#because people didn't learn from the mistakes of the past

[thumperdaetime]

the music is punk because it challenges the norm. the clothing is punk because it challenges the norm. the politics are punk because they challenge the norm. it's not a sound, or a look, or a book, or a slogan. it's a way of thinking that puts radical acceptance and relentless pursuit of joy, face to face with a world that wants you dead. you can't put a price on it. the disabled woman that says "fuck it people know I can't hold my blatter anyway. I don't care if they can tell I'm wearing the rehab-provided brief. Get me my bright lipstick I'm going to bingo!" is flexing the same muscles as the suburban white boy who steals eyeliner from his conservative mother. they are both people using identity, to create joy and signal comradery in lonely times, reputation be damned.

not to mention, all of the clothes I have been able to afford new when I was in my poorest moments were shit quality anyway. anything you can do to extend the lifespan of a physical object that was made under the modern fast fashion system past "thrown out, unsold at the store" is a win. in the same way that any pressure you can keep against an actively bleeding wound is a win. cloths are a common class of tools we use to help regulate our comfort, with that is with the temperature or our cave-mates. if the clothes make you feel uncomfortable they are already useless. it is already trash. why not try anything to see if it works? there are intelligent capable people across the centuries who died dreaming of what to do with once gorgeous expensive trendy fabric, that will now look dated and trashy outside of "the spring of '32 when i fell in love with jazz." or whatever the kids are into these days. the stupid walmart blazer you took a chance on 2 years ago but now feel "too X to wear" is no different. either you trash it now, or live with that trash in your home until your kids do it for you, while crying about how they always thought you looked good in that color. you might as well see if there's enough fabric to re-make that halter top you loved in college. when it looks homemade you get to boast and explain all about how you're trying to make shit better in little ways. and who cares if it fails? Aren't you deserving of a little petty violence? when the last time you really didn't give a shit about seam Ripping and just went to town? don't you want to be able to yell at something with no moral consequences? so much in this world is complicated and nuanced and requires forethought and responsibility. Wouldn't it feel nice to have a hobby that lets you get reasonably angry at evil fabric for not doing the thing, and then you can just throw it and swear, and then never have to think about it again. because it doesn't matter. it was already cheep plastic made to feed a system that would rather watch the world burn than lose a shareholder. you eat credit cards a year. you can not hurt wasted disposable plastic more than it will hurt you.

and then if it works you have a cute top to wear around places to show you are the kind of person who has cool tops! and help you ease people into the idea that a political movements starts with people deciding what things they inherited they actually want to keep around. and then maybe one day you cut apart and re-make out of nice quality fabric, with the mistakes you learned from the first one. so you can weaponize your ability to present yourself as ""respectable"" when you have to play the politics game in big official ways.

or (imagine this) you can even use your new knowledge of what types of edits you often make to clothing to buy a quality garment that will be more worth investing in. Ones that are made in ways that add value to their communities will feel good on your body from day one, and you can be mened and adapt in ways that may let it outlive you.

or maybe you elevate that shity, guilt ridden- shirt out of the gym lost and found on the last day of freshman year, because "fuck it- I liked that middle-school library fit. and Its a size too small but I'm bound to get thinner eventually. and I don't think its actually stealing if no one else wants it." Maybe if you make it into a statement piece scrap in your favorite "look I'm not happy about it either!" outfit, to show that you want to fuck with the systems in a "hey we should still have A Library tho right?" sort of way. you might run into the middle school girl who gets to break the ice with a fellow "cool garment person" friend. and she gets to laugh about your shirt deadnaming her. and you get to apologize and offer to let her sign something over it. and now you are advertising the formative art of a local queer-punk-artisan who you know is also out there trying her best to make the shitty stuff a little less shitty when they can, even if it means learning how to thread a sewing machine.... eventually.... hopefully.

also, as a person who has spent about a decade trying to figure out ways to keep kids of all ages informed and prepared and enriched on a budget. "Tug of War turned tie-dye Party" would of been a smash hit, my queer and rural in the 90's type parents would have loved it. after growing up with Halloweens filled with pieced-together costumes that made room for sensory issues and accessibility aids. and family "vacations" taken on public land with what's left of the food stamps. i think there is definitely a market for how to teach your children the fundamentals of serving in a world that might find their misery profitable. without like... terrafing them.

imagine how much easier alot of it would have been if someone early in your life had sat you down and said "ok. a lot of times things are going to be bad and unfair and evil. and there's going to be complicated reasons you cant do much about it but feel bad. but if you feel bad all the time it will only get worse. so what you can do is take what is around you, figure out what it is and how it works and why it's there, and then break it in ways that are meaningful and delibrite. and re-shape it to help the actual people who are trying survive."

then they showed you and all of your little friends how to research, what fabric is and understand why you bought supplies, and then get their hands dirty testing how strong it is, and why jeans have rivets even when you want to sew right there. and re-asure them that it's ok you paved the way to make sure they can't hurt anything too bad even if they are really really bad at it. and then let them find joy and pride in making something unique and custom with their own tools for the cost of cleaning out a closet, and some rite dye.

and then the community has a couple new little baby punks making decent folks smile with little bold fashion statements, and turning heads when they experiment with which parts of society they want to bring into the new age. tl;dr: I think we need to start telling the “I’m too poor to dress punk” crowd that they’re posers. -polyamorouspunk, November 2024, tumbr.com

I think we need to start telling the “I’m too poor to dress punk” crowd that they’re posers.

[part-time-zombie]

Y'know, I may have an idea of why Janus hates Roman so much.

(besides the whole name reveal incident of course)

It always seemed that Janus kinda looked down on Roman even from the very start, but didn't make it clear until flattering him didn't give him what he wanted.

So he doesn't like Roman, and likely never really did, but why? They have a lot in common: dramatic flair, love of theater, fashionable and a fan of gossip, i think they'd at least have a friendly rivalry like pre-aa prinxiety did, so why not?

I think it's because their one key difference is too much to ignore (and no, I'm not talking about their hero/villain aesthetics, if anything they'd appreciate the banter they'd get from it).

Roman has an image to maintain. Janus does too, but his is much more based on personality, not perception. People want him to be the bad guy, and since it gets things done he'll play along.

Roman's the ego, his image is much more important to him.

Roman needs to be seen as the good guy, the hero. The only reason he's split from Remus is because Patton wants him to be a representation of everything good and pure about creativity. He's built his entire role around being a prince, knight, and hero, all of which are expected to prioritize honor, integrity, and altruism. He can't allow himself to be selfish, or it'll risk destroying the persona he has built for himself. Patton taught him that the right thing to do is put others before yourself, and he's already learned by now that his arrogance is a flaw that people disapprove of, so of course he'd think that committing to total selflessness would remedy his past mistakes (i.e. focusing on himself).

Janus, however, knows that Roman is holding himself back by doing this, and that if he were to stop caring so much about his image he'd be way better off. He also knows, though, that Roman won't realize that. He's too worried about maintaining his princely role to let himself be selfish, and Janus has no time for that.

What this leads to is Janus wanting Roman to stop caring what everyone else thinks and start caring about himself, and Roman going "you know what? I'm going to start caring about my image even more" and Janus just calling him an idiot for it.

This of course doesn't help, because when Janus is seen as the bad guy/villain to Roman's good guy/hero, it only makes him even more resistant to align himself with those ideals. What kind of hero agrees with a villain, anyway?

TLDR: Janus hates that Roman cares so much about his pride without realizing that he is Pride, and that not caring about it would be like not caring about himself.

[emeraldspiral]

Girls don’t want to see another attempt at rebuilding the Jedi Order. Girls want Ben Solo back.

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[aberooski]

I love Taylor. I always have and to some degree I always will. She means too much to me and is such an important figure and source of joy and light in my life when I desperately needed, and a connection to my own father that I need desperately, to deny that I will always look on her fondly to some degree as silly as that may seem sometimes and to some people.

But that doesn't mean I don't/won't/can't be critical of her or be disappointed or disagree with choices she makes or has made, because I absolutely have been and I absolutely am.

My problem is that I always, with every fiber of my being, look for and try to see the best in people and believe in people until I absolutely can't anymore. Unless it's something truly reprehensible and irredeemable, my brain simply cannot comprehend the idea that one bad decision or mistake trust me I know she's made more than one lately can automatically invalidate or negate anything and everything good a person has ever done. I've genuinely tried to understand it and unfortunately, I can't wrap my head around the concept. I give grace to a fault. I get sad when I see things said about her in a negative light even when I completely understand and even agree, because I have so much love for her in my heart. It's that tride and true naive, blind optimism in me I guess.

But I do not in any way think she's a perfect person, I know she isn't, because nobody is. Some are just better at hiding that than others. She makes mistakes, she's wrong sometimes, she is a human being who messes up. Sometimes in big ways. And unfortunately she's messed up a few times over the last year or so and that makes me sad. It disappoints me because I love her so much, and I do want and expect better of her. And in the process of that, it makes me very sad that I feel like I have to hide the facet of myself that does still love her despite my disappointment in her or risk making people upset with me now because I'm so afraid of upsetting people. I'm terrified of doing or saying the wrong things I try so hard to do the best I can every day and it's disappointing to see her slip up. It's sad. It makes me very sad.

It's a complicated time to love her right now. I hope, in my heart of hearts, I sincerely hope that sooner rather than later it won't have to be that way anymore. Not just for me, but for all of us who feel that complexity or conflict of emotions.

[dragonfyre-creations]

I don't think I've ever poured so many of my physical attributes and so much of my heart and soul into a character design before in such a personal way before so fuck it whenever I finish the final design for Faeng and whatever I come up with I'm making her into my sona (dragonsona? Persona? Idk how this works lmfao)

(long dump in the tags and under the cut)

The last time I was even remotely connected this much to a character was when I designed Jaxsu, but honestly never truly made her my sona/main character, she was just the one I used most often in art pieces. I never really actually liked her lore and backstory enough because she was what I wanted to be instead of what I am/was. Jax isnt perfect either, but her parents love her and otherwise has friends and is loved unconditionally. She has a healthy relationship with everyone and everything. This is where the disconnect happened and where I actually started to dislike her despite her being my otherwise favorite character for awhile. Both Faeng and Jaxsu have ADHD and Autism but Jaxsu was able to put that towards a job and becoming a ship captain and winning a colosseum tournament. She's done all of these great things so even if she didn't have a healthy relationship with her parents they'd still love her because she's done something impressive and useful.

Faeng on the other hand, has to fight for everything. Her parents are important and have important jobs, and place all of these unreachable and unrealistic expectations on her and expect her to reach them with minimal effort and be perfect, but she can't no matter how hard she tries. She needs someone to explain it and break it down for her in steps so she understands what do to and how to do it so she doesn't mess it up. She's both strong and smart but it's not in practical "normal" ways or subjects. It's convoluted, It's not in the ways everyone wants her to be, she has no teachers to help her understand how to channel that strength and intelligence into something "useful" so she puts it towards the things she likes and wants to do, and thus struggles in a world that would otherwise be easy to navigate and conquer if she were "normal". Those that do understand her and try to help her are alienated by other people in an attempt to either punish both of them or force her to adapt to be somewhat passing as normal, if not then at least listen to what she's told to do. She does eventually make acquaintances but find that her twisted speech and weird explanations aren't worth trying to decipher and understand so they leave, they don't put in the effort to meet her halfway even though she's struggling and doing her best to speak in a way they'll understand.

Her parents acknowledge her differences but in a way that frames it as flawed and wrong, something that needs to be corrected, and push her to figure out her problems by herself, tearing down any support network she tries to build. She tries her damned hardest but it's not enough, it never is and never will be for them because she's not the perfect child they wanted. She showed promise in her younger years being a "gifted child" so she knows what love and acceptance lies in wait and what could be if she could just be normal and perfect. Her achievements and promise come and show in waves. She burns and fizzles out in one of the most virulent, painful ways possible after getting hurt trying to prove her worth yet again. She holds nothing but criticism, vitriol and contempt for herself because she can't claw her way back to where she was before, this time something happened and something is terribly, horribly wrong this time but she doesn't know that it is and can't figure it out, nor will anyone tell her. Whatever it is, left a mental and several physical injuries and it does nothing but deepen her self hatred and her parent's waning belief in her. She listens to false promises and praise of other people who do nothing but wish to manipulate and harm her but she stays because any form of praise is deemed good, she hungers for more and does worsening things.

She ignores the people who tell her that what she's doing is dangerous and will only end in disaster, because she doesn't believe them. If the people who are saying they're her friends are telling her that the people she hurts deserve it and that what she's doing is good, then surely she needs to believe them over strangers, right? Everything comes to a breaking point and shatters around her leaving her with quite literally nothing but her own self hatred, newfound rage and overbearing mental issues she needs to navigate once again to find out what hell it is and what's wrong with her now. She's scared of everyone and everything with the added bonus of now being hyper-aware and perceptive of people's mannerisms and behaviors, especially those who want to manipulate or harm her again. She wraps every vulnerable part of herself in metaphorical thorns and teeth to bite and maim whoever pries and digs into what she truly is, even people who want to understand her. She suffers at more than her own hand, forcing herself to deal with everything alone, until she finally meets someone that could be considered a true friend. She slowly opens up and helps them as much as they help her before everything comes crashing back down once again upon the reveal that they've been lying to her the entire time about very serious issues, and she's been used as nothing more than an attack dog once again. She burns every bridge and everyone around her in one final breakdown of rage before shutting down completely. One of the groups of friends she's shoved stay comes back and asks if she's ok. She doesn't understand why they're being kind, why they're concerned it why they care and tries to shove them away again. Every single day they still ask, talking even if there's no response from her, until she finally relents and breaks.

She's finally loved and accepted despite every fault and every flaw she has, and every time she tries to pull away out of fear of being an inconvenience they pull back twice as hard and remind her that she's able to just exist, she doesn't need to constantly be useful and that they care. She finally, finally is comfortable enough to let herself be accepted and then becomes the most clingy little shit, just as they do with her. But yeah, my own life has been very much of the same, especially the last part. Every time I go on another self-hatred spiral and drop off the face of the earth my MonHun bros give me a metaphorical slap to the face and remind me that I don't need to constantly prove my worth to everyone and prove that I'm useful, and that existing every once in awhile is more than enough. If that doesn't work then it's "you need to get your ass back over here because we're failing the Safi siege without the absolutely ridiculous amount of DPS your build Switchaxe does". I was not intending for her to be so much like me but goddamnit she's wormed her way into being my favorite now and I guess Mirage is no longer my impromptu sona

[goldkirk]

OSHA resources for all of us

OSHA Worker Rights and Protections

Safe Work for Young Workers

Parents and Educators Can Keep Young Workers Safe

Key Employer Responsibilities

The OSH Act from 1970 that led to the creation of OSHA in 1971 (clickable links to its various sections)

OSHA At-A-Glance (PDF)

All About OSHA (PDF)

I’m still thinking about that “is OSHA regulations Cop Behavior” post. Like. You know who thinks regulations are for losers? People who build submersibles out of logitech gamepads and rejected carbon fibre. People who trust starlink as their only surface lifeline.

Do you wanna be like the fine film on the floor of the Atlantic that was once a billionaire? Is that the hill you’re really gonna die on?

We have an expression in my field- “Regulations Are Written In Blood”

People don’t have fucking safety standards as a power trip, we have them because somewhere in the past, NOT having those regulations killed or maimed someone.

A lot of laws out there are bullshit- safety regulations sure as fuck aren’t. I have the literal scars to prove it.

[babycharmander]

(BOOK OF BILL SPOILERS)

I just finished reading The Book of Bill and I am kindof losing my mind over some of this stuff.

I had wondered if Alex Hirsch might make Bill sympathetic in some way and oh boy I was not expecting him to do it so successfully (and without cheapening Bill's character).

So, we learn that Bill was born into a 2D world... as a mutant who can see into the third dimension. He claims he was absolutely loved by all, but when talking about his powers, he mentions under Pyrokinesis:

"Cipher, Cipher, he's insane / Starting fires with his brain." The kids in grade school could be so cruel. But where are they now, huh? WHERE ARE THEY NOW?

So probably not quite as liked as he was letting on. To add to that, there's the silly straw page, which looks like silly nonsense until you decipher some of the codes:

"EYE DOCTOR OF A DIFFERENT KIND / WHO WANTS TO MAKE HIS PATIENTS BLIND" "THE DOCTOR SAYS / THREE SIPS A DAY / WILL MAKE THE VISIONS / GO AWAY"

I wasn't sure what this meant until I saw someone point out... he was seeing a third dimension that no one else could see. His parents probably took him to the eye doctor to try to "fix" him. Which, speaking of his eye doctor, the coded message in the section about human eyeballs says something interesting:

"MY OPTOMETRIST NEVER SAW IT COMING"

It could be a joke given beforehand he's talking about dissecting a human eye, but given the previous hints of medical abuse, I wouldn't put it past him that he tried to get revenge on his eye doctor.

Oh yeah and the whole thing about him setting his entire dimension on fire? Yeah it turns out it was entirely a mistake (he just wanted everyone to understand the third dimension he was seeing so they could be free of only two dimensions), he was so traumatized by it he blacks out when trying to recall it. He deeply, deeply regrets it, and...

"What? Your ENTIRE home dimension? destroyed? How? By what?" Bill looked distant, more distant than I'd ever seen him. "By a monster."

He sees himself as a monster.

And yet, he's not some innocent, misunderstood being. He still revels in causing pain and chaos. He's terrible in general, but becomes incredibly abusive toward Ford.

"YOU'RE MY PROPERTY. DON'T FORGET IT. The hillbilly abandoned you, your father won't want you returning without millions, you have no friends, and if you died out here in the snow, who would even miss you?"

Which... speaking of him and Ford...

Yes, yes, I know people ship them. But like, whether you see their relationship as romantic or platonic (I see it as the latter), there's some interesting parallels to be made here.

Both Bill and Ford are mutants who were mocked for their being different. (Bill was not physically a mutant, as far as we know, but more in the sense of him having vision stronger than that of everyone else in his dimension, and also having special powers. And he does describe himself as a mutant.) Both became social outcasts, separated from their families but still haunted by them (Ford seeing commercials of Stan on TV and running across old photos of him and his brother, Bill being haunted by his family in some form). Neither could return home for one reason or another. Both more powerful than their peers (Ford intellectually, Bill in terms of actual powers). Both of them isolated and alone. (Yes, Bill does have the Henchmaniacs, but they seem like shallow friends, and only really seem to follow him out of a desire to have a place to party.)

Ford was not aware of most of this, aside from knowing that Bill could not go home because his dimension was destroyed. But Bill absolutely saw himself in Ford. There was no other person he tried to use whom he felt a stronger connection to.

And he actually seems to care about Ford--he actually gave him a birthday present, and when Ford didn't like it, he decided to get drunk and party with him instead to make up for it.

And then when Ford realizes what Bill's plan actually is and refuses to go along with it, and fights back no matter what Bill does, Bill completely breaks down.

After living for trillions of years, he met someone who was like him, and that person rejected him.

He goes berserk, wreaking havoc, being caught by the dimensional authority that he's been taunting for most of his life.

And then after dying and being cast out of hell for being too annoying, he winds up faced with the Axolotl, who sends him to therapy, where he continues to break down further, sending out the book in a desperate attempt to find someone, anyone who will help him break loose and wreak havoc once again.

"You have no friends, and if you died ... who would even miss you?"

I don't know, Bill. Who would even miss you?

In short,

[ID: The front and back of one of Bill's Valentines cards. On the front is a black void with Bill Cipher lying down without his hat, gazing blankly upwards, with the text "I DON'T WANT TO DIE ALONE" above him. On the back is a simple white "TO/FROM" in red, with a red outline illustration of Bill spontaneously growing a mouth and eating a realistic, bloody heart. /end ID]

[diamondsunbursts-and-marblehalls]

The first real conversation Katniss has with Peeta is when he tells her that he wants to die as himself, that he doesn't want the games to change him into something he's not, and that he wants to keep his identity and prove he's more than just a piece in their games because that's the only thing he has left to care about.

The first time we see Lucy Gray she sings a song that basically says that nothing they could take from her was worth keeping. "Can't take my past. Can't take my history... You can't take my charm. You can't take my health."

The capitol has taken everything from them both, but at the same time, they could never take away who they are.

They are both likeable charismatic and funny, with the kindest hearts, and incredibly loyal to the people they care about.

At the same time, everything they do before the games, and during is calculated. Lucy Gray singing a love song and winning the hearts of the capitol. Peeta confesses he's in love with his district partner, therefore cementing her identity as desirable. Both of them know how to sway people with words, how to charm people, and how to manipulate crowds. Neither of them has any problem doing so to keep themselves, and the people they love safe.

Lucy Gray's song The Old Therebefore, about learning how to love and live her life to the fullest before death, a final and calculated stroke in a last-ditch effort to save herself from the arena. This evokes enough emotion in the watchers to get them to rise to their feet and plead for her life alongside Snow.

Snow, watching the 74th and preparing for the 75th Hunger Games sees Lucy Gray in Katniss. A young girl, from the 12th district. Unafraid at the reaping. Selling a false love story, manipulating a boy who loves her in order to get out and supporting the revolution with the mockingjay as her symbol.

He threatens her family to get her to sell that she and Peeta are in love, to prevent the revolution, because obviously, she's pretending. He's had experience with a girl just like her before. He has no doubt that she has the acting ability to sell this story because clearly, she manipulated the first Hunger Games in her favor, the same way Lucy Gray manipulated him.

Watching the interviews for the 75th Hunger Games he realizes-

Katniss is just an impulsive girl, in a Mockingjay dress she didn't know about, made by someone who supports the revolution.

Peeta is a boy who has the ability to move people with just his words. He made Katniss desirable, he was the one who sold the love story, and he was the one to make their romance seem real. Katniss only started the revolution because she would rather risk dying with him than live without him. A concept President Snow was completely unfamiliar with. And it is with all these realizations crashing around him Peeta drops the baby bomb. He knows the baby's not real, and so does Snow. But it evokes enough emotion in the watchers to get them to rise to their feet and plead for the lives of the tributes.

Is it Lucy Gray or Peeta?

By the time Snow realizes he's made a mistake, it's too late.

Peeta is still charming and manipulating the capitol. Katniss is in love.

He goes up against a kindhearted boy expecting to beat Sejanus again, only to find out that it's Lucy Gray he's fighting; knowing he will never be able to escape their ghosts.

-from a conversation i had with @grandtyphoonpoetry breaking down every character in the hunger games.

[violetrainbow412-blog]

Aegon The Burnt

Aegon II Targaryen x sister!reader

word count: 1.3k

warnings: infidelity (reader is Aemond's wife), incest, spoilers of s2ep5. Just something short and self indulgent, hope you like it!

masterlist

taglist: @barnes70stark

When you arrived at Aegon's chambers, he was alone. Your mother wasn’t by his side, nor was his wife Helaena, much less Aemond, who you were sure had been the cause of all that. Everyone was crazy, the war for power was making everyone's head sick in the Red Keep and it had ended up bringing you to that point.

When you learned that your brother had gone into battle when he wasn’t required, you knew that the consequences were going to be disastrous and you even hoped that upon returning to King's Landing the star news was the death of the king. But thank the gods he was still alive, fighting, but alive.

You hadn't dared to look at him until that moment, mentally unable to think that his body had been stained at the hands of dragon fire. Targaryens don't burn, do they? Could it be your ancestors punishing Aegon’s recklessness?

And you were sure they would punish the sin of parading a dragon's head around town. They were sacred, they were your emblem and your heritage... you thought that your mother would have this more in mind and that she wouldn’t approve of that kind of massacre. You couldn't imagine your beloved Kaeryss going into battle, dead at the hands of the enemy or perhaps even your own brother.

But now it was a dragon war, not even men could stop it.

“For the seven…” you sobbed softly, you barely got close to your brother and the whole smell of burnt flesh and rot filled your nostrils.

The maester had managed to do a few things to him, he was completely bandaged and was breathing heavily, a hiss leaving his lips with every exhale he took. It was a horrible sight to see for anyone, much less the only person who had genuinely loved Aegon.

The sight made you stagger back and you had to hold on to the bedposts to keep from falling. The worst thing of all was to think that it was the king who had brought this on himself, no matter how much they wanted to convince all his subjects that he had fought bravely and had struck down Meleys.

If you had known before what he intended to do, you would have implored him to stop, you would have persuaded him with kisses and cuddles to stay in the palace. Damn, you would have gotten him drunk and fucked for hours if it kept him safe. Or ultimately, you would have told him how stupid he was for trying to go to war solely on a whim, with a dragon with no experience in battle being ridden by a man with less experience.

But past mistakes couldn't be corrected just by thinking about all the possibilities, instead you had to face the consequences.

You looked at him for a moment, trying to put aside the tremendous disgust that the burning flesh produced in you. If you dared to say that out loud, you knew that Aegon would feel tremendously hurt, since he had never boasted of having the best self-esteem, so you had to be cautious with your words and gestures when he came to his senses.

You took a seat next to the bed, in a modest chair that had surely been occupied by someone else hours before, and you tried to hold back the tears that were already gathering in your eyes. While you saw the king lying in bed, at risk of dying at any moment, you wondered how far this conflict would go.

Aegon had always expressed that he didn’t want to be king and now that he was, he turned out to be a useless one. You weren’t going to soften truths in your mind, because you, as everyone knew, that the king's claim had been a treacherous one. You had been happy that your sister could aspire to be a queen, even if you hated her and her unbearable descent. But hating her didn't mean you wanted to see so many people die, much less the innocent and weak ones as always happened.

Sometimes you wondered what would have happened if your parents had married you to Aegon instead of your brother Aemond. You couldn't blame Helaena for hating her husband, just as you hated yours, perhaps for different reasons but with the same impetus. You probably would have preferred to marry him because of the treatment he had always offered you, being kind, loving and careful. And you knew that it was wrong to love him secretly from your husband and that it was a very serious offense for a lady, but you didn't care and you assumed that if Aemond knew, he didn't care either. He never loved you, you didn't know the reasons but you were sure of it.

One of your hands traveled to the man lying on the bed to take it, carefully, and you gently caressed the healthy skin that still remained.

“Mummy?” you heard, like an almost imperceptible moan. Aegon could barely open his right eye weakly.

“No, no, honey. It’s me,” you whispered sweetly, leaning slightly so he could hear you over the smell of rot. You said your name out loud just in case he didn't recognize your voice.

He wanted to say something, but at first the tremendous pain in his chest prevented him from doing so. The maester said that he must have had many internal injuries and that only time and the grace of the gods could decide if those injuries were serious enough to kill him. You hoped not.

“My princess,” he managed to gesture.

You were always called that way, simply because Aegon considered that you did him full honor to the title and because you seemed to him his and no one else's.

“Don't try too hard,” you whispered motherly, reaching out to rub the right side of his face with unexpected love. You had to stay calm to ignore the burns. “You need to rest.”

Aegon, from his vulnerable position, looked at you sadly and you saw a tear escape his eye. It was as if with that look he was expressing to you everything he couldn't tell you.

“Does it hurt a lot?” you asked worried. It was an obvious answer, you thought, but you at least wanted him to realize that the situation mattered to you.

When he nodded weakly, you felt tremendously sorry for him. Seeing him like this completely broke your heart and if you could have done it, you would have wished you could take away all that pain in a second.

“My poor boy…” you murmured softly, still caressing his cheek gently. The man felt as if your touch was magical, healing in every way: the simple fact of having you close comforted him.

“Stay?"

“Of course I do, Aegon,” you said in a whisper.

“I'm… I'm horrendous”

“You're not,” you responded to his sob. The last thing you wanted was for him to think that you were despising him, like everyone else was going to do. You had managed to gain his trust before, however, with this physical change you knew that his fears would only increase “I love you always, honey. I promise"

And as a sign of this, you leaned close enough to place a kiss on his lips. You were very careful not to touch his wounded skin and tried to be as kind as possible with him. You wanted to show him that you weren't afraid of him, nor disgusted by him, as he was probably thinking.

There was no purer love like the one you were showing him and Aegon felt unworthy of it.

"Please… don’t leave”

“I won't,” you assured him, sitting back down and leaning against the mattress. “Don't be afraid, I'm here and I'll stay to take care of you all night, okay?”

Aegon cried silently and tried to hold on to the feeling of your hand holding his, for it was the only feeling that would keep him sane. He felt that as long as you continued to love him and stayed with him, he could overcome any adversity.

[dcxdpdabbles]

DCxDP fanfic idea: Fishbowl Bones

Jason Todd regrets a lot of things in life. He regrets how he hurt others in his Pit Madness and how he made Tim's eyes turn weary, filled with unease, like the younger boy is watching a bomb timer tick down.

Regrets how distant he feels from his family and from his friends like the part of him who knows how to socialize stayed buried in that blasted grave.

Regrets that his stupid teenage decisions lead him to his death.

Sometimes, in the darkest corner of his heart, he even regrets being taken in by Bruce. Hewonders what life would have been like if he had stayed on the streets, if he had lived as a regular unfortunate boy.

An earlier grave, maybe, but one that didn't have him come back broken like this. He would have just been another lost soul in the city, forgotten and remembered by no one, but free of the torment of fighting all his life.

It's not good to think like that, he knows, but Jason can't help the thoughts from racing through his mind on the roughest of nights. When the smell of gun powder, copper and sweat cloat him, as screams ring in his ears.

When his soul is soaked in blood.

It's hard not to think that.

Jason has so many regrets that when he stumbles across the Bracelet of Reverse on a mission in the Infinite Realms, he slips it on without second thought.

He knows the myth surrounding it. Apparently, it belonged to the old Ghost Queen, the unfortunate wife of the old Ghost King, who abused her for years with his ring of Rage and Crown of Fire. She created it to flee to a world the King could not reach.

This is a world in a timeline similar to the moment of her biggest regret—accepting Pariah Dark's proposal. She could correct the moment and live a whole new life in that timeline, trapped in a fantasy as Clockwork closed her in, caging her within her new life.

The time god made it a punishment for her overstepping into his domain, cutting that world off from the multiverse and letting it float in its solution.

"You gain what you wanted." The Ancient of Time said, "But you will lose what you had and could have had."

No one knows how her new world went—if Pariah was sealed or not, seeing as the Queen was the one to gather the Ancients in all other timelines—but the idea of correcting the biggest mistake of one's life was tempting enough that people scrambled for her bracelet, even if the world was a trap.

The very same one Jason stumbled upon. He uses the same one, ignoring the cries of his brothers, who watch helplessly as Jason slips it on.

The bracelet picks up the regrets from the darkest corner of his heart, and in a flash sends him away. Jason blinks, from one moment to the next, his world shifts and he finds himself a homeless child with a tire iron in his hand.

In front of him, rest the Batmobile all wheels ripe for the picking.

Jason stares, the weight of his choose, hanging in the air before he turns and runs. He runs away from his future, from the pain, from his salvation and damnination in equal parts.

He eventually stops running. Surprise, his feet take him to his Red Hood safe house. Right now, it's still the broken-down and condemned arcade because it's years in the past. Because he's there is no Red Hood, defender of Crime Alley, just a lonely, underfed boy standing in the middle of the room.

Outside, he hears the Batmoible race down the street, revving its powerful engine and fading away in the distance like his fading future.

Jason Todd, age thirteen but soul twenty-five, is no longer a Bat.

Life goes on, and he learns to survive the streets again. He trains his body to move as he used to, using his skills to not be a hero but a survivor, stopping crimes if they happen in front of him.

He never goes looking for danger.

Nightwing leaves the city, and Batman no longer has his bright colored shadow. There are times Bruce gets hurt when he shouldn't have because he was supposed to have back up there to help him.

Jason ducks his head and pretends to not see.

Then, one day, Robin returns because Bruce never learns. Jason expects it, having been counting the days as they move on. He's been in this world for two years and has built a reputation for being forcefully neutral.

He won't join any gangs, but he won't let them push him around. He steals from the stupid rich with the hacking skills of his past and sends it to himself as a false insurance claim for his mother. He bought the old arcade with it- under the table in a shady deal for far more then the place is worth- and slowly build his old safe house.

He's armed to the teeth, living nocturnal, only leaving his safe haven at night. Some street kids think he's a vampire, which is amusing. Jason doesn't try to go back to school. He has the money but none of Bruce's resources.

He can't fake grades or proof of guardians. CPS is a genuine threat again, and he refuses to give them a chance to try and drag him to those houses working as fronts for trafficking or, worse, the Court of Owls recruit centers.

Jason doesn't have a plan or goal to work towards. He has no friends, family, or even small connections. He sometimes goes to cafes with TVs, watching the news while drinking coffee. He also reads the newspapers, trying to keep up with whatever mission Bruce is working on.

Crime Alley citizens are weary and dismissive of him in equal parts. They know he's little Todd, but they don't know anything else, which scares them.

How is he surviving? Where is he getting the money? How does he move like that? No one knows, but they can see it—the skills of his past life resting just underneath his skin, waiting for anyone to test him.

Jason doesn't bother reassuring them. He doesn't bother with much besides the occasional food run, laundry mat visits, gas station travel centers with showers, and TV viewing in public spaces. He stays inside his arcade- still looking bad from the outside but homey and comforting inside- filling his days with books and building machines.

He just wants to survive—nothing more, nothing less.

The entire time, he wonders when Tim will finally snap and force Bruce to take him in. It makes sense to him that the only Robin who actively makes himself a vigilante would eventually become the next Robin. Tim knew Bruce's real ID for years before his death forced him to act.

This Bruce isn't that close to the violence he was when Jason died, but he's getting there. He is becoming reckless. Tim will be forced to act sooner or later, and Jason makes bets with himself on what night will be his debut.

He is not expecting someone else completely different being the new Robin.

Jason is shocked to see the hero re-appear, rescuing Tim Drake on TV, and realizes he doesn't know who this world's Robin is. Worse, his costume starkly differs from every Robin he's known. Jason risks exposal by breaking into the Batcave, having to avoid traps never before placed and hack the Batcomputer.

When he finds Robin's file, he is even more confused by what he reads. It makes no sense, especially for Bruce to bring to this level, for a Robin to have so little information.

Even Tim's clone friend Kon-El had a bigger file when he was first found.

All he gets is a name, an age, and a meta confirmation. (Even if the word meta isn't used yet in this timeline.)

Who is Danny Fenton, age fifteen, and why does he have Clockwork's amulet on his Robin costume?

Jason prays it's not because of him. He never asked for a rescue, and he won't go without a fight. He logs out, and slips though the back caves, mentally planning on hacking Lex once more to upgrade his home against "Ectoplasm" since that what this Danny's powers are based on.

Worlds away, the Waynes wait for the Ghost King outside a swirling portal. He went in to save Jason from a fantasy world before it could trap him in his worst nightmare. Before it made him forget his real life.

He may have to follow that world's rules and play whatever role the world needed him to, but the King swore he would find Jason and bring him home.

[punkshort]

i know who you are | 2. the journal

Pairing: Joel Miller x f!reader

Chapter Summary: Your memories still remain out of reach, so you ask Joel to tell you a bit about yourself, and with the help of a journal you kept, you begin to learn more about the person you became in the past ten years, leaving you with more questions than answers.

Chapter Warnings: language, eating, alcohol use, angst, pining, sad!Joel, amnesia

WC: 6.3K

Series Masterlist

"Did'ya get any sleep?"

You glanced up at Joel as you walked side by side towards the dining hall.

"No," you admitted, looking straight ahead again.

After Joel left you in his - your - bedroom, instructing you to rest on his way out, you found you could do anything but. Your mind was spinning with all of the information you had just learned, and you weren't sure which topic consumed you more: the end of the world or the supposed love of your life.

The longer his words set in, the more you were finding it difficult to look at him. It was such a strange feeling, having this large, burly, gruff man proclaim his love for you, to say he would stop at nothing to make you feel the same way, to insist you were meant for each other. It seemed so out of character, though you hardly felt like you knew him. But even now as you walked down the street, you noticed how some of the people in town glanced at him. Moving quickly out of his way.

It wasn't just you who found him intimidating.

You were distracted as you walked, curiously peering into storefronts and repurposed buildings when a group of children playing a game of tag nearly ran into you. At the last moment, Joel tugged your arm, pulling you into his side just in time. The children seemed to realize their mistake because their laughter quickly stopped and the smiles fell from their faces as they looked up at him.

"We're sorry, Mr. Miller," a young boy no more than eight years old said.

Miller. You never even bothered to ask his last name.

Joel just grunted and they scurried away, no doubt eager to escape his glare. You chanced a look at him, studying his stern expression when you realized he was still holding you against him. He was warm. Warmer than you expected. And solid. You cleared your throat and stepped away from his grasp, muttering your thanks and glancing around the busy street to avoid the disappointed look in his eye when it became clear you weren't comfortable with him touching you.

You shoved your hands in the pockets of your jeans and continued to walk in silence down the main road. A few people shot you curious looks or did double takes as they walked by, and you had to assume if Ellie heard the news about your accident, then others had, as well.

The Tipsy Bison came into view at the corner of the street, made obvious by the large crowds of people gathered outside.

"Does everyone have to eat here or are you allowed to have food in your homes?" you asked him, and he looked down at you, surprised by the question.

"We got food. It's not like a prison or somethin'," he said with a chuckle. "Most folks like to come here to socialize, but sometimes we cook dinner at home," he stopped short when he realized he never asked you what you preferred. "Did'ya wanna stay home instead?"

"No, this is fine," you told him over your shoulder.

"You sure? Maybe it's too much right now," he replied, jogging a bit to keep up.

"I'm sure. You won't leave me, right?" you asked, looking at him nervously.

"'Course not," he said, trying to hide his grin. He liked that you wanted him around, even if it was only because you didn't know anybody else. It was a start.

When Joel swung the door open, holding it wide so you could enter first, it might have been your imagination but you thought the loud chatter simultaneously died down for a split second. Then Joel stepped in beside you and the volume rose once again.

You wanted to look around and take in the rustic atmosphere but you could feel the eyes on you as Joel led you through the crowd, the scrutiny making you feel extremely out of place, so you kept your gaze pinned straight ahead. Following dutifully behind, you watched as people automatically moved out of his way, like he was Moses parting the Red Sea, until he reached a table in a somewhat quiet corner of the dining hall. He pulled out a chair and stood behind it, his hand still resting on the back, and it took you a second to realize he was waiting for you to sit so he could push it in. You quietly thanked him then finally looked around the room.

The dining room had tables scattered around, and as far as you could see, they all appeared to be taken. People were standing in groups, drinking and laughing and eating and you wondered how in the world your table wasn't taken. You were about to turn and ask when an older man approached your table.

"Hey guys," he said, pulling out a pad of paper from his pocket. "What'll it be?"

You went wide eyed for a moment, looking around trying to figure out what your choices were when, much to your relief, Joel spoke for you both.

"Still got any of that stew left?"

"Sure do. Few guys got lucky earlier today, too. Got two deer, so we'll be havin' more soon," he replied, jotting something down on his paper. "Two whiskies?"

Joel was about to nod when you spoke up for the first time.

"Just water for me, thanks," you said, and the man nodded his head.

"Thanks, Seth," Joel said as he walked away.

You glanced at Joel quickly, awkwardly catching his eye. It felt too much like a date. Dropping your gaze to the table, you tried to think of something to say.

"Probably a good idea, skippin' alcohol," he said. "Didn't even think about it, what with your head and all."

"Yeah," you said, your hand coming up to gently touch the stitches. "Besides, I don't like whiskey, anyway," you added. Joel laughed softly as he watched you shift nervously in your chair.

"What?" you asked with a frown.

"Nothin'," he replied, still staring at you in disbelief. "Just ever since you got here you've been tossin' back whiskey better than most of the men. You must've gotten a taste for it at some point."

"There's no way," you said, scrunching your nose when Seth put down Joel's glass in front of him. He stared down at it wistfully, swirling the amber liquid in the glass, lost in thought.

"Whiskey's how we first met," he said softly, still staring at the glass. You tilted your head towards him, waiting for him to continue. "When you first arrived, you were like a caged animal. You came here lookin' to blow off steam," he said with a distant smile. "It was a slow night. Just you and me and a handful of others. You were tossin' that shit back like it was nothin'."

You watched him as he reminisced. His eyes shone brightly and a small smile played on his lips, it almost felt like you were intruding on something special.

"When me and Ellie first arrived, no one really went outta their way to talk to me. I preferred it that way. Was used to bein' on my own," he continued, looking up at you now. "But that night, you sat down next to me at the bar like you had been waitin' for me or somethin'. You asked me if I was drinkin' for fun or drinkin' to forget. Those were the very first words you said to me."

You were completely silent as he spoke. The way he told it, it felt like you could see the scene playing out right before you, the way he remembered every detail left you in awe.

"What did you say?" you asked a little breathlessly.

The corner of his mouth twitched and he looked down at the table.

"Drinkin' to forget."

You waited for him to elaborate, but when it became apparent he wasn't going to, you asked him another question.

"Then what happened?"

He raised his eyebrows and hummed, a slow smile stretching across his face before he answered.

"You told me you could help me have fun and help me forget," he said, and you could feel the heat instantly flush your cheeks.

"Oh, my god," you murmured, covering your mouth, utterly mortified. "Please tell me you're joking."

He shook his head, still smiling at the memory. You glanced around the room, trying to look anywhere but at him.

"So then, did we...?" you trailed off, gaze still fixed on a spot on the wall.

"Oh, yeah. 'Course we did. I'm no saint," he chuckled.

"Jesus Christ," you said, burying your face in your hands. "That doesn't sound like me at all."

"It's not. Well, not anymore. You had an edge to you when you first arrived. Most do. Survivin' out there does that to you," he said, taking his first sip of whiskey.

You sat in silence for another minute, contemplating asking him what he knew about your life before you met him, but ultimately deciding against it. Maybe another time.

"Where's the bathroom?" you asked him, and he pointed down a small hallway near the bar. You thanked him, his eyes trailing after you as you made your way through the crowds, only dropping his gaze once you were no longer in view. It was a strange thing, recounting stories for you like that. At first, the memories made him smile, but once he saw the lost look on your face he felt the sadness creep back up, settling deep in his chest, and he wondered if he would ever get you back.

You knew you were in the bathroom too long. You knew he would likely be worried, but you just couldn't stop staring at your reflection in the mirror after you washed your hands. Who was this person staring back at you? She looked older and weathered and tired. Your fingertip gently prodded at the bags under your eyes and then a small scar on your chin. What happened to you out there to make you the person Joel was describing? What did you have to do to survive? And did you really want to know the answer?

The door swung open, startling you as three girls around your age entered the bathroom. Their giggles stopped when they saw you and you watched them exchange glances in the mirror before a pretty girl with long, blonde hair greeted you by name. Turning around, you gave her a smile, hoping they would go about their business so you could slip out of there, but of course the pretty girl wanted to talk.

"We heard you had an accident, are you okay?" she asked, and she sounded sincere, but something about her smile made you think twice.

"Yeah, got a few stitches but it should be fine," you said, your eyes flicking to the other two girls, giving them each a smile. They looked at each other and smirked before heading towards the bathroom stalls, leaving you with just the blonde.

"So, is it true? Did you really lose your memory?" she asked, her voice low as if it were a secret, and finally you were able to pick up the vibe. You had been to high school before the outbreak. You had encounters with these types of girls before. Friendly to your face, vicious behind your back.

"Uh, yeah," you admitted, and she gasped as if she felt bad, but you saw the way her eyes lit up.

"So you don't remember, like, anything?"

"Well, I remember before everything went to hell," you told her, "but I don't remember this place, no."

"Oh, wow," she said, and you heard the toilets flush before the other two girls exited the stalls, grinning conspiratorially at the blonde. "So you don't know anybody here?"

You shook your head, feeling uncomfortable with the line of questioning at this point. What was she really getting at?

"That must mean you don't remember Joel, right?" one of the girls at the sink piped up. You looked at her briefly over your shoulder and shook your head, turning back to the blonde but not before you caught the look in her eye.

"Oh, that's too bad," she said, giving you a pout. "Does that mean you aren't together anymore, or-"

Suddenly, the door swung open and Ellie stormed in. Her hard gaze drifted around to the three girls and she gave them a look of disgust.

"Scram, vultures," she told them, and the blonde made a face at her before flipping her hair over her shoulder and heading to one of the stalls. Ellie called your name and you scurried over, allowing her to lead you back out into the dining room but not before she gave the other two girls a few choice words.

"Don't talk to them, they're nasty," she told you as you weaved your way through the crowd. Joel's eyes instantly found you once you were in view and you saw him straighten up in his chair.

"You okay?" he asked, and you could see the genuine concern in his face as you sat down. You were about to answer when Ellie plopped down on the other side of him and spoke first.

"Angie and her little sidekicks cornered her in there," she explained, rolling her eyes. "Already sniffing around for scraps."

"What do you mean?" you asked her, but just then Seth arrived with your meals and you never got an answer.

"Stew again?" Ellie asked, scrunching up her nose.

"It's good," Joel told her before taking a bite. You looked down at the bowl and you were inclined to agree with Ellie, but you swallowed the food down anyway, just grateful for something to eat after such a long day.

"Aren't you going to eat?" you asked her, noticing she hadn't ordered anything and instead was busy sketching in a journal.

"Nah, I'm going to Dina's later, I'll eat there," she explained without looking up.

"Who's Dina?"

"Oh, my girlfriend," Ellie explained, glancing up at you briefly. "Sorry. I still can't get used to this. It's so weird you don't remember."

"Don't be out too late. You got school tomorrow," Joel reminded her. Even though he wasn't Ellie's father, he seemed to have quite the knack for being a dad.

"Yes, sir," she said sarcastically, giving him a weak, two-fingered salute before hunching back over her journal. You heard some familiar giggles coming from somewhere behind you, and when you turned to look, you locked eyes with the blonde girl from the bathroom - Angie - who was holding some drink in her hand, her two friends flanking her sides as she strolled past your table. Her eyes drifted briefly to Joel before she passed by, then turned her attention to her friends, disappearing into the crowd.

"Who is that?" you asked, realizing you never really got much of an explanation. Joel and Ellie responded at the same time.

"Nobody."

"Joel's ex."

Your eyebrows shot up in surprise as Joel glared at Ellie.

"What? She woulda found out eventually," Ellie protested.

"She ain't even an ex," he said, turning to you now. "Just a mistake I made one time before you even got here," he insisted. The tone in his voice made it sound like he was trying to reassure you there was nothing to worry about, but of course, the information didn't phase you.

"Okay," you replied with a shrug. He examined your blank stare for a moment, searching for a glimmer of recognition. The disappointment in his expression every time something like this happened was becoming too much to bear, so you dragged your eyes off him to glance around the crowded room once again. You found Tommy leaning against the bar and you stood up.

"Where are you goin'?"

"I need to ask Tommy something," you said. "I'll be right back."

His eyes followed you as you pushed your way towards the bar, his heart feeling like it was going to break. He wasn't exactly looking for you to have an overly jealous reaction to hearing about another woman from his past, but your casual indifference hurt more than he expected. When you first found out about Angie, you insisted you weren't jealous but the way you sneered at her going forward, combined with giving him the best sex of his life later that night told him a different story.

"You think she'll ever get her memory back?" Ellie asked, still focusing on her drawing. Joel sighed and dragged his hands down his face.

"I don't know, kid."

"What'd you need to talk to Tommy for?" Joel asked once you both arrived back to his - your - home. You had wandered into the kitchen, Joel hot on your trail.

"Oh, I just had a question about something I saw when we were out there today," you explained, and he raised an eyebrow for you to continue. "There were dead bodies when I came to. They looked all decayed and... subhuman. Now that you told me about the infection, I wanted to ask."

Joel watched you open and close cupboards until you found the glasses, then picked one out to fill with water.

"So you ran into some runners," he said, and you nodded. "Did he happen to mention how you hit your head?"

Your hand froze, your glass halfway to your lips as you considered his question.

"Actually, no, he didn't," you said, setting down the glass and looking up at him.

"Yeah, he didn't really tell me, either," he replied, rubbing his chin thoughtfully. "When he told me you hit your head and you were havin' trouble remeberin' things, I just came runnin'."

Guilt washed over you yet again as you thought about Joel being told the news and how panicked he must have been. He practically ripped all the exam room doors off their hinges to find you, only to be met with a stranger when he finally did.

"Well, I can ask him tomorrow," you finally said, putting your glass in the sink to avoid looking at him.

"Yeah," he replied, trailing off a bit. He was still lost in thought, trying to remember Tommy's exact words when you walked past him towards the stairs.

"You're tired?"

"Well, it's been a long day," you told him, pausing on a stair to look back down at him.

"Right, 'course," he said, shaking his head and following you up. When you got to the doorway of his bedroom you paused, looking up at him. It seemed like he was struggling to say something, his mind working hard to find the words, but instead he just gazed down at you, brown eyes all wide and soft.

"Don't suppose anythin's comin' back to you yet?" he finally asked, and you hated seeing that look. That same hopeful look you kept seeing right before you opened your mouth and crushed him. This was hard for him, you knew that, but the way he kept looking at you was making things so much worse. The pressure you felt to become this person he was expecting you to be was overwhelming. You opted to drop your gaze to the floor and slowly shake your head.

"That's okay," he said, and you dragged your eyes back up to him. "Maybe tomorrow."

You gave him a small smile. "Yeah, maybe."

He sighed and glanced at the door to the spare room.

"You need anythin', I'm right next door," he said, hitching his thumb to the side and giving you a lopsided grin, but you could still see it in his eyes. The disappointment. The sadness. The yearning. And it was making you feel sick.

Just as he turned to head towards the spare room, you spoke. "Joel?"

And he eagerly swiveled back around.

"I'm gonna try really hard to remember," you said earnestly, looking deep into his eyes.

"I know," he replied with a sad smile. He gave you one more look before heading into the spare room and softly closing the door behind him.

Joel slept like shit.

No surprise there, really. He hadn't slept without you in years. He had hoped the whiskey would have helped, but he was wrong. His mind was racing as he tossed and turned, and by morning he had foolishly convinced himself that you would be back to normal after a good night's rest. He got up early and made coffee for the two of you, like he always did, then tended to the fire in the living room. The nights and early mornings were frigid, but the days were warm. The first sign that fall was approaching fast. He was just putting the poker back when he heard the bedroom door creak open upstairs and his heart jumped into his throat excitedly, but when you descended the stairs and locked eyes with him, he knew nothing had changed. He didn't even bother to ask. You didn't look at him the same way you used to. You used to smile and gravitate towards him, your hands always seeking out his, your eyes playful and loving, but now you looked at him like he was a complete stranger. Devoid of all affection, the only thing that remained was a forced politeness.

You said good morning and headed into the kitchen and Joel wondered how long it would take for you to come around. Less than a day ago, you looked at him in fear, but now you seemed at least comfortable in his presence. That had to count for something.

He must have looked like shit because when he joined you in the kitchen, you eyed him up and down curiously.

"Have you been up for a while?"

He shook his head and picked up his mug, taking a sip and hoping the caffeine would bring him back to life.

"How's your head?" he asked.

"Not great," you admitted, pouring your own cup of coffee. "It really hurts. I think whatever meds the doctor gave me yesterday wore off."

Without even thinking, Joel quickly closed the distance between you to examine your injury. You startled a bit when he came up behind you and lifted your hair, but for his benefit, you tamped down your reaction. His touch was surprisingly gentle as he gripped the nape of your neck to angle your head downwards in order to get a better look. You closed your eyes and held your breath as you focused on his fingertips pressing tenderly into your skin. You heard him murmur to himself, the sound coming from deep within his chest, and you realized just how close he really was. Aside from pulling you out of the way so the kids playing tag wouldn't knock you down, it was the first time he had really touched you, and he was so much softer than you expected.

"Don't think it's infected but let's go see the doc, just to be sure," he said, his hand still on your neck, his other hand pushing your hair away.

"Okay," you said quietly, finally allowing yourself to take in a shaky breath as you waited for him to release you.

As if he realized what he was doing, he let your hair fall back into place and let go of your neck, his fingertips lightly trailing down your spine before falling to his side, making you shiver and step away.

"Sorry," he said. "Should've asked to look first."

"It's fine," you told him, absentmindedly rubbing the spot on your neck his fingers just touched.

As you walked side by side to the infirmary, his stony expression slid back into place. Gone was the softness you witnessed in his home. His hardened gaze drifted around the street, then to the watch towers, taking everything in. Studying. Calculating. And that was when you realized there were two Joel Millers: the one who the rest of the town viewed as gruff and callous, and the one you saw in the kitchen that morning, soft and gentle.

You wondered how many people got to see the latter version.

Nick examined you again in the same room as before, but this time, Joel was there watching his every move like a hawk. You could practically see the tension radiating off Nick's shoulders as he moved around the room. He examined your cut carefully, Joel's eyes never once leaving his hands, confirming that it was not infected before parceling out ten little white tablets of extra strength Tylenol into a small baggie and advising you to use them sparingly as inventory was low.

"That's it?" Joel asked incredulously.

"You know how it is, Joel," Nick said, but you heard his voice waver when Joel stood up from his chair. "Meds are hard to come by, we gotta be smart-"

"She hit her goddamn head so fuckin' hard she's lucky she remembers her own name and you're givin' her Tylenol?" he seethed, and you could see his neck growing flush with anger again.

"Joel, calm down, it's fine," you said, sliding off the table. Turning to Nick, you were about to voice your thanks when Joel cut you off.

"It ain't fine. What's it gotta take to get somethin' that actually works?" he huffed, taking a step forward and making Nick shift his weight nervously. "She gotta be missin' an arm? Maybe if she hit her head hard enough to forget what fuckin' planet she's on?"

"Joel, that's enough!" you snapped with a frown, and much to Nick's relief, Joel instantly backed off. He turned and paced around the small room, his hand rubbing over his mouth as he tried to calm down.

"What about my memory? Is it a bad sign I haven't remembered anything yet?" you asked Nick, and Joel paused somewhere behind you to listen to his answer.

"Well, the brain is a tricky thing," he began, his eyes darting over your shoulder briefly. "It could be weeks, could be months. Without any imaging, I wouldn't be able to tell you much more than that." You nodded and swallowed nervously before asking your next question.

"Or never, right?"

Nick took a deep breath and looked at Joel over your shoulder again before responding.

"It's possible."

You heard Joel's boots squeak against the linoleum floor and without even looking, you knew he was anxiously pacing around again.

"Alright, thank you. We'll get out of your hair now," you said, turning to corral Joel towards the door.

"Regardless, I'd like to see you again in a few days so I can take a look at those stitches," Nick said, and you agreed while pushing a muttering Joel back out into the hallway.

"I'll get you better meds," he said as you both walked out of the infirmary. "I got patrol tomorrow mornin', but I can go out after. There's a small cluster of houses we never did a full sweep on. Maybe-"

"The Tylenol is fine, don't go through the trouble. You could get hurt," you said, shoving the baggie of pills into your pocket.

"Tylenol ain't gonna do shit. I don't want you bein' in pain if there's somethin' we can do about it."

You sighed and rubbed the back of your neck, trying to temporarily relieve the ache in your head until you could get home and take one of the pills. You gave Joel a sideways glance, studying him as you walked together. He was brash and rude and aggressive, but you were learning that side of him came out when he was being protective over the ones he loved.

Or when he was trying to hide who he really was.

"So, everyone pitches in around here, right?" you asked, trying to change the subject. "You do patrol. What do I do?"

You paused at a crossroads, trying to remember which way to go, when Joel's hand on your elbow guided you in the right direction.

"You work patrol, too, but you ain't doin' that anymore," he said, letting go of your elbow after holding on for a moment too long.

"Well, obviously. I don't even know how to ride a horse," you said with a snort. "So I guess I need to find a new job, right? Who do I talk to?"

"Why don't you slow down a minute?" Joel said with a chuckle. "Let that pretty little head of yours heal up before you go lookin' for work."

You weren't going to say anything about his comment. Although it took you off guard, you realized he had habits that were going to be hard to ignore and you didn't expect that to happen overnight, but he seemed to realize what he said on his own and awkwardly cleared his throat.

"Sorry," he said softly.

"It's okay. I know this is difficult for you," you said, shooting him a sympathetic glance as you climbed his porch steps. He swung open the door and followed you inside, where you made a beeline for a glass of water so you could take one of the pills.

"We got a lotta history, you and me. It's hard to start over," he said as he watched you toss back the Tylenol with a wince. You examined his face closely and pulled out one of the stools to sit down. You leaned forward, forearms resting on the cool countertop before replying.

"Tell me a story."

He raised an eyebrow at you but couldn't stop the corners of his mouth from turning up a bit.

"What kinda story?"

"A story about us. You just said we have a lot of history together. Let's hear some of it," you replied with an encouraging smile.

"You sure? Thought you'd wanna go lay down," he said, but he eagerly pulled up a stool across from you.

"I think I can handle one little story," you told him, then watched as he stared down at his hands on top of the counter, deep in thought. When he thought of one, a slow smile spread across his face and his dark brown eyes flicked up to meet yours and you saw that softer side of him again.

"Alright," he said, settling back a bit. "So I told'ya last night how we met."

You cringed, remembering the story of a much bolder and seductive version of yourself, and nodded.

"Well, after that night we started seein' each other for a few weeks. It was just casual, nothin' serious," he said, looking down at his hands again. "I convinced you to sneak around so no one would catch on, and you grew tired of that. Rightfully so. I was bein' an asshole."

You watched him pull at a loose thread on the cuff of his flannel shirt, his eyes still cast down and you were beginning to realize it was due to shame.

"So anyway. One day you came over to, y'know..." he said, and you felt the heat in your cheeks again. "And you confronted me about it head on. Demanded to know why I wanted to keep you a secret. Thought I was ashamed of you - which I wasn't," he said quickly, his eyes finally meeting yours again. "But I had been through a lot of shit and I just didn't think I could give myself to someone like that again."

"What kind of shit?" you asked quietly, but he just lightly shook his head.

"One story at a time," he told you with a sad smile. You chewed on your lower lip as you waited for him to continue, his focus back on the loose string while he collected his thoughts.

"So I explained I had a hard time lettin' people in, that I wasn't capable of carin' 'bout anyone like that anymore, and you said to me, 'I know who you are, Joel Miller. Don't give me that bullshit, you're just scared.'"

He stared into your eyes, letting what he said land and hoping to see a flicker of the woman who spoke those words, but you just continued to look at him, waiting for him to finish the story like it was about somebody else entirely.

"Well, you were right, obviously. You always are," he continued with a smirk. "It knocked me on my ass. And I didn't know what was more difficult to believe: that you knew me better than I knew myself, or someone like you wanted anythin' to do with me in the first place."

You smiled and dropped your gaze to the counter, suddenly feeling shy.

"I'm not saying I don't believe you, but so far, these stories don't sound like me at all," you admitted.

He took a deep breath and finally stopped fidgeting with his sleeve.

"A lot's happened in ten years. Stuff that changes people. But I don't care what version of you's here, I love all of you."

You kept your eyes glued to his hands. You wished you could say it back. You knew he wanted to hear it. Maybe one day.

He tapped his finger on the counter, pulling your attention up so you were forced to look him in the eye.

"You fought for me that night, now I'm gonna fight for you, okay?" he said, eyebrows raised as he waited for you to acknowledge him. When you nodded sheepishly, his shoulders relaxed.

"So you're saying I fell in love with you because you were an asshole?" you joked, trying to lighten the mood, and it worked. Joel laughed heartily and crossed his arms over his chest.

"Nah, you didn't love me then," he said, still smiling.

"So how did I fall in love with you?" you asked, and his tongue clicked against his teeth.

"You're gonna have to wait to find out," he replied with a wink.

It wasn't his fault, but the rest of the day you could feel Joel looking at you. He was examining you, waiting to see the woman he fell in love with, and the pressure was beginning to be too much, so you made up an excuse to go lay down in his bedroom. He had mentioned he had patrol in the morning. Maybe some time away from him would help you relax.

You stared up at the white ceiling. The distant sound of children laughing outside through the closed window and then the door to the garage swinging open and shut acted as a soundtrack to your overactive thoughts. You almost had to laugh. It felt like your mind was constantly working, churning up information and digesting it only to always come up empty.

Absolutely nothing seemed familiar. Nothing about this place or these people felt like home.

You wished so badly you could remember something. Anything to make you feel like you belonged there. One little shred of hope was all you were looking for.

And then you remembered the journal.

Sitting up in bed, you tucked your legs underneath you and reached over for the black book. You fingers hesitated for a moment on the cover. It felt like an invasion of privacy, but how could that be when it was your own?

Taking a deep breath, you flipped open the journal and began at the beginning.

Right away, you could tell you wrote the entries. There was no doubt in your mind. Aside from your handwriting, your typical disorganization shone through like a beacon on every page. You occasionally remembered to notate in the margin the date, or your best guess at the date, but more often than not you were left with very little context for each small paragraph you read.

You were disappointed to realize the journal seemed to begin after you had met Joel. A big part of you was very eager to learn more about the person you were before finding Jackson, but it seemed as though you would have to depend on others to tell you stories you hopefully had relayed to them in the past.

The first page looked to be a list of items you had jotted down that didn't make much sense, but maybe when you first found the notebook, you hadn't intended to use it as a journal.

Socks, colored pencils, sunflower seeds, cards.

Flipping the page, you skimmed a short paragraph about a cabin you stumbled upon when on patrol. Again, it was more notes than anything of any substance. A description of approximately where it was in relation to Jackson along with a note to 'mention it at the next town hall meeting'.

Finally something interesting on the next page, you read a short paragraph about someone named Maria having a baby girl, and you frowned when you read the line Joel handled it better than I expected.

Continuing on, you read an entry about Christmas: Joel found me the softest sweater, it almost felt brand new. I really don't know how he managed to find it and I described the house I grew up in to Ellie and she drew it perfectly, I can't believe how talented she is.

One paragraph in particular grabbed your attention. It was about two people, and based on the context, it sounded like you were close friends. For the first time since we got here, I had the same day off as Ben and Lisa. We went fishing together and brought a lunch. It felt just like old times. As weird as it sounds, sometimes I miss being out there with them. We made a good team.

Maybe this Ben and Lisa would be able to answer some questions you had about yourself. Based on what you just read, it sounded like they knew you before Jackson.

There was a lot more to read, but the next page stopped you dead in your tracks. Your heart began to beat faster as you stared at the four words. Just one sentence, no explanation. A shiver slowly trickled down your spine as you sat there, unmoving, as your vision narrowed on the page: Joel lied to me.

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[femsolid]

There's a huge misogynist where I work. Always condescending, never takes responsibility for his mistakes, vulgar, belittling and making crude remarks about women's appearance. I seem to be the only one who doesn't take it. So naturally we had some tense exchanges, through wich I remained professional and he didn't. I reported it to my manager and I was told "that's just how he is, he's kidding" no he's not, I said, he's being cruel and sexist. Then I tell HR during a meeting about harassment, they write what I say and read it back to me, like we do at the police station, and one of them reads : "he makes sarcastic comments" and I'm like "what? I never said "sarcastic"? I said he makes humiliating and cruel remarks, infantalizing and belittling my work" "I think you said sarcastic" "No I said SEXIST, that's the S word I used." Then I talked about it to a close collegue and friend of mine and she responded with "im not taking sides as I've had no issue with him, you both need to work on your relationship or it's gonna end badly for you both". Us both? Then two other female colleagues, one of which presents herself as the great defender against harassment at work, a headstrong woman supposedly.

- oh he's not bad, not really, that's just how he is, he's joking

- no he's not, he's obnoxious and sexist

- there's much worse people here you should be weary of, he's not bad

- so because he's not the worst I'm supposed to let it fly? He is bad. He said women your age were past the expiration date btw. That's okay with you?

- Really? No that's wrong

- He made Mary cry by commenting on her appearance

- Well, you know, Mary, she's not exemplary either, she has...

- Irrelevant! I don't care what Mary has done, that doesn't make his behaviour okay. Emeline from IT made a post on Teams to help us solve a technical issue. He caught her at lunch and said in front of everyone she was playing the beauty queen with her profile picture on Teams and that she only made the post to get men's attention. That's fine with you?

- No but...

Then a coach went to talk to him and came back with "he's not bad, he said you two were fine now" "we're not fine, just because I stay professional doesn't mean we're fine" "you both need to work on your-" "what do I have to change exactly? I've stayed the same. He's vile. You don't have to agree with me. I'm not gonna change my opinion." And I turned back towards my computer.

The same company that forces us to take an E-learning class about harassment and sexism at work. Give me a break. I expect men to defend their class but this doormat mentality in women is awful.

[lovely-peace]

Lovely?

Summary: You don't like the marauders. You don't talk and don't even look at them. But as you visit your friend in the hospital wing you encounter a certain boy with brown hair, scars and this lovely eyes.

Pairing: Remus Lupin x Gryffindor!reader

Warnings: Low self esteem, past bullying?, This is no bully! Marauders fic!!

Part 1 Part 3

"Hey, do you want to study for Transfiguration together?"

A normal day. It should have been. But ever since I was asked who I would date, I've been hearing giggles and whispers. And now James is standing in front of Amy and me. Ready to finish something. I don't know what yet, but it's going to hurt.

Because it will be a joke of theirs.

"Why should we?" I go straight on the offensive. Leave fears behind and intimidate them.

Sirius, who was standing behind James, looked to the side to stifle a laugh. That kind of upset me.

"Well, in the last lesson you had... We thought we could help each other."

Oh. My mistake. That they laughed about. Learning. Together. Actually, they just want to smile at my stupidity. SMILE.

"Amy doesn't even have Transfiguration." I hissed, looking the boy in front of me in the eye for the first time. He looked almost uncomfortable.

This boy I rode to Hogwarts with in the same wagon. And who now feels too cool to remember my name. I'm just a joke that you crack a few times and then forget.

"Which is why, unfortunately, I have to say goodbye and go upstairs. Important subjects are waiting for me!" Amy tapped my shoulder and I was about to thank her inwardly until- "That's why I'm leaving this sweetie here with you, okay?"

Peter looked up from his book for the first time. He was sitting on the couch by the fire.

In the common room of Gryffindor, it was not uncommon for people to fight over this space. Peter snatched it early enough so that Remus, who looked very ill that morning, just sat on the chair at the table next to it.

Peter was probably just as disappointed that Amy left as I was, if I interpreted his expression correctly.

"Amy," I whispered to her, "what are you doing?"

She raised her eyebrows, rolled her eyes and sighed briefly. And I understood. She wanted me to give them a chance.

I looked at her with begging eyes and screamed at her in my mind not to leave me here alone.

"So...?" James stood there like a boy waiting for his mother's permission.

And I wasn't going to give it to him.

"Sorry, Jarry, but I was planning on studying for other subjects with Amy today. So if you'll excuse us." What did I just say?

"Oo-," James looked to his friends while Sirius laughed out loud, "-okay?"

I didn't look at Amy and just stomped faree upstairs to our room.

Amy followed me, but not without letting out a sigh of disappointment.

~~

"What was that about?" My voice was a little louder than usual. "I thought we agreed that we didn't like the four of them?"

Amy groaned and threw herself on her bed. "I never said that. I meant that they can be assholes sometimes, that's all."

"But they just were assholes?"

I also sat down on my bed and looked out of the window. The Hufflepuff team was playing quidditch.

"How were they assholes in any way, please? James just asked us if we wanted to study with them in the common room."

I could hear Amy starting to get angry.

"You know what he meant. He only asked because I said something completely stupid in Transfiguration the day before yesterday and everyone had a laugh. And now he wanted to hear more of it."

Amy had gone quiet. Then she snorted loudly. "Jesus Christ."

"What?!" As I turned around, two piercing eyes looked into me.

"Can you please stop painting the devil on the wall for once? You sound worse than Cassandra!"

Now I snorted.

But Amy wasn't finished yet. "You're so afraid of being ridiculed that you're becoming an asshole yourself!"

The sun was setting. And the moon slowly rose.

"Why are you so sure that the four of them are making fun of you?"

I hated that tears were welling up in my eyes. "That's how it always is! Suddenly all these people are nice to you, who didn't even know who you were before, to lure you into safety, but in reality they're blaspheming and laughing at you. It's always like that!"

Amy shook her head.

"No, it's just always like that in your head. There's a chance that these people just want to get to know you better."

Amy took her DADA textbook and turned to the other wall. "To exclude this opportunity from the outset is not only a mistake, but also a missed opportunity to make new friends."

I looked up at the full moon. I felt as if he was out there suffering with me.

You understand me, don't you?

Probably not.

~~

The next morning, Amy was still mad at me. I couldn't blame her. What I said already sounded pathetic.

But so far it had always been the truth.

It was unusually quiet at breakfast. Amy ate almost nothing and hurried to her tray.

We had different subjects at the beginning of the day, but at lunch Amy was nowhere to be seen. There were whispers again and I wanted to scream.

And it was only in charms that I was told she had been taken to the hospital wing. 

That was not uncommon for Amy. Amy was very fragile. Amy always put on a very strong front, also to help me. But the truth was that stress really affected her and at one point she almost fell over sick.

Was it because of our argument? I don't know. But I certainly felt guilty.

~~

After class, I hurried to the hospital wing and let myself be led to her bed.

She looked almost peaceful as she slept. I carefully sat down next to her and took her hand. She was sweaty and cool at the same time.

Madam Pomfrey explained to me that Amy had been under a lot of stress lately and had eaten something bad. Then she went to the next bed and talked with the visitors there.

Visitors with... familiar voices?!

"Oh, please, you can't expect us to just leave him here alone?" Was that Sirius?

"Yes, I must. You know he needs his rest now. So shoo." Madam Pomfrey sounded a bit annoyed.

"We can stay here quietly!" That was James. Ironically loud.

"No, Mr. Potter, you cannot. So, gentlemen. Out!"

I saw out of the corner of my eye how Madam Pomfrey shooed several people outside. But who was behind the curtain of the bed? Whom were they visiting?

The curtain didn't cover the whole bed. In fact, it was only drawn on my side. Quietly, I got up and tried to get a quick look at the person. I took a cautious step to the side and—

There layed Remus. A pretty battered Remus, wrapped in bandages.

Suddenly, the curtain was pulled back and I stood there as if caught red-handed.

Remus looked at me in surprise. His look was somehow different than usual and I imagined he took a deep breath before he spoke.

"Hi." ... "Hi."

His body was even worse wrapped up than I had seen from the side. He was sitting upright and his upper body was full of bandages. His face also had scratches but his eyes were still so deep-

I stared at him. For far too long.

I quickly sat down next to Amy, who was still asleep.

Remus cleared his throat. "Is Amy very unwell?"

Somehow I wasn't prepared for a conversation with him. Not with one of the four. Not with Remus.

"According to Madam Pomfrey, it's just stress. She just needs to get some rest and then she should feel better." I was almost whispering, my voice was so quiet. Nothing compared to yesterday.

"That's good. I hope she gets better soon. Has anything bad happened?" I looked up at him. His eyes were so gentle, as if he really cared. "Something that's really stressing her out?"

When he noticed my look, he looked away. To my disappointment. "But actually, it's none of my business-"

"We had a fight." Why did I tell him that? "I worried her again."

I looked at Amy. Her face wasn't quite so pale and her hand, which I was holding, wasn't quite so sweaty.

"Oh." Remus' voice was very quiet. As if he was afraid of saying the wrong thing. As if he was worried to say the wrong thing.

"And why are you lying here? What happened to you?" It was only when I looked at him that I realized the question was a bit rude.

"If you want to tell me," I added.

He just sighed and suddenly looked so far away. "It was an accident."

I waited for him to tell me more. He didn't.

It stayed quiet between us for a long time. I could feel his gaze from the side, but somehow it didn't bother me a bit. I almost felt safe.

Suddenly he asked me: "Why did you argue?"

I looked into his eyes and almost wanted to tell him everything. I looked at Amy and borrowed her words. "I was an asshole."

He tilted his head and smiled cautiously. "Somehow I can't imagine that."

I looked at him. He looked at me.

"Why?"

"Well, you... It's not like you at all."

I continued to look at him. He continued to look at me.

"What do you mean?"

"You're usually so... Lovely."

Lovely? He saying I was lovely?

I had to laugh. He looked away.

"Me? You don't know me then." I giggled softly. "Besides, anyone can be an asshole, no matter how sweet the person still is."

He looked outside. The moon was up. He had that look again. "Yeah, I guess you're right about that."

It was quiet again after that. I heard soft footsteps outside and my anxiety wanted me to leave. So I stood up and was about to say goodbye to Remus as he-

"I want to know."

"What?"

He suddenly looked into my eyes so intensely that I felt dizzy.

"I want to know you properly."

I didn't know what to say and just looked at him as he continued.

"I want to know what goes through your mind when you see me us."

His gaze moved away from me. "I want to know why you hate us so much."

My whole world suddenly spun and I was in the middle of it. What was he saying? What did he mean, why was he even talking to me? What was going on here, why was he even here? And why did he call me lovely? What did he mean?

I wanted to say something. Something about... What actually?

Somehow I couldn't get anything out of me and was stuck in this spiral of trying to say something and figure out what to say. I opened my mouth, as-

"Remus, we're here!" James' voice tried to sound quiet but was unmistakable. Just like the footsteps of the two boys walking towards his bed.

When I saw them, so many things came back to me. Why I didn't talk to Remus.

"Are you feeling better? Remus -" Sirius faltered when he saw me. He looked between me and Remus and then grinned at me.

"Oh hello."

He turned to James now and 'whispered' to him. "Prongs, let's go and give these two some time to themselves-"

Remus cleared his throat and pointed at Amy who was lying next to me. Sirius fell silent.

"I'd better go now." I said in a very quiet voice again. James and Sirius even left me alone, but I heard their voices before I closed the door behind me.

"So, did she talk to you?" "What was going on with her?" "Is there something-"

The door slammed behind me and my head seemed to explode with questions.

[ay-chuu]

DISCOVER. L, I, M, P, Say it.

!! (Self aware bsd boys)

WARNING! Obsessive behaviour in some and angst.

A/N: Sorry for any grammer mistake i made!!

Self aware!Dazai, Chuuya, Jouno, Fyodor, Ranpo, Sigma x Gn! Reader

You really was the most airheaded human, in Dazai's eyes. Because he learned everything about you in just few weeks, while you only knew him as a popular 2d... character? Dazai knew he didnt thought himself as a human but being a non human in different world with a canon fact hurted him. He's not gonna even talking about the... writer version himself in your life. He just wanted something really clearly over his life and it was YOU. You, who made him self aware by mistake. You who made him fell for someone really. You, who made him want to live for a little longer to know you...

"Cute." Chuuya thought. You were really looking cute trying to sew a plush version of him while looking at the manga's colored page to match his features. He hated it when you closed the page tho. Yes he could always try to put himself that is connected with his... other self's but manga was the easiest one since he was origannly from here. He wondered. What would you look like in here too? Would you have powers? Would you meet him? Would you be... his love interest? Well he was never gonna know the truth. The only truth that he know was he was falling- no. Already fallen in love with you.

Jouno hated how stupid and complicated this situation was. And he hated how he couldn't do anything, even a simple thing for you. He hated how pathetic this... no he was. He fallen for you, who was a REAL different version of human. Who was in another reality. He knew that you didn't even knew what you did to him. In your eyes, he was just a character that you enjoyed... reading. Ah he guessed that life was giving him a punishment because of his brutal actions for others. How brutal....

You really wondered that if your pc got a virus or something. Because everytime you try to search or write something there was a thing that made you remember fyodor. Like when you try to an essay for your study, your computer would always write "fyodor" that any word that starts with f. Or when you opened a website you would always see fyodor's manga version. But you thought you just freaked out because... what kind of virus would do that right? Wrong. You were wrong for thinking you were wrong. Fyodor, who hacked all of your system would always make you remember who loves you most. He wanted to engrave himself into your subconscious. Because one day, when he finds a way to bring you into his universe, you would not lose your way to find him...

Ranpo had always thought he was smart. Or rather, it was like that in the past... Because ever since he met you, he saw himself as the smallest-brained person in the world. No matter how hard he tries, no matter how many times he reaches different thoughts, he couldn't reach you. While you could always reach him with a single page turn or google, he barely understood that you were from another universe... At first he thought you were just one of the games of Poe's books. He wished you were. Maybe if you were, he would never have fallen in love with you so hard...

Sigma was so surprised when he was able to discover you for the first time. But more than being surprised, he felt very close to you. Because you... were like a different universe version of him. He was born from a book. For him, you were a book that born in a different universe and watching him. The day you read the story about him and smiled because you felt close to him, he realized that he was in love with you. But if there was one part that wasn't surprising at all for him, it was that he couldn't reach you. Ah, because it wasn't just people playing with him all his life. His life was the biggest user playing with him. After all, It didnt change the fact ... he was really just a written person. In any reality.

[novella-november]

See, here's the thing about generative AI:

I will always, always prefer to read the beginner works of a young writer that could use some editing advice, over anything a predictive text generator can spit out no matter how high of a "quality" it spits out.

I will always be more interested in reading a fanfiction or original story written by a kid who doesn't know you're meant to separate different dialogues into their own paragraphs, over anything a generative ai creates.

I will happily read a story where dialogue isn't always capitalized and has some grammar mistakes that was written by a person over anything a computer compiles.

Why?

Because *why should I care about something someone didn't even care enough to write themselves?*

Humans have been storytellers since the dawn of humankind, and while it presents itself in different ways, almost everyone has stories they want to tell, and it takes effort and care and a desire to create to put pen to paper or fingers to keyboard or speech to text to actually start writing that story out, let alone share it for others to read!

If a kid writes a story where all the dialogue is crammed in the same paragraph and missing some punctuation, it's because they're still learning the ropes and are eager to share their imagination with the world even if its not perfect.

If someone gets generative AI to make an entire novel for them, copying and pasting chunks of text into a document as it generates them, then markets that "novel" as being written by a real human person and recruits a bunch of people to leave fake good reviews on the work praising the quality of the book to trick real humans into thinking they're getting a legitimate novel.... Tell me, why on earth would anyone actually want to read that "novel" outside of morbid curiosity?

There's a few people you'll see in the anti-ai tags complaining about "people being dangerously close to saying art is a unique characteristic of the divine human soul" and like...

... Super dramatic wording there to make people sound ridiculous, but yeah, actually, people enjoy art made by humans because humans who make art are sharing their passion with others.

People enjoy art made by animals because it is fascinating and fun to find patterns in the paint left by paw prints or the movements of an elephants trunk.

Before Generative AI became the officially sanctioned "Plagiarism Machine for Billionaires to Avoid Paying Artists while Literally Stealing all those artists works" people enjoyed random computer-generated art because, like animals, it is fascinating and fun to see something so different and alien create something that we can find meaning in.

But now, when Generative AI spits out a work that at first appears to be a veritable masterpiece of art depicting a winged Valkyrie plunging from the skies with a spear held aloft, you know that anything you find beautiful or agreeable in this visual media has been copied from an actual human artist who did not consent or doesn't even know that their art has been fed into the Plagiarism Machine.

Now, when Generative AI spits out a written work featuring fandom-made tropes and concepts like Alpha Beta Omega dyanamics, you know that you favorite fanfiction website(s) have probably all been scraped and that the unpaid labours of passion by millions of people, including minors, have been scraped by the Plagiarism Machine and can now be used to make money for anyone with the time and patience to sit and have the Plagarism Machine generate stories a chunk at a time and then go on to sell those stories to anyone unfortunate enough to fall for the scam,

all while you have no way to remove your works from the existing training data and no way to stop any future works you post be put in, either.

Generative AI wouldn't be a problem if it was exclusively trained on Public Domain works for each country and if it was freely available to anyone in that country (since different countries have different copyright laws)

But its not.

Because Generative AI is made by billionaires who are going around saying "if you posted it on the Internet at any point, it is fair game for us to take and profit off," and anyone looking to make a quick buck can start churning out stolen slop and marketing it online on trusted retailers, including generating extremely dangerous books like foraging guides or how to combine cleaning chemicals for a spotless home, etc.

Generative AI is nothing but the works of actual humans stolen by giant corporations looking for profit, even works that the original creators can't even make money off of themselves, like fanfiction or fanart.

And I will always, always prefer to read "fanfiction written by a 13 year old" over "stolen and mashed together works from Predictive Text with a scifi name slapped on it", because at least the fanfiction by a kid actually has *passion and drive* behind its creation.