#been going through the original movies

[biting-miguel-ohara]

The X-Men brainrot is so real, istg

[that-was-anticlimactic]

i will never understand how or why the httyd movies did the books such an injustice.

the movies aren't even an adaptation - they stole the name of the series, the name of some of the characters and places, and the general idea that there are dragons. honestly, i would be fine with the movies and maybe even like them if they didn't capitalize off of cressida cowell's incredible books that never get any credit.

the books are an amazing story about the cycle of violence and how vengeance and revenge is dangerous. hiccup says that the past is a ghost story, one we need to learn from to better ourselves. the books are about how everyone deserves freedom, how every creature, every being on the earth deserves to be free. we see that in the slavemark, with the dragons.

and like... hiccup is so different. they did him a severe injustice. he's scrawny and intelligent and learned to talk to dragons simply by observing them! he chooses kindness first above all else; instead of yelling at toothless to train him, he is kind. and in the end, that kindness is why toothless chose to save him. bc even toothless himself says that dragons are inherently selfish creatures who care only for their survival. hiccup is brave - his beliefs differ drastically from both the vikings and the world.

hiccup is a child who chose to do the right thing even at the expense of himself. he agreed to free the slaves on nobert's ship, and in return, they gave him the slavemark which is easy to give but cannot be removed. he was like twelve. and having the slavemark means he cannot be with his tribe or his family, it means he isn't considered a human being anymore. and he keeps it a secret for awhile until it's revealed and when it is everyone turns their backs on hiccup. his family, his tribe, his mentor, people he TRUSTED. everyone except fishlegs, and, once she got over the shock, camicazi. he was thirteen. and even when he lost his memories and was really injured, he persisted. he was told to go to tomorrow and to save the dragons and he did bc in his heart he knew it was right even though he didn't know who he was or how he got there.

and fishlegs,,, oh my god FISHLEGS!!! the did him SO DIRTY!!! fishlegs is hiccup's best friend, one of the main motivators for hiccup. he steals norbert's potato for the sake of fishlegs, he gives fishlegs his dragon and goes to retrieve another, he takes the blame for fishlegs. and fishlegs does the same for him. he takes the slavemark with pride. he refuses to turn. he gives hiccup his lobster claw necklace which is his most prized possession. he is brave for hiccup, he believes hiccup is alive. he fights for hiccup harder than anyone else ever has. he does not turn. his is loyal, has allergies, has asthma, has a squint and a limp, has glasses bc he's blind without them... and he's still a hero despite being a runt, despite everyone even the adults telling him he's hopeless, telling hiccup to leave him behind.

and they cut camicazi! i'm sorry, but astr*d is nothing compared to camicazi. camicazi is a tiny, feral child who can easily best hiccup, fishlegs, and pretty much anyone in a sword fight. she can bring a grown man to tears with her rudery and smack talk. she is recklessly brave and craves adventure and follows hiccup blindly bc she trusts him that much. she isn't in love with hiccup - in fact she doesn't care about romance and love. she gives up everything to help hiccup bc she has a strong sense of justice. she is the motivator, the cheerleader, she finds a positive in everything. she never gives up. literally never gives up. and that's one of the most inspiring things about her: she always has hope.

and toothless! god!!! toothless is *thought to be* a common or garden dragon. he is horrifically tiny, he is literally toothless, and is the biggest brat in the world. he will cause problems on purpose. he has a stutter, he's the most selfless selfish dragon around. he and hiccup can talk to each other. he masks his fear with singing and being annoying. his growth is remarkable. he starts off refusing to obey hiccup, doing the opposite of what he says, making life harder for literally everyone around him, and he's still somewhat like that. but he's also braver, more caring, more willing to make sacrifices for the sake of others. he's clever, which he needs to be to make up for his size and aggression. he protects hiccup with everything he has, therefore, he protects what hiccup cares about just as hard. he was the only dragon that didn't abandon the vikings in the first book bc he cared about hiccup.

and snotlout,,, god,,, i will never forgive the movies for butchering snotlout. hiccup's cousin, the bully character, the one who is horrifically jealous that hiccup's dad was born before his. the one who desperately wants to prove himself, to be worthy, to make people proud. and you hate him, you despise him. he betrays everyone many times bc of the nothing promised to him by alvin and his mom. he loses himself, turns his back on himself, all bc he wants to prove himself. all bc he wants to be better than hiccup. and hiccup still forgives him and gives him chances, sometimes out of pity, but also bc snotlout is his cousin. he can't just turn his back on him no matter how miserable snotlout made his life. and in the end, snotlout sacrifices himself for hiccup. he gives up his life for hiccup in one last attempt to set things right. his death and the events preceding it are one of my absolute favorite moments in the book. gives me chills. makes me cry.

that's the thing with the books - they're so realistic. there is no inherently happy ending where everything works out. the first book begins with "there were dragons when i was a boy", implying that they're gone now. the books show there are consequences to our actions. they enslaved the dragons, they fought against them during the dragon rebellion all bc alvin and his mom said to, and now they're gone bc a simple apology doesn't fix hundreds of years of enslavement. and the only way for the world to move forward was for the dragons to leave and heal on their own. and now they have to learn to live without them. and yeah i've heard the third movie ends like that but. it doesn't have the build up. it doesn't have "there were dragons when i was a boy". it doesn't have eleven books of development to back it up, to make it feel meaningful.

i know that the movies are really special to a lot of people. i know that, on their own, they're genuinely good movies. i can acknowledge that the soundtrack is amazing and the animation is beautiful. i just can't see past the way they butchered the world that i love, the world that i grew up with. i can't see past the way people yelled at me for saying i liked the books better, the way that people gave me weird looks when i showed them a picture of the original toothless, when i tell them that nightfuries aren't even a type of dragon. cressida cowell created hundreds of different dragons, and the movies couldn't even pick from that. i can't forgive the way that barely anyone knows there are books bc the movie barely gives credit to them. i cannot forgive the way they capitalized off the books and then shoved them aside. i know cressida thinks they're good movies and i know a lot of httyd book fans also like them. but i just... i cannot get over how much they changed and how they missed so much and ignored the books. also they got rid of camicazi so hiccup could have a love interest and that is unforgivable to me.

if you disagree, that is a-okay. we're all entitled to our own opinions. i just ask that you, perhaps, try the books out. give them a chance. bc they're amazing works of art and also just like. don't yell at people who don't like the movies? whether it's bc they prefer the books or just aren't into that kind of movie. and just remember that dreamworks didn't come up with the story; cressida cowell did.

[quietwingsinthesky]

sometimes interpreting media through a shipping lens enhances it, on occasion even beyond the author’s original intent, but sometimes, you do have to accept that your ship was not in the heads of anyone making the source material and trying to force it to fit into evidence of your ship will severely hinder your ability to discuss the actual text.

[batfamfucker]

Appreciation post for 'girly girl' characters and/or shows that celebrate traditionally feminine things that girls and women are shamed for.

Characters on this list that love makeup, fashion, hair, etc. Characters that are still written as strong, intelligent, brave, etc. That told young girls that these interests are valid, they are not lesser interests. Being feminine and liking traditionally feminine things does not make them weak.

[theheadlessgroom]

@beatingheart-bride

Why is she so cold? Randall half-wondered to himself, as he listened to her with a tender smile: He couldn't help but notice this as he held her hand, wishing for nothing more than to warm her with everything he had. He hated to think this poor woman was cold, even in the summer, and so he found himself taking her hands the way a lover might, hoping he could chase away the chill.

"I...I'm glad you came in last night," he smiled, giving her hand a little squeeze. "I...I know how you feel, in a way; my life, it's...been pretty lonely too lately, it's been very, uh...monotonous, I guess is the word. I get up, I go to work, I go to bed...rinse and repeat. And so for you to come along and just...shake up my whole world, it feels like? It's wonderful."

He didn't know what compelled her to come into the shop last night. He didn't know what drew her in put them on one another's path, nor did he knew what about himself it was that so attracted her, but he wasn't about to question it, as he finished shyly, and yet completely earnestly, "I'm...I'm very excited for tomorrow night too-there's no one I'd rather spend an evening out with than you."

[pixlerelish]

Watching K3G again... for the first time.

[ozlices]

the aftons and henry's family dynamics being switched in the movie franchise's continuity would make sense but also in the most fucked up way bc it's like. scott really said that locked box is closed FOREVER we never get to know the games' secrets. we are just left to a void of mystery.

[tamaharu]

ive inherited a copy of lolita from my parents (i.e. i stole it from the library in our basement and started treating it like its mine) with the 1989 vintage international cover and i think its actually not that bad. better than the 50th anniversary one with the lips anyway imo (which is the cover for the library ebook vers ive checked out).

like i think any cover that incorporates the "only convincing love story of our generation" quote anywhere kind of sucks on principle, and the fact that it features a photo of a girl at all really goes against nabakovs instructions, but compared to other covers that break those two rules, the haziness of the photo creates a really evocative atmosphere i feel matches the book more or less.

[ineffablefool]

My household just finished watching Bullet Train (2022), and I cannot remember the last time I’ve felt such sheer *delight* at a new-to-me movie.  Everything keeps happening so much, and it shouldn’t all work together but it does, and Brad Pitt plays a secret agent codenamed “Ladybug” who is the exact opposite of no chill.  Like, all the chill that other people are not?  It’s because he took it.  He has a very good therapist.

The movie is a huge pile of potential triggers (bright flashy things, lots of gunfire, blood and what I consider a small but non-zero amount of gore, so very many onscreen deaths including those of major characters...), but if anyone watches the Netflix preview trailer thing and thinks “huh, there’s no way this can actually be as delightful as they’re trying to make it look���?  No, it is.  It is a zillion miles away from being in the Soft Zone(TM), but it does involve the use of Thomas The Tank Engine characters as a way of reading people.  Apparently one shouldn’t be a Diesel.

[fidius]

You know how sometimes the stupidest shit will be happening and you'll suddenly understand something people have been telling you for years?

So yeah (because I have this theory that Cyndi Lauper is awesome enough to redeem even obvious mistakes) I was watching Life with Mikey and this line (and a great read my MJF doing some heavy lifting in a waste of film even Nathan Lane is kinda phoning in) came out and I had to pause the movie and tell you about it. Because that's it, right? That's the other side of the glass that rescues us all from

[allisonreader]

Skimmed through probably close to 300,000 words of old messages/AUs between myself and my friend’s to find the messages that I was looking for. I found a good portion of what I was looking for. Anything else that I might still want would be in a different location than I was looking in.

[theclampdown]

let me preface this with i actually really really like the a24 green knight movie i think its a wonderful film but that being said i rewatched it recently with friends and got so mad about how they changed the entire point ofthe original poem that i couldnt even finish it i just had to sleep through it

[demilypyro]

So I've seen a few too many people on twitter talking about The Kiss Scene from the new Scott Pilgrim anime. People saying it's fetishistic and indulgent, people calling it male gazey, etc. And while the kiss itself is certainly a bit exaggerated, I felt like writing a bit about why I disagree, and why context is important, like it always is. But it basically turned into an extended analysis on the metatextual treatment of Roxie Richter. So bear with me. It's a long post.

What really matters about this scene is not the kiss itself, but what precedes it. Not even just the fight scene just before it, but what precedes the whole anime series, really. And that's the Scott Pilgrim comic book, and the live action movie. Because in both, Roxie is a punchline.

She's a joke. Her character starts and ends with "one of the exes is actually a girl, I bet you didn't expect that." Jokes are made about Ramona's latent bisexuality, the movie especially treating it as funny and absurd, and her validity as a romantic interest is entirely written off by Ramona as being "just a phase." There's a fight scene, she's defeated by a man giving her an orgasm which implicitly calls her sexuality into question (come on), and the movie just moves on. It sucks. It really, really sucks.

The comic fares a little better. It never veers into outright homophobia like the movie does, and while the line about Ramona having gone through a phase remains, Roxie actually gets one over on Scott when Ramona briefly gets back with Roxie. But Roxie is still only barely a character. Like all the other evil exes, she's just a stepping stone towards the male protagonist's development. She barely even gets any screentime before she's defeated by Scott's "power of love." But Roxie stands out, since she's the only villain who is queer, or at least had been confirmed queer at that point (hi Todd). In a series that champions multiple gay men in the supporting cast, the single undeniable lesbian in the story is a villain. She's labeled as evil, made fun of, pushed aside in favor of the men, and then discarded. Her screentime was never about her, or her feelings for Ramona. It was about the straight, male protagonist needing to overcome her. And that was Roxie Richter. An unfortunate victim of the 2010s.

Fast forward to current year, and the new anime series is announced. Everybody sits down to watch the new series expecting another retelling of the same story, and.... hang on, that straight male protagonist I mentioned just died in the first episode. And now it's humanizing the villains from the original story. And there's Roxie, introduced alongside the other evil exes in the second episode, and she's being played entirely straight, without a punchline in sight. No jokes are made about her gender, no questions are made of her validity as one of Ramona's romantic interests. The narrative considers her important. In one episode, she already gets more respect than she did in either of the previous iterations of Scott Pilgrim. And this isn't even her focus episode yet... which happens to be the very next one.

The anime series goes to great lengths to flesh out the original story's villains and to have Ramona reconcile with them. And I don't think it's a coincidence that Roxie gets to go first. While Matthew Patel gets his development in episode 2, Roxie is the first to directly confront Ramona, now our main protagonist. This is notable too because it's the only time the exes are encountered out of order. Roxie is supposed to be number 4, but she's first in line, and later on you realize that she's the only one who's out of sequence. She's the one who sets the precedent for the villains being redeemed. She's the most important character for Ramona to reconcile with.

What follows is probably the most extensive, elaborate 1 on 1 fight scene in the whole show. Roxie fights like a wounded animal, her motions are desperate and pained. Ramona can only barely fight back against her onslaught. Different set-pieces fly by at breakneck speed as Roxie relentlessly lays her feelings at Ramona's feet through her attacks and her distraught shouts. And unlike the comic or the movie, Ramona acknowledges them, and sincerely apologizes. And the two end up just laying there, exhausted, reminiscing about when they were together.

Only after this, after all of this, does the kiss scene happen. Roxie has been vindicated, she has reconciled with the person who hurt her, the narrative has deemed that her anger is justified and has redeemed her character. And she gets her victory lap by making the nearest other hot girl question her heterosexuality, sharing a sloppy kiss with her as the music triumphantly crescendos.

It's... a little self-congratulatory, honestly. But it's good. It's redemption for a character who had been mistreated for over a decade. And she punctuates the moment by being very, very gay where everyone can see it, no men anywhere in sight. Because this is her moment. And then she leaves the plot, on her own accord this time, while humming the hampster dance. What a legend. How could anything be wrong with this.

[uzurakis]

NEARLY C★UGHT IN THE ACT!

featuring: fushiguro megumi. itadori yuuji. gojo satoru. geto suguru. (characters are all aged up)

NSFW MDNI. fuck! ya almost got caught screwing . .

n. been in the drafts for way too long.. cz i needa clear my reqs but idc! i’ve been wanting to write this for the longest time. enjoy my lovelies <3

GOJO SATORU. “s-shit, how much i’ve missed this view,” gojo was sitting in his office desk, slighty pulling your hair to guide you to the rhythm he wanted. you felt yourself melting into him with his warm shaft in your mouth, ever soo big and too much for you, bobbing your head up and down.

just then, a sharp knock echoed through the room, startling you both. your heart raced as you instinctively tried to pull back from gojo. “s-satoru, we—“ his hand gripped your scalp more firmly than before, making you swallow his shaft until it hit the back of your throat. in other words, he didn’t fucking care. “just do your job, darling. and relax, they won’t come in.”

“even if they do come in, we’ll just say we were having a very hands-on discussion.”

GETO SUGURU. “i’m sorry, princess,” he whispered beside your ear as he hit you raw from behind, both pressed against each other in the dim light of a public restroom. his hands gently putting your hair to the side, “i just, ngh, need you so badly,” whilst his lips found yours again, silencing any further protest.

the sound of footsteps outside the door made you freeze, heart pounding in your chest as the door handle rattled. “someone’s out t-there,” you tried to say as you held back the moans. yet not only your heart was pounding like crazy, it seemed your boyfriend was also still pounding your walls despite the chance you two will get caught screwing in public.

“j-just a little longer,” he pleaded as the groans left his lips again. “i can’t get enough of you.”

ITADORI YUUJI. watching movies together was the original plan, until itadori’s cock twitched because you were sitting on his lap. your ass brushed against his bulge and that’s it. he couldn’t hold it any longer.

a split second later his boxers are on the floor, your panties pushed aside as he rocked your waist front and back. better than the movies, he thought, “i’m havin’ a nice view, baby.” you circled your hands on his shoulders when suddenly you heard a knock on the door. “shit,” itadori murmured as he panicked, slowing down the pace a bit. “i’ll handle this.”

“uh, 10 minutes! don’t come in!” he shouted deafeningly, you were certain that if the person still opened the door, they must have hearing problems to miss that loud shout. “see? problem solved. now, where were we?”

FUSHIGURO MEGUMI. with a frustrated groan, he hovered above you, laying your leg on one of his shoulders and pumping two digits in and out of your hole while he ran a hand through his hair. “why did you have to sneak in here? tsk,” a groan fell from his mouth, “you’re going to get us caught one of these days,” he grumbled, but his fingers playing around your pussy said otherwise.

“because i—ah,” you were the one squirming under his touch, “i-i wanted to be with you—“

“fushiguroo, are you there?” came the voice from the other side of the door. megumi sighed, his expression quickly shifting to one of annoyance. “busy!” he called out, forcing his other fingers over your throat to stop you from making any noise, and tried to keep his voice steady while fucking your insides. “idiot, just keep quiet, okay?”

@uzurakis

[thetriumphantpanda]

you'll just have to taste me | joel miller

Summary | He knows he's no good, knows it's a bad idea, you're out of bounds and should stay that way, but it's okay to test the waters, right?

Pairing | Joel Miller x F!Reader

Word Count | 1.7K

Warnings | this is literally 1.7k of utter filth, you've been warned, it's nasty, I told you, okay? Unspecified age gap, Joel is your dad's buddy and Sarah is your friend. Joel fights with his morals but the pussy is too good. Explicit smut, JUST THE TIP, unprotected PiV, cumshot, cum eating, spit play, dirty talk, Joel talks you through it. No outbreak au, no use of Y/N.

Authors Note | I AM SO INCREDIBLY LATE TO POST THIS, but this is my entry to @hellishjoel's HOT DILF SUMMER CHALLENGE. I know it's September and this was not my original idea, but it came to me and I wrote this in less than an hour. It's filth and it's nasty and I beg you not to judge me okay? Written and edited on my phone so forgive any mistakes.

Divider by @saradika

Main Masterlist | Ko-Fi

He’s going to hell. He’s always known it. Despite the years of his parents putting him in his Sunday best and taking him to church each week with his brother, despite his upbringing and the way he’s always tried to be the perfect southern gentleman, Joel Miller is going to hell, and the evidence in right in front of him.

You. His buddy’s daughter. His own daughter’s friend. The bane of his existence for the whole damn summer, with your short dresses and flirty eyes and the way you make him laugh and the way he’s wanted you since you waltzed back into town, masters degree under arm, with one purpose which seemed to be to turn him on at every possible opportunity.

It’s been bubbling for weeks. You’d caught him in the corridor during movie night with Sarah, whilst she was downstairs microwaving popcorn and he’d had no choice but to kiss you, your lips drenched in something that tasted like mango and made him dizzy. Then, at the annual neighbourhood cookout, when you’d dropped a fork and bent over to pick it up, flashing him those skimpy panties as you did, he’d had no choice then but to drag you upstairs and teach you a lesson, ten sharp slaps on your pert ass and strong words that you needed to stop. He doesn’t doubt you went home that night and shoved three fingers into your cunt and dreamt of him as you came.

But now, it’s all real. Sarah’s gone back to college, your parents back to work, and you have nothing lined up until you start getting invited to interview for positions that you’d applied to with a slew of applications about two weeks ago. It’s why you’re on his bed, it’s why he’s left Tommy on site on his own, and why you’re bare as the day you were born, legs spread obscenely, pussy on display as he stands at the foot of his bed and contemplates whether he really should do this.

“Y’scared, old man?” You tease, one hand trailing down your body, two fingers spreading the swollen lips of your cunt, middle finger dipping inside.

He can see the webbing of slick you drag from yourself, finger slow as it circles your clit. His eyes can’t miss the way your hole flutters as you touch yourself, like it’s begging to be filled, begging to be filled by his throbbing cock that he’s currently fisting in his hand.

“Ain’t scared,” He mutters, “Y’sure you wanna do this?”

You don’t speak in response, just dip two fingers back into your weeping cunt and start fucking yourself with them. He squeezes his cock a little tighter in his hand, feeling the weeping of pre-cum at his tip as he watches.

“Ain’t no comin’ back from this.” He muses, moving forward, knees on the mattress, your legs spreading wider to accommodate the width of his thighs.

“Want you,” Is all he hears from your mouth as his cock rests on your pussy, hot and heavy against your skin, “Want your cock, Joel.”

He thrusts his hips a little at that, dragging his length through the soaking folds of your cunt, head rubbing against the swollen bud of your clit.

“Y’sure?” He asks, continuing the rub of his cock, “It’s all over then, baby,” He coos, “I’ll ruin ya.”

“Good,” You groan out, hips shifting to try and catch his tip at your entrance, to try and get exactly what you want, “I want it, Joel, I want it bad.”

“Y’know what I think?” He asks, looking down at you, stopping his movements and opting to circle your clit with his thumb instead, “I reckon we need t’make sure.”

“I am-” You try and protest, but he’s shushing you.

“I reckon,” He says slowly, bringing the tip of his cock to press to your weeping core, “It don’t count if it’s just the tip,” He pushes his hips forward ever so slightly, not enough to sink inside, but enough that he’s already had a taste of what you’ll feel like around him, “Just the tip baby, and then we’ll know.”

He looks down at you and he can see your wild eyes, the way you nod your head against the mattress. You’re such a good girl for him, taking whatever he’ll give you, so he does just that. With three fingers on the base of his cock, he lets the tip of him push inside you, just enough that the head of his cock is nestled inside you, and he knows he’s fucked.

You’re tight and you’re warm and you’re breathing and whimpering for him, and those perfect walls are clenching around him so right and so good that it takes every ounce of self-control he has not to shove his cock all the way in and damn you both to hell.

“Jesus girl,” He breathes, one hand clutching at your hip to hold you still, “Fuckin’ perfect, ain’t ya?”

You don’t speak back to him, it’s all you can do to lie and try not to writhe too much as he starts his shallow thrusts. The head of his cock popping from your wet cunt and then being sucked back in so perfectly. He’s had his fair share of women since Sarah went to college and he knows he’s a lot to take, knows that he knows what he’s doing too, but when he looks down at you, your eyes tilted back in your skull, cunt squeezing him just right, he can’t help but think this is what he’s been missing.

“That good?” He asks, bringing his thumb back to your clit, swirling wetness across it as he continues the shallow thrusts of his hips.

“Want it all,” You grumble, “Can take it all, Joel.”

“Ain’t got a doubt,” He teases, but doesn’t relent, “But we gotta make sure.”

He wants to lean down, wants to cover your body with his own and suck one of your perfect nipples into his mouth, but he knows the minute he does you’ll beg him so nice and he’ll break, so he resists, swirling his thumb across your clit with more purpose now.

“M’gonna-” You choke out, and he knows, he can feel it, the way you’re fluttering and tightening around the head of his cock so perfectly, “Gonna come, Joel.”

“Yeah?” He asks ruefully, “Gonna come on my cock, pretty girl?” He smiling down at you as your mouth drops open, your cunt pulling painfully tight around him, “Go on, you can do it,” He babbles, trying to fight the tightening in his own stomach until you’ve come for him, “Come for me, baby.”

And you do, by God you do, and he thinks it might be the most beautiful thing he’s ever seen, the sweetest thing he’s ever heard. You whine, a high-pitched kind of thing, eyes clamping shut as you arch your back. There’s more slick around his cock than he’s ever seen before, making it easy for the tip of his cock to ease you through it. The convulsing of your walls around him bring him to his own end, using his last braincell to drag the tip from your cunt and give himself three strokes before the thick ropes of his cum are splashing across your swollen pussy. He watches where they land, painting your skin as his own as his head tips back and breathes a sigh of relief.

He know’s he should stop, but there’s something mesmerising about the mix of his cum and your own, the way he’s dripping down you and onto his sheets. His shuffles down a little and leans forward, using his thumbs to spread your pussy open, before he uses his tongue to gather the mess down there. He’s slurping at you, tasting your cunt through his cum, gathering as much of the two of you as he can in his mouth.

You’re moaning for him when his tongue flicks a few times at your sensitive bud, but then his body is over yours, weight pressed against you as one of his hands takes your chin, squeezing at your jaw to get you to open your mouth, which you do, gladly.

Joel opens his own mouth, letting his cum, your slick and his spit drop from his own into your waiting mouth. He doesn’t give you a minute to swallow anything, his tongue mixing with yours in a kiss that is messy and obscene. He can feel your hips against his own, your hot cunt pressing against him. If he was younger, he’d pin you down and fuck you again, this time for real, but all he can do is pull away.

“Swallow it,” He orders, closing your mouth and watching the bob of your throat as you do what he says, producing your tongue for him, “Good fuckin’ girl.”

He unceremoniously collapses onto the bed next to you, arm over his eyes as he tries to recover some semblance of composure. He can feel your body next to his, shuffling a little closer, and then he can hear you stifling a laugh and then before long, it’s not stifled, it’s full on laughter. He takes his arm from his eyes and looks at you, and can’t help but start laughing himself, until his ribs hurt and you’ve calmed down enough, your body draped across his in the mid-afternoon glow.

“This is bad, huh?” You whisper, fingers dancing through the smattering of hair across his chest.

“Terrible, really.” He responds.

“I’m sure though,” And he holds you a little tighter at that, “Next time, I want the whole thing.”

“Don’t worry baby,” He says quietly, pressing his lips to the crown of your head, “You can have whatever you want next time.”

[nikibogwater]

Actually while I'm thinking about it, I just wanna say that the more live-action remakes Disney shlups out like shoveled manure, the more amazed I am that Cinderella (2015) exists. It breaks literally every standard of Disney's LA remakes.

It's not a shot-for-shot remake of the original 1950 animated film, though it does include small references and homages to it, but only when such things can be incorporated organically into the story.

The creators understood and respected the cross-cultural significance of the Cinderella story. They didn't want to "fix" it, or add some wacky twist to it, they just wanted to make the best possible version of the Quintessential Cinderella that they could.

Everything that could be done practically was done practically. The carriage was a real, the horses pulling it were real, and all of the other animals (with the exception of the mice and lizards, since their performance was a lot more involved than the others') were real living animals, the lizard footman and goose carriage driver were wearing prosthetics instead of just having their animal features added in post, the Fairy Godmother's dress had little LED lights sewn into it so that it would actually glow for real, the ballroom set was built by hand and included real chandeliers with more than 2000 total candles that were all actually lit for the scene, and I could go on but you get the point.

There's a ton of attention paid to little details that make the world feel real and lived in. Ella's shoes are always a little scuffed and dirty. Her farm dress is faded and wrinkled. When she breaks down and runs away to the woods, she rides her horse bareback (which, once again, was a thing Lily James actually did, no stunt-double or editing in post), because not only is that something a country girl like her would know how to do, but it also makes sense that with as upset as she is, she wouldn't want to waste time with saddling the horse. When she's dancing with the prince, it's visually obvious that he is leading her and giving her cues because of course Ella wouldn't know the latest ballroom dances, and would need him to guide her through it.

Hey speaking of dancing, y'know what else this movie does that no other LA remake has been allowed to do (at least not to this extent)? ROMANCE. Land sakes alive, this is one of the most unabashedly and yet still tastefully romantic movies I've ever seen. Ella and Kit are just oozing romantic chemistry from the moment they lock eyes for the first time. It all comes down to the fact that these two characters both have the same core values of courage and kindness, which makes their admiration for each other feel grounded and believable. Richard Madden also really sells Kit's feelings for Ella with the way his eyes go all big and soft whenever he looks at her. And don't even get me started on Lily's performance as Ella. Her quiet awe that someone as powerful as the prince loves her. The timidity and fear that she's not really worthy of that. The selfless determination to protect him from her family's cruelty, even if it means she'll never see him again, I'm just-- *banging my fist against the table and screaming into a pillow*

Absolutely god-tier costume design. No notes, I think Sandy Powell's work speaks for itself. Btw, in case you were somehow still wondering, yes, Ella's ballgown is fully practical--those layers upon layers of dreamy silk skirts are real. CG was only used to brighten up the blue color to make her stand out from the crowd more.

Wicked stepmother was allowed to actually be wicked. The movie never tries to make you sympathize with Lady Tremaine, or shift the blame off to someone else. And her villainy is given an extra layer of depth with the reveal that she is a dark reflection of Ella. They've both lost people they loved, but where Ella refused to let her grief get in the way of kindness, Lady Tremaine became utterly consumed by it. She views the death of her first husband as a sort of twisted justification for pursuing all her worst impulses. She despises Ella for her ability to flourish even while enduring terrible suffering, for being everything Lady Tremaine was either unable or flat-out refused to be.

Also Cate Blanchet absolutely SLAYS in this role. Hands-down my favorite portrayal of the wicked stepmother character.

Anyways, TLDR: Cinderella (2015) is the only Disney live-action remake that can justify its own existence and that's because it actively defies everything the LA remakes are today.