#before the lord of the rings trilogy | Explore Tumblr posts and blogs

undreaming-fanfiction · 9 months ago

Text

My brain refuses to sleep, so more drabbling! Probably modern-ish AU?

Steve makes a career for himself as a re-decorator (or de-decorator, as he loves to call himself). His clientele are those celebrities who rose to fame so quickly they have plenty of money, but they don't have time to make their houses feel like home. They just bought penthouses and mansions and now live in homes that are fancy, but they feel like hotels.

Steve is there to fix that.

One of his clients is the hard working rockstar Eddie Munson whose life path went from a trailer park to couch surfing to living with 4 people in a tiny apartment, then suddenly tours, hotels and boom! He has a house that looks like an IKEA prop.

He doesn't hide his distaste at the pristine condition of the place (yes, Eddie has a cleaner). "Oh god. A beige carpet?" he scoffs and he sounds so bitchy Eddie decides he likes him already.

He likes him even more when Steve puts on reading glasses. Damn.

Over coffee, they discuss what Eddie wants. Except Steve doesn't just...tell him. He doesn't give him any hints. He just keeps asking about Eddie's favorite colors, what movies he likes, does he have hobbies apart from music? Can Steve see some of the items that bring him comfort?

And Eddie's surprised. "Shouldn't you, like...be telling me what I'm supposed to want?" he asks the gorgeous man who almost wails when he sees the vase with fresh flowers ("This is the third place in a row that has this fugly thing! Is it like a status symbol? Uh, tasteless.").

And Steve just stares at him. "Uh, Mr. Munson?"

"Eddie."

Steve nods. "Eddie. Why should I have any say in what you want? If you ask me what's practical, easy to clean, what bounces off light well, that's another thing. But in matters of taste...you're the boss. You live here, I don't. (Pity, Eddie thinks) Now, let's change this place into somewhere you actually like staying, hm?"

They spend the whole afternoon talking. Eddie opens up about what he loved before the touring and expectations from his agent took that from him. He talks about the Lord of the Rings, Dungeons and Dragons, fantasy in general, and Steve listens, makes tons of notes and asks questions that make Eddie's heart bleed, such as "and who is your favorite Lord of the Rings character?" and "you mentioned elves, dwarves, orcs, wizards...so what is your favorite group?" and "which DnD class would you be then? I guess a bard? Is that too obvious?". Now, Steve doesn't know much about these things, but learns quickly and works with the info he has.

They walk through the house again, with Steve making notes and wincing at transgressions against humanity or at least against his taste in things ("Oh ew. EW. Glossy finish on a kitchen counter? What is this, a future crime scene?") and Eddie feeling equally amused and curious. Eddie orders dinner for them, it goes something like:

"I don't know what would be appropriate, any preferences?"

"Eddie, there's no time or space when pizza is not appropriate."

"What about a funeral?"

"It puts fun in a funeral."

"Touché."

They follow up on a bunch more things. Steve notices Eddie fidgeting and asks him like the mindreader he is if perhaps the place is too clean for him. "Minimalism is what everyone's trying to push," Steve says, not without sympathy, "but it's not for everyone. I hope you don't take this the wrong way, but you seem like a person who'd love a more....personal, cluttered space."

And god, Eddie feels so seen. He tells Steve about all his favorite books and trinkets that he lost during a horrible earthquake in Indiana, so when he moved to the city it was just some clothes and his two guitars. Steve makes so many notes. "I've seen quite a lot of collectibles for your beloved trilogy," he says with a hint of a smile. "Is that something you'd like in your home?" Eddie can't nod any faster.

They talk about the budget (Eddie just scoffs at that, for the first time in his life money is not an issue), Eddie's absolute no go things ("No more vases, please! PLEASE. Also maybe the one room that can stay as it is is the studio, there's no decor"), if he has issues touching any materials, if he wants to keep any areas in the house neutral for visitors (he doesn't). Then finally, he asks Eddie if he wants to be more consulted or surprised.

And Eddie, tired and surprisingly relaxed from talking to Steve, just grins and says: "Surprise me, big boy."

Steve just smirks and makes one more note. "Oh, I will, Eddie."

...

Eddie goes on yet another tour for a couple of months, which is the ideal time for Steve to start working on the house.

Steve sometimes texts Eddie random choices, such as "Rohan or Gondor or both?" or "what's the best pub in the Middle Earth?" and Eddie usually trips over his feet trying to get to his phone after concerts to see if maybe he has another message from Steve. He learns bits and pieces about the man as well - he has a younger brother, Dustin, who is into the same stuff that Eddie is. Sometimes it goes like this:

STEVE: What's the best battle in the LotR movies?

EDDIE: The Ride of the Rohirrim, duh!

STEVE: Dustin says you're wrong, it's the last stand at the gates of Mordor.

EDDIE: The disrespect to king Théoden!

And finally, the big day comes. Eddie meets with Steve at the door. From the outside, the house still looks boring, but that's what they agreed on. At least for now.

But there's one notable difference and Eddie gasps when he sees it.

"I know we said no changes on the outside," said Steve sheepishly, "but I took the liberty to make one slight change."

Where the door used to be bland and white, it is now carved with silver etchings. It replicates the Doors of Durin. Eddie loves it.

Steve smiles at him. "Speak friend and enter, right? Dustin told me. Anyways, are you ready?"

Turns out, Eddie wasn't ready. Steve took all of the shiny and sterile surfaces and turned them into something beautiful.

The kitchen is now in warmer colors, brown and green, imitating the Green Dragon inn, plaque included.

Guest rooms have been changed, each to represent a group or a nation of the Middle Earth. Eddie thinks his uncle will love the Rohirrim one.

No more vases are to be seen, but Steve got potted plants ("almost immortal, as long as your housekeeper waters them once a week or so").

Eddie howls in laughter when he sees that Steve somehow managed to disguise all his security cameras as tiny eyes of Sauron.

The bathroom is inspired by the Rivendell, with soft tones and nods to Elvish architecture.

Eddie's bedroom resembles the Shire, with round shapes and homely motifs.

But Eddie's absolute favorite is the living room.

The only things that remain there that he bought are the massive TV and his stereo system with records. The rest though...

Gone is the ugly and sharp couch that looked like a geometry exercise. The new one is large and comfortable, with a couple of armchairs to finish the cozy feel. The coffee table and TV stand are more rough looking, with decorative ironwork. And then, around the room and on the walls...

"Oh wow," whispers Eddie and Steve beams at him.

There are collectibles and figurines that young Eddie Munson would have killed for. A replica of the Narsil hangs over the TV. It's cluttered but tasteful, still easy to clean, but Eddie always has something to touch, to play with.

And then he spots the bookcase and actually sobs. "What the fuck, Steve?" he asks, but there's no anger, just awe. "How did you know?"

The bookcase is full of Eddie's most beloved books, all that he told Steve about and more, but it's not just that. These aren't just pristine new prints - Steve managed to get both those and well-loved used copies. Most of them are the same editions that Eddie had before the earthquake. He runs his trembling finger over the back of the Hobbit and it feels like home.

"That was the hardest part," says Steve and leaves Eddie to rummage through the books, the old DnD guides and used comic books. "But I assumed you're sick of new and shiny. In fact, most of the collectibles are already used as well. They have some history. As for the books, uh..." He scratches his neck, embarrassed. "I will be honest, I don't read much. Dyslexia and some issues with the eyes, although audio books are making it more possible for me now. So I had to ask Dustin for help. We looked for editions published before the earthquake. I hope we got some of them right?"

Eddie just mutters "Sorry, I'm about to do something really unprofessional now" and pulls Steve into a bear hug. And Steve reciprocates.

"Fuck, this...this is everything," says Eddie into his shoulder. "How did you do this? Are you magic. You must be magic."

Steve grins. "I take it the surprise was a success then?"

Eddie finally pulls back. He would have loved to keep embracing Steve for a bit longer, but boundaries. "A total one. Wow. I mean. It's a lot, but so good. SO GOOD. How can I repay you?"

"You already paid me, Eddie."

"You know what I mean!" Eddie points and the books and apparently also a DVD collection he now owns. "This must have been so much more work than you normally do, no? I doubt every client has you memorize the members of the Fellowship."

"Not just that, but also why Sam is the best," Steve smiles at him and fuck. Eddie might be in love. "It was more than usual, but I loved it, Eddie. That's why I like my job so much, helping people find themselves again. You don't owe me anything. Although, if you're offering..."

"I'm listening."

Steve runs his fingers through that majestic hair. "So, I didn't tell Dustin that I was decorating the house for you, but he's a huge fan of your music. Like, massive, has every album, has been following your career from the start. And feel free to tell me it's too much, you are my client after all, but...he'd love to meet you. Over a pizza, maybe? The plain ham and cheese one you like so it doesn't have too many flavors?"

And Eddie melts. Because Steve still remembers his pizza choice from months ago, even though this definitely wasn't in his notes. He decides there and then that Steven Harrington is a national treasure.

"Sure, big boy," he smiles at Steve, and hopes he didn't imagine Steve leaning into the touch. "How about you invite him over for a movie night or something? With pizza of course."

It looks like Steve could kiss him, but he doesn't. Not yet. That only happens a week later, when they bump into each other in Eddie's kitchen when they scramble to make more popcorn for Dustin.

Steve stays the next night. And maybe a few after that. Always in a different themed bedroom.

They travel for work a lot, but when they are both in Chicago, they always meet in the Green Dragon kitchen, cuddle in the bed that would be far too large for a hobbit, and in the night, Eddie wraps himself around Steve and whispers: "My preciousssss."

And Steve can't really complain, because it's his fault that his boyfriend has re-discovered his dorkiness, so why would he mind?

#steve harrington #eddie munson #stranger things #steddie #steddie drabble #stranger things drabble #steddie au #steddie fanfiction #dustin henderson #lotr steddie #ish #lord of the rings steddie #not proofread we die like Boromir MY BOY #ahem this got long #Steve the redorkifier Harrington #Eddie the reemerging dork Munson

1K notes · View notes

physalian · 6 months ago

Text

Your colloquialisms are ruining the immersion (or, non-contemporary dialogue)

I am no expert here! Whenever I wrote historical fiction it was anachronistic historical fiction. This advice is from a reader’s perspective and from my experience writing high fantasy.

So what’s the deal with immersive dialogue? I’m going to ignore writing dialects and accents and so-called “old English” with the thee, thy, thou and such. Solely focusing here on the narrative telling me this isn’t set in present times, and yet the dialogue being painfully colloquial like present times.

This is coming from a book I had to read set in HRE times. In it, characters were spouting modern curse words, tacking on verbal tics and crutch words like “or something” and “um” and drawing out words like “daaaamn” and “nooooo”. Rip out the dialogue and toss it in a script with zero context and it would read like two high schoolers from 2009, not two adults from the Holy Roman Empire. Which is a problem, because it completely shattered the immersion. —

1. On so-called “formal writing”

Everybody knows that nixing contractions doesn’t do a damn thing to help your writing look more “formal”, it just looks robotic and stiff, right? We’ve gotten past this as a society? There’s a time and a place for replacing contractions with the full words, but not for every single sentence.

I swear this show keeps creeping into my writing advice but here we go. Transformers Prime. The context for Optimus’ dialogue has a lot to do with his aging voice actor, Peter Cullen, and the perception of the character over the decades from the corny 80s paragon hero everyman type leader to the grizzled and wizened old soul type leader. Optimus isn’t “one of the guys,” he’s old. Very old. He’s the dad of the group (one dad, his grumpy medic is the other dad).

So he gets lines like:

“I fear Megatron’s ambition is at its zenith.”

“But if his return is imminent as I fear, it could be a catastrophic.”

“I bore Skyquake no ill-will.”

He doesn’t curse like the other Autobots. His voice only raises in surprise, horror, or rage. He doesn’t go “um/ah/so/but/eh” and always thinks about what he’s going to say well before he says it. Despite him, Ratchet (the dad medic), and Megatron all being very old, Optimus is the only one who’s “proper” and collected and dignified with his lines. The writers didn’t achieve this simply by omitting contractions, he gets them where necessary and removes them when effective (e.g “We do not.” / “We don’t.”)

2. Thesaurus Rex

Continuing with the Optimus example, no other character in that show would use “zenith” unironically. Or “ill-will”. This doesn’t mean crack open and abuse a thesaurus but there’s a huge divide between:

“Megatron’s gone crazy and he’s going to implode soon” and “Megatron’s ambition is at its zenith”.

I can’ think of a better word to use than dignified, perhaps distinguished to describe his dialogue.

He doesn’t say “what?” when he’s confused, he pauses and says something like “please elaborate”.

This is both word choice and a syntax issue so if you’re struggling to fit a non-contemporary vibe for your work, pay attention to both.

3. When to abstain from cursing

There’s something very special about the dialogue in the Lord of the Rings movies: It’s PG-13 so they can’t curse, but if they had, it would have probably ruined the trilogy. These characters are able to yell in rage and anguish, spit vicious insults at their enemies, and stare down armies that are determined to kill them, all while never breaking the immersion.

Insults like:

“Late is the hour in which this conjurer chooses to appear.”

“Keep your forked tongue behind your teeth, you witless worm.”

“Your words are poison.”

And all three were said by or about Grima Wormtongue.

Characters aren’t dumbasses, they’re fools, with the exception of Gollum’s insults toward Sam, the “stupid, fat hobbit”.

Even devoid of name-calling, Denethor absolutely trounces his second son by asking (and I’m paraphrasing) “Is there any man here willing to do his lord’s bidding?” right after Faramir expresses some apprehension about a suicide charge with his remaining soldiers, completely ignoring him and implying that he’s not a real man.

LOTR is full of juicy lines beyond curse words, too. One of my absolute favorites is: “Dark have been my dreams of late” as opposed to “I’ve been having nightmares lately.”

Do you see?? It’s poetry. The motif of Shadow and Darkness as if they’re real, physical things, all the lines of poetry pulled straight from the books like Theoden’s “where is the horse and the rider” monologue just before Helm’s Deep.

It’s dignified.

—

This one was a bit harder to, ironically, put into words without doing a full-blown case study into either franchise’s ability to write dialogue and monologues. I didn’t even talk about Ratchet’s several monologues (one of which was done perfectly in the sound booth on the first take) because Jeffrey Combs has a voice like ambrosia.

TLDR: Immersion goes far beyond your vivid setting descriptors and the clothing or the names and languages. I mostly write fantasy and sci-fi and whenever I read or watch fantasy and sci-fi that isn’t meant to be a world different from our own, or about characters who don’t speak modern English, and they go off with modern slang, syntax, and verbal tics, it just feels sloppy and weak. Pay attention to the following:

Syntax

Modern slang and jargon

Filler words/verbal tics

Curse words/curses

Flat, unmotivated vocab

*All of the quotes were from memory because I watch both of these franchises way too often. So apologies if I got any wrong.

#writing #writing advice #writing resources #writing a book #writing tips #writing tools #writeblr #fantasy #sci fi #writing dialogue #immersion

934 notes · View notes

maxlarens · 6 months ago

Note

hi lilli!! i heard angst and i came running, how about searching for each other in crowded rooms, finding each other everywhere with logan or oscar, whoever sparks the most inspo, but plot twist—not being able to be together for some reason (the why is totally up to you, feel free to ignore if this isn't your cup of tea). thank u thank u <3

kait!!! hello!!! thank u for sending this in!!! im gonna do oscar 😁 it genuinely hurt my feelings SO BADLY to not have them make up at the end of this. so i sympathise with everyone that im about to make sad it was a bad time for me too❤️‍🩹❤️‍🩹

It's familiar, this feeling.

The squeeze of your chest, the grieving, panicking thing climbing up your throat. You've been feeling it a lot lately, every time you catch a glimpse of someone with hair the same colour as Oscar's; wearing clothes you swear that he has; a person with the same shoulders, the same gait.

You've been seeing him everywhere. You just think you have. Monaco is small… not that small apparently.

When it had first happened, at the beginning of summer break, you’d half expected to be back together within a week. For Oscar to message you and half-beg to talk to you again. In your dreams, you’d both come grovelling back to each other, apologising for cruel words, making amends for various mistakes. Then you would kiss him and you’d tell him how much you love him and things would get better.

Instead, you’ve spent weeks of your summer break totally and utterly miserable. Missing Oscar like a phantom limb. You reach for him, he’s not there. You go to text him, find a thread of messages discussing the logistics of returning the other’s belongings.

You sit in your flat and you watch the Lord of the Rings trilogy twice in a row twenty two hours and forty-four minutes because it doesn’t remind you of Oscar and it occupies your time in a way nothing else can right now. You cry until your eyes are puffy and you write in a diary you’ve never touched before, because it needs to go somewhere. The feeling stuck in your throat needs to be written down said out loud and you can’t say it to Oscar, who you would usually tell everything, because he needs “distance from you right now”.

Briefly, you convince yourself that “right now”, indicates that there still might be a later for the two of you. That this thing between you that’s fallen to pieces might one day be salvaged. In the quiet moments of Lord of the Rings you spiral down a rabbit hole of ways to get Oscar back, pathetic fantasies of how you might convince him to talk to you again. Then Arwen says, “I would rather share one lifetime with you than face all the ages of this world alone” and you cry for two hours straight.

You sob, your face in your pillow and you think that was supposed to me! That was supposed to be us! And maybe it wasn’t, maybe you’re not an elven maiden giving up her immortality for a mere man, but you love Oscar. You wanted to spend the rest of your life with Oscar. And now… now…

Well—

It is the waiting that’s the worst.

No texts, no calls. Lando sends you a few, but you can’t bear to hold a conversation with him, knowing he’s playing both sides. And anyway, you’re just thinking about Oscar. Is he there? Is he reading your texts? Seeing the pathetic selfies of you on your couch in days-old PJs? Is he staring at your stagnant text thread just like you are? Has he blocked you?

Your every waking thought is consumed by him. You drag yourself out of the apartment for coffee down the street and you wonder what he’s doing. Has he been rotting at home like you? More than likely he’s been doing things. Playing padel with Lando, going out for lunch, training at the gym, FaceTiming his family.

You feel sick to you stomach. You can list on one hand the activities that you’ve done since Oscar broke up with you at the beginning of the month:

Sleeping, crying, watching Lord of the Rings, ordering takeout, training because you have to. Going for coffee had been a big step out of your current comfort zone. You’re wearing pants that aren’t sweatpants… you’d even showered properly for fuckssake.

You got your most noise-cancelling headphones on, blasting sad Taylor Swift (who you don’t even like. It’s just something to fill the void) and staring down the barista so you can lip-read if they’re saying your name or the words Large Oat Latte. And then—

Then. The barista is mouthing Oscar and your stomach lurches as the exact object of your ire temporary depression walks to the counter. You try to convince yourself it’s not him, you keep seeing him places but it’s never really him. But it is, that’s his burgundy shirt, his swoop of hair, his knobbly little ankles.

You release a ragged breath that you hope isn’t too loud. You duck your head, try to avoid his gaze as he turns, pretending that you haven’t seen him. Try to look occupied by your phone though you’ve only had time to open to your home screen. Tears prick at the corners of your eyes, you blink furiously, trying your best not to fall apart in this coffee shop.

At least he’s not with someone else, you think as a tightness crawls up your throat to settle at the base of your tongue. But he looks happy, he looks fine, he looks better than you feel right now. God, what if he’s better off without you? What does it mean that you don’t seem to better off without him?

There’s something wet sliding down your left cheek and then you see Nike trainers entering your vision, still directed firmly downward. Someone puts a hand on your shoulder— you don’t jump but it’s a near thing. You reach up to slip your headphones off, wiping the tear discreetly as you go. Then you look up and it’s him, it’s Oscar.

He’s holding out a paper cup labeled, Oat Latte and smiling at you tightly.

“They were calling your name,” he says by way of explanation.

“Right,” your voice is shaky, weak, “Thanks.”

He nods, you take the coffee, careful not to touch his hand. You’re trying to swallow down the lump in your throat that’s rising rising trying to claw its way out of your mouth. You blink away the tears filling the corners of your eyes. You can’t look at him.

You’re looking up at the ceiling instead, biting the inside of your mouth. Breathing in and out, in and out.

He says your name, and then, “Do you want to talk?”

You feel like a tonne of bricks has just hit your chest. Knocking the wind out of you. Tears, hot and wet, are slipping down your cheeks. You can’t speak, you turn around and leave the coffee shop without saying anything because surely you’ll just start crying if you open your mouth. Oscar finds you again across the road, in a dark cobbled alleyway. The heel of your hand is pressed to the middle of your chest, you’re hiccuping, trying to stifle heavy sobs that you’d much prefer to let out in the privacy of your own apartment.

“Hey,” he says, gathering you into his arms before you can push him away, “It’s okay.”

You whine, collapsing into his chest, face pressing into his shoulder, “No, it’s not.”

You cry loudly, trying fruitlessly to keep the sobs in. Oscar’s hand rubs comforting circles into your back, which makes it better until you realise it’s Oscar, which makes it immediately worse. You stay there a while. Until your eyes are puffy and your throat sore.

“Better?”, Oscar asks, the crease between his eyebrows prominent.

You sigh tiredly, shrug, “Sure.”

Your coffee is cold now, your chest feels void, hollow.

You shake your head before Oscar can say anything further, before you’re set off on another fucking pathetic crying fit in the arms of your ex-boyfriend, “I can’t talk, Oscar. I really can’t.”

“Okay,” he says, nodding and swallowing some lump in his own throat.

You bite down hard on your tongue. Turn to leave the dark alley to go home, your back prickling with Oscar’s wet brown-eyed stare on you. He lets you leave. You spend the ten minute walk wiping tears before they fall and itching to run back, to kiss him, to pour all the emotion in your chest into some physical action.

There’s an awful grieving ache in your chest that’s carving out your insides and when you check your phone after walking in the door there’s a text from Oscar that reads:

I miss you. I’d really like to talk to you soon.

not sure if it was weird but the lord of the rings Mentions were kinda about how you’re in such a fragile state during a breakup that something as irrelevant to your break up at lord of the rings will make you cry for hours for no real reason. (and not to expose myself but after a break up i did watch the lotr trilogy two times in a row. told my friends and got a text from one of them asking if i was depressed 😭 like yes… temporarily alright)

send me a prompt/req + driver and i'll write something. pls check if my requests are open first 💖

#oscar piastri x reader #f1 x reader #💫drabbles #drabbles:op81

429 notes · View notes

homunculus-argument · 11 months ago

Text

The one of the things about being a latter half millenial is how the Lord of the Rings movie trilogy boom happened right on those developing years that you can remember, when you were old enough to understand things but didn't really know much of the world before that. And now you're an adult and every time you hear a fragment of a familiar melody, you're hit with childhood nostalgia of this tale.

A story of a world in decline, where those who came before you lament of how much better things were in those old glorious days of a more prosperous age that will never come again. Knowing that you'll never quite grasp the tragedy of the ruins you walk past, because they've always been only ruins to you. You only know that the world is growing darker, and the best you can do is find your own hope, and make the best of the time you were given.

You hear a song in Quenya and it hits you all at once how your childhood nostalgia is woven into songs sung in a tongue you don't understand, from a world you've never been to, lamenting the loss of a better age that you never knew.

896 notes · View notes

metamorphesque · 2 months ago

Note

im hoping to become a full time, full fledged toxic cinephile filmbro with an air of superiority and condescension. do you have a list of movies i should watch to start my journey?

ah! wrong door for toxic cinephile initiation — this is the department of the humble admirers of cinema. however, I’d be delighted to share some personal favorites if you’d like. the list may expand over time because.. well... cinema is a gift that keeps on giving (and my memory is a treacherous friend)

The Umbrellas of Cherbourg (1964, Directed by Jacques Demy), Ararat (2002, Directed by Atom Egoyan), In the Mood for Love (2000, Directed by Wong Kar-wai), Fallen Angels (1995, Directed by Wong Kar-wai), Chungking Express (1994, Directed by Wong Kar-wai), The Godfather Trilogy (1972, 1974, 1990 Directed by Francis Ford Coppola), Le Bonheur (1965, Directed by Agnès Varda), 2001: A Space Odyssey (1968, Directed by Stanley Kubrick), The Color of Pomegranates (1969, Directed by Sergei Parajanov), Mirror (1975, Directed by Andrei Tarkovsky), Indian Summer (1972, Directed by Valerio Zurlini), The Men (1972, Տղամարդիկ, Directed by Edmond Keosayan), A Piece of Sky (1980, Կտոր մը երկինք, Directed by Henrik Malyan), Mother (1991, Mayrig, Directed by Henri Verneuil), A Special Day (1977, Una giornata particolare, Directed by Ettore Scola), Grave of the Fireflies (1988, Directed by Isao Takahata), A Short Film About Love (1988, Directed by Krzysztof Kieślowski), The Double Life of Véronique (1991, La Double Vie de Véronique, Directed by Krzysztof Kieślowski), Three Colours Trilogy (1993, 1994, Directed by Krzysztof Kieślowski), Damage (1992, Directed by Louis Malle), Phantom Thread (2017, Directed by Paul Thomas Anderson), Léon: The Professional (1994, Directed by Luc Besson), Before Sunrise (1995, Directed by Richard Linklater), Perfect Blue (1997, Directed by Satoshi Kon), Notting Hill (1999, Directed by Roger Michell), Mr. Nobody (2009, Directed by Jaco Van Dormael), Spirited Away (2001, Directed by Hayao Miyazaki), Howl’s Moving Castle (2004, Directed by Hayao Miyazaki), The Lord of the Rings Trilogy (2001-2003, Directed by Peter Jackson), Pride & Prejudice (2005, Directed by Joe Wright), The Phantom of the Opera (2004, Directed by Joel Schumacher), Alexander (2004, Directed by Oliver Stone), A Ghost Story (2017, Directed by David Lowery), Lust, Caution (2007, Directed by Ang Lee), Submarine (2010, Directed by Richard Ayoade), Inception (2010, Directed by Christopher Nolan), Jane Eyre (2011, Directed by Cary Joji Fukunaga), Her (2013, Directed by Spike Jonze), Carol (2015, Directed by Todd Haynes), From the Land of the Moon (2016, Directed by Nicole Garcia), Frantz (2016, Directed by François Ozon)

#asks #cinema #films #rec list

284 notes · View notes

hauntedhowlett-writes · 2 years ago

Text

title: toyin’ with them older guys

pairing: bartender!joel miller/female reader

rating: explicit (18+ MDNI)

chapters: 1/1

read on ao3 | masterlist

summary:

Joel Miller is the grumpy bartender and owner of your favorite bar near campus, where you attend trivia every Tuesday night. Thinking there’s no way Joel could return your feelings, your friend suggests trying out Tinder.

But when you bring them to the bar for a date, they keep leaving mid date with no explanation.

Maybe there’s something Joel isn’t telling you after all.

author’s note: thank you to everyone who hyped me up to post this when i wasn’t sure how i felt about it. your comments mean the world 💕

content warnings/additional tags: explicit sexual content (18+ MDNI), alternate universe - no cordyceps outbreak, no use of y/n, unspecified age gap, alcohol references/consumption, possessive behavior, jealousy, mild violence (in the form of Joel kicking someone out of his bar), brief reference to Sarah’s mom and divorce, tinder dates, bribery, dirty talk, begging, pet names, praise kink, unprotected p in v, oral (m receiving), spanking. let me know if i’ve missed anything!

There’s a bar near the university that you love to go to for multiple reasons.

For one, they have great drinks. For two, their loaded tater tots are the best drunk food you’ve ever had the pleasure of consuming.

But the number one reason, above all else, is the grumpy bartender and owner, Joel Miller.

The first time you saw him, he was challenging a kid with a fake ID, his arms crossed over his broad chest, emphasizing the strain of his flannel over his biceps. When the kid tried to take a swing at him, he grabbed his arm and twisted it behind his back before marching him out of the bar and kicking him to the curb.

Your friend had to remind you to breathe.

He hosts a trivia night at the bar on Tuesday nights, the perfect excuse to see the man weekly. You sit at the bar each time, scribbling your answers on the notepad as you sip on a vodka cranberry and sneak glances at the older man while he works.

One night, you were struggling to answer a question about where the Lord of the Rings trilogy was filmed when Joel leaned across the bar, bringing his lips close to your ear to say, “New Zealand.”

You’d gotten the point, thanks to him. And from that day forward, he’d linger near your corner of the bar, watching to see if you needed help with an answer. Eventually, you started showing up earlier and earlier for trivia night, just for the chance to talk to him.

You told him about your PhD program and the research you were conducting. You wanted to be a psychologist, but for now you’re just a perpetual student. You miss winter weather in Colorado, but appreciate not having to store a giant jacket anywhere in your small apartment. Your favorite season is fall, and your favorite holiday is Halloween.

He tells you about buying the bar a few years ago, after his divorce from Sarah’s mom and ensuing custody battle had been finalized, an investment he made with his brother Tommy. They’d fixed it up themselves and made it a popular local spot. His favorite movie is Indiana Jones and he prefers whiskey over any other drink.

It’s no surprise that along the way you’d fallen in love with the man.

Too bad he’d never feel the same.

————

Joel remembers the first night he saw you. Your rosy cheeks and tipsy smile as you leaned forward to say, “Vodka cranberry, please. With lime .”

“Lime, huh?” He remembers saying. You nodded your head vigorously.

“The lime is the best part,” you insisted. He chuckled.

“Not the vodka?”

“Gross, no.”

He tossed in three lime slices and you shimmied your shoulders with glee.

You come into the bar, alone, for trivia night on Tuesdays now. You’re a fountain of random facts, but every once in a while he’ll feed you an answer to help you out because he likes the smile that you give him in return.

He has no right to be looking at you the way that he finds himself doing every week. Eyes wandering to the way your jeans hug your ass or drifting to your cleavage when you rest your elbows against the bar.

But between the conversations and the trivia and the sweet smiles, he’d gone and fallen in love.

Which is why when you come to trivia night with a man who wraps an arm around your waist, Joel loses his goddamn mind and does the stupidest thing ever.

You get up to go to the bathroom and Joel leans across the bar to address the guy, keeping his eyes on the bathroom.

“I’ll give you $100 if you leave right now,” Joel says.

“What?”

“Hundred bucks if you walk out that door and don’t talk to that girl again,” he says again. He digs his wallet from his pants and pulls a bill out, setting it on the bar top.

Without further question, the man grabs the money and stuffs it in his pocket as he heads out the door. Joel feels a flash of guilt when you return from the bathroom and look around for your missing date.

“Said he had an emergency,” Joel lies. He’s surprised when you look relieved.

“He was kind of boring, anyways,” you shrug, dragging your notepad and pen closer to you. “He probably would have just dragged us down.”

Us, Joel thinks.

He could get used to that.

________

Your friend, Marie, had convinced you to try out Tinder. She was absolutely certain you were missing out on the love of your life by not swiping mindlessly through profiles that held no interest to you.

You weren’t about to confess your unrequited love for the local bartender to get her off your case, so that’s how you ended up on a date with Michael. He was a law student and liked kayaking and hiking.

You liked neither of those things, but he had curly brown hair and you had a type, so why not give it a shot?

You didn’t have it in you to be too upset when you returned from the bathroom only to find out from Joel that Michael had left. Joel slid you another vodka cranberry with lime and your night went as it always did.

When Marie asked you the next morning how the date went and you told her he bailed, she insisted on picking your next one. She chose Scott, a financial analyst at a local bank.

You’re starting to think Marie doesn’t know you very well.

Regardless, you show up at the bar for another trivia night date. Scott is tall and lean, with blonde hair and blue eyes, and he wore a suit to a bar. When you comment on it, he pulls a face and says he came straight from work.

“Not all of us are lucky enough to not have real jobs,” he says. You blink at him, surprised by the hostility.

That hostility continues when Joel approaches the two of you at the bar, lips turned down in a scowl, and Scott decides to order for you.

“She’ll take a vodka water with lemon and I’ll have Bulleit, neat.”

Joel raises his eyebrows at Scott, his eyes flicking to you briefly, before he sets a plastic cup on the bar top. He holds Michael’s gaze as he pours a shot of vodka into your cup, before using the soda gun to dispense cranberry juice. You have to bite back your smile.

“Vodka cranberry with lime,” he says, sliding you your drink. “And your whiskey will be right out.”

“That’s not what I ordered,” Scott replies.

“Yeah, but it’s what she would’ve.”

Scott sputters, face going an alarming shade of red with his indignation.

“I’ll be right back,” you mutter, taking your drink with you as you head to the bathroom.

________

“I’m not paying for that drink,” the blonde asshole says, knocking his knuckles against the bar for emphasis. Joel huffs a laugh.

“I don’t give a shit, kid. I want you out of my bar,” he says, planting both hands on the wood.

“Excuse me?”

“You heard me. Get the fuck out of my bar.”

“I’m on a date!”

“Not anymore.” Joel rounds the bar and gets up in the little weasel’s face. “Get. Out.”

The boy’s eyes go wide, like he realizes that maybe Joel isn’t playing around. He scrambles from his barstool, standing to his full height like he’s about to challenge Joel.

“You can’t kick me out, old man,” the blonde snaps.

Joel’s had enough. He fists a hand in the starched white shirt collar, driving him back towards the exit. The other patrons move out of the way, some whistling and cheering Joel on. He shoves the man out the door and looks at the doorman.

“He doesn’t come back inside,” he says. “And you? Don’t ever fuckin’ talk to her again.”

Joel returns to the bar as you’re walking up. For a moment, he worries that you may have seen him acting like a caveman getting rid of his competition, but you look around in confusion.

“Where’s Scott?” You ask.

“He forgot about somethin’ at work,” Joel says. Your brow furrows.

“Kinda weird that’s happened to me twice now,” you comment.

Joel just shrugs.

________

You don’t tell Joel about how you saw him throw Scott out of his bar that night.

You’d just left the bathroom when you saw Joel stomp out from behind the bar, his eyes dark and fixed on your date. You couldn’t hear what he was saying, but based on the affronted way Scott was responding, it wasn’t anything good.

You crept closer to the scene, but stayed amongst the crowd. Joel marched Scott backwards with a fist tangled in his collar, shoving him out the door.

“And you? Don’t you ever fuckin’ talk to her again.”

Your mouth went dry at his words and your mind reeled at the implications. Was he doing this from a place of friendship? Or…could he maybe feel the same way you do?

Only one way to find out.

You call up Travis, a good friend from undergrad who still lived in town.

“Trav, I need your help,” you say when he answers the phone.

“Burying a body type of help or financial type of help?” He replies easily.

“Actually, more experimental.”

“I don’t swing that way.”

“No, listen to me, I have a hypothesis,” you insist, explaining the situation to him. How you’ve been on two dates at Joel’s bar but each time, the men have left without another word. And how after what you witnessed, you’re inclined to believe that it’s not a coincidence.

You ask Travis to come with you to the next trivia night. All he needs to do is pretend to be there on a date with you. A bit of hand holding, maybe an arm around the waist. Nothing more.

“But what if he tries to threaten my life?” Travis asks.

“Well…I mean…every experiment has risks,” you reply flippantly. He sputters indignantly down the line. “I’ll buy you your drinks and get you tater tots.”

He’s silent for a moment before responding, “Fine. Extra jalapeños and I’m not getting well liquor.”

“Thank you!”

________

You come into his bar with another man. His arm is draped over your shoulders as you approach the bar and Joel has to set the glass he’s drying down before it shatters in his hands.

“Joel! This is Travis,” you say, gesturing to your date. He forces a smile, reaching a hand across the bar to shake his hand.

“What can I get started for you?” Joel asks. The man, Travis, orders an old-fashioned with top shelf whiskey, while you request your regular.

“I’ll be right back,” you say as Joel is pouring the drinks. You weave through the crowd towards the bathrooms and Joel leans in to address Travis.

“I’ll pay you $100 to leave this date,” Joel says.

Travis smirks. “Make it $200.”

“Are you serious?”

“That depends, are you?”

Joel’s eyes flick towards the back of the bar and he reaches into his pocket for his wallet. He pulls out four fifties, dropping them on the bar.

Travis pockets the money before adding, “You know, there’s cheaper ways to get the girl.”

“Get out,” Joel grunts. The younger man laughs his way to the door, and you appear at the bar a moment later.

“Where’d Travis go?” You ask.

“Oh, he—“

“Can I get an order of the loaded tots?” Travis asks, cutting Joel off from making up an excuse for his absence and sitting back down on the stool beside you with a shit eating grin. “She owes me.”

“Owes you?” Joel asks through gritted teeth.

“Yeah, she lost a bet. I told her I could get the number of that guy over there in less than three minutes and she doubted my charm.”

“Travis and I went to undergrad together,” you explain. “We just wanted to hang out and catch up.”

Shit.

________

Travis decides to leave after two plates of loaded tots and one too many drinks. You help him call an Uber, but you stay behind as the bar starts to clear out.

It’s just Joel behind the bar, wiping down the wood and setting bottles back to their rightful spots as you sip from a cup of water. The kitchen has closed down and the music has been shut off, leaving the two of you in loaded silence.

“So…,” you say, twirling your straw in your near empty cup. “You wanna tell me what that was all about?”

Joel’s shoulders go tense before he releases a deep sigh, turning to face you. The bar separates you, and it feels like miles of distance when all you want to do is get your hands on him now that your hypothesis has been proven.

Joel Miller likes you. And he’s been sabotaging your dates because of it. Perhaps you should be more upset, but all you can feel is an effervescent giddiness bubbling in your veins.

While he struggles to find the words, you decide to take matters into your own hands. You reach across the bar, hooking your fingers into the collar of his t-shirt and tugging him forward. You lean over to meet him halfway, pressing your lips to his.

You pull back and look into his eyes. The coffee colored brown of his irises seems darker, his eyes half lidded as he looks at you.

“You wanna get out of here?” He asks.

“Thought you’d never ask.”

________

Joel’s got one hand on the wheel of the truck and the other resting on your thigh. He has to keep a hand on you because he’s worried that if he doesn’t anchor himself, he’ll wake up from this dream.

You kissed him. You reached across the bar and dragged his lips to yours in a way he’d only dreamed of doing a thousand times since you’d sauntered into his life.

He can’t help the small smile that tilts his lips up at the thought.

“What’s got you smiling over there?” You ask, your voice teasing. He glances at you.

“You do, darlin’,” he says. He relishes in the pink that blooms across your cheeks at the pet name.

Joel drives to his house, parking the truck in the driveway of his little bungalow. His bachelor pad, as Tommy calls it.

Maybe not for much longer.

He circles the truck to open the door for you, helping you down from the cab. He keeps his hand on your low back as he leads you up the porch steps and through the door.

You toe off your shoes in the entryway, letting them join the pair of sneakers Joel left by the door. You’re wearing a pair of socks with tiny cats printed on them, the sight so endearing to him he can’t hold back his laugh.

“What?” You ask.

“Nothin’, just…like the look of you here. In my house,” he says.

“Yeah?” You take a step closer to him, toe to toe as you look up at him through your lashes.

“Yeah,” he whispers, wrapping an arm around your waist, tugging your body against his. The heat of you even through the layers of your clothes sends a shiver down his spine.

You press your hands to his chest, sliding them up and over his shoulders before linking them behind his neck.

“You gonna give me a real kiss?” You whisper back. Your lips are so tantalizingly close that they ghost across his as you speak.

He closes the distance, lips dancing with yours as he kisses you senseless. The feel of you against him, moving with him, sends sparks skittering across his skin. He’s unable to hold still, hands roaming from your back to your waist to your hips as your mouths part and your tongues tangle with increased desperation.

Joel slides his hands to the backs of your thighs, crouching slightly to lift you up, your legs wrapping around his waist. Your core slides against his growing hardness and he groans at the sensation as you let out the neediest whimper.

He wants to hear more.

He walks you both through the empty house until he reaches his bedroom, tossing you on top of sheets still rumpled from last night’s sleep. You scramble to sit up on your knees, moving to the edge of the bed and curling your fingers into the waist of his jeans.

“Can I suck your cock, Joel?” You ask, voice all breathy as you stare up at him with your big doe eyes. “Please?”

Joel’s mouth has gone bone dry. “Yeah? You want my cock in that pretty mouth of yours, sweetheart?”

You nod your head, fingers working on the buckle of his belt. His hands work in tandem with yours to get his fly open, shoving the denim down his thighs until he can step out of them. His cock tents his boxers, a wet spot already apparent on the fabric and he watches as you reach a hand out to stroke him, a groan escaping him at the feel of your warm palm against him.

“Take your clothes off and get on your knees,” Joel commands. He lifts his own shirt over his head as you unbutton and remove your pants, shimmying the tight fabric down your legs. He takes a seat on the edge of the bed as he watches you lift your shirt up and off.

His eyes rove your body hungrily. Your perfect tits and gorgeous curves, the way you flush beneath his gaze.

“Come here, baby,” he says, crooking a finger. You come to stand between his legs and he reaches around your back, unhooking your bra with deft fingers.

“You’re rather skilled at that, Mr. Miller,” you tease.

“I’m old, not dead.” He slips the straps from your shoulders, tugging the last barrier between him and your tits away. “God, baby, these all for me?”

“Mhm,” you him as he wraps his hand around the weight of one breast, thumb teasing your pert nipple.

“Tell me somethin’,” Joel asks, “why’d you bring all those boys around when you knew you needed a man?”

You lick your lips. “Didn’t know if the only man I wanted would want me back.”

Your voice is small and vulnerable as you say it, and that just won’t do. “Don’t just want you, baby. Need you.”

Your face lights up in the brightest grin. “Yeah?”

“Yeah, baby. Need you so fuckin’ bad,” he tells you, digging his fingers into your hips. “S’why I had to play dirty.”

Your smile turns downright salacious. You drop to your knees, running your hands up his thighs. “Show me how much you need me, Joel.”

________

Joel shoves his boxers down, exposing his cock to your hungry gaze. It’s gorgeously thick, the head a dark red from his arousal, a pearl of precum sitting in the slit. You lean forward and dart your tongue out to gather it.

“Don’t tease, sweetheart,” Joel says through gritted teeth. You keep your eyes fixed to his as you take him in hand, swirling your tongue over the sensitive head before taking him further into your mouth.

His hand is instantly in your hair. Not pressing, but his fingers tangle in the strands and tug deliciously against your scalp. He moans as you take him as far back into your throat as you can manage.

“Fuck, your mouth is better than I ever dreamed,” he says, voice rough.

“You’ve thought about this?” You ask when you draw back for breath, hand pumping his length in place of your mouth.

“‘Course, baby. These pretty lips wrapped around me, beggin’ for me to make them all swollen and used,” he says, standing and bringing a thumb to your lips and swiping it across their spit slick surface. “Open up.”

He uses his thumb to press against your bottom lip, opening your mouth as he takes his cock in hand and feeds it slowly between your lips. The smooth, hot length of him dragging across your tongue makes you moan.

“You like that, baby?” He growls, pumping his hips in shallow thrusts. “Like me usin’ your mouth how I want?”

You try to nod, your movement restricted by the grip of his hand that’s returned to your hair. There’s spit trailing down your chin and tears gathering in the corners of your eyes from the effort of keeping your mouth open for his thick length. You know you must look like a mess but with Joel staring down at you with his lust drunk expression, you feel on top of the world.

“I gotta fuck you, baby, will you let me, huh? Let me feel that pretty little cunt strangle my cock?”

You hum around his length and he withdraws, tugging you up by your hair and pulling you into the dirtiest kiss, all tongue and teeth and blatant desire as he turns your bodies, shoving you down onto the bed.

Joel slips an arm beneath your low back, using it to pull you up the bed as he crawls on to join you. He positions himself between your legs, tearing the soaked fabric of your panties down in a frenzy.

He slides his fingers through your wetness before bringing them to his lips, sucking them into his mouth with a groan.

“Christ, I’m gonna feast on you for hours, baby, but I wanna fuck you so bad,” he says.

“Then fuck me, Joel, please,” you beg, lifting your hips so that his cock slips through your center. “Come on, wanna feel you.”

He lines himself up, pressing into you with a delicious stretch, the slight sting of it making you whine. He shushes you, not stopping until his hips press against the back of your thighs.

“Good fuckin’ girl, takin’ my cock like you were made for it,” he says, leaning forward to kiss you, the shift in angle making him go impossibly deeper. “Tell me when I can move, sweetheart.”

You shift your hips restlessly beneath him. “Please move, Joel, wanna feel it.”

Joel pulls back before slamming forward, the force of it making you slide up the bed as all the air leaves your lungs in a whoosh. His grin is sharp as he does it again and again to the tune of your desperate cries.

“Joel!” You cry, clawing at his back with each thrust. “Fuck, yes, yes!”

He withdraws abruptly, the loss of him as you clench around nothing making you whine pathetically. With a bruising grip on your hips, he twists your body until you’re on your belly, ass in the air and chest pressed to the mattress.

Joel slides back inside your tight heat, a palm slapping across one cheek then the other as he resumes his powerful thrusts.

“Fuck, darlin’, you’re so goddamn tight,” he growls. A hand presses to the back of your neck for leverage, changing the angle yet again. “Can you cum for me? Can you soak my fuckin’ cock, baby, I bet you can.”

You nod, the movement restricted, but you can’t form words. All you know is the feeling of Joel pounding into your body like he owns it.

The hand on your hips moves to the front of your body, fingers finding and pinching your clit. You sob against the mattress, the sheets wet beneath you from tears and drool.

“Come on, baby, fuckin’ cum for me,” he growls. “Won’t fill ya up until you do.”

That’s the visual that does it. The thought of Joel finishing with you, inside of you, dripping out of you too much for your lust addled brain. With a shout, the thin remnant of your control snaps and you pulse around him.

“Fuck yes, that’s it, sweetheart, good fuckin’ girl,” he praises, his hand leaving your neck as he sits up, his tempo fast and sloppy as he chases his release through yours. “You want me to cum in this tight little cunt, honey.”

“Yes, please,” you manage to slur, muffled by the sheets. With three more harsh thrusts, he does as promised, spilling inside of you with a shout.

He slows before withdrawing, your body collapsing against the mattress without him there to hold you up. He chuckles as he flops beside you, dragging you into the cradle of his body.

“You done playin’ games with those boys?” He asks, smiling smugly against your neck.

“Yeah, think I might be into older guys,” you tease. He pinches your hip, making you laugh.

“See if I ever help you during trivia again.”

________

Joel’s standing in front of you, arms crossed with a scowl on his face as you stare up at him with pleading eyes.

“Come on, baby, help me out,” you ask sweetly, batting your eyelashes.

“Last call for an answer to our final question! What is the only song credited to all five original members of the band Fleetwood Mac?”

Joel sighs, biting back his smile. “The Chain,” he tells you. You scribble the answer, running your paper up to the emcee. When you return to the bar, you lean across the polished surface and tug him towards you, planting a kiss to his lips.

He drags you back for another kiss. And another.

“Anytime, darlin’.”

Joel Miller tag list: @huffle-punk punk @johnwatsn @hopelessromantic727 @whereasport @pedr0swh0r3 @yellingloudly @dragon-of-winterfell @thedeadsingwithdirtintheirmouths @mydailyhyperfixations @liati2000 @ghostofjoharvelle @cutesyscreenname @morgaussy @letsgroovetonighttt @endlessthxxghts @fake-bleach @brilliantopposite187 @mattmurdock1021 @str84pedro @justsomeoneovertherainbow

Join the tag list here!

#joel miller #joel miller x reader #joel miller fic #no use of y/n #joel miller smut #joel miller x female reader #joel miller fanfiction #joel miller x you #joel tlou #joel x female reader #joel miller fluff #joel the last of us #ao3 author #read on ao3

3K notes · View notes

suzannahnatters · 5 months ago

Text

Many people have asked me why I say THE RINGS OF POWER is far more faithful to the spirit of Tolkien’s work than the Peter Jackson films. Let me explain. No, there is too much. Let me sum up.

(Warning: if you deeply love the Jackson movies, feel free not to read this. I’ve been meditating on this for 20+ years. You are not going to argue me out of any of it.)

FIRST – Jackson is, how shall we put it, not sufficiently familiar with Tolkien or his influences. He repeatedly and stubbornly made mistakes both large and small. Tolkien was a master of medieval military tactics. Jackson... is not. Every military decision taken by the characters in Jackson’s TWO TOWERS is pure stupidity. In Jackson’s RETURN OF THE KING, Aragorn casually beheads the Mouth of Sauron, which is a war crime, since the Mouth is Sauron’s ambassador. Jackson’s Eowyn tries to flirt with Aragorn by cooking him stew, even though she is a noblewoman from the warrior class who was raised to act as a civil and military leader in a medieval-coded society where cooking is not intrinsically linked to femininity. Jackson’s Theoden, grieving over the death of his son, utters the words “No parent should have to grieve the death of their child,” which is the kind of sentiment only imaginable in a society where infant mortality and death in battle is a good deal rarer than among the Anglo-Saxon Cossacks during the War of the Rings. Jackson’s Dwarf women are reduced to a punchline; Tolkien’s were miners, craftspeople and adventurers in their own right.

I won’t go on. BUT I COULD.

SECOND – One problem that by itself ought to have disqualified Jackson from adapting Tolkien, is that he is incapable of depicting or even understanding goodness the way Tolkien does. This deeply pervades all Jackson’s films. Jackson’s idea of goodness is ethereal, anaemic, and ineffective before gross and creepy evil. His Elves are not the vivid, passionate, hearty warriors Tolkien wrote: they pluck mistily at harps and feed on spinach. (TROP has Galadriel scaling frozen cliffs and Elrond splitting boulders. That’s FAR more like it).

Tolkien insisted on the concept of Faerie as being foundational to his work. This is a difficult concept to explain. It meant the beauty and glory of Valinor, yes. But it also meant an element of otherworldly, yet immanent, beauty and glory in Middle Earth itself. This is a good summary:

“Faerie may be roughly translated as Magic, but not the vulgar magic of the magician; it is rather magic "of a particular mood and power," and it does not have its end in itself but in its operations. Among these operations are "the satisfaction of certain primordial human desires" such as the desire "to survey the depths of space and time" and the desire "to hold communion with other living things."” (Source: https://www.ewtn.com/.../tolkien-and-the-fairy-story-4094)

When Lewis said of THE LORD OF THE RINGS, “here are beauties that pierce like swords”, that’s that he meant. Peter Jackson had no sense of Faerie. When, at the end of his trilogy, he has his characters get on a ship to go to the Undying Lands, he makes it a metaphor for death. Death! Tollkien’s Valinor isn’t the afterlife; it’s the earthly paradise of his world. Jackson cannot imagine an earthly or material locus of goodness.

This affects many of his narrative decisions. In the book Faramir resists the temptation of the Ring handily. Jackson’s Faramir succumbs to the power of the Ring and has to be scared straight. Jackson justified this by saying that Faramir needed to fall to the Ring’s temptation so that it remained an effective narrative threat. Basically, having failed to grasp the importance of Tolkien’s vision of powerful and present goodness and beauty in the first place, Jackson believed he needed to further degrade it for the sake of the story.

Obviously, THE RINGS OF POWER isn’t perfect, and still has plenty of time to betray its early promise. However, so far its showrunners appear to have a far better grasp of Faerie, beauty, and goodness than Jackson ever did. Its vision of Valinor is ineffably beautiful while still home to flawed living people. Its Elves are noble, ceremonious, dignified, warm, and grave. It is also actively pursuing Tolkien’s original themes. Elanor has a discussion of Providence that contains intentional echoes of “The Shadow of the Past” in LOTR, but there are also meditations on art and mortality that show an attempt to engage with themes Tolkien himself said were foundational to his entire work (Letter #131). These themes may yet be mishandled: but THE RINGS OF POWER has clearly at least READ the assignment. (Jackson’s films, by comparison, did dumb stuff like having Theoden, who in the books is simply dealing with depression, be literally possessed by Saruman and in need of exorcism “because exorcism is a Catholic thing and Tolkien was a Catholic, lol!”)

Jackson didn’t completely obscure the beauty and goodness of Tolkien, and I’m aware that THE RINGS OF POWER could not have happened without his pioneering and often sacrificial work in adapting the story to screen. I don’t want to discount the things that are good about his intentions, his work, and his love for the source material. But watching THE RINGS OF POWER was the moment when 20 years of frustration boiled over as I realised that, contrary to what I’d always told myself, it WAS possible to do Tolkien more justice than this. So far, I’m very pleased, and I’ll be waiting for future seasons with bated breath.

#the rings of power #lotr trop #trop positivity #repost from twitter #how's this for the golden apple of discord #haters to the LEFT #I wrote this two years ago after seeing the first couple TROP eps #and I still stand by it today #although to be fair the TROP military tactics are the one (1) area where the show is as bad as the movies

209 notes · View notes