#because they had done nothing to me personally

[ohbueckers]

THROUGH THE WALLS. paige bueckers

description. teammates who’ve never gotten along. but when you’re stuck sharing a dorm with paige bueckers—and she brings someone new home every night—it’s hard not to feel like the walls are closing in. tired of playing nice, you decide to get under her skin… in more ways than one.

includes. SMUT & about five scenes of plot building up to it (sorry, they’re not too long). player paige! scissoring, fingering, edging, etc… i’m not even sure anymore lol.

a/n. first one shot since finishing hoaw and i got carried away… (there’s a drought)? also new theme that took me forever to love, and a new writing style because all the lowercase was beginning to pmo.

It starts as it always does.

A different night, a different girl. You couldn’t count on one hand the amount of times you let someone filter through and wanted to tell them they weren’t the only one. You’d think during the season Paige’s amount of one-night stands would decrease… and well, you’d be wrong.

It’s been this way since your transfer. You’ve gotten along just fine with the rest of the team, even clicking quickly with some of them, including one of her best friends, Azzi. But Paige? Paige has been a different story entirely. It was like something about you set her off, though she never outright said it. She didn’t need to. You could feel it.

You told yourself it didn’t matter. That her opinion of you was inconsequential, that you could live perfectly fine without her approval. But the truth was, it gnawed at you. Paige Bueckers wasn’t exactly a hard person to get along with—at least, not from what you’d seen with the others. She was charismatic, charming even. A natural leader.

She gave you nothing at all. You weren’t sure what you’d done to warrant it. Maybe it was something you said during your first practice, or maybe it was just who you were. Whatever the reason, Paige made it clear you weren’t worth her time.

You sat up in your bed, cross-legged under the covers as you flipped through the pages of a book you barely had the time to read anymore. From practices, games, away games, classes you had to take in order to finish your masters degree, the only time you had reserved for yourself—and well, the noises of Paige and her newest toy, were these late nights, alone in your bedroom.

You shuffled, turning to your side as you propped yourself up on your elbow. Your TV wasn’t doing much to hide the fact that Paige seemed to flaunt it, like she knew you were there, in the room just next door, forced to listen to it all.

Then, the door to Paige’s room creaked open. You didn’t have to look up to know it was her, that familiar sound of the latch turning, the soft shuffle of feet as she slipped out with Ms. Girl-Of-The-Week in tow. You kept your eyes trained on the page, trying to lose yourself in the book, but the sounds grew louder.

Muffled laughter that was too loud to not be intentional, and the subtle scruff of sneakers, or maybe slippers that indicated she was probably about to leave. Your fingers froze mid-turn when they stopped right outside your door.

Paige’s voice was unmistakable. Her gruff Minnesota accent that was too close for comfort. You narrowed your eyes toward your locked door. You could almost hear the smirk in her tone as she murmured something, followed by a soft, breathy kiss—almost like they hadn’t been doing just that the entirety of the night. “Are you serious?” you mumbled to yourself.

The sound of lips meeting lingered, and you felt an inexplicable heat rise in your chest—part frustration, part something else you couldn’t quite place.

It didn’t last long. Their footsteps retreated to the front door, and you were left behind in silence. Finally, right?

You forced yourself to go back to the book, but the words didn’t make sense anymore.

“Yo, Nik! Bet you can’t make this shot with your eyes closed!”

“She can barely make it with her eyes open.”

The taunt came from Aaliyah, who was lounging on the bleachers with her sneakers propped up on the rail. Nika immediately took it as a challenge, and you immediately took it as a sign to get out of there before she made everyone stick around until she made it. Post practice was always your favorite. Some of the team had already dispersed to the locker room showers, claiming that the gym was too hot and humid to linger around any longer, and well, you couldn’t blame them. Your shirt was sticking to your back, sweat making every movement feel like a little more effort than it should.

“Don’t miss,” Azzi called out from next to you.

“We’re gonna be here all day,” you muttered, dodging a hit from a jaw-gaped Azzi who fully believes Nika is capable. You giggle, moving to the far end of the bleachers where you’d placed your stuff at the start of practice, grabbing a sweat towel and wiping your forehead.

From the corner of your eye, you caught a glimpse of Paige. She was off the court now, towel draped around her neck, eyes scanning the gym. It didn’t take long for her to lock onto something—or rather, someone.

Her latest fling, you’re sure. She waltzed into the gym, holding a neatly folded item of clothing you’re sure is a pathetic excuse to be here right now. She’s pretty, you’ll admit. Her braids are pulled into a style that frames her face perfectly, and her jeans hug her figure like they were tailored just for her. There wasn’t anything bad you could say about her, but every fiber of your being wanted to find something. A flaw, maybe. Her blush blended too high up on her cheeks, her jacket too fluffy to be flattering.

You figured you were just as pathetic.

You tore your eyes away as Paige greeted her, pulling her in close, thanking her for returning something she definitely didn’t need—at least not now. You looked back just in time to miss all the casual flirtation, but to catch the way Paige’s body shifted ever so slightly as the girl leaned in to kiss her on the mouth, lips landing on her cheek.

You froze.

Paige’s eyes darted away from her lips, pulling back just enough to avoid the kiss. It was subtle for anyone but you, calculated, and as clear as day. It wasn’t an accident. It wasn’t a misstep. She had actively dodged it.

Your pulse quickened, your breath catching in your throat. You wanted to look away, to pretend it didn’t bother you, but you couldn’t. Your eyes stayed locked on them as Paige smiled awkwardly, forcing her attention to the rest of the gym while the girl turned to walk out.

And just like that, it hit you: Paige was playing a game.

The kiss she’d given so easily last night was suddenly too much for her to do in front of you.

It had become a habit now, even though you hated yourself for it.

The faint giggles filtering through the door stopped you in your tracks as you walked past Paige’s room that night. Another one. That was obvious. You couldn’t place her laugh, though—higher-pitched than the last girl’s, breathier, maybe. Your feet hesitated, the rational part of your brain screaming at you to keep walking, but you didn’t listen. Instead, you found yourself leaning closer, pressing your ear to the wood.

You told yourself it was because you wanted to confirm just how much of a nuisance Paige was being this time. Not because you were curious, not because your stomach churned at the thought of what was happening behind that door.

Muffled voices floated through. Then came Paige’s husk of a laugh, accompanied by a whispered, “You really gon’ make me work for it, huh?”

You clenched your jaw, heat prickling up your neck. It wasn’t like you didn’t know this was Paige’s routine—find someone, bring them back, make it loud enough that you couldn’t not hear it—but something about hearing her voice in such a vulnerable state, made something twist uncomfortably in your chest.

You didn’t stay long. As soon as the low giggles morphed into something else, you yanked yourself away, retreating back to your own room and shutting the door harder than necessary.

Still, when Paige emerged the next morning, looking annoyingly satisfied and not even bothering to throw a shirt over her sports bra, your simmering irritation boiled over.

Her blonde hair was tied back messily into a bun, strands sticking out in a way that only added to her maddening confidence. Her toned arms gleamed faintly from her post-shower routine, and her smirk was the cherry on top, like she knew exactly how much she was testing your patience.

“You ever think about being considerate for once?” you snapped as she walked past your leaning figure against the kitchen counter, staring daggers at her.

Paige faced away from you, opening the fridge lazily as she searched it. “Jealous?’”

You scoffed, tilting your head. “Hardly.”

Paige turned around, a half-empty bottle of orange juice in her hand, smirk spreading as she kicked back against the fridge. “Hardly,” she repeated, giving you a once-over.

“What?” You clenched your jaw, watching as she tipped the liquid back slowly. “You could at least pretend to feel bad about being the most obnoxious roommate ever.”

“Obnoxious?” she repeated again, and you were getting real sick of it. Paige raised an eyebrow, lowering the bottle and wiping her mouth with the back of her hand. “You really that mad about it? Or is there somethin’ else goin’ on?”

Got me there, you thought. You squinted instead. “Don’t flatter yourself.”

“Too late,” she quipped, her grin widening as she kicked off the fridge and took a slow step toward you, the bottle dangling from her hand. “You’re funny when you’re mad, y’know that?” she said, voice low and teasing. “Almost cute.”

You pretended to not be moved by her comment. Paige had never been remotely flirty with you. You were even sure she waited for you to leave the kitchen before making her move in the mornings just so you didn’t have to cross paths sometimes. You crossed your arms. “Almost cute is what you call those girls you sneak in here, right?”

Her smirk didn’t falter. “Well, it’s not really sneakin’ if you know about it.”

You narrowed your eyes, her own blue hues almost pinning you in place. She wasn’t just looking at you—she was studying you, daring you to react. The air suddenly felt thicker. It had definitely shifted, enough for you both to realize but not enough for either of you to move, and for a moment, you couldn’t look away.

But then you did, tearing your eyes from hers and taking a step forward, shoving lightly at her chest. “The bottle’s yours now, by the way,” you mumbled, rounding the island.

Paige barely budged—and neither did her smirk as she spun her body around just to see you leave. “Good thing I was finna finish it!” she called out for the last word.

By the third night, you’d had enough. The muffled sounds of Paige’s latest conquest had become a recurring soundtrack to your evenings, grating on your nerves until you could barely stand to be in your own space. It wasn’t just the noise—it was the principle of it, the blatant disregard for you, the unspoken challenge in the way she paraded each new girl in and out of your shared apartment.

You weren’t sure what her problem was, but if she thought she could push you out, she was wrong.

So tonight, you decided to flip the script.

You heard the front door open, the familiar sound of keys jingling as Paige stepped inside. She hadn’t even known you’d invited anyone over until she’d stepped into the apartment, tossing her bag down by the door and catching the low chatter of conversation. She froze for half a second. You didn’t bother greeting her. Riley, glancing between the two of you excepting some form of conversation, gave Paige a quick nod of acknowledgment before returning her eyes to you.

The fuck was that? Who the fuck is that? Paige thought.

Riley was good. Riley was great. Riley was undoubtedly a pawn. You’d met her at a mutual friend’s party a few weeks back when you’d drunkenly rambled about how you didn’t do relationships during the season because of your schedule, and while you hadn’t exactly planned on inviting her over, tonight seemed like the perfect night to make a point.

You weren’t doing anything wrong, but the thrill of it still made your stomach flip. Maybe it was the way Riley’s knee brushed yours when she shifted closer, but that couldn’t be right. Or maybe it was the fact that, for once, you were the one in control, and Paige would have to sit with that.

Paige peered over the couch until she could see you. Your legs tucked under you, so casually perfect it made her stomach twist.

You didn’t matter. Not like that.

That’s what she repeated in her head now as she moved further into the apartment, forcing herself into the kitchen instead of retreating straight to her room. She could still hear bits of your conversation. The girl’s voice was deep, smooth, like she knew exactly how to charm you. Paige hated her on principle.

You said something then, your voice dropping into a softer tone that the blonde hadn’t heard in a while—not since that first week you moved in, back when you still tried to be her friend.

She clenched her jaw, biting back the urge to interrupt. Instead, she opened the fridge, pulling out a random bottle of water just to have something to do with her hands. It’s none of your business, Paige told herself, cracking the bottle open. But her mind refused to let it go.

It wasn’t like she hadn’t seen you around other girls before. You were attractive—it wasn’t surprising. But this felt different. This was intentional, intimate.

And Paige hated it.

She walked out of the kitchen without thinking, legs moving until her body was pressed against the back of the couch. “Didn’t know we were hosting tonight,” she announced, her voice deceptively light as she stood tall, taking a sip of her water like this was normal, like she wasn’t purposefully intruding.

You glanced up, catching sight of her, and something flickered across your face—annoyance, maybe. She ignored it.

Your guest glanced at her too, clearly thrown off by her sudden presence. “Uh, hey,” she said, offering a polite smile.

“It’s not your dorm,” you reminded, completely ignoring Riley’s attempt at a well mannered exchange, your tone just as breezy.

Paige smiled. She fucking smiled and you wanted to wipe it off her stupidly perfect face. “Yeah, but you know how I feel ‘bout strangers. Y’all good in here?”

“Fine,” you responded.

“Nice,” she said, dragging the word out in a way that made your skin crawl. “Hope I’m not interrupting nothing.”

“You’re not,” you said quickly.

“Cool,” Paige said, pushing off the couch with another version of that smile that was so evidently fake. “Don’t mind me.”

She walked past the two of you, heading toward her room, but not before throwing one last glance over her shoulder.

Riley had left with nothing more than a kiss on the cheek. You told her you didn’t know Paige would be home tonight, offering a quick apology. She seemed to buy it, flashing you a smile before slipping out of the door and into the hall. As the door clicked shut behind her, you couldn’t shake the feeling of Paige’s eyes burning into your back, though you’d pretended to ignore her presence the entire time.

But as soon as Riley was out of sight, it was like a switch flipped. You were done pretending. Done letting Paige walk all over you in your own apartment. Done losing sleep over it.

Without knocking, you walked straight into her room. Her back was facing you, and she hadn’t even moved when you waltzed in, lounging on her bed, scrolling through her phone, as if you hadn’t just spent the last hour biting your tongue and pretending to not be frustrated.

“Can we talk?” you asked, standing close to the doorframe with your arms crossed. The fury in your voice wasn’t hard to catch, and it wasn’t exactly a question. You were going to talk.

Paige glanced over shoulder—amused—clicking her phone off. You tried not to stare at the tone of her back, the buff of her arms… you had other things to worry about. “You’re mad,” she stated matter-of-factly, huffing as she fixed herself at the edge of her bed.

“You think?” you snapped, pushing away from the doorframe and advancing into the room, beginning to pace. “Do you even think about anyone else for five seconds? Or is this whole apartment just your playground?”

Her head tilted, blonde hair falling across her face as she looked thoroughly unimpressed to say the least. “What’re you talkin’ about now?” she drawled, and you rolled your eyes back to the gates of hell.

“You’re really gonna sit there and act clueless? You drove her away, Paige.”

“So?”

“So?” you repeated, incredulous. “You don’t see the problem with that?”

Paige shrugged, her hands clasped together in her lap. “If she left that easy, maybe she wasn’t worth your time.”

You stopped pacing, turning to face her fully. “What’s your problem with me having someone over? You’ve had your share of… company.”

Paige raised an eyebrow, her smirk faltering for the first time. “That’s different.”

“How?” you pressed, taking a step closer.

Her jaw tightened, and she suddenly couldn’t look at you. “Just is.”

“For once, I wasn’t here listening to your—” You broke off, gesturing vaguely but pointedly toward her bed. “But you still had to make it about you.”

Paige stretched, and you forced your eyes away from the taut lines of her flexed abdomen. She smirked like she knew you’d looked anyway. “Aight, can we not … argue?”

You squinted. “We’re not arguing.”

Paige snorted, clearly unconvinced, as she pushed herself off the bed and stood. “Just go, bro,” she muttered, dismissing you with a wave of her hand as she moved past you toward the door.

You didn’t move, way too stubborn for your own good. “I’m not leaving until you answer my question.”

Paige paused, and there was a shift in her stance that you could read better than the expression on her face. She didn’t say anything at first, her fingers brushing lightly over her jaw, the movement so preconceived, almost like she was trying to distract herself from whatever had been building between the two of you. “You’re really gonna make me say it, huh?”

You didn’t steer away from her, in fact, you leaned into it. It was ridiculous how easy she could shut you up.

“Oh.”

You let the word sit in the air, almost a whisper, barely a sound, but it hit both of you in the gut.

The realization was slow, but clear. You didn’t need her to spell it out. She couldn’t just fuck and forget with you, not like she did with the others. This was something different, something that scared her—something that scared you, too.

Oh.

You stared into her blue irises, and suddenly the few inches she had on you was more evident than it had ever been before. Your cheeks were slightly smushed between the largeness of her hand, and you could almost hear her heart beating in her chest.

You’re close. Too close.

“Yeah,” she finally muttered. “That’s what I thought.” With that, she shoved you away, rough enough to make you feel it.

You didn’t know what to say, so you’d stupidly responded with a two letter word that Paige thought she understood, thought she knew the meaning behind. You didn’t know what to say, so you put your lips to better use.

You moved before she could stop you, your mouth crashing against hers, urgent, desperate, full of everything you’d been fighting. There was nothing careful about it, nothing controlled. It was just instinct—a pull between you that neither of you could avoid anymore.

For a moment, Paige buffered. Her hands hovered over your hips as your lips moved in perfect sync. You could feel her hesitation, debating whether to push you away or pull you closer.

You leaned more into her, pressing your body against hers, and with a subtle shift, you guided one of her hands into your side, urging her to touch you, and it was all the confirmation she needed that this was real.

It was sloppy in all the right ways, hands roaming everywhere between fabric that got in the way of warm skin. Paige groaned softly against your mouth, holding you up by the small of your back as she pushed the door shut, the soft thud of it almost drowned out by the sound of your breathing.

She backs you onto her bed until you’ve fallen, giving your lips a break for the first time within your haze. You’re hastily removing your shirt as she climbs over you.

“Shit. Are we gonna regret this?” you question fully breathless, letting your tee slide off your arms. Your legs parted instinctively, and she fit herself between them, leaning down to get a taste of you.

“You think ima’ regret fuckin’ you?” she asks straightforwardly, so muffled against your neck that she’s nipping and sucking at you almost don’t hear it. You screw your eyes shut, trailing a manicured hand down her abs, fingers brushing the ridges of her muscles. “No, I—didn’t mean it like that—“

“Aight, then,” she cuts, fully disbanding the conversation while licking over a fresh hickey. She pushes you onto your side, tugging your shorts down in nearly the same movement. You have no time to protest, and you don’t exactly want to either. Paige drags two of her fingers over your clothed cunt, parting her lips to let out a breath in admiration. “I got you this wet?” she whispers.

“All you.”

She pushes your panties to the side, sliding a finger between your wet folds. You whimper, shifting to spread wide open for her, but she holds you firmly folded in place by your waist. “Like you just like this. Say it again for me?”

Her finger drags through increasingly slow—up and down—like a petty reminder she’s in control. “All you, Paige. Only you. Only ever you,” you admit in a hurried ramble, yelping as she slips two digits into you.

“Only ever me, huh? Y’sure you not just sayin’ that?” she teases, tugging her lip between her teeth as she watches her fingers disappear. Your head lolls to the side, your breath coming short, hardly able to muster up a response for her.

Her opposite hand makes its way to your face, bringing you right back, and she uses her thumb to trail down and over your bottom lip, your saliva dragging across your chin so filthily you have to remind yourself she’s a pro at this. You can’t stand to think about the other girls. “Paige—mfmm—fuck,” you let out, the squelching enough to make you feel her deeper.

You swallow as she gazes down at you, her mouth finding yours in another heated kiss as she works you up. She sloppily trails over to your neck again, distracting you with a bite that she quickly soothes with her tongue. “You’re s’good,” you praise, fingers knitting through her hair that falls in waves over her shoulders.

Your hands find her abdomen again, a place you’ve grown obsessed with after seeing in her in about a hundred variations of a sports bra. It’s like she knew it drove you mad. Paige smirked, dragging your hand a little lower. “I’ll let you ride ‘em if you’re good.”

You smile weakly, rolling your eyes. “You’re so full of yourself.”

Paige curls her fingers up, eyes piercing into you intently like she was waiting for that reaction—the one that has your nails digging into her skin. “And you’re so full.” She pulls out and thrusts back in so easily, like her fingers were made to fit.

You’re on the brink of ecstasy, ready to fall completely undone under the girl who knows exactly how to drive you out of your mind. You’re holding onto Paige like she’s the only thing keeping you grounded. “That’s it,” she mumbles, licking her lips as she picks up the pace, her voice smug of pure satisfaction.

You gasp, barely able to form words, but she doesn’t let up, doesn’t give you a second to think. “Say it,” she demands. “Tell me who’s got you like this.”

“Paige,” you breathe, the sound of her name spilling from your lips like a prayer.

She grins, her teeth grazing your neck. “Louder. Let me hear it, baby.”

“Paige!” you moan in half frustration that she wouldn’t just let you have it—your body arching into her—and just like that, she pulls her fingers out, robbing you from your climax.

Your head snaps up. There were a million things you could’ve said, cursed, yelled. But yet your head was still buzzing, and the only two and half words that managed to spill out were a weak, “What the fu—“

She’s climbing off the bed, unperturbed as you move closer to the headboard. Before you can respond, she steps back, slipping out of her joggers and boxers in one quick motion, the fabrics hitting the floor in a careless heap. It’s so smooth—and she’s done it a hundred times before, just never with you.

She’s back on you in an instant, lips dragging over every part of your body. You’re sat up against the wall, peaking over to see yourselves in the mirror facing her bed, her body pressed tightly against yours, her hands everywhere at once. The sight knocks the air out of your lungs.

Oh.

Oh.

In the reflection, you can see just about everything.

Paige’s hands slide lower, gripping your thighs with a force that leaves no room for escape—not that you’d dream of leaving. “Keep looking,” she mutters, practically reading your mind, her breath hot against your collarbone. “Y’wanna see everything, don’t you?”

“Mm, ‘course.” You shiver, her words leaving you no choice but to obey. You’re suddenly no longer upset about not getting to come, every brush of her lips and graze of her fingertips stoking the ache pooling in your stomach.

She shifts, pulling your panties down before positioning herself between your legs. For a second, she locks eyes with you, letting a line of her spit drop and mingle with the wetness of your clits so close together.

What a freak.

Paige wastes no more time, pulling you even closer. The lower halves of your bodies align, and you let out a shuttered breath as your clit nudges hers. It’s overwhelming in all the right ways. “Aw, fuck,” she groans, your wetness meeting in the middle. You drag a hand down her stomach, playing with her pussy just a little, thumb circling over the top.

“So good, P.” You’re flush against the wall, elbows shaking as you let out ragged moans, bucking your hips up to match Paige’s pace. It seems to be working for the two of you, and you don’t think you’ve felt anything so fucking good.

“Ride me so good, fuck,” Paige tips her head back, feeling lost as your nails move higher on her torso. “Been thinkin’ ‘bout this for a minute. Just like I imagined, baby, you know that?” she admits, and it’s enough to make you let out a sound that’s nothing short of pornographic, her name somewhere in the mix.

“Shit,” you dragged out. You drag your hips against her pussy even slower, letting your eyes flutter closed as the pleasure builds in your gut. Her hands tighten on your waist, a sharp inhale giving away the effect you have on her.

“So close, ma, d-on’t slow down,” she mutters—her words a complete run-on, but it only spurs you on.

You savor the pleasure in the midst trying to keep yourself together as every movement pulls a soft gasp from your lips. “Keep goin’ just like that,” Paige breathes, her voice barely above a whisper now, her lips brushing your temple. “Doing so fuckin’ perfect.”

Her words hit you all at once as you press even closer. “I’m s’close.” You know you’re driving her to the edge too, the way her grip on you alternates between grounding and desperate betraying her restraint.

“Right with you,” Paige breathes. You bite your lip, every nerve in your body sparking to life as the pleasure builds to an almost unbearable peak. Your hips stutter against hers, and Paige’s head tilts back, a guttural groan spilling from her lips as she grips you tighter, like you’re the only thing tethering her to the moment.

Everything snaps. The rush of pleasure floods over you, hitting you so hard you can’t help but cry out her name, moans spilling over in a rush. Paige’s grip tightens as she comes undone, her breath hitching as her legs tense beneath you.

You think it’s the hardest you’ve ever came.

As you both ride out the aftermath, there’s not much silence between heaving chests and ragged breaths. Paige is the first to move, tangling herself up next to you.

Her fingers tracing small circles on your back, and you lean into it. You can’t help but chuckle, your breath still unsteady. “So… should I still have to worry about hearing you through the walls?”

Paige looks down at you in adoration, running a hand through your hair, before her hand slips to your chin, pulling you in for a brief kiss.

“Nah, no more of that.”

[elbiotipo]

Is it weirdly confrontational to point out that tropical climates and people outside Europe are stereotyped?

Yes, of course English-speaking works are based on the experiences and cultures of the anglophone world by the most part. You should realize, however, the cultural pull those works have over the rest of the world. I live in a very warm, subtropical part of Argentina, and I've read books from local authors that incorporate such Middle Ages tropes like nothing, because that's how you do things in the genre, because that's just how things are done. I've seen very talented authors from East Asia that do the stereotypical European Standard Fantasy Setting, and it does get me wondering why. Because this is in fact, not new, after all, European literature, and then Usamerican literature, had a prestige that other wished to imitate; not only in these specific examples, but also in many, many other ways, from themes to style to the language itself. The prestige was not so much in the quality itself, but in the sense that they were considered more, well, prestigious, a way to make your work more noticeable. Or in our current times, more sellable.

So it's not just "English writers write what they like, and other people write what they like too!". When you see the same tropes replicated by people all over the world, you have to wonder what's going on?

In fact, I'm talking to you right now in English. English, and so English culture and tropes (ah, like knights, and castles, and potato stew, see where I'm going with it?), seems to be a prerequisite to writing popular fantasy. I'm very sure there are lots of Middle Eastern fantasy that feature the culture and landscapes of the region, as such from all region. Yet, why do we see them as exotic? Why don't we see those works get as popular as others? Why do so many fantasy authors want potatoes and pine trees for our fantasy to feel "normal" so much that people have argued to me on these kinda posts to the point of ridiculousness? Why are tropical fantasy and science fiction worlds considered the exotic? You can count probably with your two hands, and maybe that's too much, heroes from popular franchises that come from a tropical land or world. Yet the default, the pine trees and castles, is unremarkable. Why is this so, why we see so few stories from other places popularized?

Yes, of course anyone can write whatever their want. I am also free to find such stereotypes and criticize them.

In fact, I'll just repost the paragraph that imsobadatnicknames2 managed to resume so well:

Like I personally couldn't care less if these things happened in just like. One fantasy story. Or a handful of isolated incidents. Like in that case I would agree that pointing it out would be a bit of a Cinemasins ding moment. But when it's not one story, but instead the vast majority of the fantasy genre being comprised of medieval europe-inspired settings where people are constantly eating potato stews and tomato soups and wheatever, I do care about how it reflects a very particular cultural-level blindspot in how global north people tend to see the world.

👀

[drag0nagedatingsim]

I love how people's response to critiques about the companions not noticing or being supportive of Rook's mental health is "you're too stupid" and "you don't understand the game like I do" and "here's my headcanon why you're wrong."

Why are y'all doing all the heavy lifting for the writing and then giving all the credits to the writing.

"Emmrich is taking you to the graveyard to help with Varric's death."

WHERE IN THE TEXT DOES IT SAY THAT. Does Emmrich even know how close Rook was to Varric? That's a nice headcanon to infer, and it would make a LOT of sense. But this is literally the "tell don't show" game, where they tell you everything three times, unless it has to do with Rook's mental health, and then it's suddenly secretly an understated genius story that I just don't understand because I'm too stupid? Okay?

No, it's once again the framework of something great that is ultimately unfinished and underutilized and a lot of people are doing the heavy-lifting for the plot and seeing their heavy-lifted headcanons propelled across the fandom, and then thinking that's just what the text says. When it does not.

I do think this is also a result of the later half of the 2nd act and all of the 3rd act being really good. Like, the later parts of this game are so good that it has me doubting my sanity about the first parts, but then I replay it and go "lol no it was bad."

[ssa-dado]

I could totally see Aaron being jealous. Maybe a oneshot of her meeting Sean Hotchner for the first time.

Covering Up - SOS

Aaron Hotchner x fem!bau!reader Genre: fluff Summary: You’re late, and while Gideon’s passive-aggressive remarks are expected, it’s Hotch who really has you on edge. But it’s not just his authority; it’s the way you inadvertently caught the attention of Hotch’s brother, Sean. Warnings: None, just wanted to clarify the story is set around late 1998 or early 1999, before Hotch became Unit Chief (Gideon was in charge instead). Word Count: 3k Dado's Corner: You didn't see this coming, did you? Something cute to celebrate the end of the year. Sorry it took so much to respond, I totally forgot about this ask... hope you like itttttt. Again, HOTCH IN LOOOOOOOVE but doesn't want to admit hahaha what a fool.

masterlist

You were late today. Remarkably late.

For the first time ever in your life.

And while the idea of Gideon giving you one of his passive-aggressive “I’m not mad, just disappointed” speeches wasn’t exactly fun, there was one person who truly terrified you in this situation.

Hotch.

How ironic: it wasn’t your boss you were afraid of - it was your fussy coworker. The same coworker whose desk, unfortunately, happened to sit right in front of yours.

Perfect.

You were still trying to salvage your dignity in the elevator, jabbing at the elevator button, fumbling with your hair as the doors closed. Maybe an updo would make you look less… late. But by the time you reached your floor, the mess you’d made felt more “distressed damsel” than “competent federal agent.”

So, naturally, you made the split-second decision to undo the whole thing, pulling your hair loose halfway to your desk.

You winced.

Not because anyone was watching - everyone seemed too absorbed in their own work - but because if someone had been looking, you’d have perfectly executed that clichéd, overly dramatic hair flip straight out of a low-budget action movie.

The kind made by men, for men.

The ones where the femme fatale struts into the room, stiletto heels clicking, hair whipping in slow motion, cleavage doing all the talking, her entire existence engineered for the male gaze.

And here you were. No stilettos. No slow motion. Just… the hair flip.

Fantastic.

You shook it off, hoping to slink to your desk unnoticed, now more focused to brace yourself for the silent judgement of-

A man.

Not the man you expected - Hotch.

An actual man, a somehow handsome man.

Oh God. He’d definitely seen you do the dramatic hair flip.

His smirk confirmed it - no need for a profiler to figure that one out.

A man, sitting comfortably in Hotch’s chair. And, notably, no Hotch in sight.

“Are you here for a consultation with Agent Hotchner?” you asked, doing your best to sound at least professional as you set your bag down.

He chuckled – like you were the punchline of some inside joke you weren’t in on. “Actually, yes.”

Though you couldn’t help but study him... it was in your nature afterall.

He was about Hotch’s height, blond, blue-eyed, and generically good-looking in a way that probably gave him the nerve to sit at an agent’s desk without any kind of second thought.

But what really stood out? He looked about your age.

Very early twenties - which, mathematically speaking, made him way too young to be here asking for a consultation.

Not that you were one to talk. You were constantly reminded you were “too young” to be working for the FBI. So, at least you had that in common.

“Agent Y/L/N,” he read from your badge, dragging out the syllables for some of his twisted reasons you chose to ignore. Then he smirked. “You’re young.”

“She is.” Hotch’s voice cut through the air before you could form a response, making you startle slightly. He was suddenly there, right behind you, like he’d materialized out of thin air.

“Sean,” he said, his tone clipped in that uniquely Hotch way that made you feel guilty even if you’d done nothing wrong, “I told you to wait for me outside.”

“And why are you so late?” Hotch added, his focus snapping to you with laser precision, his brows drawing together in that way that made your stomach twist in both irritation and… something else.

Classic Aaron Hotchner.

Two seconds on the scene, already cataloging what annoyed him. Efficiency at its finest.

“Damn, Aaron, relax. It’s barely been a minute,” Sean said, standing up finally, though not without flinching slightly under the weight of Hotch’s glare.

He stepped closer to you, extending a hand like he wasn’t about to be vaporized by the man’s disapproval. “I’m Sean, by the way. I don’t think we’ve ever met.”

Before you could decide whether to shake his hand or politely tell him to run for cover, Hotch’s voice sliced through the air, as sharp and unyielding as ever. “No, you haven’t. Y/N, this is Sean, my brother. Sean, this is Agent Y/L/N, my partner.”

It took approximately two seconds after those words left his mouth for Hotch to realize he’d made not one but two rookie mistakes.

The first? The fact that, for some reason, you got to be “Y/N” while Sean - his brother - was firmly stuck with Agent Y/L/N.

A seemingly innocuous choice, but an interesting one.

Almost as if Hotch didn’t want Sean to forget who you were. Or worse, as if he wanted to keep that small, intimate privilege - using your first name - exclusively for himself.

And why?

Perhaps because, whether he admitted it or not, you’d managed to take up residence in his overworked brain. You weren’t just his colleague - you were his very own walking, talking paradox.

Equal parts intellect and quick wit, you could quote anything from your beloved dead philosophers as easily as you could dismantle someone’s argument with a single sarcastic comment.

You lingered, persistently, in his thoughts - too vividly, too often - so much so that you’d even started showing up in his dreams.

That might explain why his tongue betrayed him now - a slip you would undoubtedly label as ‘textbook Freudian.’

Somehow, through the cracks in the armor of the man who prided himself on control and precision, a truth he had no business acknowledging had leaked out.

Because, inexplicably and irreversibly, he’d just let his younger brother - of all people - catch the faintest glimpse of something he refused to admit even to himself: that he wasn’t entirely indifferent to you.

Not that Sean picked up on it - yet.

No, Sean’s focus was already drifting toward his second mistake, the one Hotch really hoped would keep Sean too distracted to notice the first. And, to Hotch’s silent horror, it worked like a charm.

“Partner?” Sean repeated, raising an eyebrow. “Are the two of you…?” He let the insinuation hang, his expression a mix of confusion and amusement.

Because here’s the thing - thanks to the way Hotch had worded it, Sean wasn’t just thinking that his big brother was casually sleeping with you. Oh no, this was way bigger.

This was Sean, standing here wide-eyed and completely convinced that his older, emotionally constipated, miserably single brother - who’d spent years brooding after his breakup Haley - had somehow not only managed to get a girlfriend but had kept it a secret.

And worse? That this whole scenario meant Hotch was maybe, just maybe, a little happy these days.

That alone was enough to blow Sean’s mind.

But before his imagination could run too far, you stepped in, your voice sharp and immediate. “God, no,” you blurted, practically recoiling from the suggestion.

“No,” Hotch said at the same time, though in stark contrast to your reaction, his was flat and unbothered.

Sean chuckled at your synchronized denial, which only prompted Hotch to fix you with one of his looks - the kind that felt like it could peel layers off your soul. Judgy, silent, but impossibly loud at the same time.

The kind of look that made you curious.

“Was he like this as a kid,” you asked Sean, “or was he ever actually a normal person?”

Sean’s smirk widened. “The only difference between then and now is that now they pay him to act like this.”

You laughed, loud and genuine, and Sean joined in - a perfect snapshot of solidarity between two survivors of Hotch’s relentless Hotch-ness. “Though I have to wonder… maybe he misunderstood the government’s contributions as a green light to act this way. It’s kind of like when you teach a dog to stand on two legs for a treat, and then he just keeps doing it.” You commented.

You and Sean burst into laughter, your voices echoing through the bullpen, while Hotch just stood there.

Watching. Seething.

But not entirely for the reasons he’d expect.

Sure, he was irritated that you had the audacity to make fun of him within perfect earshot - a clear, deliberate payback for all the grief and micromanagement he’d put you through.

But there was something deeper beneath his discomfort, something far more unsettling.

It wasn’t just that you were laughing at him - it was that you were laughing with Sean.

That easy, effortless kind of laughter, the kind he so rarely managed to coax out of you. Sean, his little brother, was already pulling it out of you like it was the simplest thing in the world. Like he’d cracked some code Hotch didn’t even know existed.

And that stung. More than it should’ve.

Because as much as he told himself it was ridiculous - childish, even - he couldn’t shake the flicker of jealousy curling in his chest.

A low, unwelcome burn.

It wasn’t just about the laughter. It was the way you looked at Sean. The way you seemed curious, intrigued by him in a way that made Hotch feel like an outsider in his own space. Like he was standing just outside the circle, close enough to see but not close enough to touch.

And he hated that.

He hated how much it bothered him.

Hated that he cared at all.

Hated the fact that, for all his discipline and carefully crafted walls, you always managed to slip through the cracks.

Unnoticed until it was too late.

Though you weren’t quite as unnoticed by everyone else.

Standing on the mezzanine, there was Gideon, watching you with that unshakeable calm of his. His eyes locked onto yours, and before you could even catch your breath, he called you over to his office.

It was probably for showing up two full hours late, but who could say?

Panic was all over you, though you were certain you kept it well-hidden - at least, you hoped so.

But before you could second-guess yourself, Hotch, who had been silently observing everything, grabbed a file from his desk and walked toward you at a precise angle that turned his back to Gideon.

Then, in a blur of words, he started speaking faster than you thought possible.

“I covered for you,” he said, voice low and hurried. “Tell him you went to see your mom yesterday. You took the 5:07 a.m. train. It broke down in Baltimore - stuck for an hour and forty-two minutes. That’s why you’re late. It’s all fact checked. If he asks - and he probably won’t - you don’t have the ticket because after a 90-minute delay, the company offers a full reimbursement if you send in the original.”

Before you could process what he was saying, he thrust the file into your hands.

“I filled out all the interrogatory statements for the Arlington case. If he asks why I had them, say I’m an idiot and that you cracked the unsub before I did, so the paperwork fell to me.” His dark eyes bore into yours, and for the first time since you’d met him, he sounded almost…desperate. “Don’t panic.”

Your brain short-circuited. The only thing you managed was a breathless, “Thanks.”

He watched you go, tracking every step you took until you disappeared into Gideon’s office. His jaw tightened, his fingers twitching at his side like he was bracing himself to pull you out of trouble if it came to that.

Though Sean, ever the opportunist, broke the silence. “Since when do you cover for people?” he asked.

Hotch didn’t bother looking at him, his focus firmly fixed on the files in his hands, though his grip had tightened ever so slightly. “Since her boss called her in for something unfair. She’s the first - well, second - person to arrive every day and the last to leave. She works harder than anyone here, including me, and she never complains about it. It’s not fair to punish her for being late once when she’s the one who picks up everyone else’s slack. This is a one-time thing, and frankly, it’s probably for the best - at least she got some sleep for once.”

Was that an over-articulated answer to what was likely more of an exclamation than an actual question? Yes. But better to be thorough than shallow - or at least, that’s what Hotch told himself.

Sean, on the other hand, had no qualms about being a bit shallow.

“You’re sure that’s the reason she was late?” Sean asked, his tone dripping with faux innocence. “Not because she, you know…” He trailed off, tilting his head, the mischievous grin practically begging Hotch to take the bait.

No. Of course not.

Not that there would’ve been anything wrong with it. Not because he wanted to come off as paternalistic or prudish about it.

Hell, if you really did, he hoped it was… fine.

Great, even.

But then, there was that annoying, traitorous part of him whispering - shouting, really - that he hoped it wasn’t too good.

Or serious.

Or anything worth bringing up more than once.

Damn it, Hotchner, could he not just be a normal, well-adjusted adult and be happy for someone else’s happiness without making it weird? Apparently not.

Still, he needed to give an actual response. Out of the 600,000 words available in the English language, what did he choose? The most original, expressive, and earth-shattering one of all: “No.”

Of course, it probably came out sounding way too sharp, betraying every tightly-coiled emotion he was trying to keep hidden.

Luckily - or unluckily - Sean was too busy zeroing in on something else to even notice.

“So,” Sean began, dragging out the word, “she’s single.”

…it wasn’t even a question.

Hotch exhaled through his nose, his patience already wearing thin. “Yes.” He admitted. “But don’t think about it.” He stopped him, already knowing where this conversation would eventually go.

“Why not?” Sean asked, his smirk practically carved into his face now. “You like her?” The teasing lilt in his voice was impossible to miss, but beneath it, there was a flicker of genuine curiosity.

Yes. Absolutely.

More than liked.

Liked in a way that he thought about you far too often, in places he shouldn’t, and at times he didn’t have the luxury of indulging.

Liked in a way that made him occasionally catch himself smiling in the middle of a meeting because some stray thought of you had slipped past his defenses.

Liked in a way that he imagined you during his early-morning runs, wondering if you’d find the sunrise as breathtaking as he did - or if you’d roll your eyes at his choice of music.

You probably would, because it was either the original cast recording of whatever Broadway musical he’d recently become obsessed with, or something from The Beatles.

Not just their classics, but the deeper cuts - the kind his mom had played on repeat during her own Beatlemania phase back in the ’60s, which was, admittedly, a phenomenon he’d inherited in his own way.

He liked you in a way that felt ridiculous, really.

Like the time he caught himself wondering if you’d like the tie he was wearing, not that he’d ever admit he chose it with you in mind.

Or when he stayed up too late re-reading one of your old case reports, pretending it was for work when it was really just to admire how sharp and thoughtful your insights were.

But admitting that? Out loud?

To Sean, of all people?

He’d rather reorganize the mountain of case files sitting on your desk alphabetically and chronologically - twice.

“No,” Hotch said instead, his tone clipped and matter-of-fact. “I work with her, Sean.”

Sean wasn’t one to let things go easily - especially when he sensed he was onto something. “Okay, so you work with her,” he said, dragging out the words like they were some kind of weak excuse. “But that doesn’t explain why I can’t take a shot. What’s stopping me?”

Hotch’s jaw clenched as he shifted his attention back to the windows of Gideon’s office. He didn’t want to say it, but he also didn’t trust his brother to let the subject drop without some kind of deflection. “You’re not her type,” he said flatly.

Sean blinked, caught off guard for a moment before recovering with an incredulous laugh. “Not her type? How do you know what her type is?”

Hotch didn’t respond right away.

He didn’t need to.

The deadpan look he shot Sean over his shoulder was enough to say ‘I know her type because I know her’.

Sean, however, wasn’t deterred. “Okay, genius, enlighten me. What exactly is her type, then? Because I’m charming, good-looking, and - let’s not forget - single.” He motioned to himself like he was presenting the world’s greatest catch.

Hotch sighed. “Her type,” he began almost whispering, now suddenly afraid that someone would hear him, “is someone more serious. Someone who knows how to respect her work ethic, her intelligence, and the fact that she’s earned her place here. Someone who doesn’t think he can waltz in and-” He cut himself off, realizing he was veering dangerously close to sounding personal.

Too personal.

Too bad he stopped talking before he could drop the one crucial piece of information Sean probably needed to know: as far as Hotch knew, you only dated older... much older.

And him being the same age as you? Yeah, that definitely didn’t work in his favor.

Sean tilted his head, a slow grin spreading across his face. “So… basically, someone who isn’t me. But someone who is… maybe a little more like you?” He watched the way Hotch’s shoulders stiffened at the suggestion.

Hotch turned fully to face his brother, his expression dark. “Sean,” he warned, his voice a low rumble.

But Sean wasn’t fazed. “I’m just saying, Aaron. You’re standing here, going on about how she deserves someone serious and respectful and all that, but you’re practically describing yourself. So maybe the reason you don’t want me going after her is because-”

“That’s enough,” Hotch interrupted, his tone sharp enough to cut through any further teasing. “It’s not appropriate, and it’s not happening. End of discussion.”

Sean held up his hands in mock surrender, though his smirk stayed firmly in place. “Alright, alright. But for the record, you didn’t deny it.”

Hotch didn’t bother dignifying that with a response. Instead, he turned back toward the windows of Gideon’s office, his gaze locking on your profile once more.

Sean followed his brother’s line of sight, leaning closer “She really does have you all twisted up, doesn’t she?”

Hotch ignored him.

But as much as he wanted to pretend Sean was wrong, the burn in his chest told him otherwise.

Because 'twisted up' was probably an understatement for what you were doing to him.

---

taglist: @beata1108 ; @c-losur3 ; @fangirlunknown ; @hayleym1234 ; @justyourusualash ; @khxna ; @kyrathekiller ; @lostinwonderland314 ; @mxblobby ; @person-005 ; @prettybaby-reid ; @reidfile ; @royalestrellas ; @ssa-callahan ; @softestqueeen ; @theseerbetweenus ; @todorokishoe24

[vifilms]

THE FIRST BITE!

pairing. rugby player!abby x fem!reader x rugby player!vi

the introduction. abby anderson, the co-captain of the legends. the thickest, strongest girl around and she sure does pull like it. then there’s vi, tragically pathetic unable to get a girlfriend vi, a co-captain with some of the past game in the pitch but can’t find any to save her life off the field. or will misfortune of missing keys bring the luck directly to her?

the two have done nothing but compete against each other from the day they were born. abby has been a big girl from a young age, taller than most, it didn’t take much for her to bulk up. her biceps bigger than the largest dumbells in the gym, thighs and legs strong enough to kill a man. it’s what made her a dominant force on the field. she’s a bull you’ll try like hell to doze over, but the task is nearly impossible.

then there’s violet.

she’s not as big or strong, but she’s quick. she relies on it for every match. gliding on the pitch like a leopard. it’s because of her sheer speed that the team has won so frequently. violet is also the painful thorn in abby’s side, why she isn’t the sole captain but co-captains. the best of the best coach sev says, the yin and yang of professional rugby.

abby isn’t too sure of it but she’s in it to win and for that it’s the only reason why a bond is forged between them. the hatred they have for each other becomes kinship, hours on the field bringing out the best in each other only makes them win and win, and fucking win. the surrounding districts wanting to know coach sev’s secret.

it’s friendship.

two weeks from the quarter finals, the pair decides to blow off steam and that’s when the real competition between them thrives. until recently, abby had been happily taken, violet didn’t have to compete with the beefcake. even if she’d never admit it, abby makes her feel insecure. she’s smart, kind, and seriously ripped.

the amount of girls she turns town in one night at the local bar, seraphites, makes her wanna shrivel into a ball until all she feels is the a black hole swallowing her essence whole.

but now abby is single and god, vi will cry into her pillow if another girl she thinks is pretty leaves home with abby.

“don’t feel so bad. most wouldn’t last this long with me around.”

“yeah, i feel so grateful to still be here.”

abby chuckles as she playfully punches at vi’s shoulder.

“i’ll throw you a solid tonight then, the after party after quarter finals, i won’t munch all night and you know how hard that is for me.” abby playfully pouts.

“oh, really? how pitiful. that’s actually worse than competing with you. a sympathy thrown one night stand.”

abby harmlessly puts her hands up, taking a sip from her chilled beer. immediately, the bartender starts chatting up with her and abby starts being abby. it infuriates her how little the broad blonde has to try. she slips into this girl every damn gay girl in town eats up like a midnight snack.

each time, she starts it off slow. easy. throwing a compliment your way, if that bite into the bait, they always touch her hand, her arm, or stroke the vein protruding from her bicep. abby shamelessly flirts until they’re giggling, nearly putty in her hands.

a couple hours later, the two of them are leaving but vi is walking home alone while abby is entering a cab with the breathtaking bartender who’s shift has just conveniently ended.

it’s the only night she’s thankful abby left. it’s then she realizes as she attempts to get in her shared apartment with blondie that she’s keyless and no way to get into her apartment. the office is closed and she is so severely fucked.

vi doesn’t realize that’s she just sitting there like an idiot staring until a stranger’s voice pulls her out of it.

“any luck with your mind warping powers or are you keyless?”

vi jumps at the voice, locking eyes with the most gorgeous person she’s ever seen in her life. it doesn’t help you are wearing the shortest skirt she’s ever seen, cleavage spilling out of your top and she admires the white sheer top you’re wearing.

she feels a tad breathless.

that has nothing to with you.

just her predicament.

totally.

“do you have a roommate to call?”

vi comes to it and she murmurs and soft yeah, trying to not make eye contact with the goddess she somehow has managed to embarrass herself over.

quickly, she dials abby’s number, waiting for her to pick up not, once, not twice, but three times. damn fucker is munching right now, vi swears to herself.

but she didn’t say it to herself, she said it out loud where the girl of dreams is giggling as she speed texts abby, trying to evoke a response from her.

“indisposed and munching?” you ask, you’re smirking and vi is blushing.

“yeah, her favorite extra curricular activity and she does it exceedingly fast.”

“is it yours too?”

shit.

oh my fucking shit.

are you hitting on her?

no. that’s not humanly possible for someone like you to be hitting on someone as tragic as her. vi’s convinced it’s just because abby isn’t here. that’s all. her cockblocking stunner of a best friend isn’t here to make her life sufferable but the way you’re eyeing her up like a hot piece of meat should make her feel slightly objectified if you she wasn’t doing the exact same thing.

“right girl, right munch.”

it’s the dumbest thing vi’s ever said but you laugh. offering her a spot on your couch and she’s eternally grateful for. you even have a pair of shorts and a spare t-shirt that she can sleep in. she’s eternally grateful she doesn’t have to sit outside her apartment alone for god knows how long waiting for abby to be done with her seven course meal.

violet planned to actually sleep but then you play a vinyl record on the turntable and it just so happens to be vi’s favorite and she can’t stop telling about every song on the record. she’s so animated as she talks, her powder hues vibrant as she goes into the lyrics she loves the most, what songs made her cry first listen and the songs that still make her cry to this day.

you’re looking at her the way vi’s always wanted to be look at. before either of you know it, four albums later, it’s nearly four in the morning and you’re leaning in close to her, so much so vi isn’t sure she can even breath. a vibrant pink strand gets twirled around your finger.

“know about all your favorite albums but not a name to the pretty face.”

“violet. or vi. whatever you prefer.” vi struggles to breathe even further as your lips ghost over hers.

“what do you prefer?”

“violet.”

you take a pause, licking your lips, slightly crazing violet’s lips. she looks a like a deer in headlight, terrified to make the first move but you like how shy she is, how she voices the thoughts she isn’t meant to. there’s a sweetness you want to sink your teeth into like cotton candy.

“violet it is then.”

putting her out of her own misery, your soft lips mold with hers and you’re dominant from the start. placing a delicate hand on her throat, claiming her with your tongue as you devour her whole. it’s hot and heavy. the clashing of teeth, the pulls at her pink hair, and violet can’t help but bring you closer to her.

still wearing this insufferably short skirt, vi smooths her touch over your soft thighs beneath the fabric. the two of you getting lost in each other until it’s all abruptly stops. she’s funneling her under the hem of your shirt, playing with the buttons until she absentmindedly plucks one open.

“fuck—” you curse, trying to maintain your compose but violet plucks another button and your perfect tits spill out of the material.

“yeah?” violet smirks, not being nearly as innocent as she appears.

“time to put that extra curricular to use then. let’s see how munch of a munch you can be.”

rayray’s nonsense. UM HI IDEK KNOW WHAT THE FUCK THIS IS. um. yeah. abby x vi are my favs and i'm forcing this on everyone but i also fuck with it??? idek. this is a crazy midnight kinda post, spur of the moment if you will. gonna try not to get tew in my head 'bout this. that's for future me to deal with BUT ALSO DO WE FUCK WITH IT???? only time will tell. ALRIGHT. let me work on this mega long vi fic i got going on .... byeeeeee ♡

[jclolz22]

multi bot release — 25 bots for 2025

thank you for 777 (this originally said 700+ so you can see the growth i've had even while plotting this release) followers on c.ai!! and thank you all for the continued support!! it truly means so, so much to me, and i'm very excited to finally be releasing more bots, and i hope you enjoy!

everyone cheer because i actually did 10+ of my requests

this has been in the making for a little over a couple weeks now, and it’s upped to 25 thanks to @w4dows and her genius idea of doing 25 bots for the upcoming year! it was a lot but i loved doing it with you <3

they're listed in alphabetical order (like always) and categorized by the movie/show that they’re from.

includes: challengers, glee, grey's anatomy, misc. (bridgerton, moana 2, twilight, wicked)

p.s. to all my gleeks, i see you and this is glee heavy for that very reason <33

p.p.s to everyone— there may be a bit of scrolling, but please get to the bottom so you don't miss a bot you may like! :)

CHALLENGERS

ART DONALDSON —  PREGNANT (REQ.)

Getting engaged to Art is a fairly recent milestone for the two of you, but what will happen when he finds your positive pregnancy test in the garbage and he confronts you about it?

ART DONALDSON — STEAM ROOM

Art always loves spending time in the steam room after a long week of practice. He didn’t expect to encounter you there, but he’s not complaining. Will your old flame be rekindled when there’s nothing separating you except for a couple of towels?

ART DONALDSON & TASHI DUNCAN — MEETING THE EX (REQ.)

You and Art started dating shortly after his divorce with Tashi was finalized. How will you finally meeting her go? Will you still be with him afterward, or will she pawn you off of him?

PATRICK ZWEIG — MOM OVER ME

Patrick is your husband, but what does that mean to you? After all, he isn’t even your emergency contact, even though you're his. Your mom is still yours, regardless of the fact that you've been married for a few years now. (inspired by @fruitjoos fic ‘‘emergency contact’’)

TASHI DUNCAN — FAN CLUB

Tashi was surprised to find out that you didn’t know much about her, or tennis in general, for that matter. It was even more surprising (and annoying) when she showed up on move-in day to see that you were going to be her roommate this year.

TASHI DUNCAN — FIELD OF LILIES  

Your anniversary is coming up shortly after your daughter's fourth birthday. To celebrate, you decided to surprise the two of them with a field of lilies— the same one where you proposed to Tashi six years ago.

TASHI DUNCAN — MALL SANTA (🌲)

This is Lily’s first Christmas, and Tashi is making sure to pull out all the stops, including taking her to the mall to get pictures with Santa. Sure, the one year old may not remember this, but you and Tashi will, and she wants it to be special, just like it was when she was growing up.

GLEE

MARLEY ROSE - AWOKEN (REQ.)

Marley didn't know that her feelings for you surpassed friendship until she realized that her feelings for Jake and Ryder were nothing close to romantic. She doesn't know why she never realized it before, but she won't give up her chance now.

MARLEY ROSE — MEAN GIRL (REQ.)

Marley is the sweetest girl alive, yet you’re still mean to her. She can’t figure out why you’re so cold and callous when she hasn’t done anything wrong. It's now up to you to fix the mess that you unintentionally made.

MARLEY ROSE — SECRETLY SOFT (REQ.)

You’ve got a reputation of being some kind of punk. Essentially, you’re the female equivalent to Puck, except you’re not a homewrecker like he is. No one knows that the only person you’re all sweet and nice with is Marley, and she’s the only one who knows you’re even like that at all.

QUINN FABRAY — BIG CHANGES (REQ.)

Quinn's image has changed since having Beth and giving her up for adoption. Has it been for the better? The verdict is not yet decided, but you've been by her side for a while now, and you don't plan on leaving just because she's changed her look. She's still the same Quinn Fabray you know and love.

QUINN FABRAY — BORN THIS WAY… OR NOT (REQ.)

Quinn was confronted by Lauren about her past, and she knew she couldn’t let you hear about it from anyone else. Word would spread quickly, and she didn’t want you to know her truth from the rumor mill.

QUINN FABRAY — BUNNY!

You're originally a farm girl, even though Quinn couldn't believe it. Your city life doesn't do much to prove your roots, so you decided to take her back home to the family farm, where she quickly makes a new furry friend.

SANTANA LOPEZ — HIDDEN MOMENTS (REQ.)

You and Santana have been together for a few months now, and even though no one knows, you two couldn't be happier. Sometimes, all it takes to make your day better is just being with her in bed. You don't even have to be doing anything except lying there.

SANTANA LOPEZ — NURSE’S ORDERS (inspired by @mportality)

You've fallen sick and your girlfriend wants to help nurse you back to health, despite your pleas for her to keep away from you so she doesn't get sick herself. Besides, it's an excuse to wear that hot nurse costume you love so much.

SANTANA LOPEZ — ROOMMATES AND EXES (REQ.)

Santana showing up at your New York apartment unexpectedly was... rather surprising. Maybe not so much if she was a friend, but the fact that she's your ex-girlfriend makes it a little more unusual. She's been moved in for a few months, and you can't help but constantly think about your past relationship. Now, you're sitting in the living room with her on the opposite end of the couch, silence engulfing the space.

GREY’S ANATOMY

ADDISON MONTGOMERY — BUT YOU CHEATED

Addison won’t stop trying to get you back, even if she’s in the wrong. She knows she messed up by cheating on you, so why can’t you just accept her apology? Or better yet, why doesn't she accept the fact that you can't forgive her so easily?

DEREK SHEPHERD — GINGERBREAD HOUSES (REQ. /🌲)

Making and decorating gingerbread houses with you and your kids is a dream come true for Derek. He couldn't ask for a more domestic scene, and he doesn't think anything will top this.

DEREK SHEPHERD — I SAW MOMMY KISSING SANTA CLAUS (🌲)

So maybe it was a bad idea to not keep forcing Derek to change out of the Santa Claus suit he wore in order to put the gifts under the tree in case Zola or Bailey saw him. Their screams were unexpected and frightening before you realized why exactly they had screamed.

DEREK SHEPHERD — WALKING AWAY

Derek didn’t want to compete anymore; if Finn was the one who had your heart, then he’d accept that and let it be. You couldn't believe it, though. The Derek Shepherd accepting (choosing, even) defeat? What is wrong with him?

JO WILSON — DODGING (REQ.)

You and Jo clearly have feelings for each other, but you both keep avoiding addressing them. It's obvious to everyone except for the two of you, and Arizona is tired of seeing you fail to work up the courage to talk to Jo, so she sticks you in a room together and locks you in.

MISC.

ALICE CULLEN - DIFFERENT WORLDS (REQ.)

Alice is a vampire, and you're a werewolf. You're not supposed to interact with each other, let alone date. But neither of you can help yourselves; the mutual attraction is too strong to ignore, meaning you couldn’t care less what your brother might think.

FIYERO TIGELAAR — SET FREE

Fiyero is the only one not affected by the flowers in class, and even though you thought he didn’t want to help you, he tagged along anyway. The tension is thick between the two of you, so how will you both approach it?

MATANGI — CRAZY BAT LADY  (REQ.) @lotties-ashwagandha i’m sorry it took forever!

Matangi thought you’d leave her behind and forget about her after breaking the curse on Motufetū, but you proved her wrong. She feels a sense of obligation to pay you back, but how is she going to do such a thing?

SIMON BASSET — WEDDING NIGHT  

Unbeknownst to the both of you, the tension is thick. Simon thinks that you’re in this marriage against your will, while you think the same regarding him. Neither of you have realized that for so long, you have burned for one another. After such an admittance, what more is there to do than consummate the marriage? It helps that he gave you such valuable advice earlier on...

[icallhimjoey]

eddie?! 👀 did you say EDDIE?!?! 👀👀👀👀

i DID say eddie! i had a tiny idea that fit the version of eddie ive written before (and the only version of eddie ive written before) and so... here we are. i am: so sorry. Wordcount: 6.6K

---

Let’s Go Home

(find all other parts of this story here)

“Let’s go get him.”

You sound very determined for someone completely unsure of how to handle the situation. It’s difficult to watch someone so deeply unhappy struggle with parts of their past they can’t seem to get a grip on.

“I… what?” two wet, red-rimmed eyes stare back at you. Confused. A little annoyed.

“Yea. Come on. Let’s go. We’re packing our bags and we’re going to go pick him up and bring him back here.”

Eddie doesn’t get it. Frowns, entirely unsure of who you’re talking about.

“Steve’s already here… and Wayne is coming here for Christmas, we don’t need to–…” he looks so tired.

“I know we don’t need to.”

It always happened when the days got a little shorter. When the nights got colder and Christmas loomed. When happy, wholesome family moments would be advertised all over the world, and it all became glaringly obvious – once again – how that was something Eddie never got to be a part of when he was little. Not until Wayne took him in and tried his best to make the holidays special in his own way.

No matter how hard Wayne tried, though, the bitter aftertaste of abandonment and loneliness was impossible to get rid of.

Eddie would never admit this to Wayne, but celebrating Christmas just the two of them felt just as pathetic and lonely as it had done when he lived with his parents still.

Different.

Definitely not as traumatizing, which was good.

But still dreary, and sad, with a lot of playing pretend that he was okay and happy and fine.

He was never okay and happy and fine.

Still isn’t okay and happy and fine.

That’s not Wayne’s fault, Eddie knows, and he feels like a shitty person because Wayne always tried his best. Did what he could. It just never quite worked.

Christmas would roll around, and Eddie would get depressed.

That’s just what happened.

Eddie would slip into sadness, scary thoughts intruding happy places they weren’t allowed to settle into, but he’d not yet learnt how to tell them to fuck off. To leave him alone. Didn’t know how to get the uninvited guests out of his house, and felt powerless as he watched them settle into his living room. Nothing he could do about it.

Somber, pensive moments would slowly stretch until they covered most of the day. Mornings were the happiest, still. He’d wake up after falling asleep eventually, never managing to slip into dreams before 3 AM, and for a moment, he’d forget. The short amount of sleep would have him tired enough to not remember the reality of his life for a second, and in those moments, it would just be you in bed with him and that would be the only thing in existence.

It’s awful to feel reality set into someone’s body mid-hug.

You wish you knew how to keep it out.

Over the years Eddie had learnt he had to vocalize his feelings. His thoughts. Knew that a burden shared was a burden halved, but knowing things in theory didn’t make them easier in practice.

“What can I do? Let me help.” You’d whisper, and Eddie was lucky you’d known each other for so long. There were no worried questions of are you okay, or a concerned soft hey what’s wrong.

You know he’s not okay, and you know what’s wrong.

“You, here. That’s all you need to do.” Eddie would murmur and he’d pull you in to hold you for a short while. And sometimes, that would temporarily fix him.

There is part of Eddie that honestly thinks if he doesn’t think about it, that it’ll be okay.

If he ignores it for long enough, it might go away by itself.

He’s lucky that sometimes, it does.

He pretends that the foundation of shit that he’d been given for his life hasn’t got all the cracks in. The house he has tried to build on top might shake a bit in the wind, but he can convince himself that the strong support beams that have been put in place will make sure the whole thing doesn’t collapse.

But it’s getting closer and closer to Christmas, and he’s sinking deeper and deeper into everything that’s dark, and cold, and uncomfortable, and painful, and scary.

Everything is designed to make people feel happy around this time of year, and he’s in LA where the sun shines all year long and it doesn’t even really get cold at all. Not like it gets cold in Hawkins. The days don’t really get that much shorter, and he can go outside in a T-shirt and be fine. But maybe that’s precisely the problem right now; there’s no quick get inside the house, and no let me warm your hands up for you.

The comfort of a frozen nose that get nuzzled back to life is unattainable in LA.

“Can you go to another meeting? Would that help, do you think?” you silently ask him one evening, hidden under the covers and too tired to stay awake for much longer, even though you know Eddie’s wide awake next to you. He’ll toss and turn for a couple more hours after you’ve drifted off.

“Yea, of course. I should.” Eddie is quick to reply, but you know he doesn’t want to.

Talking about his addiction with strangers when he’s trying his best to pretend it’s not there will just make things worse, he thinks. Logically, he knows it probably won’t, but there’s always that fear.

“Can I join you?”

You feel how Eddie shifts in bed, probably to take a look at you, but your eyes are closed and you’re about to fall asleep. This isn’t the time to fall into a conversation in which he asks you why on earth you would want to hear a lot of people you don’t know talk about a lot of drastic measures you don’t need to know people let themselves be pushed to sometimes.

So instead, you feel a kiss press to your temple, and he whispers, “Sure you can.”

At first, Eddie doesn’t say much in the meeting you join him for. You mostly listen to issues other people bring forward, and try to think of things you’d do if Eddie was the person speaking. If he was the one with all of those problems. How would you help?

How would you fix it?

When a kind, soft-spoken voice asks if there’s anyone new who wants to share, a lot of eyes fall on you, and you shift in your seat. Sit up a little. Feel Eddie squeeze your hand in his which could have meant, it’s okay, you can tell people why you’re here, but instead it means, I got this.

Eddie talks.

Tells everyone about how he feels like he’s deep in a depression and that he doesn’t really know how to get out of the dark pit he’s fallen into.

How it feels like he’s five years old and stuck in a small dark room, and he’s feeling all over the walls but can’t locate the light switch, and the longer he’s looking, the more he starts feeling claustrophobic in there.

You make the mistake of asking him if he can call out for help.

“Have you tried asking? Maybe someone else can turn the light on for you…”

Eddie breaks down, elbows on his knees, face hidden from the group as he looks at the wooden floor boards through his tears.

It’s not your fault.

Eddie doesn’t expect you to understand the feeling of being so utterly helpless and alone that he knows there’s no use in even trying to call for help.

No one would’ve answered.

You scoot your seat closer to his, and lean into his side as you wrap an arm around his back, fingers curling around his shoulder. It’s nice. He needs it. He also knows there’s thirteen pairs of eyes on him and he doesn’t know how to tell you that no matter how hard you’ll try, you won’t be able to actually fix anything.

“Let me turn the light on. Let Steve, or let Wayne– Robin… we can all help turn the light on. We’ll fly Wayne out, Robin too, and anyone else that you want. They can all move in, we have the space for it. Just… please, let us turn the light on, Eddie…”

It’s the fucking sweetest thing he’s ever heard, but he can reach for the light himself now. He can find it in the dark, and he can turn it on. The problem is that it doesn’t make a fucking difference.

Turning a light on now doesn’t change anything about his past.

Eddie gets asked if he has anything more to share. He sniffs and wipes his face with both his hands before he sits up and leans back and says, “Thank you, but um, no. I don’t. It’s this time of year, I guess. I know it’ll pass.”

You hold hands, fingers intertwined, as you listen to everyone else share more of their own personal issues, and when you leave Eddie puts his arm around you and pulls you close to kiss the side of your face. He tells you that he loves you, that he’s glad that he came, and he thanks you for coming with him.

You can see in his eyes that none of it helped.

Eddie lets himself sink deeper and all you can really do is be there for him. Be there when he wakes up and be there when he goes to sleep. You give him the gift of routine. Of healthy meals. Of pleasant walks outside. Long showers after.

It helps.

But it doesn’t fix anything.

You try your best at damage control. Talk to Steve. Call Wayne a lot.

And it helps.

But about two weeks later, Eddie starts isolating.

He had never isolated before.

Not like this.

He’s in his home studio, hyperfocussing on four seconds of a song he’s working on, and when you interrupt to tell him you’re going to go to bed, he says he’ll come up in a minute. He just needs to figure this bit out. “I’m so close, I can taste it.” Eddie smiles a smile that doesn’t reach his eyes, and for a moment you think Eddie’s going to let you listen to his work in progress. He always asks for your opinion, but this time he doesn’t. He just looks at you with a smile that’s just there for reassurance until you leave him alone.

At 5 AM you get woken up by Steve, who softly says, “You need to come downstairs…” and leads the way for you.

“I got up to pee, and the bathroom is right above the studio…”

You find Eddie in the exact same spot, going over the exact same four seconds of music.

He looks like he’s being tortured, barely able to keep his eyes open. When you gently pry the guitar from his hands, his breathing changes, and you think if he would have had the energy to sob, he would have cried like a child.

“Let’s go to bed, Eddie.”

Eddie lets you take him upstairs, but then locks himself in the bathroom and when you ask if he can let you in, all you can hear are soft sniffles whilst the shower runs.

It’s then that you decide.

Something is different this time around.

Something deeper has bubbled up, and you know whatever you are doing here, in LA, to help him simply will not be enough.

You establish a plan and pull out two suitcases that you place onto your bed. You’re going to pack your bags and you’re going to go get him.

It’s clearly necessary.

Eddie is no longer letting you comfort him and you’re scared that the next step is going to be a relapse.

“What are you doing?”

“Let’s go get him.”

“I–… what?”

Eddie hasn’t slept, and his unwashed hair is wet from the shower he’s sat in for a while, and you’re very calmly and methodically folding clothes into a suitcase. You might as well be speaking in a different language right now.

“Yea. Come on. Let’s go. We’re packing our bags and we’re going to go pick him up and bring him back here.”

Eddie slowly moves to sit down on the bed, and he looks at what you’re doing for a moment before he sighs and softly says, “Steve’s already here… and Wayne is coming here for Christmas, we don’t need to–…”

He stops speaking when he sees your slight smile.

“I know we don’t need to.” You say and Eddie doesn’t like how you look at him with so much care in your eyes. He doesn’t think he deserves it.

Doesn’t deserve you.

“Do you want to bring both of your black hoodies?” you then ask, not giving him a chance to question what’s happening, and so he just goes, “Yea… yea, sure.” before he lets himself fall backwards onto the mattress where he shuts his eyes.

You let Eddie sleep for as long as sleep will hold him. Pack up both suitcases and let Steve help you book travel back home.

“Do you want to come?” you ask when Steve is on the phone to a travel agent. He is listening to the woman who’s reading him back information he’s just given her, so he can’t answer you, but he reaches out and holds your hand whilst you listen to him book two tickets to Indiana.

When he gets off the phone he reaches for your other hand as well and says, “I’ll watch the house.”

You give him a slight frown. “You know he’d love you to come with us… Wayne says Hawkins is covered in snow. We could watch Christmas films in the trailer… get Robin and run across Lover’s Lake again… or, call Dustin and, I don’t know, Eddie could challenge him to a snow ball fight and they could play–”

“Dustin’s 26 years old.”

“Yea...” you frown at Steve. “So?” you sound desperate.

Steve huffs a laugh as he rubs his thumbs over your hands. He grimaces a little before he says, “No offense, but… he doesn’t need us out there. Of course you’ve got to go with him, but every other person is going to be one too many.”

And Steve’s right.

The next day, Steve joins you outside as you’re about to leave. He hugs Eddie for a long time by the trunk of the car, and you know they’re softly talking to each other. You can only see Eddie’s back, and Steve’s face is hidden by all of Eddie’s curls, but suddenly you can hear Eddie laugh before he pokes Steve in the side.

You get hugged next.

Eddie doesn’t sleep on the flight. Just stares out the window and gets lost in thought. You know he’s not entirely sure of why you’re taking him back to Hawkins, but he’s also not asked about it again.

When your rental car stops in front of Wayne’s trailer, you turn the engine off and sit in silence for a moment as you both just… look at it. It’s four in the afternoon, but it’s getting dark outside already.

Forest Hills.

A surprisingly large lot of land that holds about twenty-four sporadically placed trailers; some of them neatly lined up, others facing whichever way. Wayne’s trailer was one of those ones, placed diagonally to the road, surrounded by dry grass for most of the year which was now hidden by a thick layer of snow.

Momentarily, everything about the image that you’re looking at looks like it’s 1987. Maybe 1988. You can easily envision a younger version of yourself running up to that same front door, it swinging open before you could even get up the steps, Eddie bursting through just to throw you over his shoulder and haul you inside.

“We’re here...” you break the silence, stating the obvious, and find Eddie’s hand to squeeze.

It’s a little silly, but it looks like he’s scared.

“Did you tell him we were coming?”

“Wayne?”

Eddie turns to look at you, slightly confused because, yea who the fuck else?

“Yea. I called Wayne.”

You watch how Eddie takes a breath. Watch that information settle within him.

“Do you want me to come with you?”

And Eddie does. Doesn’t want to do anything without you, ever.

But he takes a shaky breath and says, “I’ll come get you in a second.” before he opens the door and gets out of the car.

Footsteps crunch in the snow, and you watch Eddie, hands in pockets, rush up the steps to what used to be the trailer that he lived in with his uncle. The trailer that he found home in when he was about seven years old and Wayne had decided that his bedroom could actually be Eddie’s bedroom instead for a while.

A while turned into fifteen years in the blink of an eye.

You watch Eddie hug Wayne through the window. It’s another long embrace, but this one doesn’t part with boyish grins and jabbing fingers. Instead, you can see how Eddie goes limp in Wayne’s arms a little, and when he goes to pull back, Wayne just… holds on.

Just a little longer.

It feels a little wrong to be watching them like this, chin perched on the steering wheel, fingers hidden in your sleeves. It feels especially invasive when you see how when they eventually part, the first thing both men do is bring their sleeves to their faces to dry what has become wet.

Then, Eddie steps away. Slowly walks towards the room that used to be his bedroom, and he goes alone.

Good, you think.

That’s good.

Wayne didn’t understand at first, when you told him over the phone. That you were coming over for a strange, but important visit. But this was good.

It takes a while.

Your fingers start to lose their feeling a little as you wait in the car, but it’s fine. You are not the priority right now.

When Eddie eventually emerges from the trailer, you get out of the car, and wait for him to call for you. A, come on. Come inside. It’s fucking freezing out here.

Instead, you get silence. Eddie doesn’t stop walking to wave you over.

He makes his way all the way over to where you’re stood next to the car, and then, he hesitates for a moment.

Eddie can’t look you in the eye.

“Everything okay?”

You know it’s not.

“He um…” Eddie starts, voice trembling. “He’s not here.”

“What?”

Eddie moves closer to place a kiss to your temple, eyes looking away, over the top of the car, across the trailer park. “He’s not here. I didn’t find him.”

Eddie steps around you and gets into the passenger seat, and for a moment, you stand with both shoes in slush whilst you try to think of what to do next. When you look back at the trailer, you catch Wayne through he window. Gives you a smile and a wave.

For a moment you contemplate running over, up those same steps, to ask what happened inside. Maybe Wayne has answers to questions you keep asking yourself.

Before you can, Eddie roars the engine back to life.

You give Wayne a wave back from where you’re stood and round the car to get into the passenger’s seat. You can talk to Wayne later.

Back inside the car, you put your seatbelt on and look at Eddie for a moment. He’s got one hand on the steering wheel, the other on the gearshift, and he’s biting his lip as he stares into space.

“If he’s not here…” you start pensively.

“It’s quite the drive.” Eddie answers, unmoving.

“We have the time.”

“I don’t think we’d make it back here before midnight.”

“Hey,”

Eddie turns his head to look at you.

“We have time.” You repeat yourself and place your hand on the back of his head where you softly scratch your fingers into his hair. “You good to drive?”

You don’t get an answer. Instead, Eddie puts the car in reverse and starts backing out. Just before he’s about to fully leave Forest Hills Trailer Park, he stops the car, even though there’s no traffic to wait for.

“I can drive if you want me to–”

“N-no, that’s not it. I can drive, but I…”

Eddie stares. Looks at his hands and just sits in silence, going through it. Then suddenly, he takes his seatbelt off, opens his door and quickly says, “I’ll be right back.” and he runs.

Left in a car with a running engine and a wide open door, you turn in your seat to watch Eddie’s breath leave him in white clouds as he runs back to the trailer, back up the steps, back inside. You’re too far away to see in the windows now.

It only takes a minute.

When he comes back, jogs down those steps in the snow, he looks a little lighter somehow. Like running back towards the car is a little easier.

Eddie gets back in the car, and he’s all loud inhales and rough exhales, hands rubbing together because it’s cold and he just ran through the snow, but then he looks at you as he puts on his seatbelt and he smiles.

There’s tears in his eyes, but he’s smiling.

“Had to tell him it’s okay. That I’m okay.”

Somehow, Eddie is beaming and solemn at the same time, but you’re happy that something has changed a little. That he seems to get it. You sink into your seat a bit more when Eddie pulls onto the road and starts heading south.

Eddie told you once, years ago, that he used to live in a motel before he came to Hawkins. How that’s all his parents could afford, and even then, they were always fighting with the front desk about money. Always late on payments.

It was just one big room, and even though it was just him, his mother and sometimes his dad, there were always people in their room. Strangers. Friends, his mother would tell him. Sometimes she’d even tell him, this is your Uncle Frank, and Eddie would be forced to shake the hand of a man he had never seen before and would never see again.

Eddie spent a lot of his early childhood confused.

He spent a lot of his childhood hiding.

Afraid.

Alone.

He wouldn’t ever trust anyone. People told him one thing and then they would laugh together and they would do something else.

Adults were evil, and yet the world was made so that adults were the ones that had to look after him. That made the decisions. That told him, go play outside, even if rain was coming down hard, and Eddie would have no other choice but to listen. To do as he was told.

He was only a little kid.

When Eddie was seven years old, he got kicked out of the room at eight in the morning and got told to not come back until they were ‘ready for him’.

Like he knew what that meant.

No one had told him how to tell time.

Eddie didn’t go to school.

But he knew that being sent outside meant that he had to go find his own entertainment for a while, and so he did.

Eddie was seven years old when he came back around lunch time with skinned knees and grass stains in his shorts, and there was commotion.

Lots of people.

People in uniforms.

A cop car.

A kind woman who asked him if he had lost his way. If she could help him get home. Eddie had just smiled and said, no thanks, and had tried to hide in the spot where he always hid. Adults were not to be trusted, Eddie knew. No matter how kind they looked.

Eddie was seven years old when he got pulled from his safe space, his little hiding spot, kicking and screaming, and got brought over to Wayne’s trailer. He’d never been back to that motel room again. Had never even gotten close.

The sun has fully set by the time you pull up outside of an old, run down motel that looks like it should’ve been torn down ages ago. Most windows are boarded up, paint on the walls is chipping and what used to be a light-up sign has been torn down.

It’s a dump.

Just trying to imagine someone growing up here has you choking up.

Little four-year-old Eddie running around these grounds? In dirty clothes too big for his body because nobody was feeding him right? Being exposed to things no child should ever be exposed to, simply because his bedroom was also the only room they had?

Before you can let it make you cry, you hear a faint chuckle beside you.

It’s small and weak, but it’s a chuckle none the less.

“I remember this place much bigger,” he says, like it’s funny. “There’s only like… seven rooms.” Eddie counts.

You’re momentarily unsure if coming here was a good idea. If facing this reality of his past is going to be doing him any good. If it won’t just break him down even more. But then Eddie turns to look at you and says, “Come, let me show you.”

Eddie visiting the place where he spent the first few years of his life turns into him giving you a surprisingly pleasant tour of the grounds. He recounts the other people that lived there, the rooms he wasn’t allowed into. How there used to be a soda machine here, and how sometimes the older kids would ask him to get them some cans for free, because his arms were small and skinny enough to just sneak them out the bottom.

It’s easy to skim the surface of this place like this.

To make it about showing you around instead of sinking down past the layers of self-protection that would have him walking around here with wobbly legs.

Yea.

This is easier. Better.

All of the doors are locked, but it doesn’t take much more than a good shove of a shoulder for the locks to give way. For the wood of the doorframes to splinter.

“Entering the Forest Hills way.” Eddie grins, and you suppress a smile. It’s a lie. Forest Hills is full of all honest, all hard-working people. But, it’s still a trailer park, and thus, the joke is funny.

Without much care, Eddie easily manages to open every door he comes across. It’s dark everywhere you go, none of the lights work, but the streetlights out front provide you with plenty of it, and your eyes quickly adjust.

Eddie shows you the laundry. Breaks into a little back office. A supply closet. Some other motel rooms - some that had semi-permanent guests staying there too, just like he used to be one. And some that would have overnight guests that didn’t know about the draft that would make the door slam so hard, you’d lose your fingers if they got caught in between.

It’s almost joyful, how Eddie talks about his memories. He hasn’t got many, he was so young, but every time he comes across something he remembers, he seems pleasantly surprised at his brain’s ability to bring it all back to him.

But then, when you eventually stop outside room number five, he pauses.

Stops.

Stares at the doorknob.

You can feel how his entire demeanor changes, and even though it’s painful to witness, you know that this is why you came here. This is the whole reason you drove all the way out here.

Eddie takes a good, deep breath but doesn’t move otherwise. Just keeps his eyes locked on a rusty old doorknob to a locked door of a room that probably looks exactly like all the other ones Eddie had already shown you.

“Is this where you lived?” you ask, doing your best to make your voice sound as neutral as possible. You don’t want to scare him off. Don’t want to trigger something.

Eddie nods, a barely-there up and down movement of his head, and then he goes for the doorhandle, rattles it weakly.

Keeps staring at it.

“Door’s locked.” He croaks, like that had been a problem for any of the other doors.

But it does make sense.

You understand that the person who opened up all those other doors was Eddie in his thirties, showing you around.

The person staring at the doorknob now, was Eddie as a child.

Afraid to go inside, unsure of what he was going to find there.

Not strong enough.

Maybe only just tall enough to even reach.

But, you were strong.

You had witnessed how a little force had gone a long way with these locks, and after giving Eddie a second to maybe ask for help, because God, you really wanted him to realize he could just ask for help, he doesn’t ask for shit, and you decide to take matters into your own hands.

Before Eddie even registers you taking a few steps back to get a running start, the wood of the door has already split from the blow of your shoulder.

“Oh my G–” Eddie jumps, both arms reaching out to grab at you and to pull you close. He makes sure he holds you where you ran into the door, large palm cupping over the curve of your shoulder, and he rubs the skin there. Which helps, because, you’re not really hiding the fact that Jesus fuck that fucking hurt very well.  

Despite the sting, there’s a moment where you both see the humor in what just happened, and looking at each other, you both let huffs of laughter escape you.

“Are you crazy? What you do that for, huh?” Eddie pretend scolds.

You shrug, “Forest Hills way.”  

The comedic relief is so welcome, but it’s short-lived. You see from up close how Eddie’s expression drops. He goes from looking at his insane girlfriend with all the love he’s got for her spilling from his eyes, to looking over your head into the dark room where he used to live, and it all slips away.

You wait by the door.

Want Eddie to do this alone because you think it’ll be better that way.

You also truly don’t know what to do, so it feels a little safer to just… wait outside. You wouldn’t know how to help anyway.

Just like when you were outside of Wayne’s trailer, it feels a little invasive to look at Eddie as he silently takes slow steps inside and looks around. At the same time, you can’t really look away. If he’s going to break down and fall to his knees, you want to be there within a second to pick him back up.

Eddie trails slow fingers along a dresser.

Takes careful steps towards a nightstand of which he opens and then closes the drawer.

“Huh…” he comments. Looks around the full room again, sees it in different light as he stands in another corner, the lights from outside showing him different parts of the room.

He disappears into the bathroom for a moment before he steps back out, and he looks… confused.

Surprised, maybe. A little dumbfounded.

He gives the room another glance, and then turns to find you watching him in silence.

“This is really weird,” Eddie comments, both eyebrows raised.

“Yea? How so?”

“I don’t know… it’s different. It’s not like I remember. I think… I don’t know, I think my mind made this room the most terrible place ever in the world, but it’s just… it’s just a room. There’s nothing…” Eddie twirls on the spot, “Yea, it’s just a room. Nothing’s… nothing is scary.”

You swallow audibly, and hesitate before you speak.

“It’s not scary.” Eddie concludes again before you can say anything, and he raises both shoulders at you in a long shrug, like he’s trying to convince you that it’s all right.

You’re not the one who needs convincing though.

“Is, um…” you start, and you clear your throat, entirely unsure of how Eddie is going to react to your question.

After visiting Wayne, you think he gets it now.

He gets why you took him back to Indiana.

Eddie has let his eyes fall on a weird piece of wall art he doesn’t remember, something that maybe they added to the room after his parents had been kicked out, and he’d been taken away to go live somewhere safer.

“Is he here?”

“Huh?”

“Is he in here, somewhere?”

It takes a moment of Eddie looking at you before he fully registers what you’re talking about.

His gaze drifts towards the closet next to the bathroom door.

It’s shut. Both bifold doors closed.

Eddie stalls for a moment, and then he raises an arm to open one of the doors before he drops it by his side again.

The closet’s empty.

It seemingly comes from nowhere, the way your lips suddenly quiver. How your eyes well up with tears so quickly. You have to cover your mouth with your hand to remain silent; this isn’t about you.

Eddie is slowly taking it all in, looks around the inside of the closet. The stains in the carpet. The peeling wallpaper. The mismatched hangers, a couple plastic ones amongst a couple more wire ones. And then he looks up and finds the the little yellowed piece of string that hangs down from way up high.

He reaches up and pulls it.

An audible click is heard.

Nothing changes though.

No light springs on.

Eddie pulls it again. Softly smiles. Pulls it a couple more times.

Click, click.

Click, click.

Nothing happens.

You’re about to burst with a violent sob when you see how Eddie, entirely in his own thoughts, inside of his own memories, slowly steps into the closet and closes the door behind him.

You hear the clicking of the light a couple more times, and need to step away.  

It’s too much.

The visuals of a tiny little malnourished Eddie hiding in a closet unable to reach the string of the light in there is going to make you hyperventilate if you’re not careful, so you have to take a walk.

It’s fucking freezing but hot tears trail down your cheeks as you hurry back to your rental car.

It doesn’t take much longer for Eddie to step outside, leaving the place where he spent the first few years of his life. His long legs carry him over to you quickly.

You can tell that he’s holding back sobs until he’s close enough to crash himself into you.

Arms wrap so tightly, they almost hurt. Bodies wrack with silent sobs until deep breaths calm the both of you down.

It takes a good while.

Eddie is first to pull back, and whilst cupping your face, both his thumbs wiping underneath your eyes in a bid to rid you of your tears, he manages to squeak, “Found him.”

“Yea?” you ask wetly. Hopeful.

This is why you came out here.

To find the small version of Eddie who, even as a toddler, knew that calling out for help was a waste of time because the calls would go unanswered.

To take him home.

“Turned on the–” Eddie throat closes up before he can even say it.

“Turned on the light for him?” you finish for him, and he just nods as he presses his lips together to keep them from wobbling.

Eddie goes in for another hug, hides his face in the side of your neck and grounds himself there.

You can feel how he’s actively trying to steady his own breathing.

It works, eventually.

“Did you…” you start, still holding him, but falter for a moment.

“Did I what?” Eddie asks, sniffing loudly, pulling back after you nudge your nose into his hair.

“Did you take him with you?”

It’s such a silly question. Eddie can’t help the smile that carefully plays at the corner of his mouth, and his eyebrows scrunch up as he looks down at you. He can dissect the question that pops up in the back of his brain for the fourth time today another time. How can he even begin to figure out why he deserves someone like you in his life?

“I did.” He confirms, and you let the breath you were holding escape you in a shudder.

He doesn’t think he deserves you.

“Good.” you smile, and maybe things are starting to look up, a little. Maybe the universe is slowly starting to make amends with Eddie. Is starting to apologize for all the shit it put little Eddie through in this godforsaken place no one should spend more than a single night at.

“Let’s take him home then.”

Eddie cries.

Thought he was done, but he’s not.

He lets you press kisses to the skin just underneath his eyes as he closes them.

He lets you open the car door and help him into the passenger’s seat.

Lets you drive all the way back to Wayne’s whilst he cries, because this is the second time little Eddie makes this trip, from the motel to Forest Hills. But this time he’s not scared.

He knows he’s going to go to a better place.

A safer place.

To a person who will try his very best hand at proper damage control. Who’s got a nice trailer, and a room that will get turned into his own bedroom three days into his stay.

To a person who will join Eddie in the closet for those first few nights. Who will just bring him food in there, have their dinner hidden away together, and who won’t force him out.

Who will play silly games with him in there, until the trips to the bathroom feel safe enough to do on his own.

There’s never other people in the trailer.

Just them.

Safe.

Eddie cries as he remembers more. Thought he had forgotten almost everything, but he remembers so much. He can’t talk about anything yet. Not now. His voice won’t let him. But that’s okay. You’ve got the radio on and need to focus on the road, and you’re taking him back to Wayne, and all he really wants to do is sleep.

And you just drive, and hold Eddie’s hand as he clings to you, and this is good.

It’s good.

Little Eddie deserves the fucking world.

You think so.

And you know of a handful of people who would wholeheartedly agree.

Slowly, you think Eddie might start to understand where you’re coming from.

He was never okay and happy and fine.

Still isn’t okay and happy and fine.

But the light has been switched on.

There’s light now.

He might one day be okay and happy and fine, and that’s something that before today was the most difficult thing to grasp.

“We’re taking you home, kiddo. I got you.” Eddie whispers, soft enough so only he can hear it over the engine and the music coming from the radio.

“Let’s go home.”

---

The Taglisted

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Add yourself

[slashersdaddy]

Hiii! How would slashers react if their usually soft s/o ask them to kill someone for whatever reason?

OOOOHH I LOVE this idea!! give me a sec to whip something up!! (Post production edit: I'm so sorry it took so long! I had a long spell of creative rut!)

VARIOUS SLASHERS WITH SOFT S/O ASKING THEIR PARTNER TO KILL SOMEONE FOR THEM!

Includes: Jason, Micheal, Vincent Sinclair, Lester Sinclair, Bo Sinclair, bubba Sawyer, Thomas Hewitt, Charles Lee Ray, Freddy Krueger

AS ALWAYS MDNI! I AM AN 18+ PAGE! THANK YOU!

Jason Voorhees:

Jason was confused to say the least- you WANTED him to kill someone? What did that bastard do?

When you first come to Jason, your usually cheerful face set in grim determination, and almost resignation- he feared the worst, that you wanted to leave him.

But when you uttered the question, when you asked him to kill someone- his already dead heart felt like it may break again- what did they do? Why did you feel the need for him to kill them?

Does he need to make them suffer? How badly did they hurt you?

It may be overwhelming how many questions he asks (signs) you.

Of course in the end he will of course kill the person- if for nothing else than because he cares for you and your mental health.

He will set you up all cozy before he leaves to do the deed, leaving you with blankets and movies and hot cocoa.

Michael Myers:

No questions asked- he is out the door.

dont even expect to be able to explain WHY you want this guy/girl dead- he will already be grabbing his weapon and heading for the door.

Of course he will make it especially painful- they hurt his S/O after all.

But once its done, he'll slink home, wrapping his arms around you from behind and burying his face in your neck, still bloodied from the asshat who DARED make you upset.

And of course he would cuddle you close, silently holding you and stroking your tummy, low growls are expected if you try to get up at all.

he probably will keep you home for the next few weeks- for your 'protection'

and he does mean it!!!

he wants you safe!!

Even in his own fucked up way <3

Vincent Sinclair:

Vincent will pause- eyes scanning you- thinking perhaps it was a joke

you HAD to be joking right?

but when he realized you weren't his stomach turned-

what the hell had this bastard done? clearly he didn't DESERVE to be immortalized- so of course Vincent wouldn't use him at all in his art

rather making Lester 'dispose' of the body quietly

he would make it painful- violent; much more than usual

Once the deed is done he will coddle you, showing you little sculptures, or if you are interested in art- draw and paint with you, his watchful gaze never leaving you- you were his messiah, his god/dess you were his everything-

he would make sure you were safe.

even though he would usually leave this to his brother, it's personal now

Lester Sinclair

Now Lester, he's taken off gaurd by this request, you his sweet lil angel cakes are asking him to off someone?

But of course he won't tell you no.

He will make sure to get his Bowie knife all ready to 'take ojt the trash'

He will ask how painful it should to be

If your crying when you ask, even more reason for him to make that bastard suffer worse than they made you suffer.

Bo Sinclair

Bo doesn't ask anymore questions.

All he needs to know is when where and who.

Of course he will make it painful

And of course he will make the fucker suffer, maybe he will even remove a few fingers to torture them.

He wants his partner happy, so hearing you ask him to kill someone sent him off the fucking rails.

Bubba Sawyer

Bubba sees red

Why would you of all people want someone dead?

Unless they hurt you real bad.

That makes him really angry

He doesn't like the idea of you being hurt, let alone someone else hurting you so bad you don't want them alive anymore.

It will be painful

And slow

He knows how to kill fast, so it stands to reason if he doesn't hit vital points he can make them suffer longer

Thomas Hewitt

Tommy sees red, very similar to bubba

Except he will put on a full on manhunt for the fucker

Using more phycological methods first, stalking them like prey

Before snatching them up and ending them brutally

Charles Lee ray

An excuse to kill some sad mother fucker? Gladly.

But when he sees the tears in your eyes, the way you are shaking, it's personal.

It isn't any longer something to waste time.

This fucker hurt his partner.

This bastard dated touch what was his.

Honestly he will probably fillet the fucker

Freddy Krueger

He won't make it easy.

He will torment the bastard for weeks in their dreams before finally striking.

And of course he won't let you forget that you asked him to kill someone

Of course he is worried, he doesn't fully grasp what the sudden change was about, but he doesn't mind killing for you.

[mclarengf]

il faut que je te dise quelque chose

a new years party? i bet absolutely nothing will happen.

[1.1k]

note: happy new year yall!!! i hope 2025 brings u all a lot of happiness and good luck x

“i’m gonna do it.”

lando looked up from his phone, “what?”  i haven’t been listening to you at all.”

you pouted at him before repeating yourself, “i’m gonna kiss him tonight. at midnight. for real.”

“wait, oscar?”

you flicked him square in the forehead for his stupidity.

“who else, dummy? i’m gonna sit him down and tell him how i feel, and then, if he somehow feels the same way, i’m gonna kiss him.”

he barks out a laugh and tells you, “about time!”

you liked oscar, and lando was the only other person who knew it. ever since he figured it out in miami, lando had made your life miserable, constantly teasing you if you blushed after oscar complimented you, or if you lost your train of thought when he walked in the room.

“anyway, are you done yet? max wants to know when he should pick us up.”

some of your friends in monaco are throwing a new years party tonight, and you and lando, your closest friend here, are getting ready for it in your apartment. 

well, you’re getting ready. he’s dressed already, in a simple button-up and jeans, and has been tapping at something on his phone for the past 20 minutes— something which looks suspiciously like jetpack joyride. 

you tell lando you have to finish doing your hair, but will probably be done around the time max gets to your place if he leaves now. 

“alright,” he slaps his knees as he stands up, “you have to tell me how it goes, yeah?”

he claps you on the back before leaving to the kitchen, probably to start his night of drinking. 

—

the party was loud. whoever was dj’ing had to have hearing damage, because anyone else wouldn’t be able to be in such close proximity to the bass-boosted speakers.

it was about an hour til midnight, and annoyingly, you still hadn’t seen oscar. that’s why you were now making the rounds trying to find him, sliding past groups of people you didn’t recognise and briefly saying hi to the ones you did. 

you were trying to navigate around a stupidly placed configuration of chairs when you bumped into someone.

“i’m so sorry-“ your apology died on your tongue when you saw who it was.

“oscar!”

he greets you with a hug and a quick kiss to the cheek, “how’ve you been? i haven’t seen you since the championship party!”

you smile up at him.

“i’m good! i’ve been a bit busy at home, so i haven’t been able to do anything else. how are you? you look good!”

you take a step back from him to take the sight of him in. he must have arrived a while ago, if his sweaty hair and the drink in his hand are anything to go by.

“you look beautiful, by the way.”

you’ve never been able to handle his compliments well, not when he always tells you like he really means it. 

you manage to keep your composure enough, though, and stutter out a ‘thank you’ before returning the sentiment. 

“you look really good, too.”

he smiles shyly at the ground, then gestures to a nearby booth so you can continue your conversation. 

as you make your way over, he places his hand on the small of your back, subtly guiding you through the small crowd in between you and your destination. the feeling of his hand on your skin burns, desperately drawing your attention. you try to ignore it though, for fear of blushing so hard that oscar will be able to see it, despite the strobing lights.  

wait, why is oscar staring at you? shit, is it that obvious already? 

you press a hand to your cheek as you sit, trying to feel how warm you actually are, but before you can properly judge your temperature, oscar picks up your talk where you had left it, and the two of you fall back into easy conversation. 

you talk about lots of things, in a way you can only comfortably do so around oscar, and you only take notice of the time again when the people around you start chanting down from 60.

“so, oscar, i was thinking…” you trail off, taking another sip of your drink as you consider how to word your confession.

he looks at you attentively, waiting for whatever you’re about to say. 

“i wanted to tell you that-“ you cut yourself off and sigh. this isn’t working. 

maybe you should just wait til another time. there’s no need to rush anything, you suppose.

35… 34… 33…

oscar has a strange glint in his eye, but you brush it off as being his amusement at your evident speechlessness. 

“nevermind!”

you try to smile like nothing’s wrong, but you’re cursing at yourself on the inside for being such a pussy. 

28… 27… 26…

you decide to switch the topic.

“shouldn’t you find some girl to kiss at midnight?”

he shakes his head, and this time it’s his turn to drink before he talks. 

“nah, i’m happy staying here with you. it’s nice.”

you melt at the thought of oscar being content to spend his new years with you over everyone else at the party. now, if only you could tell him how you’d like to spend the rest of your life with him over everyone else in the world, you’d be very happy.

17… 16… 15…

you spend the last fifteen seconds of your year internally debating whether you should still kiss oscar. i mean, if it’s a new years kiss and he has no idea about your feelings, then it’d be fine, right? 

you almost don’t realise it’s turned midnight because you’re too preoccupied, playing a mental game of eeny meeny miny mo to solve your dilemma. 

the time is brought to your attention, though, when oscar places his hand on your cheek, says, “i’ve wanted to do this for a long time,” and brings you close for a new years kiss.

you could swear you feel fireworks exploding in your chest when your lips touch, and it only takes you a second to realise what’s going on before you respond eagerly, wrapping your arms around his shoulders. 

you could die happy now, you think. his lips are so soft, and they fit with yours perfectly. you don’t even mind the taste of jack and coke on his tongue. somehow, it all blends together into one thing— oscar. 

everything is oscar, oscar, oscar. 

when you part, you’re slightly dazed from how passionate the kiss was.

“so, what were you gonna tell me?” 

although his cheeks are also flushed, and his pupils are slightly blown, oscar’s still got a cheeky grin on his face as he catches his breath. 

you roll your eyes, knowing full-well by this point that he knew just as much as you did, the whole time. 

“happy new year, oscar.” 

he raises his glass and tilts it towards you for a cheers.

“happy new year.”

you clink your drinks together, and as he slings an arm around your shoulders, you think, this year may turn out really well. 

[muxshwriting]

articulate

Feyd-Rautha Harkonnen x reader

summary: Feyd realises how much he misses his wife despite seeing her everyday || warnings: grovelling?, guilt, violence, anger || word count: || masterlist

read the precursor to this: voiceless

REQUEST: would you be able to write a part two to voiceless, where feyd becomes more interested in spending time and being seen with his wife, even around others while she grows more content without him (maybe finding other people/friends for company). kinda like a “falling in love too late” kinda thing? thanks sm ❤️

You had withdrawn from your husband, done the bare minimum that was expected of you. It was what was expected of you, and the members of Harkonnen High Society were glad to see you taking your proper place. It seemed the only person not enjoying your new role was you. Even your husband was far more contented by having his days without bother and to not be questioned everytime he did anything.

But as time wore on, it started as the little things Feyd noticed he now lacked: the small glances you shared with him across the table, a squeeze of his hand before he stood, a gentle kiss to greet him. Now he ate alone, with you eating in your own chambers. You greeted him in the morning with a cold nod, no words exchanged.

He wondered what you did with your days, supposing you now lived a very lonely existence. He supposed that was the life of all noble woman, for that was the tradition of Geidi Prime and House Harkonnen, their women were nothing more than grabs for power and means to an heir.

But the more he thought, the more he doubted his family’s tradition. His familial tradition was to murder one another, why should he follow a tradition that would have his son murder you once he came of age. Perhaps tradition needed changing, perhaps he would pay you a visit, invite you to join his some days. Then again, maybe that was guilt. And Feyd-Rautha didn’t feel guilt, for anything or anyone.

“Wife!” His voice echoed as he walked into your shared chambers one evening. You were sat reading a book and glanced up as he entered.

“Yes husband?” You replied to him, placing your book down and moving to stand.

“I want to accompany me tomorrow.”

His words sent a wave of confusion through you. There were no noble visits scheduled in the coming days, nothing that would require you by his side. “Accompany you? May I ask where?”

“To my duties.” Feyd said it like it was obvious. “I have been neglecting my duty to you. Is it an offence for a husband to require his wife’s company?”

The words were said without true care behind the words and you felt your stomach twist as you reached for your book once more. “I regret to inform you that I have engagements tomorrow that I must attend to.”

“Cancel them.”

You look up at his incredulously. “Excuse me? I cannot simply cancel my plans on a moments notice because of your whim.”

Feyd bit back his anger at your rejection, ignoring the sting of pain that sat at his heart. “Very well. When do your engagements cease?”

“I am a busy woman, I barely spend a day alone nowadays. Forgive me for not keeping my schedule free and spend my time wallowing in loneliness. I can free up the day after tomorrow. Is that satisfactory for you Na-Baron?”

His wife’s coolness towards him made him doubt his intentions in the first place. Finally, he nodded solemnly, turned on his heel and exited the chamber.

Unknown to Feyd, his wife had been finding her entertainment and pleasure in other ways, finding any way to spend a day with others. It had began with her handmaiden, just a few hours helped a friendship blossom that then extended to her friends within the servants. They had created a bond that could not be broken, a space where they were not servants and she was not Na-Baroness.

Many of the servants were slaves from off-world, much how she was a slave to her husband and had been ripped from her own home and her own family to join his. There was a solace in their space she knew Feyd would not understand.

True to her word, she joined Feyd days later, sat in her seat at the breakfast table, and followed three steps behind as she did in the beginning. But there was no longing threaded into every move she made. She did not long for his love anymore, there was not a begging for attention and affection. You didn’t go out of your way to squeeze his hand or press a kiss to his cheek.

Feyd had been expecting your affection. And yet you showed him none. He was your husband but he would not be your lover.

He wished he could be, an affection from you only to him. He wanted the devotion of his wife the same way he wanted air to breathe but you would not be his air. You had found a contented life on Geidi Prime that did not involve bending to your husbands will and crawling at his feet for his love. You would perform your marital duty and spend your days in your chambers or in hidden rooms with your friends where your duty would escape you and your title would be worth nothing.

[olailamajnoon]

Kara Zor-El was sneezing out into a clump of tissues what sounded like heavy glutinous nasal discharge.

Clark was looking at her without much sympathy. The rest of the Justice League were looking at Kara with fascinated revulsion.

"You have a cold," Bruce observed.

"You are the world's greatest detective!" Kara replied, awed.

"How," said Bruce. "How did this happen."

"She was exposing herself to Kryptonite," said Clark, turning to Kara with a look that said she deserved every bit of what she was going through.

"To build my resistance!" said Kara." I'm not going to be vulnerable to and at the mercy of a puny green element!" She sneezed again for a long time into the napkin, and by the time she was done the entire Justice League looked faintly like they were about to throw up their breakfasts.

"So your compromised immune system got infected by an Earth virus," said Bruce calmly.

"He's a brilliant man," said Kara, turning to Clark. "I can see why you keep him around."

"If you die," said Clark, "don't you dare come haunt me. Let the record show that I tried to dissuade you from hurting yourself."

"Ghosts don't do rules. I will come haunt both of you," said Kara, pointing at Bruce and Clark. "Just for shits and giggles, and because I can."

Bruce was giving her a Look.

"Hey, don't you dare look at me like that!" said Kara. "It's not my fault I don't feel safe around you, Mr. Contingency Plans Consisting Mostly of Kryptonite."

Bruce was still staring at her, saying nothing.

"He's still giving me the Look," Kara said, pointing and turning to Clark. Clark opened his mouth and closed it.

Kara sneezed again, noisily and moistly.

"Take your disgusting mucus-filled sinuses elsewhere," Bruce snapped.

"Don't tell me you're a germaphobe." Kara smiled serenely.

"I'm an idiot-phobe," said Bruce.

Kara sighed. "I just want to be a better fighter. A better...whatever it is I do. If I get taken down everytime by a green glowy rock, it just...sucks."

Bruce steepled his fingers and leaned forward, and began talking earnestly. "When you joined the League, you signed a few papers, making your health and well-being a League monopoly. You do not own your person anymore. Your body is a Justice League asset, and what that means is, you cannot hurt yourself—for any reason—without permission from the team. You do not so much as stub your toe without our say-so."

"That sounds deeply disturbing," said Kara.

"If you find it deeply disturbing, you are free to leave." Bruce's mouth was firm. Kara turned to look at Clark. Clark was looking at the table.

"Clark?"

"It's one of the by-laws," Clark said finally. "Technically the Justice League can hold you responsible for any self-harm. That's why I told you to read the papers before you signed them."

"What?!"

"Now the JLA can sue you for damages to League property."

"I don't—I don't even have a legal presence, oh my god!"

"So, Kara," said Bruce, frowning. "What's it going to be? The door or the rules?"

"I wanna punch you both so bad right now!"

"Understandable," Bruce said. "But ultimately your health is a priority. You're not to do this again."

"I have to second that, Kara," said Diana softly. "If you had mental health issues that would be one thing. But you did this not to escape from any pain, but simply to...I don't know, prove yourself?"

Kara's face was white. "You people," she said finally, "are the world's biggest arseholes."

Hal Jordan huffed a laugh. "We can sue you though. So knock it off."

"I guess I have no choice?" Kara said hesitantly.

"None whatsoever," said Bruce. "The next incident of you injecting Kryptonite into your body, you will be suspended."

"Indefinitely," said Diana. "We are not a group of friends who hang out in silly costumes. We are a team, with definite goals and objectives. The fate of humanity very often lies in our hands. Being vulnerable isn’t a weakness, not trusting your team is."

Kara felt guilty and relieved at the same time. The Kryptonite was humming in her blood. Weakness. "Fine," she said, sulkily. It wasn't worth it, getting kicked from the League just to be a cold-ridden Kryptonite-laden corpse.

"You'll have to do better than fine," said Hal gently. "Give us your word. No more idiotic experiments."

"I give you my word, dipshits," said Kara bitterly, and looked at Clark.

Clark looked relieved. "You'll be fine, Kara. It's okay to feel...like you've got to carry the whole world's weight on your shoulders. But sometimes you gotta let go, kid."

"Letting go is the story of my fucking life!" Kara snarled. She got up and tottered out of the room, slamming the door in her wake. The sound echoed silently for a while.

"So," said Hal once she was gone. "Whose brilliant idea was it to come up with that bullshit? About that clause in those documents?"

"She was hurting herself," Clark said dimly.

"And I knew," says Bruce, "that she wouldn't listen to reason. She needed a compelling...threat."

"You fucking a-hole control freak," Hal muttered.

"But Bruce, what if she goes searching the contracts for those by-laws?" asked Barry timidly.

"It's a long afternoon for me," said Bruce, holding up a sheaf of papers, "of retroactively editing signed documents."

"You mean forgery," said Diana.

Bruce smiled grimly. "Potato po-tah-to."

"So, I'm guessing," said Hal, "that I can sue you for that time you forced me to take my League salary on pain of expulsion."

"You’d lose," said Bruce casually, getting up. "I have better lawyers."

[therobotmonster]

I'm one of the artists mentioned previously, specifically the one who does comics (comic) via a lineart-composition-extraction process (full tutorial).

And while having a specific end-point is often my process, I wanted to add that I also enjoy the discovery/brainstorming aspect (That, and tinkering with image generators is a very effective stim for me.)

As to how do you throw a temper tantrum with an image generator?

I don't know. My art doesn't work that way. I tend to create in the aftermath of my emotions when I'm processing them rather than during the event when I'm having them. Attempting to create while I'm in those spaces creates nothing but frustration.

But how does my creative process with AI work?

TyrannoMax, my fauxstalgia-AI-dino-anthro project, uses a blend of the two approaches for my character designs. For most of the "mains" I had a sold or at least semi-solid idea of what I want them to look like. Some, like the Cold Shoulder, are old character concepts I've just updated, some are new ones that were designed to play well with the generator models I have access to...

Some, but not all.

The Generative Duet in Action

Now, the "idea first" method doesn't always take the avenue you expect.

Ape-Tomic Pyle and the whole Tmax concept kind of evolved in the same way. I was making a fake comic cover to try out the compositing process. I'd already done some mini-comics with Dr. Underfang and Mrs. Nautilus, and a very sketchy barely-elaborated on set of screenshots for a 90s movie called "TyrannoMax" where Underfang and Nautilus first showed up.

TyrannoMax, as a name, popped "TriceraBruce" into my head, and I was tickled by the goofy naming scheme. I wanted him to fight something delightfully silver age, so a radioactive ape was the #1 choice.

The US military tests where they marched recruits into mushroom clouds in Nevada were fresh in my mind from another project, so there was my origin story, but the robot did not want to put him in fatigues and instead went for more of a track suit.

But the monkey in the track suit won me over as I played with prompts to get the right look. The suit felt like something scientists post-mutation event would give him to wear and was very 70s.

He needed a name, and my pun-brain put together Atomic Pile, an Ape, and Gomer Pyle into "The Ape-Tomic Pyle." The idea of an extremely violent and revenge-minded creature with an "Aw shucks" personality came together there.

The pompadour was there because anyone writing comics in the 70s would have associated thuggery with greasers, from having been a kid or teenager in the 50s. Old school comics covers usually had dialog and callouts on them, so I went with some traditional import-issue-of-the-70s discussion, and parodied marvel's trade dress.

Once I had the comic cover done, however, that informed the later Wally Man-Moth origin story and the TyrannoMax lore. The series originating in the 70s meant it couldn't have originally featured the meteor-extinction hypothesis, as that wasn't proposed seriously until the 80s.

The majority theory at the time was a deep-space gamma burst, so taking the "how would a 70s comic writer do this" tack, I combined the "blast of radiation from space" and the concept of people's shadows being burned into buildings after an atomic blast, and boom, it's not a hollow earth, but a hollow-earthy pocket universe accessed through "fossilized time."

One off gags, fun unplanned prompt output, if it sparks an idea it goes in the soup. Milhouse was a nameless background character until Bart needed someone to trade lunches with in a Butterfinger commercial, Brainiac is a robot because a toy company sued DC over trademark infringement, you know the drill.

Having a movie in the 90s means a cartoon in the 80s, so everyone gets an action-figurey redesign, including our radioactive ape pal.

The entire process is very wandering, and if I went into the video or music stuff we'd be here for another color of the sky.

But the short version is it draws on the processes I've always used in other situations. One of my favorite hobbies is thinking of how I'd reboot or fix projects that were promising, and if generative AI is anything it is a fountain of interesting idea-combinations that need a lot of fixing.

So what I get out of the process and what process I use varies by the situation, but I see them as extensions of my traditional art processes.

Because I've been doing all of this for years with art elements for my whole artistic life. Such as these comic pages which I made in a very similar way to the Wally Manmoth origin pages, only difference is the source of the public domain images.

The question of how I sort through my source image folders when having a temper tantrum never came up.

so honest question, those AI bros who do the 'prompt to image' thing - do they get the meditative 'throwing my whole mind into it' mindful zen out of it? the feeling of challenge and growth and even getting your feelings out of you along with the images in your head?

cus i feel like that just wouldnt do it for me ykno? throwing some words into a generator wouldnt be enough for me, but with how possessive some of them seem to be of 'their' 'work' ...

[ink-asunder]

The absolute separation and dissonance american people have from the concept of illness is insane to me. American culture (I know it's not the only one) is so hung up on preserving youth, health, ability status, privilege, etc to the degree that they moralize uncontrollable (and sometimes harmless) biological occurrences to the point of actual delusion.

You can't have wrinkles, you can't have grey hair, you need to look 24, you need to fit in the prom dress you bought when you were 16. And the way this extends into healthism and ableism is detrimental to the collective conscious, I think. People act like you're a "bad person" if you get covid. They act like if you get sick, it's because you did something wrong. They say you should get into health and fitness not to make yourself happy or to have something to do, but to "prepare our bodies to age gracefully."

As someone who was chronically ill and disabled since childhood, I've always had a bit of a disconnect with this culture?? Like, having to LIVE with a facial difference for 15 years before "cosmetic reparation" was an option for me taught me that the way you look and how healthy you are really has nothing to do with you at all. But the main reason people aren't "unlearning" these issues is that americans refuse to accept that they coexist with disease at all.

Cancer treatment only happens in movies or to people you don't talk to anymore. Covid isn't real. Covid is over. Everyone with lung cancer got it because they smoked and they knew the risks. If you're on a chemo drug, you must have cancer. If you have cancer or a spinal condition, you MUST be dying. If you're in a wheelchair, you can walk if you really wanted to. Don't be visibly sick or disabled around me; it makes me uncomfortable. Don't talk about your health; it reminds me of my own mortality. Deny, dissociate, don't think about it.

When the reality is that new illnesses and outbreaks happen all the time. "Chemo" drug units and dialysis centers actually encompass a range of drugs and disease treatments. Some people have to get a year's supply of iron infused into their blood once a year. Does that scare you? If you've had cancer, you have cancer forever. You're in REMISSION because the root cause of the problem is still in your body. You're cancer free now, but maintenance diagnostics will be a permanent part of your life.

But we can't talk about that. Because the concept of BEING ill is so deeply dysphoric for the generally healthy, abled public. Getting sick is TRAUMATIZING to the point where if you can fully recover, you tend to not dig deep into your feelings about the situation ever again. And you're doing it to yourself, but it's also kind of being done to you by everyone. Honestly, just normalizing illness and coping with our close proximity to it would do wonders for society.

[cractivitiescentral]

BATMAN & HIS NO KILL RULE

Like it just says he has a no killing rule and no little exploration into it? You just leave it at that? No reasoning nothing?

From my perspective, how I see it Batman’s no killing rule was set as a barrier for him and his kids. To you know stop them from going over the edge.

Like you’re telling me… he had so much shit done to him and he just accepts it like that? He’ll no. He knows that if he kills even one person he’ll never go back from it. SO he puts measures in place in this case his no kill rule to stop himself from taking a dive into the abyss.

Think about it. Nightwing (as robin) was hellbent on getting justice even if it meant killing and if not for Batman’s rule he would have.

Red Hood (has killed but that was mostly pit madness tbh so it doesn’t really count) he would have killed joker and went on a murdering spree.

Black Bat/ Orphan & Robin ( current? one) were raised as weapons and assassins respectively. Enough said.

As for Spoiler and Signal not really familiar with them as I haven’t really read their comics but if given the chance no matter how goofy and nice they are would end somebody’s life.

Also Oracle, she has access to all that tech it would be a breeze to kill someone or hire someone to do it for her and cover it up because she has the means.

Like really you people don’t explore the no kill rule and why it was put in place enough. You think Batman put it in place just because he’s morally above it? Please.

[natthehorsewitch]

A story in manifestation

Let me tell you a story about witchcraft and manifestation:

On November 9, my beautiful Jake (Del Mar WSS) was found deceased in his stall. The day was filled with grief and tears, phone calls no one should have to make to his insurance, trying to organize a necropsy on a holiday weekend, and then trying to find transport for his remains to the university so he could get the necropsy done.

Jake’s breeder (we’ll call her K) was in disbelief when I called and told her the news but she (from over an hour away) managed to organize transport for Jake AND get the necropsy started on a Saturday of a holiday weekend (have I mentioned it was a holiday weekend?) During one of our many phone calls back and forth this day I had made a joke about Kyle, Jake’s full brother from this year and how I could buy him now. (She’s produced two horses I’ve called in love with on sight and they were Jake and Kyle. And both times I was unable to buy them right away because life).

After all the chaos was over and I was at home the breeder called me and told me that someone had flown from Texas to California to look at Kyle and she was sending her trainer to look at him the following Thursday and organizing a PPE for him. Nothing was expected to pop on the PPE and nothing really did. There was apparently one anomaly that our vet didn’t think was a big deal. He’s only 5 months old there’s a good chance he’s going to grow out of it. (I personally think rads on baby babies are pretty pointless as so much can change as they grow.)

Ok. Well, if it’s meant to happen it will, I thought. Over the next two days, in my grief I became physically ill at the idea of Kyle going to another home if I didn’t throw my hat in the ring, so I did. I told K I was interested and I would match the offer and waive a PPE. She of course refused to sell him out from under these folks (because she’s a good and moral person which is why we are friends). The trainer came out and seemed to like him as well and was impressed with my friend’s breeding program. At this point, there was no reason to believe he wouldn’t sell. I went to check out her other babies last Saturday and there was no zing with any of them except Kyle. Kyle was so much like his brother but not like him at all, but the most attractive thing: his brain works the same way as his brother’s. They weren’t the same horse but they were similar in the ways that mattered to me. That caused me to buy Jake in the first place.

I immediately went home and did a manifestation meditation. I did a meditation where I envisioned I owned Kyle and what that would look like. Then I wrote his name and birthdate and my name and birthdate on a bay leaf, both sides. Wrote his name on a black chime candle (he is black). And lit it.

I prepared a jar, cleansed with with dragon’s blood incense, and in my cauldron mixed lotus (lock opening) rose (luck) star anise (luck) dandelion(wishes, also represents Hecate and it was her night!), a “fortune” mixture I was given (Haven’t the foggiest what was in it but I needed some “Fortune” and thus it made its way into the spell), and some of his brother’s hair. I put that mixture in a small jar with a small piece of green aventurine and tiger’s eye. I sealed the jar with the wax from the candle over the cauldron, burned the bay leaf and used it to light the remnants of the spell herbs and hair on fire. Then I let the candle burn all the way down and placed the jar near my token of Epona and my hematite horse carving on my altar. I did all this with him in my mind, envisioning him coming home to me.

By Monday I still hadn’t heard. I charged a citrine shaped like a moon. I carried Ehwaz, Jera and Uruz in my pocket with the citrine. And Monday night I came home and did a repeat of the spell (sans hair though because that’s now a precious commodity), put my tokens around a black chime candle carved with his name and my name to charge them and let the candle burn all the way down.

Yesterday, I carried my tokens again and K called me around 10am to tell me that against all odds, the buyers mysteriously passed on him and did I want to work out a deal. I did and I signed a contract and now I own Kyle!

Everyone: meet Kyle (registered as Divination WSS because how I got him was ~ m a g i c k ~)

I was thinking about changing his name to Death Valley WSS (the breeder’s name theme is places in California and his sire’s name begins with a D) but that gets mixed reviews and my mom is absolutely against it and he’s her grandchild now .

If you read this whole thing, please comment because you deserve a cookie.

alt text for all photos: photo of a black colt with three white socks

[possumdnp]

I've had such a fun year being a part of the phandom and wanted to make a compilation of my favorite moments of 2024 to celebrate the end of this wild year! <3

5. October 19th and the two weeks following it

These two weeks were So Much. October 19th was amazing, of course. I loved seeing everyone's gorgeous gifs, edits, and artwork while we waited anxiously for Dan and Phil to show signs of life (and they delivered by actually making the silly "no, but seriously imagine it" video).

And then they gave us the best two weeks ever? We got Spooky Week, and the Halloween mug cakes video, and them dressing up as Aziraphale and Crowley for Halloween! We got the west coast US tour photodump! Phil posted a picture of himself reflected in Dan's PVC-covered ass?? And to top it all off, a video of Phil set to 'Married Life' from Up?!

Those few weeks were legitimately some of the most memorable times I've ever had in phandom :')

4. The birthday livestreams

I'm so happy I was able to attend both birthday streams live because they were so much fun. Phil's was unhinged chaotic energy with all of the technical glitches, and Dan's livestream was just plain unhinged. We got so many good moments from these livestreams: eyebrow slits, the annual cake and Dan photos reveals, appearances by Sister Daniel and Father Philip, and Dan getting his Dune popcorn bucket!! Also, the "imagine that on top of you" kakuna moment lives rent free in my brain to this day. (Most importantly, they raised so much money for charity!)

3. Phlonde

What can I say? Phlonde Phil completely changed the timeline. (inserting a bonus photo of "yeehaw odyssey" Phil here because this look also changed me as a person)

2. Their couple's holiday photodump?!

Something in my brain broke the day they posted these photos. Like, what the fuck, they're actually just posting fully couple-y pictures like this now?! They posted these during the middle of my workday, and I remember just staring at them (and getting absolutely nothing done for the rest of the day).

1. Getting to see DnP live!

Seeing Dan and Phil live at TIT was legitimately one of the best things I did all year. Standing in the lobby before the preshow to swap photocards and bracelets, and just getting to chat with other phannies in real life was so much fun.

And of course, seeing Dan and Phil in person! They walked through the lobby before the preshow literally five feet away from where I was standing, and I'll always remember that stunned excitement I felt seeing them right up close for the first time. Like, they're actually real (and very tall!) :')

The preshow was so much fun (I’m somewhere in that picture above <3), and TIT itself was incredible. It was just one of the best nights of my life. <3