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alchemistc · 4 hours ago

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@liminalmemories21 - this isn't exactly what you asked for but:

Abby C. 8:51 PM: So how'd it go? With the talking?

Buck stares at the message. Stares at the milk frother sitting in his counter, and the candlesticks he'd really considered dropping off the side of his upper balcony, ten minutes ago. (He's a firefighter, he knows how that ends. But, like. Still)

Bad, he texts back. So bad. But he also won't give me my sweatshirt back and I know he has it. Any sage advice?

It's a little weird to be texting her. She'd been one of the first people he'd ever talked to consistently on the phone, and he'd grown to enjoy it, grown to appreciate that voice in his ear.

Abby texts back immediately: I'm not entirely sure I know what that means. He actually LIKED you.

Buck can feel the buzzing under his skin, the rush of adrenaline at remembering Tommy not only not denying he'd loved Buck, but admitting off-hand that he still did.

It means I'm getting my man back, Buck sends, and then stares at the slippers he can see poking out from the right side of the bed.

His phone rings.

"You know," Abby starts, before Buck can so much as greet her. "I spent a long time beating myself up for not seeing this as a sign, but that's not the point."

"What... is the point?"

Abby chuckles. She sounds good. Happy. Buck is far enough removed from it to feel glad for her, and jealous of her, and then he's rolling right back around to being fucking livid that Abby and Tommy had both run. Different reasons, same result. A first of Buck's that'd just walked away.

"He used to watch movies with my mom constantly. All the terrible schlock that I couldn't stand - Hallmark movies, and D-Lister rom coms, all those trite based on true events Lifetime shows."

Buck nods. Waits for her to continue.

She doesn't.

"I'm not picking up what you're dropping down."

"He and my mom would just critique them all the way through. Just tear them to shreds. What was unrealistic, what was just plain stupid. She - mom was never more lucid than when she and Tommy were bemoaning the lack of reality in those movies."

"Listen, I already know asking him to move in with me was a dumb idea. I'm the himbo, remember?"

Abby pauses. "...that's what he called you?"

"Apparently all your mutual friends did."

Abby sighs. "The point is, Buck. They liked watching them because they liked talking about what real relationships were actually like. What happened after a curtain close kiss, how much a couple was gonna fight over the financial sustainability of a Christmas themed donut shop, what the fiance that got left behind in the big city was gonna do now that they were finally free of the person who'd spent the holiday season losing their entire brains. Tommy's a realist. He wants to be stopped before he gets on the plane, but he wants to be stopped because you already have a ten step plan to make things work. And he's terrified of giving too much of himself away to someone who thinks he shits rainbows and puppies and hasn't reckoned with the fact that he's just as screwed up as the rest of us."

"You swear more than I remember."

Abby laughs. " But you see my point?"

Buck doesn't want to. But he does. "Well, I definitely don't think he's perfect anymore."

"And you still love him." She says it like she knows. She says it like she'd once expected to spend a life with Tommy Kinard.

"And I still love him," Buck acknowledges, and they both drift into silence. It's comfortable. Easy. He sort of misses being able to talk to her about shit like this.

"Call me if you need anything, Buck."

Buck hangs up the phone with a million new, vaguely more hopeful thoughts swirling around in his brain.

Twenty minutes later he texts her one more time: This is the only sex thing you're getting from me - that thing he does with your nipples? What the fuck?

Abby C. 9:22 PM: I taught him that. You're welcome.

Tommy ignores the knock at his door. He's in day three pajamas and the only person who might make the effort to check in on him is his exes best friend. Which.

The knocking continues.

It's getting louder.

There's a Kings game on in the background and he's been elbow deep in the Jeep manual he'd finally cracked open in some sort of weird, fucked up pattern of mourning.

Tommy's never gonna buy a fucking Jeep. He hates them. You own one for more than five years and more than half the parts are replacement parts.

He's been staring at a diagram of the timing belt for half an hour, at least. The last thing he remembers about the game is Kuemper letting in three goals on five shots and somehow the Kings are up two, now, and there's still 25 minutes of game time left.

Tommy reaches for the remote. Turns the volume up.

The knocking returns less than a minute later.

---

There's a box of odds and ends tucked under the table in his entryway. He avoids looking at it. He knows there are a few things missing from it and he really doesn't want to examine what he'll have to do to avoid giving it to Eddie tonight. He cut the cords, he shouldn't be lingering watching the frayed edges sway in the wind, clutching his line like there's anything braced on the other side of it.

Evan's oldest, softest LAFD hoodie, the one that's technically too small for both of them but has stretched shockingly evenly and is definitely not sitting unwashed at the bottom of Tommy's laundry basket. The program from a recital of Denny's they'd stopped by to support him for, on their way out of town for a long weekend. Evan's stupid keto bread and the milk frother he'd left behind three months ago and never bothered to grab because he had more than one.

Whoever is at his door is still fucking knocking, and suddenly Tommy doesn't feel like being polite. He'll shove the box in Eddie's arms and tell him to fuck off and close the last few remaining open doors he has to this.

Only when he swings the door wide it's not Eddie on the other side, and the box nearly takes out whatever Evan - Buck, Jesus Christ - has in his own arms.

Not a Tommy box - too small for all the shit that he'd left behind. He misses the house slippers that had had a permanent spot tucked under the left side of the bed.

Tommy flinches, reels away, tries to shove the box away before Buck can see its contents.

"What are you doing here?" Even tone. No quiver in his voice. He's been called rude and dismissive for less.

Buck scowls. Hefts the rectangular dish in his hands and shoves past Tommy before Tommy can blink.

It's silly to say he chases after him, down the hallway towards the kitchen, but he's not exactly following along behind at a casual leisurely pace.

The glass pan slams down on his kitchen counter and Buck spends a minute staring at the calendar he was only getting two months out of because he couldn't look at the one with all Buck's notes penned in anymore.

"Wow," Buck says, and shifts his weight awkwardly.

"What are you -?"

"Jee and I made you birthday cupcakes," Buck says. His voice is hard. Angry. Hurt. "Happy birthday, asshole."

---

He cracks the lid and there are only three cupcakes inside. Tommy forgets himself. Raises a brow, amusement rolling over him pleasantly, prepared to tease him, but then he catches the set of Buck's legs and the curl of his mouth and the tight way his arm tucks itself back in against his belly, a protective gesture that reminds Tommy very effectively what this is.

"Why?" Tommy wonders aloud, and Evan's scowl deepens.

Buck's scowl.

God.

"We've been planning it for weeks." Something flashes across his eyes before he schools his features. "Jee made me promise to bring you some."

"She must not be a skilled baker," Tommy jokes. "If these are the only ones that made it."

Evan's expression twists. "I ate most of them."

The frosting looks fresh. No creases in the paper cup holding them together.

"I had to make a new batch of frosting because I used some of it for -." He cuts himself off. Looks like he'd like to throw it in Tommy's face but can't quite force himself to hurt Tommy.

It hurts as much as he'd expected, anyway.

The world is a small place. It's not the first time he's had to speak to an ex when he didn't want to. It's never pleasant.

This is worse. The cut and run is supposed to give him time.

Evan Buckley has been an ache behind his ribcage for months, now, long before he'd made that final decision. He'd known it was too little too late. Buck's gonna be the shadow other men see behind his eyes for years.

Buck's apparently found and slept with someone within the week and a half span from Tommy walking out to his sad shitty mopey birthday.

That he'd forgotten about.

Tommy leans in. Picks up a cupcake. Licks a stripe through the frosting and makes a face when he realizes it's buttercream.

"The ones you were supposed to get had the whipped cream one you like," Buck says, accusingly.

That somehow stings just a little bit extra.

Tommy pulls back the paper, takes a bite. There's raspberry filling inside, and Tommy can feel tears prickling at the edges of his eyes, because when he'd told Evan about how his grandma baked he'd been thinking of Evan being a grandparent, the kind of shit he'd forbidden himself from imagining with anyone he was dating years ago.

"Thank you," he manages, and Buck frowns.

"He thought the whipped cream was too sweet." And Tommy probably deserves this but he's not particularly in the mood.

"Cut it out, Buck."

Buck rolls his jaw. "I just figured you'd wanna know how it's going. Maybe I could tally up the hookups for you, count them all up by gender and stamina and opinions on how I should feel and act and fall for someone. Find out if I'm actually gay enough to be a man's last."

---

The rest of the cupcake kind of collapses and oozes as Tommy smacks it down on the counter. He takes thirty seconds to pull the other two cupcakes out before he's grabbing the too-large fake Pyrex and turning heel. The keto bread goes in the pan. Then the milk frother.

Tommy yanks the recital program off the fridge and tosses it in the trash.

Buck almost looks triumphant.

"The box under the side table has the rest. You can see yourself out."

He actually does exactly as he's told, and Tommy listens to his footsteps drift off, shoulders hunched in and the breath tight in his throat. He'd been cruel, it was only fair Buck got a few final kicks in.

Tommy sucks in a breath and blinks away the moisture at the edges of his vision.

The footsteps take a heel turn at the side table and turn right back around.

"This isn't everything."

Tommy half expects some panned comment about how Tommy's got his heart - the kind of silly shit he'd say to a dead outlaw.

"My sweatshirt," Buck says, and Tommy freezes.

He could lie. He could pretend he had no idea where it was. Claim he didn't remember it even being here, because that particular piece of clothing did have a tendency to travel.

He doesn't fucking want to hand that one over.

Buck smirks, like he's caught the crack, and is looking for ways to exploit it.

"I own my own house!" Tommy says, and it's a terrible launching point but Buck latches on.

"You just left, Tommy! I know I jumped the gun, Tommy, but you didn't even - you just left! I'm sorry, okay. I'm sorry I didn't know I was into men until you. I'm sorry you had to be my first, I'm sure that must have been such a burden for you."

"That's not fair."

"You didn't even give me a chance. That was - I'm so angry with you, Tommy. I'm so fucking mad."

"I know."

"But that's what you planned for, right? That's - you ripped the bandaid, Tommy, except there's a whole fucking untreated stab wound right underneath and it's still bleeding, Tommy."

"Did you even make this round of cupcakes with your niece?" It's better to keep his family's names out of his mouth. Just keep those ties cut.

Buck looks livid. "No, you idiot, I whipped up a tiny batch of this recipe just for the excuse to see you and - and tell you what a stupid, awful coward you are."

"That's not f-." He isn't sure whether Buck is being facetious about the small batch thing or not. He doesn't have any time to think about it.

"My sister and Chim are having another baby. Bobby and Athena are probably gonna host Christmas this year. Eddie shaved off the mustache and he's, like, dancing now, I guess. Hen and Karen are good for the first time in -." He shakes his head. Stares at Tommy. Tommy can't quite hide from that gaze. "We were good, Tommy. We were - you loved me."

He'd never said the words. Neither had Evan, but they'd both known. Both felt it. Tommy let it go too far, did it scared for longer than he usually would.

"It's not like that just went away when I walked out, Evan," Tommy hisses, and then regrets it immediately.

Evan has spent most of this visit pushing, pressing, digging fingers into the wound to make it hurt.

Evan goes silent now, reeling back a little. He seems shocked that Tommy had admitted it.

"I want you to go," Tommy says. "I need you to go, Buck."

It was the right dagger the first time, but apparently it's only effective once.

"I love you too, you know." His voice is soft. Tommy can't meet his eye. "And I hate you. I hate you even though I know that's what you wanted but I love you too much to not hate you out of spite."

Tommy knows if he caves it's done. He's signing himself over to whatever fucked thing will end them a week, a month, five years, two decades from now.

"Go home, Buck. Hate me there."

---

He goes in for the kill.

"I called Abby, two nights ago."

Right for the jugular. No survivors.

"She laughed for like twenty minutes, and then she tried to get me to chat about our sex life for comparison, and then she was shocked silent for a full minute when I wouldn't." Because Evan had always been a little too open about those details. "She also told me she forgave you but she doesn't think you ever forgave yourself."

Tommy agrees. For all that they'd been terrible for each other, they'd known how the hell to take care of one another like no one's business.

"I want you to go," Tommy says, steady, quiet, nearly a snark for how deep his voice goes to hide the tremor in it.

Buck cocks a hip against the doorframe. "I want my sweatshirt."

The breath that escapes him is shaky, but her think he hides most of it behind the hand over his face, the finger pinched at the bridge of his nose.

"I can't do this."

"Exactly how many men and women do I have to fuck before you believe the future I'm looking at is with you?"

"All of them! None! It was a stupid thing to say and it's not what I meant and I can't do this."

Buck spins on his heel. Grabs the box he'd set aside and hefts it up into his arms. "I'm coming back for my sweatshirt," he says. "You let me know whether you want to talk about the data points of the sexuality spreadsheet or about us."

"There is no us, Buck." His voice sounds defeated even to himself.

"If that was true you'd just give me the stupid sweater and be done."

Tommy sits in silence. He does not get up to retrieve the hoodie. Buck is still angry, but his smile is wide and bashful.

Tommy listens to his footsteps trail down the hall, towards the door, out of it. He hears the Jeep's ignition catch, the wheels roll off the drive.

He realizes he'd left the goddamn Jeep manual open on the timing belt page, right there on his side table where he'd pointed out the things he wanted Evan to take to clear him from his life.

---

There is someone knocking at his door.

Tommy doesn't quite ignore it.

He hid the sweatshirt in one of his toolbox drawers when Evan texted him this morning to let him know he'd be over with a six pack and a pot of chili.

There's a zero percent chance Evan's getting that sweatshirt back, tonight.

#bucktommy fic #abby&buck

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hermetiqa · 18 hours ago

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YOUR FUTURE SPOUSE'S FIRST IMPRESSION OF YOU

Reminder: it doesn't matter if you saw this reading a day or a week or a month or a year after posting this. My readings are timeless. You'll see this when you're meant to see this and receive your message.

How to pick a pile: close your eyes and take a deep breath before picking a pile. If you feel drawn to more than one pile, it's alright, you may take the piles that you're drawn to. What's important is to take it how it resonates and leave what doesn't.

Note: please feel free to give me a feedback on my asks about the reading! I would highly appreciate it and it'll be a huge help for me to improve as a reader.

ㅤ HOME ⋆ MASTERLIST

ㅤ WITCHY SHOP ⋆ TIP JAR

PILE ONE

Hello, Pile 1! Welcome to your reading. So what I'm getting is that your future spouse's first impression of you will be a mix of emotional, intellectual, and practical nature. Your future spouse will see you as their soulmate or "the one" the moment they see/meet you. When you meet, they'll be in the stage of life where life's testing them real bad. I feel like they're one of the fixed signs who will be heavily affected by Pluto in Aquarius and their life will be such a rollercoaster ride. So when they meet you, they'll feel like this rollercoaster ride has just ended because you'll be their comfort zone. I'm seeing that you could have a masculine energy who's emotionally intelligent and/or connected/in touch with your emotions. Your future spouse admires this trait of yours and it makes them want you even more in their life. I'm also getting that your future spouse sees you as someone who's practical and might be good with money. You could be financially stable or money flows easily for you. They see you as someone nurturing and caring, to the point that you're really committed to them and to your relationship.

PILE TWO

Hello there, Pile 2! Welcome to your reading. First of all, what I'm getting here is that your future spouse will see you as someone who constantly learns something new. You might meet at a university or institutions or workplace where you're required to learn and enhance new skills. To your future spouse, you're a logical person and you might have masculine energy. I'm getting the IDGAF energy here and this might be their first impression of you. They see you as someone who doesn't tolerate toxicity and bad behavior. When someone does you wrong or dirty for the first time and they apologize to you, you'll accept and forgive. But if they do it again on the second time, that's a goodbye to them. There will be no third time. You don't give a fuck whether they'll be hurt when you cut ties because first of all, that's their fault and you're simply protecting yourself from their energy. I'm also seeing that your future spouse will see you as someone who knows what you want and you just do your thing and get it. Just like in Ariana's song 7 rings, "I want it, I got it" which I keep hearing right now. I also feel like when you meet, you might be in a "stuck" situation or you're mentally foggy and they'll notice this so your future spouse will have the urge to help you or approach you and be in their strongest masculine energy because they see you as someone with masculine energy, and they'll try to beat that. Not because of ego, but because they know you have high standards and well, they want you so they'll try to fit in those standards, but not in a fake or pretentious way, but in a way that they'll be a better person.

PILE THREE

Hello, Pile 3! Welcome to your reading. Well, this is such a passionate and fiery energy here. I'm getting that your future spouse's first impression of you is that they'll see you as someone who's fiery. You have a lot of courage and when someone tests you or makes your life a bit difficult, you don't back down. Instead, you fight back. I can see that your future spouse sees you as someone who's expanding your finances. You're trying to make your financial life stable here, or even more than stable. You could meet at a workplace, specifically in business-related workplaces. I'm seeing a woman wearing a white blouse, dark blue/navy trousers and 3-inch black heels standing in front of a desk and typing something on the computer, helping someone get their work done or looking at their work. This could be you or them. I'm also seeing that your future spouse sees you as a passionate person, you're passionate in your job and you get all your work done. I feel like you could be the CEO here. I'm also seeing that your future spouse will be really physically attracted to you when you first meet (to a sexual level). They'll be starstruck when they see you and it'll feel like the world suddenly stopped moving.

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kiyomitakada · 2 days ago

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i was on a "thinking about ryuk" kick earlier and. i get the appeal of saying he's the only one who sees light in his entirety — it makes perfect sense, he's the one who light monologues to about his grand plans, he's the one who light stays with practically 24/7 for five years — but i don't think it's completely true?

ryuk to me has this tendency to assume that light is straightforwardly malicious (see: he thinks light was lying when light says he'll avenge his father if soichiro ever gets killed by kira, he doesn't really get why light wants to do things like reveal his location to L until light explains he wants to eliminate L entirely, he takes the "i wish i had wings" thing seriously as though it's supposed to be part of light's Master Plan instead of a little quirk that light was clearly feeling vulnerable about, he's surprised when light isn't willing to kill sayu in the second arc). like there's real fondness for light in there as well, he congratulates light for getting into college for instance, but i don't really feel like ryuk has ever. understood him fully. he's trying, he gets better at it over time, but he does have a bias.

and i think, also, that this is because ryuk has another tendency to assume that light is just like him.

which makes sense, because light is the one who offers up "i was bored, too" as a genuine point of commonality between them. and then ryuk jumps to "you know, you'd make a really good shinigami!" and "hey light do you want the eyes" and then at the end "we eased each other's boredom for quite a while." he does notice when light is acting weird and tries to adjust his viewpoint (he goes ! when light starts doing his "i've never been so humiliated in my whole life" thing) but given that he only figures out light genuinely cares for his sister when he refuses to sacrifice her, after five years of watching this whole family dynamic, i don't think he ever actually gets there.

which is. sad. it's really goddamn sad. you know you're really fucked when even the demon haunting you can't figure you out

#ryuk #light yagami #death note #light's obviously an unreliable narrator #but i think ryuk kind of is one too #anyway something something everyone around light sees only the facets they want to see #misa recognizes light is selfish and cruel and only ever uses her but she pretends he's her knight anyway #L recognizes there's something off about yotsuba light but pretends he's still kira anyway #(something to be said about how he does drop that assumption halfway through but still. to L he was/will be kira always and forever)#and ryuk recognizes light is horribly fucking lonely but he pretends he's just a maniacal dictator anyway because it's more entertaining #something something. idk. i'm saying words recreationally here.#anyway when unchallenged i think ryuk kind of sees light the way the stereotypical death note redditor does

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3hks · 3 days ago

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How to Create a MEMORABLE Character

A while back, I released a post about how to write "that" character, which basically highlights a few key aspects found in some of the most popular characters to date. However, a popular character and a memorable one is actually quite different, and in this post, I'll briefly explain how to create a character that people will remember.

For starters, a memorable character doesn't actually have to be well-liked. Yes, popular characters tend to be memorable, but it's not always the same other way around. I'll simply explain how to form a character that really sticks with your audience, regardless of their actual opinion about them! And even better, these following ideas work on any type of character! So, if you're interested, let's dive right in!

~ FIRST IMPRESSIONS MATTER ~

I sometimes talk about the importance of a character's reputation because it shows how others view them and the truths and inaccuracies of their character!

But your character's image isn't bound to your cast's eyes--it actually matters a lot to your readers.

When you first introduce your character, do not immediately reveal everything about them. Instead, focus on establishing one or two core traits of your character instead. This will allow your readers to form their own opinions of your character first, and although they might be inaccurate, when the readers realize their misjudgment, the character will get stuck in their head!

For example, there's Tsukishima Kei from Haikyuu!!. Initially, the viewers may think about him negatively because of his introduction. He first appears as a blunt, mocking, and disrespectful person, but as the story continues and the audience slowly warms up to him, we start to see his real character, resulting in Tsukishima becoming one of the most beloved characters in Haikyuu!!.

Why does this matter? The thing is, when we meet new people, we all make assumptions about their personality, goodwill, and whatnot. As we get to know them further, we realize that some of our initial judgements may have been wrong; it's simply an unavoidable part of life. By incorporating that aspect into your writing, you're forcing your readers to think deeper about your characters!

~ GIVE THEM THEIR TIME ~

This will seem obvious but it's precisely because of how obvious it is that it'll often slip people's minds. Give your character the time they deserve. You can do this by exploring their backstory, defining their motivations, giving them some important action, or simply establishing some kind of critical or eye-catching moment regarding them!

If you can't afford to give them a huge role in your story, then give your readers an event focusing on your character that will come to their mind when they think of said character! Like a defining moment!

It can be dramatic, sad, short, anything works! As a matter of fact, you've probably done this unconsciously before, too!

~ MAKE THEM DIMENSIONAL ~

If you can't tell already, it's incredibly important to be aware of your characters' distinctive traits and how they shape your character. However, there are times that a character will and should break their character.

A happy person can't be happy all the time. A carefree person can't be carefree all the time. Even a cold person will have some shifts in character.

This can help will character development, especially if you're not planning to give them a lot of development, but also really humanizes your character! Everyone will eventually get bored of the same personality; people may change in different situations!

See? In the end, this is really just a simple guide--everything is perfectly achievable no matter what character you're writing! These are some good points to keep in mind if you're looking for a character that resonates with the audience!

Happy writing~

3hks ^^

#writeblr #writing #writerscommunity #creative writing #writing inspo #writing tips #writing advice #how to write a memorable character #character writing #advice on writing a memorable character #tips on writing a memorable character #advice on character writing #tips on writing characters #character writing tips

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lamentationsofalonelypotato · 7 hours ago

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@zepskies

Girl, it's not just an emotional rollercoaster it's a full on emotional CARNIVAL 🤣

I love this observation. That's exactly what I felt inherently when I was writing that line. It felt more powerful to me than "I told you so" or the like. It has the feeling of that, but with more of an edge, even though you know he cares about her.

The line is devastating. It ''bites." It's more than just telling someone that they messed up, it's also kinda catty lol.

LMAO I remember someone saw the preview of Part 2 and commented, "the quiet, but devastating anger he'd be reckoned with if he said that to me." And I was like, YEP, that's exactly it. Mans playing with his life. 😅😅😅

He really bet it all. And I'm in love with the person who said "the quiet, but devastating anger he'd be reckoned with if he said that to me." 😂

That's precisely how I intended it! Now looking back, I feel like I should have had her leave him by himself in his room to sleep in another room. But at the time I was writing, I was thinking that for her in particular, despite this being the biggest fight they've had so far in their relationship, he's still the one that makes her feel safe after a bad hunt. 💙

I think it would have been a bigger gut punch to Dean if she didn't stay in the room with him, but I still think that the her turning her back on him and not letting him touch her kinda hit the nail on the head pretty well too.

Aww thank you! 😭😭 Weirdly enough, that was one of my favorite parts to write? Maybe I just like the heartfelt hurt/comfort breaking into fluff moments. The "better off alone" thing I thought was implied throughout the later seasons of the show after Dean lets go of Lisa and Ben, so I wanted to explore that deeper here, even though it hurt my heart to write it. 💙

It's not weird, I think that it's really fitting! And I also really like writing the heartfelt hurt/comfort breaking into fluff too lol. But you're absolutely right, Dean really does adopt that mentality after Lisa and Ben and it is really heartbreaking to see him like that.

Everyone's crying!! 😭 YES ABSOLUTELY SHE DOES -- and she's a verified crier. I see a lot of fics where the reader is tough as nails, "doesn't cry very often," but I wanted to create a reader character who is a badass, but still has a soft heart. (Latinas also can be very emotional, but not to say we're adhering to stereotypes around here LOL. 🤣🤣)

As much as I do love the readers who are "tough as nails" and "doesn't cry very often" I love the readers who are strong but are allowed to break. It makes them seem more real. Because as much as I believe that there are people who are completely just insane badasses, they've gotta have some kind of emotion or compassion or else they don't seem human. Also "Latinas also can be very emotional, but not to say we're adhering to stereotypes around here LOL" I'm DEAD 😂

Sorry for jerking the angsty chain again there! 🤣 Poor guy, he went through an ordeal just as much as she did.

Please never apologize for the angst. I LOVE IT! And I really did also love how emotional this fic made me. It was wonderful lol.

Fun fact on her confession! When she says I love you twice, she's actually saying it in two different ways:

I love you, you’d said. I love you ("te amo," you're my love) and I love you ("te quiero," you're my family), more than you can believe and understand.

GIRL WHAT?! OH MY WORD THAT IS JUST SO MUCH BETTER! Thank you for explaining that to me!

Thank you SO very much!! Honestly you don't know how happy it makes me that you're enjoying this series so far -- and spoiling me with such lovely and thoughtful feedback. 🥰💕💕

No, THANK YOU for writing this wonderful fic/series! 😊

Devour Me - Part 2

Pairing: Dean Winchester x Plus-Sized/Latina!Reader

Summary: When you and Dean start to press each other’s buttons, both of your tempers ignite. To make up for it, you give him an impromptu salsa dancing lesson…one he didn’t exactly ask for. (18+)

AN: Here's Part 2! **Read Devour Me: Part 1

Song Inspo: “Yo No Se Mañana” by Luis Enrique. But really it’s “Ven Devórame Otra Ves” by Lalo Rodriguez. (You’ll see why.) 🤭

Word Count: 5,400

Tags/Warnings: 18+ only! Blood, character death and violence, smutty smut, angst, Dominican slang, and tons of sexy fluff.

☕ Midnight Espresso Masterlist

Part 2: "Telenovela Style"

Your resulting scream of agony is as unforgiving as the ground when your knees buckle, hitting the hard cement.

Andy grips you with the strength of a monster.

Then he holds you down as he drinks your blood.

No matter how you struggle and whimper, you can’t push him off, and you’re getting weaker by the second.

Until Andy is ripped away from your neck, and is taken care of the way all vampires must be. He doesn’t even feel the blade coming.

When you’re able to look up, Dean stands above you with thinly veiled fury. He doesn’t have time to consider what he’s just done.

He bends to gather you up into his arms, all the while trying to stamp down the panic clenching his heart. He calls your name, but you can only make weak sounds as your bleary eyes meet his.

“Dean,” you manage. The ragged wound in your neck is bleeding profusely down your chest and shoulder, seeping into your shirt. He takes your hand and clamps it hard against your neck, even though it makes you whimper.

“Gotta stop the bleeding,” he says, apologetic but firm. “Keep pressing.”

In your stupor of pain, you don’t realize that your screech woke the entire nest. Dean has to lock up his worry; he looks up and finds his brother and Cas already fighting a hoard of angry vampires.

Dean carries you over to them and lays you down against the wall with the other humans. He keeps a protective line in front of you, but he decapitates a vampire before she can sink her fangs into Sam next.

The two of them work together, and with Castiel’s smiting power behind them, the angel and the two men are able to clear the rest of the nest.

By the end, only you and two of the women being held captive are still alive. The third girl’s heart just finally gave out. Sam takes the survivors to the nearest hospital.

Meanwhile, Castiel approaches where you sit up against the inside of the barn, barely awake, while Dean kneels with you, holding you to his chest. He meet’s Cas’s blue-eyed request with a nod. So Cas stretches out a hand and touches two fingers to your forehead.

You’re healed in an instant. Dean marvels, like he always does when Cas displays his power. Dean is able to breathe a little easier, the vice grip on his heart easing as he touches your neck.

The tan skin is once again smooth, if still stained with blood. You blink back into wakeful consciousness.

He shifts so he can see your face. “You okay?”

You meet his eyes but can only nod. His jaw is still tight and tense, and you can’t blame him.

You know you’ve messed up. Big time. You nearly got everyone killed, including yourself…and now, you have to tell a mother that her son is dead.

Dean helps you up, holding you by your arms and waist until you’re steady on your feet. You have a hard time meeting his eyes, but when open your mouth to apologize, he beats you to it.

“I hope you’ve learned your damn lesson,” he says.

Your gaze snaps up to his. “Excuse me?”

Dean’s hands go to his hips as his brows raise at you.

“Next time, when I tell you to hang back, I mean that shit. Hang the hell back,” he all but growls.

You tilt your head at him as your irritation begins to spark. Meanwhile, Castiel is the one who backs up as he glances between you and Dean uncertainly.

“I made a mistake, but that doesn’t give you the right to tell me what to do,” you shoot back. “I was a hunter long before I met you.”

“Yeah, well, color me surprised that you’ve made it this long,” he snaps.

Your temper flares hotter. “You know, you’re not so goddamn perfect either.”

“Never said I was,” Dean says. “But when my gut tells me something ain’t right, I need you to fucking listen. Otherwise, we get a day like today.”

His words are edged with grit by the end of his little rant, and you don’t appreciate it. Your lips purse in anger.

“I don’t care what that legendary gut tells you,” you sass back. “I’m not a little girl, and you’re not my damn father!”

Dean raises incredulous brows at the way you’re shouting at him. He crosses his arms.

“What’s this, some kind of Latina temper?” he asks snidely.

You truly become incensed at that.

“Oh, you want to take it there?” you ask, as your eyes narrow. “Que sin vergüenza tú eres. Sigue jodiendo conmigo, coño. Entonces tú vas a ver quien soy yo.”

Dean won’t admit it, but in that moment, he’s a bit intimidated by the quiet threat in your voice. Still, his fuse is lit, and he’s way beyond curbing his internal filter.

“Oh, I’m sorry, does this telenovela-style tongue lashing come with subtitles?” he snarks.

You let out an incredulous breath. Your eyes begin to sting.

“You’re such an asshole!” you shout back. There, understand that?

You turn away from him before your frustrated tears can fall, but you stop short once you notice Castiel dragging out the bodies of the dead…including Andy. Your throat constricts, and you begin to stalk out of the barn.

Dean calls your name in frustration.

“What?” you hiss.

The only thing that makes him hesitate is seeing the state of you when you turn back around. His anger crumbles, and maybe something in him breaks when he sees your tears. They’ve welled up in your eyes, and a few of them carve a path down your cheeks.

You’re still covered in your own blood, and he hates it. He hates it more than anything.

Later, you see the state of yourself when Sam returns with the Impala. In the reflection on the backseat window, you see the blood dried down your neck, staining nearly half of your shirt.

You see the black rings of your mascara and eyeliner around your eyes. You look a mess, and you try to wipe underneath your eyes. It’s a fruitless effort.

After you all finish burning the bodies, Dean starts the long drive home. You insist on stopping to tell Rachel Campbell about her son, but Sam says he already took care of it when he drove into town.

You frown, but you no longer have the energy to be angry. You further withdraw into yourself, and your lower lip trembles as you look out the window. Through the rearview mirror, Dean sees more tears slipping down your face.

What Sam told him (but he won’t tell you), is what one of the survivors said. One of the mated pairs had taken Andy…to “adopt” a son of their own.

That night is quiet and tense in Dean’s room. You have to wash your hair all over again, and scrub the blood and grime from your body until only your skin remains. But you don’t have the energy to do more than braid your wet hair afterwards and pull on your lucky Journey shirt, which is still full of holes.

Dean knows that it’s bad when you need the “dreamcatcher,” as he’s called it in his head. You’ve never had a nightmare while wearing that shirt, or so you claimed a while back.

You wear it over some long pajama pants instead of your usual shorts, or better yet, nothing at all. But he can see what kind of mood you’re in. Things are unsettled as you both get ready for bed in silence.

He notes the way you turn to face the other side in bed, maybe to avoid him. Though if you really wanted to do that, you could’ve gone to your old room.

So in more ways than one, Dean takes some solace in the fact that you’re still next to him. And he decides to give you some time and space.

He goes to bed and tries in vain to sleep.

In the morning, Dean’s woken by the familiar smell of coffee…and the less familiar sound of loud salsa music.

What the fuck?

After he brushes his teeth, he puts on his robe and slippers and heads down to the kitchen, where he finds you in a seemingly better mood. You’re mopping the floor, of all things. You’re out of your pajamas, instead wearing a loose shirt that falls off your shoulder and some spandex shorts.

“Yo no se mañana…yo no se mañana. Si estaremos juntos, si se acaba el mundo,” you sing softly along with the music as you dance from the kitchen to the living room. Your phone is connected to a Bluetooth speaker on the coffee table.

Dean starts to smile, crossing his arms as he leans against the doorway to watch you.

At an instrumental break with a run of conga drums and trumpets, you pause in your mopping to do a little twirl as you dance, with a soulful roll of hips and a flair of salsa steps. It makes Dean’s smile kick up into a smirk.

He walks in on purposefully light feet until he’s sidled up behind you in the living room.

“Nice moves, Shakira,” he quips.

It startles a shriek of surprise out of you as you whirl around. Dean’s smile hikes up into a grin, but it soon fades when he remembers the way your scream rang through his ears last night. The way his heart dropped into his stomach, and his head swiveled at the sound. And he saw you go down hard.

Then the rest of it tumbles through his mind—what he had to do afterwards in order to save you. How he’d did it without really thinking, his panic and determination blocking out almost everything else when he’d grabbed the kid. The monster, he forcibly reminds himself.

“You trying to give me a heart attack?” you ask with a hand on your heart.

Dean forces himself to smile a little. “Sorry. But might I remind you, not everyone here’s an early bird.”

You give him a wry look.

“You’re the only one around here who sleeps past 10 a.m. Cas dipped out a while ago, and Sam’s on a run.”

But you graciously grab your phone to lower the music to a more bearable level. Dean doesn’t yet know this about you, but this—listening to music, dancing, cleaning—it’s all your way of coping…and releasing as much of your pain, terror, and regret from yesterday as possible.

You then look up at him more guarded. The two of you exchanged a lot of unsavory words last night. In fact, it may just be the worst fight you two have ever had in almost three years of knowing one another.

Dean senses the shift in you, and his amusement fades. He just can't let things stay like this. He won't.

He hazards drawing closer and touching your arm.

“Look…I’m sorry for snapping at you yesterday. I know I was being a dick,” he says. “You’ve just gotta understand something.”

You wait for him to continue with furrowed brows, sensing that whatever he’s about to say is hard for him.

“There’s a reason I don’t do this. The uh, relationship thing,” Dean continues, clearing his throat. His thumb swipes along your arm. “It’s not just this job. It’s my fucked up life. I tried to warn you before—”

“Dean,” you say with a sigh, but he raises his hand.

“Please, just…let me say it,” he says. “You know the spiel. But things can change on a dime. Even on a damn milk run, like a dusty nest of vamps.”

You know that. You know you could’ve died yesterday, and he doesn’t need to remind you of that fact. Before you can start to get petulant again though, Dean continues. His jaw is working, like this next part is more difficult for him to admit.

“Trust me when I say, us being together is dangerous, for both of us,” he says. “For a while I, uh…I started to think Sam and I were better off alone.”

That casts you into dismay. Because you know Dean isn’t lying. He’s really contemplated spending the rest of his life devoid of love, so he won’t have to lose it.

Dangerous, for both of us.

You realize then what Dean’s really saying. He’s afraid…afraid to lose you. You see it in his furrowed brows, the downturn of his lips, and whatever pain he’s trying to hide in the depths of his eyes.

And just like that, the water works start. You can’t quite keep your tears at bay as you hold onto his shirt. He lets out a resigned sigh as he holds you by your arms.

“You don’t have to cry for that,” he says, a bit teasing.

“Have you met me?” you sniff. But you manage to look up at him with your glassy eyes. “I’m sorry too. God, I’m so sorry, Dean.”

Your fist clenches in his shirt when you remember Andy, latched onto your neck, and how Dean had to save you. You know he’s remembering it too when his brows furrow, and his gaze falls away. You reach a hand for his cheek.

“I know I fucked up,” you admit. “I was working with my heart, not my head. I just…”

You wanted so badly to help that kid and his mother. You also know that Dean understands; you see it in his eyes. He holds your hand to his cheek and brushes his thumb across the back of your hand.

“I know,” he says. “I really am sorry, baby.”

The problem is, you didn’t just see your own mother in Rachel. She hadn’t been much older than you. And when you imagine a life beyond hunting, more than anything (no matter how much you shove down the idea), you really do want a family of your own someday.

It’s just…days like yesterday remind you why that could be a very bad idea.

More of your tears bubble over, and you head willingly into Dean’s arms. “Me too…”

He holds you tighter than ever. His hands rub down your back, tangle in your hair, and he drops his lips onto your hair. You sniffle, wiping your face dry in his shirt. And for a while, the two of you have peace in the relative quiet.

Music still plays from the speaker though. And when another salsa song starts to play on your playlist, you start swaying. A smile works its way onto Dean’s face.

“You can’t help yourself, can you?” he teases.

You smile into his chest. “We should go dancing sometime.”

Dean just laughs. “Oooh, no.”

“Oh, yes,” you reply, batting your lashes up at him. You slip a hand on his shoulder and into one of his hands. He’s forced to hold you as if the two of you were about to start Fred Astair-ing across the living room.

“Have you ever danced before?” you ask. “Like real dancing.”

“Not salsa, I’ll tell you that,” he quips.

“That’s okay. I’ll teach you,” you reply with a coquettish smile. “It’s just a few simple moves.”

Dean gives you a wan look. “You made it look anything but simple.”

You blush at that, but you meet him with a pout of disappointment. You don’t let up, even when Dean frowns. He huffs at you in resistance.

“No,” he insists. You just brush a gentle thumb along his neck, biting your lip in askance.

But the longer he stares at your beautiful, hopeful eyes, the more cracks form in his resolve.

Eventually, Dean breaks with a sigh, and a shake of his head.

“You’re too much, you know that?” he mutters.

It’s then that you know you’ve won.

So with a happy squeal of excitement, you clap your hands and move to stand next to him so you can show him the basic steps of salsa dancing.

You make him take off his robe and slippers, leaving in his shirt and plaid pajama pants. Then you instruct him for a few minutes, correcting his footing and getting him to move on a beat. You’re pleasantly surprised that he has some rhythm.

Dean sighs once again. How the hell did we get here? Heat crawls up the back of his neck as embarrassment starts to set in.

“This is fucking ridiculous,” he grumbles.

“You’re doing good,” you encourage, with a growing smile. “Now come on, feel the beat in threes. One, two, three. One, two, three…”

Once he sort of has the basic steps and turns down, you move to stand in front of him. There you show him how to hold you, how he’ll move forward, and you’ll move back. It takes a little while, but you slowly move through the combinations, then do a little twirl underneath his hand.

When he pulls you back in without faltering, you give him a beaming smile. “Very good!”

A subtle grin raises his lips at your enthusiasm. He also feels his face heating up at the praise.

But you pause when a certain song filters through the speakers. It’s an old one (and it never fails to make you blush), but you love it.

“Ooh, yes,” you exclaim with delight, and you turn up the volume.

“What’s this one?” Dean asks.

“Ven Devórame Otra Ves,” you inform him. Not that he knows what that means. You sing along a bit with the first couple of verses while you encourage Dean to lead you in the dance.

This song is just slow enough for him to attempt it, and the funny thing is, he doesn’t feel all that uncomfortable with the steps now. He’s starting to get a feel for how to move, both with his feet, and with his hands as he guides you by your waist, holding your hand close to his chest. Still, Dean’s also curious about the lyrics you’re singing.

“What does it mean?” he asks.

You huff in amusement. “You sure you want to know?”

Dean raises a brow. “Well, now I gotta know.”

You giggle at that, though you correct his steps when he leads with the wrong foot.

“Okay. It’s about a guy who’s pretty much a player,” you say with a smirk. “His bed has been a revolving door of hot ass, but he keeps thinking about this one woman who used to have him turned inside out…”

Dean’s lips curve at the familiar image you’re conjuring. He manages to turn you under his hand, then pull you back to him in one smooth motion. He looks down at you with a deeper gleam in his eyes. You bite your lip, soothing your hand from his shoulder and down his arm.

As the song’s verses come, you translate for him. And for Dean, your voice in itself is a spell.

“Even in my dreams, he says, I thought I had you devouring me. And I dampened my white sheets remembering you,” you begin. Your words are smooth like black velvet. “In my bed, no one is like you, who draws my body on every corner, without a piece of skin left over.”

Dean is getting hot under the collar as you push away, dragging your fingertips along his back as you turn around him. When you come back into his line of vision, his attention is attracted to the sway of your hips, clad just in those little spandex shorts. He has to clear his throat a bit.

You eventually return to him with a warm hand against his chest.

“Ven, devórame otra ves. It means, come devour me again,” you continue, looking up at him from under your lashes, “Come punish me more with your desire. Because I kept my love for you…because my mouth has the taste of your body.”

You smile at the laser focus of his green-eyed gaze. “Come devour me again.”

You push off with another little spin. When you reach for his hand, Dean yanks you back into him, eliciting a gasp. The move disorients you for a moment, but you giggle and hold onto his arms. Your hands glide up to rest on his shoulders.

He’s holding you flush against him, and as you shift a thigh between his legs, you unintentionally graze against his hardening length. You look up at him with a smirk.

“You’re a little…stiff,” you say, both flirtatious and teasing. “Let’s loosen you up.”

You shake his shoulders out and try to get him to relax. Dean raises a wry brow, because you know damn well whose fault it is that his body is coiled tight. But you place his hands on your hips as you move back into the dance.

“Feel what I’m doing there?” you ask. He looks down on you with growing heat.

“If I could do that, we wouldn’t be together,” he rumbles.

You try to stifle a laugh as he pulls you in close again, just swaying for a bit. Soon enough, you grin knowingly when his hands start to slide lower on your ass. His head bows to yours, ready to meet you with a kiss.

You stop him with your finger on his lips.

“Question: do you consider yourself more of a tits or ass man?” you ask him. You’re half teasing, but still curious. Dean snorts at the question.

“More of a connoisseur,” he replies, smirking.

“Ah.” You nod sagely, and you point between him and yourself. “So this is like a ‘sample the menu’ situation.”

Dean’s smirk deepens. “Sweetheart, you’re a goddamn buffet.”

You splutter laughing…and that’s when he finally pounces. He claims your lips with greedy passion. His hand winds into your hair, gripping tight and ruining what’s left of your loose ponytail. The strands coil around his hand in messy curls while he also gets a healthy grip of your ass through your thin shorts.

You smile into his lips, even as you acquiesce to him guiding your head to the side, so he can slip his tongue against yours. You grip his arms more for stability while he manhandles you, kneading soft flesh and making pleasant tingles run up your spine.

After a little while, his mouth burns a hot path away from yours. He noses down your neck, skimming his lips across your skin. It sets your nerve endings on fire and gets you breathing more shallowly in his ear. You cling to the back of his shirt, holding him close.

Often he’s one to leave love bites of varying degrees, wherever he sees fit. But for a moment he stops at the crook of your neck, just pressing a lingering kiss.

He lets out a deep breath, and you realize he’s probably thinking about where you were bitten. The wound is gone, but it doesn’t change what’s imprinted in both of your minds.

A softer smile grows on your face. You trail your fingers up into his hair, massaging the back of his neck.

“I’m okay,” you remind him. Dean hums deep in agreement. You know, however, that he’s still thinking far too much.

So you slide your hands down, slow between the dips and planes of muscle in his back, and rest at his hips. Your thumbs delve under the hem of his shirt and tease the skin there.

And you start slow, pressing wet, nipping kisses of your own to his neck while you inch his shirt up. You feel his smile on your neck. His grip on your hip flares to life. Still, he lets you tug his shirt up and over his head. Your loose shirt comes next, revealing the same black satin and lace bra you wore the first time he ever got you topless in his arms.

A fan favorite. Dean grins. He reaches around to go for the clasp, but your firm push on his chest takes him by surprise.

He falls back onto the couch with a grunt, looking up at you then with raised brows. You’ve got a mischievous little smirk on your face that heats his blood and makes his cock twitch.

You take out the rest of your falling ponytail, shaking your hair out wild. Then you let your hands drift down your neck, over your clothed breasts, and finally to your little shorts.

Dean rubs his palms down his thighs and watches. A smirk forms across his lips as you slide the fabric down the curve of your hips. It leaves you in a red thong, familiar to him by the little tear it has on the front. (Again, his fault.)

You climb aboard his strong thighs to straddle his lap, using his shoulders as leverage as you sink down. You make sure to rub yourself teasingly against his clothed erection. He groans in appreciation. His hands fly to your soft, thick thighs and squeeze.

“Aw, I like this,” Dean says, half on another moan as you grind down a bit harder on him.

“Yeah?” you tease. You take his face in your hands and capture his lips with your own. Your tongue invades his mouth, and he welcomes you with a deep hum. It’s slow and hot at first, but Dean feels the loss of you when you break from his lips.

Instead, you treat him with the same trail of kisses he gave you, along the curve of his jaw and down his neck. But you don’t stop there.

Your hands move over his chest with purpose, tweaking over each hard nipple while your mouth burns a wet line down and down his sternum. Dean groans at your ministrations, but lets you leave his lap to slide down to the ground, between his thighs.

“What’re you up to, baby?” he asks, despite having a very good idea of it. He catches the playful, yet determined gleam in your eye.

You pause, briefly leaning back up to give him a heated kiss. You part from him with a grin.

“Isn’t it obvious?” you ask. “I’m gonna devour you.”

Dean stares hard at you as goosebumps break out across his forearms.

Oh, fuck yeah.

A giggle bubbles in your throat at the expression on his face. But you continue, taking his pants down his legs first, before his boxer briefs.

Dean’s body tenses in anticipation. You’ve gone down on him before, but somehow it’s different this time. He feels like every single one of his nerve endings stands at attention along with his dick. And you’re taking your sweet time working him up.

Even when his cock is finally free, you sooth your hands down his legs first, maybe teasing him a bit as you drag your nails down his inner thighs. Dean makes a strained sound, though he tries to hide it by clearing his throat.

Your gaze flicks up to his with a little smile. He’s holding the back of the couch; his fingers are digging into the old cushion in effort to keep still for you. But his eyes stare into yours like a man starving. You know what you’re in for after you have your way with him, but for now, he’s quite literally under your control.

So you take him in your hands first. Dean groans as you tease him with light touches, soft movements, your thumb slowly circling over the sensitive, weeping head of his cock. It's torturous enough to make him drop his head back against the couch, closing his eyes tight.

And suddenly, he blinks them open again.

“Shit,” he utters, when you finally take him into your mouth. Your tongue is soft and wet, your lips move over him steadily, and your hands caress whatever your mouth can’t take, even teasing his balls.

You work him over relentlessly, until he can’t help but spill everything he has to give into your waiting mouth. When you suck off and swallow whatever remains, Dean’s heart stutters like syncopated conga drums.

He shudders and struggles for breath afterwards, watching your every movement—from wiping your mouth to shooting him that satisfied little smirk.

You press one last kiss to the inside of his thigh before you raise from where you’ve been kneeling on the hard ground.

Dean manages to lean forward and helps you up by your elbows. But then he pulls you back into his lap and kisses you deeply. He doesn’t let up until you’re panting with him.

“Fuckin’ hell, sweetheart,” he manages to say. His voice is deep and laced with grit.

He’s still panting heavily. You giggle and press your warming face into his neck.

“What, now you’re shy?” he remarks. And he has to laugh. “Come back here.”

He brings your face back to him with a hand on your cheek. For a second, he just looks at you. His thumb strokes across your full, thoroughly kissed bottom lip.

“Say it,” you encourage softly. “Whatever you’re thinking. Right now.”

A smile tugs at his lips. He can’t help but oblige you.

“You’re too damn much,” he says again, both gruff and fond. Despite how you drive him up the fucking wall sometimes, he doesn't think it'll ever be enough for him, what he has with you.

Because this is something he'd almost given up on. Didn't think he'd get to have it. And it almost scares him, how much he wants you. How much he...

“I love you,” he says. His thumb traces along the familiar curve of your cheek.

It hasn’t been all that long, but he knows. You weaseled your way in without even trying. The least he can do for you is be honest.

Your fingers curl around his wrist, holding his hand in place. You tilt your head at him.

“Oh, yeah?” you ask.

Dean hesitates, but he nods. “Yeah.”

A smile grows across your face. “Eh, I’m still on the fence.”

At his flat look, you laugh and lean in for a kiss. He allows it, a little petulantly. But you make up for it with sweet affection. Your gentle hands stroke down the column of his neck, down his chest. You then lean back so he can see your face.

“Yo te amo,” you whisper. “Te amo y te quiero, más que tú puedes creer y entender.”

Dean smiles. He doesn’t understand all of it, but he gets the important bits. He hears it in the tone of your voice. He sees it in your eyes. They shine with emotion, but mainly with love.

Dean kisses your hand. He lets go, just so he can slip his hands around you to finally unhook your bra. He tosses it across the room without bothering to see where it lands.

You do though, and you meet him with a slightly narrowed gaze.

“Are you making a mess of my clean bunker?” you tease.

His lips curve as he kisses you again, while his hands each get a generous handful of your breasts.

“Ah, hello, ladies." He grins. "Miss me?”

You can’t help but laugh. He’s such a dork sometimes.

But you hum when his thumbs brush over hardened nipples, then drag deliberate circles over them, and pinch just hard enough to make you whimper in pleasure. The sensation zips through you, enhancing the flood between your legs.

“I fucking love that sound,” Dean mutters, and licks a hot path in the valley between your breasts. His lips move against your dewy skin when he says, “Do that for me again.”

When he takes a nipple in his mouth and nips a bit hard, you have to oblige him. Your voice rising high is music to his ears.

So he goes for your panties next. You help him get them off and return to his lap. With a breathy moan, you revel at the feeling of his fingers probing into your wet heat.

However, you and Dean have been too engrossed in one another to notice the door of the bunker unlocking, and heavy steps down the spiral staircase.

It’s Sam who’s back from his run. Unfortunately, he soon has to shield his eyes upon reaching the living room.

“Damn it, Dean!”

You yelp in surprise, but Dean laughs and holds you close to shield you from view. As a bonus, it presses your breasts against his chest.

“All right, Sammy. Go to your room,” he chides playfully (but he means it). “The adults are havin’ a moment.”

Sam scoffs. “You’re having a moment on the goddamn couch!”

“Sorry,” you say, though it’s muffled in Dean’s neck. Your face is red hot with embarrassment.

Sam rolls his eyes heavenward and tries not to see anything else on his way to his room.

But Dean’s chuckle reverberates through your chest as his hand goes to your cheek. He encourages you to pull back, so he can see your face again.

When he does, he smirks at the scarlet blush dusting your cheeks and neck. You bite your lower lip, but despite your embarrassment, you’re happy.

Your own words replay in your mind when you lean in for another kiss.

I love you, you’d said. I love you and I love you, more than you can believe and understand.

AN: Yay! I hope you enjoyed Part 2 of the “Midnight Espresso”-verse! I loved writing this one so much. I know we're just doing fanfic here, but I genuinely put my heart and soul into this one. ❤️

Also, here are a couple of Spanish translations:

(Note: other Spanish-speaking countries may interpret certain words differently.)

[During their fight]:

“Que sin vergüenza tú eres. Sigue jodiendo conmigo, coño. Entonces tú vas a ver quien soy yo.”

Translation:

“You’re shameless. Keep messing with me, damn it. Then you’re going to see who I am (<- This is Dominican slang. It essentially means fuck around and find out what I'm made of.).”

[Song lyrics: “Yo No Se Mañana” by Luis Enrique]:

“Yo no se mañana…yo no se mañana. Si estaremos juntos, si se acaba el mundo.”

Translation:

“I don’t know tomorrow. I don’t know tomorrow. If we’ll be together, if the world will end.”

Keep Reading:

Next in this series is "Chico Malo" ("Bad Boy"):

Summary: You catch Dean red-handed—with one of his favorite episodes of Casa Erotica.

▶️ Next Story: Bad Boy (Chico Malo)

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thehigherseekerastro · 8 hours ago

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Random Astrology Observations (Alternative Meanings Love Edition) 2 🤨❤️🤔

DISCLAIMER: I am in no way, shape or form a professional astrologer, modern or traditional.

I HAVE been studying astrology for a while now, and analysing charts available to me, as well as my own, and noticed a lot of the info you find online doesn't make sense in real life, because it is too reductive, stereotypical or lacks broader context. So I thought I'd share some of my personal observations to see if it resonates with anyone.

This is NOT the end all, be all. Apply it as it makes sense to you.

**************************************************

The 1st House 🙋‍♂️

The 1H in synastry is a tricky one, because the first house itself is related to our individual identity. It is the house of self. So, when it comes to having a love planet here, things can get really murky. You'll often hear that it indicates instant attraction, but also only surface-level. While that is not entirely wrong, it would be a disservice to reduce it to just that. Yes, first house ties back to your physical appearance and external impact. But what does that mean for someone else being impacted and impacting that? Does it even apply in synastry? The answer is: YES. And it goes much deeper than you'd think. It will talk about an immediate recognition. It talks of being mesmerized by someone's look and demeanor, but that comes accompanied with an obsessive need to know more about you, to be around you, to soak up as much of you as possible, as if to aggressively learn you. And that's because you will tickle all the boxes the person had been holding inside (and vice-versa).

(e.g.: having someone's planet(s) fall into your 1st house doesn't just mean they will be attracted to you, if it's romantic. It also means the person feels like you two share a vibe, share interests, ideas. It means they feel like you move according to their speed, and therefore, that could lead to a lot of trust and comfort on their part, because you feel like a safe place. Not in the same sense as the 4H, but in a more "this person will have my back, cause we're the same!" kind of way. It makes the person feel like you are enough, because you fit them. So even if everyone else disagrees with them or doesn't understand them, they'll sort of look over at you, and if you validate them, that will be enough for them. They'd rather have your approval – since you are someone who gets them – than to have the approval of a bunch of people who don't understand where they are coming from.)

It truly is a beautiful thing, but even positive planets with positive aspects can lead to unwanted side-effects. The house person could come to resent the planet person because of how much they like them. Depending on who the house person is – if they have a dominant or prideful personality, for example – they may come to resent and even become angry with the planet person at times, because they'll feel so strongly for the planet person that they could start acting out of character for them, and that can make them feel like they're losing control of themselves. And as human beings, what do we do when we feel out of control? Shift blame and start looking for culprits. This DOES tend to wear off, though, exactly because of how intensely the house person feels for the planet person, but it can burn hot for a minute or two, specially if they end up getting into an ugly fight and the 1H person tries to forget the planet person, but they can't bring themselves to hate them. They'll get angry at the fact that no matter how hard they try to hate the person, they still feel enchanted by them.

(this could also create an unwanted feeling of "nobody else is like them", so the 1H could panic a bit at the thought of losing the planet person because 1H synastry creates the immediate feeling of the "perfect person for me", so imagine thinking you found the perfect person for you... it can make you feel like if you lose them you'll never recover, because no one else will be like them or able to replace them as perfectly)

All in all, though, first house Synastry tends to usually show up good results, depending on the planets and aspects involved. Another aspect of this synastry that doesn't get talked about for some reason is the fact that they tend to obsess over and notice the tiny details in each other. So it creates this effect of falling for them over and over and over again, cause they'll keep finding little things about the other person that they find enchanting, and THAT'S what creates the physical attraction. It's not that the planet or house person are conventionally attractive to everyone – they might not even fit the beauty standards –, but to the house person, those little details will sort of build up the planet person's beauty step by step, and by the time they catch on, they'll be enamored with every part of them, so, to the house person, the planet person truly is the most beautiful thing ever.

(1H house synastry also brings a 1st house energy to the attraction. NO - NOT ARIES. First house. But it will sound like arian qualities because Aries does rule the first house, after all. What this means is that a big part of the attraction for the 1H person is feeling like the planet person is independent, self-sufficient, confident, self-assured and capable. Because it's taping into their 1st house of self, the house person can sort of see the best of themselves reflected on the planet person, which means they feel like all the things they are insecure to show the world, the planet person has and is not afraid to show them. So they feel like planet person not only embodies their attraction ideal, but also the ideal personality they wish they had themselves. Which they do, but they don't realize it until planet person comes along and brings it out of them.)

First house Synastry is a complex kind of Synastry that is much more psychological than it's given credit for. People often focus on superficial physical attraction and gloss over the fact that it's like somebody is literally stepping into your mind and making your inner fantasies come out. It can feel very vulnerable and intense.

The 7th House 💍

Oh, isn't this one a gem?! Perhaps one of the most sought after in synastry. But the idea here is to provide an alternative perspective, so here goes: if it's badly aspected, or there's other challenging factors involved (the person falling into your 7H is problematic themselves), you're gonna run into the issues people often attribute to 1st house synastry, such as superficiality and a "false love" because 7H Synastry, regardless if it's good or bad, creates somebody who's "perfect on paper". They say the right things, they do the right things, they seem to fit into your whole ideals. But that does not guarantee that that's who they truly are. That's just who you think they are. Remember – the 7H is the house of "other". So it's not about you. It's about the other. But it's rather how you act around said other, and also how you perceive them.

(It's tough to say this, but you gotta be real to help some people out there who might have had 7H Synastry and didn't understand why the relationship failed, since everyone online claims it's a guaranteed soulmate. It's because Synastry goes both ways. And all houses have good and bad. There is no such thing as the perfect Synastry. But in the case of the 7H, I'd say it's the real life case of "if it's good, then it will be amazing. Truly a soulmate. But if it's bad... it will be awful. Just not immediately.)

Going off of the previous comment, another grim way this Synastry can turn out is in its binding effect. And I don't mean anything spiritual or abstract here. I mean literally binding. Imagine a relationship going sideways like that AND you are also now married or share a business together. MESS! This is the house of contracts and long-term. Remember Saturn exalts in Libra, because Libra likes things that last, and Saturn is the planet of long-term, so the house of Libra will sprinkle that lasting effect over whatever it touches. And if you're in a 7H relationship, that relationship will last with you, whether good or bad. It will take A WHILE to break off from it, either mentally, emotionally, psychologically, legally or financially.

(e.g. somebody has their moon in your 7H, but it's a moon at fall, in Scorpio, and it's afflicted in their natal chart. Now, at the beginning they will seem like a gift from God directly to you, so much so that you decide to make it official... And then, one or two years in, living together, each day it gets more toxic and draining and the dark sides just oozes out of your relationship. But now you are legally married, and divorcing will take time, bureaucracy, money and emotional energy, not to mention you'll have to uproot your entire life, explain it to your social circles and families... And what seemed like your dream come true was in fact a bitter lesson to learn).

To veer away from the dark twists of the last ones, let's dissect the correlations people make with the 7th house, like "oh, your spouse will be interested in art, and beauty, and music, and sophisticated things!" Why? Are you marrying a Libra? A Libra rising? Somebody with a Libra Venus? No? Then that has nothing to do with 7H Synastry. Houses are not signs, signs are not houses. Libra is one thing, the 7H is another. Venus rules Libra, which resides in the 7H, but Venus doesn't rule the 7H. It merely influences the 7H. It would be a better guess to say you might have met your person while they (or you) were already in a relationship than it is to say you met because of beauty-related things, or art, or music, since the 7H doesn't talk of any of those things, but it DOES talk of committed relationships.

(e.g. you might have met the person right after they (or you) got divorced. They might be connected to an ex of yours. Or another possibility that isn't talked about is how the person you eventually end up with is someone you have liked for a long time, but never got the chance to be with until now. Since this is the house of long-term relationships, having placements here could indicate that the person you ultimately stay with long-term is someone you already knew prior to getting together, but you needed to experience other relationships before you united with them.)

Another final aspect of placements in this house is the fact that it doesn't just deal with your love relationships, but also the way you consciously present yourself with others. How you behave socially. But also the mirror effect of this house, speaking directly about love. This is, after all, the house directly opposing the 1st house of self. In that regard, this is similar to 1H synastry, with the exception that in this one, instead of you coming out of your shell subconsciously, you make a conscious effort to become your best for your person here. You want to live up to all of your potential.

The 2nd House 💆‍♂️

This one is a bit tricky for me, because I'm not materialistic AT ALL. I have a Taurus Lilith in the 2nd house, so, I express it on the other end of the spectrum. When you have that placement, you either put too much value on money and material things, or you are completely unattached from it, and that's me. So the whole "money this, money that!" vibe is not my scene. I don't see a price in life, I see value. With that said, let's get this going.

Yes, this is the house of money and material things. Yes, it will deal with your personal finances. But no, unless other parts of your chart/Synastry agree with it, somebody's placements falling here should not have a lasting effect. It might merely indicate you overspending on dates and gifts. The 2H is the house of YOUR money, which means that the whole "oh, they're gonna shower you in gifts!", "And this is a sugar baby aspect!", "Your person will want to spend all their money on you and buy you expensive things!" is probably not gonna happen, sorry. If it does, it will be you spending your money.

(And if you do spend your money, the whole "gifts" thing is also not that common, because normal people don't just go around buying gifts for others every other day of the week, unless they have some sort of imbalance. Such a consumerist mindset! Not everything is about paying for things or buying things. That's a VERY American culture of dating, specially for women. This nasty idea that a man has to buy you or he's not good. Which is what encourages habits like thinking the man always has to be covering your finances (how old are you, 5? Get a job and pay for your own damn self! You are an adult woman), paying for your food, buying you a house, giving you gifts all the time and affording expensive dates. You are not a product. If your biggest incentive to be with a man is because of how much he pays for you, then that's the world's oldest profession, not a relationship of love. So this should play out more like them helping you manage your own finances. Don't go around thinking a 2H love placement is gonna turn you into Cinderella.)

If you do happen to be a stay-at-home person in your relationship, which is valid, as long as it's not all about money, 2H love placements and synastry will talk more about other material aspects of things. It will talk of stability, sustainability, longevity and security.

(e.g.: it could mean that you allocate your resources towards creating a safe, stable environment for your life together to flourish, such as buying things for your home together, revising your finances to make life goals and plans together more viable, setting budgets to achieve milestones together... as well as the literal physical aspects of valuables, so using your resources towards nourishment (food, shelter, clothing and health). Things that will ensure your relationship lasts and endures through hardships and tribulations. In the 2H of values, Synastry could indicate the relationship itself becoming your prized possession that you take care of. All the Earth houses are about caring for things, just in different ways.)

Another poorly explored aspect of the 2H is values in the moral, spiritual and emotional sense. It's WORTH. Both the causes you find worthy as well as your self-worth. A 2H love placement or Synastry can and will directly affect that. Even if you do happen to be dealing with financial/material things too, that can affect your self-worth directly.

(e.g.: say you are married to someone who is constantly in debt, or say your spouse is the breadwinner of the household and you depend on them financially. That can really take a toll on your self-worth. It can bring feelings of poor self-esteem, can you make you feel undervalued, inadequate, make you feel like a burden, or make you feel incapable of caring for yourself. It can strike your self-confidence and make you VALUE yourself less. Or the opposite. Your spouse may open you up to new possibilities of making money, which in turn gets you into a new passion project that you succeed in and that can make you feel like a worthy person, make you believe in yourself, make you feel important and valuable.)

I would argue that most often, it's the 8H Synastry that will really have your partner's materials affecting you, because the 2H is the house of your PERSONAL gains, while the 8H is the house of OTHERS' gains and possessions. Most often, the biggest impact I'd say 2H love placements have will be dealing with self-worth, self-confidence, shared values and morals, feelings of belonging and acceptance.

General Things ✨

What I see most often is that positive and negative outcomes tend to happen simultaneously. It's not all doom and gloom, but it's also not all sunshine and rainbows all the time. Sometimes it's great, sometimes it's not so great, and those ups and downs come and go. That's just life. Both are there to be worked with, worked for, or worked through. At the end of the day, astrology will not mandate your life events, and you have to always be learning from your life, and working on yourself and the things that matter to you. Astrology is just a guiding light to identify possible themes to be mindful of.

**************************************************

That's it! Thank you if you've read it this far! I might have come off a bit harsh (I hope I haven't), but I promise I'm nice lol.

My whole goal is to try to discuss astrology in as realistically as possible, but while making it clear that any possible outcome is plausible. If most times all you hear are fantastic stereotypical descriptions of placements, such as 7H, the not so great ways in which it can play out will be explored here to help people navigate them. If all you hear are bad things about a house, then I'll try to show the positive ways in which it can come out.

The whole point is to try to bring a wide range of notions to these descriptions, together with the information that is already out there and available by many other creators.

At the end of the day, remember this is all POSSIBILITIES. Your personal life has to be analysed to know what's gonna ensue. And don't be discouraged, because the truth is that positive and negative effects tend to happen together for your best.

Hope you have a good day when you find this!

MASTERLIST

#astro notes #astro observations #astrology observations #astrology #natal chart #astrology notes #synastry observations #synastry #zodiac #composite chart

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raointean · 20 hours ago

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I actually love the idea that Billy and William fused instead of just body-hoping. William would have died if Billy didn't come in and they fused! I love him saying that he has a mom because adoption right 🎉

Yes! The alternative is just too sad for me. As for the adoption thing, it's NOT just this fandom that struggles to understand bio vs. adoptive parents. I'm in the Star Wars fandom and there are SO MANY PEOPLE that refer to Anakin and Padmé as Luke and Leia’s "real" parents. Meanwhile, Owen, Beru, Bail, and Breha are called kidnappers or just ignored entirely (yes, I loved the Obi-Wan show. Why do you ask?)

I think the same problem is sometimes happening in this fandom too. We know Wanda and Vision as characters and we want them to be a happy family. We do NOT know Rebecca and Jeff Kaplan nearly as well, so there's a tendency to want to take the child from the characters we don't know as well and give him to the characters we know, like, and want to be happy.

On a slightly happier note, here's all my headcanons about Billy Kaplan's life (not Billy Maximoff or William Kaplan, but the entity that is both of them)

As William's heart stopped, his soul separated from his body and was on its way to wherever Jewish people go when they die

Billy M's soul, at the same time, was fleeing because it didn't have a body to support it

He found William's body easy enough to get into (because a soul had just left it) and close enough to alive to be fixed

However, William's soul was in between Billy M and the body

Billy M could have gone around and been the only soul in the body, but he was scared, okay?

Poor guy was only a couple days old, alone for the first time ever, and his mom had just kinda killed him and the rest of his family

Long story short, Billy M crashes into William and drags them both into the body

Billy M fixes the body just enough to keep living, but doesn't bother too much about the head injury

Meanwhile, William is stuck to Billy M like silly putty when you have two different colors and, by the time they get to the hospital, the two colors have blended entirely to form a new color

There's no way to differentiate one from the other

Billy Kaplan is born!

Because Billy M didn't fix the head injury, they both have amnesia

Billy K wakes up and it's literally "no thoughts, head empty"

(Except for some lingering sensation of loneliness... like there should be something someone? else there)

But not for long because he soon discovers he can hear other people's thoughts!

Which is really funny because he doesn't know that other people can't hear his thoughts

Poor guy genuinely thinks that humans communicate via telepathy for a solid 24 hours before he gets enough weird looks that he puts two and two together

(His parents are totally aware of this

There's only so many times your kid can answer exactly the thought going through your head without you catching on

Also, this is the Marvel universe!

Shit like this just... happens sometimes

They figure he'll come to them when he's ready, and until then they'll think nice thoughts and be supportive)

Billy K spends a solid four months trying to remember who he was before, stealing memories from his parents' heads, and pretending to recover from the amnesia

(Rebecca and Jeff try so hard not to make him feel like they're just waiting for their old son to come back but...)

Four months in, Billy's at the mall with his mom on some errands and that's where he sees it

Hot Topic

He begs his mom to go in there, and it's the first really normal teenage thing he's done since the car crash so she lets him

For the first time in four months, Billy forgets all about car crashes, and memories, and hospitals, and expectations

All that exists is spiky jewelry, ripped black skinny jeans, and a million of those cheap and hilarious pins

Over time, the family settles into his "new normal" and chalk most of it up to teenage experimentation

In that three year period though, Billy can't shake the feeling that something's still missing

He feels out of place in his body, even with the new aesthetic

(He sees that one tumblr comic about the coocoo bird and cries-- a lot. It's the closest he ever gets to telling his parents about his out-of-place feeling)

He doesn't tell them though

Instead, he digs and digs into the weirdest, darkest, most demented corner of the internet

#agatha all along #billy kaplan #billy maximoff #william kaplan #rebecca kaplan #jeff kaplan #wandavision #amnesia #adoption #headcanon #star wars #luke skywalker #leia organa #bail organa #breha organa #owen lars #beru whitesun #hot topic #asks

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hyenafu · 1 day ago

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I know this might seem like a bit of a random question, but what are some criticisms of Slightly Damned you can't stand, and what are some you think are at least somewhat valid? I only ask because I do have a few problems with the comic (not really gonna go into here because I don't want to come off as too critical obviously) but I feel like some of the more noteworthy ones have been too long established to just change it altogether, and the best one can do is make something better from its foundation (which I must say, you've done a really good job at ^^)

The complaints that I think are the most unfair are by bigots who think my comic is only getting more inclusive because I'm pandering to wokeness or whatever. These people are also the most likely to misgender me and have no idea what they're talking about. They just can't stand the bare minimum of gay and are often hypocritical, using fallacies as the basis of their arguments. It's tempting to want to argue back, but when has that ever worked on the internet? I think the most valid complaint is that the pacing of the comic is too slow. Sure. Not much I can do about that one. My comic alone doesn't pay all my bills. If I focus exclusively on work, I get depressed, so I have to goof off sometimes. I'm just one person. I don't have a team. I'm doing the best I can already. Another valid complaint is that people don't like my blend of humor and drama. Sometimes readers find it inappropriate or jarring. It's valid because I recognize it as a difference of opinion and understand why they feel that way. But I don't care. I like my weird mix of goofy faces and drama. I sometimes make jokes during periods of great stress in real life. I love all the wacky faces and over-the-top cartoon action among dire circumstances in comics like One Piece and Usagi Yojimbo. Like, it's just my style, man I don't seek out unsolicited advice about my comic. Some people may think that's snobbish of me, but the truth is, very little of what you find that way is actually valuable.

"And as to those critics, she said that she’s managed to do something that might make us all better off- she doesn’t read the comment sections. In perhaps the most roundabout poignant part of the talk, she likened receiving feedback about her work as being like consuming food. She would take a pie from someone she knew and trusted but compared taking unsolicited barbs from strangers as “licking a handle on the subway.” She used to pay very close attention to that kind of critique because she felt that it somehow would make her a better creator but ultimately decided that it was only toxic." - I HAVE SEEN OLIVIA JAIMES, THE CARTOONIST BEHIND THE NEW NANCY, by Rocko Jerome (2018)

Besides the outright hateful sentiments, a lot of unsolicited criticism can be categorized as "I don't like this story because it didn't do what I wanted it to do." Which is fine. I do the same thing when I try to process stories and talk to my friends about them.

But I don't get in the author's face to tell them I think they did a bad job. At the end of the day, no matter how crap I think someone's story might be, I'm not psychic. I don't really know if they did exactly what they set out to do. For example, people have never stopped giving me crap about the death of certain characters. But their whining has only made my convictions stronger. I don't like when other stories don't take deaths seriously, with a real sense of permanence and grief that is not easily solved. To someone else, seeing that character be alive might have solved all sorts of problems they had-- but that's not my story. I've had someone tell me that the focus on Buwaro and Kieri's mushy romance is too distracting to the main story. I don't think that person knew that a large part of why I started making this comic in the first place was as a vehicle for my OTP. I also want to make said vehicle entertaining and worthwhile. If I didn't succeed for that person, that's fine. But don't tell me that half the reason I made the comic is distracting from it. What do they know about what I want? What do you really know about what the author wanted to achieve? That isn't to say that my comic is immune to scrutiny. Of course it has problems; every story has problems, depending on your perspective and the basis by which it's getting judged. I've solicited and received thoughtful criticism and helpful advice from teachers, my advisor, my friends, and from reading/watching tutorials. Some I agreed with, others I chose to ignore. Sometimes it just took a while for me to come around. I hope I never stop learning and improving. Like you said, I have to keep working with the foundation I already set. But I don't feel trapped by it; my creativity is being challenged in new ways. I have a lot of playing pieces and now I get to see what kinds of connections I can make between them with my older, more experienced (both good and bad) mind. Since Slightly Damned is a story serialized over a long period of time, a certain amount of it is made up as I go along. I do have plans and goals, of course, but I'm also discovering this world alongside my readers.

#slightly damned #sdamned #webcomic #q & a #asks

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arggghhhsstuff · 1 day ago

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First of: readers are able to differentiate fiction from reality. And what they enjoy in fiction doesn't have much to do with their life. It's not because someone is a slasher movie fan that they kill people, it's not because someone read hardcore smut that they get any action. So when say that fanfiction makes rape 'more normal' in the eyes of rapists I don't follow. They know it's illegal, they just don't care.

If we want to stop rape there are many things to do. Educate people. Teach kids about their bodies and consent so they know when something is wrong. Make sure the justice system does its fucking job and doesn't let rapists walk away without concerns. I can assure you fanfiction is the least of our problems now.

And even if it was fanfiction's fault. What do you want to do? Control what people post on the internet? Put a cop behind every computer, spending their whole day reading porn to figure out if it's non-con or not? That won't work. Because it's stupid, yes, but more importantly because nothing good comes out when the government tries to police the arts. What people like, think and create. And you might not like it and you might find it disgusting and wrong but it's still art. It's people writing what they want. Free will, freedom of speech and all that jazz. And if our government officers have that power, the power to get rid of everything they don't like on the stance that it's "morally wrong", what's next? I'll let you take a fat fucking guess on who the government doesn't like in America today.

The only media you can reasonably talk about controlling when it comes to sex is porn videos, because they include actual real-life people and sometimes these people are getting hurt. That's when it gets concerning and dangerous. When people get hurt. Which is not happening with words on a screen.

But forget all that, let's say that fanfiction depicting non-con or unhealthy relationship dynamics or pedophilia or I don't know what else is influencing people to do the same in real life. What can we do about it? Genuinely. What can we do about it. This has been a discussion in the arts communities for centuries and here's my answer: the artist is not responsible for that the public takes from their art. An art piece is never neutral, it's always saying something, yes. But the interpretation is still up to the guy seeing it. If a guy reads a hermione x snape fanfiction and decides to fuck a kid, well sorry to break it to you but that has nothing to do with the author, and everything to do with that guy wanting to fuck a kid.

i love being a pro-shipper. it's fun. people will be disgusted by something they think is morally wrong and i'll be like "it's all in your head though"

#cw rape #cw rap3 #still proship though #leave fanfiction alone and advocate against actual rapists instead #i still dont get why yall get mad at words on a screen #fanfiction is a bored guy and a words document. i think you can find more evil than that #it's fake! it's a fake story based on characters from another fake story #and yes the themes can be upsetting to some readers. that's true. but guess what: you don't have to read it #and even better yet: there is so much more! there are so many works that focus solely on found family fluff domestic life etc #like if you wanna fight against what's wrong all power to you. but maybe don't start with fandom spaces #and if the way ao3 and tumblr work doesn't sit right with go you use something else. no one is going to blame you. there is so much more!#like please go find something you enjoy instead of spending your time reading stuff that disgusts you #it isn't healthy and uncomfortable for everyone involved #cam speaks #proship #pro ship safe #pro shipping

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geekgirl101 · 13 hours ago

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More 8x06 thoughts. Still processing

I've been trying to express my feelings about 8x06 on paper, and there's still so much swirling in my head. So apologies if this is too long and ranty.

The GA isn't happy for a lot of reasons. One was that Tommy did fit with the 118, he was friends with Eddie and Chim. Two: they were happy Buck was in a relationship, and it seemed like (at least in season 7) that he was finally off the hamster wheel. And they like Eddie and Buck's friendship and don't want to see them together. After all the BS takes I've seen from you-know-whos, I can't say I disagree at all.

It's like neither Buck nor the writers have learned anything from past love interests. Tommy is the one with the most potential because of how well he fits, and he clearly has a lot of abandonment issues. Hey, so does Buck. That could have been a great point to explore.

I don't think Buck needs to sleep around to explore himself. But I do think Buck never fully processed anything.

It's wild that Buck and Tommy dated for six months and NEVER had any real conversations about exes? Tommy does strike me as the kind of person who keeps people at arm's length, who maybe doesn't say much about his past unless he has to. He could have also held back because he was letting Buck set the pace. I know Tommy isn't a main character. But they could have done so much more with this and with him. Hopefully its not the end.

The show also did nothing to show Buck's growth in a relationship, aside from the fact that he kissed a boy and liked it.

8x01 showed us that Buck was competent, professional, and mature, and stupidly I was hoping that would extend to his relationship too.

I think Buck has to figure out what he wants out of a relationship, I hope we see more of Buck talking to Josh or Hen and then he and Tommy work on making a relationship that's lasting, honest, and full of love (if we're grudging up Abby, we can continue the red string here and make that nod too)

What also bothers me is they took 3 episodes to build Buck and Tommy and show us that they have chemistry and that Tommy shows up for Buck, they had two more moments where it was clear they were getting to know each other and were solid in season 7.

And then it took them 1 episode to tear it all down without ever showing Buck showing up for Tommy. They were supposed to be getting to know each other. But six months in, it's like they didn't even know each other at all... or actually. It's like Buck didn't know Tommy at all.

I find it frustrating that we got to see so little of them, and most of it was Tommy doing things for Buck, showing up for Buck, complementing Buck, and taking care of Buck. A relationship has to be a two-way street. You show up for me, I show up for you.

And I'm glad Tommy showed up for Buck. Buck deserves love. But so does Tommy. Tommy was clearly looking for love, IDk if he was looking for a family or anything long term. Maybe he was dealing with a bad breakup and Buck was adorable, and he thought, maybe this could be a thing for now, but he ended up falling for him, clearly, and panicked. But I think on some level he was looking for someone to show up for him too, even when things got hard. And maybe this is foreshadowing. I hope it is. But I refuse to get my hopes up about it, or about Buck's love life ever again.

#911 abc #bucktommy #tevan #tommy kinard #evan buckley #bvddie shippers DNI #thanks for reading

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asherthehimbo · 1 day ago

Text

Love talk - Song Mingi

prev | M. list | next chapter | [WITH MY BIAS?]

words: 2.3K

notes: warnings, mature language, Mingi going through it, HONGJOONG is going throigh it bro somebody save him

“I'm still not seeing him, what if he's really not here, what if I lost my one chance to be with the love of my life because I was stupid and clumsy and spilled water over a fucking card when I should've put the number in my phone the moment I saw the card. Or what if he is here and he doesn't recognize me because my hair is different what if-” Mingi's panic is stopped by Yunho, “Calm down” it's simple and had it been anybody else those words would not serve to soothe him, but Yunho's been his rock for longer than he could remember and they offer at least a bit of comfort.

Sitting in a Vip box right in front of the stage, Mingi and the rest of his members try and look around for the person Mingi described, it's a break in the concert and the first half had been great, the lead guitarist Hongjoong loves was back and had even angled his guitar in their direction a couple of times, whatever that meant. He was dressed differently from the other members of his band, his whole body covered, almost in a cultish cloak which matches with the vibe of the first few songs, but Mingi couldn't bring himself to focus on that too much.

He was constantly looking back, trying to spot the mess of pink hair between the see of bright pinks and blacks behind him, it was fruitless, he knew the area was too big for him to see [Name] by himself, and his friends had agreed to help during the breaks but they had been invested in the concert whenever the music riff would start. Something about the lead singer's voice seemed almost familiar, calling out to him but he pushed it back, ignored it in favor of looking through the crowds, it may seem disrespectful but he'd apologize after the show, they would understand right?

“I can't just calm down Yunho, I know you guys think it's silly and that I only knew him for a week but it was- It was just so real. It was like he knew me, like I knew him. He held me like I was the one thing he'd been searching for and it couldn't have been just my own mind Yunho, and I hate it. I hate it because the thought of not seeing him again didn't even cross my mind. I've started to forget his voice, do you know how much that breaks me?“ Mingi is almost crying, not caring that if anyone were to look into the box they'd see him.

“Listen, I know we all thought it was silly at first, but we know how much this means to you, I know how much this means to you. We'll find him alright? even if it's not right now, we'll find him, you don't have to worry. Just, just try and enjoy the rest of the concert, try and relax, if you're relaxed your memory might become more clear. Just for a few songs, if you still aren't feeling better you and I can walk out and get some fresh air okay? you said you met him outside last time, we'll look for him then” Yunho hand on Mingi's shoulder grounds him as he tries to blink away the tears, grateful for the dimming of studio lights as the concert will supposedly begin again.

He can hear the band walk back up the stage, the voice of the lead singer humming and a few giggles of the others ringing through the stadium. He can't see them, the lights are far too dark for that. “We've teased you a lot recently haven't we my petals?” The voice of the lead singer speaks for the first time that night, Mingi tilts his head in confusion at the feeling stirring in his chest, but it's blocked out by the screams of ‘yes’ from the crowd, the loudest being Hongjoong beside him.

“hmm, I'm pretty sure they've figured it out, our petals are smart” a female voice speaks from the stage, “yeah!” two other voices agree. “Very true, Soyeon” the crowd goes wild as a name is said, making Mingi remember that until now, it seems, everyone in this band has stayed anonymous. “Well, petals, I'm afraid I can no longer call only you mine.. you see, you've supported us through a lot, helped us in our search for our pink flower” he speaks again, Mingi faintly recalls Hongjoong giving everyone a run down on the bands lore, how the pink carnation is supposed to symbolize the happiest part of their life, their heaven.

“Even gave some of us ours” another voice says, “shut up Beomgyu” a female voice , different from the one identified as Soyeon speaks, the crowd loses it again as another member's name is revealed. “You're just jealous Petals love me more, Ryunjin” Beomgyu spits back, and this time Mingi is prepared for the eruption of screams that don't seem to end. “You two fight like an old married couple” the drummers, Mingi thinks, voice speaks. “SHUT UP CHANGBIN” the two shout in unison. The crowd is lively, all screaming newly learned names of the ones they love, next to Mingi Hongjoong is losing his mind as he buzzes in his seat waiting for his bias, the last name to be revealed.

“If I could continue my earlier sentence” the unnamed male speaks as the two youngest let out tiny huff’s of sorry’s, the crowd going dead silent as his unsaid way of asking for silence reaches them. “Tonight, as you could tell, we are sharing ourselves with you fully, and to do that, I wrote a song, it's quite different from what we usually give you, and for that I'm sorry. But as our story has gone on, and we've seen glimpses of all the incarnations pink flower” he takes a deep breath, “I believe I've found mine.. he's in the crowd tonight, so I hope he knows this songs for him” the last words are a bit shaky, and Mingi silently applauds the man for being brave enough to share this part of himself with his fans.

“Alright guys, don't go easy on him, you gotta tell him if you don't like his simpy song right?” Soyeon asks and the crowd gives a corus of agreement. “Here it is, Love talk, written by [Name] [Last name]” she screams, the crowd screaming with her as the lights turn on and the music starts. The air is sucked out of Mingi's chest, the name hitting him hard, the face he's met with afop the stage, staring down at him the moment the lights turned on, now dressed in much more revealing clothing, body littered with the tattoos Mingi recalls in his dreams? they hit him even harder.

It's not him who starts the song, but he's mouthing something to Mingi before he starts his own part, Mingi can't tell what it is he's saying. He can feel the eyes of his members on him, boring into him as they recognize the name and description, all probably equally as shocked as he is, but he can't tear his eyes away from the man atop the stage. The words he had said previously floating around in his head, the song was written for him, for Mingi.

Falling for a stranger (Yeah), good gracious (Yeah)

I might even fly out to Vegas (Catch a flight)

I'm thinking maybe you'd be down to do it (Yeah)

But you don't know what I'm saying (Saying)

[Name] moves his left hand that's not holding the mic, pointing his wrist in the direction of the crowd as the camera zooms in on what he's showing, a little pink flower, tattooed in the middle of his wrist, it's vine creeping up the palm of his hand and wrapping around his middle finger. He smiles at Mingi hopefully, and Mingi only smiles in turn.

“with MY bias, you fucking slept with MY bias I can't have ONE thing in this group YEARS I spent thirsting for this man and you got to him first!” Hong Jong wails, as he's being comforted by Seonghwa, the members being in a room backstage, they were brought here by the security guards after the concert had ended, being told “The incarnations want to see you.” and no further explanation.

Mingi's stomach is rumbling with nerves, now that he's not looking at [Name], that [Name] isn't looking at him he wonders if the other is mad, he paces back and forth in the room, blocking out Hongjoongs wails and Jongho and Yeosangs giggles. He knows the thought is irrational, the man had just done an identity reveal just so Mingi would recognize him, but there's still a nagging voice at the back of his brain.

“Still can't believe you slept with him, - like I can't believe he's [Name], like damn dude I get why you loved his fingers now.“ Yunho speaks from where he sits and eats some candy, his face between impressed and uninterested. Mingi wants to smother him. “Never really given my fingers much thought, I'm glad flower liked them” a deep voice speaks from the doorway, the now open doorway, the doorway that [Name] and the rest of his band are standing in.

The voices in the back of Mingi's head disappear and his body acts on instinct as he moves to [Name], the taller meeting him midway and their lips entwining in a passionate kiss. Mingi's hands steady themselves on [Name’s] shoulders, fearing his legs might give out beneath him if he doesn't, the guitarist has one hand, his left hand, on Mingi's cheek, the other gripping his hip like a lifeline.

When they break away, eyes locking and laughter bubbling from their throats, Mingi hears a whine behind them. “Goddamnt, now I owe Ryujin 20 bucks. You couldn't have waited 5 minutes?” Beomgyu grumbles as he plops himself on the first open chair he sees. “I'll give you forty if you stop placing bets on me” [Name] says as he spins Mingi around so they're both facing the rest of the people in the room. Mingi's back pressed against his chest so tight he can feel the other's beating heart, his waist encircled by [Name’s] arms as he rested his chin on Mingi's shoulder.

“Deal!” Beomgyu chirps from where he sits, “I swear you're all idiots, introduce yourselves” Soyeon gives her bandmates a pointed look and they all make ‘O’ faces in realization that they have yet to do that. “There's no need, Hongjoong-Hyung raves about-” San’s words are stopped shen Hongjoongs hand loudly slaps his mouth shut, looking at the band in a panic. “what he means to say is we heard on the stage, right?“ Hongjoong directs the last word threateningly at San, who nods his head fearfully with watery eyes. Hongjoong releases his hand from San’s mouth, the younger immediately backing away from Hongjoong and pouting as he looks at Wooyoung who is clearly much more interested in what's going on than San’s pain.

“ah, same here, [Name] won't shut up about you guys he's been a fan since like debut” Ryujins words are met with a loud cackle from Beomgyu about the fact that his friend just got outed, and a grumble from [Name who simply hides his face in Mingi's shoulder as the idol gives him a curious look.

“So I guess we're like… members in law” Changbin tries to joke, earning a loud laugh from Wooyoung, the sound immediately making him brighten up. “I'm gonna take Flower so me and him can talk someplace private” [Name] speaks before directing his attention to Ateez, “really it is nice meeting you all and it would be an honor to talk more, but flower is more important to me” he tells them as he drags Mingi out of the room, pausing for a moment to look back at Hongjoong, “for what it's worth Captain, you were my bias wrecker” he says with a cheeky grin before closing the door, Hongjoong sitting still for a moment before letting out a strangled cry that's muffled by the door.

“flower?“ is the first thing Mingi asks when he and [Name] enter a room alone. [Name] only nods, “mhm, do you not like it?” he looks at Mingi with a hint of nervousness Mingi hasn't seen on him before, it was kind of endearing. “NO! no no I mean Uhm I like it but it's just… I don't know, didn't think you would have remembered me, especially named me after something so important” Mingi mumbles.

“I know it may seem like a shocker but I do actually like you, I mean I didn't exactly learn korean for nothing” [Name] huffs out a puff of laughter, but his words hit Mingi, he learnt a language for Mingi. “I- I never called you” is all Mingi could reply with, [Name] only nods in response, “yeah.. “ he bites the inside of his cheek.

“It's not that I didn't want to- god I wanted to, it's just- I lost your number- well not lost more so as spill water-” Mingi starts to panic but is cut off by the feeling of [Name’s] lips connecting to his own once again. He's silenced, feeling the tallers hand rest on his neck to hold him in place. The kiss is broken as their foreheads are rested against one another. “My Flower, I could honestly care less” [Name] breathes out, “Whatever happened, you still decided to show up, and you have yet to reject me, so I could honestly care less on why you didn't contact me” He removes his head from Mingi's as he looks down at him. “I don't want to think about the year I spent without you when you're in my arms now” he says, and Mingi responds by kissing him again, a smile on his own lips.

Ateez masterlist | navigation

Taglist [30/19][open]: @idkwhatto-namethis @foxilsdenn @cometaveintisiete @poweringthroughthis @astro-doll-the-star @dahbee8 @mikahrh @moonslie04 @boopboopedoop @bee-the-loser @brrrkdslek @amphiroxx @ddeonubaby @ddextrr @conwunder @the-most-things-fan @ficlibrarie @leezanetheofficial @seongsangssbitch

notes: chat this is not proofread and im sick so please lmk if you find any mistakes

#kpop x male reader #ateez mingi #ateez x reader #ateez #ateez au #ateez fluff #LTSM #ateez x male reader #song mingi smau #song mingi x male reader #ateez song mingi #song mingi #song mingi x reader #Spotify

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a-small-batch-of-dragons · 1 day ago

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Cause and Effect

ok this is overdone i feel but i love your writing. something abkut the effects the sides have on themselves? virgil being super anxious and logan overwhelmed and similar things? something w janus? with a good portion of hurt comofrt? love your fics!! – anon

Hi! I love your writing so so so much. I do have a request for you, if you want it: Headcanon that Remus, being responsible for intrusive thoughts, is also responsible for any earworms Thomas gets. Which, he mostly uses to his advantage. Except. He unironically likes Taylor Swift and is terrified of that information getting out because it will ruin his image/he won’t be taken seriously. – anon

I hope you’re having a good week! I was wondering if I could request a hurt/comfort fic with one of the Sides being really bad about announcing/enforcing boundaries, because “it probably means more to them than it does to me” “it’s not that bad” “I can deal with it”. Thank you for considering!! – anon

Read on Ao3

Warnings: self-esteem issues, panic attacks, anxiety attacks

Pairings: dlampr, can be platonic or romantic you decide

Word Count: 2954

Patton doesn't always remember that he has feelings, too. Logan works…a lot. Virgil lives his life looking over his shoulder. Janus has gotten so good at lying to everyone that it's a wonder he even knows what the truth is himself. Remus wears shame like a badge of honor and the sweater he just can't manage to make himself throw away. Roman is tired. The Sides struggle. The Sides help each other.

Patton doesn't always remember that he has feelings, too.

He's at the center of Thomas's feelings, of course, and that means he's feeling a lot of things that aren't necessarily his all the time. Thomas is happy, he's happy. Thomas is sad, the entire world might be ending. Thomas is angry, he has to hide everything that looks even vaguely orange because something might explode. Thomas is depressed, he finds it hard to even get out of bed.

That extends to the Sides somewhat too; all of them experience heightened emotions, a wonderful by-product of being metaphysical and in the Mindscape. So that means that anything that might happen to them will happen in greater intensity than it would in the 'real world.' But sometimes that can be a little hard to handle, especially if they aren't used to it. For Roman, it looks like being stuck at the worst part of a tragic monologue for hours, for Logan, it looks like that one question on a test that you just can't answer, for Virgil, it's the quiet and unsettling feeling of having something just over your shoulder all the time, for Janus, it's the itch that you just can't scratch, for Remus, it's the noise that's just at the wrong frequency.

It's hard, it's hard for all of them, and so Patton takes it upon himself to help them through it. He takes Roman's hands and just holds them, trying to make him see that he doesn't have to perform, not now, not with him. He sits with Logan and they just talk, about nothing, about everything, until Logan can smile just a little and everything feels better. He puts a pair of headphones on Virgil and wraps him up in a weighted blanket, leaned against his chest. He spoils Janus with a spa day until their favorite snake is too tired to do anything but sleep. And he sings with Remus, as loud and off key as they can, until that's all they can hear.

It's good. It's fun. It's worth it to take care of his kiddos. But sometimes things we say when we're hurting can make other people hurt, and it's important to take care of that too.

Sometimes Patton forgets that. Sometimes he mumbles it's okay, they didn't mean it, through his own tears. Sometimes he has to go and be by himself for a while before he can come back and face them again. Sometimes he has to just…remind himself that they're hurting, and that's what's important.

That isn't true, of course, and when the rest of them find out, it's easy to see that they love him too. They play games until their sides hurt from laughing so much, they crowd around the kitchen to bake cookies and brownies and all manner of sweet treats, they watch movies and cuddle on the couch until they all fall asleep. And when he's upset, because he gets upset too, they all come into his room and tell him how much he means to them until the curtains turn blue again.

***

Logan works…a lot.

There is something to be said for how subtle yet pervasive the concept of Logic is. On first glance, one would associate it primarily with academics, math in particular, or some such thing that is so purely intellectual that it might seem limited in its application. When in reality, when you examine it further, there is some hint of Logic in just about everything that you do, and so there is no escape from the things that you must use it for in order to do it correctly.

Logan has a lot of work. Logan has a lot of work. He has so much work, in fact, that if he stopped to think about how much work he has, he would become so daunted by the prospect of staring at such a tall hill that he would never be able to conquer it. Best to deal with things one problem at a time, take them step by step, and make sure that he doesn't stop to consider the sheer magnitude of what he's doing.

Perhaps this isn't the healthiest way to go about it. Perhaps he would be better suited to breaking down things into more manageable hills, getting over them one step at a time, that sort of thing, but he has no time for that. In the time it would take to do that, the first of the manageable hills would already have become unmanageable by the time he got back to them. So this is how it must be, working and working and working until there is a big enough pause for him to catch his breath.

The others…are not fond of this. Surely, he accounts for enough time to spend with them, but it isn't easily won. It's fraught with the thoughts of what else he could be doing, a passing worry that he's missing something egregious, that he would be better suited to getting all of his work done before allowing himself a break. But that is not the nature of resting, that is the nature of rotting, even if Logan cannot actually give himself a break.

When they find out, they drag him away from his work and into the Imagination, into a library so full of wonder and curiosity that he has no choice but to stop thinking about his work and instead, chase the things he's actually interested in. He darts from bookshelf to bookshelf, peppering the others with did you know, did you know, did you know, and nothing they could say back will be as rewarding as seeing his eyes light up with excitement for the first time in…they can't remember how long it's been.

***

Virgil lives his life looking over his shoulder.

His existence is a constant struggle of did we remember to do this, did we forget this, what if this happens, this is going to go wrong, everything's going to explode in our faces. Every time they so much as leave the house, it's a war of keeping himself together just long enough to make it back so they don't have an embarrassing meltdown in the middle of…wherever they happen to be. The grocery store, the gym, even the fucking sidewalk. It's like walking through the world where there are big flashing neon signs everywhere he turns, each warning about something else awful and terrible, and yet somehow everyone else is able to completely ignore them.

It's terrifying.

And what's worse is that he knows if he so much as breathed a word of this to any of them, they wouldn't believe him. They'd do something like laugh and say he's just freaking out over nothing—which he knows, that's not doing anything to stop it from happening in the first place—or try and rationalize it out of him. Which won't work either, because he knows he's being irrational, that's why he's so mad about it in the first place, but realizing what's happening and being able to do something about it are two different things.

Being able to get himself grounded becomes more of a necessity than anything else. This big hoodie that lets him become an amorphous blob, the heavy things in his pockets he can squeeze when the temptation to break something gets too much, the headphones and earbuds he keeps stashed everywhere with the phone charger clipped to his belt because if he can't listen to music at a moment's notice, he might actually break down in tears. He has to keep himself alert, because if something's going to go wrong, he's going to need to notice it quickly so he can get everyone else on board and safe before it wrecks the rest of their lives.

And when he manages to shove that out of his mouth in an absolute mess of words, he's greeting not with laughs and teases, but with open arms and kind words. He's bundled into Remus's arms and Roman lies on top of them as Janus chuckles, hands carding through his hair to help silence the worst of the mumblings that something's going to go wrong. Logan takes his hand and squeezes it in the rhythm for breathing exercises as Patton sings something soft under his breath.

They're all in the same room. They're all safe. They're all going to be okay.

He can do this. He can do this.

He can do this.

***

Janus has gotten so good at lying to everyone that it's a wonder he even knows what the truth is himself.

Stories need antagonists. A narrative needs something to help it wind its way around all the twists and turns to make it into something worth following. If that means that the truth needs to be a little harder to find, that something needs to go a little wrong before it can be set to rights, well, he's happy to play the part. He's happy to thrill at the surprised looks he gets from the naive little heroes, the shock and betrayal on their faces when they realize he's tricked them, to cackle as they scramble to figure out what to do next.

He's equally thrilled to watch them squirm as he pokes and prods at their comfort zones. Challenging anyone who appears to be steadfast is endlessly entertaining, after all, and he can hardly blame himself when he's rewarded with such passionate monologues or fiery outbursts that end in grudging admittance that maybe he had a point all along. He's never been one to refrain from being smug, after all, and it would be a crime to deprive people of the right to see him in all his victorious glory.

Sometimes, though, that victory feels a little hollow. When it stops being a surprise and more of a resignation, when it's no longer something that they rise to meet but hunker down to grin and bear…when he wins, trouncing them soundly, and they take it on the chin and keep moving…that's not what this is for. He's here to make all of them feel a little something, even if it starts out badly, they should be proud of themselves when they outsmart him, out-think him, even when they don't win but they come close. He's a thorn in their side, not the sword that guts them before they have so much as a chance to say anything. And there's only so much fun that can be had toying with them before it feels like he's kicking a puppy for no reason.

He makes Roman cry once. He just stands there, staring at Janus, waiting for it to be over with tears streaming down his face. And when Janus stammers that yes, he's…he's done, Roman just leaves.

He doesn't want to just be the bad guy. He doesn't want them to think he doesn't care for them. He doesn't want them to be hurt, not…not in any way that actually matters.

He takes it on the chin, as he's seen them do, but it gets harder. Walking the line between fulfilling the role he's made for himself and actually being cruel is difficult, and tensions stretch further and further until one day, he can't do it and he has to retreat to his room and spend the rest of the day puzzling about how to fix this. He's never been the one to actually offer words of comfort. He's been there to lance infections from open wounds, not stitch them back together. He doesn't know what to do. He doesn't know what to believe anymore.

Roman comes to him first. Wraps him up in a hug and ignores all his babbling in favor of dragging him to their favorite picnic spot in the imagination. Everyone takes on a different role, just for that day, where Patton is the gardener that helps the baker, Logan, Roman and Remus are the woodcutters that build the cabins, Virgil is the blacksmith and Janus—Janus is the innkeeper. They spin a new story together, one where everyone gets a happy ending.

Stories end, after all, and new ones begin.

***

Remus wears shame like a badge of honor and the sweater he just can't manage to make himself throw away.

He delights in the uncomfortable, luxuriates in the madness, and happily dances along to the songs of the worst things you could ever imagine. His side of the Imagination is chaos and ruin, twisted undergrowth giving way to dark city scapes filled with ne'er-do-wells and the filth from stories that finally get their chance to steal the spotlight. He lovingly tends to his creatures that would send fainter hearts into shock, none more so than his beloved Kraken, Oliver. Shipwrecks litter the bottom of the Imagination's oceans and he couldn't be prouder.

For Remus, chaos is a way of life. He takes the things that normal people would scoff at—just as enthusiastically as he would scoff at them for being so boring—and makes it into art. He builds machines that are needlessly complicated and endlessly horrible. He turns perfect order into perfect disorder with a gleeful squeal. He's the bane of Logan and Roman's existences—one is affectionate, the other decidedly less so—and he steps into his bear traps with a grin on his face.

There are, of course, downsides. He's alone, a lot of the time. No one else really appreciates everything he does, all the hard work that goes into turning his world into the best it can be for him. Sure, they get close sometimes, like when there's an experiment and he and Logan get to go full mad-scientist, or when he and Janus are gleefully stirring all manner of shit up for everyone else, or when he and Roman throw literally everything they can at every sort of wall just to see what might stick. But when those times are over, and he's back to being the same old, messy Remus, he gets…lonely.

Especially when there's something that would make them think he's something else.

He's got a reputation. He's supposed to be dark, twisted, messy, chaotic, that sort of thing. He's annoying, the voices in your head that you just can't get to go away, the song that won't stop playing in your head at 2 in the morning when all you want to do is go to sleep.

He can't exactly expect them to believe him when he says the songs he wants to keep playing are something like…Taylor Swift.

He's got an image to maintain! And that image doesn't go well with, y'know…something like that. He's no stranger to other people's shame, but his own…well, he might get why people hate feeling it so much.

Roman, though, is his brother, and as such gets full rights to both tease him about things and find out whatever he wants to know. And Roman is his brother, which means that he loves him unconditionally. So maybe the two of them can sing along to Taylor Swift at 3 in the morning and if Roman takes the fall for being the one obsessed with her stuff, well, that's for them to know and Janus to find out when he figures out what Roman's lying about this time.

It's fine, they'll just make him listen to 'no body, no crime.' That song's right up his alley.

***

Roman is tired.

He's just…really tired.

Being the prince, being Thomas's Hopes and Dreams, his Creativity—well, half of it—trying to keep everything afloat…it's tiring.

The others don't know this—well, Remus might—but he's the main anchor point between Thomas and the Mindscape. They're all products of Thomas's imagination, which he uses his Creativity to make and interact with, which means that…them, the Mindscape, the Imagination, it's…well, he has to spend a lot of energy to keep it the way it is.

It's tiring.

So sometimes, he doesn't have it in him to play the role. Sometimes he can't focus on staying away long enough to do all the work they want him to do on top of all the stuff they don't know he's doing. And sometimes…sometimes it's just a little bit too much.

They find him on the floor of his room one night, just watching the moon. They gather blankets and pillows and stuffed animals and build a little nest, right there around him. Remus opens the door to the Imagination to lighten a little bit of the load and Logan helps Patton coax Thomas the rest of the way to sleep, letting them shift to the dreaming mind instead.

He's so tired. Surrounded by the others, with his mind at peace, he finally gets some rest.

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#dragonbabbles #sanders sides #fic #roman sanders #remus sanders #sympathetic remus #janus sanders #deceit sanders #sympathetic deceit #logan sanders #virgil sanders #patton sanders

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zepskies · 4 hours ago

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@lamentationsofalonelypotato

The angst was so real (in the best way)! 😭

She does, she's just afraid to admit it to herself and afraid to have those feelings for someone who doesn't love her back. And it really makes you want to hit her over the head with a frying pan LOL. And thank you! That's how I intended it to be, which is even more heartbreaking 😭

It does make sense, poor thing. 😭 She's so unwilling to believe he could love her the way she wants/needs, while he's hesitating to allow himself to do it. And I'm thinking he's fighting off some self-doubt/self-worth issues as well?

I love this journey of self-discovery for her, both with her brother and past, and with her expanding powers. It's pique Hero's Journey stuff! 💚

Plus, I really think that the creature is adorable, well, besides the murder tendencies. (I guess we could also say that about Ben LMAO)

LMAO factssss. Who could say no to that adorably confused grandpa face?

The reader is killing me tbh. I know I've said this before, but writing slow burn is literally almost as bad as reading it. Don't get me wrong I LOVE slow burn, but oh my stars sometimes it's so frustrating for them to both be in so much denial lol. I shouldn't complain because I did this to myself and now it really is "oh look the consequences of my own actions" lol.

LOLL the slow burn is a killer for both of us! "The consequences of our own actions" is so deeply relatable for the writing process. 🤣🤣

Thank you so much!💗 For me there really is something wonderful about reading/seeing creative chaos in a home, and also looking at creative spaces that people have. I think that there is warmth and comfort in a home that looks lived in. It's why I don't love minimalism, because it looks cold if that makes sense lol.

Aw you're welcome! I totally agree. I love seeing that as well -- it's like getting a window into a person's mind through their living space. I don't like minimalism for that reason either!

Again, I was so on the fence about Soothsayer, but what you said about her being in "an even better position to give her advice when it comes to that man" is exactly why I decided to include her.

Honestly it was a great twist! It makes her friendship with Ben more fleshed out and her own past, and how it serves to help the reader now. Especially now that it seems she's going to help get the reader and Ben together! 😂

I know 😭 She is going to realize it soon and I am so excited about that reveal. Oh plus I do think that she does know deep down that she does love him and care about him, but she's afraid to admit it because she doesn't want to fall for someone who she believes doesn't value relationships like she does.

God I can't wait!! lol And I totally get that. She really does seem to realize how deep her feelings run for him, but she's afraid, for the reasons you said. 🥲🥲

Mayyyybbbbeeeee...😉 Honestly, as much as I love reading fics where the reader isn't a supe, there's always a little part of me that can't help but see the reader growing old and Ben staying the same, and it always breaks my heart. There really is something so intimate and romantic about being able to truly spend your life with someone else, not just your life and then they go on for another few centuries.

Ooooh yesssss. 😏 And totally agree with you there! It's too bittersweet for me when you know one of them is going to die someday and the other keeps living on, carrying the weight of their memory. It's why I had to come up with that twist in BMD loll. Thank you for noting on that! It took some head scratching and BS science (and some inspo from my love of Smallville), but I think the reasoning was convincing enough on how the reader in BMD "caught up" with his longevity of life. 😂 I also love the idea of the plants giving her healing abilities and prolonging her life through that cell regeneration. 💚💚

It's my favorite line too! That and the bundt cake 😂. But you're right, he's afraid of everything that he's feeling and after Countess, he's not sure if he should fall for someone again.

Can't forget the bundt cake!!

Oh yeah, Countess sure fucked him up. 😬 That, along with the torture and years of being treated like a god in all other respects. 🫠

Oh Ben, he'll get there. He just needs some actual love in his life, and someone stubborn enough to not only put up with his shit, but like you said, "take a chance" on him. 😉

It's always my pleasure to read your stories, hun! Giving the feedback is the least I can do. 💕

Chapter 14: Don't Be A Bundt Cake

Pairing: Soldier Boy x f!reader, Reader POV, Soldier Boy POV

Summary: When you decided to work with Butcher and his merry band of supe hunters to take down Homelander, you never expected to be saddled with a sullen, grumpy, jerk like Soldier Boy when the job was done. The more you're around him the more you hate him, but you can't help but wonder, is he really as big a jerk as you think? Reader is a supe with plant powers. This takes place in an AU about a month after the end of The Boys Season 3, in which Butcher has let Soldier Boy continue to work with him on his team. (I'm real bad at summaries, please forgive me!)

Tropes: Enemies to Lovers (Not in this chapter), Slow Burn, Age Difference (Reader is in her 20s), Soft Ben/ Soldier Boy, Protective Ben/Soldier Boy, Miscommunication Trope

Word Count: 13.1K

Warnings: I'm going to label this 18+ because Soldier Boy (he's a warning and everyone knows it), Swearing, Mentions of Sex, Sexual Innuendo, Talks of Death, DENIAL, Idiots in Love, Pining by the Reader (and SB, but he won't admit it) Depressing Thoughts, Mentions of sexual assault/rape (not detailed at all, really just in passing) Talks about weed, Sexist comments, Ben makes derogatory comments, Threatening Ben/Soldier Boy might be a little bit OOC.

Note: This is told from Reader's perspective. Any references to the reader is made using you or your. There is minimal use of y/n. I tried my best to proofread, but nobody's perfect. If you don’t like, don’t read, but if you do like, you’re my favorite!

Internal monologue is in italics and is in first person.

Series Masterlist

Main Masterlist

A/N: I am so sorry this one took me a bit longer. The writers block was fighting me the whole way, but we are very closely nearing the end of this series and the moment the reader and Ben stop being so stinkin' stubborn.

Reader POV

You lean your forehead against the cool window, watching the world flash by in a flurry of color. The wooded forests had vanished hours ago and all that was left were the yellowed sprawling fields of corn and grain and family farms that were laid sporadically along the interstate. Each one a little world that caught the flecks of golden sunlight as the sun began to peak above the horizon.

The bus rolled smooth and steady over the weathered pavement towards it's destination and was filled with an odd assortment of people young and old. There was man with a brightly colored parrot that had been singing "It's A Small World After All" since you left NYC, a woman with a little boy playing with an iPad and who refused to turn down the volume no matter how many times his mother asked him to, a group of teenagers a few seats up that continued to pass around a flask, and due to how far back you were sitting on the bus an uncomfortable smell emanated from the bathroom each time the door was opened.

But you didn't notice any of it.

The only thing on your mind were the events that happened almost twenty hours ago. They continued to circle your mind, playing over and over again like a perverted cassette tape making you sink further into the worn cloth covered seat at the back of the bus. The images were haunting, some new and some old, but all the more still horrible to re-live.

The song "Nights In White Satin" floating into the backseat of your family's car, the flash of unnatural light you knew was never lightning, the caskets at your parent's funeral covered in flowers that were much to pretty to lay on something so morbid, Elijah's body succumbing to the poppies that ripped him apart, the proud sneer on your brother's face when he admitted to killing your parents, Darren's broken and bloodied body strewn in pieces over the street with the creature standing over him with a dripping red maw, the ruined building that housed "Please Don't Die" reduced to nothing more than rubble, and the look on Ben's face when you turned your back on him and fled the scene.

For some reason that particular image seemed to cling on to you and refused to fade. You'd never seen him look that way, almost… helpless and a little fearful. In all the time you'd known him, Ben had never looked at you that way. Sure you'd seen him proud, angry, cocky, lustful, mischievous, but never fearful. And you were sure that it wasn't an emotion that he was used to feeling, but that begged the question… why?

Why was he looking at me like that? Why wouldn't he let me go? And what was he afraid of?

The creature curled in your lap snorts something in it's sleep, turning it’s head further into the cradle of your elbow to shut out the brilliant early morning sunlight. It was now the size of a toaster and had warranted several odd looks whenever you got off to change buses, but you didn't care.

You weren't sure about anything anymore. Everything your brother confessed to you made you feel like you were living a lie and the revelation of exactly what your powers could do- take life from plants to heal yourself, create whatever the hell it was on your lap, and speak to plants… it scared you.

You thought for so long that you knew everything about your powers, that you were in control, but now you weren't sure.

You felt different, as if something had unlocked deep down that you couldn't shut up again.

You'd felt different after you killed Elijah, but this was more alive, weaving and twisting in the pit of your stomach. You felt more connected to the earth, to the world outside the bus even though you were divided by glass and metal. You could feel the energy that thrummed through the body of the creature on your lap, bending to your will, the life force of the plants it was formed from molding with you, becoming a part of you.

You felt so different than the person you had been before Darren entered the shop, so uncertain, and there was only one place you wanted to be when you felt like this… home. You couldn't wait to run up the worn front steps of your grandmother's house and into her arms. She always knew what to say in times like this.

And you desperately needed the comfort of her embrace.

The phone in your pocket buzzes again and you flip the screen to see the ridiculous selfie Annie and you had taken on Halloween last year. The one that you'd both spent dressed up as the two brothers from your favorite paranormal tv show. It wasn't the first time she'd called. Annie had called and texted you more times than you could count over the past twenty hours but you didn't answer her. You didn’t want to.

It was the first time that you didn't want to talk to her, but talking to her meant that you'd have to re-live all of it again and you were clawing at the last shred of sanity you had left to keep it together.

The overwhelming waves of emotion kept pummeling you, dragging you deeper beneath the white surf. Each one brought the memories of what happened surging over you and were followed by everything that Darren said to you. Years of taking care of Darren and doing whatever he wished were tearing at your soul, years of giving up little things in your life to make him happy, and years of taking care of a man who you thought cared about you, but hated you enough to kill your parents and try to kill you too.

It made your skin crawl. Each time your brother told you that he loved you was an even bigger lie and now that you knew the truth and saw him for what he was, it felt like you were drowning. The darkness that ebbed just on the edge was begging you to leap into the abyss, but you were resisting the best you could.

The tears had stopped falling miles ago, but you couldn't stop the memories or the emotion that formed a cold ball in the pit of your stomach.

A sigh works it's way up and you pull your legs on the seat underneath you, jostling the creature on your lap that raises it's head for a moment to blink it's black eyes at you sleepily.

It was surprisingly docile right now, especially considering that twenty hours ago it had ripped your brother to shreds. In fact it seemed to understand how upset you were and had spent the better part of the last twenty hours rubbing it's head against your arm as if trying to bring you some comfort. It was settled on your lap, the weight of it a comfort, almost like a weighted plushy that gave you something to focus on.

"It's alright buddy." You whisper, scratching him under his chin. "We're almost home."

The phone in your jacket pocket buzzes again, but when you pull it out to turn it off, you catch a glimpse of the screen, and you hesitate. Because this time it's not Annie who's calling, it’s Ben.

The picture that flashes on the screen under the contact name "Gramps" is the picture of Mr. Fredrickson from Up. It always made you smile whenever he called you and you saw the picture because Ben did often remind you of him. He was certainly just as grumpy as Mr. Fredrickson and just as out of touch, but you thought it was cute.

Your thumb hovers over the answer button and you think about talking to him.

But what would I say?

You weren't sure what to say to him, or why you wanted to speak to him so badly, why you wanted him to be sitting here on the bus with you as you went home, and why you wanted him to hold you against his chest while you allowed yourself to break, but you did. You wanted to feel his awkward shoulder pat and his awkward version of hand holding and you wanted to hear him try to tell you to "buck up" or whatever he thought that a comforting word should be.

He's really not the best at that.

You smile to yourself at the memory of how he tried to comfort you back at the hospital, but the longer you sit there and look down at the picture on the screen the worse you feel.

Maybe that scared you more than your newfound powers, how much you were realizing that you needed him, how much you depended on him when things got too much for you to bear. The memory of him appearing as soon as you needed him back at the shop, another of him grabbing Darren and throwing him into the street as soon as Darren insulted you comes in a flash, and finally followed by the memory of Ben carrying you out of Elijah's office while you curled into his chest. You couldn't remember too much from that moment, in fact you'd thought that Ben had kissed you on top of your head, but you ascribed that to the haze of pain you'd been in from your broken arm.

What you did remember was how wonderfully warm he was after you'd been trapped in that damn freezer and how nice it felt to be in his arms. Another memory of Ben sleeping on the couch at the hospital bubbles up and you feel something in your chest begin to crack open. And you try your best to tell yourself the same thing that you always do when you feel like Ben might care more about you that he was letting on.

Ben doesn't want that. He's made it perfectly clear. He doesn't want a relationship. He's only wants one night, that's why he goes out with all those women-

You hesitate, thumb still hovering over the answer button as you do, the memory of the week you'd spent at the apartment with him flickering in the back of your mind. The week where he refused to leave you alone in the apartment, where he refused to do any jobs for Butcher, where he took care of you the best way he could, when he sat with you on the couch and made you laugh with his ridiculous movies, and the week where he hadn't had one date.

Your finger itched to answer the phone, but you couldn't, because you didn't want to feel this way about Ben, not when he'd told you countless times that you kept romanticizing him, not when he told you that he didn't want a relationship, and not when you could feel yourself beginning to fall for someone you thought was the wrong man.

For just a moment you tried to pretend that it was different, that he was different, but you didn't want to. It only made it hurt more.

The phone stops ringing, but the pit in your stomach still gapes open at you and for the first time in twenty hours you feel tears begin to fall. You didn't know why you were crying about this, why the thought of not picking up Ben's phone call seemed to hurt more than everything that had happened, but something made it hurt.

The bus driver announces over the overhead that you're reaching your final destination as he takes the exit for your hometown. The familiar buildings that line the streets are sheathed in a honeyed glow from the sun, the long shadow of the bus darkening them momentarily as it rumbles down the small streets to the bus station.

When it rumbles to a stop at the bus station you wait for everyone else to get off, trying to summon the strength to stand, and swipe the back of your hand across your face to rid yourself of the remaining tears.

The bus station was about a thirty minute walk from your grandmother's house, and you still hadn't called her. You didn't know what to say, didn't know how to tell her that Darren was dead and that he was the reason why your parents were dead.

The creature crawls up your body to drape it's warm body over the back of your neck as you stand. It wasn't bothering to hide, besides the people in your hometown already thought that you were odd because you were a supe and you'd always welcomed it. You give him a scratch on top of his head and his warm tongue flicks on the bottom of your earlobe as if thanking you before it curls further into the side of your neck, seeking warmth.

The first few steps on solid ground are shaky, but you find the strength while taking in a deep cleansing breath of the outside world, letting the gentle warmth of the sun and the tickle of the autumn breeze pull at your coat. You hadn't stopped at your apartment before coming here, instead you had stumbled your way to the bus station covered in dust, flecked in blood, and demanded the first ticket back to Illinois. It was lucky that the next bus was leaving immediately, because you didn’t want to spend another second in NYC, not when all you wanted was to be home.

Plus you were worried that someone had recorded what exactly happened outside the plant shop and you didn't want to get arrested.

It was self defense anyway. Maybe Jake would represent me in court.

The thought of Jake makes you twinge. You hadn't checked to see if he was alright before you ran from the scene. Not to mention you'd destroyed the shop he'd put all his life savings into after he stopped being a lawyer.

Oh fuck, what if he sues me? He can't exactly sue Darren…

You hear someone call your name and you open your eyes.

Your grandmother is standing in front of the same baby blue pickup truck that she'd had longer than you've been alive, wearing a long multicolored skirt and a pressed white blouse tucked elegantly into it. Her silver hair is loose and long, curling over her shoulders in gentle waves. She looks the same way she looked one week ago when she left, and you've never seen anything so beautiful in your life.

You're running before you can stop yourself, crumbling into her warm embrace, with more tears streaking down your face, but she doesn't mind.

"Shh. It's alright honey." She whispers, rubbing her hand over your back, her embrace steady and surprisingly strong. "Let's go home."

Her home is the same as it's always been. A two story Victorian house painted in a happy yellow shade, with a white wrap around porch and two white rocking chairs sitting empty on the front porch. You'd spent more nights than you could count rocking silently beside her with a crochet project in your lap listening to the rain fall and soak the world outside, while the plants sang praises with every gentle bend beneath the heavy droplets.

You could barely remember the home you spent in your early years with your parents, not when you'd spent most of your childhood spending the night here and after your parents died living here permanently. There was still a large oak tree were a wooden swing swung in the slight breeze on the left side of the yard, a gardenia bush that stretched as high as the second story on the right side of the house and brushed it's soft leaves against the sunshine colored outer walls, a garden filled with both flowering plants and herbs that perked up on both sides of the front yard as you walked up the path, and a cobblestone path that Annie and you had spent hours of your shared childhood covering in chalk art.

Neither of you were good, but when the rain would fall and smudge the clean lines, you'd jump in the puddles that pooled along the walkway singing the lyrics to ABBA's "Cassandra" not quite understanding what it meant.

Standing here outside your house made you miss Annie and feel worse about not calling or texting her back, but you didn't feel like talking about what happened and you were sure that Butcher filled her in. The only thing that you wanted was to collapse in your bedroom upstairs and curl under the comforters.

Despite everything the house was a welcome sight, but at the same time it was different. You could feel the plants calling out to you, asking for you, bending towards you just to touch your shoes as you walked by. You'd never felt so connected with them before, not even when you were in your apartment or working at the shop. It was overwhelming.

And although a part of you was frightened by it, another part of you rejoiced in it. You didn't feel alone, didn't feel weak, and you knew that you never would ever again.

The creature nuzzled into the side of your neck with a sigh, soaking up the sun's healing rays as you walked up the front steps with your grandmother following behind you silently. She hadn't spoken since she picked you up at the bus station and you hadn't supplied anything in the ten minute car ride back to her house.

You didn't know where to start and you were still trying to process everything yourself.

The inside of her house was just as cozy and warm as it was the day you moved out. There were photos of your parents and you covering the walls (Darren's had been placed in the closet long ago), half-finished knitting projects sorted in different baskets on both the dining room table and the living room coffee table, spools of yarn were strewn over the couch sorted by color, and the fresh smell of gardenia wafted through the open windows on the breeze.

It was home. This was what you'd been missing the moment everything began to crash over you, but as you stood there in the familiar living room it felt like something was missing. Something tugged at the back of your mind, but you couldn't put your finger on it.

There was something or rather someone that should be here, but you didn't know what or who. And your mind supplied Annie, but you weren't sure that's who you meant.

"Let's have some tea." Your grandmother says from behind you and you feel her soft hands come down on your shoulders to steer you through the familiar creative chaos and into the large kitchen at the back of the house.

The kitchen isn't spared from the madness, it rarely was. There are boxes upon boxes of cookies in different stages of being packaged all over the counter, dirty bowls and a measuring cup stacked in the sink, and a large opened bag of chocolate chips spilling over the flour covered kitchen island.

It wasn't unusual to find the kitchen or the house in a state of chaos, your grandmother always said that a house should look lived in and that the mess was part of the fun of any major project as long as you were responsible enough to clean it up.

"Bake sale?" You ask as you sit down in the breakfast nook, uttering the first words that you'd said to another human being in twenty hours.

The next breath that you inhale was supposed to be cleansing, but you can still feel a weight pressing down on your chest, the same one that settled in the moment everything happened with Darren.

You contemplate again how you're going to tell her that Darren is dead and was the reason why your parents died.

Damn it Darren.

"Mhmm." She hums, filling the well used red kettle. "Annie's mother practically cornered me in the supermarket yesterday and begged me to make cookies. I love Annie, but her mother needs someone to pull that stick out of her ass. It's been up there for so long that I'm sure it's rotten."

The creature crawls down from your shoulders and down your arm to sniff at one of the chocolate chip cookies nearest you. It hadn't eaten since…

Darren.

You wince slightly at the thought and hope that you hadn't created something that needed and craved human flesh. The last thing you wanted to unleash on the world was Audry two especially in the wake of Homelander.

Truthfully you were waiting for the guilt at killing your brother to come, but it never had and you wondered if it ever would.

Probably not. He deserved that, he killed our parents, he tried to kill me, he tried to kill Ben.

The thought of Ben again makes a lump form in the back of your throat. You didn't know what was happening to you only that you felt guilty for leaving him like that, for yelling at him to let you go, and just vanishing on him when he probably thought that you were going back to the apartment.

He doesn't know where I am. Maybe that's why he tried to call, because he got back to the apartment and couldn't find me there and he was worried. You press your lips together. Yeah. Worried. Right.

"Honey?" Your grandmother says in a soothing voice

You look up from the box of chocolate chip cookies that you didn't remember picking up. Even the creature is looking at you with an expression that you can only explain as worry.

"Yeah?" Your voice shakes slightly.

She's leaning back against the counter, arms crossed over her chest, head tilted slightly to the side, her beautiful grayed hair pulled up in an elegant bun, but in her eyes you can see genuine concern. "Fuck." She sighs after a minute.

You blink in surprise. It was the first time that you'd ever heard her say that word in your entire life.

"I shouldn't have left." She breathes. "I told Ben to look out for you. I told him, that little bastard was bound to show up again and what did he do? He left you at that plant shop alone with no protection!"

You'd only seen her really angry a handful of times in your lifetime. Like you, your grandmother often had a gentle disposition and didn't get angry unless the situation called for it.

I mean, Darren admitted to killing our parents and then got fucking ripped apart. But how does she know about any of that? I haven't told her…

"How did you know that he left me there? Did Ben call you?" You ask putting down the box of cookies.

An odd expression crosses her face, as if she's contemplating something. "No." She hesitates again. "I saw it."

"No." Your grandmother hesitates. "I saw it."

"You saw it?" You repeat, confused.

What's going on?

"Too late of course, but I'm a little rusty. I was able to warn Ben that Darren was coming back. That's how he got there so quickly or rather-" She shrugs sheepishly. "He got there in time to make sure that Darren didn't get you to forgive him. Which you shouldn't have at all, but I know he's always had a talent for manipulating you."

"What?"

Is she saying what I think she's saying?

Instead of explaining further your grandmother walks out of the kitchen, leaving the kettle behind on the stove and you in a state of utter confusion.

Is she saying that she can see the future? Because that would mean that she's a supe and there's only one supe in history that I know of that can do that. A supe that no one has seen in over forty years.

You can hear her open the door to the closet under the stairs and the sound of her sifting through all the junk that the two of you had shoved in there over the years instead of finding the right place to put it.

When she comes back into the kitchen, she's holding a giant cardboard file box that you'd never paid attention to each time you opened the closet to find something. Your eyes shift from the box to her still not comprehending exactly what she was saying.

"I probably should have told you this a while ago, but…" She trails off and nods her head at the box before turning back to the kettle on the stove that has begun to scream. "I kept putting it off."

The box is old, worn at the edges, and theres a musty black fabric beneath a collection of yellowed photographs. You pull out the one on top to examine it.

Ben is standing there in his full Soldier Boy regalia outside of Vought tower and the woman standing next to him is Soothsayer. The outfit she wore was familiar, a black-skin tight suit with a blind fold tied over her eyes.

Soothsayer was a supe who could see the future and who was apart of Payback, a supe that had vanished a year before the mission in Nicaragua and no one knew where she went. There were rumors that she'd died and that she'd been a Russian spy, but you'd never believed them. You'd heard Butcher talk about how he tried to find her when he was trying to figure out what happened to Soldier Boy, but he never had. Said that the trail went cold.

But now you knew where she went, because she was standing directly in front of you.

She's Soothsayer? Holy fuck that's why Ben kept accusing her of cheating in the poker game because he knew that she could see the future.

"You were Soothsayer?" You gasp. "But why didn't you say anything? Why didn't you tell me?"

She continues to measure the tea leaves. "I didn't tell anyone."

"Grandpa didn't know? But he was alive when you were a supe?"

Your grandfather had never spoken about a history with supes that you remember.

"No." She turns to look at you, a hurt expression crossing over her face for a minute. "Well, I know that I said I was going to have tea, but if we're going to talk about this I'm going to need something a little bit stronger."

Your grandmother opens a cabinet under the stove an pulls out an enormous bottle of scotch. Truth be told you'd never seen her drink more than just a glass of wine, to see her like this was about as shocking as seeing a polar bear sunning itself on a Florida beach.

"Do you still want the blueberry tea or do you need something a little stronger?" She looks back over her shoulder at you as she pulls down a glass for herself.

"I think I need something stronger." You answer honestly.

Learning about everything Darren had done was one thing, but finding out that your grandmother used to be a famous supe and that she never told you about it was another thing. It was like looking at another person. You'd always loved your grandmother's gentle way, her care for her community and her family soft, but now you weren't sure you really knew who she was.

She sits down across from you and hands you a glass of the amber colored liquid. There's a heavy silence that hangs between the two of you as she tries to find a way to start. The photo of her and Ben is laying on top of what you realize is her uniform inside the box and she smiles down at the photo, just a little twitch at the corner of her lips.

"I met Ben when I was twenty three years old." She begins taking a sip from the glass. "Legend 'discovered' me. I had the injection of Compound V maybe two years before that, not when I was born, but I hadn't gotten popular. Other powers were much more flashy and by then there were so many heroes coming out of the woodwork that someone with the ability to see the future didn't seem as marketable."

There's something reflected in her blue eyes, the same eyes your father had, that you can't place. "I had just moved to New York, I had no money, and the way I was getting it was by pretending to be a fortune teller and betting on some sports events on the side. It wasn't hard to prove that I could see the future, the past was more difficult, but Legend somehow stumbled into my shop and figured out that I was a supe. And he didn't think I was too bad looking so he helped me get big."

"You pretended to be a fortune teller?"

She snorts into her glass. "Mhmm. People really will believe anything if they're desperate enough and back then there was so much turmoil going on with Russia that people were scared and wanted to feel comforted. My job provided some of that."

"But why did you walk away from it if you were such a big hero." You ask. "Everyone knew your name, you were-"

Your grandmother raises an eyebrow at you and you fall silent so she can continue. "When I got onto Payback that's when everything exploded for me, the films, the commercials, the ridiculous ads." She sighs. "That's also when I met Ben."

You take a sip from the glass in front of you, sputtering slightly. It was stronger than you were expecting. "And you two were-"

Please don't say dating, please don't say dating, please don't say…

"Friends. Just friends." Diana sits back against the back of the breakfast nook, sinking into the navy blue pillows. "But he is almost as charming now as he was then."

You cringe at the thought of Ben coming on to a younger version of your grandmother.

She taps her glass with her index finger deep in thought. "But I think that I was the only person that Ben actually talked to, the only person that he was comfortable being around."

"What do you mean?" You ask confused. "Didn't he talk to Countess and to Legend?"

Her expression hardens at the mention of Countess's name. "He didn't talk to her the way he talked to me. Ben is difficult, he always has been and I think that most of the people he meet him write him off as this asshole with a chauvinistic look on the world, but he's not. At least, not all the time. There are so many people that he's met that are never willing to take a chance on him. To trust that there is really something beneath all of that bravado."

It was what you had been thinking for the past week, that there was more to Ben than he was willing to let people see, but you were slowly realizing that Ben was letting you see those parts. In the quiet moments at your shared apartment when he sat with you while you read or made you laugh or walked you to and from work you saw another side of Ben that you never saw when he was around anyone else. The guilt rises again when you think of how you ran from him, how you turned your back and left him standing there to clean up your mess.

I shouldn’t have done that, but it was all just so overwhelming and I didn't want to talk to anyone.

"I think that Ben is the most loyal friend I ever had. No one ever seems to believe me when I say that. That we were just friends, but nothing happened between us."

"You didn't date? Or sleep together?" You ask cautiously. It was difficult to imagine Ben being friends with a woman and not having a sexual relationship with her.

Well. We're friends, but that's different.

The last thing you wanted to think about was Ben and your grandmother having sex.

I would need so much therapy after that. You sigh. Yeah, because after all the shit I've been through and found out about my life in the last twenty hours, the knowledge that Ben fucked my grandmother is what's going to push me over the edge.

"No." She shakes her head with a small smile. "About a week after I met Ben, I was running late to a movie shoot and I stepped off the crosswalk without looking. There was a car coming and I didn't see it. Ironic isn't it?" She laughs at herself. "I can see the future and I didn't see a car coming, but your grandfather did and he grabbed the back of my jacket and yanked me onto the sidewalk, saved my life. And the second my eyes locked with his I saw our future. I saw our wedding, our first house, I saw our son take his first steps and I saw how much I would love him and how much he would love me." She clears her throat for a minute, her fingers tighten on the glass, and her gaze drops to the wedding ring on her left hand. “The future is never set in stone, it’s fluid. It morphs and shapes with your decisions, but in the future I saw, I was so happy. And I didn’t want to lose that.”

Your grandfather had passed a few years ago, but you knew it weighed on her everyday. She had spent the week after he died in her room not saying anything to anyone. And sometimes she'd look out the window into the backyard with an odd expression, but you knew that meant she was thinking of him.

Growing up you'd seen how in love the two of them were, more so than your parents. Seen the flowers your grandfather always brought home just because he was thinking of her, watched him do little things around the house without being asked, saw how they never walked away angry from one another, and seen the soppy expression he'd get when he watched your grandmother move around the kitchen baking with a grace that you'd never possessed.

You reach across the table to touch her hand and she takes it gratefully.

"I didn't want to tell him that I was a supe, and at the beginning I thought I could balance it all, but then Ben started dating Countess." She takes another sip from her glass. "She hated me."

"What? Why?" You ask. The creature crawls across the table to sniff at the glass in front of you, before it snorts and falls into your lap, curling into a ball.

"Countess was a bitch." Your grandmother says mirthlessly, her expression hardening. "She wanted to possess Ben completely. Only loved how famous he was, how popular it made her, and he threw himself at her feet, in his own way, not understanding that love didn’t look that way. He’s never had a good example of it in his life. And she never understood that Ben and I were just friends. By then I had been dating your grandfather for a few months and things were getting serious. It was about a year before everything that happened in Nicaragua."

She presses her lips together as if remembering what happened to Ben there. "She was jealous, possessive, and she came to me one night. Ben was out of town for a film so she knew we wouldn’t be interrupted. She threatened to tell your grandfather who I really was and threatened to kill him.” Her jaw sets. “My powers were never really as offensive as hers were. And she said that Ben wouldn’t ever protect me over her because he loved her and would do anything to make her happy. So I left and I never looked back.”

And here I thought I couldn't hate Countess any more than I did for what she did to Ben.

“You didn’t talk to him ever again?” You wonder out loud.

She left without telling him goodbye?

“There was the occasional phone call. Sometimes Ben would ask me to see who was going to win a ball game or something so he could make a few bucks. He stopped by to say hi a few times because he was in the neighborhood. One time he brought your father a baseball glove that was way too big for a one year old.” She snorts, the memory flashing in her eyes. “I always thought Ben would be a good dad some day. But I think seeing your father was when Ben realized how much he wanted to have kids. And I think seeing the way your grandfather treated me made him start to feel conflicted about Countess. But he respected that I walked away, he saw that I was happy.”

“But what about Nicaragua?"

A dark look crosses her face followed by something that looks suspiciously like guilt. “I saw what they were going to do to him.”

“What? But why didn't you tell him what they were planning? Why didn't you-"

"I tried." She snaps, shoulders tense, but then they drop. "I called Ben, but Stan answered. By then your father was turning two, your grandfather had opened up his practice, and Stan threatened me, he knew where we were and knew everything about us. So I kept my mouth shut and I’ll regret it for the rest of my life.”

You could feel your heart breaking for her.

Ben was her best friend and she had to sit by and watch them do that to him. She saw what they were going to do and they were going to kill her for it, kill my family for it.

The anger that surges in your chest makes the creature in your lap stir and grow a few inches, but you tamp it down before it gets bigger than a small dog.

“Does Ben know?” You ask her to distract yourself.

You didn't want Ben to hate your grandmother for this, didn't want him to hate her for something that wasn't her fault.

She nods. “Yes. I told him everything.”

“When?”

“The moment I saw him in your hospital room. I couldn’t keep it in any longer. I wasn't expecting him to be there, but it all poured out of me. I was so surprised to see him there. I hadn't seen a future where he came back."

“Was he mad?”

I mean… he didn't seem mad when I woke up, not to mention he was upset when she left to come back to Illinois.

“Not at me.” She shakes her head. “He knew how much I wanted a normal life and how much I loved your grandfather. He doesn’t blame me for any of it.”

“Good. I can’t believe you didn’t tell me.”

The glass in front of you is still more than half-full but you don't want to risk another sip of what you're sure is gasoline packaged to look like Scotch. Your grandmother reaches to pour herself another glass.

“I didn’t want to until you were ready.”

“And when would that be?”

Your grandmother shrugs. “Maybe on my deathbed.”

You weren't angry for her not telling you, more surprised, but now that you knew everything about her it was hard to see her the same way you had.

You snort. “And no one knew?”

“Your dad figured it out.”

“How? When?”

“The moment you made that strawberry plant grow from your high chair.” She shakes her head with a smile. “It skipped a generation. Don’t know why, but you got it all somehow.”

“I was never injected?”

“No. That was a lie your father created. He knew that your grandfather didn't know and he knew that I didn't want your grandfather to know."

“Darren thought I was.”

“I know.”

At the mention of your brother's name, you watch her expression harden and she takes another swig from the glass in front of her, not flinching as the liquid goes down her throat.

“Did you see everything that happened?” You ask in a small voice.

You still weren't 100% sure how it was her powers worked, but you figured that she was able to see some of what Darren did and what he said.

“Yes.”

“You heard everything Darren said?"

“Yes.”

You chew the inside of your cheek for a minute hoping that she didn't take it as hard as you did. “Did you know that he killed them?”

“No.” She breathes, rolling the glass between her hands for a moment. “The night they died, I got a vision a few minutes before the car ran off the road. I was the one who called the police and who told them where to look, but I never saw that it was Darren or that it was anyone causing the accident. All I saw was the three of you in the car. I should have known.” Her voice breaks.

“It’s not your fault.” You squeeze her hand.

“And it’s not yours either.” She squeezes your hand back.

The memories are beginning to float up from the recesses of your mind and your teeth clench together as you try to keep them at bay.

“I know.” You breathe. The memory of the ruined shop flashes through your head. “I didn’t know that I could do something like that.” You gently touch your healed right arm and glance at the creature that is nibbling on the edge of the cardboard box with its sharp splinter-like teeth. “I feel so different and I don’t know how to go back to the way I was.”

“I don’t think you ever will.”

"Really?"

The thought was unwelcome. You were hoping that all of this was going to blow over, but you knew it wouldn't. Your powers had changed. There was an energy that thrummed in your veins now, stretching out of the house to the plants that grew in the garden. You could feel them all if you concentrated.

She frowns. “When you told me that you were working for Butcher I was worried about you getting involved in the supe world. I didn’t want that life for you, didn’t want you to suffer the way I did-“

“Was it really that bad?"

“Not all the time, just at the end. But I think that’s why I loved your grandfather so much. Because he was different than all the supes. He was down to earth, not just normal but-“ She shrugs. “I think Compound V does something to our minds, makes them more susceptible and when you’re surrounded by people using their powers and thinking that they’re gods it’s easy to lose who you are. I was glad I left when I did."

“Great." You huff, thinking about how your powers had grown exponentially since you killed your brother. It was scaring you to think that you would reach a point where you acted like Homelander, where you saw yourself as a god and killed anyone who stood in your way.

As tired as the stereotype of you only being able to make the flowers grow, you liked doing that. You liked healing plants, tending to them, and helping them grow. For you it had never been about using your powers the way that you had to kill Elijah and your brother and had always been about spreading a little more joy and love like your grandmother did with her kindness in her community.

Your mind flashes back to the first night that Ben stayed with you in your apartment and he'd asked you why you worked for Butcher and told you that he thought you "didn't fit."

Before you hadn't. You knew that. You weren't intimidating to look at or fueled by revenge or had a bone to pick with supes. You'd joined because you thought it was the right thing to do and because you wanted to be closer with Annie. She had been so involved in the supe world and you'd felt like you were losing your best friend. When in reality being at "Please Don't Die" was the only thing that felt natural for you.

You could feel yourself changing and you weren't sure that you wanted to and you weren't sure if you were changing for the better. Deep down you still felt like you, despite everything Darren had revealed, but your powers were greater than you'd thought they could be.

“No.” She squeezes your hand pulling you out of your head. “I don’t see you losing yourself in this.”

“You’ve seen-“ Your eyes widen.

“The future yeah.” Her lips twitch up at the ends in a smile. “It is what I do.”

“That’s so weird.”

You hadn't meant to say it, but you really didn't want to know too much about your future.

Well, not all that much. Maybe just a little.

“You of all people have no right to judge what’s weird. Not with Godzilla sitting in your lap.”

"Godzilla" yawns, flashing a mouthful of his pointy teeth, before settling back down on your thighs.

You smile for the first time in twenty hours, but then it drops. “I don’t like losing control. I thought I knew who I was but now I don’t-“ The emotions were bubbling up again, chest tightening, and lungs beginning to gasp for air. “I don’t know who I am anymore or what I am or what I can do and-“

“There’s nothing wrong with not being in control.”

“But what if I hurt someone? What if I kill-“ You body shakes as you think about all the important people in your life, Annie, Hughie, Butcher, Kimiko, MM, Frenchie- and then your mind stutters on Ben.

“Your powers are growing and there’s nothing to be afraid of or ashamed of. If you’re afraid of them it won’t get easier for you. You have to embrace the fear to see the lights that line the path through it.”

"I killed Darren, I killed Elijah-"

"Not because you lost control. You did it because you were protecting yourself and protecting your friends."

"But-"

"Who is it that you're scared of hurting? Annie?" Her expression turns sympathetic. "Annie is a supe and understands what it's like to lose control. None of us are in control all the time and it's ridiculous to believe that you won't lose control at least once."

Your throat clenches tightly, because when she asked the question you didn't see Annie's face, you saw Ben's. You knew that it was probably ridiculous to worry about hurting a guy with a nuclear reactor stuffed in his chest or a guy who'd been through every torture known to man, but you were. And you weren't entirely sure if you meant hurting him with just your powers.

Tears crest and fall down your cheeks as you sit there, throat thickening. "I don't want to hurt Ben."

"He's a little more indestructible than us sweetie." She cracks a smile, but you can't smile back and you don't answer because you're unsure how to.

She sits back against the breakfast nook and sighs, examining your face and slowly realizes what you mean. "Ben is complicated. He always has been. I like to think that most of it, is his father's fault. Has he told you anything about him?"

You shake your head.

"He was a dick. Made Ben think that he was a disappointment his whole life. I don't think that Ben has had someone love him unconditionally since his mother died. And loving Countess only made it worse for him. Her love was jealous, possessive, and I don't think that he's really come to terms with what real love should look like." She lets out a breath, tapping her index finger against the glass. "I never saw him as more than a friend, but I do love him. It's not a crime to love him."

"I don't love him." You say it immediately.

"Why not?"

"What?" You sputter. "I don't know what you're-"

"Tell me why you don't love him." Your grandma says methodically, as if she's trying to talk you through it.

"Because I-" The pressure was back in the back of your throat and you couldn't quite meet her eye. "Because-" You scramble for the answer, trying your darndest to keep your heart from clenching in your chest. "I want what you and grandpa had, what Annie and Hughie have, and what my parents had. A strong relationship with someone who sees all my flaws, the little parts, and the darkness and still choses to fall in love with me anyway. I don't want just one night I want every night. I want something real and Ben has said countless times that he-"

"So you've talked about it with Ben?" She raises an eyebrow.

"Only because he kept trying to sleep with me and I told him that I didn't want to have sex with him." You reply exasperated.

"You don't?"

"Gran!"

"What? He's attractive."

"It doesn't matter. None of it does. Because Ben has said that he doesn't have relationships, that he doesn't care about feelings, or emotions." Saying the words that Ben had told you countless times made something inside begin to shrivel up and die. "And I do. And I don't want to manipulate him into being something he's not or force him into a relationship that's doomed from the beginning. Ben is Ben. He's not changing or-"

"He has." She interrupts.

"What?"

"The Ben I saw in your hospital room is not the one I knew." She says it so matter of fact that makes it hard to breathe. "And neither was the one that I saw in your apartment when I stayed with you. I mean he is in essence Ben, but-"

"What does that have to do with anything?"

"He is changing. Not completely, but he's acting differently than when he was with Countess. I mean, I saw all the things he did for her. The way he was around her."

"Why does that matter?"

"Because he loved her."

The words make your heart seize in your chest. "Ben doesn't love me. He's my roommate and my friend-" It was the same thing that you kept telling yourself on repeat to beat back the other feelings that you hadn't quite identified yet. "And he's told me that he doesn't want a relationship and that I should try to meet other people."

That last part was a lie, but you honestly didn't know where she was going with this conversation or why it was getting so hard to breathe.

"Have you thought that maybe Ben doesn't want to love you because he's scared?"

"He doesn't love me and Ben isn't afraid of anything."

"He is. It might not look the same way on him as it does on everyone else, but if you pay close enough attention you can catch it." She hesitates. "And I think if you pay attention to you, you'll see what it is that you're afraid of too."

What does she mean? What the hell am I afraid of? Ben isn't afraid of anything, he's practically shouted that from the mountaintops like Julie Andrews.

"I already told you what I'm afraid of."

"I'm not talking about you hurting someone honey. There's something else that you refuse to admit to yourself because you're scared." She smiles sadly at you. "You should though, because when you embrace it, what comes after is really beautiful." There's a far off look in her eyes and you realize that she'd seen something further ahead that she wasn't letting on.

"And it's all I want for you. To be happy." Your grandmother stands from the other side of the booth "I think you need some rest. You drove all night long and I doubt you got any sleep. And I have to package all of these before Annie's mother calls down the four horsemen of the Apocalypse on me."

"Wait-"

"Please sweetie." She lays her hand down on your arm. "I think you'll feel a little better about all of this when you've had some rest." Her fingers raise to push back some of the hair that's fallen forward into your eyes. "Hmm?"

You didn't want to rest, you wanted to talk about this, but you knew better than to argue with her. Not to mention she was right, you hadn't slept.

"And when you wake up I'll make your favorite for dinner, alright?" She smiles, but there's something behind it that you can't place.

"Okay."

And this time you don't argue with her. You go up the worn staircase that you have your entire life and collapse onto your bed, wondering exactly what it was she saw your future hold, and what it is that you won't admit to yourself.

Soldier Boy POV

There was no light in the apartment save from the burning red tip of Ben's blunt and the bluish glow emanating from the tv that caught the dips and sharp edges of his face. But it was nothing more than background noise.

His hand absentmindedly stroked along Bean's back, his eyes focused on the ceiling above the couch. He hadn't moved in hours. It had been over twenty four hours since everything that happened at the plant shop, since you'd summoned a creature from the depths of the store, since Darren had thrown Ben through the plate glass windows of the bakery, and since Ben had last seen you.

He didn't understand why you hadn't let him take you back to the apartment and why it was that you had to leave. Ben hadn't liked the feeling that stabbed him in the chest when you turned your back on him and ran away. He'd felt the urge to comfort you the way he'd watched Hughie do for Annie in the car a week ago, but you hadn't let him.

Instead all he'd done is stood there and watched you run, still covered in dust, rubble, and blood. Worse was you hadn't let him check you for injuries and Ben hated the thought that you were hurt somewhere and he didn't know where you were.

You were so much more fragile than he was. He was realizing that more every day, was acutely aware of it after everything that happened with Elijah. Honestly, sitting there in the hospital with you laying there asleep with nothing that he could do, but wait for you to wake up had been agony. Not to mention that looking at the bruises around your throat, over your eye, and the bright green cast only made him feel worse. He'd never felt so helpless in his entire life and he hated it. Because Ben wasn't some helpless damsel in distress, he was a man and a man shouldn't wait on anyone or feel out of control, or at least, that's what he told himself.

Ben hears someone walk down the hallway outside the apartment and he perks up to listen, hoping that it's you finally coming home. Ben's mind stutters on the word "home." He'd lived many places in his life, apartments that felt more like way-stations, and the drafty cold mansion back in Philadelphia where he grew up, but neither felt like home. And although he hated how small your apartment was, it was the first place that Ben liked living in. He was starting to understand the word home.

But the feet keep moving past the apartment and Ben sinks into the couch cushions. Even Bean seems to be disappointed. "It's alright buddy." Ben mutters. "She'll come back."

But he wasn't sure.

Ben also wasn't used to feeling this way. It was close to the way that he felt when he went to Boston and was sitting in that damn hotel room waiting for something to happen and he still didn't understand what it meant. He didn't understand why he couldn't stand it that you weren't back yet. It made him feel like a woman waiting for her husband to get home from work when he told her that he was "running late." He'd tried to distract himself by looking at some possible prospects on Tinder, but just like the week after you'd come home from the hospital and just like the date he had in Boston, no one held any appeal.

His mind was awake and roaming around, pacing back and forth. The blunt was supposed to help, but it hadn't.

His phone chirps and Ben picks it up to look at the screen, but it's not you, it's Jake.

Jake: I know that I'm not your favorite person, but thank you for what you did.

Ben huffs and turns his phone face down on the couch once more. "What a fucking pussy."

When you left Ben had realized that Jake was still inside the building and as much as he wanted race after you, he understood that you'd be even more upset if you'd killed Jake. So Ben had tromped back through the building and found him trapped beneath some rubble. Jake was okay, just unconscious, but Ben had carried him out and put him on the sidewalk before he high tailed it out of there. The last thing that he wanted was to be caught with a shredded body outside a ruined building.

I didn't do it for him. I did it for her. Ben thinks to himself, looking down at the text message.

As much as he hated the thought of saving your future boyfriend, he didn't want to see what it did to you if you found out that you killed Jake, so he'd done it to avoid watching you cry again.

Ben didn't understand why he hated watching you cry.

Women cry. They're damn emotional all the time. He tries to reason with himself taking a puff from the blunt pinched between his thumb and forefinger. And she fucking cries way too much.

The image of you crying outside of the shop in the wake of everything that happened pricks something under his ribcage. Fuck.

Ben didn't feel remorse for what happened, well, the only thing he regretted was not getting there sooner and getting to fuck Darren up himself. When Diana had called him to tell him that Darren was coming, Ben had practically ripped the apartment door off in his haste to get back to you. He hadn’t wanted to leave you at the plant shop, but Butcher had told Ben, that he had a possible location for Darren, but it came up empty and Ben had been at Butcher's apartment chewing him out for sending him on a fucking wild goose chase.

It only made Ben more angry to allow Darren to speak to you, but he was trying to let you handle it even though he wanted to handle him. But it had brought him an unholy amount of joy to throw Darren in front of that minivan and to watch that creature tear him apart while the final whitish blue pulses of electricity jumped and crackled down the street making the streetlights shower sparks everywhere.

But Ben was more upset that Darren had been able to land a few hits on you before you killed him.

Ben remembered the giant lizard that crawled out of what was left of "Please Don't Die" and felt his lips quirk up into a smile. As much as he hated the entire situation, Ben couldn't help but feel a little surge of pride at what you'd done to your brother. He'd never seen you look so powerful standing there in the street, your eyes glowing a brilliant green, arms outstretched, and the ground trembling around you as the world begged to be unleashed.

Of course he'd been just as surprised as you were at the fact that you'd healed your broken arm. He wasn't sure if you'd noticed it yet, but you looked different too. There weren't as many lines on your face and your hair was more springy, the few silver hairs that Ben had noticed in passing were no longer there.

He wasn't sure what that meant, but there was something that felt suspiciously like hope tingling in his stomach, hope that you weren't as fragile anymore and hope that it meant you wouldn't die.

When Diana had told Ben that her husband had died, he saw the pain in her eyes when she said it, saw her relieving the memory, and for some reason as soon as she said that he was dead, the first thing Ben thought about was you. Ben hadn't considered his inability to age as much in the past, hadn't cared about outliving anyone before. Seeing Countess as an older woman had made him more aware of it. Looking at the woman who he once thought he loved, had showed him what that was like. Not that he had a problem with daring older women, Ben always thought that women really did get better with age, but it was what came next that Ben wasn't fond of.

And for some reason thinking that one day he'd wake up and see the marks of age on your face or one day he'd wake up and he wouldn't be able to annoy you or hear you yell at him made his chest tight.

Ben takes another hit of his blunt. The longer he sat there the more then unnatural feeling stirred in the pit of his stomach, thrumming through his veins, the feeling that he was trying to avoid. He thought that the joint would calm him down, but he found himself jumping at every creak and footstep in the apartment building, perking up each time and hoping that it was you coming home.

He didn't know where you were. You hadn't answered any of his texts or calls and Ben was ashamed at how many times that he had tried to call you.

Get a fucking grip. He'd thought to himself when he typed out another text message to send you, stopping himself from sending it.

But he'd been so desperate to hear from you that he'd actually gone to talk to Annie who seemed upset that she couldn't get ahold of you either. When Hughie and Annie had seen how upset Ben had been, Hughie had laid his hand on Ben's arm and told him not to worry. Ben had yelled at him that he "wasn't fucking worried and to mind his own business" and had shaken off Hughie's comforting hand before stomping out of the shared apartment.

No one else seemed to be as concerned about finding you. Butcher, MM, and Frenchie were all deeply involved in trying to figure out the cover-up for what happened outside the plant shop. By some miracle no one had caught a picture of your face, but there was little they could do about Darren's body that had been strewn across the street. Annie was having to deal with the repercussions at work, trying to handle what the news was calling a "super villain threat."

Personally, Ben thought that since they froze Homelander, the Seven looked weak and Ben believed that the superhero team that represented America shouldn't look weak. Of course before Ben had also thought that they looked like a bunch of pussies and again felt himself sink deeper into the couch when he thought about what his supposed son had become.

He shakes off the feelings he has about it and his thoughts turn back inevitably to you.

Ben wasn't used to thinking about someone as much as he thought of you, but each time he settled back into the apartment and you weren't there he was hyperaware of how quiet it was.

Maybe I should call Diana. She might know where she is.

As soon as Ben thinks that, his phone begins to ring, but Ben doesn't bother to look at who it is before he answers it.

"Hello?" Ben huffs out a breath of smoke that hangs in the air in front of his face, catching in the bluish light coming from the television.

"What the hell do you think you're doing?" The voice on the other side of the line yells at him.

"Di?"

"Yes it's me. Who did you think it was? Santa Clause?" Your grandmother snarks.

"Why are you calling me and why the fuck are you so mad? What did I do?" Ben answers slightly annoyed.

As much as you got under his skin, your grandmother had been the same way. He actually thought that it was amusing that even before he figured out that she was your grandmother that he had often compared you to her in his mind. You had the same mannerisms, the same defiant and stubborn attitude that drove Ben up the wall, and you were just as beautiful as she was.

Ben was okay with admitting that he was attracted to you. To him that felt normal, it was the other feelings that he was conflicted about, the ones that he'd never felt before stirring in his chest that made him feel "too emotional" and "woman-like."

Truthfully, Ben was sure that if your grandmother had given him a shot that maybe he would have felt that way about her too. She was the only person that Ben actually trusted in the 80's, the only person that was brave enough to call him out on all his shit. You did that now. But he liked her husband also, so Ben was content with letting her go. He liked how happy that Henry, your grandfather, had made her. He knew that she wasn't happy as a supe and seeing her so happy and in love made Ben feel something that was close to happiness.

And it was seeing the way the two of them were together made Ben wonder if what he had with Countess was the same thing. Because he did have feelings about her that were different, but each time he went to visit Diana and saw your father playing on her lap he felt that there was something missing in his life.

It was the same way that he thought something was missing when you weren't in the apartment, but Ben hadn't realized that yet.

"Because I don't understand what the hell you're doing!" Diana replies and Ben honestly doesn't know why she's angry with him.

"About what?"

"My granddaughter."

Ben sits up the blunt in his fingertips forgotten. "Is she there with you?"

"Yes." Her voice softens for a moment.

Ben relaxes and leans back onto the couch, sighing in relief. "Good. That's good." Relief swelled in his chest when he thought about you staying with her, safe.

That's what she meant when she said that she wanted to go home. Home is with her grandmother. Ben stopped the next thought before he could go there.

The thought that home wasn't with him.

Ben was trying not to think about that or think about you hating him. He didn't think you did, well, didn't think you did anymore. At first it really was touch and go, but now he was almost eighty percent sure after you'd told him more than once that you weren't afraid of him and didn’t hate him that you sometimes wanted him around.

"No, not good."

"What do you mean? Is she okay?" Ben's grip on the phone tightens so hard that he's sure that he hears the screen cracking.

"No."

"What happened?" Ben's voice is a growl, the feelings of relief evaporating as soon as they had begun to bloom in his chest. He mentally calculated how long it would take him to get to you.

"Her entire life fucking fell apart and where are you? Not here!"

Oh. Ben relaxed a little bit.

"I don't need to be there." He says on an exhale of smoke.

"Yes you do!" Diana presses.

"No, I don't. She a big girl she doesn't need me there, she's-" Ben takes a puff from the joint.

“If you were any denser you’d be a Bundt cake Benjamin!” She says exasperated.

"What the fuck are you talking about doll? I am not-"

“Let me guess." She interrupts and Ben can imagine her tapping her foot. He hated when she did that. "You’re moping around smoking a blunt on the couch probably with a glass of something that you're hoping to numb whatever the hell it is you're feeling."

Ben's eyes shift to the bottle of whiskey on the coffee table that he hadn't touched in a few minutes.

“I’m not fucking moping and stop spying on me!” He snaps back at Diana.

He hated how well she knew him. She was his best friend in the 80's through all the shit, she had seen him at his worst and at his best too many times to count.

“I don’t have to use my powers to know what you’re doing. I know you Ben.”

"Sorry to disappoint you sweetheart.” Ben grits his teeth, temper flaring hot. “But if you know me as well as you fucking say you do then you then you know that this is-“

“You avoiding your feelings by acting aloof and brooding like a fucked up version of Mr. Darcy.” She interrupts.

She certainly hasn't changed.

“I am not avoiding-“

“She needs you here Ben.” Diana stamps her foot, the same way you do when Ben pisses you off, and Ben can hear it.

“She doesn’t need me! She said that she wanted to go home, that she didn’t want to be here with me! I tried to-“ Ben shouts back standing up. It was the exact thing that he'd been thinking for the past twenty four hours, that you didn’t need him and that you didn't want to be any where near him.

That last thought made an uncomfortable sensation prickle in his gut when he thought it, because all it did was remind him of how you acted when the two of you first met, when you didn't want him to live with you and tried your darndest to make him go away.

He didn’t want to and he wasn't sure why that was.

“Try harder.” Diana interrupts him again and frankly it was pissing him off.

Ben clenches his jaw. “I think that you’ve confused me with someone else baby.”

“Don’t you 'baby' me Benjamin! We both know that you’re doing what you always do when things get hard for you.”

“And what’s that?”

“You pretend not to care and shut out everyone who tries to care for you. Not to mention you drown yourself in drugs, booze, and women.”

“She doesn’t care about me!” He spits.

“She does!” Diana snaps back. “And believe it or not she needs you here and she wants you here.”

"But-"

"Ben please." It was the first time that he'd heard Diana sound softer and almost pleading since the conversation started. "Don't do this to her. She's worth more than Countess and all those other women you've fallen into bed with."

"Do you really think I don't know that?" He roars. The answer surprises himself. "Do you think I don't know that she's different?"

Wait what?

"If you know that, then why aren't you here?"

He hesitates.

Everything you said to him the night of the party comes roaring back. You looking beautiful in a dress that made his throat tight, and you telling him that you just wanted to be friends and that you understood that he wasn't the type of guy to have relationships. He didn't understand why it stung a bit when you said that, but it had.

Ben thinks about the week that the two of you spent together after Diana went home, when he tried his best to take care of you, distract you from everything that happened with his movies, and would sit with you and try to make you laugh. He'd never wanted to take care of someone before.

Not to mention he kind of liked the way you laughed. He wouldn’t admit that to anyone, but each time you did, it made him want to laugh too. That had never happened to him before. But he wanted to make you laugh to forget everything that happened with Elijah. His fist clenches when he thinks of exactly what Elijah tried to do to you and it makes him feel so mad that he feels close to spontaneously combusting. Ben might not be the best role model when it came to women, but he couldn’t imagine the type of man who would force himself on someone else.

It had made him angry when he thought that you were suggesting that he would try something when he first moved in, because he wasn't that type of man.

Ben was trying to be better for you. He wasn't admitting that, but he really was trying to be better. He didn't understand why. You'd told him countless times that you didn’t want to be with him, that you wanted to be with someone else like Jake.

Ben frowns when he thinks about the man he'd pulled from the rubble of the shop. And again thinks to himself that you should be with someone different, someone who was a supe and could understand you. Ben had seen how difficult it was for Diana when she was keeping her supe life a secret from your grandfather and he didn't want you to have to do that with someone.

"Because I'm not-" Ben begins to say, but he holds his tongue. It was too honest, too raw, too unlike him to admit this to anyone.

Because I'm not this guy. Because I'm not the one she wants. Because I'm not some knight on a white horse. Because she's everything right with the world and I'm just a fucking asshole who sleeps on her couch.

"Ben." Diana breathes and he can practically hear her pinching the bridge of her nose. "In all the years I've known you, you've never done what you did for her with anyone else. You carried her out of that warehouse, you stayed with her in the hospital even after she woke up, you took care of her when she came home, you protected her from Darren. You can't ignore all those things."

"I'm not ignoring them. She's my friend." The word sours in his mouth as he says it. "And she would have done the same thing for me." He knew it was true.

She's a good person and she wouldn't let me chase her away if any of that shit happened to me and I told her to leave me alone.

"Yes she would. Because she cares about you." Diana sighs.

"She doesn't."

"Why don't you believe me?"

"Because she's told me what she wants!" Ben shouts so loudly he can feel the room shaking. "She wants to be friends-“

"Because she doesn't think that you want a relationship you nitwit!"

"I don't." Ben spits the words before he can stop them, but as he does something tightens at the base of his throat.

"How is it that it's been forty fucking years and you're still able to dance on the grave of my last nerve?"

Ben chuckles. "I missed you too sweetheart."

She sighs into the phone again making it crackle in Ben's ear. "She needs you.” Diana repeats. “And I think you need her too.”

His temper was flaring again, the thoughts that his father pressed into him surging up before he can stop the words. “I don’t need anyone. I’m Sol-“

“If you say that you’re Soldier Boy, I’m going to reach through this phone and slap you silly.” She snaps. “And you do need her, but you’re still just too stubborn to admit it.”

“I-“

“Ben I know that everything that happened with Countess was fucked up, but my granddaughter she-“ Diana pauses before she changes the thought. “You say that you know she’s different, but right now you’re treating her the same way you treat all those other women.”

“I’m not-“

“My granddaughter has decided you’re important to her and once that’s happened it’s hard to make her let go. You saw the way she was with Darren and that guy was a manipulative asshole. Imagine what she thinks of you.”

“I-“

“Stop making excuses!”

“You didn’t even hear what I was going to say!” Ben shouts.

“And I don’t need to! Think what you want Ben but if you’d stop acting so stubborn and so ridiculously blind to what’s right in front of you. I promise that what comes next is worth the risk.”

“Don’t go all fucking mystical on me doll.”

“And don’t go all macho- no feelings asshole on me! So stop being so damn stubborn, get on a plane and get your ass here.” She retorts. “Don’t fuck this up Benjamin because if you do I’ll fuck you up.”

The line goes dead.

Ben sat there for a minute in the silence still holding the phone up to his ear, listening to what your grandmother said to him ring around in his head for a second.

No one ever spoke to him that way. In fact, Ben had never allowed anyone to speak to him the way that she did, well, not until you came along. You reminded him so much of her that it was astounding and he wasn't going to admit that maybe it's why he liked being around you so much.

Ben frowns at what Diana said, thinking about the unusual feelings that were swirling in the pit of his stomach. He felt wrong and the feelings were odd for him. He hadn't felt anything remotely like this ever in his life, not even for Countess.

And although Ben refused to be afraid of anything, the feelings he was having scared him. He didn’t understand and he wasn't sure that he wanted to. He wasn't sure that he wanted to see where this ended up. He felt like he was in too deep.

As much as he wanted to go to you like Diana ordered him to, he wasn't sure that he should. Something was holding him back, digging it's heels in and refusing to budge.

But why do I feel like-

His phone rings and he doesn't look at the caller ID when he picks up, expecting it to be Diana again, yelling at him.

"Di I-"

But it's not Diana.

"Hello Ben. It's nice to hear your voice again." The familiar voice says, sounding calm and collected.

"What the fuck do you want?" Ben snarls.

"I thought it was time the two of us had a chat.”

A/N: At this point Diana is really just trying to give both Ben and the reader the kick in the pants they need. And yes I know another cliffhanger, but you know you love it. 🤭😉 We are quickly reaching the end of this series, but that means the confession scene is coming and I am so excited about it!!

As always thank you so much for reading! Reblogs, likes, and comments are not required, but are always appreciated. I love hearing what y'all think! If you'd like to be added to the taglist for this series let me know. 😊

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