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lucedilunax · 1 day ago

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Bed chem - Q. Hughes

Songs masterlist

song: Bed chem - Sabrina Carpenter

pairing: Quinn Hughes x fem!reader

summary: Three stages in Quinn and his girlfriend relationship: how they met, how they had crush on themselves and how they sex life looks like

warning: mentions of sex (nothing graphic), swear words

words: 1.0k

note: ahh this week songs masterlist will be done, i'm gonna miss it but exciting things are coming in december!

masterlist

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Your friend hit me up so we could connect

Brock’s girlfriend, Bella, and she were friends since they were kids but now, she finally moved to Vancouver. When Bella met Quinn, she knew that she had to set up her friend with him. She believed that they had the identical personality. The same lame jokes, the same awkward laugh and the same commitment to their jobs.

Bella told Brock about this idea and he immediately agreed. He knew her friend and totally saw her and Quinn as a couple. Both of them set them up on a blind date. She and Quinn were skeptical about this. They haven’t been looking for a partner, at least not at this moment and to be honest, they didn’t trust their friends in this field. Eventually, they agreed and went on a date.

I digress, got me scrollin’ like

Out of breath, got me goin’ like

She adored Quinn. One date and she was all over heels for him. At first, he was giving her weird vibes but when he opened up to her, it turned out that he’s talkative and funny. She couldn't remember the last time a guy made her laugh this hard like he did this one night. When she got back home, she went on instagram and followed him. She started looking at his profile and looking at every single photo. She enjoyed what she was seeing. In her opinion, he was super handsome.

Quinn, who wasn’t sure about this date, was thankful that he agreed to go. She was different from other women who tried so hard for him because he was an athlete. She didn’t care, he was certain that she didn't even watch hockey because she was asking him the most basic questions when he mentioned this sport. He came back home and saw that she followed him on instagram. He did the same and started looking at her pictures. He couldn’t believe how pretty she is.

Are you free next week?

The next day, Quinn wrote to her asking if she had time next week. Now, he was leaving but he wanted to invite her to his match. Maybe even go on another date if he gets lucky. Impatient, he was waiting for her response the whole day. He was checking his phone every five minutes to see if she wrote him back. Thankfully, she did. She said that she’s free and it would be a pleasure to go to his game. Quinn was relieved.

For a moment, Quinn thought that she might not be into him but this message changed it. He said that he’ll give her all the information when he gets back home. She thanked him and in that moment, she asked him about his day. They started writing every day about everything and nothing. His teammates caught him smiling on his phone when he got a message from her.

Who’s the cute guy with wide blue eyes and the big bad mm?

Quinn wasn’t a big fan of taking photos of himself, but he loved doing this for her. He tried to keep her updated while being away as much as he could. She was sending him pictures of what she’s doing, which was watching tv shows, cooking and working. On the other hand, he always took pictures of himself in a suit and sent them to her. When he was coming back to Vancouver, he took a selfie on the plane and sent her a message coming home, can’t wait to see you soon.

She received the photo when she was out on lunch with her coworkers. She right away opened the message and saw him looking good as always. She stared at her phone too long and one of the girls noticed this. She looked on and saw Quinn’s face. The questions started floating around about her mysterious boyfriend. She felt embarrassed at first but talked about him with love in her voice.

How you pick me up, pull’ em down, turn me ‘round

She and Quinn haven’t wanted to label themselves. They just went with the flow and if they are made for each other, they’ll end up together. Although, this hasn't stopped them from having sex with each other. Both of them loved this kind of deal. The sex was always incredible, especially when he was coming back pissed.

Quinn was manhandling her like a personal sex toy. She was more than willing to agreed on everything he was giving her. He was throwing her around the bed in every position that he wanted her in. Often, he would bent her over the couch or kitchen island and fuck her roughly.

How you talk so sweet when you’re doin’ bad things

She adored Quinn. He was always a well spoken guy who couldn’t miss a day without giving her a compliment. Always showing up with flowers and gifts from his trips. He knew how to make her feel better after a bad day. His words were always on point and she felt loved and adored. He treated her like a princess knowing that she has a low self confidence. He was her hype man.

Quinn was changing completely when it came to a sex. He was dominating her, doing whatever he wants and likes. In his movements, he remembered about her boundaries but this hadn’t stopped him from treating her like a whore. As much as she loved his quiet and calm side, there was something so tempting and hot in his bedroom side. He enjoyed that she was there for his every beck and call.

And I bet we’d both arrive at the same time

Despite the fact that Quinn was setting the pace and treated her like he wanted, he always made sure that she cum. He didn’t want her to feel like she’s just for his pleasure. He never denied her orgasm, sometimes controlled it but most of the time, he was overstimulating her. He was giving her at least two climax every time they had sex. His favorite part was when both could cum at the same time.

When it happened for the first time, it was a mind blowing orgasm for Quinn. He couldn’t keep his mind straight the minute he felt his release and her tightening muscles around him. Since that, he made this his own mission to end their sex with them cum in the same moment. She loved when this was happening, when their moans filled the bedroom after reaching a climax.

#quinn hughes #quinn hughes x reader #quinn hughes fanfiction #quinn hughes imagine #quinn hughes oneshot #nhl #nhl fanfiction #nhl imagine #vancouver canucks #v' work

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sagesariadnd · 2 hours ago

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My retail job didn't train me for the things I actually needed to know to do my job right. They expected me to be there in the mornings before the buses were even running, then didn't even give me a phone number to call to let me in because the doors were still locked. And when I DID have a number I could call, nobody answered. They told me to call the answering machine if I was gonna call out sick, but my manager never checked the machine so she'd mark me as a no call, no show if I didn't also call her, but I didn't have her personal number so if it was too early for the call to go through to my department, I was screwed. Should I have asked for her number? Sure. But you'd think that would have been step one on orientation day. They didn't even give me the number of the INTERCOM and yelled at me for never using it for several months. They didn't even pay me enough for their health insurance to be worth it.

My retail job's manager was constantly abusive to me. She'd tell me to do something with zero instruction, then yell at me for not doing it right. She'd huff if I asked a simple clarifying question to be sure I was doing something right, and snapping "*I'll* do it then, go clean." She'd scold me for the floor being a mess because I was busy helping customers on a busy Saturday afternoon. She'd scold me for missing that a customer needed help because I was focused on the thing she wanted me to get done faster. She was CONSTANTLY nagging me to work faster. She made me cry a few times from yelling at me, and said "I don't care that you're crying" as if I was doing it to manipulate her.

She constantly got my schedule wrong when I told her what days I was unavailable because of classes. She asked me EVERY WEEK to write it down, then EVERY WEEK she got it wrong, and she told me *I* was the one being inconsistent. She would acknowledge that I was going out of town one weekend, then call me demanding to know where I was that Saturday. She almost wrote up my coworker for being absent on his SON'S WEDDING. She threatened to write ME up when I tried to call out after slipping on the ice in my driveway and hitting my head, basically bullying me to come in. She screamed at me about calling out on Easter Sunday when I was up all night crying in pain from a COMPLETELY VERTICAL IMPACTED WISDOM TOOTH. I'd've loved to know a dentist that was open that day to give me a doctor's note.

The one time I actually reported her for screaming at me for using the bathroom and leaving the floor unattended (I TOLD my coworker where I was going and HE was the one who left the floor unattended to solve a problem at the register), the HR manager sighed and stared at the ceiling when I mentioned her name.

After she got transferred and someone else took over, my new manager was barely more tolerable because he was more passive-aggressive than abusive. He'd never confront me if he had a problem, just cut my hours to next to nothing. He never seemed to listen when I had to call out. He expected me to come into work the day after I called out indefinitely because I had been HIT BY A CAR. And when I did come back after months of recovery, I couldn't keep up anymore from pain and physical exhaustion. And the reason I'd already called out of work so much as it was was because being on my feet that much was literally destroying my ability to walk at all. My knees still have problems to this day from trying to kneel down to do lower shelf work to give myself some relief from my feet. And every time I tried to explain why I couldn't go any faster than I was he brushed me off. I literally quit that year, right before Christmas.

Someone who worked at a notoriously toxic retail store heard the name of the one I worked at and felt sorry for me.

I am never going back to retail.

People always gloss over how mentally damaging it can be to work in retail. I fucking hate that whenever I say “I could never work in retail again” someone has to reply “You snowflake millennials can’t take a starter job because you have to INTERACT with other people” No. Fuck you. I’ve worked as a planetarium host. I’ve worked as a public speaker. I’ve worked as a tutor and as a student teacher. I can work with people. I can work with crowds. Retail was fucking different. Retail was being treated as a subhuman. Retail was being treated so poorly that you have anxiety attacks before work. Having to work retail was a factor in my last suicide attempt. If I hear you say one fucking word about retail workers playing the victim I will personally break every bone in your body. Fuck You.

#retail #cw: car accidents #cw: verbal abuse #rant post #I don't think I'm gonna get in trouble for saying any of this #it's been over a decade and the store's practically nonexistent anymore #don't try to guess in the comments please but if you made one you'd probably be right #cw: tooth problems

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littlelamy · 2 days ago

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Request hehe: Maybe Reader has some trust issues due to past cheating etc. So she is constantly doubting If Rafe is doing something behind her back and it’s damaging their relationship/Rafe is feeling very offended that she could ever think that and leaves very upset. So some self-sabotage on her part.

a/n: thank you so much for requesting!! 💗 pngs from @saizun

the tension in the room was as palpable as the crisp autumn air seeping through the edges of rafe's window. you stood by the edge of the bed, arms crossed, while rafe paced near the door, his brows furrowed and lips drawn tight. it wasn’t the first time you’d found yourself in this situation—accusations hanging in the air like a storm cloud.

“i just don’t get why you think i’m lying to you,” rafe finally said, running a hand through his messy blond hair. his voice was raw, teetering between frustration and sadness. “what did i do this time?”

the pang of guilt that shot through you was immediate, but it was quickly overshadowed by the relentless doubt that had been gnawing at you for weeks.

“i don’t know, rafe,” you muttered, staring down at your hands. “you’re just… too good to be true sometimes. i mean, look at you.” you gestured vaguely at his tall, athletic frame, the way he looked even in a simple t-shirt and jeans. “how do i know you’re not out there talking to someone else? everyone likes you.”

he stopped pacing, standing still for a moment as your words sank in.

“you think just because people like me, i’d cheat on you?” his voice was quiet, but it carried a weight that made you wince.

“it’s not like that—”

“then what is it like, y/n?” he interrupted, his tone sharp now. he stepped closer, his piercing blue eyes locking onto yours. “because this isn’t the first time we’ve had this conversation. you keep accusing me of something i’m not doing, and it’s…” he exhaled shakily, taking a step back. “it’s killing me, honestly.”

the tears you’d been holding back began to sting your eyes. you hated how this always ended—with you feeling like the villain and rafe looking at you like you’d just run over his dog.

“it’s not about you,” you whispered, your voice trembling. “it’s about me. i’ve been through this before, rafe. i’ve trusted someone before, and they… they betrayed me.”

“and i’m paying for what someone else did?” his voice cracked, and he shook his head in disbelief. “do you even hear yourself?”

you stayed silent, your chest tightening with every second that passed.

rafe let out a bitter laugh, running his hands over his face. “do you really think i’m that kind of person? that after everything we’ve been through, i’d just—what? throw it all away for someone else?”

“i don’t know!” you blurted out, tears finally spilling over. “i don’t know what to believe anymore. i want to trust you, rafe, but it’s so hard. every time you’re late, every time you get a text and don’t tell me who it’s from, my mind goes to the worst place.”

“that’s not fair,” he said, his voice trembling with emotion. “you don’t even give me the benefit of the doubt. you don’t even try to trust me.”

you wiped at your tears angrily, hating how vulnerable you felt. “maybe i don’t know how,” you admitted, your voice breaking.

rafe stared at you for a long moment, his jaw clenching and unclenching as he fought to keep his composure.

“i can’t do this,” he said finally, his voice barely above a whisper.

your heart sank. “what do you mean?”

“i can’t keep proving myself to you when i’ve done nothing wrong,” he said, his eyes glistening with unshed tears. “i love you, y/n. i love you so much it hurts, but this?” he gestured between the two of you. “this is tearing me apart.”

you took a step toward him, panic rising in your chest. “rafe, please. i’m sorry. i’ll work on it, i promise. just don’t… don’t leave.”

but he shook his head, his expression a mixture of sadness and resolve. “i need some time to think,” he said, his voice trembling. “i can’t keep feeling like i’m not enough for you when i’ve given you everything i have.”

he turned and walked out the door, leaving you standing there in stunned silence. the sound of the front door closing echoed through the house, and you collapsed onto the bed, sobbing into your hands.

you had pushed him away. the one person who had always been there for you, who had loved you despite your flaws, was gone—and it was your fault.

the days that followed were a blur. you went through the motions of life, but everything felt hollow without rafe. he didn’t call, didn’t text, and the silence was deafening. you wanted to reach out, to beg for his forgiveness, but every time you picked up your phone, the shame stopped you.

instead, you spent your time reflecting on the mess you’d made. you thought about the way you’d let your past dictate your present, how you’d let your insecurities poison something good.

you thought about rafe’s face the last time you saw him—the hurt in his eyes, the way his voice broke when he said he loved you.

you loved him too. you always had. but you’d let your fear overshadow that love, and now you were paying the price.

a week later, you found yourself standing outside rafe’s house, your heart pounding in your chest. you’d rehearsed what you wanted to say a million times, but now that you were here, your mind was blank.

taking a deep breath, you knocked on the door.

it opened a moment later, and there he was—rafe, looking as handsome as ever despite the tiredness in his eyes.

“y/n,” he said, his voice soft but guarded.

“hi,” you said, your voice barely above a whisper. “can i come in?”

he hesitated for a moment before stepping aside to let you in. you walked into the living room, the familiar space feeling foreign without the warmth you were used to.

“i’m sorry for just showing up,” you said, turning to face him. “i just… i needed to see you.”

he nodded, crossing his arms over his chest. “what do you want, y/n?”

“i want to fix this,” you said, your voice trembling. “i want to fix us.”

rafe let out a bitter laugh, shaking his head. “you can’t just say that and expect everything to go back to normal.”

“i know,” you said quickly. “i know i’ve hurt you, and i hate myself for it. but i’ve spent the last week thinking about everything, and i realized… i’ve been so unfair to you, rafe. i let my past ruin what we had, and i’m so sorry.”

he looked at you, his expression unreadable. “do you even trust me?”

“yes,” you said without hesitation. “or… i want to. i know i’ve given you every reason to think i don’t, but i do, rafe. i trust you more than anyone. i’m just scared. scared of losing you, scared of getting hurt again.”

“you’re not the only one who’s scared,” he said, his voice softening. “do you know how it feels to love someone who’s always waiting for you to screw up? to feel like no matter what you do, it’s never going to be enough?”

tears welled up in your eyes, and you stepped closer to him. “i’m so sorry, rafe,” you whispered. “i never meant to make you feel that way. you are enough—more than enough. and i don’t want to lose you because i couldn’t get out of my own head.”

he sighed, running a hand through his hair. “i don’t know, y/n. i don’t know if i can keep doing this.”

“please,” you said, your voice breaking. “i’ll do better. i’ll prove to you that i can be better, that i can trust you the way you deserve to be trusted.”

he studied your face, his blue eyes searching yours for any sign of doubt.

“i love you,” he said finally, his voice barely above a whisper. “but this has to change. i can’t keep living like this.”

“it will,” you promised, stepping closer and taking his hands in yours. “i’ll change. i’ll prove to you that i can be better.”

he sighed but didn’t pull away from you. “this is your last chance, y/n,” he said quietly. “i mean it.”

“i won’t waste it,” you promised, looking up at him.

for a moment, there was nothing but silence between you, the tension thick and heavy. then, slowly, rafe’s hands moved to cup your face.

“don’t make me regret this,” he murmured, his voice soft and raw.

“i won’t,” you whispered, your breath hitching as he leaned down.

his lips met yours in a kiss that was both desperate and tender, a silent promise of forgiveness and hope. you clung to him, pouring every ounce of your love and regret into the kiss, vowing to yourself that this time, you would get it right.

when he pulled back, his forehead rested against yours, his eyes closed.

“i love you, baby,” he said again, his voice steady this time.

“i love you too,” you whispered, your heart swelling with both relief and determination.

taglist: @namelesslosers @princessslutt @averyoceanblvd @iknowdatsrightbih @starkeysprincess @sixrosberg @anamiad00msday @ivysprophecy @wearemadeofstardust0 @kissrotten @rafesangelita @sstargirln @rafedaddy01 @soldesole @bakugouswaif @skywalker0809 @vanessa-rafesgirl l @evermorx89 @aariahnaa @outerhills @ditzyzombiesblog

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capncurly · 19 hours ago

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ok guys i don't like how someone threw it out there that curly was an enabler and now we've made that his entire personality, just like how we made rapist the only thing jimmy was about.

yes, curly's reaction to anya's words was not great, but let's dig a little deeper there. it's very much implied/obvious that him and curly's relationship wasn't good at all, given how curly reacts to jimmy's outburst. the implication that there was emotional abuse shouldn't be taken as absolute but you should also take it into consideration

and also, the psych evals. normally, a responsible fucking captain would've honestly done it, but the way that he lets jimmy slide and passes him in spite of work ethics and the possible violation he might be making by doing that gives some vague feeling of him feeling a need to cover up whatever jimmy's answers were or something adjacent to it implies SOMETHING. you dont just risk a work violation to make your 'friend' pass for nothing.

(this also kinda ties in to jimmy going "i can do it, i can fix things, i can fix this.")

also, the scenes in which you play from curly's point of view, where you walk through a sea of blood with disturbing warnings and alarms just to reach the sun -- the sun, leading to the blank white peace before reaching the cockpit IN WHICH jimmy resides, can be a metaphor for attachment. he was willing to push past unspeakable and disturbing horrors merely to reach jimmy. just so he could talk to jimmy. there has to be a deep relationship between the two of you to be willing to go through things. obviously the scene isn't literal, moreso a sort of analogy for the type of things curly would go to just for jimmy.

imagine that amount of devotion towards a person, who you soon found out to be a rapist. you'd need a whole lot of time before processing that actually, because personally, when i found out that someone whomst i trusted the most would betray me in such a manner, i couldn't move on for fucking years. imagine the person who you've done everything to save, just for them to willingly plunge themselves into the depths of hell.

whether for indulgence, or for control, jimmy did what he did. and curly had barely any time to pross that before jimmy (who was, presumably looking for the gun though had it hidden from him) was walking to the cockpit and crash the ship as an attempt to flee the responsibility of anya's pregnancy.

curly was overloaded with emotional feelings before he could even reach jimmy. he isn't completely blameless, but he isn't an utterly morally reprehensible being. yes, he should have done something--anything than to merely stand by and let things happen, but you can't blame him for not doing so.

he couldn't lock him in the cockpit, because jimmy wouldve done what he did. he couldnt lock him in utility, jimmy would've fucked up the crypopods. he couldn't lock him in medical, jimmy would've messed with their supply. sure, he could try locking him in his own quarters, but what if curly got into an accident even without the crash, and tulpar was left with neither pilots?

curly is a morally ambiguous character. he is neither a wholly good person nor is he a wholly awful person. he is a victim, but he is also an enabler. being a victim shouldnt cancel out being an enabler, but being an enabler shouldnt cancel out being a victim.

stop being fucking media illiterate you idiot and view him through a lens other than black and white IM BEGGING YOU!!!!!!!! sobs

#mouthwashing #jimmy mouthwashing #captain curly #jimcurly #<-- tag added because these two fucks are strangely homoerotically codependent #curly #curly mouthwashing

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dykedvonte · 3 days ago

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I hate the stretch lines in the front of Curly's uniform because that means the devs rushed to make a model in like a month or so and thought "They gotta at least know he has huge knockers, gotta know he's got back pain." Cause like what is the thematic importance of his tits having overhang?

What responsibility is that representing? Breast reduction? It shows an inherent greed in his character due to the excess and heshouldletmeholdone and that he clearly is blinded cause if he tries to look down his damn ladder all he's seeing is his own cleavage.

#this is my curly slander post ig #disclaimer i need you to understand i see all fictional men i like as like butches Curly is no exception #but like they didnt need to add that many polygons to his chest like its unnessary and honestly a little mean he already has so many things #to handle and you expect him to hold those boys up like that just aint right this is like something so stupid but i know you can tell im #having strong feelings about it cause like what was the point why did they survive the fucking crash it has to be a injoke at this point #with the devs it shouldnt make me this mad im turning into a misandrist but only towards large chested men #mouthwashing #curly mouthwashing #shitpost #suggestive #ig because this is just about his chest but like also they made him objectively pretty for no reason like yeah like ideal man and work ig #but they went over the extra mile like i have a right to be mad they did that much for a model we see canonically for like two seconds its #crazy actually how little we see of curly pre crash because we also lose his physical movements to help characterize him the way we see #body language with the other characters and how it gives way to their struggles and personalities and sentiments in certain moments #like all he does and how he emotes is stifled by the fact we always play as him until the last moments where he takes over to try and save #the ship and crew and even right before that the scene is so wrought with tension we cant tell what that look he gave Jimmy meant due to #the limitations of the models and how stiff Curly is like was it fear acceptance denial we dont know enought about how he acts himself #to tell and then everything else is charaterized by what Jimmy had done to where we dont really just get to see Curly as himself like Anya #and Swansea and Daisuke we have no idea how theyd act in a regular moment outside of a few glimpses and even then it is them doing #their jobs like grrrr we hate an unreliable narrator but also its the fact jimmy clearly does not interact with them or try to outside of #his position as copilot and then captain harkening back to the entire capitlist view of utility and how he views all of them as useless eve #Curly which fandom tangent the fandom also tends to do to Curly as they base every trait on what they think he failed to do as Captain #between Jimmy and Anya when the QnAs kinda make him out to be a rather open and willing person but still someone who isnt like a push over #just thinking of QnA three where it mentions hes very open to trying new things and you need to be an open minded person to open urself up #to failure like that and ig this is just the weird view that Curly needs to learn that or that theres redemption he needs personality wise #verses healing and learning from trauma like idk its the idea that people assume he did abosultely nothing when the games points out direct #and throught parallels he was taking actions its just wasnt enough and an over focus on absolute inaction vs ineffective methods used to #tackle the issues and themes the game grapples with plus wanting someone to take the blame and have to make it up to Anya even tho #i think it would mean nothing from Curly because she saw his efforts and would be disappointed it wasnt enough but the idea she would #disregard the attempts or not acknoweldge Jimmy as the epicenter compared ot Curly is weird and too focused on someone

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sunnylucy31 · 2 days ago

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TheShatteredQueen posted in /r/AmITheAsshole:

AITA for doing whatever I can to save my people from genocide?

So obviously that title needs a bit of clarification. I (21f) am leader of a very small and tight knit minority group that's being persecuted by a very rich and very powerful man (3200m) and his family. For anonymity's sake we'll call him "Thunderbeard." He wants us all exterminated and our souls sent straight to eternal punishment, just because he has beef with our parents, my father (10000m) in particular. My father is also his father, but that doesn't really matter to him so we'll leave that aside.

We don't want anything to do with our parents; they made us solely to use as expendable soldiers, and we want more out of life. I literally diced one of them (7400m) and threw the pieces into super hell so we could avoid that. Unfortunately we only got a couple days of peace before Thunderbeard learned about us and had a bunch of his "employees" start hunting us. This was about five years ago.

I've lost good people. I can't imagine how they must be suffering right now, for no good reason. We'll all join them if we don't do something. I have a long term plan, but to enact it I need to buy us time.

Here's where things get complicated. Thunderbeard and his co-tyrants have kids similar to us, and a lot of them. Some are much younger than us, a few are much older, but they definitely outnumber us by a sizeable margin. Whenever Thunderbeard and Co need a job done, they typically send a few of the kids out to do it, more depending on how big the job is. The only reason they haven't been sent against us yet is because Thunderbeard thinks there's not enough of us to warrant it. My worry is that once he realizes he's wrong, he'll "rally the troops," as it were, and we'll be overwhelmed.

So I looked for ways to mitigate that, and happened on one that's a bit morally contentious. See, their kids are split into two groups (the criteria for which is a bit hard to follow and not really relevant atm) that have fought each other in the past. My thought was, if they fight again, maybe they'll weaken each other enough that we stand a chance against them. We've been laying the groundwork for that for a few years now, and earlier this week we kicked things firmly into motion. Barring any unforeseen mishaps, it could be the saving grace we've been praying for.

Now clearly that's not a good thing to do, I'm fully aware of that. It's already putting strain on my personal relationships. I just learned that I have a half-sister (19f) who I'd love to get to know, but she thinks I'm a "warmonger" and won't hear me out at all. It's all I can do some nights to fall asleep while the guilt eats away me.

But what else should we do? My people are counting on me to save them. We're damned even if we do nothing, so isn't the moral thing to fight however we can, even if it's sneaky and underhanded?

AITA?

StrengthAndEndurance: NTA. It's your job to think about what's best for the people under you, not anyone else. Keep your head high, don't let the guilt get to you.

FerrumMemoria: NTA. The oppressed have never gained anything by playing fair with their oppressors. In any liberation movement, bloodshed is inevitable. The ruler who does not recognize this is not fit to rule. Carry on as you have, and worry not about the judgement of history until you've survived to write it.

StargazerButch7: NTA. I understand feeling guilty, but there's no easy way out of this mess. We all appreciate the hard choices you have to make for our sakes. Keep the faith!

WaterloggedRedhead: NTA! Thunderbeard is the real asshole! Keep up the good work, we're all behind you!

Write an r/AmITheAsshole post told from your OC’s perspective. (Bonus: include replies from your other OCs.)

#oc prompt #my ocs #percy jackson ocs #demititans #my fic #the tomb of time #fake reddit post

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willowed-wisp · 16 hours ago

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sweethearts [ johnny ‘soap’ mactavish ]

johnny ‘soap’ mactavish x f!reader

You had known him forever. Since nursery school and all the time in between.

John MacTavish- though, you called him Johnny. And in later life, that turned into calling him ‘Soap’.

He had been gunning for that uniform since you were 15 and he was 16… falsifying his age only to fail miserably.

It was culture shock to when he left when he was 18… he was your first friend, first kiss, first young love. Yet, it was nothing official. Just two best friends experimenting with each other. You couldn’t have asked for a better person.

You were there when he came back- more of a man than the boy who left. All of him larger than before even that indicative smile. But HE hadn’t changed, still the same snack eating, football loving Scotsman.

That meant your attraction for him was worse than ever- having been in love with Johnny for most of your life. His sky bursted gaze enough to drive you crazy.

Someone like him would never feel the same about you- strictly friends.

Mates who got mistaken for boyfriend and girlfriend most days of the week. Neither of you minded it but it was always you who persisted the, ‘as if… he drives me insane…’ the pining kind of insanity.

His return led you to distance yourself, an insecure freshly turned 18 year old, distracting herself from the boy next door. Johnny could do much better for friends than you, he was the youngest SAS recruit to pass the selection.

HE COULD DO MUCH BETTER THAN YOU.

You didn’t even go say goodbye to him when he left for his first mission- somewhere you’d never know.

Instead, he came to you. Stood at your doorstep.

His face gloomy, “So you weren’ even gonna say goodbye?” Not knowing what to do, your shoulders shrugged and silence ensued. “You’ve been off for weeks, when was the last time we had a movie night? Is it because of the training? Me leavin’?”

Fingers picking at your nails; you’d never been nervous around him. But this was the first time seeing him in god-knows how long, when you hadn’t spent a day away from each other. “I don’t know, John- ,”

“You do know and that’s the problem, Y/N, because you won’t bloody tell me what I’ve done wrong,” he spoke harsher than intended, regretting it within an instant as your stepped forward- sizing the six foot something soldier up.

Staring up at him, “Why do you bother with me when you could have anybody around you? I’m not going anywhere with my life!” It wasn’t envy that spurred you on, it was the fact he was going to leave you.

Heartbroken and yearning. Lost without the boy who had always bolstered you up when you had been thrown to the ground.

Johnny’s eyes welled with tears, “What’s made you think that?”

In a whisper, “You’ve just gotten into the fucking SAS, Johnny…”

“So what? I’m still the same guy… nothing’s ever gonna change me… you should know that by now…”

You wanted things to change- the dynamics between you. Before he found somebody who would knock him off his feet and you’d never get the chance.

His fingers trailed your arm, before he cupped your hand. Blue coveted your vision, “Nothing’s goin’ to change us, you’re my absolute best mate…”

Like a dagger, he struck a nerve, “Maybe I don’t want to be your ‘best mate’, I’m sick of pining for you when clearly you’ll never feel the same way,” a quick pause, “Go and find a pretty gir- ,” Before you knew it, his kiss smothered you. More intimate than when you were twelve, with more intent.

Instead of resisting, you caved in. Hands balanced holding his jawline, clean shaven.

Exploring every inch of your body in that hurried kiss. It was better than anything you had dreamed.

Before you pulled away first, “You’re my everything, Y/N…” Thumbs rubbing circles at your waist. “I cannot tell you how long I’ve wanted to do tha’…”

The memory ran writhe in your brain. That was 8 years ago…

Since then you were happily married with a baby on the way. Johnny had been deployed for over a month. Today he was supposed to be returning- from where you didn’t have a clue but he always came home safely.

That’s what mattered.

You expected the phone to start buzzing, the usual unknown number saying to go to the airport. Instead, a knock at the door.

It was like him not to want to run you around pregnant. But it was Simon who answered the door.

Not able to help the tremble. Air caught in your throat, choking on nothing. “He’s not… is he?” Stopping those tears from coming down- clutching your belly.

You’d have fallen to your knees- had it not been for capable hands.

You looked up, blue eyes for days and a face contorted worriedly, “What did you say, to ‘er, LT?” He held you close, but it would never be enough for you. “You and munchkin okay?” He rubbed your large stomach.

You crushed him in your arms. “Darlin’, I’m a bit tender…” Only then did you notice the sling in his arm, a bandage skirting beneath his shirt.

“What happened?” He shook his head, a grin on his face.

One of nervousness, “It could have been a lot worse,” Simon was as gruff as usual. You would never be allowed to know what happened.

“I’m just glad you’re safe and sound,” Thumb rubbing along longer stubble on his cheek, there was more to the story than either him or Simon were telling you. “You too, Si, thanks for taking care of him.” Spoken wholeheartedly, “Dinners on, you can stay if you want?”

He accepted as he usually did. The mood held less tension as time went on. You came to the conclusion that you were lucky to have Johnny in front of you, laughing at some stupid dad joke Simon said.

All you did was sit there, looking at the guy you had loved all your life.

Your Johnny…

————

I contemplated 💀 Johnny but I couldn’t bring myself to do it. He’s just too sweet and just too tragic to write.

Thank you for reading :) xx

————

masterlist

#johnny soap mactavish #johnny mactavish #soap x reader #soap call of duty #soap cod #soap mw2 #soap mw3 #john soap mactavish #cod mw3 #cod mw2 #cod x reader #cod modern warfare #cod #cod mwii #cod mw x reader #mw2

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livinghalfway · 7 hours ago

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Magic Mirror

Summary: A magic mirror shows what a person desires most in the world. It shows Damian his twin standing next to him. Word Count: 1202

“Come on Damian, all you have to do is stand in front of it.” Dick pleaded with him while gesturing for him to step closer to the magic mirror they had recently obtained from a villain’s lair.

It was a rather plain mirror as well for being a rare magical item; nothing but a full length mirror with a simple black frame. The only interesting thing about it was that it had the ability to show what a person desired most in life when they stood in front of it.

Once that little trick was discovered the others had quickly jumped at the chance to stand in front of it. Which was foolish in Damian’s opinion; allowing everyone in the room to view your deepest desire.

“Tt, I think not Richard; I after all already know what the mirror will show me.There is no point in me standing in front of it.”

Before Dick can continue his beseeching his case though Jason cuts in from across the room; next to the mirror. “Oh yeah? What do you think would show up, Demon brat; you dressed up as Batman?”

“He wishes,” Tim snickers next to Jason, “It’s probably gonna be something embarrassing and that’s why he doesn’t want to do it.”

"Drake, if you know what's good for you you'll stop talking!"

Tim gives Jason a nudge with his elbow before loudly whispering, "That sounds like a conformation if I've ever heard one."

"Tt, how dare-" Damian is quickly cut off from his incoming tirade by Dick jumping back into the conversation.

"Okay! Let's not start arguing with one another." Dick says to all of them before directing his focus towards him, "Damian, if you really don't want to try out the mirror you don't have too. No one is going to force you to."

Damian merely rolls his eyes as he walks towards the mirror. The only reason he does so is because being Robin is what he desires the most; he knows it. Looking into the mirror will merely be about proving Drake and Todd wrong. "I'll do it Richard if only to shut these two imbeciles up."

The moment he stood in front of the mirror waiting for the magic to change the reflection Damian knew that he shouldn't have let Tim and Jason get to him. He had done something foolish and there was no going back now as the mirror swirls with a gold shimmer.

When the distorted image clears once more Damian swears he feels his heart stop. The reflection shown is not one a million years could have prepared him for. It is not him standing at his father's side, Batman and Robin, as he thought it would have been.

Instead it shows Damian exactly as he is at the moment. He would almost think the mirror didn't change anything if it weren't for the boy in the mirror standing next to him. Even after all these years it was someone he would never be able to forget.

His twin brother, Danyal, and him standing side by side once more. While Damian stands rigid and shocked, Danyal's posture is relaxed. He's even smiling as he leaning towards him until their shoulders touch in the reflection.

He doesn't feel it though; he wants to feel it.

All of a sudden it hits Damian that this is what he desires the most out of everything in the world. The only thing he wants is for his brother to be alive and with him at the manor. With the family Danyal not got the chance to know; the family that doesn't even know he exists.

In the blink of an eye the magical gold swirls take over the mirror once more, and when it clears it is once again just himself looking back at him.

After what must be an eternity of staring at the mirror Damian realizes that everything around him is too quiet. He snaps his head to the side where his brothers are, and sees the three of them staring back at him. All of them are in varying degrees of shock and curiosity at what they had just seen.

He considers lying at first. Saying that he had no idea who the boy was. He can't find it in himself to do that though. Damian had kept his brother a secret long enough; maybe it would be good for the others to know. "That Richard was my twin brother; Danyal."

With those words Damian practically collapses on the nearest chair; feeling drained and exhausted. The others follow suit as they too take seats next to him.

"Danyal … Danyal was kind. He understood people much more than I ever will." He takes a deep breath, "He was smart and curious. Always asking questions and wanting to understand everything around him. It was always the stars that fascinated him the most."

"Sounds like a good kid," Jason starts, "must have gotten all the friendly genes in the womb."

"For once I think I agree with you, Todd."

The silence that follows is thick and suffocating. It is luckily broken after a few seconds by Tim's hesitant question, "What happened to him?"

That was the big question wasn't it? What happened to Danyal; to the twin and brother that wasn't with him when he arrived at the manor?

"Danyal … died a couple years before I came here. The two of us were attacked by a group of rogue assassins after our study lessons." Damian swallows, his throat feels tight, "I wasn't as focused as I should have been, and Danyal ended up taking a fetal hit meant for me."

"Damian-"

"Let me finish, Richard." He snaps. He doesn't think he would be able to finish if otherwise interrupted. "Danyal was dead by the time he was finally brought to the pits. I knew there was a chance it wouldn't work, but I didn't think it would take him completely. His body was never recovered from the pits.I never got to bury my brother."

It's when his vision starts to blur that Damian realizes that he's crying. Danyal always did have a way of making Damian show emotions that he would rather keep hidden.

He feels himself being pulled into a chest, and for now he doesn't fight against it. Damian's not sure if he honestly could at the moment.

“Father doesn’t know about this.” Damian continues after a few minutes of silently sobbing in Dick’s arms.

“He needs to know.” Tim states, “Maybe not today, but soon.”

“You tell him when you’re ready, short stack. The old man can deal with not being told right away.” Jason reassures him when he doesn’t answer Tim right away.

"What am I not being told?" Damian feels as if he's been dunked in water when he realizes that his Father had heard the end of their conversation.

"Father."

"Damian?" Bruce takes in his youngest son's appearance and it doesn't take a genius to know that he's in some kind of emotional distress.Which in of itself is very rare for him to be in.

"Father, please take a seat. There is something I need to tell you."

#dc x dp crossover #dc x dp #danny phantom #angst #batfam #damian wayne #Damian and Danny are twins

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raayllum · 2 days ago

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What Is Up With Terry :: the Thread of Necessity

Intro

Terry is an interesting character in a lot of ways. He's unflappably kind and optimistic, accepting even to a fault, and he's an elf with no issue with dark magic yet doesn't seek out its use for himself. He's a non-traditional antagonist for starters, he's trans without being overly sanitized, and he most notably provides a sounding board for more overtly 'evil' characters like Viren in season four and Claudia in seasons five and six. Most of this is in service of Claudia's goals, with Terry not having many of his own goals outside of his support of Claudia and Viren; this is, mind you, not too dissimilar from Soren with Ezran in arc 2 as well, or even Amaya with Janai.

I also think he's a very important in a character in a lot of ways, for the ease with which he explores and exemplifies

You can love / support Viren and Claudia and that doesn't make you a 'bad person' in the show

You can be okay with dark magic without changing your mind and that doesn't make you a bad person either

You can kill someone in TDP and that doesn't automatically make you a bad person either

We know all of this is true (and will likely continue to be true) as we know in S7 there is an episode about Terry related to him still having a "true and pure heart," which is about as classical "good guy protagonist" speak as you can get. In those lenses, I think Terry was a fantastic choice in introducing a new character to not only contrast against Claudia and Viren, but also in terms of getting us to be more sympathetic towards them (particularly Viren) than we might've been inclined towards in arc 1.

That said, I think the most important thread that Terry carries is that he is a character who truly and wholly does whatever is necessary for his cause, nothing more, nothing less.

But what does that mean, tangibly, within TDP's narrative? Well, let's talk about it:

Necessity

The concept of necessity—I needed to do this, or I have to do this (even though I don't want to)—is one that has been central to TDP for a while. We see this characters who cite a lack of agency ("He was going to take Claudia's life, I had no choice" / "Every step I took, I took because I had to" / "I'm sorry. I have to do this") throughout the show, both dark mages and not, particularly Rayla, Soren, and Callum.

And in return for perceived necessity, as Harrow states, "I have done terrible things. I thought they were necessary. Now I don't know." We increasingly see people justify, or struggle to justify, worse and worse actions. Claudia's mindset has become very transactional, for example ("He saved you, and now we have to save Aaravos" / "It's a mistake! I saved you! You owe me your life!"). Generally speaking, the show treats these things labelled as necessary as unnecessary (hence the regret they experience, and even Terry disagreeing more adamantly than he ever has before).

This is, of course, because 4x09 and 6x09 together very clearly spells out what is important for Terry to believe something is necessary: it must be done entirely out of love, no more and no less.

I've seen you do a lot of awful things, dark magic things, but I always believed in you because you had a reason [saving your dad]. But what you just did, the way you tricked that Moonshadow elf? It was just cruel.

Maybe it started out as a story of love, but along the way it got twisted. [...] He isn't doing anything for love. He's doing it out of revenge.

To Terry, you do what you have to do but go no further; you don't give into anger, you don't give into revenge. You act entirely out of love, and keep acting out of love and let it temper you. This is why Terry resonates, I think, and seeks guidance from Viren after the mage's initial assessment of what's been happening, emotionally:

This is similar in practice to why Viren (and Claudia to a lesser extent) are characters with such fraught paths. Not only because of their dark magic use, but because of their denial. Viren violates Lissa's safety and trust to save Soren, but then blames Soren for it; Claudia heals Soren and brings back Viren, and doesn't understand why fixing things physically wasn't enough. "I had no choice" for them means "I have no accountability," and that's why they kept spiralling deeper till Viren broke out of it. He atones then not by swearing off dark magic (although it helps) but by taking full agency in the choice to do dark magic and in what manner (not sacrificing his family again) and without a desire for ego, which was his biggest character flaw in a lot of ways.

The reason I bring this up is to provide a contrast for Terry in a few ways, such as

Terry always being very emotionally open, rather than repressing or offloading blame onto other people

Mandates that he had no choice (4x03, 4x04) but to kill Ibis verbally, but is also aware that it very much was

Is able to accept that this was a choice and move on

Terry does what he believes is necessary. He feels things about it. He doesn't go further into outright self destruction, and he doesn't escalate to what harm is deemed unnecessary. That doesn't mean Terry's levelheadedness can't be a flaw (he absolutely should have told Claudia to give up magic in 6x04) or that what he believes is necessary always is / that his choices are perfect (they're not), but that in his contrast to Claudia and Viren, he continually provides that contrast. He can be held at sword point by Rayla, a total aggressive stranger, and still recognize that withholding her family from her is what he deems as unnecessary cruelty (but more on that later).

For now I want to talk about patterns, specifically two that he engages in with Claudia.

Patterns

The first pattern is unsurprising, perhaps, given that Claudia-Rayla have continually had parallels, given that:

1) Claudia keeps leaving him

This is, of course, most obvious in 6x01 when Claudia states her intention to do so, or even in 6x09 wherein Aaravos literally lifts her away from Terry:

But we also see it earlier on with even the choices Claudia makes in her mission. Terry is a passive person, much like how Claudia at her core is ("Tell me what to do" + 90% of interactions with Viren that aren't about saving him), and therefore Claudia leads the way, and Terry is happy to let her.

He never really considers that he might be a core part of her truth, and that she wants more active advice (see the way Rayla counsels Callum about his dark magic use, comparatively, in 6x03, or nudges him forwards elsewhere throughout the seasons). While Terry isn't wrong to encourage Claudia to think staunchly for herself, and in fact she very much should, it does leave her more vulnerable to the next first person willing to tell her what to do: Aaravos.

We also see Terry's passivity go even further back to one of his first episodes, as well as in the S5 finale.

Each entry in the pattern is a little different.

4x03: Claudia leaves / goes in alone and fails at her mission. Terry follows and saves her by killing Ibis at great cost to his personal emotional state.

5x09: Claudia leaves / goes in alone and fails at her mission. She goes further into Aaravos' clutches (the ocean here metaphorically) and returns of her own accord.

6x01: Claudia succeeds at bringing back her father but cannot make him stay. She leaves on her own in an attempt to break her family's cycle of abandonment without realizing how she's continually perpetuating it, but returns in a devastated and dejected state.

6x09: Claudia succeeds at her mission of freeing Aaravos, and the Startouch elf takes her literally into his clutches and away from Terry.

Each time it is her choice to leave, with only 4x03 firmly having Terry following without her returning by her own merit. Whereas Claudia plays out her family's cycle of abandonment with all its members—her mother, her brother, and finally her father—Terry plays it out with just Claudia, over and over again. This doesn't mean their relationship is bad or that some of these times are unreasonable—Terry is willing and supportive to let her go in 4x03 and 5x09 much the way Callum is supportive of Rayla in 4x09, 6x05, and 6x09—but it is a pattern that has then taken on a negative slant in S6 and will likely to continue to worsen in S7 before it gets better either in the season or beyond.

Then, we have the pattern of how

2) Claudia gradually stops listening to him.

This is probably more interwoven with the thread of necessity than the previous pattern, since as stated before, sometimes when Terry is letting Claudia go off on her own while it's imperfect in the narrative, it makes sense within their dynamic / resources. Like as previously mentioned, too, Terry is more often correct than he is wrong about the next moves people should make. He's right that Claudia will need help in 4x03, he's right that they should go look for her in 4x07, he's right that she needs rest in 5x02, and right to be wary and against Aaravos in 6x09.

In the beginning, Claudia listens to him.

But as the seasons go on, this gradually changes with twice back to back in 5x06.

T: It won't chase us anymore, you won. It's trapped. Please. C: You're right. It won't follow us. But not because it's trapped.

Season six is arguably the season where Claudia listens to him the least despite Terry reaffirming her agency most directly (6x04) as she ignores or doesn't listen to every reservation he has.

T: It's him. It's your Dad. C: Then I have to... T: No! Please! Please don't... I don't think you should see him like this. C: I have to! I came all this way to see him one last time. I need him to show me the right path. T: This won't give you answers. Only anger. Only pain. I'm so sorry. He's gone. He is gone.

And Terry, who does things only that are necessary, only out of love, would know the difference: unlike Rayla, or Claudia, or numerous other characters arguably in the show, he always has, particularly when given broader context the way he is in 6x09 (which hasn't always been true in his relationship with Claudia, either).

None of this is to say that Claudia is a Bad Partner or that your partner should always listen to you, either, because neither of those things are true in life or in TDP. Healthy couples in TDP disagree all the time in both healthy and unhealthy ways. Rayla left Callum when he explicitly made her promise not to, and Callum did dark magic to save her twice despite 100% knowing it's not what she wold've wanted.

But the first thing I want to address is the difference between Claudia leaving out of grief and trying to feel in control after losing everyone but her boyfriend, and Rayla leaving out of grief and trying to feel in control after losing everyone but her boyfriend because they are wildly different for one main reason.

Rayla left in the middle of the night while Callum was sleeping because "you’ll wake up and try to stop me… from doing what I know I have to do. Leaving. But I can’t let you stop me, Callum. No matter how much I want to. [...] And if you said even one word to me, I wouldn’t be—couldn’t be. If I stay even until your eyes open and you yawn your silly morning yawn, I’ll break" (TDP reflections, Dear Callum).

Terry, meanwhile, is actively begging and pleading with Claudia, and he is still abandoned. Granted, Claudia seemingly comes back within a day or two, not two years, so that does mitigate things, but the fact remains that Rayla thought she wouldn't be able to leave to protect Callum if she even heard him speak a word or yawn, and Claudia was able to leave to protect herself while having a full on conversation. Ouch.

Nor does this completely absolve Terry of the one time Claudia straight up asks him to tell her what to do, or what he thinks she should do, Terry doesn't (6x04). He's not wrong that she needs to choose the way and figure out what she needs, but him emphasizing that he can't tell her what to do and then immediately accepting her premises that Viren can and should tell her what to do is something that's already bitten both of them in the ass.

Terry also only asks Claudia to listen to him, really listen, and to tell her what she should do when he thinks it's absolutely necessary.

This is also one of the reasons why she and Terry are suited to each other. Both value and respond to necessity, scaffolding everything else on top of what needs to be done or doesn't need to be done. What's risky about this mutual understanding is the potential for it to stop being so mutual if they start to have different views on what's necessary. And as we see in 6x09, that's happening more and more. What is going to continue happen when Claudia keeps viewing Aaravos' actions as necessary, and Terry doesn't?

Questioning

So Terry is, presumably, going to increasingly be wary and against Aaravos. What is that going to look like?

We have a decent idea, honestly. As stated / noted before, Terry actually pushes back against Claudia fairly often. He's just rather gentle about it, and usually is trying to prioritize her wellbeing (or someone else's) when she isn't. Examples include:

4x09 over the coins / being cruel

5x01 ("You'd think if dark magic does this to a person they might not do it")

5x02 over resting

5x06 over attacking the dragon

5x06 over killing the dragon

6x01 over her leaving

6x04 with telling her what to do

6x08 over seeing Viren's corpse

6x09 in helping / freeing Aaravos

However, we're also yet to see him be angry in his questioning or when pushing back, which is what I think would be most interesting to see change (think the moment where Iroh finally yells at Zuko beneath Lake Laogai). His pushback with Claudia has gotten more and more consistent as well as more dire throughout the seasons, and just like how Viren and Claudia eventually disagreed and split up, I think Terry and Claudia will too. How permanent that split will be, I think, is up to her (I could see parallels happening between Soren and Terry teaming up to try and bring her home, with Ezran and Rayla doing the same for a brother-partner tag team Callum duo), but I do think that Terry's testament of "I love you, I will never leave you" is apt foreshadowing to see what it would take for him to break his promise, and do just that.

To what he knows needs to be done, even if that means walking away.

Misc. Season Thoughts

Terry also has some interesting things that don't fall under the necessity umbrella that I wanted to talk about as well. One of those things is

TERRY AND IDENTITY

This isn't to say I think Terry actively has an identity arc in seasons 4 through 6 the way other characters (Callum, Rayla, Viren) are, but that Terry like most of the main cast is linked to arc 2's continual increased emphasis on identity and choosing your own identity. This is true particularly in 4x01, which opens after the intro with Callum running through / clarifying his titles (or identity roles) and concludes with Viren and Terry being introduced to one another. Terry gives details on his name ("[Terrestrius] is a bit traditional, but my friends call me Terry") and then asks for clarification on what he can call Viren.

Later on in S5 and S6, we see Soren and Rayla respectively see through the 'monstrous' / threat of others by reaffirming their similarities ("I know what this is like. I know how you feel" / "This storm isn't your rage, it's your grief. I know how you feel") and bestowing agency through naming conventions. Rayla identifies the monster isn't a monster but a pet, and more than that, gives Esmeray back her name. Elmer does the same when he overthrows Finnegrin and Soren likewise affirms it: "We literally didn't [defeat him]. Elmer did."

Why is this relevant? Well, in an arc that's all about emphasizing over and over again to see other people's personhood by using their name(s), recognizing that you have a choice, and choosing who you want to be...

So often queer characters in media are regulated to their queerness being happenstance (i.e. they fulfil a certain story role regardless and just happen to also be queer) or it's all their character gets to be (a "figuring out queerness and/or a coming out" arc). One of the reasons I myself (as a queer and trans person) has always deeply appreciated Terry as a queer character, specifically as a trans character, is precisely the way that his transness is interwoven with TDP's broader themes of chosen identity, self-actualization, and knowing / name motifs. In having these themes and ideas for multiple cis characters, Terry's interplay gets to be enhanced by his trans identity and simultaneously let him enhance the thematic explorations the series has going on, and I think that's pretty cool. Identity is one of the main themes of s4, and for Terry as well, so it's nice to see the ways that's reflected.

I expect season 7 to challenge his identity further ("I'm going to be strong enough to do whatever I need to do and still have feelings") if forcing him to confront who he wants to be, who Claudia is becoming, and who he thinks they can still be together. In a lot of ways I'm expecting S7 to be a sister season to S4 thematically even as S7 builds on S5/S6 in terms of plot and character arcs, since S7 seems geared to be about identity directly even more than S4 was (and much more than S5 or S6 were).

TERRY AND COMMUNICATION

If season four is about identity, season five has a strong emphasis on communication. This is, again, likewise true for Terry, as he encourages Claudia to communicate in various ways across the course of the season.

The situation is urgent, and you're worried I'm not treating it that way.

Terry consistently having clear communication is also something that puts him in direct contrast to Aaravos, who is a master manipulator and very careful liar-not-liar in his own way. Terry is always open and while thoughtful does not really bottle things up; he communicates clearly with other people and is comfortable doing so, and is very good at validating others as well. Whenever he does push against Claudia, he always clearly explains why he's doing so or why he disagrees but leaves the choice of what to do next in making amends or carrying on up to her. Aaravos, meanwhile, continually withholds or omits information, and presents things in certain ways in order to get, well, his way.

I don't have as much to say for season six, given that Terry is only in about half the season (6x01, 6x03, 6x04, 6x08, 6x09) and one of those is entirely silent. I'd say his main idea in s6, like s4 with identity and s5 with communication, would be the theme of Questioning (scaffolded under 'supportive'). He's supportive of Viren and Claudia's searches for meaning alongside his own increase questioning of what they and Aaravos are doing and why. I'll be curious to see what his main character beat may be in s7 going forward.

Conclusion

There's more I could talk about with Terry (Viren dreaming in 5x03 of chasing after Claudia only for her not to listen, only for Terry to live out that worst fear in 6x01 directly, for example) but I think for now these are the main things I wanted to discuss without going further into speculation than I already have. I hope this maybe brought a new perspective or appreciation for Terry as a character and for his arc in the show so far! As always, thank you for reading and I hope you enjoy.

#tdp #tdp terry #tdp meta #the dragon prince #terry #analysis series #analysis #parallels #clauderry #arc 2 #multi

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luxcuriousao3 · 3 days ago

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Dove: A Zombie Ghost Story (Chapter Six)

Summary: She had tried so hard all her life to be the perfect daughter, the perfect wife, in hopes that maybe someday, someone would love her. But that day had never come, and now it never would. Because who could ever love a dirty, broken thing like her? She had never been a person, only a piece of art—beautiful and silent, to be enjoyed and admired, but easily replaced. She had been traded from her father’s private collection to her husband’s, and he had knocked her off the gallery wall, had smashed her frame and ripped apart her canvas, destroying her value and leaving her with no sense of self. Who was she, if not the pretty, proper little thing the men in her life could show off and gain approval for? Who was she? Word Count: 3942 Warnings: still no smut (but Ghost has explicit thoughts), non graphic mentions of past abuse Notes: This chapter is pretty fluffy/funny actually! It's one of my favorites that I've written. Triple asterisk (***) denotes a POV change as usual, dash asterisk dash (-*-) is a time skip but not a POV change AO3, Masterlist

There was no food in the cabinets of the house, nor of the next five—though there were several other infected that Ghost had to kill. But in the seventh, they got lucky.

Lelia practically cried when they opened the pantry in the basement to find a shelf fit to bursting with canned veg and soup. She opened a can right then and there and devoured it like he had the buck, desperation in every swallow. He’d tried to stop her, to get her to slow down, but she wouldn’t listen, dancing out of reach every time he tried to clumsily take her spoils from her. Of course, she had thrown it all back up not two minutes later.

Ghost awkwardly held her hair back as she heaved, careful not to touch any other part of her, no matter how badly he wanted to rub her back soothingly.

When his dove finally stopped retching, she straightened up with a groan that sounded like one of his, her small hands clutching her belly. He reluctantly let go of her hair—or tried to. His stiff fingers got stuck in a tangle, and when he began to move his hand away, it pulled on it, startling a yelp from Lelia. He let out a panicked, apologetic gurgle, and tried again to free his fingers—only to pull her hair once more. This time, she whimpered, and for one delusional second, he thought it sounded like one of pleasure.

“Simon,” Lelia gasped, hands reaching up to grasp his own. He jumped at the sudden warmth, fingers twitching, wanting to curl around hers and soak up their heat. “You’re going to pull my hair out if you're not careful. Just— just let me do it.”

Ghost obeyed, going still as he simply savored the feeling of her skin against his. She carefully collected each strand of hair from between his fingers, sometimes grasping the cold, stiff digits and guiding them out of the bigger tangles. It took several minutes, and those minutes were the very best of his undead life.

He couldn't help but hold onto her hands for a few seconds even after she was done. She looked over her shoulder at him with a raised brow, thankfully amused and understanding rather than disgusted. She was so kind. She was far too kind.

“Did they lock up again?” She asked him. He groaned out a no but it sounded like nothing and so she took it as a yes, just like he knew she would. She gave him a sympathetic look and squeezed his hands lightly and—oh. He— he felt that.

He stared at her in awe as she twisted awkwardly around, her hands still in his. He knew he was being selfish, stealing her body heat when she needed it more, forcing her to touch him… but he could feel it. Not the softness of her hands, but the warmth and the pressure when she tightened her grip. Unbidden, he thought of another part of her that could give him the same sensations…

Ghost quickly let go, feeling guilty and terribly ashamed with himself. He kept having these dirty thoughts about her, and that would have been bad enough back when he was alive, an old man creeping on an innocent young thing like her. But now? When he was dead and decaying? It was foul. He was foul.

“Better?” His dove asked, oblivious to the disgusting images of her in his mind, of her beneath him, on top of him, on her knees, bent over a table—

He turned around with a noncommittal grunt, putting his back to her. He grabbed the rucksack they’d found in house number four, and began swiping the cans of food off the shelf into it. Several missed and fell to the floor, but he ignored them, not wanting to risk catching sight of Lelia if he went chasing after them.

Of course, it couldn't be that easy.

“You’re making a mess,” she scolded lightly, with no real heat behind it. He wished there was. He deserved her censure. “Let me do that. I’m not feeling nauseous anymore. Though if we stay in here much longer that might change.”

It did smell quite bad, the dust and mildew overpowered by her puddle of sick. But as always, Lelia’s sweet scent was the most prominent to him, delicious and tempting. The vile part of his infected brain that he couldn’t seem to shut up wondered if eating her out would be enough to satisfy his hunger for her.

He ignored just how enticing the idea was.

Ghost was silent as Lelia took over packing up the cans, hanging back, but he did take the rucksack from her once she’d zipped it up. She gave him a surprised but grateful look, eyes wide and a little smile on her face. He wanted to kiss her. But his fucking lips had rotted off, because he was a walking gods-be-damned corpse.

He was all out of sorts just from her holding her hand, like he was a virgin touching a tit for the first time. If his blood was still pumping, his dick would be hard as steel in his trousers. It was pathetic. And if his little dove knew, she’d run screaming for the hills.

For once, he was glad he couldn’t talk. It made it that much harder for her to tell that something was wrong.

***

Lelia walked next to her zombie as they searched the rest of the house for warm, sturdy clothes that fit her—a surprisingly difficult task—sneaking worried glances at him every few minutes. Something had upset him, but she wasn't sure what. Was he still embarrassed about the drool incident? He’d seemed to put it behind him, after they’d left that first house. She wished he could talk so she could just ask him…

They didn’t find satisfactory clothes in the next few houses. Simon had vetoed the pretty dress she'd wanted to bring with them—”I’ll only wear it inside, Simon, I promise! Just look how beautiful it is!”—pointing at the full rucksack to show they had no space for it. Lelia had eventually given in and put the dress back with a sad sigh, and they'd continued their search.

The sun was setting by the time they found something Simon didn’t growl disapprovingly at, but at least he no longer seemed so bothered, anymore.

The clothes—and the room they’d found them in—looked like it had belonged to a young teenage girl going through a very intense emo phase. Her jeans were skinny enough that they didn’t immediately fall off Lelia’s hips, and her shirts were incredibly tacky, full of what Lelia assumed to be band logos. She wrinkled her nose when Simon shoved one with overlong sleeves and thumb holes at her, aghast.

“You want me to wear this?” She asked, disbelieving. “It has thumb holes, Simon! Thumb holes!”

Simon’s face almost always looked blank, but right now, she had the distinct impression it was because he was trying not to laugh at her. She huffed, but didn’t protest any further. She did complain, though.

“A fashion travesty,” she mumbled under her breath, not caring if Simon heard her. It was strange. She usually didn't complain—complaining always made things worse, in her experience—but she felt safe with him. It made no sense—he was a zombie, and he'd admitted to wanting to eat her earlier that same day—and yet it was true. Simon, her undead companion, made her feel safer than anyone else in her life ever had. “I understand that it's the apocalypse, and options are limited, but thumb holes…”

When she returned from the toilet after changing into her new clothes, Simon held out a black leather jacket with studs on the shoulders to her. She physically recoiled. And to think, she thought things couldn’t get any worse.

“Absolutely not,” she said instantly. He shook the jacket in her direction, and she crossed her arms stubbornly, turning up her nose at it. “I said no, Simon! That is the ugliest thing I’ve ever seen in my life!”

Simon rolled his cloudy eyes, and then gestured at his face and grunted disbelievingly. She didn’t understand what he was saying at first, and she looked at him in consternated confusion, before it dawned on her.

“That jacket is far uglier than you,” she replied honestly. Though Simon couldn’t be described as handsome, she’d grown used to his visage in the last few days. Ironically, seeing his sunken, colorless face, with its permanently bared teeth, broken jaw, and milky, white eyes brought her comfort, now, since she knew it meant that she was safe. That she wasn’t alone.

A face that was now looking at her with a distinct air of skepticism, despite its lack of expression. She could just tell—she was getting better at reading into the slight narrowing or widening of his eyes, his body language, and each noise he did or didn’t make. It was still impossible for him to communicate more complex ideas to her, but she usually understood his reactions to her own words.

“I’m being serious!” She replied to his pointed silence. “Leather jackets are vulgar. I would never be caught dead in one.”

Simon growled, stepping closer and shaking the jacket at her more aggressively. She made no move to reach for it, arms stubbornly crossed over her chest. Her zombie growled again, louder this time, closing the distance between them and draping the jacket over her shoulders. She let out a noise of protest, but one quelling look from Simon had her shutting up. He was very close, close enough that she could smell the ever present scent of rot and death that clung to him. It was worse now than it had been after he'd first cleaned himself back at the cabin—likely because of whatever animal he'd eaten earlier—but not nearly as bad as it was when they'd met. Besides, she had started to get used to it. It wasn’t pleasant, but it no longer made her nearly gag every time she caught a whiff of him.

Undistracted by his scent, all she could think about was his proximity. She’d known he was tall, but he’d never been so close to her that she had to crane her neck to look up at him, even when their hands had been locked together back in the basement.

Inexplicably, she found herself blushing. Though his hands had been cold and rough, and he’d not actually been holding them of his own free will, they had cradled hers so gently, fitting perfectly around her own. It had felt nice, and she wanted to hold them again. She was just so starved for gentle touch. She had been her whole life, with parents who didn't love her and a husband that found joy in her suffering.

And how ironic was that? That a zombie was the first person in months—years, had it not been for the occasional shoulder squeezes from her governess Ulyana when Lelia did particularly well at something—to touch her with no intent to hurt her?

Spurred on by the memory, she uncrossed her arms and slid them into the sleeves of the ugly jacket, looking up at Simon hopefully for his approval. Another thing she had been denied constantly, growing up. She had never been good enough for her parents, no matter how well she did in school or how perfectly she behaved. She had tried so hard all her life to be the perfect daughter, the perfect wife, in hopes that maybe someday, someone would love her. But that day had never come, and now it never would. Because who could ever love a dirty, broken thing like her? She had never been a person, only a piece of art—beautiful and silent, to be enjoyed and admired, but easily replaced. She had been traded from her father’s private collection to her husband’s, and he had knocked her off the gallery wall, had smashed her frame and ripped apart her canvas, destroying her value and leaving her with no sense of self. Who was she, if not the pretty, proper little thing the men in her life could show off and gain approval for? Who was she?

She didn’t know.

She wasn’t sure she’d ever known.

Suddenly, she felt cold fingers brush against her cheek, and she was pulled out of her spiraling thoughts. Simon was looking down at her with what she could swear was concern, and he groaned softly, head tilted to the side in question. It was then that she felt the wetness on her face. She was crying, and she hadn’t even realized. And now Simon was gently wiping away her tears.

Her eyes grew hot and she could feel a sob building in her throat. She resisted the urge to lean into his kind touch, sniffling as she reached up to scrub at her face harshly.

“I-I’m sorry,” she whispered, embarrassed. Simon tugged lightly at her jacket, like he was trying to carefully pull it off, clearly assuming that was what had made her so upset. She let out a wet laugh, though there was very little humor in it, and shook her head, gently pushing his hand away. She hoped he didn’t notice how she let her fingers linger against his for a few seconds longer than necessary. “It’s not the jacket. I just—I was thinking about something sad, is all. I’m sorry I worried you.”

***

Ghost felt like an arsehole.

The second his dove had looked up at him with those big brown doe eyes of her all shiny and wet, his undead heart broke. He’d never meant to make her cry—he just wanted her to be safe and warm, and the jacket he’d found would help do just that. The tough leather would protect her from glancing bites, as well as conserve her body heat. He hadn’t expected her to put up such a vehement protest at the thought of wearing it, though he supposed he should have. She was clearly used to the finer things in life, and her style was quite feminine. He remembered the look she’d had on her face as he’d presented her with the hiking boots he’d found back at the cabin, and she’d had to leave her dainty ballet flats behind. She’d seemed sad, then, but also relieved—though he figured that had more to do with the painful looking blisters on her feet than approval of his fashion sense.

Nonetheless, he hadn’t been about to give into her—admittedly adorable—pouting. He’d draped the jacket over her shoulders, and had been trying to figure out how he could get her arms into it without crossing any lines when she’d shrugged it on herself. For a second, he thought she’d come to her senses—and then he’d seen the tears.

Instinct—human, this time—had kicked in at that moment, and he’d reached up to tenderly wipe them away. The distant look in her eyes had disappeared, and it almost seemed like she’d leaned towards his touch before she’d pulled away, but Ghost knew he had to have imagined that part.

He let out noise between a groan and a gurgle at her apology, waving a hand dismissively as he tried to communicate that she had nothing to be sorry about. He was the one who should be apologizing—he’d clearly touched some sort of nerve, to remind her of something that made her cry. He only wished that he knew what it was. He only wished that he could ask.

They didn’t spend much longer at that house, using the last dredges of daylight to search the one next door. And it was a good thing they did, because they found a half empty water cooler in what appeared to be a home gym. Lelia, who hadn’t had anything to drink since they’d run out of boiled stream water, was overjoyed. Though thankfully, she did listen to him this time when he warned her to take it slow.

Ghost handed over a can of veg, then rolled up one of the yoga mats on the and shoved it into the backpack. If Lelia had to sleep on the ground again, which he knew she would, the mat would make it a little less uncomfortable… or so he hoped.

When his dove finished eating and had drunk her fill, she reached over and tugged the zip he was having so much trouble with closed. He grunted, half annoyed, half grateful, and she patted his hand soothingly. It made him jolt, that shock of heat, and as always, he struggled not to grab ahold and pull her as close as physically possible. She seemed far touchier today than usual—though that wasn’t saying much, as she had only ever briefly brushed her fingers against his hands before when removing his wet gloves—and he wondered if it had to do with him running out on her earlier to hunt. Like she was trying to show him that she did want him around, that she was glad he’d come back.

Or maybe she was just in a good mood now that they’d found food and water.

Yeah, that seemed far more likely.

“Do you think they’ve got toothpaste here? I’m sure my breath smells something awful.”

Ghost jerked his shoulders up in a shrug, but when she moved to stand, he did too. He straightened from his crouch with a creak and a pop, muscles locked from rigor mortis protesting the movement.

He followed Lelia into the toilet, her hulking, undead shadow, and his eyes crinkled a bit in a smile as she crowed happily over finding a mostly empty tube of toothpaste. She put some on her finger and began to brush her teeth with it, wisely forgoing the dirt covered toothbrush next to the rusting tap. When she was done, she turned to him, reapplying the minty smelling paste to her finger and holding it up to his mouth.

“Your turn,” she said, but lightning quick, he grabbed her hand, stopping her. She jumped, but didn’t pull away, just looked at him with those big brown doe eyes of hers. He grunted, shaking his head as he gently pushed her hand away from his face. He could feel drool collecting in the corner of his mouth again. He was floored by just how much she trusted him. He knew she had very little survival instincts, but even she had to know better than to go sticking her fingers in a zombie’s mouth. And yet, she’d been about to do just that. And he had no idea if he’d be able to stop himself from trying to bite down the second he tasted her hot, sweet flesh on his tongue.

He clumsily grabbed the dirty toothbrush—he was already dead, what were the germs going to do? Kill him?—wiped it off on his tactical vest, and then handed it to her with a pointed grunt.

“You want me to brush your teeth with this?” His dove asked, cute little nose wrinkled up in disgust. He would have nodded, but he could still feel the drool on his chin, and the last thing he wanted was a repeat of earlier. So he just continued to stare at her until she gave in with a sigh. “Fine, then. But sit down. You’re too tall.”

You're just short, he thought but couldn’t say. Instead he let out a grumbly huff of laughter, and then sat down on the closed toilet seat. She stepped closer so she was right in front of him, and his gaze was perfectly level with her small, perky breasts. The shirt he’d found for her clung to her tightly, accentuating the slight curves of her chest and waist. She was far too skinny, ribs showing through the fabric, but she was still beautiful.

He started to drool again.

She wiped it away on her sleeve, mumbling about thumb holes apparently being good for something, and then gently—more gently than he ever remembered being touched in his undead life or the bits of his actual life before that—cradled his broken jaw in one of her small hands. He blinked up at her slowly—not out of an actual need, but out of shock—and let out a strangled groan. She paused, looking at him in concern.

“Did I hurt you?” she said, wide-eyed. “I’m so sorry, I didn’t realize it still caused you pain…”

She moved to let go of him, and he lightly grasped her hand again, bringing it back to his jaw. In truth, he could barely feel it. Just a scant pressure and her addictive heat. But it was the fact that she was willingly touching such a destroyed part of him, and so tenderly, that undid him. She was… ethereal. Everything that he had ever been denied—softness and warmth and light and kindness. He didn't remember very much of his old life, but he knew enough that he had never experienced something like this—like her—before. Her existence was proof of heaven. He just didn’t understand what an angel like her was doing down on earth. Especially after it had turned into Hell.

And he certainly didn't understand why such a pure being would deign to touch a wretched monster like him.

He should have moved her hand away, should have stopped tainting her with his undead skin. But he was selfish, and so he just shook his head, tilting it back a little to look up at her.

His dove smiled at him, caressing his broken jaw sweetly for a second. His eyes went half lidded in pleasure, watching her as she carefully brushed his teeth.

“Your breath smells even worse than mine,” Lelia said with a little giggle, even as she grimaced in disgust. Somehow, she made the expression seem adorable, and her pure laughter took the sting from her words. She was teasing him, like she would a friend. The thought made his eyes crinkle slightly in a smile. She was being playful, and it looked good on her. Everything looked good on her, but happiness most of all.

His dove took her time cleaning his teeth, growing quiet as she focused. He could feel bits of flesh and fur unsticking from between his blackened gums, and he knew it must have disgusted her from the little wrinkle of her nose, but she didn't complain. She just let him spit into the sink before applying more toothpaste and continuing her task.

“There we are,” she said nearly fifteen minutes after she’d started, finally removing the brush from his mouth for good and letting go of his face. He mourned her touch, but her bright eyes made it a tad easier to bear. “Minty fresh.”

Ghost groaned quietly in thanks, and she wiped her hands off on a towel—he’d drooled quite a bit during the cleaning process, but she hadn’t even flinched—before yawning. He stood up, gently nudging her towards the door with his elbow.

“Yes yes, it’s bedtime, I know,” she said playfully, nudging him back. She looked excited. “There's a king mattress in the master bedroom—it will almost feel like home.”

Ghost huffed a laugh as he walked her down the hall. He took up his post outside the door, and her hand brushed against his as she slipped past him and into the room.

“Goodnight, Simon,” she said quietly, giving him a sweet smile. “I’ll see you in the morning.”

With that, she was gone, the door shutting behind her with a soft click.

And once again, he was alone.

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le-fruit-de-la-passion · 2 days ago

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Does a bad ending ruin a good story? A comprehensive guide to my feelings on the Arcane finale

*Spoilers for Arcane season 2*

So. You just finished the show, and you're staring at the screen in bewilderment. Perhaps you’re even with some friends, shouting words of confusion to the rolling credits. Try as you might, you can barely hear them, because a single thought echoes in your mind and pushes away any other:

“What the fuck just happened?”

If this happened to you, then boy oh boy, we're on the same boat. If it didn't, well, I'm glad for you friend! We might not have been looking for the same things from this story. But this is my post, meaning I will give my opinions (which are objectively correct because this is my blog and I'm the mayor here) on everything that Arcane broke and failed to deliver in its last 2 episodes.

Let's start with characters, and why none of it mattered.

Jinx symbolized the fear we all have of not belonging somewhere, of not having anything to call home or anyone to call a family. Her anger stemmed from wanting to carve a place in a society and a world that had so harshly rejected her (i.e., Vi leaving her). Her existence was a huge middle finger to all that refused to let her live, a fight to build herself something wholeheartedly hers (hence her being an inventor). It was proof that despite the world telling her she was better off dead, she would never stop fighting to prove it wrong.

… and she died.

She died, and that means all the suffering she went through to exist simply amounted to nothing. She left nothing behind either, no trace of a legacy, something that would have left her mark on that world. Isha, the child she raised as a daughter, died. Silco, who she taught love and care to, died. Vander, who she brought back from years of trauma and torture, died. Jinx fought so hard to live, and in the end, it was as if she hadn't lived at all.

Viktor is most certainly the character that made me the angriest, because of how attached I am to the person he is in season 1 (and even the first two acts of season 2 to an extent). Everything that made him so beautifully complex… gone, in about 10 minutes. There was NO reason to make him the surprise ultimate villain. Viktor had always, always been a pacificist. That's why he was so adamant Hextech not be used as a weapon. That's why every time there were chances to test hextech to hurt, he tried to learn how it could heal. Yes, his fusion with the hexcore had changed him; but NOT into a man who didn't care for human life. He wanted to help all the hurt done to his people. People like him, living day to day in the undercity, but who had never gotten a chance to crawl out of their hell. His community was about HEALING, not controlling. The very IDEA that he would accept killing innocents and ally with Noxus, the warmongers, is so ridiculous I could genuinely laugh if it didn't make me so angry. The show needed an easy, black-and-white showdown to conclude a story that would have needed so much more time to tell. And they chose Viktor. Because it was the easy way out. It was the perfect foil to the return of the Golden Boy. And that PISSES me off.

There is this really shitty concept in popular media that the handicapped/chronically ill character is always in the pursuit of being “cured” and that they need outside help to realize “that their imperfections make them perfect”. Fuck. You. As someone with chronic illness and who just finished beating blood cancer, fuck you. That realization, that you're you with every part of your being, even the ‘bad’ ones, cannot come from outside. It's YOU who needs to learn it. It's you who needs to discover how your body and your mind are so much stronger than you previously thought them to be. Not your lover, your family, your friends, or God forbid your able-bodied lab partner. You. Others may tell you as many times as they want your illness doesn't define you; it won't matter until you, yourself, have understood why and have accepted it. Having someone swoop in and “fix” Viktor with a “you don't have to change uwu” is just….. so reductive I can barely find the words for it. That was VIKTOR’S path to find, and not Jayce’s role to find it for him.

Also… Viktor wasn't trying to ‘fix’ his leg; he was trying to find a cure to a deadly illness ravaging his body and no doubt the bodies of many in Zaun. The HELL is the message here??? That he should have just rolled with it because the deadly illness was part of him??? Again, as a cancer survivor. Fuck right off.

Of course, I can't just ignore the hideous get-up they put him in at the end. The man who laughed at Jayce's narcissism….you want me to believe… he would put on that fucking edge lord costume and not DIE of embarrassment??? The design makes no sense from a narrative standpoint either: if his cane has become the sceptre, why is he still keeping it? He doesn't need it anymore to walk, and it's a reminder of his weaknesses as a human that he apparently hated so much. Why the hell does he keep it then? And the hexclaw. Where did that bad boy come out from?? Did you all see a secret extra bonus scene where he steals it from the lab, because I sure didn't. It doesn't add anything to his sets of powers either it’s… it's a fucking laser gun. WHY. And oh sweet god that mask… there would have been so many ways of designing a mask more meaningful than the one from LoL. This one is just. A piece of metal he spawned in embryo. Get it? Because he's made of metal now and also hiding his face means no more humanity? Get it?? Of fucking course you do, because this was the easiest and worst possible way they could have integrated the mask.

Viktor and Jayce had a fantastic dynamic in that Viktor had started out as the loner, the underdog scientist from the slums; while Jayce was the leader figure, living in comfort that made him attachingly naive, his face plastered on posters stroking his ego. The shift is delightfully slow, as Viktor gains in confidence and determination to see his invention through no matter what, while Jayce is confronted with harsher and harsher truths about the world he so blissfully ignored. By Act 2, they have fully switched roles: Viktor is now the leader figure, a symbol of the future for the people, while Jayce is desperately alone, both physically in the hexcore anomaly, and mentally in being the only one who has seen the devastating future. Excellent stuff. What would be a great way to push these parallels further and to show the complexity of these characters, and perhaps how they can balance each other out? Well, Fortiche sure didn't know, now Viktor is the bad bad guy and Jayce is mister hero. Zaun bad, Piltover good. All nuance, gone. Proving that indeed, the man from poverty and inequality turns out evil, while the one from comfort and wealth turns out to be the hero of the story. The whole “giving a warm speech to the bad villain about how you care for them, somehow immediately changing their ways, and dying together to save the world” can work well in shounen anime where friendship is magic, or in the Ben 10 live-action movie (yes, that's the plot, I thought that wasn't deep when I was like 7 years old so imagine now), but not in a show like Arcane. Not with the ethical and moral nuances they have accustomed us to.

And now, let's explore...

Plotholes and incomplete storylines galore.

Ekko’s tree and the contamination of Zaun from Piltover? Fuck that. The huge showdown between the two opposite yet sister cities, like Jinx and Vi, that has been built up for two seasons? Fuck that. And for what?

For the Noxus sequel teaser.

Mel’s plotline about finding her mage origins had NOTHING to do with the main plot. Absolutely nothing. It added 0 twists or intrigues to the story, and served no purpose except making her a deus ex machina for a broken ending. All it was there for was to lay the base for a following show on Noxus and the Black Rose. Time that could have been spent either giving Mel a proper arc related to the plot, or giving all the other rushed character arcs more development.

Finally, and I deeply regret having to say this, but… the end of Vi and Cait's relationship was majorly disappointing to me. As an LGBTQ+ person myself, who feels attraction to women, it was a delight to have such a realistically portrayed w/w relationship on screen. Popular media tends to portray m/m relationships as these doomed, sinful feelings between two repressed guys, while w/w relationships are shown to just be all sunshine and rainbows and teddy bears, because two women together are a cute little accessory to have on screen. It’s non-threatening. But not Cait and Vi; their bond was raw, and rocky, with violent lows and passionate highs in a world that seemed to want to keep them apart. Their separation and the introduction of Maddie showed the reality of a w/w relationship, where fights and cheating ARE things that happen, because they're two adult women with different beliefs, objectives, an trauma. Putting them back together, as if nothing had happened, without giving us anything about how their relationship would have evolved from the breakup? I'd never thought I'd say this, but it's too easy. How about Caitlyn's literal descent into fascism??? We’ll just ignore that? Vi will just ignore that?

As with everything else, this last part of Arcane destroys all the complex emotions that exist between these characters, the resentment, the anger, the frustration, built upon years of different social conditioning… gone. Because they had 2 episodes left to wrap it up, and there was no way to make a coherent and natural transition to them getting back together with that kind of time. And can I just say. The decision to have Vi, symbol of Zaun, go down on Caitlyn, symbol of Piltover and enforcers, in a prison cell that has held innocent Zaunites and represents their complete lack of freedom as individuals by a cop state that oppresses them….. yeah, bad. So bad.

And… the multiverse. Yup, they went the multiverse route. Now, that's not necessarily a bad thing: the concept of multiverses itself is interesting in a vacuum, and quite a few properties have managed to make it work coherently. But it has been terribly overused and bastardized in serialized content in the last few years, for the simple reason that it's extremely practical. Why make a new, original series when you already have worlds and characters that are developed, and come with built-in fans? It's a money-saving hack! Why dedicate yourself to an ending that is meaningful in its finality and wraps the story properly when you can just say “It's just one ending in the multiverse!”. It takes away any accountability to the fans, and leaves the door open to a potential other version of the story! The perfect combo!

…except in practice, it comes off as lazy in a medium where that trope is overly saturated (don't start me on Marvel), and like a cowardly way of escaping from the responsibility of really taking the time to craft a good, solid ending to end your story.

So, with all that said: does it ruin Arcane for me? No, absolutely not, and I don’t think it should be for you either. The intricate artistry and raw talent that went into making the first season (and I would say a majority of the two first acts of season 2) is undeniable, and will stay undeniable. Nothing can touch that story. It will forever be one of my favourite pieces of animated media, which is saying a lot because I'm currently getting my master's degree on that topic.

However, it does give Arcane, as a whole rather than two separate seasons/entities, a very bittersweet feeling that is hard to forget. Thinking of what could have been, just if a little more time had been given to the minds behind the masterpiece you so loved… it's its own form of heartbreak. Academics have even compared it to experiencing a form of death of a loved one, before they ever got to reach their fullest potential and live the life they deserved. It may sound dramatic, but the feelings you feel in this moment, watching the horrible end of a fiction you have so much love for, are real. No one can take those away from you. You're allowed to grieve the loss of something that meant a lot to you.

Tldr; No, Arcane is not a bad series because of its rushed and incomprehensible ending. As they say, it's all about the journey, not the destination, even if that's one of the parts we tend to remember the most. And I don't know about you, but this was one of the best journeys I've ever been on.

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sockatoothewafflebird · 23 hours ago

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u prolly have already but pls i want in depth yap abt caitvi in arc3 and how they heal :)

oh anon i have NOT yapped about how they heal. not in detail at least. so here we go. there's not a lot that hasn't been said about them, but i'd like to put my perspective into the ring just because. as an eldest sister and as a lesbian i can relate to vi in a lot of ways.

i think my main takeaway for caitvi in act 3 is how they're both human, in the ways they love and in the ways they fight. arcane is a show that respects its audience and trusts us to be able to read between the lines and i appreciate how you can see every little detail of the words they're not saying if you look close enough.

in The Scene especially you can see just how real theyre being... im not gonna dwell on it, but by the skin of my teeth and the bones in my knees they LOVE each other. you can see it so clearly.

caitlyn walks in on vi questioning everything she is. violet legit just let her sister slip from her fingers, again. i cannot tell you how many times i've felt guilty when my sister or brother are hurt or do something wrong, even if i had no part in it. i cannot imagine how much it would hurt to lose them and keep going only because of the possibility of finding them again, and then when i finally do find then they're ripped from my arms. and it happens more than once. i would be in the same place vi is. blaming herself for all of it. making the burden of protecting her sister all hers and no one else's. wondering whether or not she's doing the right thing at all. (cough coughh petra minecraft is that you)

as stressful as they can be sometimes they're my siblings and i'd do anytning for them. and with the kind of person vi is, for her that means punching whoever's in the way. doing whatever she can. she has a big heart and she's never lost it.

after caitlyn basically dumped her in the most entitled way possible vi had nothing left. no one to protect and nothing to fight for. so she fought just for the sake of fighting. after getting her family back and losing them again (holy ballsockets she was put through the wringer) all she had was cait even if cait hurt her. i think even if cait never did anytbing to make it up to her, she would have stayed, because vi needs an anchor.

caitlyn's hurt a lot of people directly or indirectly. she grew up priveleged and stayed that way, never truly seeing exactly how much pain people are going through until it's too late to turn back. caitlyn's arc is a very interesting one because she never says the words "i'm sorry". she never tells vi that what she did was wrong and that she wants to fix it. but she does things that prove her remorse.

caitlyn works with vi in the end of act 2. i think this is partially because she was already skeptical of ambessa from the start, and partially because she wanted to find a way to make it up to her. caitlyn doesn't fold as soon as vi calls her cupcake, that's not what the look is. The Look is her thinking, "wait, does she not hate me? why did she call me her term of endearment even after everything i've done?"

in act 3, caitlyn takes all the guards out of the prison, because she knew vi would try to rescue her sister. in the words of another post i forgot to save (deepest apologies to the op of that one), vi could have taken jinx and ran. caitlyn might have never seen her again and she let that happen anyway. and cait even went to the cell to check to see if her theory was true, and lo and behold it was. and vi failed at trying to save her sister. again.

what does caitlyn do? she tells vi that she relieved the prison of the guards because of her. all confident and sultry and commanding like she knows what she's doing.

and then when they're getting into it caitlyn frantically pulls away. she realizes that, yeah, she still needs to make things right. she tries to be honest, tell vi that she saw someone else, and vi just reassures her and keeps going. i think thisnis because 1) vi wants the cupcake, who wouldn't, and 2) she's... not exactly forgiving, that needs more work- but she's showing her appreciation for caitlyn here. caitlyn did something huge for her, she let her break a prisoner out which could have dire consequences for both of them.

i think vi just absolutely smothering cait is also a way to show that even though cait hurt her physically as well as emotionally, she's gone past that. if vi hadn't at least given some thought about cait's actions she would not let this happen, i don't think, unless she's super desperate. this proves that vi is starting to move on and cait is starting to revert back to that sputtering stuttering pinned-to-a-wall-flustered woman she was in season one- that's the woman vi fell in love with, after all... and that woman is battered and bruised and has plenty of sins to stone for. but that woman is not dead.

The Scene in the cell is both them being desperate and them showing their love for each other without words. caitlyn's hand lingers on vi's injury, maybe about to utter an apology, but vi cuts her off anyway. there's SO many little things here gaughehgjf.

and in the end of the show, when caitlyn looks into the hexgates in her family's archives, she looks because vi probably asked her to. vi wanted to be sure. she looked because she cares about vi. whether or not she'll tell vi about this is an interesting thought- i don't think she would. it would undermine jinx's sacrifice.

jinx walked away so she could move on. so piltover could move on. so zaun could move on. so vi could move on. and caitlyn telling vi that she's alive would ruin the steps they've taken towards healing.

i think vi's main problem was dedicating her life to her sister and nothing else. and caitlyn's was just her exploiting a broken system and mever recognizing her faults. vi starts to heal because now that her sister is truly gone to her, she can move away from the past and build her own future. and now that caitlyn's fully realized her mistakes she can take steps towards changing piltover for the better. GAHH i love complicated sapphics especially when there's sapphic joy after all the suffering....

this was all written in one sitting so apologies if it's messy, and i've sort of compiled some other ideas and theories i've seen in here too; but yeah, these are my thoughts on caitvi in season 2. i think they could've been fleshed out a bit more, but overall their relationship is legendary. i'll never stop loving them. caitvi supremacy people 💪

#arcane #arcane s2 #arcane season two #arcane season 2 #arcane s2 spoilers #arcane season 2 spoilers #arcane rants #arcane analysis #caitlyn kiramman #caitlyn arcane #caitlyn #vi arcane #vi #jinx arcane #jinx #caitvi #caitlyn x vi #vi x caitlyn #waffles word wall

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lipstickchainsaw · 3 days ago

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Act 3 mostly left behind the elements of the show that I was most interested in, and had the most to say about, but I do want to talk about episode 7, which was fucking gorgeous and extremely well done.

I've seen people say that the good timeline Ekko and Heimerdinger find themselves in is the result of Vi dying, as if this timeline is a Wonderful Life view to paint Vi as the 'real' jinx, but I don't think this makes sense (for one, I don't think this episode gives us a new perspective on Vi, and Vi isn't the one seeing this, so it isn't giving her a new perspective on herself, either).

No, the point of Ekko's half of this episode is to give him a new perspective on Jinx, by showing him who Powder could have been. Last season, he was the most prominent person to argue that Powder was dead, and that only Jinx remained within the girl he was once friends with. This is not an unreasonable position for him to hold, given that she's killed a bunch of his friends in the Firelights over the course of his resistance to Silco's regime.

But this girl he meets here is not Jinx, and when he sees her, he initially reacts with the same hostility he would to the one from his timeline. Even when he figures out that he's in a different timeline, he isn't able to get over that, to stop projecting the image of Jinx onto this young woman who's done nothing wrong and suddenly sees her boyfriend acting so cold and distant to her.

This culminates in him asking the (really insensitive regardless) question of whether she was the reason Vi died. He has so internalised the view of Powder as Jinx/as a jinx that anything having gone wrong must have been her.

But she shoots back that, really, that's on him way more than it is on her. It's downplayed in season 1, but Ekko is the one behind the inciting incident of the show. To wit, he rips Jayce off, charging him double for the stuff he's buying, and then sends his friends to rob the guy's place, little rascal that he is. It was a fun little prank for a kid to play on some rich idiot who could just bounce back from that anyway, right?

And then everything went horribly wrong! Ekko lost his mentor, his closest friends, one of whom came back different, as his home was turned into a twisted parody of itself, and he had to find himself a sanctuary from which to launch a resistance movement.

We're naturally drawn to compare this Powder and our Jinx, but I think the subtler difference here is between the two Ekkos. It doesn't get a ton of emphasis, but we see from the way the people around him respond to him that this Ekko was very different, too. He hasn't had to grow up way too fast, and take up way too many responsibilities for someone his age. He hasn't become as angry as the Ekko we know, hasn't had cause to rage against the many injustices of a system stacked against him on both sides.

This Ekko is a relaxed, content, brilliant and recognised for it, genius little inventor, with a beautiful girlfriend who loves and supports him in his endeavours, and a wider family looking out for him to prepare him to step into a wider world of great possibility.

The way he conceptualises himself, as a resistance leader, a fighter and a protector, a boy saviour, he isn't ontologically any of these things. He isn't condemned by fate to step into those roles, doesn't become them out of some innate characteristics he just has. He is that way because circumstances forced him to become that.

And the same is true for Powder, for Jinx. She isn't inherently a jinx, regardless of what anyone including she herself may believe. She isn't the manifestation of misfortune for all, and he knows this. When he took her down in S1e7, and Jinx showed the suicidal Powder inside of her, he recognised this, and it's what stopped him from killing her then (even if she tried to blow him up.)

Even in that episode, she confronts him about this, calling him 'the boy saviour' in a tone that's halfway to an accusation. 'Why didn't you save me?' is what she halfway chokes out, where was her saviour (much in the same tone she'd use for herself when announcing herself as 'your big fat hero', because she wasn't able to believe in that concept either)?

Neither of them was able to address the matter then, because Ekko was still reasonably upset about the people she killed, and Jinx was dealing with a lot of complicated feelings she was expressing with violence, but it's his time here, with this Powder that gets him to reconsider.

'I've never seen you give up on anything,' and all that.

It helps that he meets a different Jinx who is, with some effort, willing to let herself be saved without trying to kill the person saving her.

(And not to be too down on our Jinx, Vi's death clearly hit this Powder hard, and she never quite built up the confidence to pursue her own ideas as a result.)

#arcane #arcane spoilers #very long post

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