#because she doesn't grant me any

[lifblogs]

My mom with one illness: Oh no, I can't do anything anymore. This is so terrible. My life is over.

Me with 19 illnesses still chugging along: 🫤😐

[bittersweetresilience]

so do you think he succeeded?

[yohankang]

not to be emotional on main but my granparents are on their first ever trip abroad they could afford on their own and they sent me a picture from the airport and okay maybe i am emotional

[abluehappyface]

It's been a while since I've been growled at...

[keep-this-all-in-mind]

why is sandra tennyson's characterization so different between UAF and OV? D: like i know it's Funny to have her be the mom variety she is in OV but it's like a 180 from how she is in UAF? and i know she's a background character for the most part but. still.

[fragmentedblade]

Criticism about Yingxing using the power of Abundance being ooc, as if he hadn't done it before. As if it weren't common practice in the Alliance, despite themselves

[musical-chick-13]

Like, I DO think people get too wound up over fictional constructs--that, very pointedly, are not real and whose actions are made up and do not actually affect any real people--doing horrible things in-story, but I also think it's fair for someone to say, "This action sits poorly with me even in a fictional setting, in such an intense way that I cannot move past that or find sympathy for it," and "People are saying this bad behavior isn't actually bad, in a way that is meant to be taken seriously and at face-value, and that makes me severely uncomfortable."

Granted, this all gets muddled very easily because that's not what people mean most of the time, they just want to over-moralize fiction and say, "If you like this pRoBLeMaTiC thing for any reason, you are a menace to society" for Superiority Points. (They also like to invent problems that don't actually exist to "prove" that they have the moral high ground in not liking something remember when people tried to say catra/adora was incest because they grew up together because I sure do.) But I feel like there is a split between people who use "[character] apologism" in the sense of "I will be okay with this character doing whatever fucked-up thing they want in the story because I like them" vs "If you find this character compelling or want them to succeed, you would one-to-one condone their actions irl" vs "I have seen people genuinely say, with no joking or irony, that this character never actually caused any type of harm to the other characters within the story, and I don't like that."

[coockie8]

People who don't mind their picture being taken can never just leave well enough alone, I swear to the Gods.

My mom is endlessly telling me I'm going to regret having not let people take my picture when I was a kid when I'm older, and as someone who still, to this day; I'm 25 at the time of writing this, does not like other people taking their picture, I'm gonna have to just firmly disagree with that.

Also, it's not like no pictures of me as a child exist, just not tons, and I like it that way. Like seriously what does this lady think poor people did before cameras became mainstream? Or even before the camera was invented!?

Actually, people just didn't know really what their parents looked like as children for the vast majority of human history, and that's not really a bad thing. It's not a good thing, but it's not bad; it's neutral, like most things are.

[inkskinned]

i love finding out how big this world is. my girlfriend has only visited boston a handful of times, but i grew up here. i told her we'd be going to do the tourist traps in salem, and she said - which salem?

to be fair to her, there are a lot of other states that have a town named "salem." and i think there's some evidence that the witch trials actually happened in what is now called Danvers. but the thing is - she thought "salem" was like, a made-up thing. there wasn't actually a salem, massachusetts - like there isn't a gotham city.

they don't talk about it that much where she grew up, is the thing! and this made me laugh. a week ago she was talking about her hometown and said something akin to "well the museum's kinda like the one in richmond," and i had to explain i still had no frame of reference for what the hell this museum was like.

i love finding out what knowledge i take for granted. i used to live with 5 other women. 3 of them were from south korea. they had to take, like, a solid fifteen minutes to explain their birthday system to my gay math-blind ass, laughing as they did.

that same month, our roommate from denmark taught me the danish word for wreath by accident - she'd been talking about decorations, used krans, and i'd been able to figure it out through context. i just picked it up and kept talking. our entire house used krans as the word. she came home and slammed the door one evening, mock-angry, shouting: you motherfuckers! it's a - a wreath!

and how often do you use certain words, anyway! i am cuban, so i was raised with certain spanish words sort of sprinkled in there; but never how you'd think. in middle school i asked someone to pass me the recogedor - in a completely american accent, like i was speaking english. i hadn't registered it as a spanish word. i mean, how often in school do you actually use the word "dustpan" - i'd only ever heard it in the context of cleaning my house.

there are places that you grew up that you, just, like, know. that you assume everyone knows. there are things and people and "common knowledge" that you have that, just, like. doesn't exist for me. i don't know what you call your public transportation system, but in boston we call it "the T". our train cards are called charlie cards because of a song where a father accidentally abandons his family, which was written because our system of transportation. in boston, most people would snort and say everyone knows that, kid.

i think you and i should go on a long walk - it's getting dark early these days and we need any sun we can manage. tell me about the first time you saw snow. tell me about the stuff everyone knows about your home. tell me about the cities "everyone's been to," about the food "everyone's already tried." who knows. maybe it will feel nice to you - watching someone learn about it for the very first time.

[pearlymel]

A dance— Capitano

Synopsis : your relationship with him grows, and he seems sweeter than ever.

Wc : 3.2k

Warnings : contains NSFW content, fem!reader, reader is mostly called 'wife', he's super sweet, soft sex, unprotected sex, breeding kink kinda, reader wears a dress and heels.

Notes : part 2 is heree! I highly recommend reading part 1 here. And part 3 is out here!

You've tried creating art, you've tried cooking (with the help of your personal maid, Marina), you've even tried planting.

Yeah, you're a plant mom now. Not only that, you're a cat mom too. Saving the poor kitty from the harsh rain one day, you couldn't leave the poor little one outside. It's mother seeming to abandon it.

All because you have become extremely bored on the days where Capitano wouldn't be here, and he forbade you to even clean your shared bedroom because he thinks it's useless when there are servants present to do the job. (He doesn't want to tire you out.)

Come to think of it, the last time you saw him, he kept avoiding you. Whenever you tried striking a conversation during dinner, he would only hum and nod. Or when you suggested to have another picnic, he flatly refused, and it felt like the hardest rejection to your face.

It's like he had his own mood swings that you had to deal with. One day he would indulge you in the activities you wanted to do, then the next he would refuse.

Like last week.

“I used to do this when i was young.” You tell him with the softest smile to yourself, your fingers working carefully with the flower petals and strings. You were determined to make this flower crown, and you were taking your sweet time just to have him by your side.

Capitano silently listened to your words, his gaze fixed on your gentle movements as you delicately fashioned a flower crown. The air between you was calm, "You have a talent for making flower crowns," he eventually responded, his deep voice breaking the tranquil silence.

"Did you learn it from someone?”

“No… just by myself.” He couldn't help but be impressed by your innate ability to create such an intricate accessory without any formal instruction. "Self-taught." He mused, "You have an unusual aptitude for discovering things on your own.”

You hum back while adding the finishing touches, and he watched your proud display of the finished flower crown.

“this is for kitty!” You smile at the thought of the little one purring with a pretty crown on it's head.

Kitty? Capitano is confused once you start talking about the cat, you seem even more excited when you described how you cuddled with it.

"You just happened to come across this crying feline in the rain, and you brought it home with you?”

“yes! Ah, well… i hope you don't mind.”

“i don't.”

And that was the last of your conversation, and it's been a week since you last saw him.

“my lady,” You recognise the voice of Marina as she knocks on the door, and you grant her the permission of her entry.

You set the sleeping kitten on the fluffed up pillow to reach for the letter she hands you.

An invitation to the grand ball… you read the contents of it, scanning every word as you pull the paper down.

“like a party?” you ask, glancing up at her, "Yes, that is correct. A grand ball is taking place tonight. It's a gathering of the higher-ranking Fatui members and a few... select guests.” she trails off, unsure of what else to add on.

“I can see that this invitation is for Capitano, not to me.”

“lord Capitano doesn't normally attend these grand balls. So my lady, you will have to go instead.” Marina explains this and you feel like you're going to have a headache.

All you wanted to do today was sleep in with the kitten. Not to trouble yourself in some party.

But… if it's for the sake of your husband's reputation, then you are willing to do it.

You hope you don't pass away too quick from your social anxiety.

“Marina, does this really suit me?” You stare at your reflection, and Marina looks at you approvingly, her eyes taking in your stunning appearance. "Sì, my lady, it suits you perfectly," she assures you, "The dress brings out your features beautifully and fits your figure perfectly.”

“and the colour?”

"Oh, yes, the color is exquisite. It complements your skin tone perfectly. You look like a princess attending a royal ball.” and you smile shyly as you take your seat, “You flatter me too much, you know?”

Marina chuckles softly, moving behind you to work on your hair with practiced ease. "It's not flattery if it's the truth. You look truly radiant today." She begins to style your hair, weaving intricate braids and pinning them in place with delicate silver pins.

Though you can't even lie to yourself, you looked absolutely gorgeous, even when you felt a little down since you would be going alone, and you barely knew anyone.

Marina pauses in her work for a moment, her expression becoming sympathetic as she sensed your nervousness. “It's natural to feel that way. But I believe you will be fine. You are strong and independent." She resumes styling your hair, her fingers moving nimbly to create elegant curls.

You smile at her, looking at her from the mirror, “thank you.”

"It is my honor to serve you.” As she finishes your hair, she steps back to admire her work, a satisfied expression on her face. "You are ready, my lady.”

You are ready.

You are not ready.

Because why was everyone's eyes piercing bullets through you as you entered the main hall?

The whispers and murmurs start almost immediately, the guests clearly intrigued by your presence. However, you manage to keep your composure, straightening your back and walking forward with confidence, just like how Marina taught you.

Stay calm they won't eat you, you tell yourself, trying to maintain your composure under the weight of their gazes.

You were here to make friends, hopefully.

You scan the room, hoping that someone would approach you to engage in conversation. Yet nobody, not a single soul, seems to have the courage to do so. The guests continue their conversations and dances, seemingly ignoring your presence.

And so, you find yourself standing alone, sipping on a glass of champagne, feeling lost and slightly out of place.

Well this is boring. You could've stayed in with Kitty and Marina, but at least you get free food. They always taste better, right?

Everyone went silent all of a sudden, but you ignored it at first and continue taking sips of your drink.

But the silence becomes uncomfortable, just what happened to the party?

You turn around, your eyes widening immediately in surprise as you see Capitano walking towards you. Your heart seems to skip a beat as you watch him approach, his presence commanding attention and authority in the room. Capitano stops in front of you, you can't make up what his face must be like right now, but you think he has a stoic expression on his face as he takes in your appearance. His eyes roaming up and down your figure, seemingly appreciating the elegance of your dress.

“husband?” You blurt out, setting your glass aside to greet him.

"Wife," he says simply, acknowledging the fact that you have finally addressed him by that term.

The tension breaks when soft, elegant music begins to play, signaling the start of partner dances in the middle of the ballroom.

Capitano seems to realize this as he glances around at the couples already making their way to the dance floor. He then turns back to you, his expression unreadable as he silently contemplates the situation.

He can see the slight tension in your shoulders, the way your hand clutched at your dress.

"I suppose we should dance, wife.”

“you want to dance?”

"Yes," he responds. "It appears it's customary for couples at these events to dance together." He extends his hand in your direction, gesturing for you to take it. You take his hand, wrapping it gently around his gloved one. His fingers close around your hand, his grip gentle yet firm as he leads you towards the dance floor.

You notice the whispers and murmurs among the guests growing louder. But you chose to ignore them.

Capitano guides you to the center of the dance floor and positions himself opposite you, his hand settling onto your waist, and your hands on his shoulders.

"Do you know how to dance?" You whisper to him, making sure no one listens, and your eyes are on him.

"I may not engage in these social events often, but even I understand the basics of dance." His hand on your waist pulls you closer to him, you follow his lead.

Interesting.

He leads the dance with of assurance and grace, his movements fluid and confident. As you follow his lead and swirl together across the dance floor, your eyes meet his, and you find yourself unable to look away. The closeness between you makes it feel as if the rest of the world has faded away, leaving only the two of you dancing together.

You notice how he seems to turn his head slightly to look at others, mimicking their movements swiftly, it makes you smile to yourself.

His hand on your waist feels warm, almost burning even through the fabric of your dress. It's a strange sensation you've never felt when touching him, despite having already kissed (once) before.

”my dress,” you whisper amidst the graceful dance, “what do you think of it?”

You figured you always needed to give him a little push when initiating things.

His attention drift down to take in the sight of your dress once again. His gaze roams over the fabric, lingering on the way it clings to your figure, and how the color contrasts against your skin.

"It's... " he pauses, you're just wearing a dres, but he finds it difficult to describe what he feels, "Very pleasing to the eye.” he manages to continue.

"You look rather well tonight, as well.”

“Thank you, wife.”

The music suddenly shifts to a slower tempo, and Capitano instinctively adjusts his hold on you, pulling you slightly closer as he continues to dance with you.

You totally ignore how your face is almost pressed up against his chest.

As interesting as the party was, the worst part of was walking back to the estate. Why? Because the carriage decided to break down, or maybe the horses were sleepy, you don't know.

You're glad your husband is with you, or else you might've been sacrificed to the dogs at night, now even ants will fear this big guy.

But what's worse? Your damn heels are killing you. The sides of your pinky toes are already aching that you are sure it will cause nasty blisters by tomorrow.

"Perhaps next time you should wear more comfortable shoes." He stated bluntly, his deep voice betraying no pity for your situation. “but they look pretty, plus i feel elegant in them.” you stop at your tracks, looking up at him with a defeated expression.

"I'm well aware." he says dryly, "But at what cost? You're practically torturing yourself with those heels.”

He's half right, your point still stands. Beauty is pain. And now you'll have to sacrifice your beauty.

Bye bye heels. You slide them off your feet, bow having your poor feet to walk on these rocky grounds. You do feel a little better after, though.

“stay still.” He utters, and you're confused, until he takes your heels in one hand before you feel a shift of your weight off your feet, finding yourself being carried into his arms.

you wrapped your arms around his neck silently, your eyes glancing up at him as he continues walking like he you weigh nothing.

The air around you is peaceful. You feel safe with him, he's not like the scary man you hear from the others. Maybe to others he was, but to you? He was soft for you.

Your head leans on his chest where his heart rested, the beats of his heart makes you sleepy, but you refuse to sleep just like this, you want to spend every single second savouring this feeling.

Capitano carried you all the way to the estate, and through the dark corridors, making his way to your shared chambers.

The soft moonlight filtering through the windows was the only source of illumination, the atmosphere around you quiet.

He gently deposited you back on your feet, you're back home safely.

“thank you.” You whisper, your hands reaching to take the pins out of your hair to let it breath from the scruffy yet beautiful hairstyle, and Capitano starts taking off the heavy layers off him as well, with the helmet out.

You don't notice how one of your dress straps seem to fall off your shoulders, but he notices, and oh did that make something in him stir.

His steps closer from behind you, his hand reaching to put the strap back in place, but instead, he glances at the other strap.

It looked rather lonely being on your shoulder, his fingers delicately sliding the strap down which makes you ultimately still in your place.

Your entire body trembled slightly as Capitano's hands caressed your skin, tracing gentle paths across your shoulders and back down to the zipper on your side. “May i.. help you out of your dress?” His low, gruff voice, asking for permission to help you out of your dress, made your heart beat faster.

You could only nod in response, your voice silenced by a mixture of anticipation and desire. Capitano's touch was meticulous, his thumb and index delicately moving down the zipper with deliberate slowness, prolonging the tension.

Capitano lets out another low hum as he watches the dress slide down to your ankles, now leaving you only in your undergarments. His hands traced the contour of your body, his touch delicate yet possessive. His own breathing became ragged, the sight of you partially undressed igniting a fire in his eyes.

“Will you allow me to touch you?”

The question makes you turn your head, of course he can.

When you don't stop him from wrapping his arms around you, his chest pressed against your back, he takes it as a green light to continue.

His hand first brushed your hair out of the way, to allow his lips to come in contact with the nape of your neck, “you're so beautiful..." he whispered, his hot breath sending jolts of electricity through your core.

“I don't…” he hesitates, wanting to move his hands away, “i don't want to do anything you don't like.”

And your expression softens at his concern, you turn around to take his face into your hands, your thumbs caressing the apples of his cheeks and he nuzzles into your touch, wrapping a hand around your wrist before pressing a kiss to your palm. You further reassure him by littering his face with your lips, giving every empty space of his skin with at least one kiss.

“Allow me to experience this with you, and i shall take care of you till i take my very last breath.” he hoists you up easily into his arms, rough hand under your thighs as you wrap your legs around his waist, he laid you down on the soft sheets, his body covering yours as he looked down at you.

“You occupy my every thought,” he starts, “that it feels sinful to even look at your way.” He leaned down, his lips capturing yours in a searing kiss as his hand continued its exploration, ripping your bra off to cup your breast, feeling your nipple harden under his touch. He rolled it between his fingers, pinching it gently as he deepened the kiss when you gasp, his tongue delving into your mouth, savouring your taste and angelic sounds.

He leaned down afterwards, his mouth latching onto your nipple, sucking it into his mouth and your hands find his ling strands instantly, tugging on them while being careful not to hurt him.

His fingers traced down to your hip, giving them a firm squeeze before ripping your panties off next, his thumb rubbing circles on your clit, feeling you writhe and tense up under him.

It felt like an unknown territory you've yet to explore.

Upon sensing your discomfort, he presses his lips to your eyelids, then to your neck, taking his time until you relaxed, until you started feeling good based off how you were bucking your hips now.

Oh how he wanted to take his time with you, but he was aching so bad that if he continues touching you he might just burst embarrassingly fast in his pants.

“Let me in, my wife.” He gently starts massaging your thighs as he parts them, making you feel more exposed than ever, but he distracts you by softly kissing you again and again while he's unbuckling his pants and pushing them down, revealing his throbbing thick, hard cock.

“Capitano—!” you try to squirm away when you feel his tip push into your tight hole, your lips parting from the way he stretched you open, but at the same time you felt relaxed with his soft whispers of ‘take your time’ and ‘you’re doing well, my wife.’

Your cunt soon takes in every inch, swallowing him whole until you were a panting mess, and you didn't even start.

Capitano then began to move, his thrusts slow and deep at first, letting you get used to his size, to how you feel, to how he feels as he makes love to you for the first time together.

You feel your heart up to your throat and ears, it felt incredible, something you've never felt before, your soft moans echoing in the air along with a few groans coming from him.

He shivered when he felt your fingertips trace the few scars littering his shoulders and back, his dick twitching almost instantly before his thrusts grew faster, more urgent.

His hand reached down, returning back to draw circles around the bundle of nerves, and he could feel your body tense, your walls clenching around his cock as he continued to rub your clit.

“come for your husband,” he breaths heavily next to your ear, and you come undone, your moans filling the room as he felt you milk his cock. He could feel his own release following after, his balls tightening before he slammed into you one last time, spilling thick ropes into your womb, until you were filled to the brim.

Your legs were shaking slightly around him, yet his warm embrace afterwards made you melt, eyelids heavy with him still being buried inside you.

—

You groggily woke up, still half in a dream-like state, the room bathed in shadows due to the closed curtains blocking out the morning sun.

As your senses slowly returned to reality, you heard a soft meow next to you, and sure enough, your little kitten had made itself comfortable in the middle of the bed. To your surprise, Capitano, who was still asleep beside you, didn't seem bothered in the slightest by the creature's presence.

“pst,” you whisper to your husband who only hummed in acknowledgment of your attention. “Can we go have a picnic this early morning? With our baby kitten of course.”

Tags: @sayastyx, @nastylilcvnt, @bigboygoose,

[alienpistol]

persona 5 fanbase: royal is canon! royal is canon! you have to accept it!!

strikers: who is Kasumire. what the fuck is a Maruki. Akechi who?

tactica: here they are in DLC. these characters are only available in NG+ which means they aren't canon to the ongoing story and therefore questionably canon at all. what is a Maruki. Wolf? Sophie? who?

[kirain]

I want to take a moment to talk about Gale's "obsession" with Mystra, because I've had that thrown at me a lot when discussing his character with players who hate him.

First off, I'd like to emphasize a point that many people already know: Mystra groomed him. Though his exact age when she "slept" with him isn't known, a new document that's been supplied in the epilogue confirms he was merely "eight summers" old when she took him under her wing and sent Elminster to find him. Mystra, in fact, has a vast history of grooming little boys, to the point that many parents hide their sons from her gaze if they show an early aptitude for magic. Though Gale did have other lovers before her, Mystra was really all he knew throughout his childhood, and the power dynamic was not equal. It makes sense that he'd have trouble pulling away from her at first, especially since she convinced him that she/the Weave were his only value in life.

Second, I want to discuss something most players probably aren't aware of. In D&D lore, there's a place called the City of Judgement. This is essentially D&D limbo, where all mortal souls go to be judged after death. Bad news for atheists, if you don't believe in or worship any gods, you're known as a "faithless", and since no gods will grant a faithless entry into their domain, your soul becomes part of the Wall of the Faithless.

In short, a faithless' soul will be sucked into the wall, where it will guard the city and suffer endless torment for all eternity. This fate isn't only reserved for faithless, however; it's also a punishment for fallen Chosen or anyone who's been abandoned by their gods. Like Gale. He's absolutely terrified, and he tells you as much if you romance him. If you keep things platonic, he alludes to it during the "go to hell" scene. This is compounded by the fact that raiding demons sometimes attack the City of Judgement, tear souls from the wall, and drag them to the Abyss, where they're used to spawn new low-level demons or to feed their masters. There's no good ending, whether a soul remains trapped in the wall or not.

Gale doesn't explicitly say it, but he's contemplating his own death here, as he probably did the entire time he was locked away in his tower. This is why he's so quick to agree to kill himself for Mystra's forgiveness. It's not because he's "obsessed" with her or because he wants her back, it's because he'll literally go to hell if he can't convince her he's worthy of her twisted sense of forgiveness. By the time we meet Gale, he's honestly over Mystra in all romantic sense, and even more so by Act 2, whether you romance him or not. He's simply...

[hedgehog-moss]

Pampérigouste escaped today and I almost didn't make a post about it because it's just more of the same isn't it? do people who read this blog really want to hear about yet another Pampe escape? Then I thought, that's like asking if people who read detective novels really want to hear about yet another mysterious murder. Probably yes. Also Pampe would have been offended to have such a successful escape go unreported.

I would like to say that my new fence is still fully Pampe-proof. She has not escaped a single time through breaking or outsmarting the fence, so now she does it by outsmarting me. Which doesn't happen all that often, because we are intellectual equals. But I let my guard down this morning—I'd just peeled some greenhouse carrots to make purée and I went into the pasture to distribute the peelings even though it was raining (see how I got punished for my selflessness?), and I left the gate open because I was right in front of it, obstructing it with my body.

Pampe dropped her carrot peelings and acted like she couldn't find them even though they were right under her feet, so I took pity on her and crouched down to gather them and offer them to her again (see how I'm getting punished for my compassion??) and she took advantage of this diversion. In the span of 0.2 seconds she slithered around me and she was out. It was a little bit beautiful. I don't know if you remember this photo of Pampe & Pyrgus, but it's a perfect illustration of what happened:

I sighed and ignored her and finished distributing the peelings to the other animals, and then went to the barn to get muesli to lure my nuisance back to her pasture. After escaping she initially ran towards the woods, but since I ignored her the whole time, she emerged from the woods when I returned, like, wait, did you notice I escaped? Behind your back, just earlier? Did you notice how I won and you lost?

It shouldn't have been difficult to get her back into the pasture with the help of her favourite snack; unfortunately Pampoldine is still a big baby who was distraught that her mum had left her behind yet again (she should be used to it, honestly, it's been like this since she was an infant), she started making these little panicky noises that Pampe has never paid any attention to—

—so when I propped the gate open with a branch to get Pampe back inside, Poldine hurried out instead. I wasn't expecting this, I thought it was clear that I had the situation under control and her mum would be back in 5 seconds. You could have just waited 5 seconds, Poldine.

Pampelune had no interest in escaping, but she's the matriarch and where her herd goes, she goes, so once the other two were out she barrelled past me as well. I opened the gate to bring 1 llama in and instead 2 llamas went out. Pirlouit besides me was like

For some reason the llamas galloped towards the road, instead of just hanging out in the woods where there's stuff to eat. Maybe because Pampe hadn't gone out in a long time and she wanted to be admired for her feat. Her wish was granted—2 cars stopped to say hi as I was miserably trotting after my llamas on the road in the rain. One of them was the post office lady who once herded my animals out of a pasture with her car, and she was like hop in, it'll be like old times!!!

The two people who stopped their car were enchanted with the encounter and they both told me that they missed the days when Pampe Sightings on this road were a regular thing. No one sides with my fence in the Pampe v. Fence conflict. I love the post office lady though, she had a Niagara song playing in her car when I got in and a minute later I muttered "I'll sell her to the butcher" and she started singing "Pampe ♪ Je vais devoir te vendre au boucher ♫" to the tune of that song. It fit the tune really well, too.

After we managed to get the llamas off the main road and back in the woods, she was like, godspeed, I wish I could continue chasing them with you but I have to go make lunch for my kids. I told her that now that the llamas were no longer on the road I'd just let them roam, they'll come home before night, no way I'm going to chase after them in the woods in this dog weather. So I went home and grumpily resumed peeling carrots and potatoes for my mash.

I sat in front of the window to do it so I could keep an eye on Pirlouit, who was wandering around the pasture like a cursed soul, drenched with rain, lonely and llamaforsaken. Sometimes he brayed to try and guide his friends back home, wherever they were, but he never brayed while I was filming. His braying is a poignant display of emotion and is not for public consumption.

I figured, if the llamas come back Pirou will spot them and perk up his immense ears, and I'll know to go out and open the gate. Instead at some point I looked up from my potatoes and saw my donkey finally at peace, grazing rather than pacing restlessly, and I went to look outside and his friends were back! And so was his appetite.

I had new peelings + some muesli to offer, but of course Pampe could tell this offering was a crude and blatant trap and refused to fall for it. Meanwhile her innocent daughter was like yay, snacks :) and followed me in the pasture, a llama entirely devoid of wiles.

After I got Poldine back inside I went like WELL since NOBODY else wants that delicious MUESLI I guess these deserving chickens can have it—and Pampe was here in the blink of an eye to shoo the hens away from her muesli.

She was grudgingly smiling about it, too. Like, point for you.

I love this pic where my chicken looks like she's herding the animals back in their pasture all by herself.

Everyone is home! Pampe and Pandolf are walking away in search of new adventures, Poldine follows her mum because of her abandonment issues, and Pirlouit is also following everyone very closely, like, I'm not getting left behind again.

I finally managed to cook my mashed carrots & potatoes (+ herbs from the greenhouse) and it's so nice to make food with nothing but ingredients you grew yourself! (To be completely honest I only managed to grow 3 carrots in the past few months but that's because I neglected them in pursuit of more flashy summer vegetables)

I also had an apple-plum compote for dessert made with my own fruit <3 Okay, the cheese course in between was store-bought. One of my friends really wants me to get goats and be self-sufficient in cheese and when I told her I would be constantly chasing my goats over hill and dale because they have a reputation to be insufferable escape artists she was like, what difference will it make to your life...

[ddejavvu]

Omg could we get another part of animagus cat reader and Sirius? Maybe they’re napping together and the boys try to take cat reader as a joke/because they’re curious while she’s sleeping and she suddenly transforms back as they pick her up LOL. Sirius is grumpy to be woken up/have their special time now exposed hehe

part 1

--

Sirius's bedcurtains are drawn, a clear sign that James and Remus should grant him some privacy.

Unfortunately, James Potter has never been one to take hints, and Remus strictly stays out of their shenanigans. It's only when James gasps with the entire capacity of his lungs that Remus peers curiously over at the bed in the corner, intrigue piqued when he finds a newly familiar form curled up on Sirius's chest.

"That cat!" James hisses, and he's particularly lucky that Sirius is laying on his side with your chin nuzzled over his ear, or the boy would have heard him. Instead, it's you that wakes, eyes blinking open wide as you stare at the men staring back down at you.

"Hi, darling," Remus hums softly, reaching out a tentative, scarred hand to hover it near your nose. You don't need any time for inspection before butting your head up against the heel of his palm, and he grants you a warm chuckle and scratches behind your ears. When you're not transformed, the feeling of someone toying with your hair is entirely unwelcome. But now you lean into Remus's touch, slumping relaxed once more over Sirius's ear.

"Stop hogging her," James urges, sticking his own hand less ceremoniously beneath your nose, "I want a turn."

Remus concedes with an exasperated grimace, but lets James take over anyways. He's lucky that you're you and he doesn't even know it, because if he'd tried petting any other cat by jamming his fingers into their neck, he'd be walking away with several scratch marks on his arms. But you forgive him as he tries petting you too similarly to how he pets Sirius in the man's own animagus form, all riling strokes and heavy-handed pats. You let out a soft mewl of protest when he tries picking you up, and Remus mutters something about you being the most patient cat in the world.

"Just leave her alone, James," Remus warns his friend, "Her patience is gonna wear out."

He listens for only a second, then decides he knows best.

"S'alright, Moony," He promises his friend, over-confident and too eager for affection he hasn't earned yet, "She's layin' all over Sirius, clearly wants a cuddle. You snooze, you lose, now it's my turn."

James's hand slides to your underbelly, an area you're not fond of being handled at in this form. Annoyance surges through you, prickling at your fur and making you long for the smooth expanse of your human skin again, an urge that you give into without much thought when James tries prying you off of Sirius's face.

There's a lot of noises at once. A pained yelp from Sirius, when you form suddenly weighs a lot heavier on him than it was when you'd laid down. A 'woah!' from James as your fur gives way to soft skin beneath his hands which he quickly retracts. A soft gasp from Remus who hadn't been expecting the rather unpleasant sound of transforming between bodies.

Two sets of eyes regard you with incredulity, and one blinks slowly beneath you, laden with drowsiness.

"It's you," James breathes, an air of amazement in his voice that shouldn't be there; after all, he's an animagus as well. Surely he should have noticed shifty behavior or a change in mannerisms from you. All of a sudden your preference for Sirius's softer, fluffy sweaters makes sense.

"Yes, it's me." You huff exasperatedly, perched precariously on Sirius's once-sleeping form. He's not pushing you off but you're sure it's not comfortable, so you slide yourself in front of him instead, easing back against him and letting him spoon you.

"Cat's out of the bag," Sirius rasps sleepily beside your ear, and you don't have to look at him to know he's grinning at his rather pitiful joke, "Did he try to pick you up?"

"Right around the stomach," You gripe, glaring at James while Sirius wraps his arm around the very portion of your body you'd just forbidden James from touching, "Like a toddler."

"For the record," Remus calls, "I was nice to you."

"I was nice too!" James gawps, "I just wanted a cuddle."

"Get your own girlfriend," Sirius drawls lazily, his face buried against the back of your head, and maybe it's a biting statement considering one Lily Evans is still firmly opposed to the presence of James in her life. Sirius knows, and amends it, "Or crawl into Moony's bed. I don't care, "Jus' keep your hands off m'girl."

[literaila]

jealousy

gojo satoru x fem!reader

summary: satoru doesn't like the way the barista is looking at you

a/n: figured i'd give you all a little fluff (save me from this void)

last part | next part

*

year five.

“megumi, go get your mom.” 

satoru and megumi are sitting in a crowded cafe, saving your spot, waiting for you to come back. 

while the sun coming in through the window satoru is sitting across from is partially blinding him, he can still see you. 

you, trying to order, being ogled by the barista who's been granted the pleasure of speaking to you. your smile is normal--to satoru's obvious disdain--and you don't even seem to mind the man's obvious flirting. 

(not that it really means much. when satoru leans in like that, you just push him away. when he swoons at the way you've done your hair on any specific day, you just roll your eyes. 

so maybe you're not the best judge of flirting. or attraction. or how to reject a tiny schoolboy, like the one you're talking to.)

satoru's only been watching this interaction for thirty seconds, but he's had enough. 

“why?” megumi turns, looking back at you. “she’s getting us hot chocolate.” 

satoru sighs, no care in the world. can't the kid ever listen to him? “go hold her hand then.” 

“why?” 

“because.” 

“but why?” 

satoru gives megumi a (pathetic) glare. “listen to me, young man," he tries to say it like you would--if megumi ever denied any of your requests--but it doesn't work. satoru has to try not to laugh directly after the words are out of his mouth. 

so what if he doesn't want you talking to that kid? he's just looking out for you. 

megumi's brows raise. he looks... almost amused. “what’s wrong with you? you go hold her hand.” 

satoru hangs his head. you told him to sit here and keep the table for all of you, told him to watch megumi and not do anything stupid--which, to be fair, is difficult for him. so he can't go get you (save you).

and plus, he doesn't want you to know that he cares. if you like that kid--with his stupid dark hair and eyes and soft smile and obvious heart eyes--then he doesn't want to know. 

and if he goes up to you, he'll know. 

“i can’t," he tells megumi, instead of saying any of that. the boy would just cackle in his face. 

“are you scared?” megumi asks, very seriously, as if satoru is afraid of anything. 

(besides you falling for someone else, of course. but that doesn't count). 

he looks over to the kid again, who you're chatting idly with as you search through your purse. he wonders if you're telling the barista that you spend every night in his bed, making out with him until your lips are puffy. 

if he keeps smiling at you like that satoru is going to get up and tell him himself. 

satoru scoffs, looking away finally, back to megumi who looks thoroughly entertained by his father's pain. he crosses his arms. “no.” 

megumi shrugs, looking back again. seriously, satoru should've kicked him out when he had the chance. he probably would've been fine with the zenin clan. probably. 

“well, i’m not doing it," the boy says, with obvious satisfaction. 

if only tsumiki was here. satoru never should've let megumi ditch school, or let him come with you both to get coffee. tsumiki would help him. she probably would've asked you to get yakitori instead and satoru could listen to you try to make small talk with a waitress instead of that guy. 

“megumi fushiguro,” satoru begins, voice rough. “do you want your mother to live in a rat-infested apartment with a random, cesspit man, and several tiny babies running around all of the time? tiny wimpy babies? normal, human babies. you’ll have to stay over there and share a bed with multiple infants who will spit up on you.”

megumi blinks. “what are you even talking about?” 

“go stand next to her," satoru hisses, because he swears he can hear your laugh from across the cafe, and honestly he's never wanted to destroy an establishment more. 

and that's saying something. 

at least the man would be without a job and satoru would never have to see him push his hair back and tilt his head at you again. 

megumi looks back again like it's going to explain anything satoru does, and he smirks. “that guy doesn’t look too bad.” 

satoru's jaw clenches. “i will mismatch all of your socks.” 

megumi scowls at him. "all of my socks are the same, after last time." 

satoru huffs and leans back against his chair, pouting. "what did i do to deserve this?"

“do you think mom likes him?” megumi asks, voice so innocent it makes satoru want to shave his hair off. 

“go.” 

megumi blinks at him, tilting his head. yeah, he's really putting on an act now. “but she said to wait here," he reminds satoru like it matters. 

“tell her you missed her, or something," satoru goes to wave a hand, but his hand only clenches when he physically sees you laugh at the man. you're not even ordering now, you're just standing there (waiting for their drinks) talking to the guy. 

“you tell her you missed her," megumi retorts, enjoying satoru's one and only weakness. 

"no." 

"she's laughing," megumi points out, resting his chin on a hand. "and it's rude to interrupt grown-ups when they talk."  

“megumi,” satoru begs, hating the weird, annoying feeling in his chest. he wants to dig his own heart out and yell at it. “please.” 

megumi is basically smirking at him now, waiting for a beat longer for satoru to really break--and seriously kill every person within a ten-mile radius--but eventually, right before it happens, the boy sighs. his eyes are evil, evil things. 

"fine," he tells satoru, rolling his eyes. he stands up from his hair and pats satoru on the shoulder like it will make up for anything. the boy has the worst smile satoru's ever seen in his life. 

and then he makes his way through the line of people--seriously, this guy is a terrible barista--and taps you on your waist, going to stand right up against the counter. megumi says something to you--you will all of your charm, and your irresistible smiles--and you hold a hand out to him, which he grabs immediately. 

your smile, satoru notices with immense relief, shifts on instinct. it goes from something formal and polite to something genuine. you look down at your son and the barista you've been talking to for the last minute is completely irrelevant. 

and satoru takes great satisfaction in the way the kid's eyes widen, and the instinctual step back he takes--like he knows that satoru is going to hurt him if he continues to lean over the counter towards you. 

satoru relaxes, watching you ask megumi something, but only slightly. 

and after a second you turn your head, raising a brow at him. 

the little brat. 

satoru just smiles--offering you more than some shotty barista ever could--and leans back in his chair. 

* 

“why are you being so weird today?” 

satoru’s chin is on your head, and even though you can’t see his smile, it falters, just a little bit. "don't know what you're talking about." 

"you're sticky." 

"i just showered." 

"okay," you say, turning and rolling your eyes at satoru's pout. instantly his hands go to your waist, keeping you right there with him. "first of all, no you didn't. and i didn't mean literally. you're... clingy. more clingy than usual." 

"i can't want to be around you?"

you give him a blank stare. "not when you're being weird about it." 

"how am i being weird?" 

"how aren't you?" 

satoru grins, leaning his head down to push his nose into your cheek. you smell like something sweet--something he'd devour in an instant--but he's not sure what. he doesn't even care. he doesn't answer that question, only hums into your skin. 

"see what i mean?" 

"it's not my fault that you're comfy." 

"oh, im so sorry," you say, fake pity in your voice. "let me just turn myself into stone real quick." 

satoru rolls his eyes, pulling back just so he can see the amused look on your face--yeah, he knows that you don't actually care. but the more he hangs onto you, the more affection he shows, the warier you get. 

and that's perfectly fine with him, actually. as long as you don't push him away.  

"please do," he says, so genuinely. "it would make this a lot easier." 

"make what a lot easier?" you ask, voice a bit softer. maybe it's because he's looking at you now, actually looking. 

and satoru knows, really knows, that there's not a single other person in the world who you look at like this. there's not another man that you'd let sniff you, no other man that would dare to irritate you the way that he loves to. 

satoru's worked several years to get you to be this comfortable, this easy around him. and even if there was someone else--he wouldn't give you up without a fight. 

you're his in a way that transcends labels or reality.

still, he doesn't answer that question (because you already know). he only smiles a bit more, leans in, and basks in the way your lips mold to his immediately. 

*

next part | series masterlist

[aphel1on]

Dungeon Lords and the Human Need for Connection

When I came across these panels again the other day, it got me thinking about dungeon lord parallels again.

...And I spiraled until I was writing my thesis statement about how All Four Dungeon Lords (Yes, Even Laios, Stop leaving him out of these discussions) Are Actually the Same.

Firstly (because on some level everything is about Thistle to me) I thought about how the lion could have very likely given Thistle a similar offer when his loved ones started losing their souls/rebelling/etc. And yet, there is no sign that Thistle ever accepted such an offer, nor any sign that he used magic to forcibly change people's opinions, the way Marcille briefly threatened the party with while she was dungeon lord:

Instead, he ended up with the fucking dining table that drives me insane. Which probably means that either Thistle rejected the offer, or the lion sensed it wouldn't go over well and didn't even try it.

Making replicas of people doesn't seem to be an uncommon part of granting the dungeon lord's wishes. In his time, Mithrun actually took the demon up on it:

(Not pictured; the infamous lamia-version of his love interest.)

What makes Mithrun different from Thistle and Marcille in this instance is that Thistle and Marcille both became dungeon lords for the sake of specific people. Both were motivated by the terror of losing their most important people, and both told themselves everything they did was for the sake of protecting those people.

Because they were motivated by genuine love, copies or mind manipulation were not palatable. I think Thistle even in the late stages of his madness probably would not find these to be acceptable solutions. No matter how twisted, possessive, and obsessive his love became under the dungeon's influence, it was still from the fear of losing those original, irreplaceable people that he was doing all this. Even as his relationship with Delgal and the other Melinis fell apart over the years... even as he was left with only their soulless bodies... he would still rather cling to whatever was left.

Perhaps on some level, Thistle recognized the same thing that kept Marcille from following through with her threats:

Even in the state of endlessly chasing their desires as dungeon lords, they couldn't feel truly okay accomplishing it that way.

For Mithrun, meanwhile, the people in his fantasy world were a means to an end. It was all-encompassing insecurity and the pain of not being wanted that led him to become dungeon lord. His desire was not fixated on any specific people - it was broad enough and desperate enough that anyone could fulfill it. The thing is, Mithrun prior to becoming dungeon lord was by all accounts well-liked. But his emotional walls were up so high that not a single one of his admirers could make him feel known and cared for. The kind of crushing perfectionism he exhibited in that stage of his life often comes with a silent and equally crushing imposter syndrome. No one actually knew him, because Mithrun didn't let them, even though every aspect of his personality then was a desperate plea to be seen and liked. I think the sad truth is that, by the time he became dungeon lord, Mithrun didn't truly believe that happiness was something that could be found in other people. (It's telling that his wish was for a world in which he had never been discarded; perhaps for a world in which he never felt the need to put up those masks.)

In this respect, Mithrun is actually more alike to Laios than he is to Thistle and Marcille.

Laios was told again and again by the world that it was wrong to be who he was - that he was unlikeable when he acted the way that came naturally to him. The lion didn't bother asking Laios about replicas; those would be meaningless to him. Like Mithrun, Laios had lost all hope of being liked for who he was, but took it one step further: Laios had lost hope that he could find happiness in the human world entirely. At that point, all he wanted was an escape. To leave the pain of the human world behind and become someone, something, different. All he really needed in order to be tempted into it was the assurance that his friends would be safe.

All four of these stories have a pretty obvious throughline when you think about it: the deep, intrinsic need for human connection and what happens to someone when that need cannot be met.

All four of them were starving for connection. All four of them experienced alienation and isolation that made them desperate enough to turn to the demon.

Marcille (a half-elf whose unstable aging left her without peers) and Thistle (raised as the only elf in a kingdom of humans) both formed intense attachments to the few people they did become close to, and went off the deep end from fear of losing them.

Mithrun and Laios were both rejected by others for aspects of themselves that were out of their control, and tried to cope by developing masks that left them unable to feel accepted by the people still in their lives.

...So it's fitting, then, that genuine human connection is also what saved all four of them in the end.

(Thistle is a little arguable here; I personally don't think he died, but even if you do believe he died at the end of the manga- Yaad being able to connect and empathize with him is what gave him peace and solace in his final moments.)

Dungeon Meshi is about alienation and connection as much as it is about food and cycles of life. (Or more like, these themes are masterfully intertwined - food is used to represent love and connection over and over again. But that's a whole essay in and of itself!)