly shamed for it. This is a natural follow-up to what was happening in Season 4, where the definition of Emma's role as "the Savior" underwent a drastic shift. Initially, it was simply to break the Dark Curse, but then Emma took control of her own destiny and redefined it to mean the protector of the residents of Storybrooke so that they can maintain their happy endings or be free to obtain them. But in Seasons 4 and 5, it suddenly got redefined as Emma being personally responsible for giving everyone their happy endings, her own happiness be damned. That's why she was obligated to sacrifice herself to the Dark One Curse for Regina, and why her being the Dark One instantly causes her to be treated as the worst Big Bad to ever menace Storybrooke despite barely doing anything actually villainous. In fact, "Emma gets punished for doing good" is a pretty recurring theme at this point. It's tiring to root for such a perpetually miserable heroine, and so while other things hold my investment in this season, Emma is sadly not one of them.

* Snow and Charming have one good episode in the Dark Swan Saga, but that's not enough to make up for what utterly boring characters and utterly horrible parents they are in every other episode. The fact that they don't lift a finger to find Emma, talk to her, and get her to see reason when they think she's evil is beyond disgraceful, especially when it happens in the same arc where them being written as surrogate parents to Regina is taken to a whole new level of creepy. Like, a sickening level of creepy. They are suddenly written well, in regards to their parentage of Emma and in regards to everything else, in the Underworld Saga, but again, the show not ending means that it's not going to last into the next story arc.

* Henry really comes into his own this season. Being written like a teenager instead of a child does wonders for his character, as even amidst fantastical fairy tale backdrops and with the magical position of Author, he struggles with real teenage issues that anyone who is or has ever been a teenager can relate to. He experiences his first crush, struggles with trying to stand as more of an equal with the adult heroes, and even undergoes what's basically a crisis of faith. And now that he's past puberty, Jared Gilmore is a much better actor than he's been in the past, finally selling the material that's written for his character the way it needs to be.

* Regina starts off in full Mary Sue mode, following up naturally from Season 4. "The Price" is an episode that is everything wrong with her character in microcosm. However, after a few episodes pass she settles down into a relatively inoffensive, bland character for the most part. In The Underworld Saga, there are even times when she is downright likable, which almost distracts from how ludicrously good she has it in a place that is allegedly full of her resentful victims, whom she does absolutely nothing to help. Unfortunately, because of the questionable decision that was made by the writers in the penultimate episode, the two-part finale brings her full circle, with both said finale and the show going forward suffering for it.

* If Rumple had a return to form in Season 4, then Season 5 makes the issues with his character in Season 3 look miniscule by comparison. His imp self, whether featuring in flashbacks or as the form the Darkness takes to needle Emma or Hook into embracing it, is still a delight that Robert Carlyle clearly enjoys playing. But his human self, Mr. Gold, is handled atrociously. First he is an over-the-top coward beyond what he ever was in the past, then insufferably smug about being a "hero" even though he doesn't deserve that position, then it looks like he might just make the final turn to good before he swings in the opposite direction and becomes the Darkest Dark One, and as the Darkest Dark One he is a cold, abusive dickwad who isn't fun to watch and Robert Carlyle doesn't seem to be having as much fun playing, as he starts phoning it in on more occasions than is usual for an actor of his caliber. It's only in the last five episodes, when Belle is taken out of the picture by a sleeping spell, that he suddenly regains some of his former glory and becomes engaging again, but even then the series not ending deprives him of a conclusion at a point where he could have one, so we're stuck with the Darkest Dark One for a whole 'nother season.

* Hook is mostly great in this season. In the Dark Swan Saga, he is badly handled and often behaving insufferable in the Storybrooke parts of the story, culminating in his turn as Dark Hook which, while Colin O'Donoghue performs it amazingly, was highly unnecessary and only serves to convolute an already heavily loaded arc at the last minute. However, in the Camelot parts of the story, he is on top form as a romantic hero, complete with his original pirate garb. And he really gets to shine in the Underworld Saga, where we see him be brave in the face of bloody torture, recover from depression and rediscover hope, find closure with his older brother Liam, confirm his and Emma's relationship as True Love, and finally be resurrected by Zeus after being ordained a True Hero by him. He sadly has precious little to do in the finale and next season will totally forget about all this, but taken on its own, it's good stuff.

* How do you solve a problem like Belle? Put her to sleep, apparently. Yes, after having her re-enter a romantic relationship with Rumple (following a ridiculous, not-fooling-anyone tease that maybe she won't take him back), Belle learns that she's been duped again since Rumple had taken back the Darkness before she slept with him. But it's too late now - she's pregnant with his child! And she learns this from Rumple, at the same time he reveals his deception to her and finally gives her a "This is who I am, take it or leave it" ultimatum.  She spirals into an erratic mess, tries to redeem another bad boy romantic interest only to end up condemning his soul to the River Styx, and then puts herself under a sleeping spell after giving Rumple the extremely poorly-worded order to "do whatever it takes" to get her and their unborn child out of the Underworld safely. Rumple then literally objectifies her by placing her in Pandora's Box, which he lets slip through a portal in the season finale. And that's literally it. The writers aren't even trying with Belle. They just don’t care about her. She's done as a character.

* Robin Hood's soul is obliterated. I know it's weird to start off like this, with the last thing that happens to him in the season, but that really does overshadow what little else he does in the season where he was ironically made an "official" regular. This is the culmination of the misuse of his character: being made Deader than Dead by his rapist's psycho boyfriend. And yeah, the next two seasons retcon this fate, but when Season 5 is taken as is, then you enter the finale on a sour note because the bleakest thing possible happened to someone who really didn't deserve it, all so that Regina can make certain developments that would have better off not being made. It again makes me wish that Season 5 was the final season, since then there would be no option to make those developments and Robin could be spared. But as it stands, it's the last indignity inflicted upon the legendary hero, and on Sean Maguire.

* Zelena is promoted to regular this season, to the surprise of no-one. What is surprising is that the writing issues she had in the previous seasons are all but absent here. Zelena is an incredibly entertaining, funny, deliciously wicked, sympathetic, nuanced and ultimately redeemed character this season, with Rebecca Mader doing some of her best acting work. Her joining forces with the villainous King Arthur, her giving birth to her child, her tragic romance with Hades, and her reconciliation with her mother and sister are all highlights.

* Hades, the Big Bad of the Underworld Saga, is the best Big Bad this show has had since the Neverland Saga's Peter Pan. He's devious, underhanded and hateful, but he's also funny and smooth and, when it comes to Zelena, legitimately romantic. Greg Germann's performance is naturally the glue that holds it all together; he is just so charismatic. Hades is also a great example of a nuanced villain who doesn't end up getting redeemed, as in a great twist the curse that Zelena's True Love's Kiss breaks, a curse to stop his heart and dull his feelings, was put on him by Zeus for a damn good reason, as he is an absolutely sadistic psychopath with his heart beating. The only downside to Hades (besides the needless Disney-esque fiery blue hair effect they occasionally use on him) is that his defeat is rather anticlimactic, hinging entirely on the fact that he forged the only thing in existence that could kill him. If he hadn't made such a monumentally stupid blunder, taking him down would have been much harder. His actual death scene is well-done, but in context it’s pretty silly.

* Camelot introduces an onslaught on new characters: King Arthur who is reimagined as an insecure, self-righteous tyrant, and his wife Queen Guinevere whom he has under mind control so that she's unwaveringly loyal to him. There is also the short-lived Sir Percival, the even shorter-lived Sir Kay, and Sir Morgan who ends up being the Connecticut Yankee in King Arthur's Court. Sir Morgan's daughter, Violet, is Henry's adorkable new girlfriend. The nearby kingdom of Dunbroch gives us Merida and her father King Fergus, whom was surprisingly allowed to get killed off. And we even have some returning characters like Sir Lancelot (not killed by Cora after all), Mulan (suddenly a lone mercenary despite having last been seen joining the Merry Men), and Ruby (and oh boy, I'll get back to Ruby soon...)

Two absolutely pivotal characters to the show's overall lore are Merlin and Nimue. Merlin, who contrary to usual depictions is a young black guy, is the Sorcerer who was constantly alluded to in Season 4, responsible for such things as the position of the Author. His ex-lover Nimue became the first Dark One through drinking in the power of the Holy Grail and then perverting it for murderous vengeance. It was Merlin who reforged the Holy Grail into Excalibur afterward, then breaking it in half and creating the Dark One Dagger out of the top half. Nimue, meanwhile, is the closest to a Big Bad that the Dark Swan Saga has apart from Emma and Hook, influencing them as an avatar of the Darkness prior to her actual soul, still bonded to the Darkness, rejoining the land of the living alongside the other dead Dark Ones. With her ashen-gray face and creepy monotone voice, Nimue is a truly unsettling figure.

* While there are a few new characters encountered in the Underworld such as Hercules, Megara and Zeus, the main attraction is all of the returning dead characters they were able to get back on the show. Neal, Cora, Henry Sr., Peter Pan, Cruella De Vil, the Blind Witch, Prince James, Milah, Liam, Gaston, the Sorcerer's Apprentice....even obscure characters like Stealthy and Claude! Some are utilized better than others, but it's great to see all of them.

And then there's one living character whose return I could have done without - Dorothy Gale, who is even blander as an adult than she was as a child! And to add insult onto injury, the writers clearly set up a gay storyline between Mulan and Ruby in the Dark Swan Saga, only for Disney to apparently step in and not allow it since Mulan is in the Disney Princess lineup and her in a gay romance is bad for the brand (then why'd you allow her to have feelings for fellow Disney Princess Aurora then!?), and so out of nowhere we get the Ruby/Dorothy romance in the span of just a single episode. Watching Meghan Ory desperately attempt to act like she's in love with the wooden actress who plays Dorothy is painful to watch, and this being Ruby's final appearance just hammers how how utterly wasted this poor character was.

* The two-part season finale brings another unwelcome return: the Dragon from the abominable "Selfless, Brave and True" episode of Season 2 (like Lancelot, he is retconned into having survived). We are also introduced to Dr. Jekyll and Mr. Hyde, and the Land of Untold Stories in which they reside...and as I'll detail in my next post, this is a place and a concept that is so wasted, even by the standards set by this show, that it's mind-boggling. Last and most certainly least, we have the Evil Queen that Dr. Jekyll's serum brings out of Regina, with Lana Parilla in full camp mode while playing her. And after a fake-out where it looks like she's dealt with, she's shown to be alive and will be our next antagonist. Joy.

Atmosphere - Whether you like this season's atmosphere or not, there is no denying that it has distinct atmosphere: dark and morose and foreboding, to the point of bleakness, coupled with a sweeping epic and romantic feel. I personally feel like this atmosphere is perfectly appropriate when the stakes are raised so high and the show is dealing with two of the oldest mythologies in the world, Arthurian and Greek respectively, but it seems that too frequently the show doesn't know when to hold back and reign it in a little. This is especially the case in the final two episodes of each arc (not including the two-part season finale). I must definitely give props, however, to the designers of the Underworld's version of Storybrooke, or as fans liked to call it: "Scarybrooke". With the decaying buildings, red sky filter, and broken clock tower in the middle of the street, you really feel like the characters are traversing an eerie new world even though it's technically the regular old Storybrooke set that is being used.  

Also, despite being featured in the wretched episodes "The Price" and "Dreamcatcher" and has the first part of the wretched finale named after it, I really like the usage of the song "Only You" by Alison Moyet. It adds kind of a (suitably romantic) theme song to the season.

Episode Quality - While the Dark Swan Saga may not be a good one overall, its episode quality is a mixed bag. "The Broken Kingdom" and "Nimue" are easily the best episodes, since they are almost exclusively focused on Camelot. "The Dark Swan" and "The Price" are easily the worst episodes, starting the arc on off the worst possible foot. "Dreamcatcher" and, especially due its Brave connections, "The Bear and the Bow" are vey weak episodes, while "Siege Perilous" and, in spite of its Brave connections, "The Bear King" are surprisingly strong episodes. And then there's the Dark Hook trilogy of "Birth", "Broken Heart" and "Swan Song", which have some amazing visuals, brilliant acting, and dramatically thrilling moments, but they unfortunately can't shake off just how badly the Dark Hook twist affects the story. I never liked the idea of making Emma the Dark One, but if the show was going to do that, then they should have gone the whole way with it rather than pull this kind of bait and switch.

The first four episodes of the Underworld Saga, dedicated to saving Hook, are its strongest: "Souls of the Departed", "Labor of Love", "Devil's Due" and "The Brothers Jones" flow really well into one another and all have their share of memorable moments and interesting character development. "Our Decay" and "Sisters" are also strong episodes, although they have some drawbacks such as a well-acted but painfully uncomfortable scene between Rumple and Belle in the former and the inexplicable wasting of Prince James in the latter. "Her Handsome Hero" and "Ruby Slipper" are the only truly weak episodes in the arc, and even they have their moments, usually courtesy of Hades. Finally, the climactic "Firebird" and "Last Rites" are of the same quality - everything that transpires in the Underworld is fantastic, but everything that doesn't is flawed. The flashback in the former is completely nonsensical and does Emma's character a huge disservice, which is especially a shame when her present-day material is some of her best in the season.  The Storybrooke-based events in the latter culminate in Robin Hood's death and I've already made my thoughts known about that, but the quest in the Underworld shared between Hook and Arthur is something I never knew I needed, with Colin O'Donoghue and Liam Garrigan's chemistry being off the charts and the resolution we get for both the Underworld and Arthur's character being absolutely perfect.

And then there's the two-part finale, "Only You" and "An Untold Story", which I think actually holds up even worse than it did when it first aired. Emma revealing to everyone else that Hook is back alive, Rumple absorbing all Storybrooke's magic into the Olympian Crystal, Emma and Regina's argument that makes Henry think Regina is regressing, Henry blaming magic for everything and setting out with Violet on a quest to destroy it, and both the heroes and Rumple reacting accordingly all happens within the first 10 minutes. Just 4 minutes later, Emma and Regina are in Boston, Henry and Violet are in New York, and Snow, Charming, Hook and Zelena are in the Land of Untold Stories. And then, despite all this rushing, we end up spending 7 fucking minutes on a woe-is-me, martyr complex speech by Regina to Emma in Neal's old apartment. Regina and her angst ends up slowing down the second part as well, as the process of her using Jekyll's serum and separating the Evil Queen from her (encouraged by a re-idiofied Snow) goes on forever. The final scene being the Evil Queen's return, with her promising to be the next Big Bad to threaten Storybrooke, is the exact opposite of how to get me hyped for next season. At least with Season 4′s finale, there was the promise of going to Camelot in addition to Emma as the Dark One. What does this finale have to accompany the Evil Queen factor? Mr. Hyde and his invisible friends? Weak!

There are some elements in this finale that work and that I would have liked to see in a series finale at this point - Henry and Violet hanging out together, Rumple with his Olympian Crystal plot, Neal having some posthumous relevancy, the Land Without Magic outside Storybroke being a setting, and the full-circle element in regards to "New York City Serenade". But none of those things are worth how they were utilized here, alongside the reappearance of the Dragon, the wasting of the Land of Untold Stories, and Henry's cringe-inducing speech about believing in magic that Jared Gilmore probably won't be putting on any career highlight reels.

Overall - Season 5 is probably the most personally frustrating season of the show to me. I love it, I hate it, I find joy in it, I find despair in it, I can enjoy it for what it is while also agonizing over what it could have been. The one consistent I have in regards to it is that it should have been the final season of the show. If Adam and Eddy had allowed that, they still would have had enough goodwill from viewers to potentially do more in the OUAT universe afterward (ex: more spin-offs like Once Upon a Time in Wonderland; maybe one where they could utilize their Land of Untold Stories idea which seems tailor-made for an anthology series). Because as lows as this season's low points are, its highs are not going to be matched by the next two seasons, and that was the death of OUAT as a profitable franchise.

[itsediadmlove]

Endgame................

I’ve never believed I had any right to be angry at GRRMartin for the endgame he was going to provide us, nor about the time he took on writting, I’ve always believed ASOIAF to be his creation and should be so until the very end, and I still do. I’m neither writting to put any blame on the Ds about such a thing as the endgame. Yet, despite of the direction the story finally took I believe I can put some blame on them, again not for the outcome but for the shit they have made beyond that.

D&D: There are several things I’m more than willing to blame them about.

1- The way they spent HBO money and OUR time. Again this is not about the story itself but the way they organized this season. We all knew there were only 6 episodes left and a full lot of shit to do, so things being rushed coud be anticipated. Apparently (cause I don’t know) they were given the chance to make a 10 episodes season and they choosed not to because they thought it wasn’t needed, and they were maybe right and still what they did was absolutely unsatisfying. Why? For me it’s pretty simple, they didn’t gave themselves enough time to build up things the right way. But the truth being said, even if they had 10 fucking episodes they would have messed up. The problem was not the amount of minutes this season but how they used it, at some point they missed the concept of the show they were running. GOT/ASOIAF can be setted in a medieval fantastic world, it can be an epic story, but what it has always been is a political thriller. Yet those dickheads choosed to spend 1/3 of the remaining onscreen time (and probably 2/3 of the budget they were trusted with) in fucking long battles (if KL destruction can even be called a battle). As far as I remember, the longest battle that have taken place in the books was when Stannis attacked KL, in the books I remember it took like 6 chapters (3 of them were Sansa’s who wasn’t even in the battle), readers felt disappointed about how shitty the battle of the blackwater was back in season 2, yet we understood the show’s timetable needed to be done with it quickly and the budget was the one of a TV show with a huge amount of characters so we wern’t very bothered by it. GOT/ASOIAF have never been about battles,  those are things that just happen and it’s awful yes, but have never been the main core of the story and yet they spent such a huge amount of time on them when the show had so little time to get a closure,I REPEAT MYSELF 1/3 of our time, I believe the most of the money for what? Two fucking long battles which were not amazing at all (Drogon blowing up KL was beautiful yes, but never worth 45 minutes of my time). SO NO, IT’S NOT THINGS WERE RUSHED BECAUSE OF THE TIME LEFT, THEY WERE RUSHED BECAUSE THEY BETRAYED THE ESSENCE OF THE SHOW THEY WERE RUNNING BY SPENDING TOO MANY TIME IN SOMETHING THAT DOESN’T MOVE THE STORY LINE FURTHER AND EVERY SINGLE CHARACTER ARC PAID FOR IT.

2- The broken trust. This 2 morrons were given the chance by the very GRRMartin to be the first to deliver the endgame of the most intriguing and complex story I’ve ever watched or read. They had a responsability toward him and again they failed. THE FUCKING FINALE WAS ACTUALLY LEAKED. I mean, this on itself is an insult to the kind of show they were supposed to do, a treason to all the time GRRMartin spent on writting his books. It’s not what the endgame was, to be frustrated about how life works it’s granted on GOT/ASOIAF. But letting it to be leaked, not just one episode, but all of them... Letting the more discussed, argued, especulated show in history end to be leaked is something I can’t forgive them for.

3- Setting things up that never paid off: I just felt that every single camera focus, political conflict... Was set for nothing... GOT has never been like that, the truth was hidden by the scrypt but told on how the show was actually plaid. Never got a Sansa/Cersei/Dany display and, no matter who of them you stand, just that was frustrating. Non epic dialogues, instead we got 10 minutes of council unimportant small talk (not even about politics) and brothel joking (THE FUCK???). Even if someone tries to say something of the like that it was all to subvert expectations all of that was ruined because they let the fucking endgame to be spoiled. It felt that it was all for nothing but fuck us, and if it was that way well, then it was all for fan disservice which is even wworse than fan service because no one gets satisfied about it. Tenth of minutes of threats, angsty looks, anticipation, political moves, drama, plot, build up made garbage which actually means that the most true moments to the show were battles which is just..................................................................................... ehem. This season battles became what were never meant to be and the rest of it was just nothing at all.

Now, enough with the D&D criticism, I don’t want to go any further and the cast was amazing: Emilia really got me this season, she is way better of what I ever thought her to be, magnificient work for you, Sophie as good as always, Kit you did all that could be done with just as little as they gave you (your BoW sequence while running in the courtyard was amazing and never expected less since the BoB), Lena my only complaint is that I missed you as much as Jaime missed Cersei (Cersei may be the one character that was better in the show than in the books; the scripts plaid their part but so you did)... And so on. You did amazingly all along and YOU can be proud; you all were the best part of it.

Let’s go to GRRMartin. As I said above I’m ok with the ending being such, not the one I would have picked but well, I dont get to chose, isn’t it? I’ve always been amazed by just how realistic the story was, how cynical you are yourself, how complex every character you designed has been and how you brought it together to make a story that made sense, a story that was always able to make you expect things that never happen and yet, with the given time, would reveal to go in a far more logical way making you understand, accept and keep going with it... Maybe I am wondering because I know I would never get a further explanation, clue or hope, but for someone who have always remained true to pracmatism, realism and individualism of his characters there are a few things I actually can’t understand, not as a reader/watcher, nor as a political scientist.

Things I can understand:

-Jon going to the wall: I guess Grey Worm demanding it was true to Grey Worm’s character, he did bullshit for 2 seasons, and actually doing the very same mistake as Robb or even worse (he fell in love with a dangerous and unstable mass murderer who was ready to burn his family alive, or at least, that is what the show told us). He deserves it for knowing nothing and yet managing to forget the half of it. Yet, if Grey WWorm leaves with the unsullied... Why would he carry on his sentence... This is GOT but well, as the show putted it, it makes some sense for him to carry his sentence to the end, but George, book Jon is not this kind of honorable man who goes for honor but a dutifull bastard able to betray every single oath he once took for the greater good. Good luck pulling that off.

- Dany dying: Again, Dany falling to her extremely dark side has been very foreshadowed in both the books and the show, she has done horrendous things, a lot of people has, my personal problem with her is that, half of the times, such cruelty was absolutely unnecessary. Yet Dany stans do have a point; Dany suddenly falling for that side of her coin just because a few persons that were close to her died and people not cheering for her was extremely poor. That woman who (unwillingly) killed her husband and unborn baby, led a bunch of ill, old people as well as children through a dessert while watching them die... Going nuts for such childish reasons is pittysome for her character. Most of your character have always been grey, even the ones we perceived as evil were given the chance to prove their humanity, even while doing terrible things, they had the chance to be sympathetic to us, and we were given the chance to know the most of them and agree even with some of their worst accomplishments. This season Daenerys (who I repeat I haven’t liked for 4 seasons already) was definitely going to go dark, but she was deshumanized while doing it, in a way that was impossible to understand and yet hard to call madness. I hope you do better about her because I want to think that it was all Ds’ fault (I’ve had a hard time deciding who to blame about this) giving her to much screen time and yet being unable to make us understand wtf was going on with her so suddenly (there is a huge difference between being sad or angry and burning small folks from a dragon for 45 minutes, maybe 5 mins of it until realizing what she is doing, 5 mins on a dragon back is more than enough time to burn a huge amount of people, and that is reason enough not to support her as a queen). The problem is not that build up, anticipation, foreshadowing, that was done, but just how much of a villain she became to just not give a frikking damn about all this innocents life, or not expressing a single regret (what she did in the books after randomly eviscerating and crucifying alive 163 defeated persons in the main square of Meereen in front of their families until the rot enough to fall apart, yes mates, it was just that cruel).

- Grey Worm: all in him made sense; leaving (why would he stay???) wanting  some punishment for his queen’s traitors... But the fact he was actually believing one of those traitors to actually carry out his sentence because said traitor promised? Because his family promised not to give him any shelter?

- Bran being king; well... I understand and I don’t. The truth being said he knows how to fucking play the game without getting his hands any dirty, when he told Tyrion that this was the main reason he went down south I just thought that he actually could do a nice job there, that is Bran for us all people.

- Democracy... bullshit: I didn’t like how it was pushed away as an option, it was almost like a joke which makes sense from a feudal lord perspective but the actual truth is quite different. Democracy never works in a non posmaterialist society; desinformation, lack of stability or knowledge, extreme supersticion... Who would believe the people from the bread riot were worthy of having a vote that would decide the future of the realm, such people are extremely manipulable as it happenned with the high sparrow, or how it is remembered Baelor the Saint, one of the worst kings the seven kingdoms ever had.

Things I can’t understand:

- BRONN AS MASTER OF COIN: Being true I don’t believe it to be your fault George, you were upset about his fate and it makes sense ( SO Ds THE FUCK WERE YOU THINKING BY GIVING THE MASTERSHIP OF COIN TO A MAN WHO LITERALLY SEEMS TO NEED ALL OF HIS FINGERS TO COUNT UP TO TEN, THE SEEMINGLY MORE COMPLEX AND TECHNICALLY DEMANDING MASTERSHIP OF A RAVAGED AND BANKRUPTED REALM, I DON’T KNOW WHAT STAR WARS BULLSHIT YOU ARE APPARENTLY RUNNING RIGHT NOW BUT IF I WAS THE PRODUCER YOU WOULD GET FIRED TODAY JUST BECAUSE OF SUCH BULLSHIT).

- Northern independence... and Bran as a King: Why would the north be independent? I come from the Jonsa fandom to all of you and they were a huge amount of people there wanting it but it made no sense. It has been the very first fucking time in seasons that I’ve felt like beating Sansa. One king is peace, and in future generations, moreso with the crown working as it does now, wars between the north and the suth will start again, leading to more disasters, come on George... Does the north really deserve independence? Have they suffered more than anyone else? Some people seem to believe so but it’s not true. During Aegon conquest the north was the part of the 7kingdoms which suffered the less because Torrhen Stark kneeled on time before any battle took place. There have been 2 cultural groups that have suffered Targaryens far more than northerners and just as culturally differentiated from the andals as northerners are. Those are Dornish (Rhoynars), who are famous for resisting Targaryen rule for centuries until Daeron the good succeeded in diplomacy by marrying a dornish princess and giving princess Daenerys in marriage to the prince of Dorne. They have their own succession system (far more advanced that the rest of Westeros). Have they recently suffered less George? Because, if you are going to go with some random prince of Dorne which was never introduced (I expect you not to) that would mean that all prince Doran, Arianne, Quentyn (already happenned), Trystan, Oberyn and Sandsnakes would all be dead by then. And finally the Ironborns: they are first men, they have their own religion and culture, they suffered the first attack from Aegon the conqueror (King Harren the Black was the king of the Iron Islands) remained independent even longer than Dorne (the hedge knight short stories and their mention to Dagon Greyjoy prove me right) and their family has recently fought 2 wars in order to get it back (Balon rebellion and the five kings war). In such wars both of Balon’s oldest son died and Theon was taken as a hostage for his whole life, and in the second, castrated and tortured because of it. So George... And Sansa, why should the north remain independent while the rest doesn’t? Sansa is Bran fucking sister, she is related to him in a closer way than any other fucking lord and yet she is the only one not to accept him as King? THE ACTUAL FUCK? I mean why would anyone else remain in the 7 Kingdoms if the north doesn’t? How can any lord accept such bullshit when they are not related to him and his bloody sister doesn’t? How can anyone defend Bran as a King when he accept such a thing and still say he is unbiased or fair? His actually best lordship support comes from the fucking north! How can Bran first act as a King be accepting his authority to be jeopardize in such a way? I need you to explain it way better on the books George, I really do, because right know it feels like an experiment that would last 2 days and end with Bran and his council heads on spikes.

PLEASE PEOPLE, I DON’T CARE WHO YOU ARE, WHO YOU STANNED, WHAT ENDGAME YOU WOULD PREFER, IF SOMEONE GETS ANY CLUE, PLEASE JUST ANSWER THIS CALL OF HELP BECAUSE... WELL ALL OF YOU KNOW ALREADY.

[minority-media]

Life is Strange, Bury Your Gays, and Bullshit Endings

In the face of the coming super-storm, I spent the spare moments between making preparations to finish up Life is Strange—coincidentally, a game about a storm. Seeing as Before the Storm just began coming out, now is probably as good as any time to analyze this game.

It is, at its heart, is a story about two girls falling in love. Let’s get that cleared up right off the bat. We have Max, who just moved back from Seattle to Arcadia Bay and is pursuing photography at Blackwell Academy. We have Chloe, a punk rebel whose father died and who was left behind by Max without so much as a call or text in 5 years. Max gets a vision of a monster tornado in class, heads to the bathroom, takes a picture of a butterfly, and gets time manipulation powers that she uses to save Chloe’s life.

From there, the story becomes a quest to find out what happened with Rachel, a “friend” of Chloe’s that went missing. There’s a mystery with why Nathan is drugging other girls and with Frank the drug dealer and his relationship to Rachel. Chloe and Max work together as partners in time as Max saves Chloe’s life over and over again. It’s all fine and fun—until Episode 4 and 5.

We find out Nathan killed Rachel, that the photography professor Jefferson has been posing the drugged girls in some sick photo session and that he’s been using Nathan, and in Episode 5 things get really intense as we find out the major plot twist of the game: the powers Max has been using has been causing the storm and to save the town of Arcadia Bay, you have to let Chloe die in the bathroom.

You have two choices: sacrifice Arcadia Bay or sacrifice Chloe.

So the ending is a mess. It received backlash from both critics and fans. Even just attempting to look up the ending I didn’t play ended up in dozens of results that were venting their displeasure. Why? The idea of the storm being caused by Max’s own power and messing with the time stream is an interesting idea enough. Maybe this could work in a different story. However, this is not that story.

From the set-up, we are given a few questions besides those of the main plot: Where did these powers come from? Why did Max receive them? What are they for? What is Rachel’s goal as she shows up in repeated symbolism? What is causing the storm?

The problem with the ending is not only that it’s an unnecessary and rather frustrating example of the “bury your gays” trope but also that it leads to more questions than it answers.

What is causing the storm? Max’s powers.

Where did these powers come from? Rachel? A butterfly? If so, then that leads to

What are they for? If they are connected to Rachel, and they were given to Max at a time where Chloe’s life is in danger, then it’s to protect Chloe.

 But if those two are correct, then why does the ending insist that that is the wrong path to take? Why is it so adamant that Max should’ve never used her powers? Because if she should’ve never saved Chloe, why did she get those powers in the first place?

I would like to return to a previous point: the fact that this story is one of two girls falling in love.

Chloe and Max grow closer and closer throughout the course of the game. By Episode 5, Max is utterly obsessed with saving Chloe so much so that she throws away an ideal reality just to get another shot at saving her. Throughout the entire game, her one priority is Chloe’s happiness and survival. And even though the player has the option to romance Warren, why would they? They barely get any time together in the game and the two women are a much more interesting story and dynamic.

So could this story be one of the hubris of not being able to accept fate, not being able to accept death? Completely. There’s just one big problem—the beginning of the game starts out with Max seeing a vision of the tornado and then receiving her powers. So the audience is convinced the powers are supposed to be used to prevent this and it being linked to Rachel reinforces this. So the plot twist that the powers caused the tornado is shocking, but less in that “Oh man, the foreshadowing makes so much sense! How did I not see that coming?” but more in a “…Wait, what?” way.

You see, if the powers were the cause of the storm, then why did she have the vision before she got them? What was the purpose of receiving of them? To save Chloe? Then why does the game seem to be disappointed in you if you do? What about Rachel?

What was the point of this game? With the reveal of this plot twist, it seems the point was that you shouldn’t have played the game at all.

Endings should wrap things up in a satisfying enough way. There’s something to be said about leaving some plot threads loose and up to the audience’s imagination. Instead Life is Strange gives its players a half-woven sweater and says “Here, you fill in the holes we didn’t.”

It’s, plot wise, the inferior ending. Yet, the ending where you save Chloe isn’t nearly as long. They show about 20 seconds of them driving through town where everyone seems dead, which is insane, because surely they’ve faced storms before. They’re clearly upset. They don’t show any snapshot of a hopeful future like the other ending does, which is better done and at least tries to give a sense of closure. It’s infuriating. The game seems to want one to take the ending where Chloe dies and Arcadia Bay survives yet it’s essentially the ending that goes against everything the game has been setting up.

It also seems to imply that Chloe has to die for the storm to not come. Yet, Chloe dies in Episode 4 briefly and the storm is still coming. In the Save Arcadia Bay ending Max still uses her knowledge of the future to prevent Jefferson from hurting any more girls. So why can’t she just save Chloe? It doesn’t make sense. It’s a contrived mess just so that the player has to choose between an entire town and Chloe. It’s “bury your gays” at its worse.

This was supposed to be the hardest choice of the game. As a player, I agonized over every decision, no matter how small. I would sit there, mapping out consequences and reactions. Yet, with the big conclusion that was supposed to elicit that reaction I found that it was, in fact, the easiest choice of the game. Max wouldn’t let Chloe die and neither would I. The writers failed in that.

Alright, with a few changes and rearranging we can make this a game where the protagonist gets powers and abuses them to save their loved one yet has to eventually accept that they must die. However, should we make this that game?

This is a game, at its core, about two women falling in love. Yet, one of the endings results in Chloe dying on the bathroom floor, alone, never knowing that she would come to find such a friend and lover in Max. It is a miserable, depressing ending that makes no sense in the context of what the game has established.

Putting aside the narrative mess, it’s cruel and disturbing that the game insists that these two were drawn together by fate yet cannot be together. Rachel is discovered to be dead, who was in a previous relationship with Chloe, and then Chloe is dead as well? How many gays will they bury?

It’s unfair that the heterosexual relationship that was only added for what? Options? is allowed to have a happy ending. Max repeatedly establishes she isn’t interested in him throughout the course of the game. Yet, this beautiful set-up with the two leading ladies must end in tragedy.

It becomes even more infuriating that only in the ending where Chloe dies do they actually kiss and confess their feelings. In the other ending it is left more ambiguous as to what that relationship is which is horribly unfair seeing as the straight couple got their kiss regardless of whatever decision one makes. So after all that build-up, one either gets a tragic kiss as Max leads Chloe to her death or a silent and ambiguous ending as they drive out of what used to be Arcadia Bay.

Their queer audience deserves better and Max and Chloe deserve better.

 It would be bad even if it made sense within the narrative. However, it sticking out like a sore thumb in terms of not making sense is a lot worse. She didn’t die because she had to but because the writers attempted oh so desperately to shove it in. They wanted a dark, edgy twist on the ending which could’ve been accomplished without this. Episode 5, while being the most interesting on a game-play level, was the worse on a narrative level.

It could’ve been a game focused around the fact that no one is expendable. No one should be sacrificed. It should’ve had those two endings, each with Chloe surviving.

This is a blog about representation. Life is Strange is so difficult and heart-wrenching because of the fact that it had the potential to be so much more. I can only recommend it with a huge asterisk regarding the ending and how Episode 5 played out. There’s something to be said about giving the audience a choice but it’s really hard to overlook the narrative crumbling around each choice. Before the Storm is a prequel to this that seems to be focused around Rachel and Chloe’s relationship, which we already know ends terribly. Let’s hope they’re somewhat smarter about that.

Perhaps the storm truly is Rachel’s revenge on Arcadia Bay. At least, after playing through it, I know I’d burn the town into a big black disk as well.

[avengeultrons]

Title: How to Say Goodbye (Part 9 Back to the Future(Reader x Peter Parker)

Summary: The reader’s cover has been blown. It’s time to head back to a post-war era of Frank Sinatra songs and Disney classics.

Word Count: 1731

AN: Take a drink every time I have written “goodbye” NOT REALLY and also contrary to popular belief it’s not the end? Hope you enjoy :) 

PART 10

--

Your cover had been blown. All of your new friends and family members were in jeopardy. It wasn't safe anymore and your loved ones’ safety was the most important to you, you knew what you had to do.

Goodbyes are never easy.

It's much easier to look the other way. To pretend you're asleep until your parents leave the room, to wave quickly while you pretend you're on the phone. You can't really say that you'll see your friends “later”. Not those three words, not those words when you're traveling back seventy years. Especially when you know that you'll most like never see them again.

You stood in your bedroom, well, the space youwere able to make your own for the short time that you were staying with Tony. You'd never had your own space before, so it was fun to tape pictures from your stay, newspaper clippings, and little mementos to the bare walls. They were easy to peel off and slide into your jacket pockets, at least photos wouldn't stick out like a sore thumb. A ticket stub for the latest horror movie might, though. You would just have to try your best to hide it.

“Knock knock,” Natasha’s voice was nearly a whisper as she stepped into your room and tiptoed towards you, “Wow, you really made this place your own, huh?” she helped you take down the rest of your pictures and posters, even stopping to admire a photograph of herself that you had taken while out at dinner one night.

You sighed loudly and managed a small smile, “I never got to have my own bedroom so I guess I just had to take advantage of the space,” you said. Both of you found yourself sitting on opposite ends of the mattress stripped of sheets and all signs of life, “I'm sorry that I caused such a mess for all of you.”

“What? No, Y/N. You didn't. I just wish...I just wish I would've known. We could've helped somehow, we could've had longer,” you could see tears pooling in her eyes, even when she looked away and up at the ceiling to try and rid herself of them.

You grabbed your saddle shoes and stuffed one photo into each of soles before tying them, trying your best to ignore the uncomfortable photo paper sticking to your heel, “I wish I could've told you, Nat. I had to keep all of you safe. Well, I had to try.  I'm sorry,” you sniffled and focused on your laces to keep from totally breaking down, but it was no use.

“Oh Jesus, Y/N,” Natasha sighed and threw her arms around you, causing the tears in your eyes to multiply and you broke into sobs, “Tony’s even more upset than me, and I can barely breathe. I'm so sorry, if we could've just protected you better. I’ll give you a minute to pack your things, I...sorry I’m not holding it together for you,” she sniffled and jumped up, giving your shoulder a quick squeeze.

The only way you'd be able to hold it together while saying goodbye was to not say goodbye, so you decided to write notes. With the limited amount of time you had left, you wrote each team member a short note thanking them for being so welcoming and accommodating of someone from 1946. You couldn't help but write both Tony and Peter extra long letters, though.

You found Tony sitting in one of the bar stools, drinking a beer in the dark kitchen. Trying not to spook him, you sighed loudly, joining him at the bar, “You spooked me,” he said, to no avail. He sniffled quickly and rubbed his eyes, “Sorry, these allergies are kicking in with Fall approaching and all.”

“I’m sorry for everything. Thank you for taking me in, you could've sent me back to where I came from, after all,” you said, propping your chin up in your hand.

Tony shook his head profusely, “Don't be sorry, Y/N. I'd do it again in a heartbeat. I just wish I could've kept you safe,” he was beating himself up over it, tears in his eyes that he played off as allergies and you knew better than to point them out, “I could've kept you safe.” You didn't know what to say. Your stomach was twisting into knots as you looked at him, feeling sad and guilty and hurt and angry for having to leave everyone behind. Especially Tony, who had taught you so much in your short time with him.

“I have to find Peter,” you told him, sliding his letter across the bar until it lay next to his beer bottle. He looked up at you with a puzzled expression as you walked off, tearing into the letter as soon as you were out of earshot.

Dear Mr. Stark,

You told me not to call you ‘Mr. Stark’ so that's why I addressed you as so in your greeting. I wanted to start off my letter by thanking you, for everything. I truly mean everything, too. You really were the father I never had.

If one could slam letters shut, that's exactly what he did. Tony folded it quickly, feeling his head spin and eyes burn. You sounded just like him, even in letter form. He sighed loudly and rubbed at his eyes, sliding your letter into his back pocket to read later.

“Y/N! I've been looking for you,” Peter was trying to stay positive, even if it wasn't working. He was just hoping you wouldn't be sad heading home, “How long do we, I mean, how long do you have?”

You sighed, managing a sour laugh, “Well, I’m not dying, Peter. But you're actually the last person I have to say goodbye to.”

“It's not goodbye, it’s see you later. Right? Just ‘see you later’ because we will see each other again, you know,” Peter took your hand and smiled lightly, a smile that you would flash at someone that you felt bad for.

The two of you walked up to the lab hand in hand and, might I add, as slowly as humanly possible, “I'm going back in time seventy years, not across the street,” you didn't want to sugarcoat things. It would be easier for everyone to move on if there was a sense of closure, no matter how painful, “I have something for you. Please, don't read it yet,” you were pulled away from Peter after passing him his envelope, Steve pulling you in for a hug.

“We’ve learned a lot from you, kiddo. Sad to see you go,” he told you, a sincere smile on his face. You nodded, glancing behind at Peter as you were pulled into a sugar coated, somewhat depressing goodbye circle.

Wanda was sniffling loudly next to Tony, trying to avoid your gaze with her red and raw eyes, “I can't believe you have to go,” she said, pulling you into a hug, “I love you, little sister.”

“I love you too,” you couldn't keep the tears away, so it seemed. Your eyes burned as hot tears spilled over, no matter how much you tried to keep them away.

Bruce cleared his throat and smiled weakly at you, “Your, um, chariot awaits, Y/N,” he said quietly. The dreaded time machine had required some repairs and updates, which were all completed now thanks to Bruce. You gave a nod and sniffled, laughing at yourself to try and lighten to mood of the heavy room.

“I, I’m sorry. Gosh,” you looked up at the ceiling and wiped your eyes with the heel of your hand, “Well, I guess this is it.”

You were suddenly engulfed in a group hug, sniffles and quiet pity laughter surrounding you. Everyone was hugging you except for Peter, who looked down at the floor, a puppy dog pout on his face.

Once the odd group hug had broken up, you stepped back over to where Peter was standing, “See you soon, Peter,” it wasn’t the truth. You were going back in time seventy years. It seemed to help though. He even seemed to think so, throwing his arms around you in a tight hug, “I didn't think it would be this hard to see you go. What will I do without you?”

“You’ll be okay,” you told him with a small smile, your heart in your throat. Of course Peter would be okay, he was Peter. He had friends and a wonderful support system and a great, supporting environment. Would you be, though?

Peter nodded, pushing his hair back swiftly, “And so will you,” you smiled at his own reassuring smile, trying to keep tears from sparkling in your eyes once again. Just after you'd managed to get it together!

You laughed and quickly kissed him, only the second kiss you've ever managed which you were definitely kicking yourself over. If only you'd had more time.

“I guess it's goodbye, then,” you said with a sigh. You turned on your heel and hopped into the obnoxious time traveling machine swallowing hard. You could see everyone in the tiny glass window and there didn't seem to be a dry eye in the place.

Dear Peter,

This is even weirder for me to write, the fact that I now have to travel back in time in a clunky time machine and leave all of you behind. To leave you behind.

I know that goodbyes are hard, which is why I wrote you a letter. Maybe a goodbye will be unnecessary and we will be able to see each other again someday. Or maybe some day in another life. Hopefully.

You were the first person I'd ever liked, the first person I've ever been able to truly be myself with. And you didn't even know that I was from a different time.

Thank you for everything Peter, I'll never forget about you.

You gave a quick wave like some sort of courageous hero leaving on a brave mission. You couldn't stop thinking about your newfound family, even as the world seemed to spin around you. The impact of time travel surprised you yet again and you braced yourself, your eyes filling with multi-colored stars. Everything happened so fast and then everything went silent.

You weren't in the twenty first century anymore. You were in 1946.

TAGGED: @marvelgoateecollection, @fangeekkk, @multifandom-hoellander, @whimsicaldreamings, @im-an-eclectic-mess, @sleepy-rad, @theb-tchyidol, @1022bridgetp, @fireflyloki28, @imaginingadifferentlife, @flopmalum, @curlycals, @-episkey-, @annerbananers2, @criticallyconcealedchaos, @jojos-blog-13, @theincredibleultron

[swans-anime-ramblings]

My feelings on TLJ

This will be VERY spoilry, but don’t worry, I will put a break so you can’t see it unless you want to.

I just...I just...bah. I feel mostly frustrated, and the more I think about it, the more frustrated I feel. 

I love Reylo

So 100% truthfully I loved the Reylo stuff. I think I started shipping them the moment he froze her in the woods and carried her bridal style into his ship. TFA seemed to want to lay the foundations to tell a love story that’s never been told in Star Wars. I loved their connection in this movie, the way the talked to each other and danced around each other. I can’t believe the predictions about their Force bond came true. They were, in my opinion, the best part of the movie. 

BUT...AND I SAY BUT...that isn’t enough to make this film “a good one”. And I’ve got a few distinct reasons as to why I feel so frustrated and disappointed. 

The portrayal of Luke Skywalker

So let me start with my biggest gripe; the character of Luke Skywalker. Now, I’ve always liked Luke as a character, but never can I ever think of a time that Luke was in my top 5 favorite Star Wars characters, so believe me, I’m not a “fan girl” or “fan boy” in any sense. 

So what this movie told me is that Luke...LUKE, the Jedi who stared down the second most evil Sith Lord in existence (whose very presence causes people who stand near him to feel cold, to feel hate and anger) and decided to love him anyway because he believed in him and felt conflict, was so afraid of his nephew that he actually considered killing him? AND THEN he felt so bad about everything that happened he rushed off to some god forsaken backwater planet to die? Are you effing serious?!?!?!

No. no no no no no no no no. There’s no way. There is absolutely no way. That’s not Luke. I read that Hamill was angry with the direction of the character, and that should’ve been a red flag for everyone, ESPECIALLY Rian Johnson.

What it felt like to me was Rian Johnson was like, “I want to make a meta Indie Star Wars film where every single character fails immensely in some capacity, so that gives me the excuse to take this founding Star Wars character and do XYZ”. Well, it doesn’t. It’s disrespectful to Luke’s character to have him act so off of who he is. 

To be clear, I think it makes PERFECT sense for Luke to be angry with himself, hurt, and disappointed. I think it makes sense he wouldn’t want to train another generation of Jedi. But I also think that Johnson could’ve had him wrestling with his failures in a way that wasn’t so OOC. No matter what happens with Luke after, how he faced Ren and put a spark back in the rebellion, it doesn’t change what happened with the character. That he just gave up and went to die. And it’s unforgivable. 

Rey’s parentage

Okay. Here’s the thing. I am TOTALLY fine with her being a nobody. In fact, if you’ve read any of Pablo Hidalgo’s tweets the past two years, you’ll know he was pretty much telling us she was a nobody without saying it. 

BUT, the execution was terrible. Abrams left a carrot dangling in front of the audience for 2 years that had zero payoff. It was unnecessary.

My assumption, like many other people, is that she was one of Luke’s students being trained at the new academy, and was saved when Ren destroyed everything. Some assumed she just didn’t remember because she was so young, or possibly a block had been put in her mind. If she was a nobody, this makes the most sense to explain her powers.

So this movie means to tell me that Rey is a nobody and just happens to be THAT good with the Force with no training? Seriously? I’m sorry but, I don’t buy it. That’s BS. Her ease and use of the Force is at or above Anakin’s level. Movie, this isn’t okay. Every main character can’t be a prodigy. 

Snoke’s...defeat

So...movie. You mean to tell me that this mysterious dark side Force User who was super powerful enough to influence Ben Solo from when he was in the womb (see canon book Bloodline), died that easily? Without any kind of backstory? Okay look. Rey’s past doesn’t matter, we get that. But Kylo’s and Snoke’s does. They are joined at the hip, and it matters for that moment to have some semblance of understanding.

Kylo being the “Supreme Leader” is whatever in my mind, I can take it or leave it, but there was no closure for Snoke’s character.  He ended up being a throwaway character. A mystery that was just smoke. There was no payoff.

The past doesn’t matter

I remembered there was a tweet from Rian Johnson where he said he changed Kylo Ren’s scar because he didn’t like it. I feel like that pretty much sums up his attitude toward Episode 7. Part of the reason why this movie felt so disjointed was because it seemed like Rian was just coming in and changing what he didn’t like about Abram’s direction. “These mysteries don’t matter. I’m going to cut it all off.” As a director, Abrams and Johnson can’t be more opposite, but this is what Johnson was signing up for. To create a movie that followed what Abrams had laid down. There has to be some cohesion and respect for story threads. 

Because the past does in fact matter. 

They broke Anakin’s lightsaber. I realize I feel a little tender about this because Anakin (Thanks to the Clone Wars!!) is my second favorite Star Wars character. And that lightsaber is a character in of itself. It has meaning and weight. And..Johnson broke it. He broke Anakin’s lightsaber. 

I realize that Rey can fix it, but that breaking felt symbolic, and not in the good way. Again, the past does matter. You can’t just ignore lore because you feel like it. 

I DO want Rey to get her own lightsaber (double-bladed and preferably yellow, please) as that is a right of passage for every SW Force User, but...Anakin’s didn’t have to be broken. So painful. 

Okay. I think I’m done. 

As I said, I’m really looking forward to Rey and Ren’s relationship next episode. But I’m also a little apprehensive to swing back so fully to Abram’s style after this. Guess we’ll have to see where it goes from here.