#beginner books

[monarchsthoughtsonmedia]

[andaalbanagere]

Independently Reading ‘Big Shark, Little Shark’

May 30th, 2023 – Extremely proud of Andaal as she has begun to independently read ‘Big Shark, Little Shark’ which is one amazing book in the ‘Step 1 into Reading’ collection.

[gallimaufryish]

[nitemurr]

I was possessed to draw this. The Toxic old man yaoi was too strong

[thecupidwitch]

Herb's Properties

Basil:  money, luck, prosperity, happiness

Bay Leaf: energy, cleansing, can be charged with almost any intention

Camomile: Caring, kindness, luck, growth, self-love growth, confidence, avoiding negativity, happiness

Cinnamon: passion, quick success, fire magick

Chia seeds: Growth, health, kindness, Property

Chilli flakes:  Pride, confidence, power, strength, Passion

Cumin: Courage, bravery, protection, loyalty

Dandelion: wishes, charisma, success, good luck

Dill: sexual love, luck, protection

Eucalyptus: cleansing, healing, purifying, relaxing, comfort

Fennel:  hate, anger

Flax seeds: Prosperity, growth, new beginnings

Ginger: fiery passion, success, and personal power

Jasmine: love, dreams, sensuality, luxury and kindness

Lavender: love and attraction, purification, relaxation, restful sleep

Nutmeg: luck, Health, Fidelity, Love, Prosperity, comfort, loyalty

Oregano:  comfort, love, warmth

Paprika:  Pride, confidence, power, strength

Parsley: Cleansing. purification

Peppermint: healing, purification, love and energy, cleansing, prosperity

Poppy seeds: protection, intuition, self-assurance, hexing and cursing

Rose: love, beauty, harmony, romance, attraction

Rosemary: cleansing, purification, wisdom, protection

Sesame seeds: Prosperity, growth, health, nurturing

Spearmint: love, cleansing, renewal, blessing

Sunflower seeds: happiness, growth, joy

Thyme: beauty, strength, courage

Turmeric: confidence, creativity, energy

Vanilla: love and sexuality

tip jar

[physalian]

How to make your writing sound less stiff

Just a few suggestions. You shouldn’t have to compromise your writing style and voice with any of these, and some situations and scenes might demand some stiff or jerky writing to better convey emotion and immersion. I am not the first to come up with these, just circulating them again.

1. Vary sentence structure.

This is an example paragraph. You might see this generated from AI. I can’t help but read this in a robotic voice. It’s very flat and undynamic. No matter what the words are, it will be boring. It’s boring because you don’t think in stiff sentences. Comedians don’t tell jokes in stiff sentences. We don’t tell campfire stories in stiff sentences. These often lack flow between points, too.

So funnily enough, I had to sit through 87k words of a “romance” written just like this. It was stiff, janky, and very unpoetic. Which is fine, the author didn’t tell me it was erotica. It just felt like an old lady narrator, like Old Rose from Titanic telling the audience decades after the fact instead of living it right in the moment. It was in first person pov, too, which just made it worse. To be able to write something so explicit and yet so un-titillating was a talent. Like, beginner fanfic smut writers at least do it with enthusiasm.

2. Vary dialogue tag placement

You got three options, pre-, mid-, and post-tags.

Leader said, “this is a pre-dialogue tag.”

“This,” Lancer said, “is a mid-dialogue tag.”

“This is a post-dialogue tag,” Heart said.

Pre and Post have about the same effect but mid-tags do a lot of heavy lifting.

They help break up long paragraphs of dialogue that are jank to look at

They give you pauses for ~dramatic effect~

They prompt you to provide some other action, introspection, or scene descriptor with the tag. *don't forget that if you're continuing the sentence as if the tag wasn't there, not to capitalize the first word after the tag. Capitalize if the tag breaks up two complete sentences, not if it interrupts a single sentence.

It also looks better along the lefthand margin when you don’t start every paragraph with either the same character name, the same pronouns, or the same “ as it reads more natural and organic.

3. When the scene demands, get dynamic

General rule of thumb is that action scenes demand quick exchanges, short paragraphs, and very lean descriptors. Action scenes are where you put your juicy verbs to use and cut as many adverbs as you can. But regardless of if you’re in first person, second person, or third person limited, you can let the mood of the narrator bleed out into their narration.

Like, in horror, you can use a lot of onomatopoeia.

Drip Drip Drip

Or let the narration become jerky and unfocused and less strict in punctuation and maybe even a couple run-on sentences as your character struggles to think or catch their breath and is getting very overwhelmed.

You can toss out some grammar rules, too and get more poetic.

Warm breath tickles the back of her neck. It rattles, a quiet, soggy, rasp. She shivers. If she doesn’t look, it’s not there. If she doesn’t look, it’s not there. Sweat beads at her temple. Her heart thunders in her chest. Ba-bump-ba-bump-ba-bump-ba- It moves on, leaving a void of cold behind. She uncurls her fists, fingers achy and palms stinging from her nails. It’s gone.

4. Remember to balance dialogue, monologue, introspection, action, and descriptors.

The amount of times I have been faced with giant blocks of dialogue with zero tags, zero emotions, just speech on a page like they’re notecards to be read on a stage is higher than I expected. Don’t forget that though you may know exactly how your dialogue sounds in your head, your readers don’t. They need dialogue tags to pick up on things like tone, specifically for sarcasm and sincerity, whether a character is joking or hurt or happy.

If you’ve written a block of text (usually exposition or backstory stuff) that’s longer than 50 words, figure out a way to trim it. No matter what, break it up into multiple sections and fill in those breaks with important narrative that reflects the narrator’s feelings on what they’re saying and whoever they’re speaking to’s reaction to the words being said. Otherwise it’s meaningless.

—

Hope this helps anyone struggling! Now get writing.

[thatwritererinoriordan]

[whenibecameaparentireadbooks]

Uncertain Imperatives

Go, Dog. Go!  By P.D. Eastman Beginner Books/Random House, 1961 Sometime in my twenties I rewatched the 1980s action comedy Crocodile Dundee. In my tweens I’d loved its story of a New York female journalist interviewing an uncouth Australian ‘bushman’ and of what happens when she brings him back to the States. There were the jokes about big knives and bidets, and the hints at sex – the image…

[yet-another-autism-blog]

It's actually really ableist that I have several expensive interests and no money. I should be given 5k a month just autism related spending money

[mellowdracwitch]

Recommended tips for research as a beginner witch/practioner:

Research as a beginner can at times feel stressful if you don't know credibilties or anything about the craft really. So, I'm going to share some tips I use in my practice and would recommend when researching witchcraft.

Research what interests you. If research begins to feel like a task instead of genuine interest or fun, there will be problems down the line with researching thoroughly. That isn't to say don't research things that bore you, it means that you should take what resonates with you and from there you can begin to build the framework for your personal craft.

Does the source align with your moral standing and personal beliefs? If the answer is no, time to find a new source. For example, if a source is fully against any harm towards another person and tries to push that narrative on the reader/viewer (or vice versa) and it's not something you personally align with, find another source. The most important example of this is many authors are bigots, terfs or cultural appropriaters. Remember to research the author and their practice before trusting what they have to say.

What may work for some people will not work for you. Do not feel inclined to do everything a certain way as said by a certain practioner. The point of witchcraft is to develop your own habits and outlooks. Crystals and astrology may work best for someone, but you may have an inclination towards herbs and palmistry for example. You do not need to practice every form of witchcraft out there. So circling back to the first point, pay mind to what sparks joy and what aligns with your abilities.

Take everything with a grain of salt. Learn to question what you learn. As witchcraft and spirituality have been practiced in many cultures for many years, things have evolved and been taken from one context to the next. Research various practices and rituals as well as the authors and cultures who promoted said practices

Use multiple sources. Blindly believing one post can be harmful, especially when concerning topics that can be a manner of physical safety (fire hazards, dressing candles, consumption and burning of herbs) or spiritual safety (spirit work, baneful work, trickster spirits). The more research the better, as it solidifies understanding too.

Do not rely solely on social media, but use it as a crutch to what you already know. Many content creators care more about views or aesthetics than educating. But many creators also DO care about what they're putting out there and have genuinely good tips and tricks for various practices. Just be wary.

Don't worry about aesthetics or perfection when you're just learning. Don't let pinterest photos of altars downplay your own craft and beauty. Right now, you're learning new topics and there's plenty of time later to find pretty altar tools or to neatly scribe in a leather journal. Don't let it distract you from research, and ultimately, the goal is to grow.

Have fun with it! There are so many research topics, and it can be as expansive or specific as you make it. Remember this isn't supposed to be stressful, it's supposed to be rewarding.

(Please add your own tips too if you'd like!)

[ad-caelestia]

grimoire organization ideas 🔮

what is a grimoire?

a grimoire can be defined as a book of magical spells and invocations; sometimes used interchangeably with "book of shadows" but you can call it whatever you want.

what should i write my grimoire in / on?

a grimoire can be handwritten or typed, there is no wrong way to construct your grimoire. (for example, my grimoire is typed in a one note document but also stretched across many, many different notebooks and composition books)

what can i put in my grimoire?

about the author

favorites: color, magical tools, herbs, crystals

tarot birth card, astrology birth chart, personal beliefs, relationship with deities or other spiritual beings

basics 

intent

visualization

meditation

terminology

protection, cleansing, & banishing using various energies: shields & wards, circle casting / take down, protective amulets

enchanting items 

clockwise vs. counterclockwise 

other how-to’s, such as anointing items and dressing a candle

general correspondences

days of the week, lunar phases, colors, incense, essential oils, elements

correspondences based on intent 

protection, healing, cleansing, banishing, luck, wealth, love, emotions, mental clarity, psychic awareness, cursing, etc.

altar ideas

crystals

crystal grid designs, crystal correspondences & folklore, gem water / crystal elixir recipes, crystal care 

herbs, spices, plants, flowers, & trees

correspondences, edible vs. non-edible, botanicals with medicinal value, folklore, gardening 

divination

tarot, runes, pendulum, scrying, etc.

spreads

interpretations 

astrology

birth chart + traits, planetary correspondences, planetary hours, zodiac correspondences, moon / star / sun water

sigils & symbols

how to create, personal sigils, other symbols & talismans 

psychic abilities 

identification of personal abilities (clairvoyance, claircognizance, clairaudience, clairsentience, clairambience, etc.)

meditation techniques to strengthen abilities 

personal experiences

important dates

sabbats, wheel of the year, magical anniversaries, astronomical & astrological phenomena (meteor showers, planetary alignments, etc.)

recipes

food

potions (potions are edible and consumable liquids!!!)

beauty products: salt scrubs, sugar scrubs, lotions, lip balm

natural remedies: salves, ointments, balms, poultices 

cleaning products: floor washes, window cleaner, wood cleaner, etc.

powders

witchy crafts

glitter jars, witch ladders, wand-making, crystal jewelry, etc. 

spells & enchantments

sachets, spell jars / bottles, knot magic, candle spells, powder spells, curses, protective magic, etc.

magical goals

∘₊✧─────────────────────✧₊∘

good luck! ✨

© 𝟸𝟶𝟸𝟺 𝙰𝙳-𝙲𝙰𝙴𝙻𝙴𝚂𝚃𝙸𝙰

[thespectralcottage]

Witchcraft 101:

Cleansing vs Uncrossing vs Banishing

Alright witches. Lets dive into some witchy basics and discuss the differences between cleansing, uncrossing and banishing. This will hopefully help you differentiate between them. But.. lets be honestly if you do something like call a spell an uncrossing when "technically" doing a banishing, who cares its all in good spirit. The reason i think its good to have a difference in mind between these falls into how you handle a spell. If I'm doing an uncrossing vs a banishing i would choose different spell ingredients, maybe work with different gods, or choose a different element to work with.

Cleansing: I consider cleansings as the foundation and most basic of these. Its almost an umbrella term the other two fall under. All banishings are cleansings, but not all cleansings are a banishing. Cleansings are when you're trying clear something away. Most often people will use this term in day to day workings and general upkeep to make sure nothing has stuck to them. This would include more casual things like smoke cleansing, showering and asking the water to cleanse you, sound cleansing, etc. Its not a full spellworking or ritual, but still done with energy and intention. Sometimes you may do a cleansing and realize whatever is there, is stuck deeper then you expected. So you take the next steps and do a more "intense" cleansing like an uncrossing or banishing.

Uncrossing Spells: Uncrossing specifically refers to removing unwanted energy. Usually when discussing what is an uncrossing, I sperate it from just a cleansing by describing it as a very intense cleansing where you're trying to strip away intense and specific energy. These are more work and a step up from an everyday cleansing for more intense scenarios. This is very spirit focused; think of it as taking out the bad and putting in the good. Some types of spells I would consider an uncrossing are: removing hexes/jinx/curses, removing the evil eye, spiritual detoxes, road openers, removing any stubborn energy, removing feelings, etc. I associate uncrossings with water: it's soaking in and getting that energy out. I would choose herbs/spell ingredients that are uplifting and purifying. Think salt, rosemary, rue, and lemons.

Banishing Spells: Banishing spells remove unwanted entities, spirits or people. You can use it to get rid of very deep rooted things like habits or insecurities. Banishings are quite a strong forms of spellwork. You're really kicking something out and away from you when you do a banishing. Its connected to more deep rooted things that you're trying to remove from your life. Some types of spells I could consider a banishing: cord cutting, exorcisms, banishing a spirit attached to you, getting rid of insecurities, freezers, etc. I associate banishings with fire. Burn and gtfo. I would choose herbs that have more of a kick to them and are defensive. Think nettle, blackberry leaves, cloves, even pepper in some cases.

Please note this doesn't have to be something strict. Like i said at the beginning this is just a guide that will help you differentiate so you can tackle the spellwork as effectively as possible.

✨Stay Spooky ✨

[gallimaufryish]

[nitemurr]

I had to draw ford as that one Turkish Olympic shooter bc you can't tell me that's not just him if he was turkish

[thecupidwitch]

Types of Divination

🌙Aeromancy

A means of divination through the interpretation of atmospheric phenomena such as cloud formations, wind currents, rain, fog, lightning, thunder, cosmological events, and positions favorable or unfavorable to the planet.

🌙Cartomancy

A form of divination where you use cards to get the answer to your questions. There are different forms of cartomancy like playing cards, tarot, lenormand and oracle cards.

🌙Osteomancy

Or bone throwing. It's an ancient form of divination used by many cultures. This method consist of throwing the bones and then interpret the results and pattern.

🌙Pendulum

This method consist of observing the subtle movements of the pendulum to gain information about a question, object, or situation.

🌙Scrying

Scrying is divination by seeking a vision while gazing into a transparent, translucent, or reflective object and it's often done by crystal ball gazing, fire scrying, water scrying, mirror scrying, etc.

🌙Astrology

This type of divination interpret movements and relative positions of celestial bodies, and how they influence us. Astrology gives an understanding of situations in our lives, based on our individual astrological birth chart.

🌙Lithomancy

Also known as stone divination, is a form of divination that uses stones or crystals to gain insight into an individual’s future or to provide guidance on a specific issue.

🌙Necromancy

Necromancy is divination through communication with the dead. In this method the practitioner summons or communicate with spirits of the dead in order to gain wisdom.

🌙Ceromancy

The practice of reading the flames and wax of a candle. The candle is lit and the flame examined for clues to the mood and energy surrounding the situation and then the wax is allowed to drip into a bowl of cold water or sometimes onto a piece of paper. The practitioner examines the shapes formed by the melted wax and makes predictions based on his or her interpretation of the shapes.

🌙Tasseography

Is a method of divination where you read pattern and symbols from tea leaves or coffee grounds sediments.

🌙Arithmancy/Numerology

Arithmancy is known as divination using numbers, while numerology is divination through using dates and words turned to numbers. Numerology doesn't require any psychic abilities, instead the method use calculations involving name and birth date numbers.

🌙Palmistry

Palmistry is also referred to as palm reading and is divination through reading and interpreting the lines and structure of the hand. It is common to read the dominant hand as a characterization and also predicting the future.

🌙Bibliomancy

is the divination by randomly chosen passages in books, often religious books or Grimoires. This method consist of picking a random passage from a book to answer a question.

🌙Conchomancy

is a form of divination using sea shells. Placing a seashell on your ear and analyzing the sound counts as Conchomancy. You can also use seashells in Casting divination.

tip-jar

[physalian]

How to Make Your Writing Less Stiff Part 3

Crazy how one impulsive post has quickly outshined every other post I have made on this blog. Anyway here’s more to consider. Once again, I am recirculating tried-and-true writing advice that shouldn’t have to compromise your author voice and isn’t always applicable when the narrative demands otherwise.

Part 1

Part 2

1. Eliminating to-be verbs (passive voice)

Am/is/are/was/were are another type of filler that doesn’t add anything to your sentences.

There were fireworks in the sky tonight. /// Fireworks glittered in the sky tonight.

My cat was chirping at the lights on the ceiling. /// My cat chirped at the lights on the ceiling.

She was standing /// She stood

He was running /// He ran

Also applicable in present tense, of which I’ve been stuck writing lately.

There are two fish-net goals on either end of the improvised field. /// Two fish-net goals mark either end of the improvised field.

For once, it’s a cloudless night. /// For once, the stars shine clear.

Sometimes the sentence needs a little finagling to remove the bad verb and sometimes you can let a couple remain if it sounds better with the cadence or syntax. Generally, they’re not necessary and you won’t realize how strange it looks until you go back and delete them (it also helps shave off your word count).

Sometimes the to-be verb is necessary. You're writing in past-tense and must convey that.

He was running out of time does not have the same meaning as He ran out of time, and are not interchangeable. You'd have to change the entire sentence to something probably a lot wordier to escape the 'was'. To-be verbs are not the end of the world.

2. Putting character descriptors in the wrong place

I made a post already about motivated exposition, specifically about character descriptions and the mirror trope, saying character details in the wrong place can look odd and screw with the flow of the paragraph, especially if you throw in too many.

She ties her long, curly, brown tresses up in a messy bun. /// She ties her curls up in a messy brown bun. (bonus alliteration too)

Generally, I see this most often with hair, a terrible rule of threes. Eyes less so, but eyes have their own issue. Eye color gets repeated at an exhausting frequency. Whatever you have in your manuscript, you could probably delete 30-40% of the reminders that the love interest has baby blues and readers would be happy, especially if you use the same metaphor over and over again, like gemstones.

He rolled his bright, emerald eyes. /// He rolled his eyes, a vibrant green in the lamplight.

To me, one reads like you want to get the character description out as fast as possible, so the hand of the author comes in to wave and stop the story to give you the details. Fixing it, my way or another way, stands out less as exposition, which is what character descriptions boil down to—something the audience needs to know to appreciate and/or understand the story.

3. Lacking flow between sentences

Much like sentences that are all about the same length with little variety in syntax, sentences that follow each other like a grocery list or instruction manual instead of a proper narrative are difficult to find gripping.

Jack gets out a stock pot from the cupboard. He fills it with the tap and sets it on the stove. Then, he grabs russet potatoes and butter from the fridge. He leaves the butter out to soften, and sets the pot to boil. He then adds salt to the water.

From the cupboard, Jack drags a hefty stockpot. He fills it with the tap, adds salt to taste, and sets it on the stove.

Russet potatoes or yukon gold? Jack drums his fingers on the fridge door in thought. Russet—that’s what the recipe calls for. He tosses the bag on the counter and the butter beside it to soften.

This is just one version of a possible edit to the first paragraph, not the end-all, be-all perfect reconstruction. It’s not just about having transitions, like ‘then’, it’s about how one sentence flows into the next, and you can accomplish better flow in many different ways.

4. Getting too specific with movement.

I don’t see this super often, but when it happens, it tends to be pretty bad. I think it happens because writers feel the need to overcompensate and over-clarify on what’s happening. Remember: The more specific you get, the more your readers are going to wonder what’s so important about these details. This is fiction, so every detail matters.

A ridiculous example:

Jack walks over to his closet. He kneels down at the shoe rack and tugs his running shoes free. He walks back to his desk chair, sits down, and ties the laces.

Unless tying his shoes is a monumental achievement for this character, all readers would need is:

Jack shoves on his running shoes.

*quick note: Do not add "down" after the following: Kneels, stoops, crouches, squats. The "down" is already implied in the verb.

This also happens with multiple movements in succession.

Beth enters the room and steps on her shoelace, nearly causing her to trip. She kneels and ties her shoes. She stands upright and keeps moving.

Or

Beth walks in and nearly trips over her shoelace. She sighs, reties it, and keeps moving.

Even then, unless Beth is a chronically clumsy character or this near-trip is a side effect of her being late or tired (i.e. meaningful), tripping over a shoelace is kind of boring if it does nothing for her character. Miles Morales’ untied shoelaces are thematically part of his story.

Sometimes, over-describing a character’s movement is meant to show how nervous they are—overthinking everything they’re doing, second-guessing themselves ad nauseam. Or they’re autistic coded and this is how this character normally thinks as deeply methodical. Or, you’re trying to emphasize some mundanity about their life and doing it on purpose.

If you’re not writing something where the extra details service the character or the story at large, consider trimming it.

—

These are *suggestions* and writing is highly subjective. Hope this helps!