#because that city is a LOT. and i love it. there is so much of it there's so much to it
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beowulf22121 · 1 day ago
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I would love for there to be more "well get it done!" money, especially later in the year.
Unfortunately if any money is left over at the end of the year quite a few people see this as proof that you should get less money next year.
I'm friends with our citys new lead money guy. They've been coasting on part timers in the accounting department for a decade. They haven't had a full time IT guy for 20 years. Now that a few websites for the city (where you pay to reserve pavilions or pay fines, you know, generating city revenue) went down for multiple days, they're hiring. But only one guy has even dipped his toes in the tech sector as a hobby, so they're running off one guys suggestion for what credentials they need to bring a guy on board.
This puts their first full time accountant in 20 years in an interesting spot. Because he's also the tech savvy one. He's fixed a lot of budget shenanigans so they're taking him at his word for who to hire and how much trch infrastructure to buy, but it's got a pricetag that'll make city planners cry.
So while it may take a year and a half to fix a water fountain, it apparently takes 20 years to fix the computers.
I think part of my problem is that this past year I got introduced to a lot of inside perspective on the daily workings of local government. So I know more than the average person in my town, but not nearly enough to make actionable change.
Like... little stuff!
This June, a drinking fountain stopped working suddenly, and people complain all the time that we haven't fixed it.
But I know that to fix it, it has to be taken apart and examined by someone in the water dept- and that the cost of parts and labor to do this comes both from the water dept and from parks and rec.
I also know that both departments only have a certain allotment of funds for unplanned repairs, and that the budget gets set in January. Which means that it can be folded into the budget for next year.
I also know that you have to make a case for every purchase made on behalf of your department, and that if the board of directors doesn't think it's a priority, they can deny the request.
But to the average person in our parks, it looks like we don't fix things.
Processes of government are slow-moving to make sure there's little room for error. A person who isn't involved in the process on a conscious level likely doesn't see the wheels are turning in their favor- reads inaction as apathy.
Can a city government be apathetic about certain things? Totally! But that's why local elections matter- they give you a chance to vote in more progressive people, even if the process of it is slow.
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tinseltrinkets · 2 days ago
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The ending of Arcane did have its imperfections, but I don’t think all of them are unintentional. Yes, some of it I’d say are flaws in the writing, but in terms of there being some lack of closure and the issues regarding Piltover’s oppression of Zaun not being fully resolved, Caitlyn and Vi not communicating fully, it feels fitting.
Caitlyn asks Vi if she’s still in the fight because she’s right, the fight isn’t over. Humanity is a cycle of violence and peace, it’s inescapable, but any moment that you can deliver even the smallest amount of solace within those is cosmically significant and it is always worth it.
Even between each other, Caitlyn and Vi still have a lot to work through. Communication is key in relationships, but they have the base understanding that they love each other, and that matters.
And even with Sevika as a councilor, there’s still so much to be done in terms of reparations and truly understanding the consequences of their bigotry and oppressive regime. Jinx understands this, but it’s no longer her place to be the symbol of resistance, and it never was. She takes to the skies and leaves the cities to a rocky resolution that she doesn’t need to be apart of anymore.
(Maybe I’m biased because I’m a Jayce and Viktor stan and I’m very happy for them but I do want all the characters to be happy and equally so. I’m also hoping Ekko’s still in touch with Vi and the firelights and that Mel finds peace too)
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lurkingshan · 2 days ago
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Hey Shan!! IDK if you're planning to do a BL wrap up or superlatives or anything like that this year so this question might be a bit too early but um...what has been a few of your favorite first watches for 2024 bls?
Hi Eboni! This is actually pretty good timing for a list because most of the shows that will end within 2024 are already over! The only two I could see maybe making my list that have not ended yet are Love is Like a Poison (Japan) and Blue Canvas of Youthful Days (China), so I'll mention them here (fingers crossed they end well and stay favs).
That said, here are my favorite completed BLs of 2024 (alpha order)!
At 25:00 in Akasaka (Japan, Gaga)
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Two actors who first met in college are cast in a bl together, old feelings resurface, and the lines between their professional and private lives start to blur. This show is super beautiful and moody.
Cooking Crush (Thailand, YouTube or WeTV for uncut)
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Ten and Prem are my favorite of OffGun's many couples. Ten is a med student with food issues who wants to learn how to cook, and Prem is a chef in training. Their romance is super sweet and I also really like the side couple and friend groups in this one.
Cherry Magic Thailand (Thailand, YouTube or Viu, requires VPN)
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I still can't believe this show happened. How on earth did GMMTV manage to make a superior version of Cherry Magic?? Tay Tawan had a lot to do with it, along with a very smart adaptation. It's so sweet and funny and perfect (if you just pretend ep 8 doesn't exist).
City of Stars (Thailand, iQIYI)
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I was surprised by how much I liked this charming little Thai pulp. It had an interesting story with strong writing and the pair was very good together. More people should watch it!
I Became the Main Role of a BL Drama (Japan, Gaga)
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This is a short and sweet and note perfect BL comedy about two actors falling for each other while making a BL. Loaded with meta jokes about the industry and stan culture and very loving about it.
Knock Knock Boys (Thailand, Gaga)
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I am obsessed with this excellent Thai BL that not nearly enough people watched. Two couples, both compelling and sexy and fun, and amazing friendship dynamics. I want everyone to watch it!
Let Free the Curse of Taekwondo (S Korea, iQIYI)
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My top BL of the year. It's a second chance romance, you see the characters both in high school and later as adults and I don't really want to spoil anything else about it. It's beautiful, the characters are so compelling, and the story is masterfully told.
Love for Love's Sake (S Korea, iQIYI)
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This one is special and quite unique, and I also don't want to spoil much about it! It begins with a basic isekai set up that then goes to some unexpected places. Really, really beautiful show.
Love Sea (Thailand, iQIYI)
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Definitely my favorite spicy romance of the year. I really loved a lot about the story for this one, in particular the class dynamics that defined the characters and their relationship, and Mahasamut (played by Fort) is on my list of favorite drama characters this year.
Marahuyo Project (Philippines, YouTube)
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We didn't get much from the Philippines this year, but they did drop one absolute banger in this show about a fierce and proud gay kid who gets booted out of school in Manila and sent to live with his grandma and mother on a small island. He makes friends and enemies and starts an LGBTQ+ club, and falls in love along the way.
Mr Mitsuya's Planned Feeding (Japan, fansub)
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An excellent age gap romance about a young editor and the chef who writes for his magazine making food together and falling in love. Lots of fun side characters, too. I loved every minute of this show.
Perfect Propose (Japan, Gaga)
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Two old friends meet when one of them is in need of housing and one is on the verge of a nervous breakdown from a soul-sucking corporate job, and help each other heal. This one is short and sweet.
Ossan's Love Returns (Japan, Gaga)
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This one is technically a sequel, but you can enjoy it without having seen the original (and might like it better that way, tbh). One of the funniest shows of the year and featuring a main couple that is a personal fav and are now on my ride or die list.
Takara's Treasure (Japan, Gaga)
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This one is a simple story but so, so sweet. A cute little bean follows his mysterious idol to university and joins the hiking club to get to know him better. They get to know each other slowly and fall in love.
Unknown (Taiwan, Viki)
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ALMOST my favorite bl of the year, but we had a few issues on the back end. Despite that, I still loved it a whole lot. A family drama and a love story about two chosen brothers whose relationship changes over time. Easily the best BL Taiwan made this year.
Looking at this list, I am realizing how absolutely invaluable my Gaga and iQIYI subscriptions have become; it's where nearly all my favorite BL is airing.
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thementalshawty · 2 days ago
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PAC WHAT TYPE OF LOVE IS ENTERING YOUR LIFE?
Hey my baby babes! Here is the reading I promised you guys!!! This reading been on my mind since I did the last one honestly and I’m guessing some of you are curious but instead of asking spirit of love is coming into your life I’m going to ask what kind of love because love comes in our life everyday in big and small ways so I decided to ask in what way love is entering your lives soon.
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🧟🧟‍♂️🧟🧟‍♂️🧟🧟‍♂️🧟🧟‍♀️🧟‍♂️🧟‍♀️🧟‍♂️
Pile 1
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Now I know a lot of you are thinking the worse when you see this card but I’m not getting anything negative or low energetic about this love coming in. Actually quite the opposite, I heard liberating. There’s something here that you and this person share in common that’s coming in, honestly the kind of love I’m hearing is through a trauma bond maybe? I’m seeing two people praising one god or goddess. I’m seeing that it may be a friendship here. It can be a same sex love too if that’s what you’re into, I see carnal pleasure being fulfilled here, friends with benefits for sure!!! I’m not getting romantic vibes honestly from this, I’m seeing this love is a love that helps you break the chain that you are currently in, you can be in a cycle that you’re completely unaware of. This person can be a Capricorn, be Capricornic, they are not a satanist or satanic and even if they’re into that they’re not into bringing you into it I’m hearing sacred so what they believe in is very sacred they very RARELY SHARE THAT! This is why again I don’t feel it’s a romantic love it can even be a new belief that’s coming and not a person if you get my drift or some kind of inspiration, love comes in very many a way so we need to look for something deeper sometimes and this isn’t a romantic love, I’m seeing it can be sexual or passionate though here, exploring each others carnal fantasies! so fuccin funny the bottom of the decc is the 8oS! so even more confirmation! You’re gaining freedom from whatever chain you’ve got going on in your head! Youre binded to a thought about yourself some kind of belief and I see it coming undone and since there’s two people I do believe someone else is involved but again idk if it’s romantic im still not seeing it go anywhere more than some wild nights together frfr but i see you’ll be so beyond happy you met this person it’s like a pent up farmer girl who becomes friends with the free spirited city girl roommate showing her how to let loose vibes. That’s very much the energy im getting from this pile, you may be meeting your bestie here guys!!!
Thanks for Reading.
🍎🍏🍎🍎🍏🍎🍏🍎🍏🍎🍏
Pile 2
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So the kind of love I see coming into your life isn’t romantically at all, welp, you or this person may see it that way, I’m seeing some kind of delusionary connection that’s coming into your life, it’s almost like it’s too good to be true, this person and it’s not that they’re not good it’s just like, they aren’t really into love or I’m seeing they’re not into you like that but you want them too be or you feel they might be or it can be that they feel this way about you and you don’t about them. There’s some kind of imbalance here between you and this person it can also be a disconnect from your heart and this love that’s coming in will help you reconnect with the badass mf that is you. I’m seeing that one of you could be hurt by love and emotions, hiding your cup and forcing it away, but this love will help you want to offer your cup but I don’t see it happening early on, I see this is a slow to romance connection if there’s any chance or possibility! If not then it’s a crush frfr that’s going to go south and you’ll realize this person HAS NOOOOOOOO feelings for you at all and that shit may destroy you, I’m sorry but it’s reality I feel like this connection is so delusionary that you can get lost in the wishful thinking, maybe they drop hints of affection or your misreading them. At the bottom of the deck you have the 2oP! so I’m seeing that there may be TWO types of love coming in, or a decision has to be made, maybe you wanted to date two people at the same time and it’s just not happening right for you, also I’m hearing your crush could be denying you but then someone else likes you, that you’re not even noticing it’s giving 5oC energy you’re only looking at what spilled and not even paying attention to what’s new and being offered. You will need to decide who you’re going to give your cup too because one of the choices are definite more romantic, balanced and will work out for you more than the other one. The choice is yours. Also I’m seeing some money coming in so you can chill, I feel like you are someone who never stops to take a break or breathe or nothing and this connection or this love that’s coming in whether it be a person promotion or both is some kind of disappointment, it’s going to help bring balance and control back into your life and it feels like you’ve been falling of your rotational strength as of late don’t worry baby you’ll get it bacc I promise. Don’t lose hope I’m hearing. I’m hearing that if it is a person that’s not for you don’t think less of you someone else is coming or is already there and you’re jus not giving them the time of day or you don’t think they want you either! I want more information about this one I will upload a deeper meaning to the reading on my Patreon.
Thanks for reading.
⛓️‍💥⛓️‍💥⛓️‍💥⛓️‍💥⛓️‍💥⛓️‍💥⛓️‍💥⛓️‍💥⛓️‍💥⛓️‍💥⛓️‍💥
Pile 3
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Now this kind of love is straight up TOXIC! I see that this is not romantic it all it just involves a woman or someone who identifies themselves with more feminine energies. This person is an energy vampire but I see you taking bacc what was stolen. I see that this can be a friend or family member but I’m seeing that this person is a emotional manipulator that love to play cat and mouse game to end up on top this person can be a water sign frfr cancer vibes mostly, this person is very low vibes and and energy they don’t want to do anything but cause chaos and destruction! You don’t need that in your life, like all the readings I’m seeing that this love coming in is bringing in major clarity it can be someone or something that helps you see the toxic person for what they are and take back your energy it’s giving that song by botdf bewitched. (I don’t stand with Dahvie but Jay Vanity (DAHLI) is my heart). I see that this person is used to being put on a pedestal by someone whether it be you or the ones around them, either way they’re very spoiled and they’re no good for you! I’m seeing that you’re going to finally see the truth for what it is. This person brings drama and dark clouds you’re going to want nothing to do with this person and you’re going to reclaim all of your power! its almost like whatever draining you will be poured back into you. You’re rubber, they’re glue what they do bounces off you and sticks back to them! You will also feel so liberated hmm this may be connected to pile 1 so if you felt pulled there then this may be the answer cos I think this is the part 2 or the more information it’s giving freedom too, but this is from an actual person it can be a negative ex you may be going too or friend someone that you let slide always on their shit I’m seeing that it’s going to end and that you’ll realize this person again it can even be you just being in low vibrational space and you’re finally becoming self conscious and doing something about it whether then just waiting for someone to come help. Self care is needed!! So self love is coming into your life fashoooooo SELF SELF SELF! Go and treat yourself to some grade A fun you deserve it.
Thank you for reading.
👀👀👀👀👀👀👀👀👀👀👀
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And just like that folks we are done I hope that this reading brought clarity and you guys enjoy it!
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drcuriousvii · 22 hours ago
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I think the crux of the matter is more that just, D&D (and pretty much all RPGs) are, by nature, inherently opinionated about the kind of story they want to tell. Regardless of the setting set dressing you use, if you play Dungeons and Dragons Fifth Edition and make use of the core, basic mechanics, there are several assumptions that are baked into the game about the kind of story you want to tell - that players are controlling distinct individuals and reacting to the world, that actions with uncertain chances of success will occur, that the degree of uncertainty can be changed by circumstance, that the outcome of attempting these uncertain actions is typically binarily categorized into 'success' or 'failure', that these actions are resolved non-simultaneously, and so on.
While various systems are optional to the core gameplay, and the text even calls attention to some of them, if you look at what systems are actually present for inclusion or exclusion there's also a clear focus on combat (of the skirmish variety) and exploration of dungeon or wilderness environments. There's not an optional social combat system presented in the player's handbook, or a drop-in economic model for if a player establishes a keep, or things like that. There's firearms and laser pistols, and sanity for if you find any eldritch spookums, and different paces of resting to regain your actions and spell slots. This makes sense, because it's ultimately, yknow, Dungeons and Dragons. It's derived from Gary Gygax's dungeon crawling miniature skirmish game. It's telling a specific kind of story - a story about going somewhere, fighting guys, acquiring material wealth and getting stronger to do it again.
Could you tell, for instance, a love story, in D&D? You could undeniably do so in the social framework of what we understand as Dungeons and Dragons - I'm given to understand it's quite popular, with certain values of 'love story' - but with the actual gameplay mechanics of Dungeons and Dragons the published game by Wizards of the Coast, there's no real support for it! You would either be homebrewing your own full game for the type of story you want to tell from scratch, importing systems from other game(s) that you should probably just be playing instead, or doing freeform RP and occasionally stopping to clumsily attempt to make concessions to the game system you're nominally using when you encounter a situation with which the rules are actually concerned (this is the approach a lot of 5e podcasts seem to take).
D&D is less of a Golden Corral (which some systems do attempt to be with, I am told, very mixed results) and more of a frozen yogurt shop. There's certainly customization - there's a toppings bar - but at the end of the day it's still a dessert. It's frozen yogurt, in different flavors, with sweet (or sweet-complementing) toppings on it. You're never going to get authentic Mexican cooking out of a frozen yogurt shop no matter what combination of flavors and toppings you try, and the closest you could get to it is not very close at all.
And in trying to market itself as either a universal roleplaying game or a game focused on character's social interactions, personalities, et al., 5e is also more like a frozen yogurt shop making a huge marketing push to position itself as the best pizzeria in the city. And every time you say you'd like pizza, your friends go 'hey, why don't we try that one that's advertising everywhere?', and you have to explain that it's a frozen yogurt shop. And they either don't believe you, try to get pizza there, fail, and are disappointed; they bring their own pizza that they made at home or got from another restaurant, pay full price for a frozen yogurt that they don't eat, and say that you were wrong for thinking it couldn't be a pizza place; or they just eat there anyway because they like frozen yogurt too. I don't know. This reblog is kind of falling apart.
im confused about the dnd 5e hatred. yall arent just ignoring rules that are dumb? ur dm actually follows every single thing in the book for real?
if you have to ignore some of the rules for the game to be good then the game is not good
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onejellyfishplease · 5 hours ago
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So I have a few questions for the minecraft bois. (Btw, I freaking LOVE your artstyle, I'm just hyperfocused on minecraft because I've been in a crafty mood)
How does Raph react to Screechers? I mean, you say he doesn't have as strong a connection to the Sculk, but it's still there right?
Have the boys ever found a way to satisfy Donnie's need to be submerged (i.e. giving him a fire res potion so he can take a lava bath)
Why does Leo love Chorus fruit so much, and more importantly, will he ever be able to go to The End to gather some for himself?
How do the boys interact with their home environments? (Like, how does Donnie feel about Shulkers, does Mikey enjoy cooking using Nether materials, etc.)
Sorry if this is a LOT but ohnigosh I adore these boys and their silly little designs
I may have gone a little crazy whilst answering lol
With Raph and the screechers, They dont summon him, no matter how much they go off. Though if hes close enough to them then he'll get an uneasy 'feeling' (though it was random for a while, and had no clue why it was happening)
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None of the Boys or April are good enough at enchantments and potions to start creating their own (yet), So making it from scratch is off of the table. (Theyve also been banned from attempting after April blew the side off of a mountain)
Instead, Donnie sometimes searches the old tomes in the End Cities. Though most of the books are unreadable now, the rare few are still ledgible. Maybe one will be able to give him immunity to water.
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Leo got hooked on Chorus fruit once Donnie started visiting the End and brought some back with him. Its his favourite fruit hands down. And he always has a blast teleporting around. (hes eaten it enough that he can almost control where he goes but its really unreliable)
Also he thinks it's hilarious that sometimes when he tps an Endermite will spawn and Donnie will just go absolutely batshit trying to kill it. Peak Comedy.
Leo would do anything to get his hands on the fruit. Which gives Donnie a massive bargaining chip, which he flaunts a lot.
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Until April finds the End Portal, Leos gotta rely on Donnie for his Chorus Fruit supply.
Donnie was pretty uninterested in Shulkers. They didnt really do anything (at least to him) after all. Though once he found out what he could use their shells for??? Their population took a nosedive.
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And Mikey absolutely cooks with Nether materials! they're his favourite! especially the mushrooms. And with four hands, he can do so much more cooking!!!
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cherrybomb107 · 23 hours ago
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After making that essay about all my gripes with act three, I wanna delve into what rubbed me the wrong way about episode seven. Now, don’t get me wrong, it is my second favorite episode of the season (right behind episode four) but everything just felt off, and now I’m able to explain why.
It felt fake. Artificial. Too good to be true. Too polished. Everyone in Zaun was basically a Piltie lite and I hated to see it. I know Zaun doesn’t even technically exist, as it never did officially get its freedom, but Piltover and Zaun are known as twin cities for a reason. They are intertwined, yes, but also completely different. Zaun has its own vibe. It’s punk, patchwork, unpolished, mismatched. But also vibrant, brilliant, thoughtfully crafted and beautiful in its own way. It’s unique. It feels so real, and for the au to strip all that away and make Zaun feel like a shell of its former self was not it.
Zaun has such a rich culture. Not without its own host of flaws ofc, but what culture is perfect? And obviously there are political reasons for why Zaunites do things the way they do (it’s because Piltover’s oppressions forces them to get creative). While I resent the reasons as to why Zaunites have to be so resourceful and creative, I adore the things they were able to build in spite of their hardships. Makes me identify with Zaun even more. The au took all that away. Everything that made Zaun what it is wasn’t there, and I didn’t care for it.
Furthermore, the whole au falls apart if you stop and think about it. Why would Vi’s death be anything more than a drop in the bucket to Piltover? They had been oppressing Zaun for centuries? Vi is not only a Zaunite, but she was also a teenager. There’s a lot to be said about how teenagers aren’t really seen as kids by a lot of folks, and are “less innocent” and their lives are seen as “less important” (though ofc no one would admit that have that kind of bias). Plus when you consider that by virtue of being a Zaunite, Vi would already be considered “less than”, her life would not matter to Piltover WHATSOEVER. Best case, and I do mean best case scenario, they give Vander some financial compensation so he could afford to give Vi the proper funeral she deserves. But I’d bet money they never would’ve even considered doing that if I’m being realistic.
Also, that’s just a horrible message to send. Vi, the parentified child, who spent her whole life fighting like hell to protect her loved ones, had to die in order for not just her family, but her city to flourish. HUH??? That’s an awful thing to imply! Vi dying would NOT have lead to everyone else being fine. It would not have led Vander and Silco to forgive each other. It would NOT led to Zaun prospering economically. It would not have led to Zaun becoming just like Piltover in the worst of ways. That doesn’t even make any sense! Correlation does not equal causation, but those two things have no correlation to begin with! Obviously I know that’s not the message the writers meant to convey, but that’s what they ended up doing imo, and I don’t like that.
Lastly, why are we acting like Hextech is the problem? The oppressive system of Piltover existed way before Hextech came along, so why would its lack of being there affect things that much? Cause if not Hextech, some other revolutionary technology would’ve been invented that somehow only benefits some and hurts everyone else who isn’t as privileged. And yes, ofc I know Hextech only exists precisely BECAUSE of the systemic inequalities between Piltover and Zaun, but it is by no means wholly responsible for these inequalities. Responsible for widening the gap between Piltover and Zaun? Yes! Responsible for the existence of the gap in the first place? Hell no! And it felt like it was framed that way.
Anyways TL;DR I wasn’t a fan of the au episode because I felt like it unintentionally sent a horrible message and didn’t stay true to what makes Zaun, Zaun. It ripped out all its best parts and functionally turned it into Piltover Jr. and a fan of that I am NOT
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redishsunflowers · 1 day ago
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this is all my personal opinion as a somewhat new arcane enjoyer.
act 3 of arcane really ruined it all for me. one of the things that makes me love shows so much is when they make me just feel so so much. and arcane did this so well, especially in s1. act 1 and 2 of s2 also did this very well, tho not even close to as well as s1 in my opinion.
i felt sad about isha's death, but i don't really care about jinx's. this isn't bc i cared more abt isha than jinx, a million percent no, this is bc it didnt feel liek there was any weight to it. we saw a very small clip of vi sobbing then, boom, she's almost fine???? her humming powder's lullaby isn't enough, i need to see her grieve. jinx literally completely gave up because of isha's death. vi wasn't even close to being in the same position as jinx but that was still her sister. her sister whom she tried so hard to protect and get back and finally got her back. it just didn't feel real. and on top of that, everyone thinks she's not actually dead. i wish they showed the "proof" of that later or something because i needed that grieving period from vi.
i felt so strongly about jayvik and their whole dynamic snd ending this season. in act 2 i felt that the writing for caitvi wasn't as good as it was in s1 and act 1 but then it just pissed me off at the end. i kinda liked the fact that they were in a cell when they had sex lol but i feel like it was weird timing and also could be a weird setting. but what rlly got me was the fact they don't fucking talk. they dont talk it out. one of the bjggest reasons i love jayvik is because of their lines too eachother. theyre so devestating and beautiful and thats what we got with caitvi before act 2. i was hoping they would talk about alllll the problems they were having because they were having a lot but, either they didn't or we just didn't see it. the resolution to jayvik was so satisfying because we got to know all of their closing thoughts and emotions. we didn't get to see cait apologizing or vi talking abt jinx and it just felt so emotionless.
im really sad they got rid of all the political stuff. i feel like the first step to doing that was putting vi in an enforcer outfit but with that i thought theyd explore into it and the trauma around it even more. but they didnt at all. they put more of the oppressed into the oppressors outfits and called it "fighting against a greater evil" i think thats a fine thing to happen but not if you throw away the whole conversation about politics you were having beforehand. i felt enger towards the piltover people and council just because they were a part of the oppressive regime. after s1 i felt like they tried to act like those ppl were never in the wrong. they swept it all under the rug.
it really just felt like there wasn't a clear conclusion. what happened to zaun and piltover? the scene of sevika sitting at the table isn't enough (don't get me started on sevika I MISS HER). what happened to the firelights?? everyone says ekko lost everything but like do we know what happened to the tree or to the firelights??? i wanted to see the progress the two cities made and how PILTOVER compensated for their actions.
thats it ig, im rlly trying to be happy abt the ending and to do that i have to think abt jayvik bc theyre the only perfect ending in my eyes and i miss caitvi i miss them
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mischasphone · 13 hours ago
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Umm... longest yap ever. Also sorry for the amount of times I talk about Majestic Repertory.
1. Majestic Repertory Theatre's production of RTC (Nevada).
2. My favorite characters are Misha, Ricky, and Constance. I also love Talia a lot, I just don't like that we know basically nothing about her.
3. I really love Jane Doe, but she'd probably be my least favorite. The concept of her character is really fascinating and I love the eeriness, and I get that it's the point no one knows anything about her, but it's easier to favor a character if I actually know what they are like and more about them.
4. My favorite songs are either Talia or Sugar Cloud. Not just because they're my favorite characters solos, but because of how gorgeous they are. Talia is a heartbreaking song and I love how much Mischa is pining for Talia. Sugar Cloud is such a sweet song and it simultaneously makes me cry because of how happy it makes me and how sad it makes me.
5. My least favorite song is Every Story's Got a Lesson. It's catchy, but doesn't really live up to the other songs.
6. From favorite to least favorite, this is my ranking of the openers,
Tragic Fact from 2013 Canadian Tour. The vocals are so ominous to me and I love how it's actually mostly accurate to what happened to Uranium City and how it essentially fell.
Waiting For The Drop from 2018 Seattle run. It is such a catchy and fun song and I specifically love the "round and round" when it sounds like it's echoing, and the end when their bodies are tossing around and it sounds like they're screaming and then just stop and become calm.
U-R-A-N-I-U-M from the 2015 transition from Canada to America. The overlapping vocals that sound a little bit like screaming, Jane's high note that normally lasts a long time in the Fall Fair Suite's just falling and never lasting, Rielle's voice in specific, it's just all so good.
Fall Fair Suite from 2016 NYC Off-Broadway. In specific, the part that went viral on TikTok is my favorite. Especially Gus Halper's voice in that specific part. It's just also very fun.
Fall Fair Suite from 2015 Chicago. Again, it's very fun and funky. LOVE Misha beatboxing randomly.
The Uranium Suite from 2019 Atlanta + all the productions afterwards. Listen, it's a very good song and I love the overlapping, but it is a little bland compared to the others and it's also just a watered down version of Tragic Fact.
7. My favorite cut song is probably Play to Win. It's a horrible song lyrically in a moral aspect and the lyrics are disgusting, but it is very unfortunately catchy.
8. Corey is definitely my favorite cut character. He's just such a silly and fun guy. His rap is a little disturbing in some parts but I fw it.
9. Probably the least popular opinion I have is that ships aren't necessary. I'm saying this as a multishipper and as someone who loves rare pairs, while ships are very fun, they aren't necessary to the plot and I would love the show just as much if there was absolutely nothing romantic or something that could be seen as romantic in it. Emily Rohm has also spoken on that, that she's open to no ships and she's also open to most ships and I agree.
10. I have a lot of favorite ships... I basically like every single non problematic ship in the show, but my top three are probably Pitchperfect (Misha and Ocean), Starrypoets (Ricky and Noel), and Soundcloud (Misha and Constance).
Pitchperfect because I unfortunately love the good girl x bad boy trope. I also love the development they go through from Ocean blatantly being a bad person to Misha, to her slowly warming up to him and them interacting more and learning to tolerate each other, to them fully being friends (or more).
Starrypoets because how similar yet different they are, and how they could potentially bond over that. Noel is nihilistic and sees the beauty in death, leaving life behind while Ricky is existentialist and sees the beauty in life and humanity, I could see them talking about it together and maybe debating. I also like that they both are someone else in their dreams and daydream a lot, they could also potentially talk about that together. I especially love to imagine Ricky adding a cat into the Zolar universe but it's Monique as a cat, or Noel creating a client that goes to Monique, but it's just Space Age Bachelor Man prior to becoming a cat and living on Zolar himself. In the Majestic Repertory Theatre production, they also interact a lot more and are sort of a friend group with Constance.
Soundcloud because of the thought of Misha sort of being a protector for Constance and being her biggest supporter. Constance is insecure while Misha is confident, and I like to imagine Misha helping her to build confidence. During TSIA, Constance is also a main part and I personally like to think about how it meant she could've been a feature on some of his raps.
11. Besides the obvious ones (Noel x any girl, Ricky x Ocean, etc.) I personally don't like Perfectdolls. I'm not a huge fan of Jane Doe ships in general, I like some but I don't like Perfectdolls because of how mean and distant Ocean was up until the birthday scene and as soon as she started talking nicely about Jane Doe, she switched the topic back to herself and then ended up sending Jane back. While it is the perfect setup for a forbidden love, which I like, I hate how it's set up in this specific ship.
12. Ray Winters (Majestic Rep) , Emily Rohm (American Tour) , Alex Wyse (2016 NYC), Gus Halper (2016 NYC), Ella Culbreath (Stone Productions), the entire cast of Majestic Rep in general, Lillian Castillo (American Tour), Rielle Braid (Canadian Tour).
13. I don't really have a specific answer for this one, but Majestic Rep and Station Theatre have really good representations for almost every ship. There's also another theatre that does really good with basically every Jane Doe ship, which like I said, I don't really like normally but this theatre does really well to portray them. I don't remember the theatre name. ☹️
14. Umm... again, the way every character in the Majestic Rep production is portrayed scratches my brain so well. I also really like how Karnak is portrayed by Karl Hamilton (American Tour).
15. Is this is a safe place to say that my favorite versions of every song is the Majestic Rep production. I feel annoying for talking about it so much but the brain rot is real.
16. The best set is the one from California State University, Stanislaus. The ginormous clown with a broken rollercoaster track coming out its mouth is actually the coolest thing ever, and I love how cramped and cluttered it looks, especially because they are in a warehouse so obviously it would be pretty cluttered. My favorite costume designs are the ones from Arkansas University because I love the light pink. And unfortunately, McCarter Theatre also has really good costume designs, especially in Talia even though I hate that production.
17. Honestly, any performance of Talia is my favorite vocal wise. Also, Stone Productions' version of the Ballad of Jane Doe, 2016 NYC's Space Age Bachelor Man, Majestic Rep's Sugar Cloud, also any song sung by Rielle Braid or Sarah Jane Peltzer.
18. Ocean being a hypochondriac. Noel being a maladaptive daydreamer. Misha religiously listening to Eminem. Talia doing photography and sending the pictures to Misha. Ricky also developing maladaptive daydreaming. Jane Doe having a weird arsenal of odd facts adding onto the one about lions. Constance watching animated kids shows still.
19. I personally really like the canvas theory, which is Jane Doe being a canvas everyone else gets to project onto, especially in Talia. How in the American Tours, she's the one in front for the choreography and is the main one being projected onto, Misha could be using the lack of identity there for a canvas for Talia. As well as the Savannah scene too. I also really like the theory that the cyclone malfunctioning was mainly on purpose. One of my friends had told me that their theory was that because of how many times Jane Doe refers to fathers and killing children (her catchphrase and "time eats all his children in the end" during TBOJD) that the cyclone malfunctioning had something to do with Penny Lamb's father. At first, I didn't really like that theory but then I watched Emily Rohm's video about how the cyclone malfunction was caused in her personal opinion, and I agree with it fully now. Basically it's Penny Lamb's father messing with it planning on scaring her but not realizing that he messed with it so badly that it fully derailed the thing and killed everyone.
20. Umm... my fanfic that I'm writing! I don't really read many fanfics, so idk.
21. mercywashere, winnie.macjinnie, silly.fran7, severedh3ad, zolarianstarcluster, idk-tbh-idk, NEWDARLINGZ, splish_splash_im_trash, 4pplec0re
22. Yes! I have an OC named Liz (cause I like my name) and she is the weirdest girl in town. She's kind of just a very peculiar girl who prefers to keep to herself unless she's talked to first. The type of girl to skip around in a forest alone. The type of girl who was really fascinated with bugs growing up while all the other children were scared. The type of girl who dressed absurdly unlike everyone else and is made fun of for it. The type of girl to know a gross amount of facts about every subject. She's also a huge hypochondriac because I am too, and autistic like me, which is a huge reason she's called weird because no one really understands autism or hypochondria in a small dying town in the 2000s when everyone is closed minded and doesn't understand anyone who isn't exactly like them. Here's a list of how she interacts or feels about the other characters, and how they feel about her!
Liz and Ocean tend to avoid each other, just because Ocean believes that she's a bad influence on her and would drag her down, which causes Ocean to stereotype Liz. After the cyclone incident, they sort of started to understand each other but not really and Ocean apologizes, Liz forgives, and they move on.
Liz and Noel are pretty close friends. They don't talk all the time, but they have some pretty interesting conversations and Noel trusts her enough to show her some of his poems even though he's not proud of them, and she's incredibly supportive of each and every single one. Liz is so impressed by Noel's Lament and keeps asking him questions about Monique Gibeau throughout the rest of the competition, which is a little annoying to Noel but he's also glad that someone cares enough to ask.
Liz and Misha aren't extremely close but also sometimes talk. Misha is also kind of seen as a weirdo because of the xenophobia running rampant in Uranium and also the whole rap thing, so Misha sometimes let's her talk about her interests with minimal complaints from him and he gets into a lot of fights with other kids at school to protect her from getting bullied. He kind of sees Liz as a younger sister.
Liz and Ricky aren't close in life, but after the cyclone, they become really close friends. When they were alive, they always felt a little bad for each other because of how ignorant everyone was to each of them but they never interacted, but once Liz found out that Ricky was also a gigantic nerd and weirdo like her, she sort of clung to him and he enjoyed having a friend who could relate to him to a certain extent. I also might make them a ship because OC x canon is life and life is OC x canon.
Liz and Jane Doe are... alright with each other. They're both very peculiar and have silent interactions, but rarely actually talk to each other. And they're both very fascinated by each other, because girls with actual human heads are out of the ordinary for Jane Doe and girls with porcelain doll heads are out of the ordinary for Liz.
Liz and Constance also don't interact much, mainly just small waves in the hallway during passing or small talk about choir performances. After the cyclone though, they become a little closer and Liz stands up for Constance a few times and then they have a giant hug after Sugar Cloud.
Liz and the Lambs are extremely close in life because of how all three of them are outcasts and they basically do everything together. It also makes Liz and Penny's deaths so much sadder because they're both leaving behind Ezra and Liz can't identify her own best friend in death, and barely interacts with her because obviously, she doesn't realize that Jane Doe is actually Penny.
23. I would likely be called the quietest person in town, or the quietest girl in town. For catchphrase, I'm not really sure.
24. My favorite dialogue is the entire Every Story's Got a Lesson scene, but specifically from the 2016 production.
25. I really want to see an actual Ukrainian play Misha one day, instead of having to put on an accent and all that. I also want to see maybe a production use very maximalist set of costumes? It sounds really cool.
26. Um... Majestic Repertory Theatre, Station Theatre, Roxy's Downtown Theatre, Hayes Theatre Co., Showstopper Productions, Stone Productions, and a lot more but I forgot the names.
27. 2016 Off-Broadway, as well as the audios for all three official American tour productions, obviously Majestic Rep, Chance Theatre, Station Theatre, Stone Productions, Roxy's Downtown Theatre, half of the Hayes Theatre Co., and unfortunately the McCarter Theatre. I've also seen it live at a high school I live close to.
28. Like I said, I've seen it live at a local high school. It was so good and I also had a huge crush on the actor for Misha for the longest time.
29. Likely Jane Doe, I have bad memory so I wouldn't be able to remember all my lines if I had to play one of the other characters where Jane Doe has very few lines. I also worked at a haunted house where I had to act really creepy when I was younger so I think I got that down, I also can hit the notes of TBOJD really well and I like to think I sound good. I also have a very stiff body and am likely struggling with a health issue regarding my muscles and how I can move my body, and Jane Doe moves stiffly in lots of productions so that gives me an excuse for being stiff.
30. My favorite part about the show itself is how myself and everyone else can connect to the characters in some way and how it can genuinely help people deal with grief and mourning. I also really like how all the characters connect and that even if two characters don't interact much, they still have a possibility of getting along very well if they were to interact more and how that also makes the fandom think about the what if's about all the potential friendships and relationships that the characters could be put in. My favorite part of the fandom is how easy it is to connect to each other, or at least in my case.
Sorry for literally the longest yap EVER. I don't get to talk about this much and especially in depth. ☹️☹️☹️
Ride The Cyclone Ask Game!!!
Just some fun little questions!! Please do rant as much as you want with any and all of your answers :D
Favourite production?
Favourite character?
Least favourite character?
Favourite song?
Least favourite song?
How would you rank the opening songs?
Favourite cut song?
Favourite cut character?
Unpopular opinion? Or if you don't have any, a popular opinion you agree with?
Favourite ship?
Least favourite ship/ship that you don't understand the hype for?
Favourite RTC actor(s)?
Favourite representation of [insert ship]?
Favourite interpretation of [insert character]?
Favourite take on [insert song]?
Favourite costumes/set design?
Favourite vocal performance?
What are your headcanons for [insert character]?
Do you have any theories?
Favourite RTC fanfic/fic author/fic recs in general?
Favourite RTC fanart/fanartist/any fanart you love?
Do you have any OCs? If so what are they like?
What would your catchphrase be and/or what 'The ___ in Town' would you be called?
Favourite line of dialogue?
Something you haven't seen in a production that you want to?
Any underrated productions you love?
How many productions have you watched? Which ones?
Have you ever been to see a RTC production?
If you were in a production of RTC, who would you play?
Overall favourite part of RTC and/or the fandom?
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plaidos · 1 day ago
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Hi! I’m not a follower but I came across your post while browsing the arcane tag and I was curious bc I’d only heard positive things about the show re: representation so far. I went ahead and rewatched the scene you shared the image of and here’s what I’d say—
i don’t remember much about the character on the left, I think they’re only in there for that brief scene where we see them react as some rando gets thrown out of the brothel theyre standing in front of. They’re not treated like a joke, they just exist.
the one on the right is a yordle which is a race from LoL/arcane, which is why she looks “funko pop” esque. side note, she’s not the only yordle in the show and not all yordles are in the undercity. she’s only in one scene but has a somewhat important role. She’s not treated as a joke at all. When she seductively curls a finger at one of the side characters and he shies away and grimaces, I took that more as a kid (like a 13 year old) being creeped out that a lady old enough to be his grandma is trying to pull him into the brothel.
the whole scene this is a part of is just us being introduced to the city (“the undercity”) the main characters live in, it’s dark, it’s grimy, it’s the underbelly. We see shots of a lot of different types of creatures, different types of people, different races. The primary thing being portrayed here is how dangerous and non kid friendly the place is, as we see lots of criminals, shady characters, and ofc the aforementioned brothel.
all that being said, I’m not trans so I could be missing something here, but I feel like the screenshot is somewhat taken out of context. I myself had to go back and watch the scene to remember what happened.
Also, I really love the show and I think it’s a shame people are shying away from it because it’s based off league. Ofc you don’t have to watch anything you don’t want to, but it’s a great standalone story and I have a lot of friends who watched it despite hating league (and league players) and still enjoyed it!
Anyways sorry this was kind of long and I hope you don’t mind that I dropped into ur inbox despite not following u.
what you’re missing is that it is a joke. like, you’re telling me how you “took the scene” but you’re just wrong, sorry. like you don’t need to explain the scene to me! i went and watched it. and it’s transmisogynistic for all of the reasons i’ve described. just because there isn’t a massive punchline about her being a man in a dress doesn’t mean it isn’t transmisogynistic. like the audience is supposed to think that this huge muscular trans woman and her gremlin friend are disgusting and scary. it’s awesome that you didn’t and you thought this was just, oh cool, nice body types moment! but why were these specific women chosen for a joke about the seedy underbelly of this city? why these specific women for a joke about how scary this place is?
you have to stop closing your eyes when trans women point out the obvious. it is a transphobic joke. anybody trying to argue with me on that in my inbox will be blocked.
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tetsuooooooooooo · 3 days ago
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ok im watching act 3 again to write down my questions and see if anything makes sense this time
edit im 2 eps in this got long as FUCK kjchgxhi come talk to me!!!!! im screeching into the void!!!!!!! americans wake up look at my post!!!!!!!! say everything to me!!!!!!!!!
why are we introducing time travel alternate universes into this story
where did the other ekko go, was he in Our ekkos universe/body or just out of commission, bc that makes no sense i think, if they didnt switch then wheres the ✨symmetry✨
do you think that skye had anything to do with them figuring out the cleaning flowers thing in the AU? and is viktor dead? and jayce in jail? banished? i wonder where skye went here i hope shes living her best not in love with a gay guy life
where the FUCK was the Original-AU heimerdonger when he got bodysnatched by the Our version? they do still call him professor but in Our version he just recently got kicked out of the council so would he still be just freeloadin around zaun at that point in the AU? was he ever councilor?
can everyone on my screen Please stop hurling their guts out from timetraveldisease
if theres no hextech and no anomaly in the AU reality then how did it throw them in it in the first place
ekko is smart but if he was smarter hed stay around to research what needed to happen to make zaun work in this version and save himself time figuring it out from the groundup back home, i think
but also what the fuck COULD have possibly happened to make it so different CUZ LIKE- ok the little flashback bit with vi dying in jayces house- the gang is wearing the same clothes as in Our version, so that would probably indicate that THAT zaun was also in the same state as Our ""original"" version too? right? no? i mean i would say they did put emphasis on clag n mylos clothes being different and more piltovian or whatever idk maybe im onto nothing WAIT NO BECAUSE CLAGGOR WAS MAKING THE DAMN FLOWER TO CLEAN THE POLLUTION SO IF THATS STILL THERE THEN IT COULDNT HAVE BEEN RESOLVED THAT MUCH EARLIER HERE RIGHT
also what the fuck had to be different exactly for enforcers to bust the kids after blowing up a building and not chuck them all in stillwater this time around? did they really care that much about vi dying? was that really the inciting incident for zauns inclusion? marcus? fucking MARCUS marcus? marcus "im gonna bury the lot of you" "deals with the devil to get a 14 yearold put in jail for life"* marcus sees a zaunite girl dead (after breaking into a piltover home and wrecking it) and just goes "aw :c" ? the council of rich businessfucks like salo whod do everything they can to maintain the status quo? is One Dead Kid (still the name of my nonexistent band) really all it takes this time? am i too tough on these people am i dumb if id like some elaboration on how that whole story went or
*to be honest i. dont really get what that Deal thing with silco was about in the first place
wheres Scar aaaat show me my guyy whERES VIKAAA
how did the shimmer story end up in the AU because IF the main change here is vis death then i could believe that silco WAS still already on track with beginning the production at that point if of course singed is also in the same position as Originally
is there a universe where that hammer lands on jayjays head and ends him right there
did silco forgive vanvan before or after zaun gets their "win" in the AU? because my bet is DEFINITELY after
ALSO how the fuck in a city like piltover did they not renovate jayces blown up flat after fuck knows how many years, at LEAST 3 (id wager at least 7 but thats just me so whatever) like city of progress who?? is it just there as like a cautionary tale??? did they put up a lil plaque for jayce after he kild himself?? they just boarded that shit up tho there was nobody there?? why did they leave it like that idk
WHY did heimerdeimer die???? DID he die?? why did he DIE?????? what happens to the AU-Original hongerdonger??? you couldnt have just waited 10 minutes and have powder do allat?? she trusted us right? maybe not
why WAS bonking viktor in the head with the zdrive the answer to our problems
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powder knew what she was doing with that innovators cum petition sign right
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WHAT the FUCK was that mylo claggor moment like am i inSANE OR WAS THIS SUS AS HELL also (man rapping) put some FUCKING RESPECT on stromaes name
how DID rizzard viktor stop being purple actually. god i still hate that reveal im not smart but i refuse to believe that was good writing
what happened to put that rock in jayces wrist? it wasnt a process it was viktor doing it in a split second why did that need to happen? so he wouldnt lose it? hunh?
no because WHAT IS AMBESSAS FUCKING GOAL HERE IN THE END
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does she want kino back? whAT DO YOU WANT WOMANNNN
did that princess girl that got her head sliced off by bessa in the first season actually have anything to do with anything in the end or not cuz im just confuzzled
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how does he know that
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what does that mean
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how does SHE know THAT
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what does THAT mean
does loris have the same accent as vik??????
where the fuck did that ginger binch come from in the first place is she from piltover or noxus if shes from piltover what did ambessa give her and when
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Neither of them would say ANY of this shit
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wonder what vi would say if she saw this conversation before her and cait decided to pork
im just gonna choose to believe she was in there for like 5 hours so her labrador attention span just reset and she chilled out about jinx (actually ykw i guess im willing to believe at this point she doesnt really care that much if jinky offs herself or not)
what the FUCK ARE these goddamn doll puppet thingies viktor makes why are they LIKE that why is THIS the theme here (because orianna and Plot) (but like dyouknow what i mean)
what the fuck was the point of Skye Young as a character in this entire story other than a Gaydar Jammer. with all respect to skyvik stans but like. what is it.
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lmao you abandoned them much before that guys
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we stan a I Gave You Food And A Roof Why Are You Sad You Ungrateful Ingrate queen
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it REALLY DOESNT DOES IT JGHCCGHIBC
why DID skye die again? they wouldnt have just? integrated? again? or smthn? why is this a one-passenger ride all of a sudden? we already got a hivemind thing goin? whatsup?
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linddzz · 14 hours ago
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ok your arcane blogging has almost convinced me to watch the show because it seems WILD and also, visually STUNNING like wowww
but I have absolutely no idea what the show is even about, could you give me a summary? (also what streaming service is it on?)
Yessss excellent! The show is indeed fucking nuts and also visually stunning. Just. Goddamn. Every single episode had moments of us going "that looks so pretty" and/or "holy shit that looks so fuckin sick"
It also does some of the best visual storytelling outside of the Spiderverse movies. They do so much playing around with 2D looking effects and light bursts, with music that slaps and is also used to create in-story sort of music videos to help drop character backgrounds and establishing where people are in episodes, which helps them handle the many characters really well!
Also the animation of micro-expressions in this show makes me lose my mind. I'm sure you've seen the gifs all over my blog and how much facial animation there is in them lmaoo
Good news is it's finished after 2 seasons, which I like as someone who prefers shows that don't just kind of go on for forever. It could have been 3-4 seasons but they did great nailing a rare mix of a plot AND character focused story that had a ton of moving pieces.
You also don't need to know shit about LoL and from what I can tell, it was more used as a base for the world setting and the first building blocks for the characters. They take advantage of the pre-made world really well and do this immersive style of world building where you may not know what all is going on in this world, but you can really tell that it's there and developed you know? But character lore wise we all tried to predict season 2 based on the original lore and then got cold clocked by how the basic character beats actually played out so. Yeah. The most video game aspect of this is the character designs and the FULL embrace of "what if this lady had a big glowing cyber arm she punched things with and what if it was the coolest shit you've seen."
As for what it's about...theme wise big points are
- love as both a destructive and restoring force, especially love between family and friends
-forgiveness and how one draws the line on what going too far means
-self perpetuating systems of classism that can pull even well meaning actors into being oppressors, and even how different forms of rebellion can begin recreating the oppression they're rising against (there are arguments on how this got handled in season 2 but I don't think there's any really solid storyline way to handle such heavy themes)
- the unexpected consequences of chasing progress as an ideal
-big buff hot women who punch!!!!!!! Women who are yoked!!!
-making you kind of hate how much you like that imagine dragons song
-beat drops that make you yell "LETS FUCKIN GOOOOO"
Plot wise it's about:
Set in a trippy art deco/art nouveau punk aesthetic city that has technology and where magic exists, but has been considered dangerous and only used by mages born able to harness it. Scientists learn how to access magic via mechanical and chemical technology. This causes a lot of problems. It mostly follows two sisters caught within the volatile time, along with a central cast from multiple parts of the city.
It's streaming on Netflix!
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greatwyrmgold · 3 days ago
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Obviously, the power (and even whether this gets bad enough to cause a trigger event) depends on a lot of details that your friend didn't tell us. But that just means we can fill in the blanks in a way that makes the story/powers work better.
My versions are below the cut.
Alex is the stubborn guy, Bob is the rich guy.
Version 1: The Involuntary Hermit
This version paints Bob as a bit of a capitalist supervillain...I mean, more than "deliberately depriving Alex of sunlight to drive him insane" implies.
Construction has already started, and they're laying foundations for a building that will obviously intersect with Alex's property. Every afternoon, when Alex is driving home from work, Bob's construction vehicles and supplies are in the road—not enough to actually block the road, just enough to make it inconvenient to return. There's a crane with a wrecking ball attached, parked in the lot next to Alex's, waiting.
Alex has complained to the police and City Hall and every other authority he can think about, but they say nothing Bob did is technically illegal. He considered suing Bob, but he can't afford the lawyer. He even contacted the news media, but no one with a significant audience wanted to run the story, not with how much hype there was around his new development.
Obviously, there's a Shaker element to this power, but the long-term and institutional aspects make me think Architect Tinker, specifically the terraform subtype. Alex can build megaprojects which reshape the landscape, both as an intentional design decision and an unavoidable side effect.
I've tried to narrow it down from there, but that's already got the Parahuman Knife-Twist. Alex got powers because he wanted to keep his home, but using those powers would destroy his home. (It's not like he has access to an off-site laboratory.)
I guess it needs to be something that Alex could build in his basement, but which can still have that kind of earthshaking effect. Maybe something seismic, Tecton on a larger scale? He can disrupt Bob's construction, wreck his scaffolding, topple his vehicles, but in the process he also damages his own house. And if he wants to use his powers to their fullest extent, he needs to go farther, destroying the entire neighborhood, replacing the house he knows and loves with a bunch of caves and maybe an earthy keep.
Version 2: Bound by Duty
In this version, Alex would have left long before the darkness-wall if it was just him. But it's not Alex's house, it's the house of Alex's aging relative(s); maybe grandparents, maybe parents, depends on how old Alex is. This Alex has to take care of his relatives, because no one else will. And they don't want to leave this house, come hell or high water.
Alex feels trapped, partly by his sense of filial duty, partly by the literal wall being built around the house said duty traps him in. So this feels like a Mover trigger.
Looking at the MOVERS document, I see elements of Takeoff (close relationship to the source of tension), maybe Hurdle (harassment), and Gate (long-term, but not long-term enough for a tinker power, because I don't want to write up a bunch of tinker powers). In reverse order, that's creating something that grants movement (like a launchpad or gate); a power that lets Alex "run, leap, climb and/or bound"; and an effect produced on departure.
There are a lot of ways to mix those ideas; imagine a power that could make boost pads like in racing games, or bounce pads like in platforming games, or...something not from video games. So let's look for the Parahuman Knife-Twist and build a power around that.
Alex is torn between his desire to help his family and the desire to leave. In theory there's a way to compromise those desires; living in a house surrounded by walls and whatever else Bob is building can't be good for them, right? So selling the house and moving somewhere else would be good for them, right? That's just not what they want. So a power that lets Alex move others (whether they want to be moved or not) seems like a good first step.
This Alex also doesn't have any goal more specific than "get away from Bob". He has a place he wants to escape, but not a specific destination. So maybe the movement should be unpredictable; he can decide on a general direction that someone bounces, but it's not precise or consistent.
So I was hanging out with a friend from the west coast today, and he mentioned an anecdote about some rich guy who was trying to buy up all the homes in a neighborhood, but there was this one guy who wouldn't sell no matter what, so the rich guy built giant walls on the edges of all the surrounding properties to try and drive the holdout insane from sunlight deprivation. I told my friend that this sounded like the kind of thing that would make for a fantastic trigger event. I told him I was going to turn this over to the wormblr brain trust to see what all of you would come up with
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dunedragon · 1 day ago
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I love the world building! So theirs more?
OH BOY IS THERE but that is like paragraphs and paragraphs.
Let's see... if I was to handle a whole Vampire!Hub AU fic from scratch...
I'd probably start with vampire physiology. I'm more inclined to take a scifi than fantasy approach, and toss out the "transforming into bats, sleeping in coffins, and hanging upside down" bits.
There are many species, particularly insects, that will mimic the appearance of their prey so that they can live parasitically among them. Taking this direction, I would be inclined to say that Vampires are not human, but entirely dependent on preying off human populations and thus have evolved a sort of mimicry. They look human but have unique internal organs to feed, vocalize, prey, etc.
With this in mind, Vampires would live, age, and die like any living species would, rather than being an undead immortal presence in the world.
On that note, I think there are a handful of fun vampire quirks that could carry over, sensitivity to sun is always a favorite. They can get bad burns under direct sunlight, and since they are naturally nocturnal hunters, their eyes are weak to strong light (especially UV.) Drinking blood is a must, of course, a healthy vampire drinks their own body weight in blood each month. They are stronger than most humans, but mostly by the virtue of most humans lead a sedimentary lifestyle and vampires are predators. They are naturally silent walkers, and perhaps this is the cause for the rumor that they cannot be spotted in mirrors, though the truth is that they are just good blending into their surroundings. They may even subconsciously mimic the movement of things in the wind around them when standing idle. They are allergic to garlic, but its just really really bad hay fever allergies. Nothing more pathetic than seeing a vampire reduced to sniffling, sneezing, watery-eyed tired mess bundled under blankets because someone had garlic powder on them.
There's also the fact that, with enough blood, they have regenerative abilities and can regrow limbs. This comes into play later.
I like to imagine they would also be very instinctual. There could be several reasons for this; Vampires don't tend to raise young and that they manifest from dead human bodies through a process scientists still don't quite understand, but it helps them immediately grasp a sense of independence the moment they wake with a ravenous hunger. (On that note, this probably creates a universal pressure to cremate bodies, and that there is a weighty horror if someone goes missing without a proper burial.) This also comes with its own set of quirks; a strong prey drive, unique vocalizations, extremely territorial, and innate understand of "pack dynamics." (a pack of vampires are called a 'Thrall' and the head vampire is known as a "Lord.")
Perhaps I could even throw in a reference to the usual "Victorian vampire manor" that a lot of stories take place in and say that Vampires are naturally attracted to opulence. They like shiny things and will often give a pack Lord offerings of the things they collect from their prey. This can manifest in many character design ways depending on what is available in a particular thrall's territory.
On that note, they are very very territorial, not just against other vampires but humans as well. They tend to have huge disdain for governing systems and often go out of their way cause problems in local areas. That, added with the fact vampires can kill 1-2 humans a month per vampire, a healthy thrall of them in an area can be a huge problem.
This would also add pressure to vampire populations. Larger packs are more noticeable to the public eye, so if a thrall grows too big (or an upstart is eyeing the Lord's position too much) its common for vampires to get cast out from a territory.
That is where Dr. Hikari comes in. In this universe, he is a vampire researcher working for SciLabs in the cloudy/foggy city of Dentech. Because of it's natural weather, its a magnet for vampires, and the need to combat them is high. He is tasked with researching their biology and finding a way to manufacture a weapon against them. This isn't a new move on the human's part, they've been trying to do this for decades, but it's work and the government pays these companies well for having departments dedicated to research. It feeds his family and offers hope to the future of mankind, there's not much to complain about aside from the long work hours.
Everything changes when his son dies. Or perhaps, it's more like, everything changes when his son lives. In a move of intense grief and desperation, he uses vampire blood along with other reagents to attempt to use vampire regenerative abilities to resurrect his son… and in the process creates a new vampire.
Undoubtedly, he is probably horrified by what he did, but the event shifts his world views. Dr. Hikari and his family keep Hub a secret as he begins a side project alongside his work to try and find a way to create synthetic blood with the hopes that perhaps without the need to prey on humans, vampires and humans can coexist. Having a cooperative vampire around as his son also opens his eyes to parts of their physiology and behavior that scientists never really considered before; after all, anything that wont help in their eradication or control isn't worth learning.
All isn't well, however, Hub still needs to eat. At first it is done entirely by Dr. Hikari offering himself, but overtime it is clear that Hub is not eating enough and Dr. Hikari is growing weaker and more anemic, as well as struggling under the work load of two projects. Even with his best friend and coworker Famous helping him. The major worry to come from this is that the hungrier Hub gets, the harder it is for him to control his prey drive. Hub doesn't WANT to do the things his instincts drive him to do, but its not entirely within his control.
Insert the chaos goblin, hope seeker, and the kid who cant stay out of trouble, Lan Hikari, who can see (along with his mother) that this situation is not going well. Someone is going to die, either by overwork and anemia, or by Hub losing control. Lan decides to be 'helpful' and offer his own blood to his brother. This goes surprisingly well, though neither of them realize it right away, since drinking the blood of his genetic twin seems to do wonders for his health.
Of course, they vow not to tell their father about this because he had forbade it. Hub continues to drink his father's blood when offered but drinks a lot less of it. Someone is going to notice eventually when his health begins to improve, Hub's health also seems to be improving, and there's only one explanation: he's getting his blood from elsewhere and 'dear god I hope hes not going on night hunts.'
And thus there are adventures of the two going around and getting into trouble with humans and vampires. I think an 'opulent' kind of character like Regal makes a perfect main vampire antagonist, while Wiley makes a wonderful main human antagonist. There are a dozen ways to slip in other characters between vampire territories and human groups with their own goals.
As a final note, Hub definitely views his family unit as his "thrall" and is very protective/territorial with them. When his dad comes home from work he often finds shiny rocks Hub collected throughout the week left on his home office desk. (This also means that on an average day, Haruka wrestles with Hub's new 'dragon hoarding' tendencies as he keeps bringing shiny rocks or bits n bobs into the house.)
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kristannafever · 2 days ago
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Big Sky Ranch
Kristanna Modern AU Rated: M WC: 1829
In the foothills off of the Rocky Mountains, resides a generational Ranch known to all in the area. Kristoff, a humble hand on that ranch, works hard and enjoys his simple existence. It isn't until a new woman starts at the diner that be begins to acknowledge his loneliness and plans to ask her on a date. When his plans are foiled by a rival group of men, it sets events into motion that plunge Anna and Kristoff into getting to know each other through some very unexpected situations and their relationship blossoms as their lives begin to change.
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A/N: This had been my passion project for over a year, and is the most self-indulgent thing I have ever written. It is inspired by the ranch setting of Yellowstone and the rural area in which I live.
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Anna had only been working as a waitress at the diner for a week, and she was quickly learning what the biggest perk of the job was. 
It was the cowboys.
She’d moved to the small town only a month prior, desperate to get as far away from the city where her sleazy ex-fiancé was.  It was the fresh start she needed after wallowing about that cheating asshole for months.  Truly dark times they had been.
After finding a basement suite to rent since she wasn’t sure how long she would be there before she moved on again, she got the job at the diner, and was truly starting to enjoy life again.  And that was in large part due to the clientele. 
The town was surrounded by ranchlands.  Large farms spread out in all directions, and the roads were ruled by pick-up trucks and farm equipment.  Many times, Anna had gone for a drive to clear her head and she’d come upon some large tractor-thing, and she’d have to squeeze around the slow-moving vehicle in the wrong lane, or wait until it pulled into a pasture.  Even so, she never minded too much, because she enjoyed the drives and admiring the lovely scenery against the backdrop of the Rocky Mountains.
And every day, rain or shine, groups of men came in for breakfast or lunch.  Most of them in the full cowboy outfit; cowboy boots, jeans, roper or plaid shirts, and cowboy hats.  And no matter the size or shape of them, they were all ruggedly handsome in their own ways.
And decent!  Anna had never met so many decent men.  They were all extremely polite and respectful.  They held doors and said ‘please’ and ‘thank you’ and ‘ma’am’, and they always tipped generously even if they only had a cup of coffee and a piece of pie. 
Anna truly did love her job, even if was a lot harder work than sitting behind a desk all day like she’d been doing when she worked at that insurance company with her ex. 
That asshole could rot in hell.
Now Anna had her eyes open for a cowboy.  A lot of them didn’t wear any wedding rings, but that didn’t mean that they weren’t married.  She’d asked one of the other waitresses and was told they don’t wear them for safety, not wanting them to get caught in ropes or machinery.  And the ones that did wear them, wore those new rubber ones that could break if they got caught in something.   It made perfect sense to Anna.  Although it certainly made it harder to tell who was and wasn’t attached. 
Which was why for the time being she just had her eyes open.  She never outwardly hit on any of them for fear of hitting on a taken man.  She just hoped that one day, one of them might just ask her out.  And until then, she would more than happily take in all the eye candy.
*****
Kristoff yawned as he got out of his truck and stretched out his tired back.  Him and Sven got up extra early and treated themselves to breakfast whenever they could, and right now they had a short break before calving season when their days were a little less long.
The air was still chilly with the last of winter’s tenuous hold, and their breath came out in white vapors as they walked through the parking lot.  At least the snow was mostly all gone, and while that meant that him and Sven’s work load was going to ramp up, it was hard to argue with the sun shining bright after six brutally long months of snow-covered ground.
As soon as they stepped into the diner, Sven gave him a nudge with his elbow.
“New girl,” he said under his breath, and flicked his head in her direction as they walked to a booth along the front windows. 
Kristoff glanced her direction then turned to Sven and gave him a hard stare.  Ever since he got engaged, Sven had been trying mercilessly to set Kristoff up with someone and it was starting to get on his nerves.  The girl was really cute, sure, he just wasn’t interested.  He was too damn set in his ways to be interested.
They sat in their favourite booth, took off their cowboy hats, and set them on the seat beside themselves.  Kristoff ran a hand through his hair a few times, shaking out the hat line, and the new waitress came over straight away and set menus on the table. 
“Morning, gentlemen.”  She smiled brightly.  “What can I start you out with today?”
“Coffee, black, and a water,” Kristoff said.
“Same here,” Sven said, “please.”
“Coming right up.”  She gave them another bright smile and walked away. 
“City girl,” Sven mused.
“Yup.”  He’d heard her accent too.
“She don’t have a ring.”
“Sven-”
“Come on, man.  You livin’ like that ain’t healthy.  All alone in that cabin.  You should move back to one of the main houses.”
“You know I don’t like being around people too much.”
“You like being around me.”
“Yeah, well, you’re the one exception and you know that too.”
“You could make another exception,” Sven flicked his head to the counter where she was pouring them coffee, “for her.”
“If you don’t cut this out, I’m gonna strap you to that nasty old bull out in the east pastures.”
“Ole’ Bruce?”  Sven laughed.  “That bull don’t got any fight left in him.”
“I beg to differ,” Kristoff stated.  It was only a month ago that mean old brute had him scrambling for the fences when he charged Kristoff.  And of course, no one had been around to see it and they all told him he was making shit up.  That bull had it out for him, Kristoff knew it.
The waitress came back with the drinks and they ordered their usual; the cowboy breakfast.  It came with two eggs, three strips of bacon, a pair of sausages, hash browns, beans and two slices of toast.  Both him and Sven would eat it all and be starving by noon. 
They ate quickly and Kristoff pulled his wallet out of his back pocket since it was his turn to pay.  The waitress came back with the bill and a card machine which Kristoff waived off because he always paid with cash.  He gave her a pretty nice tip since she’d kept their water and coffee cups full.  He hated it when he was halfway through his meal and he had nothing to drink because the cups weren’t topped off. 
On the way out, when Sven wasn’t looking, Kristoff glanced in the waitress’s direction.  She had her copper hair in braids, and actually, was very attractive.  He always had been a sucker for freckles.  If he was interested in a relationship, he might ask her out, but he was more than content not having to deal with what came in having that sort of thing.
*****
Anna watched the pair of cowboy’s head back to their big dually in the parking lot.  They’d been the best-looking ones yet.  Especially that blond with the big nose and the pretty brown eyes.  He was very handsome.  And built!  The guy’s biceps were giving that roper shirt a serious quality control test.  She felt a little flustered to suddenly think about what being with a man like that would be like.  Her ex had been on the skinnier side and nowhere near as tall.  Not to mention never really left her satisfied.  She had a feeling that the handsome blond cowboy sure wouldn’t disappoint. 
He didn’t really say much, he left her a very nice tip, and he did say thank you when she dropped off their breakfast, even if he didn’t say please when he ordered it.  Anna hoped she’d see him again soon and found herself hoping that he was single and looking.
~   ~   ~   ~   ~
Sven suggested breakfast again the next morning and Kristoff damn well knew why.  Still, it was hard to argue against a big brekky that he didn’t have to make himself.   They drove to the diner and sure enough, the attractive waitress was working.
They sat in the same booth and she came over a moment later with coffees and waters.  It impressed him a little that they didn’t have to order, even if was presumptuous of her. 
“Same as yesterday, gentlemen?” she asked, after she’d set their drinks on the table.
“You bet,” Sven answered.
“And are we sticking with sunny-side up eggs and rye toast?”  Both men nodded.  “Perfect.  I’ll have that right out to you.”
Kristoff found himself watching her walk away.  She sure had a nice smile.  Very friendly.  Good for getting better tips for sure.   And those eyes were something else.
“You should ask her out,” Sven persisted in a hushed voice.
He turned to Sven and scowled.  “No.”
“Why not?”
Kristoff shrugged and couldn’t really come up with a good answer. 
Sven heaved a big sigh.  “You know what, I give up.  You’re hopeless.”
Kristoff sneered.  “Like you pointed out, she’s a city girl.  Only one way a relationship with her is gonna end up, and that’s me being dumped after a week.”
“Maybe if you would just try-”
“That’s enough,” he said, very serious.  “I’m not in the mood.”
Sven scoffed.  “Fine, whatever.”
Kristoff looked down at his hands and started to dig some dirt out from under his thumbnail.  Sven had no idea what he was talking about.  Kristoff had always tried.  He did his best, even though he was pretty damn clueless about romance.  Which seemed to be why none of the ladies he’d gone out with stuck around long.  He did try, and it was never enough.  It had left him jaded about dating. 
Their meals came out quickly and they ate even quicker to get a head start on their day.  It was going to be another long one, meaning come Friday night, both of them would be more than eager to blow off some steam at the saloon. 
*****
Anna gathered up the tip the other cowboy had left on the table.  It was still very decent even if he wasn’t as generous as the blond.  Neither of the men seemed like they were looking for a date, so Anna gave up on thinking that either of them were single.  Like most of them, they were probably taken, leaving Anna wondered what she had to do to bag herself a cowboy.
Another waitress had been talking about going to a saloon by the highway at the edge of town on Friday evening for some dancing and asked Anna if she wanted to tag along too.  She accepted, giddy at the chance that perhaps she might have her opportunity there to get herself a date, even if she was warned that the crowd could get pretty rowdy. 
--
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oodlesodoodles · 2 months ago
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