#because they has so so much potential to be there for each other here

[buddie911abc]

Here I go again.

Buck asks Eddie if his son is the real reason he doesn't date. Eddie responds with, "That and, they weren't my type."

This has been a flag for everyone who reads the subtext, but let's take a moment to look at the last GIF.

Eddie says they weren't his type. Buck turns around to look at them and probably assesses what makes them, 'not' Eddie's type because the girls were all subjectively pretty. There were also a variety of types of women there.

But look closely at the GIF. Eddie said they weren't his type. While Buck is glancing back, Eddie gives Buck a quick look that really screams, "You are it. You are the type." When I noticed this from the GIF edit, I thought it might be the creator slowing it down, but nope. If I look at the episode, it is the same or nearly the same. This is early season two, and I have always thought, in the early episodes, there was no intent to pair Eddie with Buck as anything but a friend. However, this scene makes me wonder at what point Tim M or whoever was writing changed their minds about adding in a subtextual narrative.

I find it very difficult to see this scene as a heteronormative exchange. In fact, it even feels like Eddie is pushing back a little to test where Buck stands. Buck as a character who lacks self-awareness gives a mixed signal answer. (which tracks with his character at this point and matches his coming-out arc.) **edited to clarify** Buck's mixed signal response to Eddie saying they aren't my type is, "Not mine either, at least not anymore."**

A few seconds later, Buck says Eddie has a weak excuse. My lovely and wonderfully sassy Eddie says, "You live in your invisible girlfriend's house, and you're telling me about weak excuses." He essentially points at Buck's closet door, but of course, this is something that Buck couldn't see or pick up on at the time. These moments are small in the grand scheme of the show as a whole so I'm afraid it will be forgotten. It would be nice to have some sort of throwback acknowledgment that this scene hasn't been retconned.

To backtrack a little bit here, I would also like to point out something else about the early timing or the writing of these characters as potentially queer. They are outside. (True I don't understand the ins and outs of filmmaking so there may very well be a reason for this.) But the shot itself is making them walk close together. Not just close, their shoulders are literally bumping against each other, hitting and knocking at each other in a way that might appear "unintentionally" intimate--until you remember they are outside. It seems to me like there are dozens of ways to shoot this thing that don't require them to be so casually physical with each other. For the scene to be shot like this and then consider the canon conversation that took place, it feels quite intentional that the writers wanted viewers to look closely for something else.

Whenever certain people call Buddie shippers delusional, I think about this. Subtextual language aside, the scenes are shot in such a way as to plant the idea of "More." There is attraction here. There is flirting.

Someone, somewhere wanted to tell this story from the start; and I'm not mad about it. I'm 100% here for it, and I'm ready for it to go down as the most epic love story I've ever watched or read about, but I also admit that I want it to be canon, not so I can throw it in anyone's face that their ship is wrong, but so I can prove I'm not some weirdo putting two hot guys together. I'm seeing a real romance being built. I want that validation as much as I want everyone under the LGBTQ umbrella to see representation for themselves on screen.

If you want to see the scene, go to about 3:05.

[redux-iterum]

Oh yay! Apprentice asks!!! Can we get a small look at all the Kindling apprentices relationships with their mentors?

I'm going to just be doing the ThunderClan apprentices, because I have no idea on any of the other Clans, since they weren't relevant enough to design:

Tigerclaw and Sandpaw: Easily the most emotionally distant pair of mentor and apprentice out of the five. They didn't think too high or too low of each other - the pairing was decided by Bluestar with the specific intention of managing Sandpaw's temper and guiding her into a more sensible, calmer warrior. Tigerclaw was the cat everyone respected, to the point that even the cat with the worst attitude in the Clan (Darkstripe) submitted to him and enjoyed his company (not that Tigerclaw was super close to anyone at this point in time). That said, Tigerclaw hadn't really wanted another apprentice, but he knew he was the cat for the job, so he agreed to it. Sandpaw needed his discipline and stoic sternness to grow as a person and actually get some learning done. It worked out pretty well, I'd say.

Redtail and Dustpaw: Now these two, on the other hand, very much enjoyed being paired together. Dustpaw deeply admired the deputy of ThunderClan for his cool head and excellent work ethic, and Redtail was fond of his overly-rules-oriented little student who could use someone more casual and friendly to study from. Dustpaw was eager to learn and Redtail was eager to teach, and he saw great potential in Dustpaw that he hoped to channel into a leadership position one day. The only pair in this list more perfectly matched than them is the one below this paragraph!

Whitecloud and Ravenpaw: Whitecloud was not remotely surprised when Bluestar approached him and asked if he would mentor the scrawny, shaky little puffball of anxiety who took a full month more than the other kits to be coaxed out of the nursery. In fact, he'd been observing Ravenkit and felt a pang of sympathy every time the little guy flinched or ran away from someone who raised their voice just a bit too loud. Ravenpaw was still terrified when he had his ceremony, but he quickly found that Whitecloud was the first cat he could really relax around and feel...well, maybe not confident, but certainly less panicked and doubtful about his self-worth. Whitecloud never once raised his voice above a near-murmur around his apprentice or used anything but a gentle vocabulary, and it did wonders for helping Ravenpaw utilize his intelligence and learn more easily and quicker than everyone else. But Ravenpaw still needed a push to be able to speak to his fellow apprentices... luckily, a young kittypet with a soul as soft as down-feathers came along and helped Whitecloud out quite a bit with that. Safe to say that Whitecloud is incredibly proud of Ravenwing for having grown as much as he has since becoming a warrior, and Ravenwing is immeasurably grateful that Whitecloud was there to help him every step of the way.

Lionface and Greypaw: Discussed this here!

Bluestar and Firepaw: Well... we did see how that went from a first-person perspective. What Fireheart wasn't in the right head to see was that Bluestar had quite a bit of anxiety about him - she was very worried that she'd made a mistake and couldn't put her money where her mouth was to raise this very un-ThunderClan cat into a proper ThunderClan warrior. It took her a bit, as it took everyone else, to realize that Firepaw was going to be a perfectly fine warrior, but there was no way she could force him to be anywhere near as aggressive and distant as ThunderClan is famous for. In fact, more than anything, he seemed to be encouraging the younger cats to be as soft as he is! Bluestar had no idea where that was going, but despite her nervousness about it, she couldn't help but be interested in seeing where this little guy was going to go next.

[batneko]

last night as I was trying to fall asleep my brain gave me a story about Bowser as an imprisoned dragongod who is worshiped but enslaved, kept in a cave where he can't do anything but watch the outside world. He can tell the worshipers what to do (within reason) because his powers are so useful to them that they know if he ever gets angry or miserable enough to off himself they'll all be screwed. They have a LOT of enemies, who all assume that the god is their willing ally, and would be more than happy to crush them the moment they have the chance.

the closest thing to affection Bowser ever had was the woman who decided to bear his child. He genuinely believed she wanted to be the bride of a god, but the moment she was sure she was pregnant she left without even looking back.

years later, when he's told himself he doesn't care anymore (he obviously very much still cares), he sees a beautiful sweet princess and decides he wants her. He orders his "minions" to capture her and present her to him as a... permanent guest. He doesn't think she'll like being a prisoner, of course. HE sure doesn't. But he's stuck down here with no hope of escape, ever, and he can at least make her stay very comfortable. She's a princess, she must be used to being in a gilded cage.

though he knows that the princess has protectors, and they've made things difficult for his followers over the last couple years, he never gives them much thought. Bowser never imagines that they'd be so determined to protect the princess from him that one of them would disguise himself as the princess and willingly get "sacrificed" to the inescapable dragon cave.

(this was briefly brought up as a potential plan by the brothers, but discarded immediately because they don't want anybody to have to be stuck with a dragon forever, especially not each other. But then they got separated and Luigi was the only one left to protect Peach and they were captured and there was no time to spare and... it was the only thing he could think of.)

Bowser is furious, of course, but what he really wanted was companionship. If this random guy is who he's got, it's who he's got. And the random guy is weirdly optimistic about this whole thing, although he's scared of Bowser he never once stops believing that his brother will be coming to save him. No matter how much Bowser explains that not even a god can get out of this hole, Luigi insists that it's only a matter of time. His brother will come for him.

(he does, of course, freeing both of them.)

And that was as far as I got! I probably won't ever write it because it's too dramatic and also absolves Bowser of most responsibility for the evil done in his name. I like Bowser as a villain who really isn't justified in what he does. That's where the spice is! 🌶

But it's fun to think about Luigi being his usual nice guy self around someone who isn't used to being treated like a person, on multiple levels.

[soshadysoquiet]

The Subway book, The Hug, and what I thought would happen as I watched S4

I wanted to know the story of the subway cipher-book, one of the bits I'd have loved to see in S4 was them solving or working to solve the subway.

I thought when they found the cipher / Five brought it to Strawberry Land that it would play an even bigger part than just a deus ex machina

Here's a few different things I thought was going to happen once E5/E6 hit us:

*Going to insert my unpopular opinion here that I don't feel it was majorly off-brand for Five to have left when he did at Diego & Lila's house or all the other Five's to be in the diner:

He's resorted to escaping awkward and emotional situations in the past at the drop of a hat because he thinks he can solve the situation / just doesn't want to be there anymore. (he implies in S1 that he was going to use a briefcase to 'start over' ergo abandoning 'these' siblings potentially for a different set?)

He's always looking for ways to buy himself time, in the subway he theoretically has endless time to sort shit out. (He's typically made bad, seat-of-the-pants decisions about this too when backed into a corner - The Handler, typically)

*Granted, I only watched S4 the once and can't remember if there's more to it. Happy to be disagreed with if I've forgotten something!

*Second unpopular opinion is that I don't really care about the cheating after the length of time it had been as much as how it didn't feel like that length of time / build up of the relationship looked Very much like they were both into 'not-sane-consent' ish territory / the relationship being in-character itself wasn't conveyed well enough personally.

**Edit - as I'm having another resurgence of rage over S4 atm I was watching a review vid on it and had completely forgotten that Five blipped out on his whole fam in the middle of the life and death Ben Blob match. I rescind my above opinion on how this is in character.

So, without more rambling:

First Thought:

Five x Lila happens as it did but when they get back and Five sees Lila with Diego and her family he realises that what they had was a distraction / a crutch etc and he leaves. He goes to the subway (Lila has the cipher). He realises that in order for them to ever get back home, which he ultimately wants because he cares for his family and what he had with Lila, that someone needs to make the cipher. So he stays and makes it. He stays in Strawberry Land for the rest of his life and dies there alone, creating the way that his family can be safe.

Lila realises he's missing and before the whole thing comes out to Diego (or after, whichever you prefer) she goes to find him in the subway, she sees he's gone, looks in the cipher for an answer as to where he could be / to go find him (she might be choosing to stay with her family and Diego over him, but they shared precious trauma time in the trenches down there) In the back of the book there's a note, for her, that she would only understand now (something like 'family has always been our start and end point dear one, don't lose yours now that you've found what I once took away from you' - or something sappy / romantic and eloquent, let's not kid ourselves that Five would be an absolute sap about it)

Lila breaks down crying. At which point because the Timeline is so very fucked right now Five from a few days ago (for him) years ago (for her) appears on one of his first forays into the subway when his powers first start to fuck up. He sees her crying like the world is ending and comforts her (like we see him do with the hug).

Five, for his part, just accepts and believes her that she's been time travelling and has solved things because they have an intellectual respect for each other, and maybe she realises that she still has that?

Either way they go back and the ending could be whatever you prefer at that point, Diego and her making up, not, him finding out, not, them all dying together, not.

Now, the idea of this being how OG Five's life ended (alone, again, at the end of the world, but with having dedicated himself to his family, after losing everything) is completely tragic, it's an awful ending, I'd have been sick with grief. But I'd have felt a hell of a lot more about it than I did the ending, by which point I just wanted the show to end so I could stop watching it.

Second Thought:

The Diner Five's worked together to come up with the solution to save the world / that it can't be saved (enter preference of choice I'm ambivalent) but with more meaning than just 'you turned up and we told you'. I want Five to rail at the news, I want him to break down, I want there to be one last fight before the acceptance if the end is what is coming.

Third Thought:

Diner Fives direct Five to Off The Rails Oldest Man Five who wrote the cipher, and they have the same sort of thing as the above with the saving / not saving of the world.

Later Fourth Thought:

Very similar to 1, except that Lila on looking at the cipher realises it changes handwriting half way through to hers. The sappy message is from Old Five that he tried to finish it so that she could save their family, it was both of their goals after all, but he was so sorry that he couldn't, and has to put it on her. She breaks down, realises what she has to do, she stays in the subway and finishes the work, sacrificing herself to her family's survival as he did, but she leaves a big note in the front to the Five that's going to find this (some Lila-esque insult that the pair of them need to use this cipher to get home now don't stop don't pass go etc, and she leaves it where she knows they'll find it the first time when they go to the cottage, maybe leaves their younger selves some advice). Then it's a bit like 'The day that wasn't' in that we see younger Five and Lila retrieve This book, maybe wonder at the odd messages in it that are in turns insulting and heartfelt, and they make it home after long years but back to their family. They could either hug because of the relief that they have a way home, or because both Old Five and Old Lila realised and wrote that the world can't be saved, or because Lila sees that she left / cheated on her family and realises what she had to lose and Five realises what he nearly let himself lose too / how he's been pushing his family away and insulting them and that was never what he spent his life searching for.

Not saying any of these would have been better, but I kind of like them as options :)

[youhavethesun]

jess and rory s6 in her bedroom at her grandparents house,, I don’t know why I do this to myself but I just watched a clip of that scene and I have tears in my eyes. i’m not even saying this for exaggeration i’m genuinely tearing up.. I feel so nauseous like what we could have had !! they were both so happy to see each other. jess’ “you graduate already doogie?!” like he is so completely ready to be overjoyed for her and rory’s little speech about finding the subsect in bookstores and writing her own recommendation notes is just… I am beside myself at how happy they are around each other here :((((

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[mymarifae]

does anyone want to join me on the aventurine/argenti train. it's got all the perks of being as funny as any other argenti ship - especially given the random absurdity of their first meeting. what the hell was argenti doing in the depths of the nihility? who even knows anymore man. but like also i think it has the potential to be really sweet?

aventurine hasn't let anyone In since his sister died. he's long since forgotten how to Trust, and Love, and how to BE Loved. and this, combined with enormous amounts of survivor's guilt and trauma and being treated as an object, has really done a number on his self-esteem. he doesn't act like it (because he's learned that it's dangerous to be vulnerable; it's the one gamble he's not willing to take), but 2.1 gave us that glimpse into his inner dialogue and it is Bad in there

between his conversation with acheron, the note veritas left for him, and finding a sense of closure in the apparition of his younger self, he's on track to becoming better. we can see it in the way he pretty much immediately reaches out to the trailblazer to get some things off his chest once he gets his phone working again. and the way he's accepting what is basically a form of therapy from the doctors of chaos. but his self-hatred has been building up for years, and it's going to take a long time to unpack and unlearn all of that

so like, in comes argenti, right? he's a loud show-off, but he is SO earnest. he sees the beauty in everything and everyone. he's kind, and gentle, and so full of love. he also comes off as a bit... lonely to me? he's spent so much of his life chasing after idrila's shadow, and only catching a glimpse of them in his many near-death experiences (and isn't that something to think about...........). he's not like, secretly miserable or faking or anything - i think his exuberance is 1000% genuine. but humans are social creatures; everyone wants and requires at least some form of closeness and intimacy. to have a love to pursue in This realm... someone he can see and hold without needing to have one foot in an early grave . i think that would be good for him. that's all

anyway, it's clear that argenti was pretty enchanted by aventurine

like yeah that's kind of just how he talks normally but !?@,%&#& that's a lot of awfully romantic things to say about one specific person out of the several you apparently rescued (??????? god i love this guy he makes no sense. literally why are you even here bud). it seems that aventurine's more subdued state left an impression on him too, and well wouldn't it be pretty in character for him to start popping in randomly... as he does, because he can apparently just go wherever the fuck he wants. to check on this sad yet oh so beautiful peacock.. to try to bring a true smile to his face... to show him how kind and beautiful the universe can be......

i think aventurine might have a hard time laughing off offers of comfort and company and the beginnings of a courtship if it comes from someone like argenti. this man couldn't be disingenuous if he tried. he doesn't wear his heart on his sleeve as much as he rips it out of his chest to show you. it'll be a learning curve regardless - aventurine is too used to needing to constantly prove his worth to keep anyone around and to keep them from hurting him

but do you see it. do you see the vision. do you see how Sweet this could be. aventurine is about to receive more roses than he'll know what to do with

[tenwhiteandalusians]

so no one was going to tell me if i got literally one episode further tenax drops that he’s the one who saved scorpus from his mom’s pimp AND that he’s intimately familiar with scorpus’ dick when he was younger. guys. guys.

[wizardnuke]

now a dnd party with a strong bond and synergy is great and all and i'm confident that my party will get there but as of right now only about 5-6 sessions in we've had multiple shouting fights, countless threats, and one instance of pvp. now. i hope this changes. me and one guy are sort of working to fix that. but it's so fun don't discount the joys of you and your friends pretending to hate each other

[spicyicymeloncat]

Guys what if ex-villain Misako? What if the reason why Lloyd went to Darkly’s isn’t because of Garmadon, it’s because Misako has personal connections. And while she isn’t evil anymore, it would make sense as to why she opted to leave Lloyd, yknow. Like she thought she wouldn’t be a good parent. And also why she dated Garmadon in the first place. Also it makes their relationship so interesting. Rage filled person who is trying to fight the temptation to be evil x seeming innocent secretly devious person. It would be great.

[horrorwebs]

fUUUUUUUIIICCCCCKCKCKKKCKCKCKCKCK

[gibbearish]

ok i finished the first chapter and am gonna take a break now but im v excited to keep reading im really liking the way the author looks at things so far

[hadesknockedupintheunderworld]

Existing in Prime fandom is seeing posts about Nine and 99% of the time either thinking "congrats, you fell for his act" or "...and you just believed what other characters said about him over his pattern of actions?"

[yeah-thats-probably-it]

Hot take maybe but I think Bertie would be FAR more likely to survive the first two months of Dracula than Jeeves would be. Bertie has a healthy sense of self-preservation. Jeeves consistently underestimates how dangerous a situation might get (Steeple Bumpleigh, the club book) because he’s overconfident about his level of control over any given situation. He'd handle Dracula masterfully if they faced off in England, but on Dracula's home turf? Much more doubtful.

I realize this might be a tough sell, so I will explain further (or it's not a tough sell, and I'm going to explain further because I want to). (criteria taken from @canyourfavesurvivecastledracula) Without further ado.

Would Jeeves and Wooster survive Castle Dracula?

Jeeves

Jeeves' survival will depend on how long Dracula finds him more entertaining than irritating. On that basis, I don't think he's long for this world. On the one hand, he has a huge wealth of knowledge about English society and culture that he can recite perfectly from memory. That should buy him at least a little time with noted teaboo Dracula.

On the other hand, he would be absolutely no fun as a vampire plaything. Jeeves cannot be got. Sneaking up on him while he's shaving will yield zero reaction (though that's at least good for his short-term survival--given that, although he DID take the crucifix from the old woman out of politeness, he certainly isn't going to wear it. The rules of fashion don't go out the window just because you're in a spooky castle). Then, although managing the whims of rich jerks is not an insignificant part of a valet's job, Jeeves usually does this by bending his employers to his will. Dracula is not the sort of employer this will work on. It'll just add insult to injury when on top of being impossible to scare, NOW Jeeves is telling Dracula that his favorite cloak is several centuries out of fashion and he's not allowed to wear it anymore.

Jeeves will 100% go exploring in the areas he was told not to go-- though to be fair, he MIGHT actually get away with this, what with his superpower of appearing in rooms without being seen or heard. Said superpower might save him from the brides as well (though this is by no means guaranteed). Since I find it doubtful that Dracula would come to rescue his annoying ass, not being noticed is his best defense.

There are a couple other things working in Jeeves's favor; the question is just whether they'll be enough to save him.

He DOES know shorthand, and could try to send coded letters. He might even have the foresight to squirrel away some extra stationary where Dracula can't find it. But could he get them posted? Would it even do him any good?

He certainly has enough cultural literacy to figure out what his new boss is pretty quickly. If he didn't chuck the crucifix out the carriage window, he might start carrying it around in his pocket.

Psychology of the individual, sure, but the individual in question is a 400-year-old vampire who lives in an isolated castle in a foreign country and is regarded as a terrifying mythological figure in the surrounding villages. Jeeves has never come up against anything this alien before, he's cut off from his normal resources, and opportunities to play people against each other are limited.

He probably has enough upper body strength from all that shrimping and fishing to climb the wall, so he COULD escape if he wanted to, if he survived long enough. It's just, again, that overconfidence, and also Dracula has a vast library full of rare old books that are entirely at his disposal. He's keeping his eyes and ears alert for potential escape strategies, of course, but I don't see him being as desperate to get out as Jonathan was.

There are just a lot of "depends on"s here, and I'm not convinced that luck would shake out in Jeeves's favor, all things considered.

Bertie

Bertie is so perfect for the job of Castle Dracula Prisoner it's like it was made for him. Think about it. Being held against his will in big manor houses comes more naturally to him than breathing. He's afraid of things that are scary. A lifetime of dealing with Aunt Agatha has made him the world's preeminent expert in "curl[ing] up in a ball in the hope that a meek subservience [will] enable [him] to get off lightly." He will NEVER go exploring in places he's been warned away from if nobody is forcing him to (Rev. Aubrey Upjohn's office notwithstanding. There were biscuits in there). He's both fun to talk to and easy to toy with (and extremely English). A+ prisoner. Dracula adores him.

In my opinion, Bertie is at Castle Dracula either because Aunt Agatha got some wires seriously crossed and thinks he’s going to meet an eligible potential bride (I mean, there are certainly brides there), or because Dracula has something Aunt Dahlia wants him to steal (far less likely, given that one of Dracula’s THINGS is famously not owning anything silver). Either way, he's shown himself entirely willing and able to escape down drainpipes if a sitch gets too scaly.

He DOES take the crucifix, and DOES wear it (which is what will save him during the shaving scene, because you KNOW he's going to jump a foot and cut himself like the dickens). He's read enough supernatural goosefleshers to be genre savvy about terrified old women cryptically pushing crucifixes into one's hands. I also think his sunny disposish endeared him to the villagers, and they were particularly vehement about urging him not to go. He doesn't speak German or Romanian, but he's empathetic enough to recognize Pure Terror. So by the time he actually gets to the castle, his imagination is already running wild and he's plenty aware that he is in imminent danger.

I think the biggest risk to Bertie will be the brides; whether or not he's susceptible to trances, if he thinks they're trying to marry him, it's against the code of the Woosters to turn them down. But that only becomes an issue if he comes face to face with them, which, luckily, I think is unlikely on account of the aforementioned "won't go exploring" (and if he did, Dracula would definitely rescue him).

I'm inclined to say due to his drainpipe-escape habits that he WOULD be able to climb the wall and MAY attempt to sneak into Dracula's room to look for the keys if his desperation grows to outweigh his fear. Whether he does or not, though, he does NOT have the stomach to attempt shovel murder, and therefore won't get magic brain fever, and may very well simply walk out the front doors when the people come to take the boxes away. OR he climbs his way out like Jonathan did. Either way.

When Bertie tells this story at the Drones later, Tuppy will say that no doubt it's been greatly exaggerated and all that probably happened was that he spent a couple months in an oldish house entertaining a weird loner.

[yamujiburo]

Why I Love Hanamusa

I get this question very frequently but have never given a really in depth, definitive answer. All just kinda implied through my comics and spread out asks. So here's this I guess! Long post ahead:

First, as a Pokémon fan in her mid 20s, I love seeing a ship where the characters are both in their mid/late 20s. Already, they’re much more relatable to me and my current experiences. Most Pokémon ships are between preteens, which can be cute but ultimately don’t interest me as much as they used to when I was a kid myself. Not enough to get super invested in and draw a lot of fanart for anyways haha.

I’ll also start by saying that canon doesn’t always influence whether or not I’ll ship something. I’m much more drawn to potential. Could the characters work together? Do their personalities work together in a nice way? I feel like this so much of fanon is anyways. Especially with queer relationships because they’re rarely depicted in the first place. A lot of the context for these ships is usually up to the fans to piece together or make up in general. And that’s the fun part to me!

Jessie and Delia have only met in the anime a handful of times. Any interaction they’ve had has either been pleasant, or just a typical Team Rocket interaction, with Delia dismissing them/not seeing them as a threat. Already a great jumping off point for me since, truly, they don’t have any actual beef or true, ill feelings towards each other. It’s not TOO out of the realm of possibility for them to potentially fall for each other. “But Jessie chased Delia’s son around trying to steal his Pokémon!” That’s where that dismissive and aloof attitude that Delia has comes into play. I’ll go more into Delia’s whole deal a bit later but I do think this aspect of her personality is a large reason why this ship can work. It’s not that she doesn’t care that Jessie has a bad past, but she can tell that, on the inside, Jessie’s a good person. And, in a scenario where Jessie is trying to become a better person, is forgiving enough to give her a shot. I feel like this is such a solid foundation for a ship. A character who has done wrong but is trying to be better and another character who is willing to help them be better. A classic dynamic!

It’s not just one-sided though; where Jessie is the only one benefitting and learning from the relationship. I believe Delia could get a lot out of being with someone like Jessie. To understand why, I think it’s important to know these characters’ respective backstories.

Jessie is an orphan/foster child who grew up in poverty. Her mother Miyamoto (from The Birth of Mewtwo) was a Team Rocket operative herself, who went on a mission to find Mew. In order to do this, she had to leave Jessie when she was just a toddler. Unfortunately, Miyamoto went MIA on her mission leaving Jessie to more or less fend for herself. Jessie went through life with zero stability, evident by her MANY different careers and constant moving around. It’s implied in the show that she went from foster home to foster home, and later in life tried being an idol, weather girl, florist, wine connoisseur, actress, most notably a nurse and finally a Team Rocket field agent. And even while in Team Rocket, she, James and Meowth were always doing odd jobs to get by. We see that Jessie used to be a sweet kid, and even adult, but the world and her circumstances repeatedly did her dirty, leading her to become the character we know today. Hot tempered, mean, selfish, etc. But despite this, her soft side does still shine through for the people and Pokémon she cares about. She is incredibly loyal.

Delia, unbeknownst to a lot of fans, also had a rough past (see Pocket Monsters: The Animation). Like Jessie, she had a lot of dreams and aspirations like wanting to be a model and even a trainer. But when she was 10, her mother didn’t let her, telling her that she had to stay home and learn to run the family restaurant (she’s an only child). Delia’s father left her and her mother to be a trainer, and never returned. When she was 18, she married Ash’s father and became pregnant shortly after. But right after Ash was born, he also set off to be a Pokémon trainer. And soon after that, her mother passed away, leaving Delia with just the restaurant and baby Ash. This gives so much context to Delia’s attitude in the show. We see that Delia is pained whenever Ash leaves on a journey, but she never shows that pain to anyone. ESPECIALLY Ash. She’s very quick to shoo him off when he shows any sign of wanting to go on another journey and even when he returns home, she acts more excited to see Pikachu than him almost every time. Without all this backstory, it’s easy to just read this as a funny gag, BUT with context, I think it really shows how quickly Delia shuts down and detaches in order to not confront her own feelings. She’s afraid of losing people and getting hurt again.

All that said, I think Jessie and Delia provide each other with EXACTLY what the other needs. 

Aside from becoming rich and famous, Jessie’s biggest aspiration is to get married. In my opinion, this is more so an underlying want for love and stability. There is no one more stable in the show than Delia. Delia’s lived in Pallet her whole life, she’s worked at the same restaurant since she was young and she is always there when Ash comes back home. She has all the love, patience and stability Jessie needs and craves. While forgiving, Delia’s not stupid and can keep Jessie in check. Delia’s also just an angel, which I feel, would make Jessie want to be better. And on top of all this, on more of a surface level, Delia’s a chef and excellent cook. She shows love through cooking and Jessie, who grew up poor, regularly starving and eating snow, happily receives that love. Jessie’s able to live a happy and healthy life with someone like Delia.

Delia, as stated, is very stable. Likely pretty monotonous and solitary, especially living in such a small town like Pallet. This isn’t a bad thing but it’s a little sad when you consider that Delia also had dreams of traveling, being a model and a trainer. She had to give up so many dreams in order to fulfill her duties as a restaurant owner and mother. And even now, when Ash is off on his journey, she feels the need to always be home and be that stable pillar, leaving behind any ambitions she had, thinking it’s too late for her (she’s only 29 btw). But then along comes Jessie, dangerous, passionate, an absolute firecracker. Someone who’s whole life has been about chasing dreams and either, never giving up on them or finding a new dream to chase. Upon learning about Delia’s past aspirations, I could see Jessie pushing her towards them, letting her know that life’s too short and she has nothing to lose from trying. On top of this, Jessie’s also loyal. She, James and Meowth are depicted as doing anything for anyone who gives them food or shows them kindness. Delia does both so there’s no way Jessie would leave her. This fulfills an essential need for Delia, who is afraid of the people in her life leaving her.

There’s so much potential for mutual growth and learning between these two and I adore that. They compliment each other, they help each other and they bring out the best qualities in one another.

I’m not really sure how to end this and I could truly talk about them even more but I don’t want this to be tooooo long haha. OH I could end it with maybe the most funny aspect of this ship that I've brushed over and also what drew me to it in the first place. Jessie. As Ash’s stepmom. THE END.

[sunnami]

❝time will tell.❞

[credits to the original artist of the photo!! can't seem to find their @ anywhere. title is taken from jane austen's persuasion, as was the first part.]

summary. ❝you are loved. and harry thinks there is no better description that that.❞

pairing/s. poly!mauraders + lily x reader.

word count. 9.5k.

tags. reader is referred to mum, with she/her pronouns[!], canon-typical violence [!], canon-typical deaths mentioned[!], very brief marauders as soldiers of the order[!], creepy old men being creepy[!], child abuse[!], pureblood arranged marriages, a minor character expresses wanting to die[!], Depressed and Traumatized Slytherins, the capital is important[!], themes of misogyny [!], teen boys fuck around and find out there are consequences to their actions, THERE IS ACTUALLY A LOT OF FLUFF, I PROMISE YOU, angst, children lose their baby teeth up until the age of twelve!! google said so!! not proofread we die like dobby the free elf

note. damn, i cried, you cried, we all crode. tbh, the first part was only intended as a oneshot, sdfkhdf, but when i re-read it, i thought that i could have expanded on more details,, so now here we are!! i love it more than the first part ueueue. thank you all so so so much for the kind comments :((( please please enjoy the second part to this installment!! part one

HARRY JAMES POTTER was only a few months old when you died at the hands of Voldemort — or as strangers have told him every time they ravaged his personal space and ogled at his scar. They said it was a quick death, better than what had happened to Alice and Frank Longbottom. But that was all they’ve ever said about your death. Unfortunate; caught in the wrong place at the wrong time, entirely different from the pedestal James and Lily have been put on by the wizarding society. 

At first, Harry had wondered if it was due to your blood relations, being the daughter of a renowned Death-Eater, heiress to the fortune of a pureblood House. Harry can’t even count the amount of conspiracy theories he’s read or heard to his face that it must have been you who betrayed James and Lily, and not Sirius Black. 

Even Hermione’s shared to him a theory that your death was faked to surrender your loyalty completely to Voldemort — of course, Hermione was eleven at the time, head full of books and her favorite theories, and Harry’s already forgiven her. But there’s a part of him that despises the way he’s never known the full truth about his parents, just bits of information dangled in front of him like bait for people [read: the Dursleys] to get him to do what they want, to act like the way they want. Until Remus and Sirius, you were a stranger to him, really.

. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .

(1976; CURRENTLY, IN THE PAST.)

IT IS RATHER UNFORTUNATE that Madam Pince has already taken her position as the unbearable librarian at this point in time. The woman gives Harry and you a pointed look as you slam the large book onto one of the tables — to Harry’s surprise, you glare right back at her. You’re awfully flushed, however, blushing cheeks betraying the fire in your eyes; it must have been from when Remus escorted the two of you to the library; he had tried to brush your hand with his pinky, to which you had responded with a startled hiss — Remus only smiled and chuckled at you, and Harry swears he’d like to forget that entire interaction because he saw literal stars in Remus’s eyes.

Jumping back in time and potentially causing chaos? Fun. 

Meeting your parents? Definitely fun, in the strangest of ways. 

But watching them pine and fall for each other? Not so fun. 

Nonetheless, he hesitantly takes the seat across yours and watches you flip through the pages until you land on a chapter with the large, bold letters: THE CURIOUS CASE OF ELOISE MINTUMBLE — Time-Travel and Its Many Dangers. He meets your gaze with a sheepish grin, mustering a look of innocence; except the puppy dog eyes only worked when he was nine — you are not amused. 

You slide the book towards him, scarily resembling Molly Weasley when she’s miffed with the twins. “You are aware, right, that just by existing here you’ve changed the future? Your future? And, that’s not even the worst thing that could happen.” 

Harry sulks. “Yes, mum.” He prefers not to think about it, actually, it makes his head hurt. 

“Don’t call me that in public!” You whisper heatedly, looking over your shoulder to check if anyone had heard him — to your luck, the library was empty, save for a Hufflepuff that was passed out on top of his books. “The less people that know about this, the better. It’s bad enough we told Potter about you. Do you even know what you’re going to do?” 

“Considering I was thrown here against my will, no.” Harry shrugs. “And to be honest, I was just going to obliviate the people who asked too many questions.”

You reach over to smack his head, scowling.

“Ow! That hurt!” Harry rubs the sore spot as he grumbles petulantly. “This is technically child abuse, did you know that?” 

You roll your eyes. “Do you at least have a plan to get home?” 

“Of course I do,” Harry retorts with a scoff, “Her name is Hermione Granger.” 

“Hopeless.” You groan exasperatedly. “Absolutely hopeless.” 

Harry only grins in response. For a brief moment, he forgets about the present — his reality where the skies are bleak and home is where he knows the feeling of loss more than the warmth of his own parents’ embrace. He lets himself forget, and pretends he isn’t the Boy Who Lived. Just some random boy who’s pestering his mother — even if she likes to deny the inevitability of being romanced by the Marauders, (except for Wormtail because Harry would eat troll slime before he ever lets that happen.)

“Right then,” You say after your tangent — which Harry tuned out when he hears the words, be responsible. “If I’m going to help you get back home—” 

Harry’s heart drops to his stomach; as selfishly as it sounds, he didn’t want to go home just yet — not to where people just took and took from him. He’s exhausted. Still, he puts up a front of being excited to be returned to his timeline. It’s for the greater good, of course, because his existence — present or past — is always somehow a threat to the wizarding society. 

“—you need to answer this one question for me.” Your voice drops lower as you stare at him intently, lips pressed firmly. 

Harry nods slowly. “As long as it’s within reason, yeah.” 

You inhale sharply. “Do I outlive Dolores Umbridge?” 

The wince escapes Harry before he can even stop it. 

That’s all the answer you need, apparently. Your mouth hangs open in disbelief, eyes nearly bulging out of your head as you slam your hands down onto the table surface, shrieking.

“That slimy bitch!” 

Needless to say, the two of you are kicked out of the library.

. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .

(1970; ORIGINAL TIMELINE.)

YOU ARE ELEVEN when your father introduces you to Ferguson, commonly known as Fergus, Bulstrode. He smiles at you with a leer, eyes hungrily dipping to the neckline of your dress. You grit your teeth as you hold out your hand for him to take — you almost shudder at the feel of his lips on your cheek. You eagerly take a step back away from him, hoping your father won’t notice the way you shy from Ferguson’s touch. You’re not dull, you fully understand the implications of this introduction and the way Ferguson is complaining to you about his third wife’s passing — as if you were the solution to his loneliness. Bile rises to your throat, and you shove it down with a forced laugh at your father’s jokes about Mudbloods. From across the room, Allegra Greengrass stares at you in sympathy, and you send her a glare — you do not need anyone’s pity. 

The corset your mother laced on too tight is suffocating you; this whole Yule extravaganza made for elitist purebloods is suffocating you; and yet, you smile and greet every red-lipped witch your mother introduces you to. For hours, you pretend, and you pretend. By the time the guests have left, you wonder if you have any more of yourself to give. 

You manage to convince your mother to let you slip away for the night. Without missing a beat, you rush outside and into the garden labyrinth, lest old Ferguson snatches you up for a dance and let his gaze wander elsewhere. For the first time since the sun had set, your aching feet finally find some relief. You drop onto the edge of the stone fountain as you toss your heels to the side. You begin working your fingers through your hair, ripping the glittery ribbons from your head. It’s not until you’re unclasping your necklace that you realize you are crying. Tears fall from your eyes, and they sink deep into the fabric of your dress. 

You barely hold back your sobs. Your chest heaves as you hiccup; your vision goes blurry as your fingers grow numb. There’s nothing you can do but cry. 

You’ve used up all your smiles for tonight. 

But then, the sadness turns into resentment and then turns into indignation. Harshly, you wipe the tears from your eyes as you rip a violent scream from your throat. 

You sink to the ground, perfectly polished nails digging into the soil as you gather patches of grass and tear them from the roots. You throw a handful of mud at the marble statues. You grab another fistful of mud, scream, then bash your head against the garden floor. You let out another cry, whimpering as you curl into yourself; shivering as a gust of wind brushes against your skin. Surprisingly enough, this is the most human you’ve ever felt. This is the most you have ever felt — period. 

When hiccups regress into soft sniffles, you lay on your back, watching the stars float above. As the last of your tears slide down your cheek, you lift a shaky hand to trace the constellation in the sky. It’s not a familiar one to you, but then— 

“That’s Sirius.” 

You sit upright in a snap, wiping away the wetness from your eyes as you muster a mean glare at the newcomer.

Sirius Black.

“Oh, none of that,” He tells you when you move to stand. There’s barely any emotion on his face and it irks you that you can’t figure out what he’s planning. What you don’t expect is for him to sit beside you, thereby ruining his expensively tailored suit. 

“You’ll get creases,” You scold him instinctively, nose scrunched — but your voice is hoarse; too tired to put up any pretences. “Your mother will be cross with you.” 

Sirius scoffs, laying his head on the dirt, making sure to smear his sleeves with grass stains. “Walburga can go fall in a ditch and die for all I care.”

You gasp. “That’s horrible!” 

Sirius gives you a look. “You don’t believe that.” 

You really don’t, but you don’t have the courage to admit it either. 

After a few moments of silence, Sirius asks, raising a brow, “So who was that?”

“Who was who?” You stare at him with knitted brows, toying with your fingers. You still can’t wrap your head around how weird this is — sitting with Sirius Black in the middle of your mother’s hedge maze, your once bright blue dress now sullied at the ruffles, eyes bloodshot and your hair a frizzy mess. (Sirius thinks you look cute, though; especially with your missing front tooth that peeks out every time you talk to him.) 

“Bald guy, older than Merlin himself.” Sirius makes a face. “Looks like a troll. Smells like one, too.”

A giggle flutters past your lips, and your hands fly to your mouth. You really shouldn’t be bad-mouthing your guests, but Sirius was right — Ferguson really did act like an ugly troll. You sigh, letting your arms fall to your side. “My betrothed.” 

Sirius nods in understanding. “My mother tried to set me up with my own cousin once.” 

You grimace. “Which cousin?” 

He sits on his knees to face you, and with a very solemn face, he says, “Bellatrix.”

This time, you laugh freely, throwing your head back as Sirius pouts at your amusement. “O-Oh, that’s golden.” 

“No, it’s not,” says Sirius, lips twitching as he watches you snort like a pig through your giggles. “It’s horrible. A literal nightmare. You should feel awful for me.” He pokes your stomach, and it just makes you laugh harder, eyes disappearing into your smile. “Oi. I said feel awful, not take the piss out of me.” 

“S-Sorry.” You wheeze, batting away his hand pulling at your cheek. “I just can’t imagine Bellatrix in a white wedding dress and saying her vows to you.”

“That’s disgusting.” Sirius gags. “You’re horrible, I hope you know that.” 

When you finally calm down and Sirius tickles your bare feet until you cry in surrender, the two of you lay on the grass as he points out each constellation to you. Later, he fishes a small box of sugar mice from his pocket and offers it to you, opening one for himself. “Here’s to shitty parents and the one day we get to decide our own future.” 

You bump your squeaky candy mice against his. “Cheers, Black.” 

“Will you go to Hogwarts next year?” He asks you once he’s bitten off the tail of his mice. 

You nod. 

Sirius shifts on his side, holding his pinky out to you. “We’ll be friends when school starts?”

Again, you nod, wrapping your pinky around his. “Friends.” 

The next September comes, Sirius finds a compartment and one James Potter in it. You sit with Allegra Greengrass and Endora Lestrange on the way to Hogwarts. You are sorted into Slytherin, and Sirius finds freedom and a home in Gryffindor. You play the role created just for you; you lift your nose at those beneath you, adorn yourself in custom-made silk clothing, and carry yourself with the etiquette of a pure-blooded lady. Perfect grades, perfect hair, perfect clothes, always picture perfect.

You pretend that Allegra doesn’t throw up in the evenings from the fear of getting married to a man twice her age. You pretend that you don’t notice Endora sleep-walking and begging for her mother to save her from her father. You pretend that under your blankets, in the Slytherin dungeon, you are safe. 

You pretend that it doesn’t hurt when Sirius looks at you in disappointment when you shove a Hufflepuff student to the ground for getting a higher score than you in Charms.

They call you an ice-princess behind your back, and you overhear some of the fifth-years calling you foul words as well, and no one steps in to stop them; there’s no defending a Slytherin, after all. But you are keeping your head above treacherous waters, and you suppose that is all that matters.) 

. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .

(1976; CURRENTLY, IN THE PAST.)

“SO ACCORDING TO THIS, Eloise was stuck in 1402 for five days until she was retrieved to the present, which means we only have four days left to figure out a way for you to get back home.” 

Harry sinks into his chair, arms crossed over his chest. The two of you had found an empty classroom to discuss your plans away from inquisitive ears. “What’s the rush?” It’s unfair, he’d only just met you, and now he’s losing time with you. 

You sigh. “Harry, Eloise Mintumble spent five days in the past and when she came back, her body aged five centuries, and she died in St. Mungos. It’s not just about altering the whole timeline, you could actually die.” 

When you are met only with silence, you close the book, frowning. “Harry? What’s wrong?” 

Harry swallows the lump in his throat, looking out the window to avoid your gaze. “What do you know about the Mirror of Erised?” 

Your head tilts in confusion. “That it shows our heart’s deepest desire.” 

“Yeah,” says Harry, nodding. “I was eleven when I found it.” 

“Oh, Harry. . .” 

It’s almost pathetic how quickly his eyes water. “Did you know, before today, I hadn’t known at all what your voice sounded like?” 

You stay quiet, and Harry sucks in a shaky breath. 

“When I looked into the mirror, I saw my parents—all of you. There I was, in the middle. You were behind me—happy.” Harry swipes a tear from his eye. “I wanted to stay in that room, stare at that mirror forever.”

“It’s—”

“Dangerous, I know.” He laughs bitterly. “Just like finally being able to meet you all here.”

“Harry, you aren’t supposed to be here in the first place,” You say quietly, eyes drooping sadly. 

“I know that!” He exclaims desperately. “But is it so selfish to just want some time? I don’t want an illusion, I want the real thing. A real family. Why can’t I have that? Bloody Malfoy gets everything he wants, and what do I have?” 

“Your friends,” You tell him firmly. “Your friends who must be worried sick that you’re gone and must be going great lengths to bring you back.” 

“I know.” Harry wilts. He’s got Remus at home, too, who probably needs him more than ever after Sirius’s death. “I know. But can’t I just have this one thing?” 

You purse your lips for a moment, brows furrowed in thought. Then, you break the silence with: “Do you want to hear a story?”

“What?” Harry croaks, peering at you through wet lashes. 

Shrugging, you say, “Stories to remember us by. I’ve got six years worth of stories and then some. I know it’s not much, and you’ve probably heard some of these already from the others in the future, but it’s better than nothing, right?” You lean against the back of your chair, glancing at the wall clock before grinning at Harry. “We’ve got time to spare, anyway.” 

Harry manages a smile, setting down his glasses before rubbing his stinging eyes with the handkerchief you offer him. He figures this is what Remus means when you’re the gentlest creature he’s ever known — just not gentle in what the world expects you to be. 

“What do you say, Harry? I give you tidbits of the past, and you tell me if you know anything about the next Triwizard champion, so I can place my bets in advance.”  

Harry snickers. “Not a chance, mum.” 

“Worth a try.” And the smile you give him is nearly blinding. 

. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .

(1977; ORIGINAL TIMELINE.)

YOU DON’T UNDERSTAND what it is about Gryffindors and their hobby of invading others’ personal space. 

A year into dating and James likes to shove his head under your shirt, claiming he loves the sound of your heartbeat — but you know really what he wants to nestle his head in between. The amount of cashmere blouses he’s ruined is absurd! Sirius has a hobby of tracing runes on the plane of your stomach. Lily prefers it when you sit in front of her, just within reach where she can wrap her arms around you and rest her head on your shoulder. Remus tends to lag behind the group when he notices you walking slower due to your leg flaring up. He kisses the side of your head and promises to chase the pain away — sappy poetic that he is. And in the moments where all five of you are together, tucked under a wide alcove, you can best believe there is no escaping what they like to call, a cuddle pile. Limbs are tangled, kisses are shared, and confessions of love are whispered. 

Before them, you hadn’t really known the different ways to love and be loved. 

Onto the pressing matters at hand, you discover that the brazen show of affection extends to their parents as well. Particularly, the Potters. After a year, you finally caved into James’s requests for you to spend the holidays at their manor, since the others have already made a space for themselves there, and James had said it would be an honor for you to feel at home with his parents, too. Honestly, you spoil them too much — one look into his bright, wide eyes and you gave in. James didn’t even care that you brought two luggages for clothes alone; he lifted each bag with delight and with ease. 

(Remus had the audacity to laugh when he caught you and Sirius staring at James’s flexed muscles, mouth wide open. 

“As I have said, Remus Lupin, I do not drool!”

“Sure, dove, whatever you say.”)

But now, you really aren’t so sure of your decision. 

“Oh, she’s beautiful, Jamie!” Euphemia encases you in a bear hug the moment you step inside the manor. You’re engulfed in the scent of cinnamon and burnt sugar. You stiffen as she cradles your face in between her palms, smiling ever so fondly at you, cooing about how precious you look, much like a mother would — and how your mother never did. You wonder if this is what you’ve been missing all along — the thought stabs you right in the heart. “Please excuse the mess, dear, we haven’t had the chance to clean up yet, Monty and I are excited to try the recipe Lily owled to us the other day, you see.” 

“I-It’s okay,” You rasp, struggling to hold back the tears. 

“Oh, what a darling you are!” Euphemia smiles and ushers you further inside. “Come, come. The others are right upstairs. You must be tired from the train ride. It is so lovely to finally meet you. Make yourself at home, dear heart — James Fleamont Potter! Give your mama a kiss this instant! Don’t think introducing your girlfriend will distract me from the fact you didn’t owl me letters for two months straight!” 

James whines as he hides behind you. “Mum, I’m seventeen, stop embarrassing me.” 

Euphemia scoffs, hands snapping to her hips. “You’re going to be my baby boy forever, now come here.” 

With a shy smile, you step away to surrender James to his mother — you don’t understand which part of this is embarrassing; you wish for a mum who’d welcome you home like that, with unconditional love and kind eyes. James squawks and calls you a traitor, just before his mum attacks him with loud, exaggerated kisses to his cheek, leaving lipstick stains all over his face. You hide a laugh behind your palm, ignoring the way your heart pangs at the sight of their unrestrained smiles. Euphemia lets her son go after a few more seconds, cackling at the masterpiece she’s created on a grumbling James, who’s rubbing his skin to erase his mother’s affections. She hugs you once more before setting you off, telling you to meet Fleamont after you’ve unpacked. 

Just as you reach the foot of the stairs, you hear a girlish squeal, then the sound of rapid footfall against each wooden step. Lily greets the two of you by jumping off the last step and wrapping each arm around yours and James’s neck. “Welcome home, Jamie!” She captures his lips with her own before doing the same to you, cupping your cheek lovingly, “So happy you made it, princess! How was the ride here?” 

You were never a fan of traveling by Floo; it made you nauseous after, and left you with a pounding headache for hours. Without hesitation, the others offered to accompany you on the train, but you insisted they Floo ahead to Godric’s Hollow — it took a lot of convincing, but they finally agreed, (they’re not the only ones spoiled; they couldn’t refuse you, too.) With the exception of James, who wanted to be there when you saw his home for the first time. You nearly cried when you saw how well-loved their manor was; rose shrubs dipped in snow, Sirius’s motorcycle parked outside, a mailbox with poorly painted shapes, the fences covered in Christmas lights, and the amount of shoes by the door. From outside, you could hear the laughter and warm conversations. 

“It was fine,” You say in a daze.

Lily sees right through you — and frowns sadly. “You alright?” 

Were you? 

You catch sight of the moving photographs of James and you finally reach your breaking point. There’s a swell in your throat that you can’t seem to push down. There’s a photo of James, Lily, Remus and Sirius; James is in his Quidditch jersey, raising the Golden Snitch high up in the air, Remus is twirling Lily, his arms around her waist, and Sirius is holding up a charmed banner that says: Gryffindor Rules! Slytherin Sucks! Except For My Darling Angel Love Of My Life Most Beautiful And Gorgeous Perfect Brilliant Girlfriend! 

There are hints of life all around the manor. Remus’s textbooks and scarf are laid by the coffee table. Lily’s O.W.L. marks are framed on the wall, along with Dumbledore’s letters to James and Lily awarding them the position of Head Girl and Head Boy, as well as McGonagall’s previous letter to Remus that came with his Prefect badge years ago. There’s a spot dedicated to Peter, filled with a photograph of him awkwardly holding his Herbology test, one that he scored a hundred and twelve percent on. It’s a wall dedicated to them, you realize. 

Then, you find it. 

Right there, up above James’s spot, and beside Sirius’s display of beyond perfect Transfiguration exam marks, and a picture of him and Remus kissing each side of your face. 

It’s a space on that wall just for you. 

James follows your gaze and rubs the back of his head, ears tinged with a shade of deep pink. “Mum left a space when I first told her about you. I-It’s yours, you can put anything you want there.” 

“I can’t,” You whisper, lips quivering as your heart cracks into a million pieces. It’s too much. 

James blinks. “Can’t? It’s yours, I promise. Mum won’t mind. You can even hang your dumb Montrose Magpies poster and I won’t tear it down — Marauders’ honor. I can help you if you want. I-I’m not good as decorating as Lily, but I paid attention to your boring explanation of color theory and I know that you hate this shade of—”

“James, I can’t do this.” 

That’s all you say before you run out of the door. 

(And you’re absolutely delusional if you think James won’t follow you out that door and into the brewing snowstorm.) 

You hear James call out to you, but you opt to ignore him and clutch your winter coat tighter around your body, shivering in the blowing wind, trudging through the deep snow through your heeled boots — designer couldn’t help you now even if you tried. You sniff, the salty taste of your tears dripping to your lips, chest tightening with a foreign kind of pain, and the frost nipping at your fingers. You give up after a few minutes, falling to the ground with an anguished cry, hand clutching the front of your chest as you struggle to breathe. 

James reaches you in a matter of minutes, draping his jacket over you, barely flinching as the cold welts his bare skin. Frantically, he wipes the tears from your eyes, a pained expression on his face as he sees you cry helplessly. “Come on, dove, it’s not safe out here. Let’s go back home, yeah? I’m sorry for upsetting you. I’m sorry, I’m sorry, I’m sorry — I’m so sorry, dove, please don’t cry, it’s killing me to s–see you like this.” Tears fall from his eyes, and he begins stuttering from the cold, but you can’t go back to the manor. “What did I do? Please tell me so I can fix it. I love you—I’m sorry.”

You bat his chest. “G–Go home, Jamie. I’ll just take the train back to the castle.” 

“What?” He shakes his head, grabbing onto your hands. “Y–You can’t. Not in this weather. You’ll get sick if you try to walk back to the station.” 

You withdraw from his hold as you back away from James, slipping into the ice-cold mask you know so well. 

James rises in an instant, reaching for you. “No, no, no, no, no. You don’t get to do that. Not now. Not with me. Please, just come home and I-I’ll fix it.” 

“Goodbye, James,” You tell him firmly, clenching your jaw as you look him straight in the eyes. 

He grimaces. “That won’t work on me, princess, and you know it. Don’t push me away—please.” 

“Go home, James!” You yell bitterly, pivoting on your heel as you march through the thick inches of snow, hearing Remus and Lily’s voice grow louder in the distance. “Just go!”

He grits his teeth, nails digging deep into the palms of his hand. “You’re a coward if you walk away from here—from us—right now!” James shouts through chattering teeth and stray tears. “And I hate cowards more than anything!” 

You don’t look back. 

(Later that night, James stares blankly at the fireplace, tossing twigs now and then. He’s all out of tears. Remus crosses his legs as he sits beside James and offers him a steaming mug of hot chocolate. 

“Don’t want one,” He mutters, words coarse from earlier, head turning away from Remus’s gift. “Just want her.” 

Remus sets the beverage on the ground before pulling James’s head down to his chest, gently wiping the tears from his eyes as he wraps the blanket around both of them. He presses a soft kiss to James’s hair. 

“I said I hated her,” James says weakly. “I don’t—I never will. I just hate that she’s out there spending Christmas all alone. She could be here—with us. I hate not knowing that she’s safe, or that she thinks I don’t love her anymore—that’s a bloody lie, Moony. I adore her. If anything, I don’t deserve her.” 

James finds out that he does have more tears left in him. “I miss her. Bring her back, Rem, please.”

“You’ll cry yourself sick, love.” Remus wipes each tear away. “Let’s go to bed, yeah? Mornings do have a way of bringing miracles to us.” Because after a night of excruciating pain under the moon’s command, he wakes up to sunlight, and there you all are — smiling down at him like he is deserving of love; and maybe Remus can’t fault you for running away.

You’d kiss him gently and tell him how proud you are of him for coming back to you. 

Remus only hopes you come back to them, too.)

. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .

(1976; CURRENTLY, IN THE PAST.)

“AND THAT, dear Harry, is how I humiliated Lucius Malfoy in fifth-year.” Your eyes gleam wickedly as you rest your arms on the school desk. “If he ever bothers you in your time, just mention my name—oh, I wish I could see the look on his face when he realizes I’m haunting him from my grave. Tell him, okay?” 

Harry nods excitedly. “Definitely.”

“Got anymore stories?” He asks. 

You cackle menacingly. “Boy, do I ever. Let me tell you about the one time Beckett McLaggen took me out on a date to Madam Puddifoot’s!” 

Harry grimaces. “Do I even want to hear about this?” 

“Oh, pish-posh.” You dismiss him with a wave. “You do, this story is hilarious. Now that I look back on it, Sirius was quite cross with him for the rest of the day—how strange. I wonder why.” 

Harry stares at you in disbelief. “You’re joking.” 

“I most certainly am not, Harry Potter.” 

. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .

(1974; ORIGINAL TIMELINE.)

AN EAR-PIERCING scream wakes you up in the middle of the night. You snatch your wand from under your pillow, heart thudding against your chest in fear — last year, the Prewett twins decided it was funny to break into the girls’ quarters at midnight; you get a month worth of detention for hitting Gideon with the Expulso curse and suspension from class for two weeks, while the twins get away with a slap on the wrist and have the time of their lives spreading rumors of you being a Death-Eater. 

Endora shoots up to her feet as well, staring at you in panic — then the girl screams again, and you realize it’s Allegra. 

You sigh in relief, lowering your wand before saying to Endora, “I-It’s alright. I’ll handle it.” 

“Are you sure?” Endora asks timidly, gnawing at her lip and wincing when Allegra wails once more. 

“Certain,” You respond, yawning. 

As Endora climbs back into her bed, you slip into Allegra’s side, holding her head to your chest, brushing your fingers through her hair and untangling the knots. Like most of the Greengrass women, she was of ethereal beauty — silky blonde hair, smooth and fair skin, deep blue eyes that enchant wizards and witches alike. But her cheeks have gone sallow from exhaustion, eyes devoid of any emotion, and her skin now sunken into her bones. 

“I don’t want to marry him—I can’t! He’s old enough to be my father!” Allegra sobs violently, desperate for anyone to hear her, but no one really ever hears their cries from the dungeon. “They said they’d wait until I graduated—they promised! I’m supposed to marry him this summer!” 

Your heart breaks for your friend — there’s nothing you can do but hold her until she’s cried every bit of her soul out. 

“I hate them,” Allegra whispers to you; she had been shedding tears for hours, trembling in your arms until morning finally came. 

“I know,” You say defeatedly. 

“I wish I was dead,” She replies lifelessly. “He can’t marry a dead bride.” 

“Don’t say that,” You beg as you hug her tight; afraid to lose her to the world that has worn her down. “Please.” 

Allegra sinks into her pillows, and you follow in suit, hesitantly laying your head beside hers. She stares at the ceiling dully. “The world is so, so cruel to us daughters sometimes. And it’ll be cruel to our daughters, and their daughters. When will it end?” 

“I don’t know,” You say honestly. 

Allegra hums, neither disappointed nor surprised, and turns away to lay on her side. “Pansy,” She mumbles.

“What?”

“If we lived in a better world and I married for love, I’d want to name my daughter Pansy — like the flower.”

(Later that day, you are given detention for beating Evan Rosier to a pulp. He makes a joke about dirty blood, and you snap — you are tired of laughing and pandering to the arrogant men in your life. This is the first time you publicly defy your parents, and it felt good — more than good, it was liberating. It’s like breathing fresh air for the first time. Then, you earn a second detention for storming up to the Gryffindor common room and punching Fabian Prewett in the face — because fourth-year boys had no business sneaking into the girls’ dorm in the middle of the night for some stupid prank — and you threaten him by pointing the tip of your wand deep into his neck, demanding they apologize to you, Allegra, and Endora. 

You get what you want, naturally — as princesses do. You decide then that you’re going to create a world where girls like Allegra don’t cry anymore.)

. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .

(1976; CURRENTLY, IN THE PAST.) 

HARRY TWINGES WHEN he hears the end of your fourth or fifth story of the afternoon — no wonder you had been so angered by his being in your room. “I-I’m sorry—” 

“Yesterday was hardly your fault,” You interrupt him. “There’s no controlling where magic brings you, not in your case. You didn’t know, but now you know. I don’t hold it against them — anymore. Fifteen-year-old boys can be stupid, and at least they’ve learned from their mistakes. You should have seen your mother — erm, Lily — she looked like she was ready to kill them after finding out what they had done. Even Molly was cross with the twins, and you know how loyal Molly is to her family.”

Oh, Harry knows.

And Hermione knows it all too well. 

“Others call us evil, conniving and cruel, Harry,” You tell him grimly, “But I will protect my own, no matter what I have to do.”

At that moment, Harry thinks he understands why some people come to fear Slytherin. 

. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .

(1978; ORIGINAL TIMELINE.) 

“LOOK, LILY-PAD, the princess is drooling again.” 

You open your eyes to glare at Sirius. “I don’t drool, idiot.” 

Lily chortles as she presses a kiss to your shoulder. “Of course you don’t, princess.”

Currently, you’re lying on a shabby loveseat that is too small to hold the three of you; it’s the only furniture in the new cottage you call home, where Potter Manor was right across the street. (Euphemia was ecstatic to have you all nearby — the lovely woman was sprite for her age, but you notice the way she stops to sit and catch her breath, Sirius and James hovering over her attentively; you’re good at pretending, so you pretend that the Potters will be around forever.) Some rooms are dusty with cobwebs, walls unfinished, with the floors creak under your feet, and there’s no other place you’d rather call home. 

You’re in between Sirius and Lily; your lips swollen from their kisses, cheeks flushed and the column of your throat graced with love marks. It’s the most beautiful set of jewelry you’ve ever worn, not even burmese rubies could compare. Lily’s hand rests under your jumper, Sirius’s thigh wedged between your own. While peace blankets the three of you, James and Remus have yet to come home from their task given by the Order. 

“You need a haircut, my love,” You mumble drowsily, pulling at one of the dark ringlets — it’s gone past his shoulders now. He captures your hand and leaves a delicate kiss on your fingertips. 

Lily buries her nose in your hair. “She’s right, Siri.” 

“I’m always right.” You pout. 

Sirius, love-sick fool that he is, smiles as he tilts your chin with his finger and ensnares you in a kiss that leaves you breathless. “Course you are — our girl’s bloody brilliant, isn’t she, Lily-pad?”

“Without a doubt.”

You roll your eyes at their antics, rolling around so that your back is pressed to Sirius’s chest — they’re not fooled, however; Lily sees the way your eyes flicker in amusement and the way your lips threaten to curve up into a smile. She traces the swell of your lips with her thumb, to the dip of your nose, and to the apples of your cheek. Sea-green eyes beam at you.

“I love you,” says Lily, committing every inch of you to her memory as she wears a melancholic smile. “I don’t know who told you that you don’t deserve to be loved, but they were wrong. You are so precious to us, dove, you don’t even know how much. This right here is real — and nothing could ever change that.” 

As it turns out, you did have more smiles to give — only the happy ones; not the fake, courteous smiles that you had given to your mother’s friends in the past. You come to intertwine your hand with Lily’s, the one that had been resting on your cheek, tenderly wiping the tears that pooled within your eyes. Your heart could burst from your chest. They had a habit of wringing every emotion out of you; of making love feel real, not just a myth from a Muggle storybook. And you find, that you didn’t mind this particular habit of theirs. In the comforts of the place you call home, where you irrefutably belong, you are free to seek their arms and fall into their love, and the best part is where you get to love them right back. 

How lucky you are. 

“Let’s get married,” You blurt out, holding your breath, feeling Sirius’s hand on your waist stiffen. 

“What?” Lily gasps breathlessly. 

You smile up at Lily. “Let’s get married. All of us. I don’t care where, o–or about the rings, let’s just get married. With the war going on, we deserve s–something good.” 

Lily sobs as she nods excitedly. “Yes. Oh my Gods—we’re getting married!” 

Sirius stares at you in wonder. “Bloody hell, dove, give a guy some warning, would you?”

You grin. “Is that a yes?” 

“It’s a yes — forever.” Sirius dives in to kiss you senseless. “Couldn’t get rid of us now even if you tried.” 

“I don’t think I’d want to, anyway.” 

Right then, the rickety door slams open, and you hear the loves of your life calling out for the three of you. Followed by the heavy thud of Dragonhide boots plunking down onto the floor

“We’re home!” James announces in the entryway. 

Lily wastes no time in shooting up from the sofa and welcoming them home with quite a unique greeting:

“We’re all getting married!” 

. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .

(1976; CURRENTLY, IN THE PAST.) 

“That ring is an heirloom passed down to the children in our family,” You tell Harry, pointing to the band around his finger. “It’s meant to symbolize our loyalty and duty to our House. My mother said I would have earned it only when I became a wife to Ferguson Bulstrode.” You chuckle at Harry’s perturbed grimace. “No, I didn’t marry him — thankfully. After Allegra. . . I—I. . . I couldn’t bear it. If I was going to marry, it would be on my own terms, and it would be for love, nothing less. Then, if my child wanted it, I’d give them this ring. I want to leave behind a legacy that I created. When I was younger, I’d resigned to a fate that was forcefully carved by someone else’s hand.” 

You shake your head. “I want to die being remembered by those who loved me. Otherwise, I was never truly alive.” 

Harry won’t let that happen, he won’t ever let your name be forgotten. He’ll share of your kindness to his friends, of your bravery and loyalty. Hermione will love your fondness of Muggle musicals and how you stood up to Lily’s defense in a world that ostracized her for being different. He’ll remind Remus of your love for him, that he had brought you hope in times of despair. Harry is going to make sure the world knows you had been so full of life with endless love to give. You are going to be remembered in the way Voldemort never will. 

“What do the words mean?” He stares at the writing: Tempus Edax Rerum.

You smile. “Time, devourer of all things.”

. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .

(1978; ORIGINAL TIMELINE.)

“REMUS—THE MUGGLES ARE stuck in the telly again!” 

Remus snickers as he takes the vacant space beside you on the loveseat, now sewn up with care and spattered with knitted quilts and throw pillows — still too small to carry three people but hasn’t given out yet, anyway. He takes Lily’s legs over his lap, swiftly stealing a kiss from your lips. “It’s a film, dove, they’re acting.” 

You purse your lips. “They’re trapped inside, then?” 

Lily snorts into her tub of chocolate fudge ice cream. “Not quite, princess, it’s recorded. Movies are like moving photographs — but they’re an hour long with sounds.” 

“Oh.” You turn your attention back to the screen, back to the film Lily had been watching. You had to admit — the story of Sandy and Danny was an interesting one. “Lily-pad, she’s singing — again.” 

Sirius hushes you from where he was cuddling James on the other couch. “She’s supposed to sing, dove, it’s a musical.” 

“Well, yes,” You begin, and James groans into Sirius’s chest, “But they should just talk instead of singing all the time — Sandy’s got a lovely voice, though. I just don’t understand why Danny’s treating her like that! Truthfully, I don’t like any of Sandy’s new friends, other than Frenchy — she’s harmless. If I was Sandy I’d move on from Danny — but then again, that hair and those muscles, and his leather jacket! I can’t blame her.” 

Sirius glowers at you. “You like his leather jacket?” 

“His hair?” James exclaims in horror. 

Remus chuckles as he tucks you in his side, kissing your temple. “If I were you, dove, I’d be quiet and just watch the film.”

“Oh, no, no.” Sirius barely glances at the television as he pauses the film and stands up to point an accusatory finger at you. “Since when were you into leather jackets? Do you think those are cool? Since when? Jamie, should I get one? Let’s unpack this, right now. And his muscles, really?” 

Your eyes roll to the back of your head. “Play the film, Black, I want to see the end of their love story.” 

“I’m telling Euphemia on you!” 

. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .

(1976; CURRENTLY, IN THE PAST.) 

“—and then we realized that we accidentally locked Hermione in with the troll.” Harry’s arms flail about as he shares some of his adventures with you — it had only been fair. He felt like a young boy again, entering Hogwarts for the first time as he watched you listen to him intently, gasping at tale of the vanishing glass and scolding him when he says he and Ron had decided to go searching for Hermione, and by extension, the troll. 

Your eyes grow wide. “A troll? In Hogwarts? They can’t have, not unless—”

“Someone let it in—I know!” Harry grins. “You’re not going to believe who let the troll in the castle.” 

You snap your fingers, “Malfoy, the older one. I know that lump’s got something to do with this. Can’t have been Snape or Quirrell.”

“Just you wait.” Harry’s eyes twinkle with mischief. “—and so, Professor McGonagall finds us, and can you believe it? She awards us for dumb luck! Then. . .” 

. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .

(1979; ORIGINAL TIMELINE.)

IT HAD COME AS A surprise when you volunteered to join the Order of the Phoenix. You wanted to scoff at their shocked faces — was it so surprising that you wanted to protect your family? They let Severus Snape join their ranks, and you’re fairly certain that you’re a better fighter and survivalist than him — not the better liar, however, he can have that one. The week before, you and the others had an argument that lasted for the whole day. They did not want you in harm’s way, and you would rather die than stay at home, waiting idly for them to return, when you could be out there alongside them. 

(“It’s not some game out there!” Remus runs through his hair in frustration — he had always been so careful to never raise his voice at you, but this one time, he needed you to back down. “Every time you step into a raid, there’s a possibility of you dying, don’t you understand that? And even if you survive — you’ll have blood on your hands, and it does not wash away no matter how many times you try, trust me, we know.” 

“So what?” You throw your hands up in the air, equally aggravated. “I just stay here like some. . . some pet waiting for their owners to come home?” 

“Yes!” Lily angrily replies. “That is the whole point of us joining the Order — so you get to live another day. So we all have a chance at this new world without a war. Let us protect you!”

You grind down on your jaw. “You have got another thing coming, if you think I’m not going to fight tooth and nail for my future.” 

James slams a fist onto the kitchen counter. “There are horrors out there you can’t even imagine. I-It’s worse than we thought. It’s our every nightmare come to life.” 

You raise your chin defiantly. “Then we face it together.”)

Each day, you survive, and each day the five of you return home — scarred and bruised, but safe within the arms of one another. When you collapse and crumble, it is only for the walls of your home to witness. 

Now a month into autumn, you are on your first task without Sirius, James, Lily or even Remus. Instead, you are assigned by Dumbledore to Knockturn Alley along with Peter Pettigrew and Gideon Prewett. How strange time was, years ago you’d never associate with the proud Gryffindors, and now you had to trust them to guard your back. Everyone had to grow up quickly during war, even pranksters. 

The alley was quiet — too quiet for your liking. You had been on alert since the moment you apparated into the area, wand at your ready. The back of your neck prickled with goosebumps as you kept an ear out for any sign of movement. 

Peter shivers and you glance at him — he’s become far too skinny, constantly shrinking into himself out of fear. And while you want to comfort him, you keep your eyes up ahead. Still, there's a nagging feeling that you can’t quite make out. It’s different from all the other times you’ve been asked to search and rescue. 

“Don’t you feel like there’s something wrong?” You ask Gideon, eyes snapping to the flock of crows flying overhead. 

“Dunno, kid,” Gideon says, nudging your shoulder with pressed lips. “Everything about this is freaking me out. The place is too empty.” 

“I get what you mean,” You reply, swallowing your own nervousness. Without waiting for the rest, you speed up your pace. “I’ll scout ahead, who knows what’s been here before us. I don’t want to risk any of our lives, so let’s be careful. Gideon, ward the area while I check for any cursed objects, last time you almost got your arm cut off by a newspaper of all things. And Peter, could you. . . Peter?” 

When you turn to check behind you, it all happens so fast. 

“Avada Kedavra!” 

You scream as Gideon’s deathly pale body falls to the floor. 

“No!” 

You aren’t given a moment to rush to his side — someone digs their wand in the side of your neck, and you stiffen in their hold. It’s not until they hiss in your ear that you recognize the voice. 

“Rosier.” You spit, biting down on your lip when he presses the tip of his wand further into your flesh. 

“Stupid witch,” He taunts, eyes dilating with vengeance. “Where are your lovers now?” 

“Jealous?” You claw at his arms, chest heaving up and down. “We don’t have room for one more, sorry.”

“Shut up!” He pushes you to the ground in blind rage, and that’s all the opening you need. 

“Expulso!” 

Each curse you send his way lands on his cloaked body, sending him staggering backwards. With ease, you deflect each spell he counters with. You’re winning, he is growing tired, and perhaps that is why you let your guard down. 

“Accio wand!” 

The magic fizzles out, and the spell dies on your lips. As you swivel your head to find out who’s stolen your wand, you expect to find another Death Eater — except it’s Peter. Just Peter Pettigrew, quivering in his boots with tears and snot dripping down his face, your wand in his free hand. You furrow your brows — it doesn’t make sense. 

“Peter?” You call out. 

“Crucio!” 

The curse finds its home in your body — and it sinks deep into your flesh, grinding your bones until you slump to the ground, wriggling as you draw blood from your lips, refusing to let them hear an ounce of your pain. Blood trickles down your nose as you hear Evan Rosier dancing around you in glee. You know this curse well; the sound of your father condemning you gleefully echo in your head. You crawl over to Gideon — hand desperately reaching for his shirt. 

“Crucio!” Rosier grabs you by the hair and howls with laughter. “Scream for me again—Crucio!” 

It’s as though someone had begun to rip you in half. Your bones shift and crack with every uttered curse. The veins in your eyes have popped and through bloody vision, you see Peter cowering away from you.

“You—fucking—traitor,” You gurgle, throat welling up with blood that’s risen from your stomach. “They’ll—never—forgive you—never.” 

“Crucio! Crucio! Crucio! Come on, witch — SCREAM! Look at her go, Pettigrew, crawling like some pathetic worm.” 

You lay in your owl pool of blood, wearing a body that is marred and lacerated. But you see something in Gideon’s hand. I’m sorry, you want to tell him. I’ll get you home to Molly, you promise, please lend me your magic this once. With every last bit of your strength, just as Rosier directs another curse at you — one you know you won’t survive — you snatch the wand from Gideon’s hand and tear the last of your magic from your throat. 

“Defodio!” 

You wait with a bated breath as silence fills the alley; lucky to have remembered Professor Flitwick’s quick remark as to how the slight difference in pronouncing a charm could alter its effect. Rosier stands on shaky legs, a stream of blood leaking from the corner of his mouth. You watch as he looks down to his chest, where a gaping hole now lies instead of where his ribcage and heart should be. As Gideon had done before him, Evan Rosier crashes to the ground. 

That just leaves one more problem. 

Peter scurries to your side the moment Rosier can hurt him no longer. “I-I’m sorry—I’m sorry. I had to. . . T–They killed my mum, they killed M–Mary, and t–they said I would die too if I d–didn’t do this. I’m sorry. Y–Your father was there, too. He said he would take you in, let you l–live if you joined us. W–We can live, t–there’s still a chance for us to survive.” 

Your fingers are bent at unsightly angles, the remnants of the Torture Curse still flowing through your veins, but your face contorts in anger as you let your hand curl around his neck. He sobs louder, and though your grip is weakening — you make sure he looks into your eyes, that he feels your touch.

“I’d rather—die.” You say through gritted teeth, nails drawing blood from his grimy skin. “You’ll die too—you’ll feel my blood on your skin—everywhere you go, Peter.” 

Peter shakes his head, now clumsily pushing his wand down to the center of your chest. “Y–You were the only o–one who d–didn’t laugh at me. N–Not like the others.” 

“When they find out—you’re dead, Pettigrew.” You laugh darkly as more blood exits your body through your lips. “There’s nowhere you can hide—you’re a dead man.” 

“P-Please die,” Peter cries out, each killing spell coming out as a garbled whisper. “Please die,  s–so I can live. I c–can’t fight anymore, I’m tired.” 

Your vision goes a hazy shade of white, Peter’s silhouette fading away to the familiar scenery of your cottage in Godric’s Hollow. 

Oh.

Dying is less painful than you had expected it to be. It’s like coming home after a day’s work. 

You just wanted to rest now. 

The world caves in on you, and you barely hear Peter’s next words. 

“Avada Kedavra.” 

(It’s past midnight when Peter Pettigrew arrives at Grimmauld Place, where it’s been altered to host the members of the Order, Lily sobs in relief and gathers him in her arms. 

You’ll feel my blood on your skin.

You’re a dead man. 

Dead, dead, dead, dead, dead, dead. 

“Oh, I’m so glad you’re home safe — welcome home — thank the Gods you’re alive,” Lily blabbers through her tears, checking his face for any major injuries. “Merlin, what happened? There’s too much blood on you. It’s on your shirt and your face.” 

“It’s not mine,” says Peter hoarsely. 

Sirius’s gaze darkens, arms crossed over his jacket as he leaned against the wall. “Where is she?” 

Lily nods, standing on her tiptoes to search for any sign of you. “Peter? I–Is she alright? Has something happened to her?” 

Peter stays silent for a moment too long, and he finds himself slammed against the wall behind him, Sirius snarling in his face as he seizes the front of Peter’s soiled shirt. “Where the fuck is she, Pettigrew?” 

Peter begins to weep. “I–It was an ambush. None of us saw it coming. Gideon r–ran. She was taking on two Death-Eaters at once and I–I was too far away.” 

Lily collapses to the ground with a heart-wrenching scream.

Sirius growls as he drives his fist to the wall, inches away from Peter’s face. “Where is her body?” 

“It was a disintegration spell.” With Severus Snape — brought to the Malfoy Manor to be made as an example of what happens to blood-traitors. 

James pushes Sirius out of the way and grabs a hold of Peter, knocking his head against the concrete. “It should have been you—” James snaps at Peter. “If it came down to you or her—you should have saved her!” 

“W-What?” Peter stammers, eyes wide. “She chose to save m–me.” 

James sneers at him. “You should have just died.”)

. ⋅ ˚̣- : ✧ : – ⭒ ⊹ ⭒ – : ✧ : -˚̣⋅ .

(1996; CURRENTLY, IN THE PRESENT.) 

ST. JEROME’S GRAVEYARD had exactly one visitor. Remus Lupin sits in between James and Lily’s graves, a bottle of firewhiskey in his hand — four empty at his side. He must be going crazy. There’s no funeral for Sirius as there’s no body to actually bury, Harry is presumed missing after an attack in Diagon Alley, and your name stares back at him mockingly. He tries not to dwell on your passing — there have been too many holes, too many details left unsaid; and he knows just the rat who has all the answers. Unfortunately, Wormtail won’t come out of whatever hole he’s crawled into. Either him, or Severus. 

He sighs, rubbing the temples of his head to ease the growing pains. 

You are the first to be buried of the five. Like Sirius, there had been no recovered body to lay to rest, but they asked for a compromise instead. Your name is engraved under Euphemia’s in her tombstone, and Remus figures it’s the fitting place to leave you be — with your mother, welcoming you home with open arms. He hopes you’re at peace, wherever you are. (Because, honestly, at this point, he might just fucking follow you.) 

Remus takes another swig of his alcohol, laughing bitterly to himself. He glances at James’s headstone and raises his bottle to him. “Not even in death, huh?”

He downs the last of the drink, rising to his tremulous legs. Remus gathers the flower bouquets he had bought earlier this morning; lilies-of-the-valley for Lily, white carnations for Euphemia, forget-me-nots for you, and for James — Remus leaves a moving photograph of him and Sirius; it’s a snapshot taken by Lily during the wedding as James dips his head low to kiss Sirius. Remus thinks it’s a wonderful memory to remember them by. 

“Take care of them for me, Jamie.”

And that is all the goodbyes Remus has the strength for. 

end note. i think i was crying the whole time i was writing this part, LMAO. i should be able to wrap things up in the next one. important!! there is actually a scene i was hesitant to include, but i ended up writing anyway. it's the whole part where allegra greengrass breaks down, and it was difficult for me to decide because i knew the implications; that i had a strong underlying message in that part, and i don't want it to be misconstrued or anything. pls pls tell me if it comes off as offensive, i definitely don't want to hurt anyone. nevertheless, thank you again so so so much for reading!! if you spot a plot hole, no you didnt!! i hope the time-jumps weren't too confusing! again, thank you so so much for reading!!