#because narrative parallels !!!

[infinitelystrangemachinex]

The stewards of the old world are always keen to give you a glimpse of their might... According to legend, the ancients built specialized chambers to seal away false prophets.

The Arcane is waking up.

[ministarfruit]

day 12: karma ♡

(femslashfeb prompt list)

[warpedpuppeteer]

It's interesting how Buck's love interests are all written in a way that ends because of the reason they meet/happen in the first place and then of course, we have Eddie.

Abby, who changes Buck's view of a healthy relationship but then turns around and ghosts him, making him wait for months on end and letting him realize she's not coming back on his own.

Ali, who meets Buck during a dangerous situation in his line of work and then leaves him for how dangerous his work is.

Taylor, who lashes out at Buck for using her as a fake date and saying she thought she could trust Buck to be a friend who then ends up using him for her career and chose to put his friends in danger.

Natalia, who's there to help him embrace and deal with his temporary death but it leads to their break up because of the constant talk surrounding death when Buck's not comfortable with it.

We can't confirm for Tommy till it ends but it's important to note how he offers to get Buck into his interests like flying and muay thai yet doesn't show effort with Buck's interests like dressing up according to the bachelor party theme despite Buck being stressed about it. And we also have the fact that the entire reason they got together was due to Buck's jealousy for Eddie which he then claims to be was for Tommy. Makes me think they are either going to end because of differing interests OR because of the jealousy issue popping up again.

Funnily enough, every scene above has an Eddie parallel:

Eddie co-parents with Buck and not only does this not stop after a dangerous event but Eddie also has Buck down as a legal guardian (healthy relationship - Abby).

Eddie is in the same dangerous line of work and they have each other's backs. This happens right off the bat too.(dangerous job - Ali).

The Lawsuit era and The Dispatch era - both where they "betray" each other but manage to work through it (betrayal/lie - Taylor).

Eddie doesn't pressure Buck to talk about his temporary death until Buck's ready and is more focused about him living than in his death (death doula - Natalia).

Eddie who has different interests than Buck (poker, basketball and UFC/MMA) but also manages to show interest and actively takes part in whatever Buck comes up with; he suggests their outfit for the themed party AND ends up staying there for Buck even when others leave (different hobbies & showing interest/taking part - Tommy).

Absolutely fascinating when you start noticing that Buck's relationships keep failing for one reason or another and then we have him and Eddie who face the same sort of situations but they still come out of it stronger together.

It's clear that there's a reason Buck is able to overcome anything when it comes to Eddie (that conversation with Maddie about being there for each other even at their worst 👀) and we've already established that everything Eddie looks for in a partner is already something he has found in Buck. So really, all that's left is for them to realize that hey, the one I'm looking for is right in front of me! 🤷🏽

And yes, it's been said to death (hah) but you don't find it son you make it. And Buck and Eddie have already made it.

[hamletthedane]

Shakespeare: I will create two teenage characters who are explicitly proto-postmodern examinations of the nature of character and fate within fictional narrative. I am their creator and - like their parents within the narrative - I exercise complete control over their fates, no matter how much they struggle against it. They are born like Athena from my mind and doomed to die by my pen, by my complicity in the narrative negligence of them, by my own actions and wishes-

Actor: cool, what's their names?

Shakespeare, father of twins named Judith and Hamnet: uhh…. Juliet and Hamlet.

[jonathanbyersphd]

brb going feral from the implications

[katabay]

THEY SAY THERE IS A CARPENTER FROM THE PROVINCE PERFORMING MIRACLES IN THE CAPITAL

another scene and some sketches of the fake byzantine empire ocs! thomas is a carpenter, john is a merchant. there's an emperor (two, actually) in here, looming ominously over everything.

(I call it the fake byzantine empire because the setting is playing with byzantine history that spans across three centuries, but it's also pulling from things like Statius' Thebaid and later medieval literature. folk catholic horror, probably. doctrinal debates and schisms are in here)

on the topic of nameless and unknown saints, tho, sometimes I think about this excerpt from an essay in Closet Queeries and the time I was on my way to Tanjay and saw an abandoned chapel along a road with a statue of a saint I didn't recognize inside

Closet Queeries, essays by J. Neil C. Garcia

⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app / tip jar!

[puppyeared]

I just skimmed through the art part of your blog and holy bajeebus your LMK art is so beautiful and the headcanon ideas you come up with are so good I wanna steal em-

Kinda wanna see like a part 2 of the little angst you did between MK and Macaque a while ago. It's so interesting and I wanna see Macaque's reaction in your art style. (You don't have to of course, it's just a suggestion [idk if i spelled that right])

Thanks for reading and hope you have a good day/night!

Hope this is to your liking ^^

Part one here

[skywalkr-nberrie]

Definitely the wrong interpretation of Padmé’s character to say that she wouldn’t have stayed with Anakin had she lived. Of course, in the context that he remains Vader, it’s obvious she wouldn’t stay by his side then, she’d be actively against him. But a redeemed Vader, that’s once again Anakin Skywalker? There’s no doubt that her undying love for him overpowers all. He’d have a looooot to make up for, but Padmé is the kind of person who’d be on that journey alongside him. Padmé said it herself that they’d always be “one” no matter what happened. She was always ready and willing to forgive him no matter what he did, or where he went. She was always going to his, just as much as he was always hers.

And we see this very clearly even after what’s happened on Mustafar, and after Padmé found out that everything she heard was the truth. But there’s a reason why she still had unwavering faith in Anakin. She knew he still had goodness in him, and she wanted him back. She didn’t fight tooth and nail on Mustafar to bring him back to her, begging him to stop and tell him that she loves him, only to leave him in the end. She wanted him back more than anything. Why? Because she wanted to be with him. To run away to the lakes on Naboo, where she can live out her days with him and their kid(s).

❉ ❉ ❉

“The most powerful, the most repressed thought of all could have emerged from the darkness: Padmé … and her undying love for someone he once knew well. And despite all the terrible, unspeakable things he’d done in his life, he suddenly realized he could not stand by and allow the Emperor to kill their son. And in that moment, he was no longer Darth Vader.”

[Ryder Windham’s Episode VI: Return of the Jedi novelization]

[sforzesco]

The great general remained, and then saw a wonderful vision clearly shown him by the very God of the universe himself. In it he seemed to see the divine Meletius, chief of the church of the Antiochenes, investing him with an imperial robe, and covering his head with an imperial crown. The morning after the night in which he had seen the vision he told it to one of his intimate friends, who pointed out that the dream was plain and had nothing obscure or ambiguous about it.

Theodoret Ecclesiastical History 5.6

wahoo! Theodosius! so a repeating phrase in the gospel of Luke is 'do not be afraid,' but specifically: I'm most immediately referencing the annunciation of the shepherds (Luke 2:10) because I used this illustration for the last panel since it. sort of. connects to Valens, Theodosius' predecessor, who went from commoner to king at the will of his older brother. HOWEVER. because of that transformation. I cannot escape the 'do not be afraid' just a chapter before (Luke 1:30) that Gabriel gives to Mary because ascension to the imperial throne is an ugly, violent, and violating transformation. and. well.

Gabriel’s Entrance and Biblical Violence in Luke’s Annunciation Narrative, Michael Pope

also in general. prophetic dreams and visions. horrifying. it never goes well for anyone.

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[poorly-drawn-mdzs]

End of Empathy (time for violence)

[First] Prev <–-> Next

[waitineedaname]

tbh it is incredible how compelling bingge and shen jiu are considering they're characters who ceased to exist as soon as the novel began

[mintytrifecta]

Hi there I personally would love to hear about your Max is a Webby prophet please and thank you

THE PEOPLE HAVE SPOKEN

Okay first of all Max looks at the audience and camera in pretty much every scene he's in at least once I had to make a collage to get these examples in here and I still whittle them down

You know who else explicity looked at and sang at the audience in a metatextual way??

Hannah

Hannah, on some level, knows the narrative. She knows the world's nature and the nature of a musical being a 'time loop' of sorts, which is why she sings of tomorrow never coming. A dawn never breaking.

Webby's the Queen of the White, right? And what is dawn, really, if not bringing in the light of day to the darkness of night?

Both characters seem to share an intrinsic understanding of their world, whether comprehensible or not, and on some level are aware of its function. There's a chaos to their worlds and they always end in an apocalypse, but it's all practiced. It's all a loop. (roz and guil moment tbh)

But what I'm proposing, is that Max is a Hannah gone wrong. He can see the audience, understand the narrative and his place in it ("Don't need no-one to tell me, high school will be my peak, so I'm willing to take advantage" ) (" you can leave, but you won't, stay in your seat") but doesn't have the full scope of awareness that Hannah does. Hannah can see Webby and understand the story straight from the source, while Max pieces it together from the audience. Maybe Webby tried to explain things through them and Max just horribly misinterpreted it. Maybe he knows exactly what he's doing and has given up trying to find another solution. Maybe he never had a chance to escape the web in the first place.

Maybe webby gives him directions, tried to explain things to him, tried to get him to see the order beyond the world like Hannah, but it just never landed as well. What could really have spawned a god complex more than getting a glimpse at the True Nature of The World and knowing you're the one to make it happen. But Webby is the queen of the White, so it only seems to reason she brings Light to Darkness.

So not only am I going to say that Max is a Webby prophet, but also I ask you, where do you think his god complex came from?

(also he like deadass controlled the lights like straight up just made it darker the bitch controlled the lights why does no-one else care about that but me-)

TL;DR: Max is a Webby prophet currently stuck on the recieving end of the world's worst game of Divine Interpretation telephone and is taking it Really Well 👍

[epicfirestormer]

I'm so incredibly Normal about these two games.

[governmentmandatedryujinstan420]

releasing this from the hj discord dungeon because the public populace was in agreement also i'm chronically offline on tumblr and need to fix that for my chronically online ahh

[gayofthefae]

The choice to have this shot: of both Mike and El hugging their people. They're not each other but that's okay, because they're all in the same space together.