#because of your laughter

[not-poignant]

anyone who doesn't think Alex from Stardew Valley isn't awkward as fuck hasn't clocked the fact that two of your cutscenes with him involve you laughing at him, and one of them involve you specifically laughing at him over the way he says philosophy re: being determined to read some basic textbooks.

[dextheartist]

Just bros being bros

[unpersoniverse]

Skén:nen sá:sewh

as promised, here's Precious boy™ getting kissed by Precious wife™ because he deserves all the love in the world :cc

translation: Get home safe

[yooboobies]

he is just too dangerous | for @rjshope

{cr: namuspromised}

[magicshop]

his smile could cure the world ♡ [for @morshiberna ♡]

cr. 0613data

[stubz]

Aurum didn't think he was a xenophobe but he did think that some species were too...delicate. They were too emotional, what with their snot and tears when things got to be too much. It was a terrible evolutionary trait to keep. Your telling others, friend and foe, that your currently vulnerable. A terrible sign of weakness.

Thank the heavens his species didn't have that.

And thank the heavens the two humans at the centre seemed to be the least delicate of their species. Why, what would they do if the children made them too emotional? They'd burst into tears surely!

The poor things.

'Speaking of them' he paused as he saw the two humans in the halls, arguing with someone. Rather...passionately, to the point where half the large hall was taken up by a crowd gathering to watch.

'Wouldn't want to miss a free show' he grinned to himself. How he loved drama.

The gist of the fight was a new co-worker of theirs was fired after they had reported them to the Calis, the first mate of the ship. The reason for was unknown but there were some theories about how it was about workplace bullying, the firee being bad at their job, or perhaps speciesism from the humans.

Aurum watched in glee as words were exchanged, some plain and boring, others witty and clever, with some having him along with the whole crowd gasping. He nodded to himself in approval of the human's cool headedness. If only all emotional species where like them.

Seeing as the argument was going nowhere Aurum decided to take his leave. But the gasping of the crowd drew him right back in. He pushed back to his ideal viewing spot and looked. The humans were acting strangely. One was crying and the other was laughing.

"What happened? Why are they crying why are they laughing?" he whispered.

"I don't know, they were arguing when the humans just...broke." whispered back another.

The humans spoke.

"You...you are the most infuriating being I have ever met...do you feed off all the bullshit you cause?" hissed Kim, tears slipping out from her eyes.

"Oh my god why are you like this? I pity your previous boss." giggles Max, his laughs not all cheery or joyful.

"What, what are you doing? Why are you crying? What's so funny??"

"I'm crying because I am so fed up with your bullshit that it is driving me to tears." seethes Kim. "Congratulations, you are now the second person to make me angry cry!"

"This...this is a new one for me...I've never laughed because of how angry someone made me." the laughs coming Max make Aurum grimace, they don't sound at all natural. It sounded even worse when the laughs turned wet and tears began to threaten to spill.

Aurum had always thought that tears were horrible. Not the emotions but tears. As they are a sign of weakness. A sign you are vulnerable. But watching these two...it was truly unsettling.

To not sob Kim had begun to whisper, her voice quiet but so full of rage. Max didn't care and simply continued with his current volume, allowing the tears to pour into his smirking, giggling mouth.

Their tears did not make Aurum think they are weak. Their tears made Aurum lean back from the horrifying combination of emotions. The quiet rage. The maniacal laughter.

He heard later that the fired co-worker was indeed rather terrible and left that very day with no more fighting or protests.

[cupidgnome]

Madison and Brent met a couple at the gym, Eden and Tyler! + going out for dinner, overcoming fears of unfulfilled dreams and... a unexpected ending...

+bonus pics!

But Madi rhymes with Baddie so she put Grim Reaper in his place and saved her man! 💅

[ronihilator]

they hate a bad bitch serving cunt

(lance redesign,, the eyebrow piercing is entirely self indulgent)

[astracora]

A Mandated Holiday Break - Chapter 7

Characters: Sylus x gn!mc (poly lads)

Warnings: None

Word Count: 1554

Written: 22nd December 2024

Notes: Post-relationship Sylus/MC-centric but poly LADs, with my personal pov of the game and lil headcanons littered in.

Chapters: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10

Masterlist

He's been relegated to picking up supplies. You'd thrust a list at him that morning, and he'd almost seen a tail behind you, flicking and curling like a question mark.

It isn't the first time you've had him wrapped around your finger, requesting his assistance. Normally you only ask when you're sick, desperate for supplies and he's available. (He'll always be available.)

Still, this time you've handed him a list for crafts, shoved him from his own base, and you peppered his face in kisses before he can even respond or argue. 

Not that he would, but he wishes you would at least come shopping with him. He's found himself enjoying the domesticity of you puttering around aisles while he pushes a trolley. If he takes his eyes off you, you'll steal the trolley and go skidding down an empty aisle.

Which is how he stands now, in the living room of his base, hands full of arts and crafts supplies, while he stares at a tree he doesn't remember buying.

It's twinkling with lights half done, but otherwise it bears no decoration. The twins are balancing on each other's shoulders trying to throw the multicoloured flashing lights up towards the top of it. You're there underneath, ready to catch them if them.

He's pretty sure someone's going to end up with a broken bone. (Which he does not want to explain to the doctor.)

With a flick of his finger, black and red swirling mist quickly remove lights from hands and twist them around the top of the tree. Gently, and carefully.

He's only slightly smug, smirk in full, when you turn to him in surprise. He's even more smug when your face instantly warms, eyes twinkling at him.

If he were really a crow, his feathers would poof up and he'd preen. Instead he wipes his hand on his shirt collar and extends the bags he's holding, "For you, kitten."

Your whirlwind of activity rushes over, the twins wobbling before they manage to detangle themselves, grabbing at the bag and pulling them to the floor. Separating things out.

He watches absently, but you're focused and tapping on your chin as you think, so he abandons you to your considerations to make himself useful. Warm drinks in hand before he returns to you.

Sylus finds you showing the twins how to fold and make ornaments with coloured paper. He hesitates at the door, if you had wanted ornaments, why did you not just ask for them? He could have ordered any number. Any colour. Anything you wanted.

He's again unsettled by a strange uncomfortable dissatisfaction, you do not make it easy to provide for you. To satisfy every desire. He wonders how you became someone who holds them so close to the chest, scared to want, all over again. He offers hot chocolate to the twins, and frothed coffee to you, (the smell never gets better), before sitting next to you on the floor, cross legged and curious.

You look over and grin, and for a second he sees ears tilting forwards in mischief, pupils blown and ready to pounce. "We didn't have a lot growing up, so me and Caleb would make ornaments for the tree with Gran. The twins wanted to try..." there's a question there that you want to ask but you can't quite... get the words out.

He can read you well enough to know the hesitation, and he leans in, voice low, fingers brushing your cheek, "Show me."

Sylus prides himself on learning, he's good at picking up skills, but he cannot be said to be creative. He is, however, good at following steps. He does, however, enjoy trying.

It's not a new skill that will be useful for anything other than moments like this, but truthfully if he only ever learned skills for moments like this, he'd be a happier fiend than he has any right to.

The twins decide to get pens and decorate the shapes he folds, while you sit nearby fretting over a new challenge. He finds himself looking over and peering but you catch him and point at his hands in an unspoken order. Focus.

He chuckles, only you would dare to order him about, and only you would gain his obedience as he follows your orders.

As they end up with a pile of... he's not sure he'd call anything he and the twins have made art, the fish would surely have something to say if he tried, he already dreads the upcoming conversation, but you're thrilled and excited as you come over to look. Picking up paper baubles and stars that the twins have drawn silly faces on.

There's a happy flush to Luke and Kieran's face as you wholeheartedly approve, and he swallows a lump in his throat that he doesn't really understand. Yet he wants to cry, he thinks, and he's not really sure why. Or what caused it.

He doesn't linger, doesn't have time, as you're pushing him towards the tree, "You get the top, Luke, middle, Kieran, bottom." Then you're running off.

He's starting to think the holidays are a little too much trouble... (Warm, vibrant, comforting.) That lilting voice that sounds like yours again.

Your soul is always so noisy, he muses, warmed and placated.

They're almost done when you come back, this time you're not as energetic. There's waves coming off you, nerves and anxiety rippling under skin. He pauses, where he's about to hang a star, and looks down  at you. As soon as he does you swallow, shoving a cardboard box into his arms.

Not a box? It has numbers on it?

"We-" you swallow past the nerves and push on. Ever ready to fight a monster. Even if the monster is yourself, "also used to make calendars for each other. It's late, so it's only twelve days." He catches your hand before it scratches at your arm, smoothing his thumb over your fingers and then rubbing circles into your palm. He blinks down at the thing, and sees today. He drops the star he's holding unceremoniously and presses the little cardboard flap open.

The calendar is decorated with a picture of a crow surrounded by presents. He remembers the fish encouraging your artistic pursuits, and while he's not sure if it's good, he never seems to be sure if it's good... he knows he likes it.

Inside is a hand wrapped chocolate and a small note.

Day one - A reminder that I love you, and appreciate you always, thank you Sylus.

You're still fidgeting, and at this point the twins have peeked their heads over to stare at his bounty. The longer he stares, the more he realises he has to speak, has to respond but his throat feels closed and his chest is so tight. It hurts. It hurts.

"If it's stupid you don't have to-"

He drops his calendar and he presses you into his chest. He's sure if he were better practiced in his emotions he'd cry. Instead he just encompasses you in his body, squeezing and holding and drowning in you. He nips at your cheek, hand squeezing your face, he wants to bite and chew and claw and scratch.

He can't understand and he doesn't want to hurt, but he breathes you in. Relieved he has no tail to betray him, wagging furiously. You're giggling at his reaction, trying to pull away from his rough handling, calling his name out like knives in his heart, and he finally kisses you. Over and over and over. Tasting his name on your lips and your love in his heart.

Then he startles, pulling away quickly to see that thankfully the twins had caught his gift, the note and the chocolate. Placing it on the side. They're giving him a look like he's a fool, he might be, because he has an evol that can move things for him. Instead his foolish body betrayed him.

"Hunter! Do we get one?" Luke calls, pouting, and you keep a hold on Sylus' hand. Grounding him as he looks at your note over and over, pressing your thumb into his wrist, and smoothing his rapid uneven heartbeat there.

Still you extend a makeshift calendar to the twins, one each, identical except for the names. He can tell that you'd been careful to match every line. "Of course."

He absently notes that you've left four more on the side. The fish, the doctor, the prince and an untouched one for your family. The note is finally placed in his pocket, right over his heart, where he knows he'll keep it until it's worn and unreadable. Not that it matters, because he'll remember it always.

As you watch him smooth his fingers over it, you laugh, "You know there's eleven more days of those right?" Your nerves are still simmering, he can tell, but you're thrilled for his reaction and eased with his earnestness and joy. He lets your words settle and then darts to the calendar on the side, he hears the twins opening theirs but barely cares.

You panic when you realise he's going to just tear the thing open for more of your feelings recorded in pretty stationary paper, before you throw yourself at his back, "Sylus! No! They're for other days!"

[comfortfrogblog]

“everyone is capable of experiencing goodness and joy. not me th-“ *EXTREMELY LOUD INCORRECT BUZZER*

[iam-anordinary-human-orami]

Give me Nicky creating a video full of blurry photos and awkward 2000s transitions for Neil's bday (not the actual one, the 31st of March one) with the "Bitch" song by meredith Brooks.

Lyrics come up, "I'm a bitch" and it's a still of Neil roasting on press duty

"Im a lover" Neil stealing a glance at Andrew, a small smile on his face

"Im a child" photo taken from high angle of Neil looking up at the camera, indignation all over his face, a granola bar in his mouth

"Im a mother" Neil pointing at Kevin chewing him out while Kev is saying sth arms crossed on his chest (or better yet, Kevin and Jean walking to opposite directions but there's a leash around their chest that Neil is holding)

"Im a sinner" shot of Neil eating pinneaple on Pizza and Matt and Dan looking horrified and disgusted on the background

"Im a saint" meme of the cat with the dozen knifes at its throat but on the face of the cat is a poorly cropped picture of Neil raising his eyebrow

[itwoodbeprefect]

i took this screenshot weeks ago but i HAVE to share "century old grandpa (who is still very hot)" with this website. that's all half the mutuals ever talk about

[flightlessfinch]

here's a jegulily snippet from my new fic:

"You don't know me, so stop acting like you do."

"You think I don't know you by now?" James looked up at him, his expression was distant.

"What do you know about me, Potter?" Regulus turned away from him. He looked at his bedside table. Scribbled notes from his friends were pinned to the wall. There was a family picture in a little frame, perfect Potter's parents, his mother touching his hair, his father smiling. Radiating ease. Radiating love. Of course he kept his family at his bedside. Was there any part of his life that wasn't perfect other than Regulus? Him and his misery casting his dark shadow in a world of nothing but light. Next to it there was a little polaroid of him holding Lily in the sun, both of them laughing and staring into each other's eyes. A messy girlish scrawl on the bottom: Summer '76. Regulus picked up the polaroid, such a flimsy little thing, between two of his long fingers. He held it like a playing card.

"Regulus..." James sighed and covered his face with his hands like he was very very tired.

"Why do you keep this here? Just to torture yourself?" James grasped for the picture and Regulus moved it just out of his reach. "No. Look at her."

"I look at her everyday," he complained. Exhaustion in his bones.

"Look at her, and look at me." Regulus held the picture up beside his face, like Lily was looking right past James, right at him. She saw him everyday in the corridors. Did she suspect? Would she ever know about this? "You can't just have one, can you? You want both." James stared at him, silent as a stone. He wanted this conversation to be over. Too bad. "This is the kind of greed they say is sinful in the bible."

"Are you going to tell me to break up with her again?" Regulus sat cross-legged on the floor at James' feet and traced a fingertip over Lily's pretty, elfin face. Her upturned nose, her red eyelashes. She was everything he was not. How could James stand it? He'd felt the intensity of his hunger for him, for his body, all of its sharp edges, muscle and bone. How could he reach into the softness, the sweetness, of this woman when she was so different from what he truly desired?

"You don't deserve her. You deserve me. It's a bit unfair, isn't it?"

"You think you deserve me?" His incredulity was probably supposed to be insulting. Regulus didn't see it that way.

"No, but you deserve me. I treat you exactly the way I think you deserve to be treated, Potter."

"You're a terrible person."

"So are you." Regulus touched the picture of Lily again, then kissed her pretty face. A gentle kiss, one James had never gotten.

[gu6chan]

would've loved to have heard caim's wheezing laughter as a 42 year old man tbh........

[blindtaleteller]

Just out of curiosity... Is it really in character of Loki to replace Odin with magic like he does at the end of TDW?.. A part of me feels like it is tainted with hasty writing (which fits the narrative regarding how this was a change mid-production). If Loki truly survived the attack by the Cursed, what seems most in character for him to do? Getting on the throne of Asgard doesn't seem that likely to me, to be honest..

This one is gonna be long I think, because asking that particular question, tells me you've missed a few things. Nothing wrong with that; it happens. (I do know a lot but even I forget to add or remind myself of certain bits too now and again: which is yet another reason why I do watch and re-watch the content over and again, and seek out creators and actors interviews from the era from varied angles.)

I wish the current creators paid a decent fraction as much attention mind you, but that' as whole other thing and annoyance.

Anyway! Here we go again~

It does make the most sense choice wise, actually; that Loki would take the throne in 2013: and it has nothing to do with wanting the throne itself as implied and said outright repeatedly by current creators and their "scripts."

While there are a LOT of reasons to do so with what's going on in the story both immediate in Thor the Dark World itself and otherwise? Most of them, and the reason why Loki absolutely would keep the throne for the next five years boils down to the same reason used to attempt to execute him on his return, and ultimately put him in the dungeon to end up as the major reason Asgard's people were spared a prolonged siege at a time when their defenses had been almost entirely decimated.

The ultimate answer boils down to the not-so-hidden Chekhov's Gun for the overall story of the first sequence/series of MCU films.

I say it that way in particular, because in this case.. they started setting up for it back in 2009-11 with Captain America the First Avenger and the first Thor movie as well. Iron Man 2 released in 2010, had some part setting up details for Avengers 2012 as well; though some of them are mostly less important in regards to this particular ask, for the era and subject we're talking about here.

They did this incredibly well though, when you look at the way the set up was constructed.

Basically, there are two layers of story being told in most Marvel Cinematic Universe Movies of the era; if you didn't notice.

1. Local Story, the story that wholly belongs to the title; era and or immediate characters.

2. Universal and or Overall Story belonging to the universe in which those local stories are taking place.

Remember this guy? I'm pretty sure you do but..

One of the things that people love to forget (or more often pass over as taken for granted) is that Thanos is the person who ultimately snatched Loki up, purely with the intent of getting another stone (Tesseract) into his hands. (Of course there was never any promise Loki would rule over 8 billion rather than 4 billion either, and well. That kind of action; taking half the population then rather than 2018: is established repeatedly as being very much in Thanos' character too.)

I say one of though, because the fact that the Mind Stone (Scepter) was in Thanos hands well before that was established in the very first scenes of Avengers 2012.. before they even put a single character on screen.

In a scene that, tells the viewer outright why Loki was the one chosen; and what they want. This scene is a lot more than just a foreword to catch up viewers who hadn't seen Captain America or Thor at the time. This is also the first not-so-subtle mention of their Universal Story Chekhov's Gun, Thanos.

To break it down for you real quick:

------pre-Universal story set up.

1 - (2010) Tony Stark creates a new-to-earth element (Badassium.. lol I didn't name it, they did) replacing the palladium in the reactor in his chest with this element. Black Widow (Natasha Romanov) is introduced.

----this sets up in minor ways for the Mind Stone: a more believable reason and mechanic for Stark being immune to the Scepter being used on him at the top of the tower at the beginning of the Battle for New York. (There are other mechanics like this set up in the previous IM movies as well: including his brief float in space otherwise ignoring physics of human body and suit versus a lack of atmosphere, gravity or air pressure. [IM1]) But it also introduces Nat and her position in SHIELD into the Universe, rather than just throwing her on screen in A1.

2 - (R May 2011)This film is the heavy lifter as far as Universal story goes. It doesn't just introduce one or two major characters in the Avengers; but THREE of next movie's three major, main characters and their place in the universe are introduced and built: As well as giving the first glimpses of the Universe at large.

There is a reason why Loki and especially Asgard where he is after Thor's banishment, has more screen time than Thor in the opening title film, and the Universal Story is that reason.

(This one is going to be among the largest, because it contains some of the intent behind the character as he is in the MCU.)

FEIGE: "The movie, very much, is an origin of Loki, almost as much as it is an origin of Thor. We had to ride that balance." BRANNAGH: " I think the connection, if there is one, is that the stakes are high. So, in something like Henry IV or Henry V, where you’re wondering if that young prince could be the king and whether he’s the right man for the job. That story arc of the flawed hero who must earn the right to be king is in our piece, but what’s key is the stakes. There, it’s Europe and England, and here, it’s the universe. When that family has problems, everybody else is affected. If Thor throws a fit and is yelling at his father and is banished, suddenly the worlds are unstable." I: Can you talk about casting Tom Hiddleston for Loki? BRANNAGH: "From the performance point of view, we needed somebody who was complex and could convey intelligence. There was a constant conversation between us all about whether it was a good thing to keep the question mark over the character of Loki throughout. Is he bad? Does he have a plan? Does he love his brother? Does he hate his brother? Does he hate his father? Is this happening before our very eyes? How does he truly react to the secrets and lies that emerge, in the course of the story? So, you needed someone who could be adept at putting on all those masks and making it seem seamless." [Link to the full Interview HERE.]

Granted Brannagh summarized Thor's part IN throwing that Universe into chaos more than a bit, but yeah. (his shit fit from a less personal view included breaking peace treaty with a no border crossing agreement between two entire worlds, threatening and then killing the residents in the process, and then throwing another fit in defense of that TO get banished: and furthering that later on as the source of that problem through the extra treason of ignoring his very and repeatedly stated light punishment for that first set of acts of treason: by attempting to return from that punishment against the order of not one but two kings [interim and prior] to have the Destroyer sent after him only then.)

As you can see through Brannagh's words in particular though; Thor as a movie (and Asgard in particular) was aimed as one of the major contributing factors and powers in the MCU Universe and Universal Story from concept one.

Asgard (and T1 as a result) as a power and society was set up and built as a major pivoting point and joint for the Universal Story, with all the power, knowledge, flaws, limitations societal and otherwise needed to forward that story.

Brannagh was not just and only aware of that and the scope to which a universal monarchy and having that monarchy including Thor and Loki as main characters would stretch: he and the creators of Thor and the Universe including Feige were VERY aware of it.

And it kept all the way through to IW and EndGame, and would have even if Loki had not kept the throne.. if at a much higher cost. (We'll get to that; though I'm betting with this taken into account you can figure out some of why.)

All that kept to one side, this film introduced Asgard's current ability as a technologically advanced Conquerer-type Imperialist society, rather than gods; but also and temporarily disabled the Bifrost as their most used and fastest known means to deliver larger numbers to Earth, at the time of the movie's release. It likewise released Loki for his role in the Avengers 2012 and in their Universe at large: and set up for Guardians of the Galaxy in subtler ways to start off the Other and Thanos as the ones conducting the Invasion and looking for the Infinity Stones.

Needless to say, juggling all that in one film before the Universal Story hit, made giving their other introduction and Universal story mechanic on the Earthen end a little hard to squeeze in; but they did manage to introduce both Hawkeye and Selvig in the same movie setting on top of that: and added the end credit scene to establish further connection during Thor's banishment: by further involving SHIELD in his and especially Mjolnir's arrival.

Like I said.. heavy lifter of a film. Brannagh did a beyond amazing job with everything he was made to juggle both in film and setting up for the next two: one of which was in production at the same time as the one he was chosen to direct.

3. (R July 2011 [1940s]) Coming out later that year, CA:tFA took the next (and the one at the time unknown previous) page that the end credit scene showed us in that set up, to establish how the cube and Stone got there, a feel for it's danger in the wrong hands and how it ended up on Earth still in 2012 at all: again tying to SHIELD as Earth's portion of that Universal Story, using Asgard's pivot point to advance the plot and add the final Avenger (which lol at the title 'The First Avenger' for that reason and others: someone had a giggle at the name I'm sure). The Tesseract first seen in the end credit scene of Thor; is properly introduced immediately, as A. having been in Asgard's hands before leaving it in the charge of humans, and B. Stolen by Schmidt who knows and tells us this as he's stealing it from it's guardians descendants (right out of their ancestor's grave and dead hands) for Nazi/Hydra gain. The Tesseract (along with Schmidt and Rogers) is lost somewhere over the Atlantic.

----this movie sets up quite a few more things, and uses that gap in time to do so without need for a whole other movie. Cap's presence in 2012. What's really fun and interesting though, is just how afr ahead this one was running it's projected Universal Story aim: even if only in The Tesseract being reclaimed by SHIELD and Hydra sometime between 1945 and 1970 just before Tony's birth in that same year of 1970 (remember, Hydra were unidentified as being in SHIELD all the way up to 2014.)

Hydra's existence, threat, and eventual reveal in CA:TWS resulting in the Mind Stone they stole* while within SHIELD after 2012 to only be recovered three years after that in 2015. Bucky Barnes was introduced in this first film; and while his character on it's own doesn't do a whole lot for the Universal story.. where and what organization he's found in that he resurfaces as forced a part of, does: as the Universal Story in CAtWS connects from CAtFA and Avengers, to GoTG; and leads straight to Ultron where it's finally recovered, and more importantly to revealing the Infinity Stones for what they are.. as well as telling the viewer outright that of the six stones as of Age of Ultron?

We have already seen four of those six stones on screen.. and, three of them have been in Loki's presence if not directly in his hands as of 2013 the year after 2012. (Tesseract twice, Scepter, and Ather: and in that chronological order.)

(*Side note: Errrr, is it stealing when Hydra were running SHIELD more than Fury at that stage after Howard Stark's death: and they just kinda handed it to Rumlow and Pierce without question for two years? idk, that's more than a little iffy in a lot of ways lol!)

Anyway, again that pivoting point is straight-away Asgard, and Odin in particular. Though they make when it arrived on Earth ambiguous in CA:TFA, the Other's dialogue from that opening Avengers 2012 scene mentioned way up there at the top? Tells us outright that the Tesseract was left there AFTER the war with Jotunheim.

The line among the few I'm talking about in particular is:

" The Tesseract has awakened. [...] But our ally [Loki] knows it's workings as they never will. " - The Other, Avengers 2012, Opening Scene

(Another set of side notes: the inflection and especially emphasis being where it is in that dialogue was pretty interesting and a bit odd back then, prior to Thanos being properly unveiled as the Other's keeper two years later. Right away that opener tells you outright what they want from Earth at that moment[tesseract & the stones], the fact that the one speaking isn't in charge either [Thanos being behind the Other and Chitauri], that they are not the only army available to them [he says our Chitauri, not our army or armies: see Ronan the Accuser] and that they're willing to go war and kill on an interstellar level to get it [self explanatory].)

(There's also how Schmidt disappears as shown in this film. Reminder: while we generally know that Asgard put the Tesseract on Earth sometime during Loki & Thor's adult lifetime, we don't know when Asgard got it. BUT. The visuals alone at the end of CAtFA have some pretty big implications in that direction. More so as TDW shows us that there's a certain technology in play as far back as Bor's time. Here's a gif.. Look kinda familiar, Thor fans..?)

Here's one I've shared before, from TDW itself to visually remind us where we've seen that kind of things repeatedly:

(Yep. That's the Bifrost being used 5,000 years ago to bring in Bor's army and steal the Aether, y'all. It also shows us something else: that the Bifrost can be held in long spurts without destroying the planet it's pointed at becoming an immediate thing. Combine this with Loki's knowledge and hm... that raises some other interesting facts and extra questions about the Bifrost scene at the end of Thor 2011 too, doesn't it.)

Okay so! Some who see this might ask 'Why is all that important?'

Welp.. the answer is in the question at the very top of this ask.

Asking about Loki, and his taking Asgard's throne at the end of Thor the Dark World...

The answers are yes, especially because motivation, all that backstory (both directly on screen and what was established and cemented as canon even off it for years by the creators, for that story to work [yes click that link if you haven't seen the breakdown of the year between Thor 2011 and Avengers 2012],) and more pointedly the fact that Loki by that point after the end of The Dark World: not only knows someone is pursuing the Infinity Stones, and knows very well how the Tesseract in Asgard's vault at this stage would help Thanos collect the rest.. but!

Loki has also up close and personal just been introduced to a third, formerly lost/hidden Infinity Stone being revealed and claimed in a very loud, very public way, by a just as universally known power he himself has intimate knowledge of... Asgard [if through Jane/Earth: and gawds but Bor was just as bad about hiding vital and fatal info as Odin turned out to be, sheesh.]

And here's the extra addition to that motivation to stay and take that throne in a way that also knocks out all threat FROM Asgard and it's allies: the person who tortured him and is seeking those stones has already threatened his life more than once in pursuit of them, and promised to hunt him down if he didn't get what he wanted then in 2012.

(If you missed it by the way? The dialogue, inflection and expressions there both show and tell us right away that they don't trust him NOT to keep the Tesseract from them: even if Loki doesn't fail in 2012. There's no reason to use up the extra airtime, or hit him with pain immediately after, to triple down on it otherwise. The Other, and Thanos by extension; do not trust their hold on Loki: or that he will give them what they want in other words. They don't trust him to succeed [purposely or not] and they don't trust him not to gank both Stones completely out of their already distant reach. (Which and lol he absolutely does manage to do anyway, by putting up neon info signs, really gone-ham public and personal displays, riling the trashed initiative team up left and right, leaving Barton behind on purpose knowing he was coming, and definitely missing the slant of a sloped sky scraper AND the landing pad loop when he tosses Stark into account? It was brilliantly done as was and without that examination, but when you take all that into account too.. oof..! The higher probability that the plan was internally wrecked by the underlying knife of absolute spite for his torturers this character likely pulled off; was just plain beautiful, and clean AF. Just sayin'.)

But and no, Thanos didn't get what he wanted in gambling even the one stone he did have in 2012 in order to try and pick up that second stone.

Obviously.

So they (and we) had more than enough of the potential motivation put down both on screen and off it, over the course of four years (including IM2 production preparing for it in that foundation) but is that still enough to take the risk, and go for the throne?

( ⬆️ Loki's appearance on arrival in Avengers 2012 after his time with Thanos as originally intended; prior to toning it down in order to fit the PG-13 rating the studios were aiming for to increase audience.)

YES, it was.

Even if only temporarily at first, taking Odin off his throne insures Loki's freedom from pursuit on Asgard's end: as he is now king of those pursuers, and a great deal more overall autonomy even outside of Asgard.

This puts him in direct control of the King's Vault, in which the Tesseract [possible means of escape, while within the reach of that greater tech level etc] is being held: and which again.. Thanos [again threatened & tortured him] still wants, and he knows this.

(⬆️ On-screen Example 1 of what it was like even to be claimed as family, by Thanos. Loki was not, family.)

On top of that, in the long term; his position as King allows him to have a broader sight that running or hiding would not: thanks to Asgard's position as a Known-Universe-sized Imperial Protectorate encompassing multiple Worlds and or Galaxies .. including Earth where the Mind Stone (and Time) is, Xandar (Power shows up just a little under a single year later during his reign,) the Kree (same.) And a much greater ability to prepare (keeping those stones as separate as possible, as he does as the King on the throne who sends Reality to the Collector) and see Thanos coming when he does as a result.

Ultimately, even if temporarily: taking the throne at this stage and in this situation is absolutely within his character, even not wanting it. The massive tactical and personal advantages with Thanos alone, which that position with his knowledge; would provide him with a great deal of capability and reach for a very minimal amount of effort, and especially lives and time lost going the other route..? Were not only on display for two years worth of films to call on, but are pretty hard to excuse passing on in his situation at that time, for any reason.

(⬆️ On-screen Example 2)

There are and were other routes available yes: quite a few of them being he was and likely still is a hero everywhere BUT Earth*. But each and every one of them was that much more dangerous, and lacking in protection both for himself personally and for anything left of what he might have wanted to save of any of those also involved: including Asgard.

(*And yes some of those civilizations might maybe question him and that bad guy status a little: but let's be honest. Confronted with the facts of how all that and Thor's mess ups with Jotunheim actually went down, which Loki also knows about both first hand and in depth, and could easily call out just as publicly [and has in some of my fics]... it's not incredibly likely other societies and especially their leaders responsible for their lives, would choose to indulge Asgard's pride and arrogance at the risk of something like Thanos being allowed to continue to run loose after at least decades of halving populations like Gamora's, Drax's through Ronan, and possibly Nebula's [unconfirmed]. There would be a process to that too though; and time spent correcting all the messes that would cause for him to clean up in order to move forward with fewer obstacles as a result, possibly years if not centuries depending on location and how little they know.)

Taking Asgard's throne (even temporarily) while the majority of big players were either dead at that point[Frigga], weakened [Odin was putting Thor up for king in T1 to take his place & putting off Odinsleep at least 2 years prior to TDW] or occupied/distracted with the final death throes of the Dark Elves [Thor, pretty much everyone else] was the cleanest and safest way to ensure his life, his safety, and his freedom.

Even if, only short term.

Add on the other bonuses being in that seat "wearing the old goat's face" (yeah I borrowed that line from GROUNDED's Tony muse) and well.. there are too many more reasons to do it than not.

The other option has him either trying to escape Darkalfheim to a planet NOT Earth or Asgard to keep from being noted or picked up, before he's found first and knowing Asgard is and has been pursuing him (and Thor) since Thor broke him out of the dungeon: or trying to escape Asgard itself: with very little influence or power to do anything about both the person who tortured him coming after him as promised.. OR Asgard coming after him.

Because there is another thing that would have come out, with Odin still on the throne: is the fact that the body there [if he used a decoy, like one of the elves corpses left behind, or even the guard sent] was not his. Which would have led to immediate search and pursuit, and likely Thor being part of it after dealing with Malekith.

In these scenarios, Loki would have to pursue a counter to not only Asgard itself or Earth's established [and re-established through Jane's reaction] perceptions of him; but also Asgard's political reach as well in order to maintain his freedom, and actually start to counter Thanos before the slurpee stain could reach either, and potentially reclaim if not claim the stones: because they WOULD become an obstacle.. if not because of Odin and Thor [both of whose positions are made blatantly and glaringly clear where Loki is concerned in that same film, repeatedly and reflected on top of that in the entire scene with Thor's friends threatening him, as well as Frigga's own gaslighting scenes prior to her death as the Queen who should have taken her throne in T1 and in the dungeon in TDW.] then definitely because of the Other and Thanos, both of whom were very much alive and still running around the outer edges of the Galaxy until the Other was killed by Ronan in 2014.

Whether he's solely protecting himself, or looking to set up revenge, Loki, Thor, and Asgard's Local story in the MCU was designed to be part of if not heavily intertwined with the Universal Story before we saw any of them on our screens. And, if you're picking up a crafting story any time after 2011 in canon in that Universe.. that's gonna, and should be a thing.

Sad (and more than a little pitiful) that current creators ignore and mock all that and more, along with the efforts of over a decade of that work and hundreds of creators before them, especially in what they're passing for Thor since Gagnarok, or calling the "Loki" series (aka Bob: The Accountant/The Not-Enchantress Show) today*.. but I suppose that's what you get when you pay a bunch of clueless and Odin/Thor-level-arrogant cartoon creators for a twice rejected, unfinished script as the knock-off and fill in for crafting the next part of that story: and then hire their friends to do the next part even worse than the first?

(*Just sayin'. lol! Also yes those are both separate links to just a few examples of what's been going wrong since.)

So.. TLDR...

Yes, it's actually very in-character for Loki to have taken the throne; as a proven and intentionally crafted intelligent and tactically-minded character,* who was raised knowing Asgard's reach and power when a King who uses it properly is seated in that throne.

(*Regardless of what the series tries to tell you to mock viewers otherwise.. those scenes stating otherwise about Loki's character in S1 and now in S2 still makes me laugh my ass off at the stupidity and ignorance on display in this regard especially: as they tell you outright that absolutely no one who might have cared on the BTS team watched an ounce of the Avengers movie they want you believe the character came directly from, any of Thor 2011 before it, and definitely not TDW or Guardians to guess never mind know even remotely accurately as to the TITLE CHARACTER's characterization or motivations, of their own series; to get it THAT wrong on purpose... to the extent that, they have to put those kinds of words in his and other characters' mouths through the "scripts" they wrote and put on screen.)

I do however and as an addition: think Loki probably hated it from day to day.

After all, everything he did to stop if not pause Thanos and buy time; was done so with Odin's face.. and as a result was credited to Odin, who reminder.. by the time GotG and then Ragnarok ended, we knew was aware of Thanos at the very least (if not through Asgard then through other huge powers in the universe like Xandar and the Kree [Ronan was killing on Thanos behalf, Gamora's planet was halved decades prior]) and sat on his hands rather than face the largest army in the known universe, as it's proclaimed protector.

The leader for which being let run loose like that [Thanos].. was able to snatch Loki up, and the New York Invasion to happen as a result of Odin and Asgard's complacency.

Loki would have been stuck with the prospect of revealing himself and slowing down his potential progress and preparation (including restoring Asgard and it's defenses around the Tesseract in it's vault) over the course of those five years, being pursued for likely execution or maybe the rest of those 3,500 years of solitary confinement Frigga had to beg for as a sitting duck in a literal gilded cage again, running and attempting to keep his autonomy while doing all of that anyway, or ... just taking the throne and keeping his face hidden in order to avoid almost all of any of that and the many variations possible there that would have wasted months if not years of very precious time.

Ultimately, avoiding these things would have cost him in another way too, if he did manage and he knew that; because and again, Loki knew Thanos' game and purpose much earlier than we the viewers did. Sitting aside and hiding was not going to exclude him from the gamble of the snap even if Thanos did not find him, and took the stones without his interference.

Without his interference (and especially after Hydra stealing it in the 40's, and Thanos' first attempt to take the Tesseract from Earth as one very near example of why not to: especially from the outside looking in at that) it remains very probable that Odin would not have moved the Aether at all; as Loki did, wearing his face. Which means that, regardless of whether or not he returned for Ragnarok (which was established even in it's own plot-hole ridden mess of a story) as happening anyway: Thanos still would have collected Space and Reality after Power.. and he would have been able to do so far more quickly with them both in one place.. whether that place was floating space with Loki not there to collect either, or in their hands after the fact because he did think not to leave them in the open and undefended.

There are some ways around this (I've done some and planned out more,) but they're very tricky to do believably: and they still take time, allies, and correcting at least some things (especially perceptions and the break in trust worsened majorly by Odin and Thor) to manage. Sometimes a LOT of all of the above.

What's more, when taking him out into the open after the part he played in saving not only Jane, but also Asgard from Odin's rage filled dumb in TDW?

It's pretty likely that revealing himself on the throne and explaining this shit would have wasted even more time in various ways. But the very first and most obvious thing to become a problem in the realm of big-picture no-nos he definitely would have been aware of is this:

Asgard as a whole at that point and likely after having the story confirmed by Thor, would likely fall into a state of even more chaos in civil war if not a war of succession afterwards: further screwing over their ability to recover their defensive capabilities due to fighting themselves.

Other societies becoming aware could spark the same reaction, if a little later and cause Asgard's reputation, standing and overall influence to crumble as the facts came out. While some of these are avoidable or made less in certain situations: the fact remains that is what Odin set himself and Asgard up for by sitting to the side rather than doing everything in his power as King of an advanced space-faring society in contact with numerous others capable of moving them even without the Bifrost in effect.

It's very likely that, some of those external (and maybe some internal like Vanaheim) would use the very good examples of Odin and Thor's incompetence when dealing with things like Jotunheim (oh wow lets not get into that long list of treason and kid-glove handling of prince raised as genocidal traitor yet again), and Vanaheim (Asgardian colony with no Asgardian defense cannons or ships ..hm that reeks of some serious issues and bigotry too: especially seen in the very same film as those cannons, AND the fact they could transport whole armies via Bifrost 5,000 years prior?) alone, as a springboard to either GTFO Odin's alliance party, or support the idea of Loki being crowned instead of Thor.. if not both.

Anyway. This was really long and I have pulled this whole thing apart so many times in so many different ways that I could definitely keep going.. but I think that's a good enough view of the whys it's very much in character.. and some of what likely would have happened if he hadn't. And yes that emphasis in bold is very much needed.

There are other factors to take into account alongside of all this, including (aka not only) the fact his actual species (yep, don't forget: he's not Asgardian either) is both known at this point, and absolutely despised by Asgardians in particular on top of all that. And, at least some of the generation that hates his kind most --Odin and Frigga's-- are still around to keep carrying that on and attempt to pass it to their kids of the same generation. A thing we know they did already, through the dialogue, responses and and actions of every single member of the Royal family, including Loki's, starting with the very first film.

Remember.. this was the entire reason Thor thought it was completely okay to rack up multiple charges of treason, trespass on a completely different world he was forbidden by both sides from even setting foot on, and then insulting and killing them on the home planet he invaded, in the first place...

..and that fact it was still present, and was in action, was ultimately the root of the reasoning for that banishment.

Incidentally, and as final set of side notes?

This another example of why world building and sticking to the rules of that world/universe as established is necessary, and only serves to make the world and universe the characters are supposed be part of that much stronger and more interesting when done correctly.

Limitations (physical, social, psychological and more) exist in story and in those universes not just as near-laws-of-physics, but sometimes as an obstacle themselves to overcome, or more importantly and most often forgotten?

To work with, rather than around or over; in order to actually accomplish something, or at least give the sense of that accomplishment.

This is at the heart of what it means for a character to earn what they're given and show that, rather than simply getting it for free.

Ultimately I see that choice as Loki exchanging his name and identity, along with recognition for having put Thanos off of killing half the universe with him in it for five years; for the ability to better and more quickly protect himself and the things around him from those threats, not only from Thanos.. but also those threats posed and put into word by Odin, Thor, Sif, and the Yes-men Three.

And he was only able to to that without interruption, because he did make that sacrifice in hand for five solid years by taking Odin's throne and face.

It does fit that Loki absolutely did and as Tom Hiddleston and creators have said: at least try let go of Asgard, Thor, Odin and the rest when he let go at the end of Thor 2011...

..However. It's also very clear even if he hadn't; that Thanos' actions and Odin's and Asgard's inaction, ended up forcing him right back in front of them, whether his remaining anger re-igniited by the Scepter during that missing year had been bolstered as it was, played the part it did on screen or not.

All that said.. it was quite a long way away from hasty or lazy writing. If anything, that would have been true for going through with Loki's death at the end of TDW instead: as the next set in line would have been entirely excused from putting him or any of that story into focus on screen at all, even in what little they did pay attention to it during and after Gagnarok.

The TDW creators simply chose the most obvious path the previous creators had already crafted in their foundations, and laid down the path for them to take in crafting the next with TDW to set up for hte next even after it.

Sucks that it took getting that big an audience reaction in that direction to do so and not be that lazy about it.. but it is what it is.

-

Post-Script and For faster reference and in order from Captain America 2011 on, Loki did/was subject to, the following:

[Pre-1940s: unknown era] Had enough definitive exposure to the Tesseract as prince of Asgard, to be referred to as the equivalent of an expert on the Tesseract. (Given his discovery of the doorways between worlds as put on display in TDW, this makes even more sense than it already did in 2012.)

[2011]Was tortured and influenced both emotionally and mentally by the Other and gifted the Scepter with the intent of further riling and amplifying [that's what fueling means in this instance] his anger towards Thor and Earth's part in helping to release him from his banishment: in return, he's offered rule over Earth and more importantly his freedom from all of the above in that rule after.

[2012] The Mind Stone is used long distance in conjunction with the Tesseract to watch and torture him at a distance on screen as well. It's only functions used on screen otherwise is as a projectile weapon and device to spread that mind control to serve the deal made.

[2013]Helped save Jane & the Reality Stone.

[2013]Helped save an otherwise defenseless Asgard from another siege & Odin's stated intent to die to the last man, woman and child in that fight: at the same time.

[2013]Killed Algrim/Kurse in defense of Thor and Jane; an individual who was so powerful as enhanced by the Reality Stone: that he batted Mjolnir aside like it was a nerf toy.

[2013]Sent the Reality Stone to the Collector, separating what stones he had.

[2013]Kept the Space Stone in it's place in the vault ..and it stayed there for the 5 years of his rule.

[2014] Between Asgard proper as a political and protective power, and his connections to the Collector himself: clearly knew about and did not claim the Power stone, or put it in Asgard's vault either, after it's use there.

[2015] The Mind Stone being removed from Earth, was stated as being Thor's purpose, as directed by the King [Loki.] No intended ending destination was given.

[2017-2018]Rebuilt Asgard, it's homes and it's defenses: well enough that even in and by Gagnarok they were building theaters and statues, and enjoying plays.

( ⬆️ Yeah I wasn't kidding: that's the Kurse nerf-toy mjolnir sequence in TDW, if you missed it.)

[crystalkleure]

"At least my trauma made me funny" No, it did not. I am saying this gently, not to be cruel.

You crack jokes about the terrible things that happened you to convince both other people and yourself that it wasn't so bad, and that it didn't actually hurt you that much. Laughter is a social signal that communicates a lack of danger, saying that it's safe to relax now. Feeling the urge to laugh when you are scared or otherwise stressed is an involuntary self-soothing measure as well -- laughter releases endorphins and relieves stress, it decreases your cortisol levels. That's why laughing in relief after narrowly avoiding something terrifying is so common. The entire purpose of laughter is to say, to yourself and those around you, "it will be okay."

On top of that, you are caught between the basic, pack animal desire to seek support by telling other people what happened to you, and the distrustful, self-protective desire to insist that you are fine. You say "I got hurt, but it's no big deal," in the hopes that someone kind will realize the latter part is a lie and somehow help you, and that someone cruel will believe you are very difficult to seriously harm and thus not sense weakness in you to prey upon.

Recounting your trauma is not funny, it is stressful to you.