#because that's the only language i read in and therefore it must be the only language that exists

[pococurantesupremediety]

Listen. I don't know y'all's life, but calling this a problem of fantasy in general... reveals a hell of a lot about your own reading habits. Like, if we just skim the list of the most mainstream fantasy novels:

The Poppy War by R.F. Kuang

The Priory of the Orange Tree by Samantha Shannon

Akata Witch by Nnedi Okorafor

Children of Blood and Bone by Tomi Adeyemi

Nothing But Blackened Teeth by Cassandra Khaw

Cinder by Marissa Meyer

Black Leopard, Red Wolf by Marlon James

The Fifth Season by N.K. Jemisin

City of Brass by S.A. Chakraborty

Those are all set in fantasy!Africa and/or fantasy!Asia, and every single one was a NYTimes bestseller. The Fifth Season is arguably the most-awarded fantasy book ever. Black Leopard, Red Wolf is available in CVSes. Barnes & Nobles have 3'x5' posters for the Priory of the Orange Tree sequel in their front windows, and gives away copies of Nothing But Blackened Teeth with their coffees. It doesn't get more mainstream than that.

And that's not even getting into Black Sun (Rebecca Roanhorse), Warrior Girl Unearthed (Angela Boulley), Terra Nullius (Claire G. Coleman), My Heart is a Chainsaw (Stephen Graham Jones), The Marrow Thieves (Cherie Dimaline), The Whale Rider (Witi Ihimaera) and all the others that are set in the modern Anglosphere but within Indigenous cultures. These are literally just books that I've read, and I'm one person who doesn't primarily read fantasy. I get that Lord of the Rings and Harry Potter are well-written and all, but there have been one or two novels published since then.

👀

[violetbeauregut]

In Defense of Feedism

I was absolutely struck when I read  @fatliberation‘s beautiful, vulnerable post the other day. They always have brilliant ideas and they show unfailing grace and kindness to everyone, despite a ton of rude, ill-informed backlash (I would 100% recommend following them). 

I can’t stop thinking about the reactions to that post and how incredibly strange it is to have to tiptoe around feedism (to use an umbrella term) in a movement that is supposed to be centered around ending the oppression of fat people. 

I can understand why fat people who are not feedists would be weary or even repulsed by this kink. From the outside it may seem degrading and manipulative that the language and insults used against fat people are replicated in the bedroom. It is also harmful to be fetishized when you do not want to be fetishized, both in real life and online. 

But these are the only points I’ve heard against feedism that I consider to be a legitimate argument in the discourse of fat liberation, as these are the only claims against feedism I’ve come across that are not based in fatphobia. If you are in favor of fat liberation, then you must see fatness as morally neutral. Therefore, the choice to gain weight is not inherently “good” or “bad,” it is instead a matter of autonomy– a right that should be granted to everyone, regardless of size. 

The major issue with feedism is the same issue that permeates all kink and, by extension, all sexuality: consent. There are feedists, particularly feeders, who fetishize all fat people, regardless of their wishes; feedists who try to force fat people to participate in kink with or without their knowledge or permission. This is abhorrent behavior; there are no excuses for it. But the problem here is a violation of consent and not the kink itself. The unethical practice of kink does not make the kink unethical. And while feedees are often disregarded in discussions of feedism and fat liberation (which I have already talked about in depth here), there are most assuredly fat feedees, like myself, who are fully consenting to fat fetish play. 

While I can only speak for myself, I know that I am not the only person who developed this kink because of weight-related trauma. When you grow up fat, when you are forced to go to Weight Watchers at seven years old, your brain comes to associate fat as taboo and taboo as sexy–but it goes beyond an attraction to something risky or frowned upon. 

I live my life as a fat woman; I am fat at the doctor’s office and fat in tiny airplane seats and I am especially fat as a feedee. No matter if I’m engaging with my kink or not, I am fat and I don’t get to stop being fat outside of my bedroom. Out of all of the scenarios where I am existing in my fat body, engaging in kink play is the only one where I am experiencing pleasure because of my body, not despite it. It’s arousing to be praised for the thing that once made you hate yourself. It’s arousing to engage with something you fear or that has harmed you in a safe, controlled context where you have all the power to make it stop. 

What anti-feedist fat liberationists need to understand is that feedism is, at its core, a resistance to fatphobia. When you see things that are typically fatphobic in feedist play– terms like “pig,” “cow,” “tubby,” etc. and comments about being “out of shape” or “ruined” by fat– it is not a replication of weight stigma, but a subversion of it. Feedism takes the harmful stereotypes of fatness and robs them of their power by putting them in a new context; a context where fatness is so desirable that feedists want more of it. By using the language and misconceptions of fatness to give and receive pleasure instead of to oppress, feedism not only creates a safe space to heal from fatphobic trauma, but it empowers fatness– it empowers fat people, which is supposed to be the goal of fat liberation.

[neil-gaiman]

Hello, Neil Gaiman. I am writing this letter of gratitude because I am in despair, but I am obliged to you. I am Russian, I live in a small town in the south of Russia, in the Caucasus. a month ago I turned 16, so now I am fully responsible for all my actions. I'm bisexual, which is now illegal. you understand what I mean, but I’m simply scared to write about such things. absolutely no one knows about this, and I have to hide every day. this is an unbearable burden, but I must say thank you. because your projects are what gives me life. you have no idea how much pleasure it was for me, at eight years old, to fearfully admire Mr. Bobinsky. when, at 14, I finally saved up money for the Russian edition of Good Omens, which I had to order via the Internet not directly, but through my friends, I was quietly delighted. it is worth paying tribute to: this edition is really good and very warms the soul, its design may not be filled with elegance with a golden border, but it is very homely, cozy and imbued with love for the work, this can be felt, even if the translation is not the best. and on the very first pages I felt something that I had never experienced, having problems with the nervous system and anxiety: I felt protected and happy. I felt complete. each line was a sip of life-giving water for me. let me be so bold but this book is perfect for me and it's hard to believe it wasn't written for me personally haha. like two pieces of a puzzle. I hold the book of Good Omens, and I cry almost every time because it feels good just to hold it in my hands. you shouldn’t put this next to fanaticism, it’s just personal happiness. sometimes I felt so safe with this book that I hugged it as I fell asleep. then I saved up to the translation of script book for the first season, and I must say that I am confused, because there are no deleted scenes in it with Crowley shopping or the opening of Aziraphale's bookstore and others, and this was not clear to me. and a month ago, on October 30, my cousin, who is like my own sister, gave me the original Good Omens for my birthday. can you imagine? in all of Russia she was able to find only one person who carried out such foreign orders (please forgive me, I have little understanding of this). so, in some ineffable way, a copy was delivered to me via America from Corgi Books, I think, 2014. soft cover and thin pages, of course, but I'm so happy. and I’m also grateful to myself, because I’ve been learning English since I was seven, and therefore I’m glad that I can read the original. oh, you should have seen with what rapture I waited for the release of the second season at three in the morning! and with what delight I watched it in English without subtitles, understanding what was happening. this is happiness. what I want to say is that you bring…indescribable happiness to my life. you give me strength, and I don’t give up. I cry every time I allow myself to dream that I am escaping from here. that I can meet you and say thank you in person with my stupid accent, not so much because of my native language, but because of the braces, hahaha. but I never stop dreaming about it, although even this is hard. thank you for everything. I wish only peace and love. with devotion, love and gratitude, A.

I'm sending thoughts of love and concern. Stay safe.

[nothorses]

I came across this paper:

https://www.academia.edu/71372307/Trans_masculinities_embodiments_performances_and_the_materiality_of_gender_in_times_of_change

I'm not well-versed in academic language so I can't really understand all of it, but it seems kind of gross and condescending, especially when it's using testimonials of transmasc's desire to be seen as men to, idk, prove that masculinity isn't really queer or something? I'm curious how other (smarter) people would interpret it.

I mean, your understanding of it is just as important as mine! I'm happy to add my thoughts, though.

My understanding is that their thesis is essentially "masculinity is related to maleness and the male body specifically, and we know that because transmascs want to have male bodies". They allow for some nuance here in references to other literature, and I agree with that angle of their argument overall, but their premise is fundamentally flawed in the exclusion of trans theory and trans narratives.

Like, yes, masculinity is in some way related to appearance and the "male body", and there are a lot of reasons for that! But is the dysphoria of trans people really ironclad "proof" of what maleness and masculinity are? And why don't they spend any time talking about what dysphoria actually is, what trans people think it is, why trans people think they feel the way they do, or what trans academics have to say about any of this?

I have a lot of other issues with this paper as well, and I could probably write a paper just as long as theirs going into all of the reasons for that. But I think that answers your biggest question; what they're trying to prove, how they're trying to prove it, and why that comes across so weird.

To your other question ("is it condescending?"): I think this is kind of subjective overlay, but the way they go about analyzing their data is pretty condescending, in my opinion. They tend to frame their participants' responses as kind of misguided or ill-informed, particularly Diniz- who they definitely discuss as "trying to justify his choices" to identify as nonbinary while also seeking medical transition, like this is inherently contradictory and must therefore rely on some kind of delusion or desperation. It's weird!

I do also want to point out, briefly, that they also really cherrypick which claims they bother sourcing, and how they try to back them up.

They argue that trans men have male privilege based on the opinions of, like, three of their 30 total participants- and then carry this as "fact" through the entire paper, uncontested. That's extremely fucking weird and super suspect in a paper like this! I just wrote my own qualitative research paper based on interviews (which is what this is), and it's pretty standard to acknowledge the limitations of your research, and to position your results as non-definitive. Like, that's been a major part of every discussion with everyone I've talked to about my research. I would not have been greenlit to receive my degree if I hadn't been careful to avoid framing my research the way these people frame theirs.

The other weird thing they do is cherrypick statistics- or rather, one single statistic- to "prove" that transmascs do not suffer as much as other trans people, or possess some kind of privilege. They only cite murder statistics from one source; apparently that's the only relevant metric for quantifying all oppression? They also fail to acknowledge any possible shortcomings of this statistic, like the issues of under-reporting and misgendering of transmasc victims.

I could go on; I have a lot of gripes. But I think your criticism is totally valid, this was a weird and frustrating read.

Also curious if @genderkoolaid has thoughts- you tend to talk about gender studies from an academic position more, and you probably have a lot more field-specific expertise than I do. I'll boost other additions too, I love a good academic discussion!

[licorice-and-rum]

SOC and Neoliberlism

So, as promised, here it is my analysis of Six of Crows and how neoliberalism is amazingly portrayed in Ketterdam, and how the city is an example of what happens in a community that is not provided for.

Before we begin, I wanted to say that English is not my first language, and, considering I read SOC in Brazilian Portuguese, I might translate some names literally or differently from the English version but I think it's manageable to read and understand my point. If not, I'll edit the text.

The first thing we have to understand is how neoliberalism works and the theory behind it, and then we'll talk about how it's portrayed in Ketterdam.

So neoliberalism is a theory born more or less at the end of the 20th century (70s-80s), and it finds its roots in laissez-faire capitalism, meaning that it's a political current that tries to suppress and/or eliminate the State's influence from the market. The neoliberalist view understands that the market can supply by itself the population's needs without help or limitations imposed by the State.

The thing here is that most people listen to this and think neoliberalism is about electronics, cars, and other stuff. The truth is, that neoliberalism aims to suppress the presence of State-run facilities in ALL corners of society, such as health care, housing, water access, electricity, etcetera.

So, we can use the American and Brazillian health systems to understand it better, for example:

In the US, the ones providing health care for the population are great corporations - they decide the price of care, they work together with pharmaceutical companies to define medicine prices, and the laws that bind them are pretty much only offer and demand. There is almost none State intervention to provide the population with accessible health care.

However, this brings problems, of course: not everyone (actually, most people) has real access to health care simply because they can't afford it, or they can't afford it without taking a big financial hit, which threatens their other basic needs, such as food, housing, water, electricity, etcetera. Not everyone can provide for their medical needs, such as diabetic and disabled people.

That leads to:

(a) an increase in poverty;

(b) a decrease in educational levels - if you don't have the means to pay for higher educational levels because of health care debt, or if you're sick and need to go to class and tough through it but you're not really learning anything, and so on, which leads to a major workforce in base level production and a minor class who has access to this education;

(c) an increase in overworking people - meaning that we have a lot of people taking on several jobs to be able to pay for things like health care, which increases the competitiveness between people, making individualism levels go up and breaking up human beings' natural sense of community.

I could also talk here about how this breeds isolation and increases the potential for mental health problems but I think you got what I was saying.

On the other hand, we have the Brazilian health care system (SUS), which is a universal gratuitous medical care service through the whole country. Its purpose is not profit, it's providing health care for the community, so therefore, any SUS unit is bound by State law and run by the State. By law, every SUS unit must provide for anyone who enters its premises in need of medical care. Everyone, Brazillian and foreigners, poor or rich, must be treated if they need to. It's the law.

Of course, that doesn't mean it's all rainbows and flowers, there are definitely many problems in SUS. However, what I'm trying to showcase here is that, when the needs of a population are met, the population itself is more resilient, their life quality goes up and so does their participation in their community.

On the other hand, in neoliberalism, when the State is absent from these areas of community service, the market is, in theory, the one providing for the community. In practice, however, what we observe from neoliberal policies in cities with a great poor population in Latam for example, is that when the State doesn't provide for the community, the market is unable to step up for them because of their obscene prices.

The poor population that doesn't have their needs met by the State or the market sees a great boom in criminal activities within their spaces. That's mainly why criminal organizations are so present in slums and favelas throughout Latin America: criminal organizations are a way for the community to provide for themselves and, as a means to become more powerful, they provide for the community in exchange for their services (not to say they do that for the good of their hearts, of course not).

It's why it's so common, for example, that criminal organizations such as PCC in Brazil pay for kids from favelas to undergo Law school, for example.

And that's is where I wanted to go to start the conversation in SOC: one of the main traits of Ketterdam is the Barrel and, in the Barrel, we have the presence of many criminal organizations, such as the Dregs, the Dime Lions, the Menagerie staff (not the girls, ofc), etcetera.

This, as observed by Kaz himself, is one of the only ways to survive on the Barrel - you filiate yourself to a gang because you need to be able to provide for yourself and, more times than others, for your family as well.

Kaz's story is actually a perfect example of how Ketterdam is the representation of America in the early 20th century in full policies of laissez-faire (neoliberalism): as we can see in Titanic and many other historical fictions, the said American Dream had people believing the US to be this economical paradise where they could all enter the market and become millionaires.

The result of it is the Great Depression, of course, but I'm getting ahead of myself here.

When Kaz and Jodi leave Lij for Ketterdam, Jodi believes he'll become a merchant - which is a pretty common belief of those who arrive at Ketterdam, as Pekka Rollins and Kaz himself state in Crooked Kingdom.

The reality of it, though, is much harsher, because the truth is that when you have a market that controls everything, as we see in Ketterdam with the Merchant's Guild (I think that's how it's translated?) and the Stadwatch as a police force, you see perfectly how neoliberal policies really work in real life:

You have a higher class who controls the market and the riches (question: who do you think got the money Shu Han sent to Ketterdam at the beginning of the first book: the people of the city/country or the merchants in the "government"?), and a lower class that, without support from the State or the market to have their needs met will turn to their own means to do so.

So you have the trafficking that brought Inej to the island, the unlimited gambling that Jesper was trapped in, the cons Jodi and Kaz fell for - it's all product of liberal policies.

And so, you have Ketterdam and its neoliberal policies (:

(I really love to make this kind of analysis, please, if you have something you want me to talk about, don't hesitate to ask)

[scekrex]

Hey absolutely love your stuff (obviously since I keep requesting lol) anyways could I request Adam who somehow survived after getting beaten up by Lucifer and stabbed who even knows how many times by Niffty gets found by the reader who while an overlord isn't that powerful is super rich (I also picture them being like a mix of Alastor and Vox where like Alastor still holds a lot of more old timey views but also tries to adapt with the changing views like Vox) and decides to take him back to his mansion to try and help him survive (wants to make a few bucks later using him) after a bit the two share an oh fuck moment when they realized they have caught feelings. I hope you have a wonderful day/night!

Overlord reader?? Uh fuck yeah!! I fucking love this ask so much xoxo/p

Bird of Hell's Paradise

Chains on my lips just add flames to the fire

pairing: Adam x male!reader

warnings: language & sexual tension

note: not beta read bc fuck you I don't have beta readers

The battlefield was a mess through and through and while the devil and his daughter had built up the hotel again, a new, more inviting looking building was now located on the lonely hill in the pride ring, you still felt Adam's presence. The residents of the hazbin hotel must've already forgotten about him and therefore didn't notice you at all, too caught up in their doing.

The first man was badly injured and while you normally wouldn't care for such things, especially because it was an exorcist angel, this case was special. Because not only was the brunette laying in front of your feet the first man god had ever created, no, he was also the leader of said exorcists. You could only imagine how many sinners and Hellborn people would pay a good amount of money to harm him, even if it was just the slightest injury possible. So you bowed down and scooped the passed out man in your arms. If these sinners and even Lucifer didn't care for him, you would put him to good use. For your own benefit that was, but no one had to know about that yet. So you carried the first man across the entire pride ring of hell until you reached your home. The brunette man in your arms was still unconscious and given the blood he had lost and the hits he had taken that was pretty normal.

Once inside your mansion, you headed to the hospital wing, walking through the building with slow, heavy steps that echoed through the empty hallways. The hospital wing was close to the entrance, a decision you had made after stumbling through the doors with a fatal wound that had been exposing your guts. It was quicker to reach in an emergency and while those rarely occurred, you didn't like the risk. You put the first man down onto one of the beds, your claw sliced smoothly through the fabric of his once holy robe to get it out of the way. You needed to take care of the stab wounds the nifty little demon girl had caused. The stabs were deep but nothing you couldn't fix. You gave Adam one last glance before you stepped over to the medicine cabinet and for a quick moment you asked yourself why Lilith and Eve had left Adam, he wasn't bad looking at all, quite the opposite. And Lucifer had mentioned that Adam had ‘kinda let himself go’ which meant back when the two women were married to him, he must have looked even better. You quickly shook your head, what in the devil's name were you even thinking?

With wound cleaning supplies and a healing potion you stepped back to Adam's bed, the first human ever seemed to be slowly waking up. He braced his palms against the mattress, tried to lift himself up but you were quick to push him back down, the more he moved while his wounds were still ripped open the more blood he lost. And while Adam would be able to recover either way, the more blood stayed inside of his body, the better. At least that's what you thought. “Stay,” you hummed as you cleaned the blood from his skin. It was unusual to clean off golden blood instead of the red mess you were so used to. But you didn't mind, didn't care even.

Adam flinched away from your touch, tried to lift himself up yet again. Your hand took a hold of his throat and held him down by it, “I said stay, stupid angel.” Adam's eyes seemed to clear up a little, the fog that had covered his golden eyes, had made them seem yellow, lifted and the brunette stared at you, clearly not knowing what to feel. You saw anger in his eyes, rage and hatred but at the same time there was fear. Fear and pain.

Once the blood was no longer staining his perfect skin, you took the potion you had grabbed, popped the cork and held the smooth, cold glass against his bottom lip, “Open up,” you demanded, yet your voice stayed gentle. Adam hesitated and you really couldn't blame him. “It will cause your wounds to heal,” you explained to the former leader of the exorcists and he seemed to consider his opinions for a moment. Then he actually parted his lips and let you spill the disgusting liquid onto his tongue. His face scrunched up at the bitter taste and he kept the liquid in his mouth. “Swallow it, Adam.” Adam looked up at you, once again seemingly considering alternatives he had. Given the fact that he did as you told him, there hadn't been many.

Adam checked his chest as the wounds that had caused enough pain to make him pass out healed quickly. The only hint left that they ever even existed were golden scars that seemed to be permanent from now on, but the first man couldn't complain, could he? He was still alive and on top of that there was no more pain. The first man frowned at you, mistrust was lingering heavy in his eyes as golden orbs followed your every move. Yet he remained silent, not a single word was falling from his lips.

Your hand that had been holding him down by his throat let go of him and Adam was sitting up right in his bed in an instant. His hands traced over the new found scars, you watched him in silence. There was something about him, about his vibe that was different. It wasn't the fact that he was an angel, no, even though that made his vibe different too, but it was something soft, something afraid to break. You cleared your throat loudly and Adam's eyes were on you within a heartbeat, while mistrust still lingered heavy in them, curiosity was close behind and you couldn't help but catch yourself that you were curious about him too.

-

Adam always bragged about being the first man, like that was his biggest accomplishment and if you looked at it from a different viewpoint it wasn't even his accomplishment but God’s, Adam didn't create himself after all. Yet it was the only thing worth mentioning whenever he didn't want to do something, “I’m the fucking man, not your fucking housewife, I'm not gonna fucking clean that.” You sighed as you took a step towards Adam and he flinched, trying to back up but his back hit the kitchen counter sooner than expected. Your hands grabbed a hold of his waist and you effortlessly lifted him up to sit on said counter, Adam was taken aback by that.

It had been a couple of weeks since you had found and saved him and the mistrust that had been filling his eyes from the first second on had never truly left them. He would always leash out on you only to back down as soon as you reacted in some way that seemed too unpredictable for him. “When will you learn to think before you speak?” Your voice held a certain amount of softness, it always did when you were speaking to Adam. The guy wasn't a threat to you, not in his current situation. And you were trying to use that to your advantage. Because he was scared, basically a deer in the headlights, why not put that fear to use? You nudged his knees apart to stand between his legs, still taller than him you hovered over the first man with a mix between a sly grin and a soft smile. “When you start to suck my fucking dick,” you chuckled as his choice of words, very aware that he simply wanted you to fuck off and leave him be, you acted oblivious to that. One hand was placed on the counter to steady yourself, right next to his thigh, the other grabbed his chin to tilt his head upwards, forcing the brunette to look you in the eyes.

“Right now? Right here?” your voice sounded so delicious, Adam wanted to eat it up, in fact, he wanted to devour you entirely, feast on every piece you had to offer and only stop once he swallowed it all. In Christ's holy name, what was he thinking? Your lips were so close to his, so so close, all he would need to do was - he leaned into your touch, why he wasn't sure, it was as if his body was following a call sent to him by nature itself. And then his lips met yours and a low groan spilled from his throat as his hands grabbed your shoulder firmly, he was afraid you'd pull back, that you'd leave him like Lilith and Eve had and he didn't even know why. Why was he afraid of losing you, a sinner, a man he barely knew? He couldn't wrap his mind around it. And yet he kissed you like his life was depending on it.

The hand that had been braced against the counter was now on his thigh, squeezing the soft flesh playfully and drawing a delicious sound from Adam's lips. Oh you could drown in the noises the first man made, the little huffs and puffs, his groans that he tried to keep as quiet as possible, the whimpers he would later deny. Adam was the most beautiful creature that had ever set a foot into hell and you mentally punched yourself in the face for wanting to use him to make money. There was no way you'd use such a divine, holy and glorious man for that, no. Adam was yours, your little secret and you'd keep it, keep him.

When you two partened a sting of saliva connected your lips and both of your eyes were hazy, he looked blissed out and it was then that you decided you wanted to see him like that more often - as often as possible. You were to lean in yet again, wanting more, needing more. But your phone rang. “Pick it up, bet it's something fucking important, they don't fucking call overlords for shits and giggles, do they?” You knew Adam was right and you hated it. You pushed your body away from the first man's and you saw how he wanted to reach out, wanted to keep you close but didn't say a thing about it. You grabbed your phone off the dining table and answered the call, “The fuck do you want, Vox?” It was the first time Adam had heard you speaking so vulgarly, you usually seemed to be collected, considering your words wisely, but that? In the name of God, that was truly something else. And it was ridiculously hot. “No I fucking can't, ask someone else,” and with that you hung up, tossed your phone carelessly back onto the table and found your place between his legs yet again. “Where were we?” you hummed through hooded eyes. And it was only then that the two of you seemed to realize what exactly you had just done, what you were about to do again.

Both of your eyes widened and the next thing you felt were Adam's hands on your body, not just your shoulder this time but also your waist, your chest, your thighs, your back. It seemed as if he was claiming you with his hands and the worst part of it? You truly didn't mind, you even enjoyed his touch on you, leaned into it and closed your eyes to fully focus on his hands roaming over your body.

Fuck, you had fallen deep for this man, way deeper than you ever thought you'd fall. But Adam had followed you, had fallen with you.

“You were about to suck me off,” Adam mumbled, his voice already sounded fucked out and you hadn't even started yet.

[soolh1k]

Not sure if your requests are open but could you do stray kids forgetting a date they had with (r) ? And maybe the aftermath of it? Thank you smm if you plan on doing this, I just really enjoy the way you right your angst.

- 🦴anon

🕸 umm... life 🕸

synopsis. when skz forgetting the date they had w you and the aftermath

pairing. bf!skz x reader genre. angst and fluff

a/n. Thank you so much for the request!!! I hope you like it and i am so glad that you like the way I write angst, means a lot to me ♡︎ love you 🦴 anon !! 🩷 english is not my first language so apologies for any misspellings or grammar. let me know if you'd like to be tagged !! YEAH AND SORRY FOR NOT POSTING!! I'LL BE BACK WITH MORE POSTS THESE DAYS LOVE UUU

✩ ── ⋅ ⋅ BANGCHAN

Chris was very focused on working on a new track. He wanted it to be perfect, and since he's someone who always finds flaws in things, he couldn't leave his studio until the new melody was flawless. Therefore, he wasn't even paying attention to his phone; he had it on silent just to finish that damn song. He didn't stop until he got frustrated because things weren't going as he wanted. So, he took a break to clear his mind and relax a bit. He picked up his phone and saw a ton of messages from you. It wasn't strange since you used to tell him everything, which he found adorable. However, he was surprised when he saw the messages you had sent him. Had he forgotten your date? No, that couldn't be true. He had it marked on his calendar, and he was genuinely looking forward to that day. He wanted to spend time with you; he missed you so much. He had messed up and needed to fix this urgently. He hadn't done it on purpose; he felt so guilty.

He quickly arrived at the apartment where you lived. He saw the food in the kitchen, and his heart sank. He barely realized how you must have felt sitting there alone in the middle of the night, waiting for him, excited to be only disappointed by him. The worst part was when he heard sobs coming from your room. You were crying because of him, because of his stupidity, and because of being a bad boyfriend.

He hurried to your room, making as little noise as possible. You were already lying in your bed, covered with your blanket up to your head. As soon as you felt your bed sink, something in you hoped it was Chris. When you heard his voice, you felt relieved but angry at the same time. You uncovered yourself and looked at your boyfriend with teary eyes, an action that hurt him even more. He didn't give you time to confront him; he already had you wrapped in his arms. All you could do was cry while holding him tightly.

"You're a fool, Chris," you said between sobs.

"I know, sweetheart, forgive me," he said, stroking your hair while still hugging you.

"I was so focused on my work that I never heard my phone, but I want you to know that my work will never be more important than you. You are my priority, beautiful."

"Do you promise it won't happen again?"

"It will never happen again, darling. Let's rest, okay? Tomorrow we'll have a lovely date. Sleep now, I love you."

✩ ── ⋅ ⋅ MINHO

He didn't know how much it hurt. Months without being able to go on a date with him. You didn't ask for much, not even for it to be a date outside the house. Just spending time together was enough for you. You just wanted to be with your boyfriend.

Minho hadn't even realized that you had sent him so many messages. He was trying to add new steps to the new choreography; the comeback was approaching, and he felt desperate to finish everything. He just wanted to rest.

It got really late; he was leaving the company around 1:30 am. When he reached the parking lot, the first thing he did was check his phone for any message from you. To his surprise, he had hundreds of messages from you, and the most concerning part was that the recent ones expressed disappointment towards him. What had he done wrong?

Slowly, he read each one and realized that you had a planned date today. He had completely forgotten, and he felt horrible. It had been months since you could go out or have a nice date. He put his phone aside and headed to his apartment. He needed to fix things with you; he knew you had been looking forward to this day for a long time.

As soon as he arrived at his apartment, he searched for you everywhere but couldn't find you. That made him even more nervous. He felt like he had lost you. However, he heard a sound coming from the bathroom—it was you, coming out after showering. At that moment, he breathed a sigh of relief. Maybe he had messed things up, but at least you were still there.

You were frozen; you didn't expect Minho to come home so late. You stayed up late because you couldn't sleep due to anger and disappointment. So, you decided to take a shower to release all those consuming emotions. Lost in your thoughts, you felt someone wrapping their arms around you. You wanted Minho to let go, but deep down, you needed a hug. In whispers, you heard explanations from your boyfriend about how the stress of the comeback was consuming him, and he spent a lot of time at the company, even though he wished all that time was invested in you.

"Forgive me, please. I completely forgot that we were supposed to go out today. I'm really sorry that you felt that way, sweetie. It wasn't my intention to hurt you. Tomorrow we can go out; I'll stay home. But please, forgive me." You just nodded and gave him a small kiss.

"I love you, Minho."

"I love you too."

✩ ── ⋅ ⋅ CHANGBIN

You were sitting in your chair, waiting for Changbin to show up. You weren't even angry; just sad because you had planned this outing so much. You were worried because he wasn't answering your messages. You knew he had a busy job, spending most of his time in the studio producing with his friends. But you were hoping for the day when you could spend the entire day together, despite both of your stress and worries.

As it got later, you felt more tired. Without hope, you went to your room to change and remove your makeup. Today, you looked and felt beautiful, but it seemed like all that effort had gone to waste. You sat at your vanity, looked at yourself in the mirror, saw how tired you were, and started crying. Your relationship was wearing you down in a way you couldn't describe, but you wanted to stay because he made you happy. Changbin rarely failed in your relationship. Honestly, at the beginning, you expected something worse, but no, Changbin was the perfect boyfriend. The only complicated thing was his work, but you knew it was his dream, so you felt happy for him. You turned back to the mirror, saw tears, didn't even realize you were crying, which made you cry even more. You really missed your boyfriend, but things were getting more complicated. You just kept sitting there, crying in front of the mirror, waiting for your tears to stop.

Moments later, when you were calmer, you heard gentle knocks on your room door, followed by Changbin's voice asking for permission to enter. Something inside you didn't want to see him; you felt and looked horrible.

"Can I come in, princess?"

"Not now, Changbin, I need time," your voice sounded rushed, trying to remove your makeup as best as you could, mascara running like never before.

"Please, princess, I need to talk to you," the man sounded desperate.

"Just give me a few minutes, please." Saying that, you went to your bathroom, washed your face, and once clean, you ran to open the door. Your surprised boyfriend could only put his head on your shoulder; he exuded such a sad vibe.

"Forgive me, please. Time flew by, and I never realized we were going out today. I didn't even hear your messages. I'm really sorry, princess," Changbin was on the verge of tears, genuinely repentant.

"I know, Binnie, it's okay, don't worry," you said while stroking his head.

"It's not okay, princess. You are my everything, and today, I failed you. Forgive me, please. It will never happen again," he said between sobs. You couldn't believe he was crying.

"Love, I know how difficult your job can be. You have to do many things, and it's okay. I understand, and I trust you not to let it happen again. I love you," you said while hugging him tightly.

"I love you too, and sorry again."

✩ ── ⋅ ⋅ HYUNJIN

You were angry, not even sad, just angry. You had been wanting to see your boyfriend for a while, and as soon as he told you he had some free time, you planned many things to spend time with him. You even prepared many things for him, cooked various dishes, bought a little gift, and even tried to paint something for him. It turned out beautiful, but your boyfriend never showed up to see your little gifts.

You were on your way home when you felt someone approaching you. It made you nervous because it was already dark, and someone approaching wasn't a good sign. You started walking faster, but you heard the footsteps of the other person accelerating too. You didn't want to start running because if you weren't fast enough, things would end badly. Besides, you were carrying the things you had taken to the place where you were going to meet Hyun. All you were praying for was to reach a street where there were more people to lose that person. However, your wish couldn't be fulfilled, and you felt the person following you grab you by the shoulders. You almost fainted right there, but upon hearing the person's voice, your soul returned to your body.

"Why are you walking so fast, my goodness," said Minho, trying to regulate his breath.

"Oh my god, Minho! I almost had a heart attack. I thought I was about to be kidnapped. I swear I won't survive the night," you said, speaking very fast. Your voice didn't even have an annoyed tone; you could only hear relief.

"I called you several times, but you never paid attention. You were in your own world. What did you want me to do?" he complained.

"Well, your friend, the idiot, stood me up and never replied to my messages," you complained with an annoyed tone.

"I know, that's why I came. Honestly, it wasn't his intention. As soon as he saw the messages, he tried to run out, but the idiot tripped and sprained his ankle," Minho explained.

"Oh my god, but is he okay?" you asked worried.

"Crying but yes, he's okay. If I were you, I'd go to the company to see him because otherwise, it's going to end up being a disaster," a sigh was all that came out of you, nodding your head. You accompanied Minho back to the company.

As soon as Hyunjin saw you, he started crying more, feeling guilty. But all you did was approach him, hug him, and tell him not to worry right now. First, his health was important, and then you could talk.

"Don't worry right now, Hyunnie. First, get better, okay? I love you, everything is fine," you gave him a little kiss on the head.

"Forgive me, I love you. I swear when I recover, I'll take you on a very nice date. I promise."

✩ ── ⋅ ⋅ JISUNG

Angry, frustrated, sad, humiliated— you felt like a sea of emotions. You told him how you felt, but you didn't know if it had been the best choice, or the right words, or the right moment. Maybe he was just too busy? But still, it didn't give him the right to stand you up. It wasn't the first time; if the times you went on dates were few, the times he actually made it to the dates were even fewer.

You felt tired, abandoned even. You hardly had the chance to see your boyfriend, and you knew his life was complicated. But there was always the need, the desire to spend time with him, to love him like the first time, to be loved.

Now that you had arrived home, you didn't know what to do. It was like reality had punched you. You realized you had said things that could be misinterpreted. Perhaps the last message would seem like you wanted to break up when that wasn't really the case. The words you said were spoken without much thought; you were just venting, but it wasn't the best. You were shattered. You couldn't even move from the entrance; you were crying oceans, clinging to the door. You didn't want to move; your head hurt, and you couldn't even breathe properly. At this point, you were hyperventilating. Meanwhile, your boyfriend was rushing to your apartment to find you. He didn't want things to end between you two; he loved you and was willing to make a great sacrifice for you.

He arrived in less than 10 minutes, even though your apartment was 15 minutes away. He knocked on the door with desperation, which snapped you out of your trance. However, you couldn't move; everything hurt. As you didn't answer, he became even more worried. He entered the code to the entrance and found you on the floor, in pain, struggling to breathe. He took you in his arms and tried to calm you down. After a long time, you were much calmer, just looking at your boyfriend with teary eyes.

"I don't want to break up with you. I'm sorry, Hannie," you whispered.

"Nor do I want to, my love. Please let me take care of you. I promise that from now on, I'll always be there for you. My work will never come before you. You are my priority. Forgive me, let me fix things. I love you. I'm sorry," he pleaded.

"I forgive you, my love. I love you too. Let's go back to how we were before."

✩ ── ⋅ ⋅ FELIX

You were already asleep in the room you shared with Felix. A few hours ago, you were supposed to have your wonderful date. Unfortunately, that didn't happen because your boyfriend was probably busy. Yes, you were angry, but more than that, you were disappointed and sad. You used to be a sensitive person, so these kinds of actions hurt your feelings a lot. Let's say you had to cry yourself dry to fall asleep.

Felix was on his way home, very nervous and disappointed in himself. He had forgotten about the date you were supposed to have, one of the few times you could have time for just the two of you. He suspected that you were either devastated or asleep because you weren't answering his calls or messages. They even said your phone was on silent. When he got home, he looked for you in the kitchen. He saw your dishes neatly washed, while his were still on the table. The table was decorated with flowers and a few candles. You even bought a pink wine for the occasion. He had really messed up this time.

In panic, he went to look for you in the room, praying that you were there. And yes, he saw your small figure hidden under the sheets. That made his heart squeeze tightly. Had he really hurt you? He knew you were a very sensitive person, like a porcelain doll. He had to handle you with care, and that was his favorite part—taking care of you. You were his everything. How had he been failing you so much lately? He wanted to cry right there. He wanted to leave his busy life to give all his attention to you. Slowly, he approached you and sat on the side of your bed where only your hand hung. He took it gently and caressed it. He gave you a small kiss while whispering how sorry he was, how much he felt for hurting you, for failing you. He didn't realize you had woken up, only hearing the sweet and sincere words he was dedicating to you.

You got concerned when you felt your hand wet, a sign that he was already crying. Carefully, you moved and, in a slow motion, sat on the floor with him, face to face. You took his face gently in your hands and gave him many kisses, tickling him, which made him smile.

"It's okay, Felix. I already told you that I understand that your life is difficult."

"But even if it is, that doesn't mean I can fail you. It hurts to admit that I completely forgot that we were supposed to have a date today. I know how hard you try to do things for both of us. Please, forgive me. I want to give my all for this relationship, angel. I want things to be like before when we were both so happy."

"I want that too, Lix. I forgive you, okay? For now, let's have dinner together. I left your plate on the table, but I guess the food is already cold." You got up slowly and then extended your hand towards your boyfriend.

"Thank you, beautiful. I love you more than you can imagine. Things will get better, I promise." He gave you a kiss on the cheek as you both headed to the kitchen.

✩ ── ⋅ ⋅ SEUNGMIN

You were clearly hurt, unsure how to react to what happened. Seungmin had stood you up at a restaurant, and now you had to pay for an inexpensively expensive bottle of champagne and a meal you didn't even bother to eat. Walking back home with your heels in one hand and a broken heart in the other, you didn't want to return to your shared apartment with Seungmin. But your feet and head ached, you were tired, so you stopped at a bus stop to rest for a while. You felt your eyes getting heavy, very sleepy, but you knew it wouldn't be a good idea to fall asleep on the street. It was dangerous, and you didn't want anything bad to happen. So, you called one of your friends to pick you up.

You patiently waited for your friend, and when they arrived, Seungmin called. You didn't really feel like answering, but you did it anyway.

"Where are you?" At that moment, your friend arrived in their car, so you quickly got in because you didn't want to make them wait.

"On my way home, I guess." You weren't sure if you wanted to go home, but it was the most likely option.

"What do you mean 'I guess'? Don't you want to go home?" He asked with a concerned tone.

"It's not that, Seungmin. Just a friend picked me up, and I wanted to spend some time with him. Yes, I'll go home, okay?" A somewhat annoyed tone came from your voice. You didn't want to sound like that, but you were very tired and just wanted to rest. Your friend turned to look at you, worried. You just signaled to them that everything was okay.

"Do you know what time you'll be home?" he asked worriedly.

"To be honest, I don't know. I hope before midnight."

"I'll be waiting for you here. I love you. I'm sorry, beautiful." You noticed a tone of regret in his voice.

"I love you too, Seung." You sighed tiredly one last time and ended the call.

You and your friend spent the time talking on the way to distract you from the bad experience. Despite having brought food, your friend suggested going to a fast-food restaurant and ordering something through the drive-thru, and it sounded like a good idea. So, you both had dinner in the parking lot, continued talking for a while, and decided it was time to go home. Your friend drove you back and waited for you to enter the building where you lived.

The moment you entered your apartment, you felt a heavy, sad vibe—something inexplicable. It felt completely weird because you expected Seungmin to come running to see if you had arrived safely, but none of that happened. So, you decided to go look for him. You found him in your shared bed, curled up, crying like never before, which crushed your heart. Slowly approaching him, once by his side, you started stroking his back, intending to help him calm down. However, that only made him cry more. He felt extremely guilty, but now you also felt guilty. You should have solved things earlier, but you chose to leave, making things worse than they were. You lay down next to him and hugged him, starting to comfort him, which this time worked. After a few minutes, he began to speak.

"Sorry, beautiful. I completely forgot that we were going out today, and by the time I realized, too much time had passed, and I couldn't find any way to fix it. Please forgive me. I promise I'll make it up to you." He apologized, turning around to face you.

"Of course, Minnie. I forgive you. I was just a little upset, but I know how busy your life can be. All I wanted was some time for us because lately, we haven't been able to go out like before," you said, stroking his cheek.

"I know, beautiful. But soon, I'll get some vacation, and if I don't, I'll take a few days off to be with you, my love." He hugged you tightly.

"Thank you, Minnie. I love you more than you can imagine. Forgive me too, and let's keep being happy together, okay?"

"Yes, silly. I love you much more."

✩ ── ⋅ ⋅ JEONGIN

After sending that message, you felt guilty because maybe it wasn't his fault, but it seemed like he wasn't putting in the slightest effort into your relationship. Every time something complicated happened in your relationship, it wasn't him who came to talk to you about it; it was always his coworkers. This bothered you a lot because it seemed like he was too cowardly to tell you things, either by message or face to face.

Right now, you didn't know whether to cry, get angry, or worry. You really didn't know what to do or how to act. What were you supposed to do? Wait and see if the man you love shows up, or if he's just going to back away again. These thoughts only made you more depressed. You even fell asleep while crying, so you didn't know what was happening around you at that moment.

When you woke up, you had missed numerous calls from your boyfriend, his friends, your friends—literally everyone. He had been looking for you for about an hour and a half, something that surprised you because you didn't even feel like you had fallen asleep, so you didn't notice the calls and messages they had sent you. Disoriented, you started reading messages from your friends saying that Innie had been looking for you for a while and seemed sad. When you began reading his messages, you realized you had messed up really badly. You had around 100 messages from Jeongin apologizing, asking you not to leave him, and begging to see you just to apologize properly. If you didn't want to be with him anymore, he said it was okay, but he just wanted to say goodbye properly. However, you didn't want to end it either; you only said it on a stupid impulse. He was and is the love of your life, and you didn't want things or the love between you to end. You quickly called him, praying that he would answer, and not even 3 seconds passed when a desperate Jeongin answered. You were about to speak, but he started apologizing endlessly, just saying words desperately, not even making coherent sense. He just didn't want you to hang up and say you no longer wanted to be with him. His desperation made you feel disoriented and sad, but at the same time, it frustrated you because he wouldn't let you talk. Therefore, you decided to raise your voice a bit to make him stop talking.

"Jeongin! Let me speak first, okay?"

"Yes, sorry."

"I don't want to break up with you. I know I said I couldn't take it anymore, and it's true, but I know being busy is not your fault. I just want you to communicate more with me. I don't want your friends always having to inform me. I want it to be you," you said with some emotion, finally able to express what you felt.

"Yes, love, I promise. From now on, I'll change for the better, but please don't leave me. I love you more than you can imagine. That's why from today, I'll be the person who makes you happy forever," he promised with a lump in his throat.

"If that's the case, come home now, Innie. I miss you. I want to fix things properly. I miss everything about you, please," you begged your boyfriend.

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[taexual]

sleepwalking ● 9 | jjk

pairing: jungkook x fem!reader

summary: due to unfortunate circumstances, you ended up managing your ex-boyfriend’s band. you thought you’ve both made peace with it, but suddenly he’s very eager to prove to you that first love never dies.

genre: rockstar!jungkook / exes to lovers

warnings: explicit language, mutual pining, angst, SLOOOWW BUURNNN

words: 9.9k

read from the beginning ○ masterlist

chapter 9 ► the silence is one thing that i’ll remember you said. well, it’s better than nothing when nothing’s all that you left

The next morning was warm.

It was such a stark contrast to last night that you couldn’t help but still feel phantom shivers on your skin when you got off the bus to stretch your legs. It was still two more hours to Oslo, and it was unreasonably early to be awake, considering you did not return to the bus until sunrise—a mere half an hour before the scheduled departure for Norway.

Everyone else was still asleep, which made sense: they must have returned to the bus sometime very late, too. Granted, when you and Jungkook reached the restaurant on Strandvägen yesterday, your team was no longer there—but that didn’t mean they went to sleep as soon as they returned.

To be fair, you hadn’t expected to find them at the restaurant anyway. But after the abrupt end of your conversation with Jungkook on the bridge, you had hoped for a distraction. Something to take your mind off the uncomfortable gaping hole inside you.

Jungkook had suggested last night that you take a taxi back to the tour bus, and you were almost ready to walk back on your own.

It confused you—this unexpected longing for something you dared not name—but it also frightened you. Therefore, you were glad that when the bus reached Oslo, Jungkook was still asleep.

You felt like you needed a minute—to convince yourself that whatever you thought you’d felt in the air last night was more wishful thinking than anything else. Because here’s the thing about wishful thinking: it was yours. And everything that was yours, you could extinguish. You could put it out like you’d done countless times before.

So, several hours later in Oslo, you gave Yoongi very strict instructions to keep the band close and make sure they rested before tomorrow’s performance. And then you took your girls to explore the city, sightsee and drink as much coffee as you could find.

Unfortunately for Jungkook, sightseeing was something he also wanted to do with you once you arrived in Oslo. He had a lot to tell you; he knew he owed you an explanation. He just wasn’t sure how to explain what had happened, let alone what hadn’t happened.

But when he woke up on the bus, you had already left, taking Maggie and Luna with you. So, not only did he have to wallow in his thoughts, but he also had to deal with a sulking Taehyung, who never openly admitted why he was sulking, but it was obvious enough. Even though he texted Luna all day, she wasn’t physically there with him, and that wasn’t enough.

Jungkook was annoyed. He should have seen this coming—he tended to sleep in while you tended to not—but he realised he had expected you to stay. He’d expected a reaction. Perhaps he’d hoped you would demand that he explained himself and why the two of you had gone from I-miss-you to let’s-walk-and-not-look-at-each-other.

Your reaction, however, was no reaction at all.

You and the girls went out, which for the three of you, meant getting ice cream and walking the city streets until you found something interesting. Sometimes this took up the whole day. You loved it—especially today.

But then, just as you were approaching what looked like a castle with crowds of tourists flocking to it—Luna discovered it was the Royal Palace, which should have been obvious, but you and Maggie still ooh-ed and ahh-ed at Luna’s Google Maps skills—your phone started to ring.

Licking your ice cream hurriedly so it wouldn’t melt completely while you talked, you walked away from the girls to take the call.

You were half-expecting an emergency, but before you could really be disappointed that you had to end your excursion, you noticed the unknown number on the screen of your phone. You briefly considered not answering, but you saw that the number had an area code from home.

You thought it might be your brother calling. Once again, you considered not answering, still angry at him for his recklessness and your mum’s tears. But responsibility won over, and you picked up.

On the other end of the line was a man asking for you. For a moment, you were confused, because the voice sounded familiar, but the owner of it didn’t seem to know who he was talking to.

“This is she,” you responded to your own name. “May I ask who’s calling?”

“Oh, you sound so different for some reaso—it’s Nick,” the man said, and you stopped chewing on the waffle cone of your ice cream in surprise.

Nick Zhou had been your supervisor after you graduated and started to work at the company where you now managed Rated Riot. Back then, you were just an intern before being promoted to assistant manager for an indie rock band with the ominous name The Jungle Will Get You, when you were only 23 years old. Nick was their manager then, and he never admitted it, but you knew he’d pulled some strings to get you that job.

A little over a year later, you took over the management of Rated Riot, and you haven’t spoken to Nick since. He went on to manage Reconnaissance, one of the biggest alternative rock bands in the country, if not the world. Just being their manager made Nick more popular than Rated Riot at the moment.

You thought things had worked out well for you both, so there was simply no reason for you to stay in touch.

You figured the reason he was calling you now had to mean good things for Rated Riot. Supporting Reconnaissance on tour? Perhaps a collaboration?

“Nick!” was the first word out of your mouth after the surprise had subsided. “So nice to hear from you again.”

“I heard you were in Europe? That’s huge!” he said, which was kind of him, because Reconnaissance were selling out stadiums.

“We are, yeah. Oslo right now,” you said, smiling at Maggie, who approached you and tugged on your arm like a toddler wanting to go on a ride at an amusement park. Except in this case, the ‘ride’ was a wine bar down the street from the palace. You nodded, and that was permission enough for her to jog over to Luna and drag the two of you towards the bar, never mind that it was 3 PM. You said into the phone, “how are you? You’re going to Australia soon, right?”

“Next week, yeah,” Nick said. “The new album’s coming shortly after that.”

“Ah, another tour,” you said with a teasing chuckle—you knew how much Nick hated flying. Even the Reconnaissance members talked about their ‘air-sick manager’ in almost every interview they did. “Good luck in advance!”

Nick chortled in irony. “Thanks, I’m going to need it. That’s actually, uh, the reason I’m calling.”

Your heart rate picked up as the ice cream melted in your hand. “Yeah?”

“Yes. See, we had some—er, situations,” he paused here as if searching for a better word. After he didn’t find one, he continued with the one he had picked, “and because of these situations, I’m putting together a new team. With the new album coming out soon, we’re on a really tight schedule.”

“Right,” you said. You could already hear him asking if Rated Riot would like to be the supporting act, and maybe even participate in Reconnaissance’s new album.

“Well, that’s why I’m calling you,” he said. “The management here is just me and this guy, Mark, who can’t dial a phone number to save his life, but he’s a great sport. Keeps the band alive. But I need more people. Preferably someone with, uh, experience.”

He paused meaningfully, but it still took you a minute to realise that he hadn’t contacted you about Rated Riot. He had contacted you about you.

You watched Maggie and Luna enter the wine bar, take your ice cream from you, and make a beeline for the cash register, all while you stood in the doorway.

“I’m—uh—Nick.” There was an uncomfortable lump of surprise in your throat. Your hands felt sticky and your mouth felt dry.  “I’m—I manage Rated Riot.”

“I know,” he said, “and they’re a very promising band, tons of potential,” he paused here, hesitating, “but I thought—well, this is sort of different, isn’t it?”

You would have scoffed if you weren’t so stunned. “Well, of course.”

“Yeah. So, I just—we need an assistant manager. Fast,” Nick said. “And you were the first person I thought of. I mean, we’ve worked together before. I know your strengths and I admire your work ethic. I think you’d be a great addition to our team.”

Overwhelmed, you barely managed to find your words. “I… appreciate the offer. But I don’t think I can just—”

“Think about it, okay?” he interrupted you, aware of the abruptness and sheer mass of this offer. “We’ll be back from Australia next month, so you don’t need to give me an answer right away. Just—the sooner the better, of course. But you can think about it. I just wanted to let you know that I have an opening, and I’d love it if you joined us.”

“I—okay.” The faint smell of grapes and old wood around the wine bar seemed to grow stronger the longer that you stood here, still frozen. “Thank you, Nick.”

“I’ll be waiting to hear from you,” he said. “Take care, yeah?”

You nodded, even though he couldn’t see you. “Yeah, you too. Thanks again.”

The three beeps after he ended the call reverberated in your head, and it was another half-minute before you moved the phone from your ear. You looked at it in disbelief, as if it had been someone else who’d just had this conversation, and you had merely overheard it.

In an attempt to ground yourself, you tried to simplify your loud thoughts into whispers of an adequate noise.

There was an opening to be Reconnaissance’s assistant manager.

You’d have to take a step back, do more mundane tasks, similar to the ones you did back when you were Nick’s assistant that first time. But if you said yes, you’d be working with one of the biggest bands in the world right now.

But you couldn’t leave Rated Riot. You were their manager. You believed in them, and you loved everyone on this team.

“You look like you just found out Santa isn’t real,” Maggie’s voice brought you back to the present. She had come to get you, so you’d stop blocking the entrance for others. “Who was that?”

You still felt very hot and half-choked, so you tried to loosen the collar of your white tank top. The denim jacket you wore over it didn’t help much with the heat inside of you, either.

“Um,” you looked around as you slipped out of your jacket. “Can we get some wine first?”

Maggie raised her eyebrows. “Oh, it’s like that, is it?”

You nodded, and before you could give a verbal response, Maggie was already calling out to your friend, who was about to place her order, “Luna! Grab some doubles! We have something going on.”

It took the girls about two minutes to find a table—granted, a couple of tourists who saw Maggie dragging you through the wine bar while you were trying to regain proper consciousness got scared and left, which helped a lot—and settle down.

As soon as you took the first sip, catching the rich and savoury taste—perhaps a bit too savoury; it immediately made you scrunch your nose—Luna scooted closer to you on the navy-coloured velvet couch.

“What happened?” she asked. “Who was that on the phone?”

You set your glass down. “That was Nick. My former supervisor. Before I started to work with Rated Riot. He, um—he manages Reconnaissance.”

“Oh, shit!” Maggie exclaimed at the same time as Luna muttered, “I don’t really know them.”

“Oh!” Maggie gasped, turning to Luna. “Wait. Weren’t you at their show a few days ago? I saw on your Instagram.”

“Yeah, Taehyung took me. He brought me to the after-party, too, but—” she paused as she noticed that Maggie’s eyes looked ready to pop out. She explained, “oh, that was just to babysit Jungkook. He’s the one who really listens to Reconnaissance. I don’t know any of their songs. They sounded good, but I’m—”

“Oh my God!” Maggie gasped again. She had glitter in her eyes and all over her face. “Wait until we get back on the bus! I probably have five different notebooks full of their song lyrics. You’ll love them.”

Luna nodded her head once, then paused in the middle of the second nod. “Wait, you brought those notebooks on tour? Aren’t they heavy?”

“Kind of. But I like to have them with me. And I keep adding to them, so—” Maggie stopped when you picked up your glass again. Your movement seemed to remind her what the topic was before she digressed. She leaned back in her bright yellow armchair. “—which is not the point. So, what did that guy want? Nick.”

Both girls turned their attention back to you.

You took another sip of your wine and said, “well, I thought he wanted Rated Riot.”

Swirling her glass, Luna asked, “he didn’t?”

“He didn’t,” you confirmed. “Apparently, he wants me.”

Luna was the first to understand the implication as her eyebrows lifted and her chin dropped. Maggie, on the other hand, looked at Luna, and then back at you.

“Like… to work with him?” she asked. “To manage Reconnaissance?”

“Well, obviously not to perform with them on stage,” Luna said to her impatiently, then turned back to you. “Why does he want you?”

“He said he needed to find an assistant manager quickly,” you explained, “and since he knows me, he thought I’d be... suitable. For that job.”

You didn’t know what words to choose so you wouldn’t feel so uncomfortable talking about this. And, as you sat here with your friends and your glass of wine, you realised that a part of you didn’t believe you were even ready to work with someone like Reconnaissance. For the most part, you were terrified of it.

You hoped Rated Riot would reach their level one day, that’s true. But starting to work with a band that was already so outrageously popular felt a bit like being thrown into a pot of boiling water.

“Well, what did you say?” Maggie asked.

“I said no,” you replied, your vision blurring again. “I think.”

The two girls spoke up at the same time.

Luna repeated, “you think?” while Maggie asked, “why not?”

They exchanged a look – Maggie, surprised; Luna, slightly accusing.

“What?” Maggie said in response to her look. “This is big!” She put down her glass and leaned over to touch your knee, wanting to emphasise her point, “I love you, okay? And I love working with you and everyone else here, and I know you do, too. But this is just… huge.”

“I know,” you said, your gaze still wandering along the tiled wall behind Maggie’s armchair. You felt disoriented and the wine had very little to do with it. “But I—I mean, I can’t just leave.”

“I think you should talk to the guys,” Luna suggested. She managed to come to terms with the heaviness of the offer that Nick had made much faster than you did. It helped, of course, that she wasn’t the one who had to make a decision here, but she was making a reasonable point regardless.

“Yeah,” Maggie agreed, pointing at the girl on the couch next to you, and nodding eagerly at you. “Yeah. You should.”

You looked at both of them, then down at your glass, as if you could take a sip and it’d give you very clear directions of what to do next.

“But what can I say to them?” you asked. Then, in a voice meaning to imitate yourself, you said, “‘I might have an opportunity to leave you and work with a much bigger band.’ No. No, I don’t think so.”

Maggie squinted at you, unsure if she was the only one confused again. She asked carefully, “you… don’t think you’ll tell them this? Or you don’t think you’ll work with Reconnaissance?”

You finished your wine and set the glass back on the tray. The other girls’ glasses were still half-full.

“Neither, probably,” you replied. “I’d be—you know. If I went to work with Nick, I’d be fetching coffee for the other staff members and filling out paperwork. I already do that for Rated Riot anyway, but I don’t mind, because I don’t think we’re at a level where I’d need an assistant. But I—I want to reach that level with them. I want to be here every step of the way.”

If you’d lifted your eyes from the table in front of you, you would have seen the soft smile on Luna’s face. Instead, you heard it in her voice when she said, “that makes sense.”

Finally, you looked at her. “It does?”

“Yeah.”

“Uh, I think you should sleep on it,” Maggie said, a different voice of reason. “Make sure this isn’t something you’ll regret later. Oh!” she clapped her hands. “You can even make a pros and cons list!”

You smiled while Luna snickered. She said to you, “pro: obviously, you wouldn’t be managing your ex-boyfriend—”

“Um?” Maggie cut in. “Con: you wouldn’t be managing your ex-boyfriend.”

Luna frowned at her. “How is that a con?”

Maggie raised her eyebrows. “Have you seen her ex-boyfriend?”

Luna’s frown dissipated as she laughed, and even you chuckled, too.

In her whole life, Maggie might have had one and a half doubts about not actually being gay; she was simply an artist to the core. And she was very vocal about how unbelievably easy it was to photograph Jungkook when he was on stage. He was, in a truly annoying way, effortlessly photogenic.

“I guess that’s a pro and a con,” you said. There was a lingering smile on your face—this time, the wine did have something to do with it.

When paired with the sudden anxiety of Nick’s offer, the wine helped you distance yourself from the last conversation you’d had with Jungkook. And maybe it was better, you decided, that your friends didn’t know about the walk you two had taken. You preferred the conversation as it was now — cosy, safe, and almost buoyant.

“Is there a time limit?” Luna asked suddenly. “Did Nick tell you a date?”

“No,” you said with a sigh. “He said he wanted an answer soon. So I don’t have to decide right this second. But I’m not really considering it, to be honest. It’s a great opportunity, sure, but I think working with Rated Riot is a great opportunity, too.”

Both girls nodded in unison, their expressions brightening. Slowly, as you felt the support in their warm gazes, the atmosphere in the wine bar began to lighten, too. They understood. And they agreed with your point.

Luna teased, “does the band pay you extra when you say nice things about them? Because I really love Rated Riot.”

You chuckled. “I wish they did.”

Maggie lifted her glass. “Be careful. If you start complimenting them to their faces, it’ll go straight to their heads. And then we’ll have to give their shows an R rating.”

“Well, that would help them live up to their name,” Luna pointed out and the three of you burst into a fit of giggles again—partially because of the wine, but in your case also because of relief.

Nick’s offer and the confusing feelings from last night did not seem all that troublesome at the moment. You could almost forget about them, focusing only on the way things were right now.

You were happy like this. You didn’t want anything to change.

As dusk fell, Jungkook began to hover his finger over your name in his contact list. Just then, Sid burst into the otherwise empty bus and slammed the door with so much force that the whole vehicle swayed a little.

Startled, Jungkook looked up.

“Dude!” he called out, poking his head out of his bunk to see his friend’s proud face. “Gentle.”

“I have the best plans for us tonight,” Sid said as if he hadn’t heard him. “You will not believe the kind of bars they have here in Norway.”

Although Jungkook doubted that the bars here were any different from the ones back home, he still climbed out of the bunk, more intrigued by the idea of having company than by the supposed uniqueness of Norwegian bars. “Yeah?”

Sid’s smile grew wider still when he saw the same reaction mirrored on Jungkook’s face.

“Yeah,” he confirmed. “Let’s go.”

Jungkook hesitated. He had told you last night that things wouldn’t be the same between him and Sid when they returned home. And he meant it; he would have preferred to spend time with you—right now and back home. But you weren’t here, and while he was waiting for you, everyone else made different plans. Even Taehyung. And Jungkook hated being alone.

Grabbing his jacket, he climbed out of the bunk and allowed Sid to lead him outside, where the rest of their friends were already waiting.

They were like a herd of sheep, Jungkook thought unexpectedly while Sid ushered him out of the bus, the way they followed Sid. Why didn’t they ever protest or suggest their own ideas?

But as he looked at his friends – Jude and Minjun fighting over something on Jude’s phone, shoving the device in each other’s faces and shouting; Sid smacking them both on the backs of their heads, providing his own wisdom to their argument – he knew.

They stayed quiet, because the four of them were always together in the same way: with Sid in the lead, and the others following behind him. That’s the way it has always been. Jungkook knew that if one of them had a genuine problem with this, he would not be taken seriously. Or it would be the last time he could call them friends.

It was either this, or nothing at all.

That night, the four of them ended up in a cocktail bar in Oslo, a significant distance away from the tour bus and the rest of the crew. Jungkook didn’t understand why Sid had chosen this particular place until his friend winked and gestured towards the stairs leading to the basement.

“What’s down there?” Jungkook was dumb enough to ask.

Grateful for the chance to show off, Sid grinned and draped an arm around Jungkook’s shoulders as he led him—along with Jude and Minjun, who were looking around like this was a zoo—to the basement.

“Only the greatest thing to come out of Europe,” Sid explained. “You can thank me later.”

He didn’t.

It was an underground burlesque club with only three dancers, all of whom appeared so intimidating that Jungkook was convinced they could stab the four of them with their nails alone, if any of the boys looked them in the eye for too long. He didn’t dare to try.

Sid loved it.

Jungkook preferred the bar upstairs.

Minjun seemed to agree, so the two went back up for another round, while Jude stayed back. Despite occasionally acting like he hated Sid’s guts, Jude always stayed close to him, almost like an addict, who knew that this drug was bad for him, but still couldn’t break the habit.

“Do you think they’ll make it out alive?” Minjun asked as they waited for their drinks at the bar.

“I don’t think they’re getting out at all,” Jungkook replied. “It’s like siren screams for Sid.”

“That’s true. And if Sid stays, Jude stays.”

Jungkook nodded, his expression grim.

“So, D-11,” Minjun said. It took Jungkook a second to realise that he was counting down the days to the end of the bet. “How’s it going?”

He gave his friend a look. “I’m in a bar with you. How do you think it’s going?”

Minjun smiled and nodded to the bartender to thank him for bringing the drinks. Then he held his glass out to Jungkook.

“A toast,” he declared. Jungkook rolled his eyes and picked up his own glass. “May you win this bet, because Sid on a motorcycle is a menace I want nothing to do with.”

Snorting, Jungkook clinked his glass against his and they both downed their drinks in several big gulps.

“He’s not getting the bike,” Jungkook said, setting his glass down with new-found determination. Hearing Minjun mention the possibility of Sid winning the Katana made it feel more realistic. He had to make sure that didn’t happen.

“Do you need my help?” Minjun asked as if reading his mind.

Jungkook looked up from the bar top. “You couldn’t help even if I asked. We signed an agreement that we wouldn’t tell her.”

“You and Sid signed it,” Minjun pointed out. “I was just the person who typed it all out in my fucking Notes. I’m not legally bound to abide by the conditions of the deal. And, actually, neither are you. It’s just a—”

“Why would you help me?” Jungkook interrupted. His friend’s final sentences had evidently flown over his head. “I’ve hardly got anything to offer you in return.”

Minjun shrugged. “I just don’t want Sid to win.”

Jungkook swallowed. He found himself hoping, suddenly, that there was more to this. That if he really kicked Sid off the tour and out of his life, there would at least be one person who wouldn’t leave with him. One person who would stay.

“I don’t know what you could do,” Jungkook said. “Putting in a good word for me probably wouldn’t do much.”

“No?” his friend said, then looked down at his glass thoughtfully. “Okay. We can go full mentalist on her.”

“What is that supposed to mean?”

“Dropping certain objects in her living space that leave imprints of you in her subconscious,” Minjun said completely seriously. “It’s simple.”

“Dude.” Jungkook blinked. “I don’t know where this—this Sherlockian shit is coming from, but I’m not going to mess with her head.”

Minjun was about to scoff, but held back because the offence on Jungkook’s face at the—apparently, preposterous—suggestion seemed genuine. As if Minjun didn’t know what he was saying. As if this was serious, and Jungkook didn’t want to ruin it by playing games.

Minjun pointed out, “but you already are messing with her head.”

If possible, Jungkook looked even more appalled. “I’m—that’s not what I’m doing.”

“Then what’s the difference between what you’re doing and what I’m suggesting?”

“Well, I’m not trying to—I’m not sneaking around and forcing her to think about me,” Jungkook said, looking away from his friend and meeting the bartender’s gaze. He nodded, and the man behind the bar approached the two friends with a bottle of whiskey.

“It’s not force, technically,” Minjun explained as they watched the bartender refill their drinks. “It’s just how your brain works. You see something that reminds you of someone, and it sticks with you whether you’re aware of it or not.”

“I’d like for that to happen naturally,” Jungkook said, aware that he was the naïve one here. But he liked to think of it as hope. And he had that right—he was the only one who really knew you. The only one who could guess whether you were thinking about him or not.

Minjun shrugged and picked up his glass as soon as it was filled. “It’s your call. I’m just trying to speed up the process.”

Jungkook brought his own drink to his lips, but paused when Minjun spoke up again.

“Let me ask you something, though,” he said. “Before you get too far ahead of yourself.”

Even before he heard the question, Jungkook already felt queasy. “What is it?”

“Do you genuinely want to get back together with her?” Minjun asked.

There seemed to be no ill intentions behind the question, but Jungkook spent a full minute watching him and reading his expression.

Minjun was quick to notice his uncertainty. He reassured, “I’m asking because I care. Not because I want to make fun of you. I know you love her, but this—well, I’m just wondering if you want to act on these feelings.”

Jungkook looked down again. “Yeah, uh, I do. It’s not just about the bet for me.”

Minjun had suspected as much, so he wanted to broach the subject when no one else was around.

“But you still think making a bet out of it is the way to go?” he inquired.

Jungkook knew where this was going. And he still tried to appear nonchalant.

“I mean, I’m in this mess anyway, so why not actually win this?” he replied with a laid-back shrug that was so laid-back, it only amplified the fact that it was not laid-back at all.

“Jungkook,” Minjun said, startling him. Normally, the four of them addressed each other as ‘dude’ or the occasional ‘what the fuck is wrong with you?’. Hearing his name felt strange, almost foreboding.

“There’s so many reasons why not,” Minjun continued. “The most important one being that you come out of this as a winner twice. You get her and you get the bike. But all she gets is the realisation that someone she’s letting back into her life has lied to her.”

Defensively, Jungkook demanded, “when did I lie?”

“You’re getting back together with her because of the bet!”

“It’s not because of—it’s not just because of the bet. I just told you.”

“But she doesn’t know about it,” Minjun countered, poking holes in Jungkook’s feeble defensive shield. It was more like a flimsy piece of paper than a shield, really; just something he’d hoped to fool himself—and you—into believing. “She doesn’t know what else is at stake. It’s not fair.”

“Okay,” Jungkook turned in his seat to face Minjun, leaning his elbow against the bar top. “What are you trying to tell me? That I should lose the bet on purpose? To show her that I care about her more than anything else?”

“No,” Minjun replied, less confident. Jungkook was likely not aware of this, but he could be very intimidating. For Minjun, who considered himself immune to most forms of intimidation after years of being friends with Sid, this was unusual and unsettling. “I’m not telling you anything. I’m just suggesting you think about it. You can’t have your cake and eat it, too.”

Jungkook swallowed, his throat dry.

He knew that he had already drawn a subconscious line between simply wanting you back and wanting you back to win the bet. He worried about the exact thing that Minjun had just mentioned—that he couldn’t have both. He worried that it wouldn’t be fair to be with you again if he won.

This was what stopped him on the bridge. It’s what haunted his mind every time he thought about talking to you.

Deep down, he knew he would have to make a choice: either he won the bet, or he got back together with you.

And yet, he couldn’t let Sid win. The thought pressed on his mind with so much weight that he knew it wasn’t just you that he didn’t want to lose, and it definitely wasn’t just his bike. It was a matter of pride, too.

He was proving a point for all the years that Sid had asserted his superiority over him.

“You know, that never made any sense to me,” Jungkook said. Alcohol helped him feel more confident and less self-conscious. Maybe he should stay tipsy until the end of the bet. “That’s the whole point of the cake. You get it, and it’s not just there to fucking look at. It’s there to be eaten.”

Minjun could tell Jungkook felt defensive, so he didn’t take the aggression personally. Instead, he took a sip of his drink.

“Whatever, man,” he said. “It’s your life, in the end.”

“Yeah. It is,” Jungkook replied so firmly that it just sounded childish. He tried to soften his tone, “I appreciate yo—your concern, but I got this.”

“Okay,” his friend agreed because that was easier. They could have been at it for hours—and God knows, Jungkook and Sid had been at it for hours—but Minjun didn’t think it was worth it. He concluded, “that’s fine.”

“It is,” Jungkook agreed.

But it was clear that it wasn’t fine. Jungkook looked flushed as if he’d bathed in a barrel of whiskey, not merely drank two glasses of it.

After about half an hour, the silence became heavy. At first, Minjun had thought that he would rather throw himself down the stairs than return to the basement where Sid and Jude were. But now that seemed like a better alternative than sitting here with a sulking Jungkook.

“You know, uh, I think I’m going to go check on Sid and Jude,” he said while Jungkook ordered another—his fifth—glass. “Don’t want them to die in Oslo. Too big of a hassle to bring their bodies back home.”

Jungkook’s lip did not even twitch. But he nodded and Minjun slid off his chair. He glanced back at his friend as he went, not wanting to leave him alone, but also feeling like Jungkook was already alone anyway, even with him here.

Jungkook had always been good at isolating himself, even when surrounded by other people. Honestly, Minjun wasn’t sure if Jungkook even realised that he wasn’t sitting at the bar alone. He told Minjun once that he couldn’t stand silence, but Minjun knew that sometimes, Jungkook’s thoughts overwhelmed him without his consent. And once he got lost in his own mind, the rest of the world ceased to exist for him.

However, now that he was truly alone, Jungkook was struck by the heavy weight of his solitude. He would have agreed with Minjun – he really did have a monumental talent for disassociating anywhere, anytime. But to be able to drift off into his thoughts and turn the crowd into a blur, he needed a crowd in the first place.

Now that he was alone, all he could think about was that he was alone.

He certainly wasn’t going to follow his friends into the basement, so he got a few more drinks into his system for courage, and pulled his phone out—a painful reflex—to dial your number.

Needless to say, by the time you answered—it was 1 AM, but, of course, you answered—he was already slurring his words as he tried to explain why he’d called.

“Are you drunk?” was your first question as soon as you heard him try to introduce himself—pointlessly so, because at that point in your life, he was the only person who called you after midnight.

“Of course,” he said, with hints of offence in his voice. Why would he not be drunk? he rationalised.  “Do you want to come?”

He heard shuffling on the other end as he played with the napkin on the bar top. Funnily enough, despite his mind feeling pleasantly numb, he still felt twinges of anxiety in his stomach.

“Where even are you?” you finally asked. He was too drunk to notice the coldness in your voice.

“Sid took us to some bar,” he replied. “In Oslo.”

While you were relieved that Sid hadn’t driven them out of Norway before Jungkook even performed here, you also felt concerned that Jungkook was so disoriented that he needed to remind you of the city you were in.

“Are the rest of the guys there?” you asked. His friends were useless, of course, but perhaps Minjun could be trusted to take care of Jungkook if he blacked out.

“They’re downstairs,” he answered. “There’s some club. I didn’t want to go, so I called you. Do you want to come?”

You were confused by the repeated question—was this a matter of you wanting to come, or were you obligated to come as his manager?

He sensed your apprehension through the phone despite being intoxicated.

“I’m trying to see you,” he explained, his tongue struggling to bend the right way. All his Rs sounded like sloppy Ls and Ws. “You weren’t there when I looked for you earlier today.” You heard a bang – he’d slammed his palm against the bar top, forcing the nearby glasses to rattle – and he continued, whining now, “why are you so difficult for me to find?!”

“You’re drunk,” you stated in response. “And you’re not making any sense. Can you find your way to the bus, or do I have to pick you up?”

Half-mumbling, half-whining something incoherent, Jungkook leaned his arms on the bar top. He rested his head on them and pressed his phone against his ear harder as if that’d make you understand him better, make you enter his head somehow.

“You should come,” he said. “I’ll order for you.”

“How about you tell me exactly where you are first,” you replied.

He did – to the best of his ability in his current state – but Google Maps could hardly help you find the directions for “then we took two left turns and came up in front of his huge red brick building, might have been brown, I’m really drunk.” Finally, you managed to get him to just send you his pinned location and headed over there.

He stayed on his phone after you hung up, opening the Notes app and scrolling through his older notes to pass the time.

Some of them were lists of things he wanted to remember – films to see, songs to listen to – while others were harder to decipher: drunken reminders he had made for himself and forgotten as soon as he sobered up.

Some of the notes were song lyrics, and some were just your name—he’d begun to type out a message? a letter? and abandoned it, scared of the weight your name alone carried—and his finger lingered on those for a minute before he pressed the New Note button and began typing immediately.

Normally, he didn’t write lyrics when he was drunk. Tipsy, maybe—one of Rated Riot’s most popular singles was born after he and Yoongi tried absinthe for the first time at one of the label’s parties last year—but never so drunk that the room felt wobbly.

He kept pressing the wrong buttons on the keyboard and autocorrect kept making it worse; shocking even his drunk mind with how completely wrong the corrections were.

But he managed to get two full lines – I fucking miss you when I drink / You burn my throat when I sing – and he stared at them for a minute, a deep frown on his face.

He hated it. Deleting the words with angry force on the backspace button, he began typing again, feeling furiously alone with every passing minute that you didn’t come—and knowing that when you did come, you would be you. And he couldn’t love you the way he did.

For years, even when he thought—hoped—that the feelings he had for you were not real, even as he insisted to his friends that he couldn’t possibly still love you, even as he tried to meet someone new despite only seeing faint echoes of your absence on every face, even then he wrote about you each time that his mind wandered.

You continued to be the subject of his music, the lyrical lover in every song he wrote.

Now, as he entered line after line, the lyrics writing themselves as he watched the screen, he could feel his heart thumping in his chest—as drunk as his mind was.

When the absence of you is all that inspires / I allow for the pain to turn into fires / It will burn when I write, when I think, when I sing / Flames will turn to ashes, turn to words, turn to ink

He held his phone with one hand as he folded and unfolded a napkin with the other one, reading the words and then re-reading them again.

He wasn’t sure if he liked it. He needed Namjoon to take a look at this—the producer knew better—before he could show it to anyone else. Especially before he sent it to—

Jungkook jumped up when he felt a hand on his shoulder. He turned his head and his vision seemed to brighten when he recognised you.

“I came as quickly as I could,” you said, out of breath as if you had run all the way here. You took a seat on the stool next to him at the bar, using his shoulder to steady yourself as you climbed onto it. “Where’s your tail?”

Even drunk, he understood you meant his friends.

“Downstairs,” he said, nodding his head towards the door leading to the staircase in the back. “Drinks?”

You assessed him. He didn’t appear to be in need of having his stomach pumped, but he was slouched over the bar, tightly clutching his phone in his hand, which was a good indicator that the night should have ended there.

“I think it’d be better to—”

“Strawberry daiquiri,” he said loudly—to the bartender, but it took you a second to realise that—then he turned to you for confirmation. “Right?”

“I’m not drinking,” you replied firmly enough for him to give you a long look.

“Why not?” he asked. The bartender politely waited for your consent before he started to make the cocktail. “You’re not driving.”

You swallowed. There were many – countless, really – reasons why not. You were confused about yesterday, confused about Nick’s offer, confused about what you were doing here tonight.

This was dangerous. Reckless, even, and very out of character for someone like you. You knew you shouldn’t dive head first into this, not after what happened—what didn’t happen—yesterday.

But you gave the bartender a light nod.

“One drink,” you said. “And we’re going back.”

But, of course, going back is not at all what you did.

Jungkook, his highball, your daiquiri, and you all found yourselves on the empty terrace on the roof not ten minutes later.

It was a relatively warm night, but it was the empty space, the dark night and the faint scent of rain that captivated you more than the warmth. It was so beautiful here; very hard not to be grateful to be alive on a night like this. And you realised you didn’t blame Jungkook for making you come here, after all.

“What were you doing before I came?” you spoke softly, not wanting to disturb the peacefulness of the night.

Jungkook took a sip from his glass and placed it on the small round table between your patio chairs.

“Writing,” he said.

You were surprised. “Writing?”

“Yeah.”

“As in, song lyrics?”

“Yeah,” he repeated. Then—his mind travelling a thousand miles per hour—he added, “you know, I wrote “Haunting” about you.”

Weirdly enough, while alcohol made most people sleepy or, at least slower, it seemed to ignite Jungkook’s mind instead. He wanted to see your reaction when he said this. Wanted, even drunk, to see if there was a reason for him to worry.

Meanwhile, you needed a moment to process what he’d just said and, even then, you weren’t entirely sure if you understood him.

“I—you did?” you stumbled, awkward.

“Yes.”

You looked away, the song fresh in your mind, because it wasn’t just the first Rated Riot song that you’d heard. It was also one of your favourites. You loved the ethereal melody—a strong focus on piano, the guitars reduced to the background and the bass only joining in on the chorus—and Jungkook’s raw vocals as he sang about resisting his dark urges.

You knew all of Rated Riot’s lyrics—hearing their songs every night paid off, but you’d have been lying if you said you didn’t like to listen to them in your free time as well—but it was the first verse and, particularly, the breathy, pained voice with which Jungkook sang it that always tugged at your heart:

It's wandering in my mind / It's haunting my daydreams / I follow after it, blind / I fall apart at the seams

After a minute, you finally spoke—awkward as you explained the meaning of his own lyrics to him, “I always thought it was about… well, searching for thrills even though that’s not good for you.”

“It is,” Jungkook said. “The beginning is. But the chorus is about you.”

Before you could ask anything else, he mouthed the lyrics under his breath so quietly that you were unsure if you weren’t only imagining him singing it since you’d listened to the song so many times before.

Can I find you when I break? / Can I find you when it’s too much? / Can you forgive all my mistakes? / Can you save me with your touch?

Jungkook had written plenty of songs on his own, but from what you’d heard in the studio, his lyrics used to be too abstract. That was the main reason why Namjoon used to scold him.

“It lacks feeling!” he’d shout, agitated by his own expectations for the vocalist. “It’s like you’re singing about a bag of bricks!”

You knew that many of Jungkook’s early songs didn’t have a specific subject in mind. In this particular case, you assumed he was singing about someone—anyone, really—extending a helping hand or providing a shoulder to lean on. It was a comforting song, nothing more than that.

Jungkook was almost grateful for the surprise on your face—he was worried you’d tell him that you knew. He’d always thought it was obvious that this song was about you. After all, you were the only one who was always there for him.

And, in any case, who else would he write about if not you? As soon as he was criticised for lacking emotion in his lyrics, he started to write from experience. And you were his experience.

But, of course, you didn’t think to look for yourself in his lyrics. You didn’t want to find yourself there.

And now you weren’t sure what the appropriate response was when someone told you they wrote a song about you. “Thank you” didn’t seem sufficient, because the song was about you, not for you. “I love it” also didn’t capture it, because you didn’t love it because it was about you. You just did.

So, you remained silent, watching the lights on the skyscraper across the street and the reflection of the dark clouds in the dark windows. The people behind them were likely asleep, resting before they started their day in a few hours.

“I think…” Jungkook began, his sentence ending sooner than he’d expected. His eyes were glossy when you looked at him. “I think I’m writing about you again.”

You swallowed and nervously bit your lower lip. The night was warm, but the wind on the roof was relentless. You couldn’t help shivering.

Your mind was running before you could stop it. You didn’t want to resume your conversation from Stockholm; it had managed to be too much by not being nearly enough. You couldn’t return there again.

But you still asked, “what were you writing?”

“About missing you.”

You sat there, absentmindedly tracing patterns on your dark jeans with the tip of your index finger. You tried to suppress the anticipation building in your stomach before it could fully manifest. Before it could turn into a terrifying disappointment. Before it could show you that you were lying to yourself when you said you’d moved on.

“Please don’t ask me why I’m doing this now,” Jungkook said in a strained whisper.

Your voice faltered as you said, “I won’t.”

“J-just so you know, I felt the same way back home,” he said. “The only difference is that here in Europe, you have no choice but to be around me.”

The implication was clear, even if his voice wasn’t accusing you of anything. He believed you were only spending time with him because your job required you to.

“I don’t… avoid you back home,” you defended weakly—the only way you knew how right now.

Last night, you’d told him you missed him and it didn’t end well. Actually, it didn’t end at all—it sort of hung over you and made this conversation uncomfortable. Like a scratchy sweater, rubbing on your skin in all the wrong ways.

“I know,” he said. “But you never put in special effort to see me, either.”

You took a sip of your cocktail, tossing your head back to finish it.

Placing the glass back down on the table between your seats, you finally said, “I didn’t know you wanted me to, until you brought it up the other day.”

“Yeah. I know that, too,” Jungkook said sadly. His moves mirrored yours as he picked his glass up, but stopped before bringing it to his lips. “For what it’s worth, I’m sorry. About Stockholm.”

The pounding of your heart was very loud, and your voice was very quiet.

“What are you sorry for?” you asked.

He looked down. “There were a lot of things I wanted to say to you, but I… didn’t know how. It got kind of, um, weird.”

He scoffed at his own choice of words, and you realised that you weren’t alone on this rooftop. There was Discomfort, Awkwardness, and Avoidance dancing around you two.

“It…” you began, but words didn’t come easy. “It shouldn’t have been weird.”

He shook his head. He was worried that this would happen. Worried that you’d take responsibility for last night. You’d say you were the manager, so you should have known better. Should have set stricter boundaries. Should have never crossed them.

Now, you added tentatively, “I-I mean, we’re friends, right?”

You could have smashed your glass on his head and that would have hurt less than the cursed word.

This wasn’t about friendship and you both knew it.

But you needed to feel better. Last night had scared you, he could tell as much. And now you needed to make sense of it. You needed to find a way to interpret it in a way that felt right to your standards.

Normally, he would have helped you. Anything to make you feel comfortable, that’s all he wanted anyway.

But, tonight, he was drunk. And so in love with you that it hurt.

“I don’t know what we are,” he said.

Your hands were restless as you tapped your fingers on your legs.

“I thought that’s what you wanted,” you said. “For us to be friends.”

“It is what I want, but it’s also—it’s much more than just—I’m sorry.” He slid his palms over his cheeks and pressed his hands together against his lips. “I don’t know how to—I could never put my thoughts into words in a way that wouldn’t be too much. Or too little.”

He thought that if his friends would have been here, they would have laughed. Four years he’s wanted you, waited for you, but pretended he didn’t.

Clearly, he needed lessons on how to openly discuss his feelings.

He inhaled—or tried to, anyway—and picked up his drink. You took this as an opportunity to look at him.

“You’re, um—you’re good at putting them into song lyrics, though,” you said.

He chuckled weakly and placed his empty glass down next to yours. There was Sadness, too, twirling on the rooftop. And faint traces of Regret.

“Yeah,” he said. “Maybe I’ll write another song about how much I want you.”

You inhaled too sharply to appear nonchalant. The consecutive “another song” and “I want you” pulsated painfully in your chest.

Alarmed by the sound of your breathing, Jungkook turned to look at you.

“I—sorry,” he said, reading your expression. “I can’t say that, right?”

The fingers of your right hand nervously grasped at the fingers of your left. You regretted not wearing longer clothing that you could pull on.

“No, you, um—well, you can say whatever you feel,” you said. “I just, uh… you know that I can’t say it back.”

He observed your fidgeting and initially interpreted it as discomfort. But now he believed it to be something else—a more prominent emotion, brought on by something other than just this conversation.

Uncertainty.

You said you couldn’t say it back. You meant that you weren’t allowed to, as his manager.

But you didn’t say that you didn’t want to say it back.

His voice trembled when he spoke, the words pouring out in one breath, “but what if we weren’t working together? What if we were somewhere in Oslo, on the roof of some bar, just the two of us? And this fucking never-ending Scandinavian wind, of course,” he paused when he saw a small smile make its way to your lips. “But the wind isn’t telling anyone anything, either. Wh-what would you say then?”

You looked up as if you could actually see the wind. You didn’t know what scared you more: thinking what it’d be like if you weren’t working together—because a few hours ago, that possibility seemed almost real—or admitting your thoughts out loud.

It returned, the heaviness of anticipation that you’d felt last night. You were very naïve to think you could stop it from coming back. To think you could quench the wishful thinking.

This anticipation seemed to control you more than you could control it.

“I’d say that this wind feels like we’re back on campus, loudly talking about our mid-terms and chasing after loose papers that wind had blown out of our hands,” you said. There was a reluctant, nostalgic smile on your face. “Then returning to my dorm room and listening to my neighbours argue about their dead plant, even though they’re both guilty of not looking after it. T-this feels like back then.”

“And how do you feel?” he asked near desperately.

You exhaled, but did not reply. Your skin tingled with pins and needles.

“It’s me,” he said, his tone gentler now. “There’s no one else here.”

And there it was – the moment that didn’t come in Stockholm.

Dizzy, you said, “I feel the same way as I did back then.”

Jungkook held his breath.

“I really need you to tell me,” he pleaded, “what way.”

You pushed a strand of your hair behind your ear and focused on suppressing the goosebumps that arose on every part of your skin that his eyes touched.

“Just… exhilarated. From life. From love,” you spoke, your eyes fluttering to him. Frightened by the intensity of his gaze as he watched you, you looked back at the edge of the roof. “From you.”

You heard his breath quiver.

“Look at me,” he asked in a stern, yet powerless whisper.

You did—and he forgot what he was going to say.

He felt like you were both back there again, too. Like nothing had changed—because nothing had, not fundamentally—like he could reach out and you’d be there. Providing him with the noise he needed to not feel alone, and the comfort he needed to not feel overwhelmed.

Neither of you realised that he had leaned in until you felt the warmth of his breath—laced with a strong scent of whiskey—on your lips. Until your lungs started to burn from holding your breath so hard. Until you parted your lips slightly and the oxygen that slipped in was so full of echoes of his taste that you felt the roof turning upside down.

He closed his eyes as he lingered millimetres away from you, the close proximity putting you both in a trance so painfully blissful that not connecting your lips seemed almost sacrilegious.

You were hypnotised, too overwhelmed by the familiarity of the feeling—the barely thereness of his lips against yours—to think of anything else.

You couldn’t pull away.

But, in a blind panic, he was the one who did.

Blinking in surprise as he moved away, you found yourself frozen, eyes locked on the empty space in front of you.

Jungkook stared at the ground, breathless and wide-eyed.

Even drunk, he couldn’t do this.

There was Minjun’s face in his head—his initial discomfort the first time he found out about the bet. There was the conversation in the bar—and the cake metaphor, even though Jungkook thought he neither had the cake, nor could he eat it. There was Sid in his head, too—his smug grin as he insisted Jungkook would lose.

He couldn’t breathe.

He could hear white noise in place of thoughts, and something else, too—his own screams.

What did I do, what did I do, what did I do, what did I—

You couldn’t hear his attempts to inhale because as soon as he pulled away, your own thoughts grew louder. The realisation of what had happened again—what had almost happened again—was so strong, it almost pushed you down to the floor. You had to grip your chair not to double over from the weight of it.

You knew he was drunk, despite seemingly sobering up a bit on the roof. And he pulled away. Meanwhile, you’d had a few drinks tonight and you were going to let him—were waiting for him to—kiss you.

Somehow, he’d managed to exhibit more rationality while intoxicated, than you could while nearly sober.

You stood up.

Pausing for a second as you debated if you should give him an excuse for why you were leaving, you mumbled something about calling him a taxi, and walked away without turning back.

The door slammed shut behind you, but Jungkook still didn’t dare to lift his gaze. He was too focused on clenching his fists so he wouldn’t throw the empty glasses down the side of the roof.

Alone on the staircase, you welcomed the emotion that had trailed after you all the way from Sweden.

You were angry.

But not at this. Not at what could’ve happened and didn’t. Not at him, not for leaning in, and not for pulling away.

You were angry at yourself. For letting yourself wish for something you shouldn’t have wished for. And for feeling disappointed when your wish didn’t come true.

Twice, you’ve found yourself on the edge of almost. Twice.

Last night, you’d told him it was easy to get overwhelmed by all the memories that your time together has brought back. But perhaps it wasn’t him who got overwhelmed. Perhaps it was you.

Perhaps seeing each other so often had blurred the lines, and you found yourself forgetting. Found yourself yearning. Hoping.

But the fact remained—and you repeated it in your head over and over again as you climbed the stairs down from the roof, clutching the railing as if your life depended on it—you broke up for a reason. You broke up for a reason. You broke up for a reason.

It was shocking how little that reason mattered when you closed your eyes in the taxi ten minutes later, and all you could picture was what it would’ve been like if you’d been the one to close the distance between your lips tonight.

And as thoughts of Reconnaissance and Nick’s offer returned to your mind on the ride back, you wondered if tonight was a pro or a con.

chapter title credits: bad omens, “careful what you wish for”

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[raven-at-the-writing-desk]

If it’s alright, I have a question about Vil and Epel’s relationship. I understand that the accent changing plot line is just a cultural politeness thing that didn’t carry over outside of Japan, but the other parts of changing Epel’s behavior don’t quite make sense.

Why exactly is Epel being forced to call macarons his favorite food? And act very soft-spoken? I can’t see how these fit in with the politeness aspect of the table manners, no abrasive language, etc. It just doesn’t give a very good impression, especially in combination with the unfortunate implication of giving Epel a Southern accent for the “change your accent” plot point.

Before I get to responding to the questions posed by this ask, allow me to explain for those who may not be familiar with this controversy! This is so we can all go into reading this post from the same starting point.

I've made titles to denote the explanation of background knowledge and to denote responding to the questions actually asked to me! If you're already familiar with the Vil-Epel-accent debacle then feel free to skip the first section!

Disclaimer: I’m speaking on these concepts as I personally understand them. However, I am not a native Japanese speaker so I’d advise that you consult additional resources with a better understanding of the language and culture. Two resources I enjoy are Yuurei and MysteryShopTLs, who have both also addressed Epel’s accent and how it was localized.

The Accent, EN vs JP

It’s well-known that Epel is a character with a heavy accent who has been explicitly told by Vil, his dorm leader, to alter the way he speaks. In EN, Epel speaks with what appears to be a southern (as in, “from the southern United States”) accent. Therefore, when Vil tells him to stop speaking in the accent, it feels as though Vil is shaming him for his southern roots and culture. This has also led to fans (especially of the EN-only sphere) thinking that Vil believes Epel’s accent is “unrefined” and “makes him sound uncouth/uneducated”, which is why Vil tells Epel to cover it up. I have even received asks conveying as much in the past (here is one example).

In the original JP, Epel speaks in a way that does not closely resemble any real-world Japanese dialect but rather a blend of them. If you ask a native Japanese speaker, they would likely tell you that it is difficult to understand what Epel is saying and that it sounds as though he is speaking rudely or too casually. People could genuinely take offense to the accent because it can be mistaken as something else entirely. This is obviously very different than the real-world accent (which many people can still understand and wouldn’t perceive as rude) that Epel was localized to have. The decision to give him a southern accent, then, does not completely carry over its original JP connotations into EN.

What remains the same in both EN and JP is the reason Vil provides for telling Epel to adjust the way he communicates. As he says in EN, “Speak properly" to which Epel immediately assumes the command comes from a place of elitism/classism and Vil thinking Epel's manner of speaking is beneath him. Vil responds with, "Stop misinterpreting my instructions. I have nothing against your home or its dialect. What I object to is your attitude. Being proud of your home is all well and good, but there is a time and a place for that. The way you address your superiors is entirely unacceptable." (Keep in mind that before this, Epel was the one instigating a fight with Vil and subsequently got his ass whooped for disrespecting an upperclassman. As the victor, he declares that Epel must do as he says--that's the "culture" of NRC. The weak obey the strong, so if Epel wants to do whatever he wants, then Vil challenges him to beat Epel in a fight. Until then, the loser must obey the winner. Epel agrees to these conditions.) This may be a little hard for western English speakers to wrap their heads around, but MANY Asian countries, Japan included, run on a hierarchical system which is embedded even into their languages. Japanese, for example, has honorifics to denote the relationship between the speaker and the listener, as well as variations on the same word depending on the context ("boku", "ore", "watashi", "atashi", etc. are all valid ways to refer to oneself, "onii-san", "onii-sama", "aniki", "kyodai", etc. are all ways to refer to a brother, whether blood-related or not). In some cases, it's considered rude to call others by their first name unless you know them well, and even then it's not common to see a first name without an honorific. This is not as strictly adhered to in English, which is perhaps where a cultural disconnect occurs. What Vil is referring to in his instructions to Epel is what is known in the world of linguistics as "code switching", or changing how one communicates to suit the situation. Part of code switching is changing one's "register", or the level of formality you use. So for example, I could use a colloquial/casual register when I speak with my friends, but I may shift to a more polite and formal register when I speak with my professors, a boss, or an older relative. Vil, then, is critiquing Epel for not speaking politely to his seniors (something which is expected in Japanese culture, but not expected among those in similar grade levels in western cultures).

In the Harveston Sledathon event, we get to venture to Epel's hometown and hear how the locals speak. Indeed, we get more instances of people who speak in the same way Epel does. It's the Harveston dialect, which is so distinctive that it basically sounds like a whole different language. (There are also languages like this in real life; consider Mandarin and Cantonese; technically they are both "Chinese" but Mandarin and Cantonese speakers would not be able to comprehend one another even if they use the same written language). However, it's notable that Marja (Epel's grandmother) and the mayor of Harveston are able to code switch flawlessly into a more standardized tongue. They explain that this is a skill they have developed because it helps in communicating with tourists/visitors to the village and for whenever they travel to the nearby city to sell their wares. This reinforces Vil's point that there is a "time and place" for certain ways of speaking, which Epel needs to consider.

Macarons and Soft-Spokeness

Accent thing aside, some English-speaking fans take issue with Vil's stern treatment of Epel, particularly in instances in which Vil seems to be exerting significant control over his underclassman's behaviors. (Japanese-speaking fans largely do not hold the same sentiment.) Examples of this include Vil forcing Epel to state that his favorite food is macarons, as well as making Epel present as soft-spoken even when he's just among his peers. I will now be addressing both of these points. TO BE CLEAR, I am NOT trying to defend Vil but rather I'm just going to speculate about why the circumstances are the way that they are and/or why perceptions of his attitude may differ.

Starting with macarons! It is stated in Epel's official profile and by Epel himself in his Birthday Boy vignettes that his favorite food is yakiniku (Japanese grilled meat). However, macarons are also listed as his favorite food, and this is notable because he's the only character with two foods listed instead of just one. In the aforementioned Birthday Boy vignettes, Epel is quick to qualify his love of meats with, "Well, I do have one thing I like even more. It's, ah, macarons." When asked what he likes about them, he says, "They're... cute. And sweet! And they come in lots of different flavors." His voice here sounds hesitant, so it's not clear whether he's being entirely honest or not. He even admits in a whisper that, "[Macarons] are not very filling, but still." Epel again complains about macarons being good but not very filling when he has some in the City of Flowers/Fleur City. To this, Azul asks, "Why do you look so unimpressed, Epel? I thought macarons were your favorite food. [...] But was my intel mistaken? Would you prefer something with a stronger flavor profile?" Epel insists he is fine, and Azul responds with, "Excellent, then my intel bears out." This creates some confusion over whether Epel actually likes macarons or not. I doubt that the information Azul has on others is inaccurate. Plus, Epel states of his own free will to the player (who is interviewing him) that he also likes macarons. This leads me to believe that while Epel doesn't outright hate macarons, he does like them alright (but still prefers grilled meat more). The only thing he seems to have an issue with is how unsubstantial macarons are as a food item.

Now... why does Vil make him state that macarons are his favorite food instead of grilled meat? It's sort of touched on in Epel's Ceremonial Robes vignettes. In them, Vil chides Epel for his poor table manners and asks him to state his favorite food. Epel responds with grilled meat/barbeque, which earns him a smack from his dorm leader. (Vil actually smacks Epel multiple times in these vignettes as punishment, which ended up being another source of ire in the English-speaking part of the fandom; such a thing is more common in Asia and its media, so it's not seen as too outrageous in Japan.) "Do my ears deceive me?" Vil says. "I could've sworn I heard a word unfit to be spoken in this noble dorm. I will ask you again. As a student of Pomefiore–a dorm founded upon the tenacity of the Fairest Queen–what is your favorite food?" From this dialogue, it can be surmised that Vil's reasoning for drilling the macarons in as Epel's favorite food is because it is something that is more befitting of the regal "image" of the Fairest Queen and the dorm made in her honor. Vil seems to regard grilled meat as an inelegant food which does not suit the Fairest Queen nor Pomefiore.

The second thing the asker brought up is Epel's soft-spokeness. I guess I'm a little confused by this??? Soft-spokeness is a part of being polite; it ties back to volume control (ie "indoor voice" being softer than "outdoor voice"). I also don't recall a specific instance of Vil chastising Epel for NOT being soft-spoken at all times. He allows Epel to be loud sometimes and raises his voice himself. I feel like volume is not something that Vil harps on as much as other things like cursing or speaking politely to the correct authority figures (unless, of course, volume is important to the level of politeness required for the current conversation). I could be wrong on this though, so please let me know if you know of any specific instances of Vil being mad about Epel speaking loudly that I may have missed! What I do find odd is how... consistently (?) Epel tries to keep polite even when Vil is not around to monitor him. When Vil and Epel first met, Vil makes it clear that there is a "time and place" for Epel's accent, and it's not when addressing seniors. So... by the logic, shouldn't Vil be okay with Epel acting more relaxed or rowdy around first years or more casual settings in general? Why does Epel need to maintain the facade of being polite even when not in the presence of his superiors? Why does Epel seem to even act fearful about word of his misbehavior/rudeness getting back to his dorm leader and even make others swear they won't divulge the incidents to Vil?

One theory I'll propose is the entirety of book 5. Vil was insistent then on having Epel in the NRC Tribe. He wanted to weaponize Epel's cuteness, which he believed could compete with his long-time rival, Neige. This probably fed into Vil's demands for Epel to appear and act dainty and innocent, traits which Neige effortlessly possesses. Vil literally even refers to Epel as his "Poison Apple" that will help him defeat Neige. After book 5, Vil seems to have eased up on his rigidity. However, I will caution that this explanation may or may not align well with vignettes and/or event stories, which do not always work in a cohesive timeline with the main story.

Perhaps a more all-encompassing explanation is... this is probably because Vil is just very strict about how his dorm members present themselves at all times, since they are expansions of Pomefiore and of himself as the leader. Both the macarons and Epel's attitude are reflections of the dorm he (a celebrity who is very aware of the public eyes on him + his reputation) is affiliated with, and Vil won't have them poorly represented. He is the dorm leader, so he has the "right" to rule and impose his ideals as he sees fit. It's a similar situation to Riddle forcing the Heartslabyul students to follow silly, nonsensical rules (because they're tradition) or risk a scolding or a beheading. And again, Epel is following along because (as established in book 5), he has agreed to submit to Vil’s orders until he beats Vil in combat.

At the end of the day, I don't think Epel being forced to call macarons his favorite food is a huge deal. Is anything that big lost in claiming you like something that isn't your actual favorite food? It's not like Vil is forcing Epel to claim he likes eating something that would actually harm him (like, if Epel had an almond allergy or something).

What's more dubious is how VIl governs Epel's attitude and temperament at seemingly all times (to the point of eliciting some apprehension from Epel). Given the most generous reading, maybe it's Vil's way of teaching Epel maturity and how to keep his voice down since Epel had zero of it and acted loudly brazen when he first enrolled. It doesn't help Epel if he's quiet and well-mannered in very limited social situations; it has to be "generalized" or expand to other scenarios for Vil's lessons to truly be instilled in him. (Like... what would happen if Vil DIDN'T hold Epel in check? His classmates would not be able to understand Epel's speech, and he might get into trouble by picking fights with others.) This is a life skill that Epel lacks, unlike his grandma and the Harveston mayor, and Vil's teaching it to him via "tough love" (though whether you approve of his methods or not is up to interpretation). Recall that Vil also teaches Epel to embrace femininity as its own strength and to disregard outdated gender norms--this could be considered another "lesson". I doubt that anything Vil imposes is done maliciously, but rather comes from a place of wanting others to be better and to shine their brightest, even if that path is difficult or painful. Epel, as the rebel in this circumstance, of course does not enjoy being told what to do and misbehaves in small ways. There’s a limit on how much he can misbehave though, as it would hurt his pride to be reminded of his failure to one-up Vil. He's like a kid that doesn't want to be caught cussing or acting out by his parent. It can be seen as immaturity and an unwillingness to change or to grow up, but it can also be seen as someone who wants to freely be able to express themselves or to be their "truest" self. Epel is rowdy and headstrong, and it's difficult for him to repress these parts of himself. Given the least generous reading, Vil is oppressing and stifling Epel in many ways that extend beyond what his dorm leader position should reasonably allow him to do. In fact, a popular fan translation for book 5 is "The Beautiful Oppressor", as Vil is frequently shown limiting the liberties of his NRC Tribe members during their training arc, not just Epel's.

Which is the truth here? Why do those in the English side of the fandom decry Vil's actions and side with Epel whereas the Japanese side see little issue with this?

I wager that this predominantly comes down to, again, cultural differences. Many English-speaking fans are based in the west (particularly the USA and Canada, where the EN servers first launched), places which emphasize individuality and self-expression. Of course they would be more likely to take Epel's side, as he's the one trying to be himself and stand out in his own way. Meanwhile collectivism--an ideology which stresses conformity with a group--dominates in the east. They are more likely to see no problems with Vil's actions because, to them, he is acting in the ways he is to "guide" Epel and show him how to best "fit in" with Pomefiore and at NRC. I believe the whole "being soft-spoken" thing also ties back to cultural differences; speaking loudly is something else that can be considered rude in Japan, so it's entirely possible that Vil encouraging Epel to be soft-spoken is another element of politeness that did not translate well to English (as the western world tends to be much louder and more animated in their conversations).

What it boils down to is that the way Vil and Epel's relationship was written did not work well for a western audience, whose values and perspective is VERY different from the original audience TWST had. It appeals far more to a Japanese fanbase than a western one, and has resulted in many misunderstandings or anger about Vil's character because of this.

I'm not sure if I managed to adequately explain everything, but I hope that this at least helps you to see from a different perspective!!

[hana-no-seiiki]

but like . . . yandere loser vampire partner that somehow doesn’t have game even after 200 years of living. and dom reader why not we miss em.

the only thing going for them are their looks, extensive knowledge about niche topics, and natural body glitter (like omfg i would become a vampire myself if it means im permanently covered in shimmer-)

they were in most of your classes in university but never appeared unless it was for exams. apparently they had a ‘skin condition that made them extremely sensitive to the sun’ and were therefore excused for classes. a student was usually paid to hand them notes.

that student was your friend. they were a bit of a bum if you were being quite honest. the only thing that urged them to complete the job was money. but after being too lazy to do it so many times, the job was thrown over to you to agonize on.

you quickly find out that your friend was underplaying the pay significantly after the first check. this student must have been the kid of a rich billionaire cause goddamn you didn’t know who the hell else would pay a grand for every subject you completed.

i’d say that you feel kind of bad receiving all this money and therefore improved your note-taking skills out of the kindness of your heart but i mean c’mon you’re reading from my blog- you definitely tweaked it just to earn more of that sweet cash. even drawing doodles at the wee hours of the night and little mnemonics you thought up.

yan sees the effort you put and begins subconsciously keeping your notes in better places. they find themselves grinning like a madman whenever they see that one character you drew that dumbs down some parts that might be too difficult to understand. you even provided translations in subjects that use two or more languages.

yan, despite being already down atrocious for you, never makes the initiative to meet up. they have however, already made extensive research on you. so much so that they’ve made several papers on just your magnificent self.

and so came the time you offered to meet with them. mostly cause y’know, connections with a rich ass dude would be great, but also because you were curious to see who tf pays someone this much to go to school for them.

and you then you meet this socially awkward, super shy, speaks hella old and formal (insert preferred language/dialect here), and oh they’re like super fucking cute it’s actually making you have that sort of aggression you get from pets/toys.

oh.

you want to fuck this dude’s brains out alright.

[donat-senpai]

This work lay in drafts for a very long time. Now I have translated everything. Woohoo! (Reminder: English is not my native language. There are mistakes here)

Please don't read this if you are uncomfortable with the yandere! Pairing: Yandere! Ketheric Thorm x Reader, Yandere! Enver Gortash x Reader, Yandere! Orin the Red x Reader tw: platonic obsession, manipulation, restriction of freedom, mention of murders

I'm ready to throw an idea at you. Attention. You get into the bg3. BUT you aren't Tav and you aren't together with Tav. You find yourself among the Chosen Three. And they become platonic yandere!

Ketheric Thorm, Enver Gortash and Orin the Red will know that you know about their future. You know how to achieve certain events, as well as how to prevent it. Keeping you close is not only a necessary measure, but also an advantage. From now on, they must do everything to prevent Tav from finding out about you and taking you away.

You spend the least amount of time with Ketheric Thorm. As the leader of the army, he is always in the most dangerous places of the war. Besides, the Moonrise Towers are a dangerous place. There are a lot of killers there. You are usually in full view of Ketheric. Over time, you begin to get used to it. Ketheric listens, but often doesn't pay attention. You can tell him anything. At this time he goes about his business, sometimes nodding to you. But if you suddenly ask him a question, he will simply look at you menacingly, making you afraid. The old man is not angry. He just didn't remember anything you said and doesn't want to admit it. Your voice helps him not to worry. If you're still talking, it means you haven't been eaten. Therefore, he can continue his business. When you leave the Moonrise Towers, Ketheric looks with bitterness at the things you leave behind. It reminds him of the times when he was still a father. Perhaps he will put your drawing or note in one of his books.

Orin will become friend or foe depending on your decision. If you refuse to help them, She will find ways to make you talk. Her ideas about the world are very perverted, so friendship with Orin barely differs from enmity. She will take great pleasure in fooling around with you. She likes to scare you by telling you colorful ways of killing you. You will probably not be able to make friends because of her. It's hard to trust someone and tell your secrets when that someone could be Orin herself. She will need time to convince Gortash and Ketheric to allow you to visit the Bhaal’s Temple. They don't trust Orin. The more disgusted you are by the atmosphere of her temple, the more fun she will experience. In the depths of his bedroom, Orin will get a little soft. She will let you play with her hair. And she will talk about the teachings of Bhaal, but not with the intention of scaring, but with the desire to share something hidden for her. She will also want to teach you how to make a sacrifice to her god correctly. If you refuse, she will be upset, but will not insist. (Gortash made it clear to her that she should not break you.) Then she brings you back and avoids you for a week or two. It's new for her to feel this way. Not even her family received this honor. When she calms down and copes with unusual emotions, she will visit you again. And she will promise to kill you in the most beautiful way possible when necessary. It's not a threat. This is her expression of love.

It is with Lord Gortash that you spend the most time. His castle is safe, and the Steel Watchers walk around the city everywhere. You are well dressed and always look great to match him. High society is asking questions about who you are to him. Are you a lover, relative, decoration or pet? Only you and Gortash know that you are a means to achieve his goals. And only Lord Gortash knows that you are someone he has grown more attached to than he should have. He gives you almost anything you want, but expects you to cooperate in return. In addition, Gortash believes that just looking beautiful next to him is not enough. Therefore, all your free time (which is not much) will be occupied with training. If you escape from the castle (which is absolutely impossible), the guards will bring you back. Gortash is perhaps the only one among the owners of three stones who understands that your usefulness is not constant. Everything can go along the route you know with minor changes in his favor. Or it may happen that what is happening will become completely new even for you. Sometimes he jokes that he will throw you out when you become useless. But you still remember how Lord Gortash got angry at the impudent Count for asking to take you as his wife and Gortash ordered the insolent man to be executed.

----

Somewhere in the universe, the Emperor turns the table in a rage and demands Tav to quickly find and save (kidnap) you. (I don't know how he found out about you ._.)

----

Tav sighs tiredly and silently agrees. They're too tired of all. They just hope that their new future ally will be a little less problematic than everyone else in the camp.

[cuprohastes]

Space Law!

There was a sign on the wall in three of the Universal languages used in the sector:

[Do not tell the Humans something is Impossible]

Ipsquib read it in two of the Universal languages he knew how to read and then said to Atrix Attomyar Denoue, “What the heck?”

Atto, in Passable Tsin, said: “You know the Humans. You tell them they can't do something, and it just encourages them.”

Ipsquib, pondered this. “Like... doing things that aren't physically possible, like that one EVA guy who forgot his suit who ran outside a space station nude to talk to their friend?”

Atto thought about it. “Pretty sure that's just made up,” she said, “But yeah I guess, or more worsely, they're rules lawyers.”

“Eh?”

“Remember that legal case on Epsilon Eridani - The one with the jewellery?”

“The Glitter Band?”

“Yeah. They caught someone stealing it, but it belonged to their family before the Intercine, and it was stolen, but because the other side won they upheld it as owned by the thieves, but then the regime fell and... anyway, everyone had a claim to it.”

“Right. I still don't follow it. How did it work out?”

“One of the human lawyers,” said Atto, “Managed to prove the entire species didn't exist and thus by the wording of the law, it could never have been owned by any party, and therefore it must be an artifact of a non-native species, and as the only representative of a non-native species in the courtroom, he awarded it to the family of the original owners. Nobody could figure out how to legally prove them wrong.”

Ipsquib paused and thought about that for a moment. “OK, that's… Ugh. Humans.”

“Yeah. The uh, Diogenese defence they call it. The Galactic Federated worlds would ban it, but they're terrified the Humans will come up with something worse.”

[ecoterrorist-katara]

I just saw a very long post talking about your friends to lovers Kat//ang post.

https://www.tumblr.com/mal3vol3nt/754643736340856832/hey-first-of-all-i-love-your-blog-in-a-world

You don’t need to read it all but I didn’t see many instances where they bring up the idea that Aang always viewed Katara as a romantic interest while Katara may have viewed him as just a friend.

They do however, bring up a few points about the EIP that I’d like to hear your opinions on. I don’t think much of it was in a lot of retaliation to your post but I’d like to overall hear your opinion on “Aang was dealing with a bunch of emotions regarding the play and not only how he felt regarding his relationship with Katara but also about his overall portrayal.”

Anyways, I thought you might be interested in seeing this since the overall point about the post was to rebut your argument

hey anon!

So — this user said a lot of things to defend Aang, but my focus was not on blaming Aang the character: I’m accusing Bryan and Mike of executing friends-to-lovers poorly.

So yes, I can understand Aang’s reactions to the EIP play, because obviously that play was racist and misogynistic and jingoistic etc etc. But all Bryke had to do was add a scene after EIP where Aang apologizes. “Hey Katara, I’m really sorry about how I acted at the play. I was mad about xyz but I shouldn’t have taken it out on you.” And then Katara can say, I understand, I don’t blame you, that play fucking sucked, let’s talk after the war. Turn that into 12yo-speak and voila, conflict resolved. And while I still wouldn’t love the ship, I wouldn’t be so indignant about it.

re: this user’s take on EIP and how Aang’s portrayal in the play is racist & colonialist propaganda, and therefore justifies his outburst, I’m putting it under a cut because it’s long and it’s a much more specific discussion of colonial dynamics than what most people are here for.

TL;DR: I’m tired of people claiming that colonialism = emasculating its subjects. That’s extremely historically incorrect, and also incorrect in ATLA’s own universe. Stop giving Bryke credit they don’t deserve!

I often see the argument from Aang defenders that he’s so angry about his portrayal by the Ember Island Players because there’s a history of feminizing colonial subjects. The fact that he was played by a woman is meant to be derogatory, and it’s not toxic masculinity for him to feel upset about it, and it’s reasonable for him to feel upset about Katara’s depiction.

First of all, he’s 12 and I don’t care if he shows toxic masculinity either way. Second of all, yes, Katara’s portrayal in the play is absolutely misogynistic and offensive, though it’s important to note that hypersexual Pocahontas is only one of many damaging stereotypes.

More importantly, it is very very wrong to say that colonialism requires the emasculation of its subjects. If you’ve seen colonial propaganda, whether it’s about Palestine or Algeria or Tibet or what is now Canada, you’ll know that colonialism usually does the opposite. Colonialism frequently posits a hyper-masculine, hyper-violent, hyper-savage version of its subjects, specifically men. In our world, colonialism is usually justified through the language of “bringing civilization,” and I’d use the term “white man’s burden” except Japan and China and Morocco can colonize just like the rest of them. Do you think the CCP talks about Tibetan monks as feminine, ditzy flower-crown wearers? No, they absolutely do not. CCP propaganda depicts Tibetan monks as violent sadists, and Tibetan Buddhism as a violent religion, and Tibetan people as needing Han Chinese roads and trains and schools so that they can learn to be civilized. (And incidentally, if you know anything about Southeast Asia you would not say Buddhism is an inherently peaceful religion, but that’s another conversation). Similar POVs can be found littered throughout history, and that’s because colonial propaganda fundamentally must justify violence and control, and it’s much easier to justify violence against people whom you’ve identified as inherently threatening.

More relevant to ATLA, we know that “the Avatar is super violent” is actually the flavour of Fire Nation propaganda, because Aang learns in the show and in the comics (Katara and the Pirate’s Silver) that the average Fire Nation citizen sees him this way! And the discrepancy between sweet, cheerful, vegetarian Aang and this bloodthirsty Avatar figure of FN propaganda is one of the greatest ironies of the show!

In addition, unlike real-life fascist states which are misogynistic by definition, the Fire Nation is not indicated to be misogynistic, canonically speaking. Women can fight, we don’t see them doing housework, Mai is the only one told to be ladylike and meek, etc. There are subtle, likely unintentional signs of power differences (we don’t see women in positions of political power in any nation til Korra), but it’s pretty obvious that the FN is supposed to be the less sexist one (and btw, it was A Choice to make the Inuit-inspired culture the misogynistic one, but that’s out of the scope of this post). EIP’s play actually waxes poetics about how fucking amazing and prodigious and powerful Azula is. So it doesn’t even make sense for EIP to denigrate Aang via his masculinity when they’re trying to prop up Azula in the same breath.

I’m tired of people stuffing surface-level anti-colonialist analyses into ATLA & giving credit to Bryke, of all fucking people, for writing an incisive portrayal of how colonizers & imperialists see their victims. I don’t believe the source text can make any points other than by sheer accident. The politics of ATLAverse are milquetoast at best and reactionary at worst (see: Jet, Hama, comics, LOK). I don’t think Bryke and the creators have read any anti-colonial literature or history, whether it’s about Haiti or the Congo; I don’t believe Bryke sat down and watched The Battle of Algiers and took notes on how to portray colonial resistance; I don’t believe Bryke read Burmese Days or The Colonizer and the Colonized in order to get into the psychology of the Fire Nation; I just don’t believe they or their writing team intended to take on the burdens of real-world tragedies with this show. A while back I think @sokkastyles found a post where someone was wondering if ATLA is a good representation of child soldiers, which is such a baffling failure of media literacy & empathy in general that I’m still disturbed by it. It’s a TV show for kids. It’s a great TV show for all ages, but there are some things that it will never be, one of which is “anything more than a rough parable about imperialism, colonialism, and genocide.”

And you know what? I don’t believe the average ATLA stan leveraging colonialism for a ship war has done a whole lot more thinking than Bryke. I recognize that I was very lucky to have taken multiple courses on anticolonialism and decolonization at institutions that genuinely value faculty who think about these topics, but that’s also the precise reason why I’m so against leveraging colonialism in most ATLA discourse unless I’m trying to set the record straight on something. I’m not an authority on anticolonialism or postcolonialism, but I sure as fuck can recognize when other people aren’t either.

[bright-side20]

The Truth-Teller/Hofas Spoilers

It seems like people are hung up on Enalius possessing the TT in order to serve the Illyrian plot for Azriel, but in fact, that's selective reading. Let's see what is written in the books.

My sword blazed with light. That dagger shone with darkness. Both of them are crafted of the same black metal. Iridium, right?" She jerked her chin to Azriel, to the dagger at his side. "Ore from a fallen meteorite?" Azriel's silence was confirmation enough.

=Both blades are made from the same material of a fallen meteorite.

My father had never shown himself to be giving-long had he kept Gwydion and never once offered it to my mother. The dagger that had belonged to his dear friend, slain during the war, hung at his side, unused. But not for long.

Theia extended her hands toward the water, the offered blades. And on phantom wings, sword and dagger soared for her. Sum- moned to her hands. Starlight flared from Theia as she snatched the sword and knife out of the air, the blades glowing with their own starlight.

My mother returned that day with only Pelias and my father's blades. As she had helped Make them, they answered to the call in her blood. To her very power.

Conclusion: The Starsword and the Truth-Teller were both created in the same manner, crafted by Fionn and Theia. Fionn likely gifted the Truth-Teller to his best friend Enalius during the great war when Illyrians fought against the daglan to prevent them from reaching the Cauldron atop Ramiel. After Enalius's death, Fionn simply took his blade back.

_Azriel's secret lineage:

My mother eventually trusted only Helena and myself to seek the truth. She knew we could be of great use to her, because we bore the shadows as well as starlight.

=The blades simply represent both powers of the Dusk Court people: light and shadows.

We spent a month hidden in the enemy's stronghold, no more than shadows ourselves.

Doesn't that remind you of this :

ACOMAF:

“Like the daemati,” Rhys said to me, “shadowsingers are rare—coveted by courts and territories across the world for their stealth and predisposition to hear and feel things others can’t.”

=Daemati (mind reading) and Shadowsinger abilities are simply the powers of the Dusk Court/Avallen people, which is why they are rare, especially in Prythian.

_Foreshadowing from HOFAS :

Azriel, without Rhysand to translate, watched in silence. Bryce could have sworn shadows wreathed him, like Ruhn's, yet... wilder. The way Cormac's had been.

The male now held the Starsword at the ready, Truth-Teller gripped in his other hand.He must have had some sort of Starborn blood in him, then-a distant ancestor, maybe. Or maybe his possession of the knife somehow allowed him to also bear the Starsword.

That's a very obvious foreshadowing. It would explain why Azriel is so different from other Illyrians, why he can winnow, why Illyrians couldn't understand the origin of his Shadowsinger gift, and why it was merely assumed that he learned the language of shadows during his imprisonment.

_Az confirming that his shadows are magical:

His brows rose.... The shadows are made of magic, just very condensed.

_Where did Azriel find the Truth-Teller:

No one knows what became of Theia and General Pelias," I told countless generations. "They betrayed King Fionn, and Gwydion was for- ever lost, his dagger with it." I lied with every breath.

Silene made people believe that the dagger was also lost.

I made sure he knew that the buried weapon he'd need against the Asteri was down here.

While she told her son that the dagger is buried in the prison, therefore, Azriel found the Truth-Teller in the prison.

ACOMAF:

Azriel :"I'll go. The Prison sentries know me-what I am." 👀

So, tell me, what is more interesting: learning about Azriel's obvious Illyrian side, given that his father is an Illyrian, or discovering his secret lineage? Keep in mind that we know nothing about his mother. How did he manage to find the Truth-Teller? Why was he extremely possessive of it, yet decided to give it to Elain? This includes the famous scene that antis spent years trying to downplay, the scene in the coloring book, and on the ACOWAR cover.

_Can Azriel get access to the Truth-Teller's magic :

Can your dagger kill the unkillable, too?" "It's called Truth-Teller," he said in that soft voice, like shadows given sound. "And no, it cannot."Bryce arched a brow. "So does it tell the truth?" A hint of a smile, more chilling than the frigid air around them. "It gets people to do so."

This shows that he probably doesn't know the full potential of the dagger and that he used it for torturing people.

Vesperus took another step, steadier now, and smiled past Bryce. At Azriel, at Truth-Teller. "You don't know how to use it,do you?" Azriel pointed the dagger toward the advancing Asteri. "Pretty sure this end's the one that'll go through your gut." Vesperus chuckled, her dark hair swaying with each inching step closer. "Typical of your kind. You want to play with our weap- ons, but have no concept of their true abilities."

I think that Azriel is like Ruhn; he can wield the Starsword and the Truth-Teller. However, he cannot get access to their full power.

_Bryce using the Starsword and the Truth-Teller to kill Vesperus :

Bryce threw her power into the Starsword, light ripping through the black blade, willing it to tear this fucking monster apart- She willed it into Truth-Teller, and shadows flowed.

Elain :

Elain stepped out of a shadow behind him, and rammed Truth-Teller to the hilt through the back of the king’s neck as she snarled in his ear, “Don’t you touch my sister.”

=The shadows were the Truth-Teller's magic; it had answered to Elain's will and magic, killing the King of Hybern. Y'all Keep in mind that Elain is the first female to wield and use the Truth-Teller since Silene.

I want to add

_If there is someone who would be a descendant of Enalius, it's Cassian, and it's already foreshadowed:

ACOWAR :

Nesta listened to the low-level Illyrian soldiers whispering about how Cassian had thrown that spear, how he’d cut down soldiers like stalks of wheat, how he’d fought like Enalius—their most ancient warrior-god and the first of the Illyrians. It had been a while, it seemed, since they had seen Cassian in open battle. Since they’d realized that he’d been young in the War, and now … the looks they gave Cassian as he passed … they were the same as those the High Lords had given Rhys upon seeing his power. Like them, and yet Other.

ACOSF:

At twenty-one, he’d still been drinking and brawling and fucking, unconcerned with anything and anybody except his ambition to be the most skilled of Illyrian warriors since Enalius himself.

Enalius being the Illyrians leader and Fionn's bestie / Cassian is the Illyrians general and Rhys's bestie. 🤷🏻‍♀️

[pretty-weird-ideas]

IWTV Twitter and the so-called "Fake Black Fans" Invasion

Something that I've been seeing a lot after it gained traction on Max is white fans condescendingly talking down to Black fans, some of whom have been in this fandom longer than they have, and acting as if they don't know what they are talking about because of their critique including a concept or subtext they wish to ignore. I want to repeat that this doesn't happen in the same amounts to white fans who make analyses or memes, it seems to uniquely be Black fans speaking AAVE or with Black pfps (visibly black bc of this) being bombed in the comments for having valid opinions.

I reached about the fifth tweet of white women going onto posts of Black people (particularly older women on Black Twitter) talking about IWTV and saying "You don't know what you're talking about, read the source material/finish the show" or entirely saying that "You don't understand fandom culture". Prompting those Black people to respond curtly that they, in fact, have read the source material, finished the show long before they have, and have been a fandom elder since before they even rolled into town. I witnessed someone doing BABY talk to a 30-year-old Black woman who was talking about episode 5, with "Well you see, it's not my fault you can't read". And when the woman professed anger back, she was the one blocked.

I witnessed this backhanded shit FIVE TIMES over the course of this week. With different white women doing the job of whitesplaining fandom culture and Anne Rice to random Black fans who already know unprompted with a level of passive aggressiveness and annoyance that only comes with doing it repeatedly. I must assure you (white people who are doing this) nobody asked, you can put down your task and stop pretending like you are doing something Sisyphean. You are not legally required to explain and describe IWTV poorly while getting into screaming matches with far more educated Black fans on Twitter and Tumblr.

People are acting as if there's a rising population of Black fans who are "Fake Fans" and must be stopped, lest they start up the freaky discourse. OOHHH NOOOO! Whatever are we to do then???? And therefore it is completely normal and a civic duty to blast Black fans in the comments of everything that they say about the show or the books.

I've been seeing people unironically football tackle reaction posts of the show with paragraphs worth of text that is inflammatory and backhanded. This is even more apparent when the poster is visibly black or uses AAVE. The association is that Black people who use AAVE or memes obviously are uneducated, lack media literacy, and cannot consume content the way that "White" fans do.

It is an attempt to tone police Black fans away from creating new topics of discussion or creating/expanding the fandom space with the growing watcher-base. It always has to happen in their chosen language, on their time, in the places they can reach us and yell some more. They are very discomforted when Black fans have pockets in fandom where they can't be outnumbered and they do in fact control discourse in a way that isn't productive to respectability. (As much as I am a big fan of big words and rambling, that is somewhat what is expected in this fandom as a Black person to be considered "respectable" and I'm not willing to ignore or shy away from that).

This is also hand in hand with my previous thoughts about fans' dog-whistling about media becoming accessible/mainstream and how "Others" will ruin it and outnumber them. I noticed that in the IWTV fandom, it seems like white fans believe that the "Others" is just Black Twitter in general. Not just "Twitter" but specifically Black people who don't fit into their narrow respectability politics.

I hate to tell you all this, but Black fandom culture is still fandom culture, and Black people do in fact read and write. I should not be seeing a pattern of random white fans going into the comments of Black people who mention IWTV and automatically assuming that they have no clue what they're talking about.

Like clockwork, exactly as when the show came out, racist white book fans started up the discourse of "The Black people are going to ruin fandom with their racism discourse and spit on Anne Rice!" and then when that time passed, the show reaches Max, and here they go barking again.... We really need to get a muzzle.

[waitmyturtles]

Thinking About QL Fandoms and Markets For Indian Queer Media

Alright, ::rubs hands together::, let's see if this old auntie can get the link history of this thread straight first.

@impala124 originally wrote in an ask to dear @lurkingshan about Shan's thoughts on a developing fandom for Indian queer media.

Shan subsequently asked a few of us on the internet, brown Asian and/or otherwise, to weigh in, which @starryalpacasstuff did here. Starry's piece has a few great reblogs with media resources that everyone should scurry to check out.

The inimitable @neuroticbookworm then decided to show us her literary Tae Bo skills and dropped an absolute MONSTER of a must-read regional media and industry analysis here. (Let me emphasize that this is a MUST-READ PIECE if you're interested in Indian media.)

I'm going to use NBW's piece as a reference throughout my weak-ass response tea here, because she covered almost everything that needed to be said about why there ISN'T a robust or developed fandom on the internet for Indian queer media. So go read that first, and if you forget to click back here, it's all good, because I'm just gonna offer some unorganized macro-level thoughts at this point.

****

I'd like to first amplify a number of themes that @neuroticbookworm made clear in her piece about the "media industry in India." I'm only putting that phrase in quotes not because NBW wrote it (she didn't), but because it's a wholly inaccurate phrase.

1) INDIA IS *NOT* A SINGLE, UNIFIED CULTURAL MONOLITH. Remember your early social studies classes on early civilizations? The Aryans, Harappa, Mohenjo Daro? Those specific civilizations arose in the north of the Indian sub-continent, and not a lot of social studies spaces outside of Indian classrooms give love to the other regional areas in India -- like, say, all of South India, hello -- that belong to other civilization definitions.

To be grossly overgeneral, ancient civilizations in the northern subcontinent were known as Aryan civilizations, while those of the southern subcontinent were known as Dravidian civilizations. We see these differences today in the food we brown people eat, and ESPECIALLY in the languages we speak. Tamil (a Dravidian South Indian language) couldn't be farther away from Hindi (a North Indian language emanating from Sanskrit).

2) While the prominent political nationalists of India (😐) would like to have you believe that all Indians are monolithically similar -- or rather, SHOULD be monolithically similar by way of all Indians speaking Hindi, consuming Hindi media, and erasing religious diversity (🤬) -- nothing could be farther from the truth of our incredibly diverse and complicated subcontinent. We Indians are regionally, and therefore culturally, diverse in a great myriad of ways, way beyond our food, language, and religious preferences.

[For my non-Indians and non-Asians reading this, think about the two dishes you see the most on Indian restaurant menus outside of India. Chicken tikka masala and tandoori chicken, right? That's typical "Indian" food to the untrained eye. CTM is a British dish borne from immigrant South Asian chefs; and tandoori chicken was created by North Indian Punjabis. My own Indian origins are half-half (lah), I'm half-South and half-North Indian (with some SE Asia thrown in there, boleh!). My brain fucking freezes when I speak to someone who thinks the extent of "Indian food" is CTM and TC, and I have to explain, for the millionth time, the basics of the incredible array of South Indian vegetarian food that I grew up eating and loving.]

Thus, what I'm trying to say is, when we say the word "INDIAN," there are some questions that a curious listener should be tuned into asking to get specifics about just what kind of "India" or "Indian" the speaker is speaking of. I'll often get the question, "but WHERE in India are your parents from," from tuned-in Asians, who want to know specifically about my regional background.

VERY SO OFTEN IN POPULAR DIALOGUE ABOUT "INDIAN MEDIA," THE UNDERLYING ASSUMPTION OF THE CONVERSATION IS THAT THE SPEAKER IS ONLY SPEAKING ABOUT HINDI-LANGUAGE MEDIA, WITHOUT RECOGNIZING THAT REGIONAL AND/OR NON-HINDI LANGUAGE MARKETS MIGHT BE MAKING MEDIA, EVEN POPULAR MEDIA, FOR THEIR SPECIFIC REGIONAL MARKETS AND AUDIENCES WITHOUT AS MUCH OF A GLANCE TO THE DOMINANT HINDI-SPEAKING NORTH.

NBW says this brilliantly in her incredible piece, which delineates the major differences in the MANY regional and even sub-regional media markets of India, that produce a VAST array of media in the languages of the regions, markets, and audiences that this media serves.

On a personal note, when I was a kid, I only watched old South Indian films subtitled in English that my South Indian dad found. My North Indian mom watched them with us happily. We didn't do Bollywood in my house because frankly, dad hated those films and wasn't into them. Now that I think about it, it's probably because those Hindi films didn't bear a single resemblance to the cultural and life he lived growing up in South India.

3) Alright, so we have established that in terms of media, to speak about "Indian media" as a monolith is utterly incorrect, and just, go back to NBW's piece to get an excellent analysis of the details of that situation.

NBW does a bang-up job highlighting important pieces of regional media throughout her post, and like I mentioned before, there are multiple lists of media in the reblogs Starry's piece linked above ( @silverquillsideas notes in her reblog of Starry's piece that two important films come out of the state of Bengal, a market that us Indians should certainly pay attention to in particular.)

I therefore might posit that there might not actually be a unified "fandom for Indian queer media."

IT IS CLEAR from the reblogs of the various pieces that we've written over the last few days, that us Indians who love QLs certainly don't INHERENTLY know, universally, about ALL the queer media, across the subcontinent, in the MANY languages we speak, that has been made.

We have a lot of learning to do across our own regional identities.

I'd argue that, instead, from an organic growth perspective, that regional media markets in India would respond to THEIR OWN AUDIENCE'S AND MARKET'S DEMANDS and create queer media WITHIN THEIR OWN REGIONS

a) if their market(s) demanded it, AND b) if there was either pre-production funding, or a guarantee of net revenue from the airing of such media.

A fandom doth not create media.

It is filmmakers that create media.

And those filmmakers need

✨ MONEY ✨

✨ MONEY ✨

✨ MONEY ✨

to make media.

Some regional markets will, by nature, be willing to take risks on a filmmaker's desire to make queer media. Those projects could succeed, or could fail. Badhaai Do is one of the best examples of a Bollywood breakout piece that gained even some international attention, and certainly attention ACROSS the subcontinent.

But I want to emphasize this point about

MONEY.

The question that we're pondering is, why isn't there a more prominent fandom for Indian queer media and/or QLs?

@twig-tea made note, in her reblog of Starry's original piece, about the importance of accessibility and subtitling, an important note not just for international audiences, but for regional Indian populations that don't speak the same language(s). Accessibility allows fans to watch the media of their own markets, and markets outside of their boundaries.

But even bigger than this is, before we even get into accessibility, is: the filmmakers need money to spend to MAKE projects, and in an ideal scenario for themselves and/or their studios, they then need to (hopefully) make a PROFIT to demonstrate a sustainable desire and demand for the media they're producing, a profit that could hopefully be re-invested into more and new queer media projects.

Let me not get into all the obstacles in which filmmakers, queer or otherwise, might run into issues with production fundraising for a queer-centered project. We Indians know about our conservative, often violent, obstacles.

NBW does a fabulous job in her piece discussing what COULD be made by way of queer media that COULD gain a stronger cultural foothold over time across the subcontinent.

4) A fandom, most often, develops as a response to media already created. A fandom, HOWEVER, *IS*, often, in today's digital age, often recruited to fundraise for projects they want to see! GoFundMe, right?

I think it was @impala124 in a reblog that mentioned that there's already a "market" for Indian QLs. But we've established now that there are actually many unconnected regional media markets in India that can't be assumed to be glommed together.

If a fandom WANTS to see a particular kind of media, in their own specific regional market, it's certainly well within its rights of speech to create internet buzz for it.

But I think we as fans also need to take responsibility for a better understanding of the economics of media creation, and to be patient as queer media is produced across the subcontinent, and to simply do our best to hype it up on the internet when we can, so that commercial sponsors and potential production funders can then pay attention to what us fans want -- and what we're willing to pay for.

And let me be honest, this is a *tremendously difficult proposition* for a field of media that's just really small against the giant, mainstream, well-funded media markets of India. And this field of queer media would be guaranteed to face crippling and disgusting conservative criticism as it gains more of a prominent cultural foothold -- as we are seeing in South Korea literally at this very second.

Looking on the economic bright side: we see in Thailand and in Japan that QLs make MONEY. Shit, not just Japan being into Japanese QLs, but also, Japan is so into Thai QLs that the major Thai channel and studio, GMMTV, has a distribution deal with the Japanese channel TV Asahi to air Thai QLs in Japan. MONEY, BABY! INTERNATIONAL DOLLAS. Great Sapol, of the QLs Manner of Death and Wandee Goodday, just wrapped a stint in a mainstream Japanese drama, and I'll assume that's because he's hotttt and talented gotten a lot of attention in Japan from his previous Thai QL work, as well as his lengthy resume in Thai mainstream media.

The hunger for QLs is there in these two major national markets, and the Thai and Japanese audience markets have proven that the demand for content for these countries can be economically fruitful. So the media markets of these two (much smaller than India) countries are pumping ever more money into production, and filmmakers are responding with more QL content than ever.

We have not even begun to contemplate reaching that tipping point in India, across our regional markets, yet. Again, NBW offers some creative paths forward that will take time to develop.

Fuck, I mean. Imagine Bollywood looking towards Thailand and its branded pair formula as an inspiration to develop queer media. (IMAGINE.) Get two super popular Bollywood actors together in a branded acting coupling/partnership. Shah Rukh Khan and Saif Ali Khan doing India's version of What Did You Eat Yesterday?. In aprons! Making keema and rajma and chapatis. ShahSaif (SaifShah?!). KhanKhan. How would that go down?

It's a proven economic formula in Thailand. And that's just one example. We're well familiar, separately, with how Japanese QLs gain traction in bigger media spaces for its audiences, with media being adopted for the screen, as they mostly are, from popular yaoi and yuri mangas.

India and its regional media markets need some proven economic formulas within its regional markets to prove that queer media can gain culturally important footholds across the mindsets of various audiences -- and to prove that those footholds can produce profits.

The fandom element in this is that the regional fandoms, while creating buzz, could also prove to be important economic factors to a regional queer media industry being able to survive, and maybe even thrive.

Assuming that I am speaking to a mostly progressive group of fans here: we can only hope for this, and we must support the queer media that the subcontinent currently produces, IN *ALL* THE LANGUAGES (!!!!), to demonstrate to producers that Indians, wider South Asians, and even non-South Asians, WANT THIS MEDIA. We want it, we SHOULD want it, and damn it, we should SPEND OUR MONEY on it, to show our appreciate to the filmmakers taking risks to make this media.

I'm out! I need a chai and a samosa and a dosa.