#because people didn't learn from the mistakes of the past

[cuntwrap--supreme]

There's an older gentleman on one of the mail routes I do who has dementia, but he gets kinda mean about it. No one warned me about this, and the first time I met him he gets his mail out of his box right after I pass it and runs up to my truck, slaps on it a little and starts yelling at me that "it's all wrong." I didn't know if I'd accidentally put mail in the wrong box (none of them are marked on that street), so I calmly asked if I'd given him someone else's mail by mistake. He insisted that no, but it was all wrong, and got louder with the yelling until a woman in scrubs bursts out the front door and grabs him by the arm to lead him inside. I had a package and had to get out at the next house in the cul-de-sac, and she approached me and apologized for him, saying he has dementia and gets incredibly irate when something is happening that he can't understand. I learned later that the catalyst was me, because the route's carrier has been there for going on 15 years, long before he developed dementia, and seeing anyone but her at his mailbox freaks him out because she's like the one constant left. According to the carrier, his wife died about a decade ago and his only son lives in like Colorado or something, which is very far from Tennessee. I try to speed past his box any time I do that route, but his nurse sometimes meets me out there so he can't come and get mad. And she always apologizes as if him yelling at me is the worst thing in the world, like it's embarrassing. Like. If I found myself in my own house, a place I'd lived for a long time, and there were all kinds of changes and people I didn't know around me, I'd probably get angry, too. It's not a big deal. It's not like he's being an asshole as a choice or something. He's confused and angry because of that, and I can let that slide. It's incredibly sad, but he's a person and deserves to be allowed to feel that anger, so long as he isn't hurting anyone over it.

while we're at it, people are such dicks about older ppl with dementia. i was at a meeting a few months ago and a woman was full of apologies bc she had to take her mother (with alzheimers) with her but like??? she's a person??? can't help but think how many times that woman has been made feel like shit bc of her mother being a bit chatty and slightly incoherent at times, for her to feel like she needs to apologize every 5 minutes. meanwhile her mother was just a person like anyone else who just had forgotten some social norms and tended to repeat stories. it is SO not a big deal and people who act like it is actually scare the fuck out of me. like tell me more about what are we supposed to do about people who don't behave exactly like you want at all times?

[pomegranatelifethis]

A mistake

**English is not my native language**

The place where it all began, trapped in a small room between only you and the darkness. When did being Bruce Wayne's daughter make you happy? People looked at the Wayne family's children with admiration, but no one saw you. Perhaps the biggest problem with you was that your existence meant nothing to anyone.

Days passed, you were forgotten more and more with each passing minute. How empty it was that Alfred forgot to invite you to dinner every night, that Damian didn't find you entertaining, that Dick didn't care about you... In all this chaos, you felt like you were being pushed aside. And you were hiding behind your tears, with the feeling of loneliness getting deeper with every moment.

But no one noticed.

One day, there was a terrible silence in the dark streets of Gotham. When the Joker decided to take care of you, none of the family noticed you were missing. The heroes fighting outside were so busy protecting the city that they didn't even care that you were missing. Many nights you had to go out quietly, wander the streets and come back. But you never really became a family. No one called you, no one noticed you were missing.

Everything took on a different meaning in Joker's hands. His sarcastic smile was wearing you out more and more every day. He constantly ignored you in his games and made you feel like nothing. The tortures and psychological games were weakening you so much that you eventually started to accept: No one really cared about you.

The first day, when Joker kidnapped you, no one noticed. Everything was in the past. When he disappeared a few days later, no one was surprised. A week later, no one even called you. Two weeks, two whole weeks… But there was something. During those two weeks, something changed. A void was created within everyone. They had begun to realize, but it was too late.

First Days - Joker's Games:

When the Joker kidnapped you, you were afraid of physical pain at first, but over time the psychological torture began to become a greater threat. He was starting to learn about your weaknesses, fears and pains. He was constantly causing you pain and trying to slowly break your spirit. The pain you have experienced before has never been this deep.

Your body could heal, but your soul would be much harder to heal. The Joker was testing your mental limits. At first he physically challenged you: chains, beatings, cuts… but over time he became more insidious. “Do you think your family is looking for you?” he was saying to you, there was a mocking sparkle in his eyes. “You will just be a loss, forgotten. No one will remember you.” These words hurt you more than you had ever felt before.

Every day he questioned you in some way and left you in pain. His biggest torture was leaving you alone. He left you in a room for hours, days, silently. When he entered the room, you saw him smiling. And that smile made you feel like everything was over. Sometimes he would tie you to a table and ask you to close your eyes. “Aren't you going to follow me?” he would ask, with that cold emptiness in his eyes.

The Batfamily's Realization - Delayed Guilt:

.

The Joker's Last Games - Acceptance:

As time went on, Joker broke you more and more every day. It seemed like everything was lost for you now. He enjoyed seeing you. “A family, right? “But you lost them,” he said. And one day, he tied you to a chair and said that old saying again. “No one will remember you. Your family lost you. You are also a loss that they don't remember.”

At that moment, something changed in your eyes. That old light disappeared from his eyes. You fell into such a deep void that nothing could get you out of there anymore. It only took one word to break. That word came out of Joker's mouth. “They lost you because they never wanted you.”

Family Regrets - Lost Forever:

Bruce shook you and said, “Forgive me,” holding your shoulder. Tim, Jason, Damian and Dick were there too, but no matter how much they told you how sorry they were, it was different from what you felt. “Don't try to forgive me. "It was too late," you could say, but your voice cracked and a few tears rolled down your eyes.

The deeper the void gets as you feel how tightly they hold you. With every touch, you feel like you're being pulled back one step further. At that moment, everything they think they love about you turns into a pressure on you. When they say they want to hug you, hold you, take care of you every time they approach you, a feeling pushes you back. As you feel this, your body seems to be running away from them, but your heart is still waiting for love. No matter how much they want to hug you, your body wants to escape from them.

Bruce: Bruce's hands could feel the pain inside you as he held you tightly. But you involuntarily pull your body back. At that moment, Bruce's pitying gaze pushes you away. So much had happened that everything he did to protect you was never enough. “I can't let you go anywhere,” he whispered, but there was an increasing obsession in his every word as you couldn't even take a step. Every time he approaches you, he holds you so tightly that as you feel it, the little voice inside you says, “Don't leave me.”

But every touch of his cuts you like a knife. “Do you think you like this?” you think. At that moment, as you think about how much Bruce loves you, your body involuntarily moves further away, and you respond to every approach with fear.

Tim: Tim, everything changed when they lost you. Now that he had found you, the desire to control every moment of you was increasing. While he was watching your every move, he was pushing every limit to protect you. But every time, your body was retreating even one step. Even though he approached so quickly, every move of his pushed you further back. “Don't be afraid of me,” he was saying, but the fierce possessiveness in his approach made you feel like a pit that took you out of this world.

Every touch, every touch, was causing your traumas to come to life in your body. Your withdrawal was bringing him closer. As you thought everything was over, you were lost in time. When he said, "Stay away from me," there was a kind of bullying in those words that tried to close you down even more. But you were running away from him with every move, trying to prevent your body from shaking involuntarily every time you felt his hand.

Jason: When Jason found you, he felt like he missed every moment you were lost and buried that emptiness inside you. But when he found you, his hands really scared you. He hugs you so tightly that every muscle tightens, and as he tries to touch every part of you, you get colder and colder inside. “You won't be harmed, I promise,” he said, but there was something in that promise that turned into holding you, controlling you, trapping you completely to yourself. Day by day, Jason was becoming more and more possessive of you, but you felt every moment with a desire to escape and be protected. Every time his hand held you, every time he tried to caress your cheek, it caused invisible wounds to swell on your body.

When you said, “Stay with me,” your body didn't want to take another step towards him, and you were getting more and more tense with every movement. The heavy pressure on everything made you feel colder inside, forcing you to belong to no one. Even though you wanted to see the love in him, you didn't think you could really trust him anymore. Every violent hug pushed you back, reminding you of feelings you were sure you had forgotten. Jason's touches no longer felt like comfort, but like a threat.

Damian: When Damian found you, there was fear in his eyes, but that fear had turned into an obsession to protect you. Seeing the emptiness inside you pushed him to own it more. But those looks that were always trying to possess you suddenly pierced you. Every time he touched you, every time he leaned towards you, there was a sense of fear that pushed you back. Whenever he brought his hands closer to you, you involuntarily took a step back. When he said, "Don't run away from me," these words broke you down, along with the weakness in his voice. As your body retreated, Damian wanted to get closer. Not for you, but for fear of losing him. But with every touch, another trauma opened, and with every show of attention, you retreated more. Eventually, this obsession was causing you so much pain that you couldn't trust anyone.

Dick: When Dick found you, he wanted to hug you first, but when he noticed the tension in your body, he took a step back. But this retreat was like one step closer to losing you for him. The fact that he wanted to spend every moment with you and protect you left a painful echo in your body. He was so close that every time you escaped, he was trying to attract you more. When he said, "Don't leave me," there was so much fear in his eyes that he thought that if you took one more step back, you would lose him completely. But for you, every move became a threat. Every touch of his was pulling you down further.

Conclusion: When the Batfamily lost you, there was deep guilt within them, but what they felt after finding you combined with the emptiness within you and turned into obsessive possession. With each approach, each time they hugged you, the more fear grew inside you as you felt how tightly their hands held you. And in the eyes of each of them was a psychological pressure combined with the fear of losing you. But you felt completely lost, pushing back every touch, to the people you once thought you loved. You felt like a person left alone in fear and pain, having lost confidence.

@celestialbooks

[emeraldspiral]

Girls don’t want to see another attempt at rebuilding the Jedi Order. Girls want Ben Solo back.

[crossdressingdeath]

Y'know, I know they never would've done it but god damn the redemption ending should've failed. That should've been the bad ending, it would've been so good as a bad ending.

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[aberooski]

I love Taylor. I always have and to some degree I always will. She means too much to me and is such an important figure and source of joy and light in my life when I desperately needed, and a connection to my own father that I need desperately, to deny that I will always look on her fondly to some degree as silly as that may seem sometimes and to some people.

But that doesn't mean I don't/won't/can't be critical of her or be disappointed or disagree with choices she makes or has made, because I absolutely have been and I absolutely am.

My problem is that I always, with every fiber of my being, look for and try to see the best in people and believe in people until I absolutely can't anymore. Unless it's something truly reprehensible and irredeemable, my brain simply cannot comprehend the idea that one bad decision or mistake trust me I know she's made more than one lately can automatically invalidate or negate anything and everything good a person has ever done. I've genuinely tried to understand it and unfortunately, I can't wrap my head around the concept. I give grace to a fault. I get sad when I see things said about her in a negative light even when I completely understand and even agree, because I have so much love for her in my heart. It's that tride and true naive, blind optimism in me I guess.

But I do not in any way think she's a perfect person, I know she isn't, because nobody is. Some are just better at hiding that than others. She makes mistakes, she's wrong sometimes, she is a human being who messes up. Sometimes in big ways. And unfortunately she's messed up a few times over the last year or so and that makes me sad. It disappoints me because I love her so much, and I do want and expect better of her. And in the process of that, it makes me very sad that I feel like I have to hide the facet of myself that does still love her despite my disappointment in her or risk making people upset with me now because I'm so afraid of upsetting people. I'm terrified of doing or saying the wrong things I try so hard to do the best I can every day and it's disappointing to see her slip up. It's sad. It makes me very sad.

It's a complicated time to love her right now. I hope, in my heart of hearts, I sincerely hope that sooner rather than later it won't have to be that way anymore. Not just for me, but for all of us who feel that complexity or conflict of emotions.

[pegasussomnus]

Tim already did find someone who he can himself with in all aspects: Stephanie

There is also how bernard doesn't embrace all aspects of Tim. Their entire "relationship" is defined by Tim being robin

Bernard doesn't help Tim grow as a character, or even as a person relationship wise as Tim is still doing the same faults he did in past relationships with civilians not telling them he is Robin, keeping secrets, cutting dates/missing them, etc). but they are "resolved" by just making Bernard some ultra perfect guy who knows Tim's identity

Aka the resolution he had with Stephanie in terms of the civilian/hero life balance of having someone who knows both, so Tim is getting a balance he already had and not to mention you can't even say Tim progressed in this manner or learned from his mistakes as he never revealed his ID in the first place, so it requires no growth on his end) (never explained how he does, not to mention watering down Tim's competence in keeping his ID) so it's all moot.

Tim also doesn't progress in his civilian life at all. Like he lives on a boat and (it is said that Bernard helped motivate him to do this but never shown/explained at all and all we see is Bernard saying he likes it and the people there)? Like he doesn't even meaningfuly develop a connection with the people there aside from friendly neighbors at best. As an example There was this "subplot" of them being in danger of being evicted but Tim just doesn't care at all or do anything. Like why not use some of his wealth from his dad or something to like buy people's boats and resell them at a cheaper price so the people can stay?

The people on the boat don't even offer him a meaningful civilian connection as like I said he just doesn't connect with them and even then that civilian connection is kind of moot in the last issue when they all know his identity as Robin so that balance or finding a solution is rendered moot for the same reasons as above as he already found that balance with the Batfamily/YJ friends who know both aspects of his life and again he didn't even it reveal it to them.

Like what do they offer him? People to chill in a non-vigilante way? Like he can already do that with the Batfam/YJ and not to mention that as the series showed the Marina got involved in a lot of Robin related stuff because of Tim's ID, so it's also moot.

Another point is how Bernard for a 'relationship for Tim beyond Robin' really is a relationship where the substance largely comes from Robin. Like aside from Robin is how they got together which Bernard even states in issue 3, in the beginning of issue 7 when Bernard list why he likes Tim all the things he likes about him are reflective of his role as Robin. Like his whole trusting Tim to keep him safe, Tim being special, and Tim being his lucky charm, the examples he uses are of Tim saving him as Robin/being Robin.

And issue 7 also shows like I said above that what saves the relationship is Bernard knowing that Tim is Robin. Not to mention how he really only opens up to Tim/confides in him seriously when Tim is Robin as shown in issue 3 and 9. Hell in issue 3 when he talks about wanting to help Tim, knowing that he knows his ID, when he talks about Tim 'taking too much on his own and not asking for help and loosing himself or whatever' we know it's about Robin.

And issue 10 the grand saving moment for their relationship after the 'falling out' in issue 9 was Bernard saving the day in a Robin related mission and getting the ID reveal (but not really)

Issue 7 highlights how Tim really doesn't do anything for Bernard as Tim. Like all he does is tell him that his parents suck, he's great to make him feel better, and tell us a bunch of stuff about Bernard we've never seen before.....twice and given how the issue kept emphasizing this point (to the point where villains commented on it) and how over the top his parents/with Bernards heroic it felt generic and like the bare minimum and Tim felt like an exposition device.

Tim never really talks to him about his issues with his parents or actually substantially helps him as after Tim does the above it immediately cuts back to their relationship for cute moments. Like Bernard giving him the necklace isn't even connected to Tim 'helping' as he was gonna do that anyway.

Tim as a civilain is just the BF and the real substance comes from Robin (as it was a Robin related mission and Tim saving civilians as Bernard which lead/inspired Bernard trying to save his parents and oh look Robin once again is tied to their relationship)

Also you can't just have characters do thing with little to no motivation or reason. That is bad writing.

idk why everyone wants tim to be a cheater again and the hate for the houseboat like is this character finding a stable relationship and a home which he clearly loves too much for you to handle

like the he's rich why doesnt he live in a mansion argument means nothing to me ik everyone whumps on this guy but like aside from that maybe he likes living in a houseboat? maybe he's matured enough to not cheat on his partners?

and i love that tim found someone he can be himself around like in all aspects of being himself. thats my blorbo. that's the guy i imprinted on and have stuck with for god knows however long.

Facts

[babycharmander]

(BOOK OF BILL SPOILERS)

I just finished reading The Book of Bill and I am kindof losing my mind over some of this stuff.

I had wondered if Alex Hirsch might make Bill sympathetic in some way and oh boy I was not expecting him to do it so successfully (and without cheapening Bill's character).

So, we learn that Bill was born into a 2D world... as a mutant who can see into the third dimension. He claims he was absolutely loved by all, but when talking about his powers, he mentions under Pyrokinesis:

"Cipher, Cipher, he's insane / Starting fires with his brain." The kids in grade school could be so cruel. But where are they now, huh? WHERE ARE THEY NOW?

So probably not quite as liked as he was letting on. To add to that, there's the silly straw page, which looks like silly nonsense until you decipher some of the codes:

"EYE DOCTOR OF A DIFFERENT KIND / WHO WANTS TO MAKE HIS PATIENTS BLIND" "THE DOCTOR SAYS / THREE SIPS A DAY / WILL MAKE THE VISIONS / GO AWAY"

I wasn't sure what this meant until I saw someone point out... he was seeing a third dimension that no one else could see. His parents probably took him to the eye doctor to try to "fix" him. Which, speaking of his eye doctor, the coded message in the section about human eyeballs says something interesting:

"MY OPTOMETRIST NEVER SAW IT COMING"

It could be a joke given beforehand he's talking about dissecting a human eye, but given the previous hints of medical abuse, I wouldn't put it past him that he tried to get revenge on his eye doctor.

Oh yeah and the whole thing about him setting his entire dimension on fire? Yeah it turns out it was entirely a mistake (he just wanted everyone to understand the third dimension he was seeing so they could be free of only two dimensions), he was so traumatized by it he blacks out when trying to recall it. He deeply, deeply regrets it, and...

"What? Your ENTIRE home dimension? destroyed? How? By what?" Bill looked distant, more distant than I'd ever seen him. "By a monster."

He sees himself as a monster.

And yet, he's not some innocent, misunderstood being. He still revels in causing pain and chaos. He's terrible in general, but becomes incredibly abusive toward Ford.

"YOU'RE MY PROPERTY. DON'T FORGET IT. The hillbilly abandoned you, your father won't want you returning without millions, you have no friends, and if you died out here in the snow, who would even miss you?"

Which... speaking of him and Ford...

Yes, yes, I know people ship them. But like, whether you see their relationship as romantic or platonic (I see it as the latter), there's some interesting parallels to be made here.

Both Bill and Ford are mutants who were mocked for their being different. (Bill was not physically a mutant, as far as we know, but more in the sense of him having vision stronger than that of everyone else in his dimension, and also having special powers. And he does describe himself as a mutant.) Both became social outcasts, separated from their families but still haunted by them (Ford seeing commercials of Stan on TV and running across old photos of him and his brother, Bill being haunted by his family in some form). Neither could return home for one reason or another. Both more powerful than their peers (Ford intellectually, Bill in terms of actual powers). Both of them isolated and alone. (Yes, Bill does have the Henchmaniacs, but they seem like shallow friends, and only really seem to follow him out of a desire to have a place to party.)

Ford was not aware of most of this, aside from knowing that Bill could not go home because his dimension was destroyed. But Bill absolutely saw himself in Ford. There was no other person he tried to use whom he felt a stronger connection to.

And he actually seems to care about Ford--he actually gave him a birthday present, and when Ford didn't like it, he decided to get drunk and party with him instead to make up for it.

And then when Ford realizes what Bill's plan actually is and refuses to go along with it, and fights back no matter what Bill does, Bill completely breaks down.

After living for trillions of years, he met someone who was like him, and that person rejected him.

He goes berserk, wreaking havoc, being caught by the dimensional authority that he's been taunting for most of his life.

And then after dying and being cast out of hell for being too annoying, he winds up faced with the Axolotl, who sends him to therapy, where he continues to break down further, sending out the book in a desperate attempt to find someone, anyone who will help him break loose and wreak havoc once again.

"You have no friends, and if you died ... who would even miss you?"

I don't know, Bill. Who would even miss you?

In short,

[ID: The front and back of one of Bill's Valentines cards. On the front is a black void with Bill Cipher lying down without his hat, gazing blankly upwards, with the text "I DON'T WANT TO DIE ALONE" above him. On the back is a simple white "TO/FROM" in red, with a red outline illustration of Bill spontaneously growing a mouth and eating a realistic, bloody heart. /end ID]

[diamondsunbursts-and-marblehalls]

The first real conversation Katniss has with Peeta is when he tells her that he wants to die as himself, that he doesn't want the games to change him into something he's not, and that he wants to keep his identity and prove he's more than just a piece in their games because that's the only thing he has left to care about.

The first time we see Lucy Gray she sings a song that basically says that nothing they could take from her was worth keeping. "Can't take my past. Can't take my history... You can't take my charm. You can't take my health."

The capitol has taken everything from them both, but at the same time, they could never take away who they are.

They are both likeable charismatic and funny, with the kindest hearts, and incredibly loyal to the people they care about.

At the same time, everything they do before the games, and during is calculated. Lucy Gray singing a love song and winning the hearts of the capitol. Peeta confesses he's in love with his district partner, therefore cementing her identity as desirable. Both of them know how to sway people with words, how to charm people, and how to manipulate crowds. Neither of them has any problem doing so to keep themselves, and the people they love safe.

Lucy Gray's song The Old Therebefore, about learning how to love and live her life to the fullest before death, a final and calculated stroke in a last-ditch effort to save herself from the arena. This evokes enough emotion in the watchers to get them to rise to their feet and plead for her life alongside Snow.

Snow, watching the 74th and preparing for the 75th Hunger Games sees Lucy Gray in Katniss. A young girl, from the 12th district. Unafraid at the reaping. Selling a false love story, manipulating a boy who loves her in order to get out and supporting the revolution with the mockingjay as her symbol.

He threatens her family to get her to sell that she and Peeta are in love, to prevent the revolution, because obviously, she's pretending. He's had experience with a girl just like her before. He has no doubt that she has the acting ability to sell this story because clearly, she manipulated the first Hunger Games in her favor, the same way Lucy Gray manipulated him.

Watching the interviews for the 75th Hunger Games he realizes-

Katniss is just an impulsive girl, in a Mockingjay dress she didn't know about, made by someone who supports the revolution.

Peeta is a boy who has the ability to move people with just his words. He made Katniss desirable, he was the one who sold the love story, and he was the one to make their romance seem real. Katniss only started the revolution because she would rather risk dying with him than live without him. A concept President Snow was completely unfamiliar with. And it is with all these realizations crashing around him Peeta drops the baby bomb. He knows the baby's not real, and so does Snow. But it evokes enough emotion in the watchers to get them to rise to their feet and plead for the lives of the tributes.

Is it Lucy Gray or Peeta?

By the time Snow realizes he's made a mistake, it's too late.

Peeta is still charming and manipulating the capitol. Katniss is in love.

He goes up against a kindhearted boy expecting to beat Sejanus again, only to find out that it's Lucy Gray he's fighting; knowing he will never be able to escape their ghosts.

-from a conversation i had with @grandtyphoonpoetry breaking down every character in the hunger games.

[violetrainbow412-blog]

Aegon The Burnt

Aegon II Targaryen x sister!reader

word count: 1.3k

warnings: infidelity (reader is Aemond's wife), incest, spoilers of s2ep5. Just something short and self indulgent, hope you like it!

masterlist

taglist: @barnes70stark

When you arrived at Aegon's chambers, he was alone. Your mother wasn’t by his side, nor was his wife Helaena, much less Aemond, who you were sure had been the cause of all that. Everyone was crazy, the war for power was making everyone's head sick in the Red Keep and it had ended up bringing you to that point.

When you learned that your brother had gone into battle when he wasn’t required, you knew that the consequences were going to be disastrous and you even hoped that upon returning to King's Landing the star news was the death of the king. But thank the gods he was still alive, fighting, but alive.

You hadn't dared to look at him until that moment, mentally unable to think that his body had been stained at the hands of dragon fire. Targaryens don't burn, do they? Could it be your ancestors punishing Aegon’s recklessness?

And you were sure they would punish the sin of parading a dragon's head around town. They were sacred, they were your emblem and your heritage... you thought that your mother would have this more in mind and that she wouldn’t approve of that kind of massacre. You couldn't imagine your beloved Kaeryss going into battle, dead at the hands of the enemy or perhaps even your own brother.

But now it was a dragon war, not even men could stop it.

“For the seven…” you sobbed softly, you barely got close to your brother and the whole smell of burnt flesh and rot filled your nostrils.

The maester had managed to do a few things to him, he was completely bandaged and was breathing heavily, a hiss leaving his lips with every exhale he took. It was a horrible sight to see for anyone, much less the only person who had genuinely loved Aegon.

The sight made you stagger back and you had to hold on to the bedposts to keep from falling. The worst thing of all was to think that it was the king who had brought this on himself, no matter how much they wanted to convince all his subjects that he had fought bravely and had struck down Meleys.

If you had known before what he intended to do, you would have implored him to stop, you would have persuaded him with kisses and cuddles to stay in the palace. Damn, you would have gotten him drunk and fucked for hours if it kept him safe. Or ultimately, you would have told him how stupid he was for trying to go to war solely on a whim, with a dragon with no experience in battle being ridden by a man with less experience.

But past mistakes couldn't be corrected just by thinking about all the possibilities, instead you had to face the consequences.

You looked at him for a moment, trying to put aside the tremendous disgust that the burning flesh produced in you. If you dared to say that out loud, you knew that Aegon would feel tremendously hurt, since he had never boasted of having the best self-esteem, so you had to be cautious with your words and gestures when he came to his senses.

You took a seat next to the bed, in a modest chair that had surely been occupied by someone else hours before, and you tried to hold back the tears that were already gathering in your eyes. While you saw the king lying in bed, at risk of dying at any moment, you wondered how far this conflict would go.

Aegon had always expressed that he didn’t want to be king and now that he was, he turned out to be a useless one. You weren’t going to soften truths in your mind, because you, as everyone knew, that the king's claim had been a treacherous one. You had been happy that your sister could aspire to be a queen, even if you hated her and her unbearable descent. But hating her didn't mean you wanted to see so many people die, much less the innocent and weak ones as always happened.

Sometimes you wondered what would have happened if your parents had married you to Aegon instead of your brother Aemond. You couldn't blame Helaena for hating her husband, just as you hated yours, perhaps for different reasons but with the same impetus. You probably would have preferred to marry him because of the treatment he had always offered you, being kind, loving and careful. And you knew that it was wrong to love him secretly from your husband and that it was a very serious offense for a lady, but you didn't care and you assumed that if Aemond knew, he didn't care either. He never loved you, you didn't know the reasons but you were sure of it.

One of your hands traveled to the man lying on the bed to take it, carefully, and you gently caressed the healthy skin that still remained.

“Mummy?” you heard, like an almost imperceptible moan. Aegon could barely open his right eye weakly.

“No, no, honey. It’s me,” you whispered sweetly, leaning slightly so he could hear you over the smell of rot. You said your name out loud just in case he didn't recognize your voice.

He wanted to say something, but at first the tremendous pain in his chest prevented him from doing so. The maester said that he must have had many internal injuries and that only time and the grace of the gods could decide if those injuries were serious enough to kill him. You hoped not.

“My princess,” he managed to gesture.

You were always called that way, simply because Aegon considered that you did him full honor to the title and because you seemed to him his and no one else's.

“Don't try too hard,” you whispered motherly, reaching out to rub the right side of his face with unexpected love. You had to stay calm to ignore the burns. “You need to rest.”

Aegon, from his vulnerable position, looked at you sadly and you saw a tear escape his eye. It was as if with that look he was expressing to you everything he couldn't tell you.

“Does it hurt a lot?” you asked worried. It was an obvious answer, you thought, but you at least wanted him to realize that the situation mattered to you.

When he nodded weakly, you felt tremendously sorry for him. Seeing him like this completely broke your heart and if you could have done it, you would have wished you could take away all that pain in a second.

“My poor boy…” you murmured softly, still caressing his cheek gently. The man felt as if your touch was magical, healing in every way: the simple fact of having you close comforted him.

“Stay?"

“Of course I do, Aegon,” you said in a whisper.

“I'm… I'm horrendous”

“You're not,” you responded to his sob. The last thing you wanted was for him to think that you were despising him, like everyone else was going to do. You had managed to gain his trust before, however, with this physical change you knew that his fears would only increase “I love you always, honey. I promise"

And as a sign of this, you leaned close enough to place a kiss on his lips. You were very careful not to touch his wounded skin and tried to be as kind as possible with him. You wanted to show him that you weren't afraid of him, nor disgusted by him, as he was probably thinking.

There was no purer love like the one you were showing him and Aegon felt unworthy of it.

"Please… don’t leave”

“I won't,” you assured him, sitting back down and leaning against the mattress. “Don't be afraid, I'm here and I'll stay to take care of you all night, okay?”

Aegon cried silently and tried to hold on to the feeling of your hand holding his, for it was the only feeling that would keep him sane. He felt that as long as you continued to love him and stayed with him, he could overcome any adversity.

[glitzglamgunpowder-if]

"You were destined for a life better than this. A life free from violence, from bloodshed. But here you are once again, it's like you never left."

YOU were a child destined for greatness, for your name to be written into the pages of history. Whatever happened in your past didn't matter anymore. You were born with raw talent and charisma that couldn't be wasted, that people can only dream of. But your innate gift didn't mean your path would be easy. After the circus shut down, you stumbled through life delivering each performance like it was your last. You thought you've reached your peak, until a mysterious offer suddenly throws you into a life of crime.

Play as a male, female, or nonbinary performer

Customize your MC’s physical appearance, façade personality, and choose a pseudonym for them

Befriend or Romance 4 ROs

Dedicate yourself to honing your natural talent

Choose your end goal and earn the fame you have craved your entire life

How do you want the public to perceive you? To be respected, or to be feared?

Learn more about the secrets of your dark past. Will you learn how the circus fell? How you ended up here of all places?

Will you acquire the fame you deserve, or will you fade into history?

Outline of Stats/Routes!!

Alistair/Alice Delacroix - THE RIVAL

AS you adjust to your new life, you hear rumors about your fated rival. One whose mind was poisoned to despise every fiber of your being. It's no surprise they're known for their ambition, their cunning, their ruthless nature. Their path led them to inevitable darkness, but will yours?

Trope: Forbidden Romance/Enemies to Lovers

Samuel/Samantha "Sam" Kaminski - THE BOSS

YOU are an acquired talent on behalf of the current wealthy owner of the elusive Spotlight Syndicate, one of the most popular bars of its time. They're one of the few people who don't question your mysterious past, who trust you as implicitly as the air they breathe. You know deep down they have a soft spot for you, one of their greatest assets, but they're motives are...difficult to discern. But is there a possibility your relationship could go beyond transactional business?

Trope: Boss x Employee/Age Gap

Hendrik/Helena Rietveld - THE BODYGUARD

YOU don't know much about them, nor do they seem willing to give you any more information than necessary for your safety. But one thing's for sure, they're loyal to the ones they serve. And given your new...circumstances, that may be exactly what you need: someone who would travel from heaven to hell and back if their duty called for it. Will you be the first to crack the unsolvable's code?

Trope: Bodyguard Romance/Potential Grumpy x Sunshine

Jesse Lê - THE FRIEND DETECTIVE

YOU never expected to see them again after...never mind that! They stand before you now, a completely reinvented version of themself. A stranger to everyone they encounter. Will you be able to slip off the carefully curated mask they've built and heal from your past together? Or will that smoking gun be laid to rest once and for all?

Trope: Childhood Friends to Lovers -> Detective x Potential Criminal

Physical Description of the ROs!!

Despite being a frequent IF player, this is my very first time trying to create an IF myself as someone with little coding experience (I'm more of a writer if anything). I'm definitely learning as I go, and I understand this may lead to mistakes or disappointment at times, so I preemptively apologize for them. I tend to become overly ambitious, and I want to make sure I always deliver on the promises I make. I say this because some of you may have ask about certain features being implemented and I will have to say "Sorry, I don't really know how to do that yet, but I'll try and learn how!" Hopefully, this will be a fun learning experience, and you all have a fun time on here! Sincerely, Mira <3

tagging: @interact-if

[punkshort]

i know who you are | 2. the journal

Pairing: Joel Miller x f!reader

Chapter Summary: Your memories still remain out of reach, so you ask Joel to tell you a bit about yourself, and with the help of a journal you kept, you begin to learn more about the person you became in the past ten years, leaving you with more questions than answers.

Chapter Warnings: language, eating, alcohol use, angst, pining, sad!Joel, amnesia

WC: 6.3K

Series Masterlist

"Did'ya get any sleep?"

You glanced up at Joel as you walked side by side towards the dining hall.

"No," you admitted, looking straight ahead again.

After Joel left you in his - your - bedroom, instructing you to rest on his way out, you found you could do anything but. Your mind was spinning with all of the information you had just learned, and you weren't sure which topic consumed you more: the end of the world or the supposed love of your life.

The longer his words set in, the more you were finding it difficult to look at him. It was such a strange feeling, having this large, burly, gruff man proclaim his love for you, to say he would stop at nothing to make you feel the same way, to insist you were meant for each other. It seemed so out of character, though you hardly felt like you knew him. But even now as you walked down the street, you noticed how some of the people in town glanced at him. Moving quickly out of his way.

It wasn't just you who found him intimidating.

You were distracted as you walked, curiously peering into storefronts and repurposed buildings when a group of children playing a game of tag nearly ran into you. At the last moment, Joel tugged your arm, pulling you into his side just in time. The children seemed to realize their mistake because their laughter quickly stopped and the smiles fell from their faces as they looked up at him.

"We're sorry, Mr. Miller," a young boy no more than eight years old said.

Miller. You never even bothered to ask his last name.

Joel just grunted and they scurried away, no doubt eager to escape his glare. You chanced a look at him, studying his stern expression when you realized he was still holding you against him. He was warm. Warmer than you expected. And solid. You cleared your throat and stepped away from his grasp, muttering your thanks and glancing around the busy street to avoid the disappointed look in his eye when it became clear you weren't comfortable with him touching you.

You shoved your hands in the pockets of your jeans and continued to walk in silence down the main road. A few people shot you curious looks or did double takes as they walked by, and you had to assume if Ellie heard the news about your accident, then others had, as well.

The Tipsy Bison came into view at the corner of the street, made obvious by the large crowds of people gathered outside.

"Does everyone have to eat here or are you allowed to have food in your homes?" you asked him, and he looked down at you, surprised by the question.

"We got food. It's not like a prison or somethin'," he said with a chuckle. "Most folks like to come here to socialize, but sometimes we cook dinner at home," he stopped short when he realized he never asked you what you preferred. "Did'ya wanna stay home instead?"

"No, this is fine," you told him over your shoulder.

"You sure? Maybe it's too much right now," he replied, jogging a bit to keep up.

"I'm sure. You won't leave me, right?" you asked, looking at him nervously.

"'Course not," he said, trying to hide his grin. He liked that you wanted him around, even if it was only because you didn't know anybody else. It was a start.

When Joel swung the door open, holding it wide so you could enter first, it might have been your imagination but you thought the loud chatter simultaneously died down for a split second. Then Joel stepped in beside you and the volume rose once again.

You wanted to look around and take in the rustic atmosphere but you could feel the eyes on you as Joel led you through the crowd, the scrutiny making you feel extremely out of place, so you kept your gaze pinned straight ahead. Following dutifully behind, you watched as people automatically moved out of his way, like he was Moses parting the Red Sea, until he reached a table in a somewhat quiet corner of the dining hall. He pulled out a chair and stood behind it, his hand still resting on the back, and it took you a second to realize he was waiting for you to sit so he could push it in. You quietly thanked him then finally looked around the room.

The dining room had tables scattered around, and as far as you could see, they all appeared to be taken. People were standing in groups, drinking and laughing and eating and you wondered how in the world your table wasn't taken. You were about to turn and ask when an older man approached your table.

"Hey guys," he said, pulling out a pad of paper from his pocket. "What'll it be?"

You went wide eyed for a moment, looking around trying to figure out what your choices were when, much to your relief, Joel spoke for you both.

"Still got any of that stew left?"

"Sure do. Few guys got lucky earlier today, too. Got two deer, so we'll be havin' more soon," he replied, jotting something down on his paper. "Two whiskies?"

Joel was about to nod when you spoke up for the first time.

"Just water for me, thanks," you said, and the man nodded his head.

"Thanks, Seth," Joel said as he walked away.

You glanced at Joel quickly, awkwardly catching his eye. It felt too much like a date. Dropping your gaze to the table, you tried to think of something to say.

"Probably a good idea, skippin' alcohol," he said. "Didn't even think about it, what with your head and all."

"Yeah," you said, your hand coming up to gently touch the stitches. "Besides, I don't like whiskey, anyway," you added. Joel laughed softly as he watched you shift nervously in your chair.

"What?" you asked with a frown.

"Nothin'," he replied, still staring at you in disbelief. "Just ever since you got here you've been tossin' back whiskey better than most of the men. You must've gotten a taste for it at some point."

"There's no way," you said, scrunching your nose when Seth put down Joel's glass in front of him. He stared down at it wistfully, swirling the amber liquid in the glass, lost in thought.

"Whiskey's how we first met," he said softly, still staring at the glass. You tilted your head towards him, waiting for him to continue. "When you first arrived, you were like a caged animal. You came here lookin' to blow off steam," he said with a distant smile. "It was a slow night. Just you and me and a handful of others. You were tossin' that shit back like it was nothin'."

You watched him as he reminisced. His eyes shone brightly and a small smile played on his lips, it almost felt like you were intruding on something special.

"When me and Ellie first arrived, no one really went outta their way to talk to me. I preferred it that way. Was used to bein' on my own," he continued, looking up at you now. "But that night, you sat down next to me at the bar like you had been waitin' for me or somethin'. You asked me if I was drinkin' for fun or drinkin' to forget. Those were the very first words you said to me."

You were completely silent as he spoke. The way he told it, it felt like you could see the scene playing out right before you, the way he remembered every detail left you in awe.

"What did you say?" you asked a little breathlessly.

The corner of his mouth twitched and he looked down at the table.

"Drinkin' to forget."

You waited for him to elaborate, but when it became apparent he wasn't going to, you asked him another question.

"Then what happened?"

He raised his eyebrows and hummed, a slow smile stretching across his face before he answered.

"You told me you could help me have fun and help me forget," he said, and you could feel the heat instantly flush your cheeks.

"Oh, my god," you murmured, covering your mouth, utterly mortified. "Please tell me you're joking."

He shook his head, still smiling at the memory. You glanced around the room, trying to look anywhere but at him.

"So then, did we...?" you trailed off, gaze still fixed on a spot on the wall.

"Oh, yeah. 'Course we did. I'm no saint," he chuckled.

"Jesus Christ," you said, burying your face in your hands. "That doesn't sound like me at all."

"It's not. Well, not anymore. You had an edge to you when you first arrived. Most do. Survivin' out there does that to you," he said, taking his first sip of whiskey.

You sat in silence for another minute, contemplating asking him what he knew about your life before you met him, but ultimately deciding against it. Maybe another time.

"Where's the bathroom?" you asked him, and he pointed down a small hallway near the bar. You thanked him, his eyes trailing after you as you made your way through the crowds, only dropping his gaze once you were no longer in view. It was a strange thing, recounting stories for you like that. At first, the memories made him smile, but once he saw the lost look on your face he felt the sadness creep back up, settling deep in his chest, and he wondered if he would ever get you back.

You knew you were in the bathroom too long. You knew he would likely be worried, but you just couldn't stop staring at your reflection in the mirror after you washed your hands. Who was this person staring back at you? She looked older and weathered and tired. Your fingertip gently prodded at the bags under your eyes and then a small scar on your chin. What happened to you out there to make you the person Joel was describing? What did you have to do to survive? And did you really want to know the answer?

The door swung open, startling you as three girls around your age entered the bathroom. Their giggles stopped when they saw you and you watched them exchange glances in the mirror before a pretty girl with long, blonde hair greeted you by name. Turning around, you gave her a smile, hoping they would go about their business so you could slip out of there, but of course the pretty girl wanted to talk.

"We heard you had an accident, are you okay?" she asked, and she sounded sincere, but something about her smile made you think twice.

"Yeah, got a few stitches but it should be fine," you said, your eyes flicking to the other two girls, giving them each a smile. They looked at each other and smirked before heading towards the bathroom stalls, leaving you with just the blonde.

"So, is it true? Did you really lose your memory?" she asked, her voice low as if it were a secret, and finally you were able to pick up the vibe. You had been to high school before the outbreak. You had encounters with these types of girls before. Friendly to your face, vicious behind your back.

"Uh, yeah," you admitted, and she gasped as if she felt bad, but you saw the way her eyes lit up.

"So you don't remember, like, anything?"

"Well, I remember before everything went to hell," you told her, "but I don't remember this place, no."

"Oh, wow," she said, and you heard the toilets flush before the other two girls exited the stalls, grinning conspiratorially at the blonde. "So you don't know anybody here?"

You shook your head, feeling uncomfortable with the line of questioning at this point. What was she really getting at?

"That must mean you don't remember Joel, right?" one of the girls at the sink piped up. You looked at her briefly over your shoulder and shook your head, turning back to the blonde but not before you caught the look in her eye.

"Oh, that's too bad," she said, giving you a pout. "Does that mean you aren't together anymore, or-"

Suddenly, the door swung open and Ellie stormed in. Her hard gaze drifted around to the three girls and she gave them a look of disgust.

"Scram, vultures," she told them, and the blonde made a face at her before flipping her hair over her shoulder and heading to one of the stalls. Ellie called your name and you scurried over, allowing her to lead you back out into the dining room but not before she gave the other two girls a few choice words.

"Don't talk to them, they're nasty," she told you as you weaved your way through the crowd. Joel's eyes instantly found you once you were in view and you saw him straighten up in his chair.

"You okay?" he asked, and you could see the genuine concern in his face as you sat down. You were about to answer when Ellie plopped down on the other side of him and spoke first.

"Angie and her little sidekicks cornered her in there," she explained, rolling her eyes. "Already sniffing around for scraps."

"What do you mean?" you asked her, but just then Seth arrived with your meals and you never got an answer.

"Stew again?" Ellie asked, scrunching up her nose.

"It's good," Joel told her before taking a bite. You looked down at the bowl and you were inclined to agree with Ellie, but you swallowed the food down anyway, just grateful for something to eat after such a long day.

"Aren't you going to eat?" you asked her, noticing she hadn't ordered anything and instead was busy sketching in a journal.

"Nah, I'm going to Dina's later, I'll eat there," she explained without looking up.

"Who's Dina?"

"Oh, my girlfriend," Ellie explained, glancing up at you briefly. "Sorry. I still can't get used to this. It's so weird you don't remember."

"Don't be out too late. You got school tomorrow," Joel reminded her. Even though he wasn't Ellie's father, he seemed to have quite the knack for being a dad.

"Yes, sir," she said sarcastically, giving him a weak, two-fingered salute before hunching back over her journal. You heard some familiar giggles coming from somewhere behind you, and when you turned to look, you locked eyes with the blonde girl from the bathroom - Angie - who was holding some drink in her hand, her two friends flanking her sides as she strolled past your table. Her eyes drifted briefly to Joel before she passed by, then turned her attention to her friends, disappearing into the crowd.

"Who is that?" you asked, realizing you never really got much of an explanation. Joel and Ellie responded at the same time.

"Nobody."

"Joel's ex."

Your eyebrows shot up in surprise as Joel glared at Ellie.

"What? She woulda found out eventually," Ellie protested.

"She ain't even an ex," he said, turning to you now. "Just a mistake I made one time before you even got here," he insisted. The tone in his voice made it sound like he was trying to reassure you there was nothing to worry about, but of course, the information didn't phase you.

"Okay," you replied with a shrug. He examined your blank stare for a moment, searching for a glimmer of recognition. The disappointment in his expression every time something like this happened was becoming too much to bear, so you dragged your eyes off him to glance around the crowded room once again. You found Tommy leaning against the bar and you stood up.

"Where are you goin'?"

"I need to ask Tommy something," you said. "I'll be right back."

His eyes followed you as you pushed your way towards the bar, his heart feeling like it was going to break. He wasn't exactly looking for you to have an overly jealous reaction to hearing about another woman from his past, but your casual indifference hurt more than he expected. When you first found out about Angie, you insisted you weren't jealous but the way you sneered at her going forward, combined with giving him the best sex of his life later that night told him a different story.

"You think she'll ever get her memory back?" Ellie asked, still focusing on her drawing. Joel sighed and dragged his hands down his face.

"I don't know, kid."

"What'd you need to talk to Tommy for?" Joel asked once you both arrived back to his - your - home. You had wandered into the kitchen, Joel hot on your trail.

"Oh, I just had a question about something I saw when we were out there today," you explained, and he raised an eyebrow for you to continue. "There were dead bodies when I came to. They looked all decayed and... subhuman. Now that you told me about the infection, I wanted to ask."

Joel watched you open and close cupboards until you found the glasses, then picked one out to fill with water.

"So you ran into some runners," he said, and you nodded. "Did he happen to mention how you hit your head?"

Your hand froze, your glass halfway to your lips as you considered his question.

"Actually, no, he didn't," you said, setting down the glass and looking up at him.

"Yeah, he didn't really tell me, either," he replied, rubbing his chin thoughtfully. "When he told me you hit your head and you were havin' trouble remeberin' things, I just came runnin'."

Guilt washed over you yet again as you thought about Joel being told the news and how panicked he must have been. He practically ripped all the exam room doors off their hinges to find you, only to be met with a stranger when he finally did.

"Well, I can ask him tomorrow," you finally said, putting your glass in the sink to avoid looking at him.

"Yeah," he replied, trailing off a bit. He was still lost in thought, trying to remember Tommy's exact words when you walked past him towards the stairs.

"You're tired?"

"Well, it's been a long day," you told him, pausing on a stair to look back down at him.

"Right, 'course," he said, shaking his head and following you up. When you got to the doorway of his bedroom you paused, looking up at him. It seemed like he was struggling to say something, his mind working hard to find the words, but instead he just gazed down at you, brown eyes all wide and soft.

"Don't suppose anythin's comin' back to you yet?" he finally asked, and you hated seeing that look. That same hopeful look you kept seeing right before you opened your mouth and crushed him. This was hard for him, you knew that, but the way he kept looking at you was making things so much worse. The pressure you felt to become this person he was expecting you to be was overwhelming. You opted to drop your gaze to the floor and slowly shake your head.

"That's okay," he said, and you dragged your eyes back up to him. "Maybe tomorrow."

You gave him a small smile. "Yeah, maybe."

He sighed and glanced at the door to the spare room.

"You need anythin', I'm right next door," he said, hitching his thumb to the side and giving you a lopsided grin, but you could still see it in his eyes. The disappointment. The sadness. The yearning. And it was making you feel sick.

Just as he turned to head towards the spare room, you spoke. "Joel?"

And he eagerly swiveled back around.

"I'm gonna try really hard to remember," you said earnestly, looking deep into his eyes.

"I know," he replied with a sad smile. He gave you one more look before heading into the spare room and softly closing the door behind him.

Joel slept like shit.

No surprise there, really. He hadn't slept without you in years. He had hoped the whiskey would have helped, but he was wrong. His mind was racing as he tossed and turned, and by morning he had foolishly convinced himself that you would be back to normal after a good night's rest. He got up early and made coffee for the two of you, like he always did, then tended to the fire in the living room. The nights and early mornings were frigid, but the days were warm. The first sign that fall was approaching fast. He was just putting the poker back when he heard the bedroom door creak open upstairs and his heart jumped into his throat excitedly, but when you descended the stairs and locked eyes with him, he knew nothing had changed. He didn't even bother to ask. You didn't look at him the same way you used to. You used to smile and gravitate towards him, your hands always seeking out his, your eyes playful and loving, but now you looked at him like he was a complete stranger. Devoid of all affection, the only thing that remained was a forced politeness.

You said good morning and headed into the kitchen and Joel wondered how long it would take for you to come around. Less than a day ago, you looked at him in fear, but now you seemed at least comfortable in his presence. That had to count for something.

He must have looked like shit because when he joined you in the kitchen, you eyed him up and down curiously.

"Have you been up for a while?"

He shook his head and picked up his mug, taking a sip and hoping the caffeine would bring him back to life.

"How's your head?" he asked.

"Not great," you admitted, pouring your own cup of coffee. "It really hurts. I think whatever meds the doctor gave me yesterday wore off."

Without even thinking, Joel quickly closed the distance between you to examine your injury. You startled a bit when he came up behind you and lifted your hair, but for his benefit, you tamped down your reaction. His touch was surprisingly gentle as he gripped the nape of your neck to angle your head downwards in order to get a better look. You closed your eyes and held your breath as you focused on his fingertips pressing tenderly into your skin. You heard him murmur to himself, the sound coming from deep within his chest, and you realized just how close he really was. Aside from pulling you out of the way so the kids playing tag wouldn't knock you down, it was the first time he had really touched you, and he was so much softer than you expected.

"Don't think it's infected but let's go see the doc, just to be sure," he said, his hand still on your neck, his other hand pushing your hair away.

"Okay," you said quietly, finally allowing yourself to take in a shaky breath as you waited for him to release you.

As if he realized what he was doing, he let your hair fall back into place and let go of your neck, his fingertips lightly trailing down your spine before falling to his side, making you shiver and step away.

"Sorry," he said. "Should've asked to look first."

"It's fine," you told him, absentmindedly rubbing the spot on your neck his fingers just touched.

As you walked side by side to the infirmary, his stony expression slid back into place. Gone was the softness you witnessed in his home. His hardened gaze drifted around the street, then to the watch towers, taking everything in. Studying. Calculating. And that was when you realized there were two Joel Millers: the one who the rest of the town viewed as gruff and callous, and the one you saw in the kitchen that morning, soft and gentle.

You wondered how many people got to see the latter version.

Nick examined you again in the same room as before, but this time, Joel was there watching his every move like a hawk. You could practically see the tension radiating off Nick's shoulders as he moved around the room. He examined your cut carefully, Joel's eyes never once leaving his hands, confirming that it was not infected before parceling out ten little white tablets of extra strength Tylenol into a small baggie and advising you to use them sparingly as inventory was low.

"That's it?" Joel asked incredulously.

"You know how it is, Joel," Nick said, but you heard his voice waver when Joel stood up from his chair. "Meds are hard to come by, we gotta be smart-"

"She hit her goddamn head so fuckin' hard she's lucky she remembers her own name and you're givin' her Tylenol?" he seethed, and you could see his neck growing flush with anger again.

"Joel, calm down, it's fine," you said, sliding off the table. Turning to Nick, you were about to voice your thanks when Joel cut you off.

"It ain't fine. What's it gotta take to get somethin' that actually works?" he huffed, taking a step forward and making Nick shift his weight nervously. "She gotta be missin' an arm? Maybe if she hit her head hard enough to forget what fuckin' planet she's on?"

"Joel, that's enough!" you snapped with a frown, and much to Nick's relief, Joel instantly backed off. He turned and paced around the small room, his hand rubbing over his mouth as he tried to calm down.

"What about my memory? Is it a bad sign I haven't remembered anything yet?" you asked Nick, and Joel paused somewhere behind you to listen to his answer.

"Well, the brain is a tricky thing," he began, his eyes darting over your shoulder briefly. "It could be weeks, could be months. Without any imaging, I wouldn't be able to tell you much more than that." You nodded and swallowed nervously before asking your next question.

"Or never, right?"

Nick took a deep breath and looked at Joel over your shoulder again before responding.

"It's possible."

You heard Joel's boots squeak against the linoleum floor and without even looking, you knew he was anxiously pacing around again.

"Alright, thank you. We'll get out of your hair now," you said, turning to corral Joel towards the door.

"Regardless, I'd like to see you again in a few days so I can take a look at those stitches," Nick said, and you agreed while pushing a muttering Joel back out into the hallway.

"I'll get you better meds," he said as you both walked out of the infirmary. "I got patrol tomorrow mornin', but I can go out after. There's a small cluster of houses we never did a full sweep on. Maybe-"

"The Tylenol is fine, don't go through the trouble. You could get hurt," you said, shoving the baggie of pills into your pocket.

"Tylenol ain't gonna do shit. I don't want you bein' in pain if there's somethin' we can do about it."

You sighed and rubbed the back of your neck, trying to temporarily relieve the ache in your head until you could get home and take one of the pills. You gave Joel a sideways glance, studying him as you walked together. He was brash and rude and aggressive, but you were learning that side of him came out when he was being protective over the ones he loved.

Or when he was trying to hide who he really was.

"So, everyone pitches in around here, right?" you asked, trying to change the subject. "You do patrol. What do I do?"

You paused at a crossroads, trying to remember which way to go, when Joel's hand on your elbow guided you in the right direction.

"You work patrol, too, but you ain't doin' that anymore," he said, letting go of your elbow after holding on for a moment too long.

"Well, obviously. I don't even know how to ride a horse," you said with a snort. "So I guess I need to find a new job, right? Who do I talk to?"

"Why don't you slow down a minute?" Joel said with a chuckle. "Let that pretty little head of yours heal up before you go lookin' for work."

You weren't going to say anything about his comment. Although it took you off guard, you realized he had habits that were going to be hard to ignore and you didn't expect that to happen overnight, but he seemed to realize what he said on his own and awkwardly cleared his throat.

"Sorry," he said softly.

"It's okay. I know this is difficult for you," you said, shooting him a sympathetic glance as you climbed his porch steps. He swung open the door and followed you inside, where you made a beeline for a glass of water so you could take one of the pills.

"We got a lotta history, you and me. It's hard to start over," he said as he watched you toss back the Tylenol with a wince. You examined his face closely and pulled out one of the stools to sit down. You leaned forward, forearms resting on the cool countertop before replying.

"Tell me a story."

He raised an eyebrow at you but couldn't stop the corners of his mouth from turning up a bit.

"What kinda story?"

"A story about us. You just said we have a lot of history together. Let's hear some of it," you replied with an encouraging smile.

"You sure? Thought you'd wanna go lay down," he said, but he eagerly pulled up a stool across from you.

"I think I can handle one little story," you told him, then watched as he stared down at his hands on top of the counter, deep in thought. When he thought of one, a slow smile spread across his face and his dark brown eyes flicked up to meet yours and you saw that softer side of him again.

"Alright," he said, settling back a bit. "So I told'ya last night how we met."

You cringed, remembering the story of a much bolder and seductive version of yourself, and nodded.

"Well, after that night we started seein' each other for a few weeks. It was just casual, nothin' serious," he said, looking down at his hands again. "I convinced you to sneak around so no one would catch on, and you grew tired of that. Rightfully so. I was bein' an asshole."

You watched him pull at a loose thread on the cuff of his flannel shirt, his eyes still cast down and you were beginning to realize it was due to shame.

"So anyway. One day you came over to, y'know..." he said, and you felt the heat in your cheeks again. "And you confronted me about it head on. Demanded to know why I wanted to keep you a secret. Thought I was ashamed of you - which I wasn't," he said quickly, his eyes finally meeting yours again. "But I had been through a lot of shit and I just didn't think I could give myself to someone like that again."

"What kind of shit?" you asked quietly, but he just lightly shook his head.

"One story at a time," he told you with a sad smile. You chewed on your lower lip as you waited for him to continue, his focus back on the loose string while he collected his thoughts.

"So I explained I had a hard time lettin' people in, that I wasn't capable of carin' 'bout anyone like that anymore, and you said to me, 'I know who you are, Joel Miller. Don't give me that bullshit, you're just scared.'"

He stared into your eyes, letting what he said land and hoping to see a flicker of the woman who spoke those words, but you just continued to look at him, waiting for him to finish the story like it was about somebody else entirely.

"Well, you were right, obviously. You always are," he continued with a smirk. "It knocked me on my ass. And I didn't know what was more difficult to believe: that you knew me better than I knew myself, or someone like you wanted anythin' to do with me in the first place."

You smiled and dropped your gaze to the counter, suddenly feeling shy.

"I'm not saying I don't believe you, but so far, these stories don't sound like me at all," you admitted.

He took a deep breath and finally stopped fidgeting with his sleeve.

"A lot's happened in ten years. Stuff that changes people. But I don't care what version of you's here, I love all of you."

You kept your eyes glued to his hands. You wished you could say it back. You knew he wanted to hear it. Maybe one day.

He tapped his finger on the counter, pulling your attention up so you were forced to look him in the eye.

"You fought for me that night, now I'm gonna fight for you, okay?" he said, eyebrows raised as he waited for you to acknowledge him. When you nodded sheepishly, his shoulders relaxed.

"So you're saying I fell in love with you because you were an asshole?" you joked, trying to lighten the mood, and it worked. Joel laughed heartily and crossed his arms over his chest.

"Nah, you didn't love me then," he said, still smiling.

"So how did I fall in love with you?" you asked, and his tongue clicked against his teeth.

"You're gonna have to wait to find out," he replied with a wink.

It wasn't his fault, but the rest of the day you could feel Joel looking at you. He was examining you, waiting to see the woman he fell in love with, and the pressure was beginning to be too much, so you made up an excuse to go lay down in his bedroom. He had mentioned he had patrol in the morning. Maybe some time away from him would help you relax.

You stared up at the white ceiling. The distant sound of children laughing outside through the closed window and then the door to the garage swinging open and shut acted as a soundtrack to your overactive thoughts. You almost had to laugh. It felt like your mind was constantly working, churning up information and digesting it only to always come up empty.

Absolutely nothing seemed familiar. Nothing about this place or these people felt like home.

You wished so badly you could remember something. Anything to make you feel like you belonged there. One little shred of hope was all you were looking for.

And then you remembered the journal.

Sitting up in bed, you tucked your legs underneath you and reached over for the black book. You fingers hesitated for a moment on the cover. It felt like an invasion of privacy, but how could that be when it was your own?

Taking a deep breath, you flipped open the journal and began at the beginning.

Right away, you could tell you wrote the entries. There was no doubt in your mind. Aside from your handwriting, your typical disorganization shone through like a beacon on every page. You occasionally remembered to notate in the margin the date, or your best guess at the date, but more often than not you were left with very little context for each small paragraph you read.

You were disappointed to realize the journal seemed to begin after you had met Joel. A big part of you was very eager to learn more about the person you were before finding Jackson, but it seemed as though you would have to depend on others to tell you stories you hopefully had relayed to them in the past.

The first page looked to be a list of items you had jotted down that didn't make much sense, but maybe when you first found the notebook, you hadn't intended to use it as a journal.

Socks, colored pencils, sunflower seeds, cards.

Flipping the page, you skimmed a short paragraph about a cabin you stumbled upon when on patrol. Again, it was more notes than anything of any substance. A description of approximately where it was in relation to Jackson along with a note to 'mention it at the next town hall meeting'.

Finally something interesting on the next page, you read a short paragraph about someone named Maria having a baby girl, and you frowned when you read the line Joel handled it better than I expected.

Continuing on, you read an entry about Christmas: Joel found me the softest sweater, it almost felt brand new. I really don't know how he managed to find it and I described the house I grew up in to Ellie and she drew it perfectly, I can't believe how talented she is.

One paragraph in particular grabbed your attention. It was about two people, and based on the context, it sounded like you were close friends. For the first time since we got here, I had the same day off as Ben and Lisa. We went fishing together and brought a lunch. It felt just like old times. As weird as it sounds, sometimes I miss being out there with them. We made a good team.

Maybe this Ben and Lisa would be able to answer some questions you had about yourself. Based on what you just read, it sounded like they knew you before Jackson.

There was a lot more to read, but the next page stopped you dead in your tracks. Your heart began to beat faster as you stared at the four words. Just one sentence, no explanation. A shiver slowly trickled down your spine as you sat there, unmoving, as your vision narrowed on the page: Joel lied to me.

Please follow @punkshort-notifs and turn on notifications for fic updates ❤️

[femsolid]

There's a huge misogynist where I work. Always condescending, never takes responsibility for his mistakes, vulgar, belittling and making crude remarks about women's appearance. I seem to be the only one who doesn't take it. So naturally we had some tense exchanges, through wich I remained professional and he didn't. I reported it to my manager and I was told "that's just how he is, he's kidding" no he's not, I said, he's being cruel and sexist. Then I tell HR during a meeting about harassment, they write what I say and read it back to me, like we do at the police station, and one of them reads : "he makes sarcastic comments" and I'm like "what? I never said "sarcastic"? I said he makes humiliating and cruel remarks, infantalizing and belittling my work" "I think you said sarcastic" "No I said SEXIST, that's the S word I used." Then I talked about it to a close collegue and friend of mine and she responded with "im not taking sides as I've had no issue with him, you both need to work on your relationship or it's gonna end badly for you both". Us both? Then two other female colleagues, one of which presents herself as the great defender against harassment at work, a headstrong woman supposedly.

- oh he's not bad, not really, that's just how he is, he's joking

- no he's not, he's obnoxious and sexist

- there's much worse people here you should be weary of, he's not bad

- so because he's not the worst I'm supposed to let it fly? He is bad. He said women your age were past the expiration date btw. That's okay with you?

- Really? No that's wrong

- He made Mary cry by commenting on her appearance

- Well, you know, Mary, she's not exemplary either, she has...

- Irrelevant! I don't care what Mary has done, that doesn't make his behaviour okay. Emeline from IT made a post on Teams to help us solve a technical issue. He caught her at lunch and said in front of everyone she was playing the beauty queen with her profile picture on Teams and that she only made the post to get men's attention. That's fine with you?

- No but...

Then a coach went to talk to him and came back with "he's not bad, he said you two were fine now" "we're not fine, just because I stay professional doesn't mean we're fine" "you both need to work on your-" "what do I have to change exactly? I've stayed the same. He's vile. You don't have to agree with me. I'm not gonna change my opinion." And I turned back towards my computer.

The same company that forces us to take an E-learning class about harassment and sexism at work. Give me a break. I expect men to defend their class but this doormat mentality in women is awful.

[emmabirb8]

I've been thinking about this for days now and man, Stanley Pines had a raw fucking deal.

He was doomed for a life of turmoil from the start. Not only did he suffer emotional (and implied physical) abuse from his father from childhood, he was kicked out of his own home at 17 for a legitimate mistake that he never intended to affect his brother's future. He struggled on the streets for ten years feeling like he'd lost his best friend when he and Ford stopped talking during that time, AND THEN received a metaphorical slap in the face when he found out that Ford did not in fact call him out to Gravity Falls to reconcile -- he only wanted a way to protect his research.

THEN, after rightfully getting his feelings hurt and reacting in anger to Ford making clear what his intentions really were, he lost his brother, the one person he'd felt closest to throughout his life, through the portal. He was left with only a third of the required information to reactivate the portal just for the chance to get Ford back -- it was never guaranteed that Ford would even be alive, let alone be able to be located and returned to his home dimension.

But Stanley fucking Pines is no quitter. He stayed focused and worked his ass off learning concepts he had absolutely no education or experience in, all the while blaming himself and hating himself and pushing through the worst kind of heartache every goddamn day for 30 years for that chance. (And honestly, God bless Mabel for betting it all on her Grunkle and allowing him that chance when the time finally came.) And it fucking worked. Just like that, he got his brother back. All that hard work and grief was worth it.

And then he was greeted with an angry outburst and a punch to the face.

This man went through hell and back for his brother, and he was met with a knee-jerk reaction and confirmation that Stanford still seemingly resented him for his past mistakes. Like, I understand Ford's perspective and where he was coming from at the time, but damn it, Stan did NOT deserve that.

He didn't end up getting a proper hug from his brother either until after Bill had been defeated, and by that time, he didn't even know who Stanford was because, once again, he sacrificed everything to save his family. (He was under the impression that his memories would be lost forever and STILL chose to do it).

I am positively beside myself over this man. And this doesn't even touch on the things he did for people outside his family. (Like, he could have easily holed himself up in the shack alone during Weirdmaggedon, but instead, he took in anyone who needed shelter, offered his food supply, and provided a safe place, I'M SORRY BUT FORD WOULD NEVERRRR)

Stanley Pines deserved better. Stanley Pines deserves the whole entire WORLD. He has the biggest heart out of ANYONE and Ford is damn lucky to have him as his brother.

STANLEY PINES MY BELOVED AAAAOOOOOUUUUGGHHHHH

[ay-chuu]

DISCOVER. L, I, M, P, Say it.

!! (Self aware bsd boys)

WARNING! Obsessive behaviour in some and angst.

A/N: Sorry for any grammer mistake i made!!

Self aware!Dazai, Chuuya, Jouno, Fyodor, Ranpo, Sigma x Gn! Reader

You really was the most airheaded human, in Dazai's eyes. Because he learned everything about you in just few weeks, while you only knew him as a popular 2d... character? Dazai knew he didnt thought himself as a human but being a non human in different world with a canon fact hurted him. He's not gonna even talking about the... writer version himself in your life. He just wanted something really clearly over his life and it was YOU. You, who made him self aware by mistake. You who made him fell for someone really. You, who made him want to live for a little longer to know you...

"Cute." Chuuya thought. You were really looking cute trying to sew a plush version of him while looking at the manga's colored page to match his features. He hated it when you closed the page tho. Yes he could always try to put himself that is connected with his... other self's but manga was the easiest one since he was origannly from here. He wondered. What would you look like in here too? Would you have powers? Would you meet him? Would you be... his love interest? Well he was never gonna know the truth. The only truth that he know was he was falling- no. Already fallen in love with you.

Jouno hated how stupid and complicated this situation was. And he hated how he couldn't do anything, even a simple thing for you. He hated how pathetic this... no he was. He fallen for you, who was a REAL different version of human. Who was in another reality. He knew that you didn't even knew what you did to him. In your eyes, he was just a character that you enjoyed... reading. Ah he guessed that life was giving him a punishment because of his brutal actions for others. How brutal....

You really wondered that if your pc got a virus or something. Because everytime you try to search or write something there was a thing that made you remember fyodor. Like when you try to an essay for your study, your computer would always write "fyodor" that any word that starts with f. Or when you opened a website you would always see fyodor's manga version. But you thought you just freaked out because... what kind of virus would do that right? Wrong. You were wrong for thinking you were wrong. Fyodor, who hacked all of your system would always make you remember who loves you most. He wanted to engrave himself into your subconscious. Because one day, when he finds a way to bring you into his universe, you would not lose your way to find him...

Ranpo had always thought he was smart. Or rather, it was like that in the past... Because ever since he met you, he saw himself as the smallest-brained person in the world. No matter how hard he tries, no matter how many times he reaches different thoughts, he couldn't reach you. While you could always reach him with a single page turn or google, he barely understood that you were from another universe... At first he thought you were just one of the games of Poe's books. He wished you were. Maybe if you were, he would never have fallen in love with you so hard...

Sigma was so surprised when he was able to discover you for the first time. But more than being surprised, he felt very close to you. Because you... were like a different universe version of him. He was born from a book. For him, you were a book that born in a different universe and watching him. The day you read the story about him and smiled because you felt close to him, he realized that he was in love with you. But if there was one part that wasn't surprising at all for him, it was that he couldn't reach you. Ah, because it wasn't just people playing with him all his life. His life was the biggest user playing with him. After all, It didnt change the fact ... he was really just a written person. In any reality.

[eyra]

stuff what I have learnt about writing good

If you've followed me for longer than two minutes then you'll likely know (because I keep going on about it) that I've been working on a novel for the past year. It's always been a dream of mine to write and publish a book and whilst I still have a long way to go before I can even start thinking about querying (whether on this book, or the next, or the next, etc.) I suppose I can now say that a book Exists. I have written A Book.

Now whether or not that book ever sees the light of day, the process of writing it has been truly eye-opening. I went in knowing virtually nothing and came out, still with a huge amount to learn, but with a whole library of tools that I didn't have before. I'm now putting these to use with the first draft of my second book and already the process feels so much more enjoyable, because I've started to figure out how to make it work for me.

I wanted to jot down what I've learnt purely for my own reference so I can keep looking back and reminding myself what worked for me first time around, but given that I get a nice number of asks picking my brain about my own writing process, I thought I might as well share all this with you lot in case there's anyone out there who finds it useful!

So here are the big things that I've learnt so far...

1. Not every trick works for every writer

This has been, by far, my biggest learning. Starting to plan a novel for me felt SO overwhelming - I felt like I was bombarded on all sides with "this is how to write a novel" content, and it felt like there was just too much to learn and like I would never find my way through it. I spent weeks (months...) doing every worksheet, every outlining method, every chart, anything I could get my hands on. Some of them, by the end, proved themselves very useful. A lot of them didn't. There are thousands of voices online that are telling you "this is the right way to write a book" or even "this is the ONLY way to write a book" - don't listen to them. Try things, but don't feel like you have to fit yourself into every single box. Just find the things that work for you.

2. It's possible to overplan

On a related note - sometimes you just need to start writing. I spent WAY TOO LONG faffing about before I put pen to paper with my first book. So, so long planning out characters and plot points, a lot of which I then had to completely reimagine mid-draft because I realised they just didn't work anymore. In hindsight, some of this was down to me being scared to actually start writing - the planning stage was a bit of a comfort zone for me, despite not naturally being a plotter/architect - I have always always always been a pantser/gardener, but I got sucked into the whole "proper authors do it THIS way" narrative.

With my second novel, I did a nice amount of planning but then just bit the bullet and started drafting. I know where my story begins, ends, what my major themes are, I know all my main characters and I know my key plot points. The rest, I'm figuring out as I draft. If nothing else - I'm having a lot more fun this time around.

3. Think about voice and tense before drafting

Yeah duh obvious right? NOT TO ME. If you were following me around April time, you may have witnessed a series of minor breakdowns when I realised that, having written a whole first draft in third person present tense, the entire book should actually have been written in first person past tense. So that meant, basically, starting over from scratch. This was a big learning for me, and not a mistake I'm likely to make again.

4. Stop looking at your word count

For someone who's never really put much thought into word count before - my approach with fanfiction has already been "it'll be as long as it'll be" - I got OBSESSED with the word count of my first couple of drafts. A lot of people will tell you that any good novel "has to be" under 100k words. I constantly see this one post on Pinterest that says "I promise you that you can tell the story you want to tell in 100k words or under." I'm definitely no expert on this (and I'll eat my words when an agent tells me my manuscript needs cutting down), but I'm sceptical - a lot of stories can and should be under 100k words, sure, but most of my favourite books are much longer than this. However, I did get stuck in a "this manuscript has to be between 70k and 100k words" mindset and felt like a failure whenever it was sitting outside of that bracket. Also - keep your genre in mind. If you're writing a rom-com, 70k could work perfectly. If you're writing fantasy, you're probably going to go over that.

5. Know whether you're an overwriter or an underwriter

And related to the above - know whether you tend to write bare bones-style then add to it, or whether you tend to dump it all on the page then cut back later. I'm the first, and I knew this, but I still panicked when my first draft was only around 70k. I felt like it was rushing through the plot at an unreasonable pace and it didn't feel "finished". This was because it was a first draft. By the time I sent my manuscript to my beta reader, it was around 126k.

6. The dumb stuff works

The title of the document for my first draft was "XXX - worst possible version" and at multiple points during the drafting process I changed the font to Comic Sans size 48. It works. Completely takes the pressure off and gives you full permission to write big, write silly, write unhinged, write mad things that you'll cut back by 90% later. But it gets it all on the page. If you're stuck or cringing at yourself in Times New Roman size 12, try Comic Sans size 48.

7. Don't compare your first draft to your favourite book

Like an idiot, I did this. I still find myself doing it. It's possibly my worst writing habit. I'll type out a page at 11pm after a full day at work and no dinner and then I'll pick up a published book and think "ah man, the page I've just written is nowhere NEAR as good as this." Published books are fourth, fifth, sixth, seventh drafts that then go through months and months of editing. Do not compare your manuscript to a published book. Just don't do it.

8. Don't try to be That Author

Good writers are good readers. Absolutely read broadly, read deeply, just read. Fiction, non-fiction, poetry, everything. And it's fine to find yourself influenced by other writers - that's how writing works. But don't try to BE other writers. One of the issues I had to unpick last year was that I was reading a lot of authors whose writing styles are very different to my own. I know my own style fairly well by this point - fanfiction's a great sandbox for figuring that out - but at certain moments during my editing phases I found myself cutting away at my prose because it felt "too different" to the books I was reading at the time. This was a weird thing for me to have done, and I went back and fixed it later.

I think what I'm trying to say with this one is: take inspiration from everywhere, let yourself be influenced by different writing styles, but find your own voice and trust it. Literature already has a Sally Rooney and a Donna Tartt and a Leigh Bardugo. It doesn't need a clone - it needs you!

I'll finish by sharing what I've found to be the most useful plotting template. This obviously isn't the total extent of my planning process by any means, but after trying about a million different plotting techniques for my first manuscript, this is the one:

The 27 chapter method (more examples here)

And finally, two little character tricks that I find invaluable:

AITAH?

Character philosophy

I hope someone out there finds something useful in this post! Although I've been writing in some capacity since I was a teenager, 2024 was definitely the year I realised that I am a writer at my core. I want to be a published author, but I'm already a writer. It brings me happiness like nothing else in the world! And I love to talk about all aspects of writing, so my ask box is always very much open.

Happy scribbling! x