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Writing Tip #7
Whewww.
Seven??? How yall let me get up to seven?? Lmfaooo. I am so overjoyed that my tips are helping. So I'm back with another one!
Keep in mind that you're in charge of your own media experience. I bring up many examples but this is not aimed at anyone. If you feel itchy, bring it up with your higher power, not me 😚
Today, we're learning the art of lingering. And how to identify where the "story" is so you have a more well-rounded fic. This is a long post, so forgive me!
Learn to Linger
This goes by many names. "Promise of the premise" is the most common in screenwriting and novel writing circles, but it's essentially the idea that first sparked this whole get down. A professor gets with his student, meeting the parents for the first time, or a Mafia boss runs across a helpless, sweet woman. Whatever it is, it typically goes in your summary to get people excited.
However, I am noticing that some of us promise one thing and then deliver something else. It isn't necessarily bad, I know we want to keep the mystery alive, but you have to respect your readers.
There comes a time when a writer has to decide if they want to tell a story or focus on a vibe. Do you want to have fun or do you want to explore this in a more professional way? Both are valid, both are good choices, but you cannot have it both ways.
If you want to have fun and do whatever you want, this tip isn't really for you. You're in charge of your own media experience and you will not hurt my feelings by bowing out now. Be honest with yourself 👏🏽
For those that want to level up, gather round, gather round 👏🏽
If you want to take this a bit more serious (does not have to mean you want to publish, only that you want to exercise this creative muscle), then we have to learn to linger.
There's nothing inherently wrong with being in a rush to write smut. This site will make us believe that we *have* to write smut to get engagement. This is false. If you like writing smut, great. If not, that's still great 👏🏽 but if the only thing you want to write is smut, you can do that too. 😉 and keep in mind that YOU can be the change you want to see. If you want more fluff, write it. 👏🏽
Smut is less about the actual act. Anyone can do that. Dick goes in vagina, both climax, boom the end. No muss, no fuss. But to tell a *story* with smut, it's about the build up, the anticipation, the banter, the teasing, and the lingering touches.
If you're promising a werewolf fic, I need to see some werewolf shenanigans. I need some lore, some world building, or some pack dynamics. If you're promising a fantasy, I need to see Terry casting spells and waving a wand around. If you're promising a wounded Terry fic who relies on the kindness of strangers, I need to see him getting patched up and building that bridge to the reader/OC.
If you're writing a professor/student fic, I need to see him being a teacher or at least wrestling with the fact that he's boning a student. Because while fantasy is nice, there would be real world consequences if they were discovered.
If you're writing a Mafia boss Terry fic, I need to see him do some Mafia shit. Order a hit on someone, kill someone himself, pay off the police to hide his activity, throw some monkey wrenches into his plans. But sorry, no woman worth her salt is gonna bust it open for a gangster if she's been a goody-two-shoes her entire life or *just* got out of an abusive relationship. No matter how damn pretty he is.
It is okay if all you wanna do is write smut. 👏🏽 It's okay if you want to make the character "out of character" and interpret how you see fit 👏🏽. It's also okay if you want to write original fiction with Aaron Pierre or Laz Alonso or John Boyega as the face claim. But if you're promising me Terry, I need to see Terry.
Develop some headcanons for your chosen character. Gather clues about their background from the movie or show they're from. But if you don't want to do that, be up front that this is out of character.
I may be alone and this is definitely a personal pet peeve, but if you're writing Fontaine from They Cloned Tyrone or Terry from Rebel Ridge, I want more of the *character*. No one is perfect. I'm not perfect. And my characterization may not be 100% the character, but I'd like to think that I at least have him about 85-90% right 🤭
Stories need a beginning, middle, and end. The possibilities are endless but be honest about what you're trying to achieve. If you just want to write about getting your rocks off with Terry, by all means 🙌🏽 you don't need all the extras on top. Just make it modern/slice of life and have at it 👏🏽
But if you want to tell a story and you want it to stay with people and you want to craft a connection between Terry and Reader/OC, then you're gonna have to do some extra work. You may have to research, you may have to outline, you may have to think of what the characters want and toss in obstacles preventing them from getting it.
Whatever it is, you can't get from point A (the beginning) to point Z (the smut) without some build up. Without setting the scene. Without *showing* how we got there. Because if you're promising Mechanic!Terry who *just* met Reader and in the next paragraph they're in the back fucking, just write them fucking. He ain't got to be a mechanic. He could be some random in a bar that Reader picked up. And that's still okay 👏🏽 I will read 100 variations on this theme if you're honest, but if you promise and then don't deliver, that's not respecting your readers.
The point is to have fun, first and foremost, but have fun crafting and telling a story. Not just popcorn smut porn. The payoff (the smut) will hit so much harder if you learn to linger and draw out the story.
I am not an expert 🙌🏽 but try it. See what happens. Stretch that beautiful, big brain you have 😚
If you liked this tip, let me know. Let me know what else I can cover. Find more about my process and more writing tips at Behind the Megadome.
#Behind the Megadome#mega behind the blog#writing tips#writing resources#writing#on writing#fic writing#black writers#black stories#storytelling#storytelling help#writing advice
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Woahhh. Your page is very pretty! Very aesthetically pleasing. That must have taken a lot of energy and effort.
Your writing is also soo mind stimulating. I'm flabbergasted 💕.
Your blog deserves to look as good as your writing—here's how to do it.
❤︎ Synopsis. Discover quick and easy tips to elevate your Tumblr blog and fic aesthetics with cohesive designs, color coding, and formatting tricks—consider this your warm-up for the ultimate design guide!
♡ Book. Ink & Insight (I&I): From Dead Dove to Daydreams.
♡ Word Count. 2,237
♡ Series. The Aesthetic Tumblr Blog Starter Pack - Part 1
♡ Banner's Story. Trust no one. Not even yourself.
♡ A/N. Actually, it's "casual"; but it's full of tutorials on how to achieve stuff like the picture below (and more), especially when designing your blog and fics. I only called it casual because it's not really formally organized like my usual. I literally typed all of this while I'm in a meeting, haha. Anyways, I'll show you how I design my blog and content.
designs + gradient texts + banner images like this: I love my Daddy Dom husband.
OK! START!
Aw, thank you, Anon. That’s the first time someone has commented about the aesthetics on the page. Thank you :)) And, yeahhh. Bro. You have no idea. Of course, the page didn’t always look like that.
I’m also glad you love the writing. I’m curious about which one’s your favorite so far, or what stories you like haha. It’s always interesting to see what content attracts people in general, just plain curious. But no pressure in answering though, just have fun and relax here. That’s all I want for you, Readers. Yes, even if it’s the erotic horror books and stories haha.
Glad to have flabbergasted you. Haha. Now! Story time! Since, I always like to reply as comprehensive as possible to each of your efforts in commenting, reblogging, or even just reading. I’m extremely thankful for the support :))
Actually, even the older stories in “A Heart Devoured” looked different aesthetically before. I experimented with a lot of things in this blog, even aesthetically.
Force of habit, but when I really enjoy something, I get into it full force. I’m usually lazy and such haha. But I can write like 7+ hours without breaks at all. Yes, even food and sleep. Would not recommend though.
My husband takes care of me usually. When I get “hyper focused”, I really have this mental space to just keep writing (or working in general). As long as I have fun, I can really commit to it whatever time of day. Though… of course, when adrenaline runs out, I get really tired after. But nothing that can’t be fixed.
Anyways. Back to the topic at hand.
Tumblr blog recommendations. If you want to start your own blog in general.
Based on general research and experience (e.g. searching top fanfics or posts), it solidifies that Tumblr really is heavy on visual content. It’s why art and short form, easily consumed, content does better here.
Usually, fanfics not as much. Again. My mindset (and the truth) is that Tumblr is a very VISUAL platform.
So, I made the effort to create pictures, and see in both in the phone and laptop on how it looks. Phone especially, since most users scroll on mobile. Convenient and easily accessible.
Anyways. I guess “business mindset”? I don’t know. Weird.
But, I always look at statistics, especially before. It’s something measurable and to see if there's more I can improve on in general. Aside from the fact people LOVE smut, and anything sex in Tumblr.
Until now, unfortunately, I don't know what post will blow up or not. To be completely honest. It's like sometimes I think this work is shiz (e.g. the recent Yandere! Nerd story), and that's doing extremely well. I'm shocked. Other times, stories that I think would do well didn't do as well in terms of stats.
So, honestly, I don't know how the system works. I'm still learning the ropes as well. Technically I know how it goes about, but on what content actually does well?
Well, even word count sometimes doesn't come into play. The Yandere! Ex-boyfriend story (could also low key because Gojo-like personality? idk)? That had a higher word count than average posts, at 9k words! But that story also did extremely well. That wasn't even a smut fanfic! I've posted drabbles and even 1k-2k (or even average 4k-5k) words stories and works that performed less than that.
In Tumblr, it's recommended to post shorter fics. The average for smut fics for instance is around 5k words, for example.
BUT. For some ODD reason. When it comes to my audience, you supportive Readers, it's like longer fics work better for you all jsfklfsdk. So, that's that...
At first, it would be good to experiment with anything from aesthetics to word count, beyond just your writing style and story content. That's what I did. Anything under the sun that I enjoyed, and by looking at top posts and seeing what they did.
I got a lot of aesthetic ideas from JJK smut fics. I don't read those haha. But my current formatting for fics? Those ideas were adapted from JJK smut fics, like this:
Do you want to know what's ironic? I don't read smut fics at all, like even back then. I tried it before, but the brain dead stuff wasn't working for me. If I were to read sex, it can't be the main point. Like my current writing style, there has to be plot, usually yandere non-con in general helped. Of course, never encountered a yandere author (or can't find any yet) that actually willingly kills the Reader or MC. It's due to circumstances or stresses at most, but never voluntary. No actual danger. Oh well. Rambled.
See the similarities in aesthetics for my work? It's pretty obvious, yeah? haha
These are the following similarities:
ALWAYS have a Banner image. Think of this like the cover page of your book, it has to be eye-catching and tell Readers a vibe of what's in the story. The rest of the design and text has to be color-coded with the banner image to create synergy and cohesiveness in design. Symmetry or concepts related to it makes your work appear neat. Yes, you have to consider this to add to your professionalism when presenting to your Readers.
ALWAYS have a Hook Statement. This isn't necessarily your fic's title, it's a single statement usually, concise and meant to incite interest among readers. Think of it like the first 3-5 seconds of a TikTok video or short-form videos. These hooks are meant to capture your interest straight away or you'll just scroll past.
ALWAYS have a Synopsis or summary of your content. This is especially needed for longer works or prose that are in traditional narrative forms. Gives a taste to the readers, so they know what they're getting into or before they commit.
ALWAYS have a Word Count. So your readers know what they're getting into. People are busy and have their own lives, some want to have a quick read of serotonin. Others are in a relaxed state and can afford to read long works. So, don't worry, your works will attract its readers naturally. Just be consistent in writing and posting. That's key. Show up even if you don't want to, if you really are committed to your blog and work.
ALWAYS have Trigger Warnings. As a Dead Dove author, it's a requirement for me to do so, especially for explicit works. It's not a weakness, it's respect to your readers. Also, it will help drive away people who get turned off or triggered by certain works. Don't make your life harder later, just be transparent now, so people don't annoy or send hate mail to you.
ALWAYS have a Divider. This was made by me, like majority of my graphic design works for my fics. This divider is simply to make your work more neat as well, and to VISUALLY show what people are getting into. It can both advertise your name, and also warn Readers if they don't read trigger warnings. Yes, some people don't bother with the details.
ALWAYS have "Ads". Yes, I technically advertise my other works. How? Through connecting the Masterlist link, the book where the work they're reading is located in. If they want to read more, they can read more "here". It's the equivalent of how social media recommends content that you may like. Look at the examples below, it's like that.
In these ASKS, I also link my works when casually chatting. And it works. Why do I ramble and do these Asks? It's not just to create a sense of community, but also to "advertise" my works. Look at this example ask.
The person talked about Paternal Privilege and commented on it, saying how the yandere is like this character from Love and Deepspace. So people who are interested in the game or have not heard about my work yet (like if you're a new reader and haven't read my old works), they can check out my work. See? I linked my work at the end. Yes, in each masterlist, I even "advertise". Can be annoying to others, but it does help spread awareness about my works in general. Every piece of interaction is cherished and crucial in building your audience.
This is an example of how what usual formatting looks like:
I also put author notes just for fun. This one isn't really a recommendation, but just for personal preferences. To communicate with readers about my writing processes and other matters or updates. But, again, it's just a personal thing.
Now, how do I make this? CANVA. This is how part of my workspace in Canva looks like:
Actually, for me, it's still kind of messy. I haven't fixed a lot of things yet for my work since I'm also busy. But this is a general idea.
I've been using Canva for years, even before it blew up. When it first came out, I've been using it already, so I've gotten a lot of practice with it. Though, I do use Canvas Teams; because I also use Canva for work, so a lot of features are available already to help me.
While working on my blog, I never considered myself a graphic designer even before my blog. But, to be honest, I ate my words again. My husband already said before I am also a graphic designer, not just an artist, so.... yeah.... I generally improved a lot more as well because I'm constantly churning out new content. Basically even if I think it's shiz, I still continue, post, work. Same concept with fics. Just keep working, even if you don't see it, with each work (even if it's unfinished), you're improving.
If you notice, I have 3 different covers for "World Ablaze." I had to repeat the finished product 3 times, because the cover was shiz compared to the others. And these weren't drafts. But, hey, got to use the other covers for my posts.
For Tumblr posts in general, I just pick two sizes and upscale it for higher image quality:
Tumblr Banner
Wattpad Book Cover
For the divider, it's 1350 x 80 px.
For my usual formatting in Tumblr banners, I usually go for this formatting. I just use grids on a new project:
And then choose the 4 picture grids, before looking at Pinterest and getting pictures.
I ALWAYS add filters, and upscale the image:
And, for texts, I just pick, usually gothic texts since it's my personal fav. I just substitute already preset design texts usually, just changing the actual text.
Like if you see "Recently Used", I just press the given text and place my title. Then, I do edit the "text effects" usually; mostly Neon so it pops out the title, since people usually use phones with smaller texts.
Just with those steps, I'm able to make covers like this:
♡ Ink & Insight. The writer's essential to fictional writing, no matter what genre you may be in. Though, if you're a dark content writer, then you're in for a treat.
And, for color coding texts. I use these two sites:
The uiGradients is for getting easy color codes to paste the code in the Fiddle. Then just paste the generated HTML code in your Tumblr post.
For the Fiddle, paste the color codes in the corresponding HTML line 3 and 4, where it says "first" and "last".
I picked a red color from uiGradients:
Then I paste it here:
Then, place your text or whatever title you want here:
Press run, and copy the text generated.
Then go to your Tumblr Post:
Change the "Text Editor" into HTML:
Switch to the HTML tab, then copy your text from the Fiddle:
It's supposed to be long, and that's fine. It's because of the gradient code required in the text:
Final Output looks like this:
I love my Daddy Dom husband.
Hope that was an easy tutorial to follow, haha.
Anyways.
Hope this post helps people! Whether you're a writing blog or another kind of blog, I hope these tips will help you! :))
P.S. As I'm writing this, I just realized something. I'm actually in a lecture for Brand Positioning. And, it actually fits well with this topic, haha. Is it obvious I come from business? hahahahah. Also I just realized, I have a lot to say on this topic.... huh.
#writers on tumblr#artists on tumblr#writing tools#writing#yandere x reader#yandere imagines#yan blog#ask blog#blogging#personal blog#web design#creative design#graphic design#blog design#canva#writing stuff#creative writing#writeblr#writers#writing life#author thoughts#author advice#fanfic authors#author notes#author things#writerscommunity#writer#author#yandere smut#yanderecore
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Hello! I'd like to ask if you've seen the post with the screenshots that says Stolas inflicts his own torment by going with Stella's whims despite having more power and prestige than her. There is a rebuttal, of course, but someone else also added that the reason people think as the screenshot says is because the writers didn't put enough emphasis and reason on the hold Stella has over Stolas and his fear of her, as well as the fact that her apparent uninvolvement with Octavia makes his reason to stick with her seems very weak. They do put an intriguing essay on how the fear of Stella for Stolas could have stand out more.
Personally I think that he's probably desensitised and numb to her after with Paimon as well and the image of a nuclear family is a must for both society and daughter. Perhaps we'll have more answers in s3. What do you think?
Drink water regularly, may a good week come to you.
Hi! I haven't seen that post, no.
When I see posts arguing about the quality of the show's writing I almost always ignore them, because I'm not interested in discourse and I want my blog to be a place that's fun for me and others to scroll through. I don't want fandom wank and 'criticism of the show' on my blog because I go into fandom spaces to have fun, not to get angry. So if I'd seen that post, I probably would've just sighed really hard and kept scrolling.
That being said, because this ask touches on a subject matter that is extremely personal to me, I'll bite and share my personal opinion, which is that the writing is perfectly executed exactly as it is. Helluva Boss is a show for a mature audience—it says so at the beginning of every episode. That doesn't just mean "hey, there's sex and drugs in these episodes". It also means, "hey, some heavy themes are going to be handled in this show, and we're not going to hold your hand and walk you through them. It's up to you to use your media literacy and critical thinking skills to pick up on the things we're going to show you".
And maybe it's because I'm an abuse survivor myself and I know exactly what it feels like to go through decades of abuse, and maybe other viewers' interpretation of Stolas' character is completely different, but... I personally had zero trouble picking up on Stolas' motivations, fears, and emotions, or on why he made each decision at each turn throughout the show.
I'll put the rest of my answer under a cut, because it's personal and rambly. But in short: yeah, I do agree with what you said at the end of your ask.
1. "He's more powerful and has a higher status than Stella, so he's inflicting his pain on himself by not standing up to her"
So there's this thing called learned helplessness, and, fun fact, it is heavily linked with PTSD and depression.
"(...) Learned helplessness occurs when someone repeatedly faces uncontrollable, stressful situations and does not exercise control when it becomes available. They have “learned” that they are helpless in that situation and no longer try to change it, even when change is possible." (source)
It's not about the power and capability to control the situation Stolas actually has. It's about the power and control he feels he has—which is none. Zero. He says this to us constantly. "Owl in a cage", "you have no choice", "my entire life's been written in stone, he taught me that I could choose".
He was told since he was a kid that his duties, his marriage, his life trajectory were non-negotiable. He never knew a life outside of his palace—his gilded jail. He doesn't know what we as the audience know—that there's a whole world out there where he can build a better life for himself with people who actually love him—because he's been raised to be a pawn in a game much bigger than himself, and he knows it. I don't need (and don't want) the show to spoonfeed me this fact. It's spelled all over his character if you know how to see it.
2. "Stella's hold of Stolas and his fear of her aren't emphasised enough in the show"
Stella literally tries to hit him at the end of The Circus and looks shocked and taken aback when he grabs her wrist to stop her. I don't need them to show me Stella hitting Stolas 15 times in order to know she's been doing it.
He hugs himself and makes himself small, walking away to remove himself from the situation as quickly and quietly as possible, when Blitz starts yelling at him in The Full Moon. I don't need them to show me Stella yelling at Stolas 20 times to know she's been yelling at him for years. We've seen her yelling at him in Loo Loo Land, in The Circus and in Seeing Stars. We know it happens. We know it always has.
I also don't need them to tell me that repeated physical and verbal abuse causes a victim to become extremely afraid of their abuser and causes them to be triggered by anything and anyone that makes them feel unsafe, because I've lived it in my skin. And I know plenty of people who watch the show who are not abuse survivors, and they're also able to see that Stolas is behaving like any abuse victim exactly with zero support would act.
In the moment, he freezes and flees. He makes himself smaller. He gets away from the situation in any way he can. He "keeps the peace" to keep the abuse to a minimum, doing anything and everything to please the people around him because that's the only way he can feel some semblance of control. ("Yes, if that's what Blitzy wants" / "Do you like it when I talk to you dirty?" / just him sheltering Octavia from his suffering to be the perfect parent for her, and give her everything she could ever want and need, going as far as making promises he couldn't keep).
In the long run, he becomes hopeless and drowns in guilt. He assumes he probably deserves what's happening to him, and thinks it's his own fault that he's so affected by the abuse for being too weak to stand up for himself. He blames himself for not being good enough for the people around him ("I'll believe him, and not the voice that says I'm not enough"), and mentally berates himself for being a coward and a failure, and for not knowing how to put an end to his suffering. He turns to passive (sometimes active) suicidality because that's genuinely the only way he can see of getting back control over his own body and life. ("When I'm gone you'll be okay" / "I'll give my life to clean your slate" / "I don't care what they fucking do, I'm seeing Octavia" / "do it, pussy").
3. Stella's uninvolvement with Octavia makes Stolas' reason to stay with Stella seem very weak
I... Look. I can't be the only one who grew up in a broken family, and surrounded by plenty other broken families. Kids, especially small kids, can't rationalise that family relationships don't always work out and sometimes divorce is the best option for everyone involved. Especially not in this society we live in, where divorce/separation are seen as a failure, and children are (at least passively) taught that divorce is their fault.
Stolas knows all this. He doesn't want Via to feel like she's growing up in a broken house, which is what separating from Stella would accomplish. We also don't know if Stolas would've kept custody of Octavia had he divorced Stella when Via was little. But it's very likely he didn't want to risk leaving Via alone with Stella, even just half the time. Especially not when Octavia has been having nightmares and crying over the mere thought of being abandoned by Stolas. Divorcing Stella would very likely result in Octavia feeling abandoned by him.
I don't know, man. I feel like I don't even have the right words to reply to this point. I still remember being 8 and sensing that something was very wrong with my parents and feeling like it was my responsibility to fix it, or else my world would end. Stolas tried his best to protect Octavia from feeling this way, from feeling responsible for anything that happened between her parents. He just wanted her to be happy. The only way he could do that was by playing 'happy family' in front of her so she could grow up carefree. He tried his best to give her enough love that she wouldn't feel the absence of her mother's love. I really don't know what else to say to this.
If you want media to spoon-feed you its themes and hold your hand as it shows you what each character is going through, then... I don't know, man. Stick to media that does that. There's media out there that genuinely does this really well. Heartstopper, for example. The Hunger Games, in a way. But maybe think twice before diving into adult media meant for mature audiences and criticising it for wanting you to be a mature viewer. Maybe it's just not for you.
Anyway. I'm gonna drink water now, please drink some water too if you're reading this (included, but not limited to, the asker). Hope you all have a nice day ❤️
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Re-watching Jimmy Neutron and wanna make an appreciation post.
When I was a kid I always thought that Jimmy was cool, not like the typical smart kid who's allergic to everything, or annoying as hell about his intelligence. Now I realize the reason he was cool in my eyes was his selfishness, Jimmy does his inventions not only for his science curiosity but for his own benefits, to have fun with Carl and Sheen, to prank Cindy, to impress Betty, TO WIN SOMETHING. It was in the way he used science and his brain to fulfill his boyish antics, like sending the teachers to space so the kids could have a week off, or when he took his friends on a trip to the dessert just because the class was boring, or when he hypnotizes his parents to keep getting birthday presents to build his hypercube.
I also notice the great friendship between Carl, Sheen, and Jimmy. The first thing you learn in season 1 is that they would be friends even if Jimmy wasn't a genius. They like him and being smart is just the plus that gets them into more interesting scenarios, and Jimmy also enjoys their company (although in season 3 he gets annoyed more easily with them, but c'mon it's justified)
Judy and Hugh are the first representation of a healthy relationship I got in animation, FIGHT ME. I highly believe that Jimmy gets to act his age because his parents raised him with love and no pressure. Smart or not if he needs a scold he will have it, if he gets prized they are proud and happy for him, and no matter what they just love their son. AND THEY LOVED EACH OTHER SO MUCH UGHHH it makes me sick, HUGH SPEND HIS LAST DOLLARS ON JUDY'S RING TO PROPOSE, and then told Jimmy that A MAN HAD TO HAVE PRIORITIES, meaning the love of his life over millions of dollars. IT KILLS ME UUUUGHHH.
OF COURSE, JIMMY WOULD BE A ROMANTIC if he grew up watching their parents doing nothing but love and care for each other. Jimmy learning "the walking man" from Hugh it's POETIC CINEMA, BYE.
About Jimmy and Cindy, as a kid I never noticed the period where they became friends, S1 is all about them hating each other (the crush is there but not as hard) S2 is them developing trust, they actually became friends by papers in the season final (the crush was heavy) and by S3 Cindy and Libby are include in Jimmy's plans and adventures with the boys naturally (also Libby and Sheen's relationship is established by this point too and Jimmy and Cindy are literally fighting their feelings for each other)
Stranded S3 E7 is probably the episode that resolves their Love/hate dynamic, they realize that most of their fights are over the pressure of being more intelligent than the other, and once they are away and alone they leave their guard down. Again, Hugh and Judy raised a gentleman, Jimmy has every little gesture with Cindy.
I'm insane but this little gesture, the "you go first" is such a great detail in his character. Then he goes and opens as many oysters as he has to find a pearl for Cindy, PRIORITIES indeed. Cindy by the end tries to convince Jimmy to stay on the island and it just hit me like, the girl has a lot on her shoulders, classes, grades, the constant to prove that she is worth it as Jimmy is, and this is not on him to blame, but her mother, her status and the way the city price Jimmy when he goes and does something beneficial but completely ignores others kids gifts.
A lot to say about the show and I can go for hours if I can, but this is for now, such a classic and well-written comedy, chill and funny, yet interesting.
English is not my main language so, sorry for the bad grammar, thanks for reading and bye.
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Lyric Breakdown in my Last Life (mainly Martyn-centric) song, "Corners of the World"
youtube
'Abridged' version here, and longer analysis (ft. a lot of Martyn character analysis... and also the full lyrics I'm actually talking about) under the cut.
"I'll lie, double cross to best them all" is yet again a reference to a line from Martyn's Last Life teaser poem ("Surpass them all/Take friends for foes"), which was from the perspective of the Watchers (and was previously referenced by them in the first song, Middle of Nowhere). Martyn using this phrasing hints that the Watchers already hold some influence over him, hence the outline of the lyrics flashing purple in the video!
"Walls, corners, edges" is taken from Martyn's speech after Ren's beheading (as is the title of this song, for the same reason):
"You took me in when I was a lowly traveler, going across the land, searching the four corners of this world. I learned there was nothing in this world for me – nothing but walls, corners, edges. And you know what, you showed me life. As much as I’ve taken it from you, you gave it back to me in buckets’ fulls."
The point here is that, after the events of 3rd Life, Martyn's reverted back to that previous worldview. That life he was shown clearly meant something to him, but ultimately, its price was far too high. So now, he's deliberately separating himself from a mindset that would allow him to care too much about others and feel that same pain: the world is walls and edges; the people in it are figures to use for his own benefit, not to care about; the world does not hold those buckets' fulls of life. As we see with his reactions to the Southlands' fall, he doesn't really end up being successful in this (and it's a major topic of exploration throughout the musical) – but it doesn't mean he doesn't want or try to be.
Of course, the wordplay this verse ("You'll be cornered in the corners, and on edge in many more/And walls you'll build and walls you'll raise(/raze), and walls will fall in war") is to establish Martyn's strengths in that area. Getting the voice right is an important part of musical characterisation too!
"Keep it a void you're fighting for" is either dramatic irony or foreshadowing depending on how much you know of his lore. Martyn's only referring to not fighting for anyone else's sake here, but between the seasons the players do spend their time falling through the void (while unconscious) – regardless of whether they win or lose. By fighting to win, you are just fighting for that same void... which of course, Martyn doesn't know (because surely winning means something). If he knew nothing changes after you win, the incentive to win would be much weaker, and I'd argue we do see that in c!Martyn post-Limited Life. But despite his cynicism and distrust, he's still naïve to this particular cruelty of the world... :) i mean lore-wise if you win a fragment of your soul does get protected but 1) no bearing on last life and so on this musical whatsoever, and 2) how is c!martyn supposed to know that even after his win
"Careful with the name you pick/Don't want it to get flamed" is (as the editing hopefully makes clear) a pun – 'you don't want your name to be made fun of', and 'your tree fort is flammable'. This is again meant to establish Martyn's quick wit as well as progressing the song/storyline, and as well as showing us him messing with people, which he very much likes to do! (I am also aware Cleo was the one who informed Lizzie, but I had to streamline various things for the sake of the medium – this is both a Martyn character establishment song and an intro to the world and various figures in it, so it's easier if Martyn is the one who introduces that to those figures (and for us to get more information about Martyn based on how he interacts with them). And Lizzie's reaction to that information was something I wanted to keep in)
Of course Skizz and Etho were in the Red Army too, Martyn's just being cheeky/faking indignation here (if there'd been space, I'd have given Skizz a line of protest, but from a musical standpoint I preferred the instant transition into Scar's section). But guys.... BEST/Dogwarts parallels... guys.....
"(...)I'll lead, not play a pawn"/"(...)little pawn" (sung simultaneously, the first by Martyn and the second by the Watchers) is a callback to the first song, Middle of Nowhere, in which there's a section of randomised lives being given out. The first line there is "Four for the traitor, four for the pawn", and this confirms/establishes 'the pawn' as referring to Martyn (referencing what he's treated as by the Watchers). Note that here Martyn's desire 'to lead' refers to being in control of his actions and not deferring to anyone, not specifically to leading an alliance. Of course, Martyn's part is full of dramatic irony on his behalf :)
Those are the 'flashier' lines and word choices I especially wanted to highlight. Now, for the version with way more character analysis!
As mentioned, Corners of the World is Martyn's – our main character's – introductory song. Regardless of whether it counts as an 'I Want' song or not (it's a bit nebulous, because yes, he does express things he wants – to win, to be in contol of his own actions and not at others' whims. But for me, the more important part of the song is what he doesn't want to do, what things he's distancing himself from that he's presumably done before, and the questions and implications that arise from that. And the core of that is explored slightly later on), it's going to be our first impression of him as a character. The traits and worldview established here will be viewed as important, and will form the basis of his arc throughout the musical.
Because of that, the two verses focus on establishing that inital worldview (as well as establishing what he's aiming for):
MARTYN (Verse 1) Right, here I go again — new world, another start. New chance to see who’ll reach the end, and who will fall apart Well, won’t be me – this time I’ll be the very last to fall No care for cost, I’ll lie, double cross to best them all
So we know he wants to survive and win the game (especially after not doing so last time), we know he's willing to play dirty to achieve that and definitely should not be trusted. We know he's under no impression that this is anything other than a death game (or death match, to quote his Limited Life self) – he doesn't hide from the knowledge that people will fall apart, that only one person will be left standing. Importantly, this means he's playing the game exactly as intended, with no intentions of defying it or even deviating slightly* from what the first song has expressed to be the goal (to 'best'/'surpass' everyone else). Even as he expresses the wish to play for himself, he's already committed himself to following others' unseen rules.
Walls, corners, edges, I’ve been this way before. You’ll be cornered in the corners, and on edge in many more; And walls you’ll build and walls you’ll raise(/raze) and walls will fall in war, Kinship destroyed, so keep it a void you’re fighting for.
And here we get an exploration of Martyn's mindset in more detail. I've touched on this already, but a major point of exploration throughout the musical is Martyn's relashionship to emotional attachment – he's coming right off the bat of Ren's death in 3rd Life, which "broke" him and made him play more selfishly since (both statements taken from the LimLife lore stream), and he is someone who tends keep his distance and who'll prioritise himself over allies whenever things get dicey. But the "life" that closeness gave him back in 3rd Life was still clearly important to that version of him, and he does inadvertently (and unwillingly) start chasing that again this season – ending up growing close to the Southlanders (bar Grian) despite his efforts, enough to hallucinate them and be manipulated by the Voice's(/Watchers') false promise to bring them back to life if he follows its commads (in a moment where he expresses resistance to following its commands, and where the Voice is clearly distressing him). LL Episode 8 intro my beloved...
Still, that's to come. At the start of Last Life, he's firmly in a reactionary mindset to the events of 3rd Life, separating himself from that life and that version of him. 3rd Life was a failure on his part (in addition to the emotional damage, but he's trying to separate himself from that side of things and to focus purely on the win), and he's absolutely not wasting this new chance at victory.
So corner to corner, I’ll keep wandering on, Border to border, through woods, through caves, through spawn, Sure, laugh with some, don’t keep it glum, so long as lines are drawn Forego the rest, and don’t invest, just keep on wandering- WATCHERS Wandering, wandering MARTYN -on.
It's Watcher manipulation time, encouraging unhealthy mindsets that help them further their own aims! The more untied he is, the easier he'll be for them to play (less loyalties to others –> the more likely he is to rely on the Voice, and the less resistance there is to doing certain things that might involve those connections). Yes, emotional connections would mean more emotional pain (and so more negative emotions for them to feed on) in the future, but Martyn's very resistant to that idea right now, so it wouldn't do much to push it. They do encourage emotional connections later, though (heavily pushing him towards Ren for example, and note that that's only once it would mean Martyn betraying his own alliance (which would mean more emotional pain for someone, regardless of its impacts on Martyn himself. Or it would've been if that was revealed)).
There's another important part here, though. After all the 'allies won't help you' etc in the first two verses, I wanted to make clear that Martyn's not against being around people, far from it – he's almost constantly around people, just not generally around the same ones for an extended period of time – it's just the emotional investment he's trying to avoid. He is a very social player, he does enjoy joking and/or messing around with others and does it constantly, that's also an important aspect to him (he's a very "you talk a lot but never say anything" type of person**). So "sure, laugh with some, don't keep it glum" is a very important line!
LIZZIE Welcome, oh welcome to my tree fort, yet unnamed. MARTYN Be careful with that name you pick — don’t want it to get… flamed. LIZZIE …Ah. They won’t demean A fellow green? …Your lives? MARTYN That’s mine to know Is that a tower over there? See you, I’ve got to go!
And immediately, here's an example of Martyn actually messing with someone (as a new player, Lizzie is fun to tease)! His "don't want it to get flamed" triples as that, as a wordplay demonstration, and as another recognition that they are living in a world where people will inevitably turn on each other. If something's flammable, it will be burned.
Lizzie's characterisation here is meant to show her as someone who wants to do her best and is establishing herself, but is unsure/nervous about how the game will unfold due to having had no past experience (, the '...your lives?' comment is prompted by the momentary urge to want to know how close Martyn is to turning Red and potentially burning down her tree fort) There is the element of naïvité coming from not having lived through a previous series, too – not thinking about how badly having a flammable base may end, 'they won't demean a fellow green' again here, etc.
Because this verse is a dialogue, I focused a lot more on trying to keep the character's voices true to themselves as well. With Lizzie, the "Welcome, oh [welcome]" is moreso there to suit the 'fairy queen' persona she was going for, but the "tree fort... yet unnamed" would be something she'd say for humour's sake, in her particular style which I cannot for the life of me describe; her 'ah' would be quite deadpan in that way too (again, not sure which words to use to describe it). With Martyn we have the aforementioned wordplay, but also his method of slipping out of situations that go in directions he wants to avoid... which is to pretend to get distracted by something else, promptly change the subject to that thing, and run off (a clear example of this is in Wild Life when Scott is questioning him about his powers, and he conveniently gets 'distracted' by a zombified Skizz dying in the distance instead (~17:30 in his vid). Maybe not the smoothest of getaways... but a habit nonetheless).
TEAM BEST BEST will be the best, and we’ll show em what we got With our matching shields, and our towering snow fort MARTYN Hold on a sec, where’s your respect? BDUBS Respect? MARTYN Yeah, that’s my bit! Same shields? Snow? A world ago? With Ren and- fine, have it
Again, this verse is largely leaning into character voices and interactions. BEST do initally set out to be the heroes of the server (eg by recovering the enchanting table and returning it to the server), and do have some very loud/enthiusiastic figures within their ranks (Bdubs and Skizz), so the tone of their lyrics is meant to reflect this (though the instrumentation, which we'll talk about in a different post, does a lot of this work as well). Of course you also have Etho who's the complete opposite of course (and Tango somewhere in the middle), but it's the louder voices that are going to be heard in the interactions so it's their side of things I'm portraying. And, as mentioned before, we also have Martyn completely going into mock-offense mode.
SCAR/BEST/LIZZIE/MARTYN No matter if you're in your sixes or twos/Let's find some ore to- I'll sell you an offer you/-mine cannot refuse/It'll be the fairy fort! Crystals for fleeing,/I'm fine just to chat Crystals for flame,/Not falling for that! Survival's the ALL Name of the game!
Pretty self-explanatory here, with Martyn not buying into Scar's deals and other alliances going about their lives. BEST heading down to mine is set-up for the next song (aptly named "Down In The Mines"), in which Bdubs reveals he was cursed with the Boogeyman curse while down there, narrating his experiences in the form of a ghost story.
SCAR/BEST/LIZZIE/MARTYN Corner to corner, I'll just keep on wandering, wandering on/Yes, join the fairy fort, I'd love to have you here!/BEST will be the best, with our diamonds and our gold We can build a secret passageway so we'll always be near!/Put us to the test, and you'll see that we won't fold/A crystal or spell, oh, Joel, you'd help me sell?/Through woods, through caves- -But still for my sake I probably should find a team: it would do me some-/We'll aid each other when we need, together we will succeed, oh-/Put us to the test and you'll see that we'll do-/Goody! Magical Mountain we'll be! ALL (including Cleo, BigB and Joel, who are now onstage with their respective alliances) Good – It's this I've understood!*
Here we see the different players' attitudes to playing the game, and what they've "understood" about how to play it, as well as more alliances forming. Nothing much to say about Scar and Martyn here (aside from Martyn expressing the fact that he does want to be part of an alliance for numbers' sake, which we'll build more on in Song 4 (A(ha)lliances) when the Southlands are formed; and also continuing the thread that he sees others as figures he can use to benefit himself. Maybe there were things to say about Martyn here!), but a lot of Team BEST's part is foreshadowing ("put us to the text and you'll see that we won't fold"... they will fold. They will) in addition to contuining the 'server heroes' thread from earlier. Meanwhile, Lizzie's part continues to show her as a player who hasn't experienced the way the server devolves into bloodshed, still having a pretty idealistic view about the co-operation between herself, BigB and Cleo without thinking about the ways they'll inevitably have to turn on each other if they get later in the game.
The part about the tunnel connecting the Fairy Fort to Cleo and BigB's base is taken directly from the first session (originally proposed as an escape tunnel, in the same conversation that Cleo pointed out that the fort was flammable).
UPPER WATCHERS/LOWER WATCHERS Oh, wander, wander on/Wonder, wonder On/When they'll all start to turn tails Wonder, wonder/Wander, wander When trust will yield to betrayals/On
I've mentioned it before, but the Watchers feed on negative emotions, which is why they run the Life series. This is one of the few times we see emotions from them, as they're very excited to see what chaos and carnage this new game they've formed will bring (which I took care to portray in my voice)!
WATCHERS/MARTYN Till the rest are gone.../Right, here I go again – I'll fight with my axe drawn* Oh, wander, little pawn/But, unlike then... I'll lead, not play a pawn.
I've talked about this in the 'abridged' version, so I won't repeat that. The other thing here is the axe being an obligatory Dogwarts reference (or, more accurately, an obligatory rhyme (with 'pawn') which gave way to a Dogwarts reference I took).
[End]
(You can hear the instrumental continue for a while – ideally, Martyn would talk for a bit with Scott, Pearl and Jimmy, but though I can act through singing I can't act through speech and I'm not subjecting viewers to that xD)
If you've read this, thank you so much! You can definitely chart me going more and more unhinged as this progressed...
--
*eg by also wanting to find friendships, to be helpful while you can, etc, in addition to winning. There's no secondary aim there, aside from protecting himself from emotional harm.
**(to quote Martha from Doctor Who)
#last life smp#llsmp#trafficblr#mcytblr#martyn inthelittlewood#life series character analysis#lizzie ldshadowlady#goodtimeswithscar#gtws#ethoslab#bdubs#bdoubleo#bdoubleo100#tangotek#skizzleman#lyric breakdown#last life: the unofficial musical#that tag... will not work as a sorting tag i need to find something else#eyesandears au#(since this follows it directly)
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Little Macs Sibling Lore dump
Hey guys! Today I bring you a post made up of a collectionon of random lore drops about Marie through the eyes of Little Mac! I had a lot of fun, I'm sorry its such a long post. I hope you all enjoy it though.
This post contains stuff about my oc, if you don't like oc stuff this post may not be for you and that's okay! This is also based on my own Headcanons and ideas! Everyone has their own interpretation of the boxers and their stories and personlives and that's okay!
“Alright, so Marie’s like, my older sister or whatever, but I swear, she’s basically an old lady trapped in a chubby cutman’s body. She’s out here knitting scarves for nobody, like just endless scarves that pile up in her closet. She’s got this thing for baking cookies at 6 AM—6 AM!—like who wakes up thinking, ‘You know what the world needs right now? Snickerdoodles.’
Oh, and don’t get me started on her tea collection. It’s massive. She’s got every flavor you can think of, like she’s preparing for a tea apocalypse or something. You open her cupboard and BAM! It’s like a botanical garden exploded in there. She’s always watching those weird crime shows too—like, if you ask her about “Murder She Wrote,” she could probably write a dissertation on it.
And you know what really gets me? The puzzles. Marie will sit there at the kitchen table doing jigsaw puzzles for HOURS. Like, she’s got all these guys fawning over her, and she’s over here acting like a grandma just waiting for bingo night. It’s weird, but it’s Marie, y’know? Her card game obsession is just the cherry on top. She’s always trying to rope people into playing Gin Rummy or Canasta. If she doesn’t have anyone to play with, she’ll sit there doing solitaire, shuffling the cards like she’s in a Vegas casino. And don’t even think about beating her—she’s ruthless, calling out rules you’ve never heard of, like, ‘Actually, you can’t play that card because it’s Thursday.’
Marie also has these old-school habits that just make her seem even more like an old grandma, and I mean that in the funniest way possible. First off, she’s always trying to feed everyone. Doesn’t matter if you’re hungry or not—she’s like, ‘You’re too skinny, you need to eat.’ She’ll whip out a full meal in five minutes like it’s a magic trick. Fighter? Coach? Cameraman? You mention you are hungry and she just appears with food, where does it come from? Her big beehive?
And the food—oh, the food. Marie’s kitchen always smells like she’s been cooking for a village. She’s making kugel, latkes, stuffed cabbage—you name it. She even learned how to make her own challah, which she insists on braiding perfectly, and don’t even get me started on her chicken soup. It’s practically a cure-all. Got a cold? Soup. Bad day? Soup. Sprained your ankle? Guess what? Soup.
And the guilt trips? Oh, man. Classic Marie. Like if I don’t call her when I’m out late, she hits me with, ‘Don’t worry about me, I’ll just sit here and wonder if my little brother is alive or in a ditch somewhere.’ I’m like, ‘Marie, I went to the store for five minutes!’ I get it I'm short and I'm only 17, but I've beaten guys that are three times my age and height.
Then there’s her obsession with coupons and deals. She’s not even strapped for cash, but if she gets something full price, she acts like she’s personally betrayed her ancestors. She’s all about ‘Why pay $5 when you could pay $4.75?’
Oh, and holidays? Forget about it. She goes ALL OUT. Passover, Hanukkah, you name it—she’s dragging me to synagogue, making matzo ball soup, and lecturing me on traditions like I’m in Sunday school again. But honestly, it’s kinda nice. Makes things feel like home.
Marie’s just got this old Jewish lady energy, even though she’s… y’know, Marie. It’s like she’s channeling generations of bubbes, but in her own chaotic, lovable way.”
“Oh man, don’t even get me started on Marie’s house. It’s like stepping into a time capsule. She’s got these old decorations everywhere—like, actual antiques. She’s got menorahs that look like they came straight out of the shtetl, ceramic pomegranates, and a hamsa on every other wall. There’s even this weird old clock that doesn’t work, but she won’t get rid of it because ‘it has character.’
And then there’s the singing. If she’s cleaning, cooking, or just puttering around the house, you know she’s gonna be singing something in Yiddish. It’s like she doesn’t even realize she’s doing it half the time. She’ll be scrubbing a pan and humming ‘Tumbalalaika’ or ‘Bei Mir Bistu Shein.’ Sometimes she gets into it and starts belting out like she’s on stage, and I’m just sitting there like, ‘You good, Marie?’
It’s honestly kinda comforting, though. Like, it’s chaotic, but it’s her. I mean, yeah, she’s got this whole grandma vibe, but it just makes the place feel warm and alive. Even if she’s singing so loud the neighbors can hear.”
“Okay, so Marie’s list of grandma activities is endless. Like, she collects random jars and containers. Doesn’t matter if it’s an old pickle jar or a tin from cookies—she’ll clean it out and say something like, ‘You never know when you’ll need a good jar.’ Now her cabinets are full of ‘em, and I swear, half of them are empty.
She’s obsessed with gardening, but not, like, normal plants—she’s growing herbs and weird flowers that I’m convinced nobody’s even heard of. She’ll come in with dirt on her face like, ‘Look, Little Mac, my rosemary’s thriving!’ Meanwhile, I can barely keep a cactus alive.
Oh, and she’s got this thing with handwritten notes. Like, she refuses to use her phone for reminders. Instead, she’ll write down recipes, to-do lists, or random thoughts on little scraps of paper—and they’re everywhere. You’ll find ‘em in her coat pockets, on the fridge, even in the bathroom.
Then there’s her perfume collection, which is wild. She’s got these vintage bottles that look like they came out of a 1920s department store. And the scents? They’re super flowery or musky, like classic grandma fragrances. She’s always dabbing it on her wrists like it’s a ritual, and if you say it’s strong, she’ll just shrug and say, ‘That’s how you know it’s good.’
And her dishes—oh boy. Marie’s got the fanciest plates and bowls, but they’re so old-school they’ve probably been passed down for generations. She’s got these blue and white porcelain plates she only uses for special occasions and some glassware that’s so delicate she practically makes you sign a waiver before touching it. Meanwhile, she’ll serve you cookies on a little tray that looks like it belongs in a museum.
Marie’s collections are a big part of who she is—they tell stories of her past, her culture, and her unique personality. Walking into her apartment is like stepping into a cozy, lived-in museum of sorts. It’s a collection of memories, keepsakes, and things that hold sentimental value. But at the same time, it feels like home, a space that’s warm and inviting despite all the stuff packed into every nook and cranny.
First, there’s her collection of old religious items. You can’t miss them. She’s got candles, menorahs, and even an antique silver kiddush cup that’s been passed down through generations. When she talks about these objects, you can see the reverence in her eyes—they’re not just decorations; they’re links to her family’s past, to the traditions her grandparents carried with them from Europe. She’s got prayer books in Yiddish and Hebrew, their pages yellowed with age, some of them with notes written in the margins. It’s clear that every item in her collection has a story, a memory attached to it.
Then there are her trinkets—lots of small figurines and dolls from different cultures. Some are from her travels, like the little wooden figurines from Slovakia or the hand-painted pottery she bought when she visited Romania. They’re scattered around her living room, on shelves or in glass cabinets, like little time capsules. Each one seems to have a story of where she’s been, who she was with, or something important that happened in her life. Some of the pieces are quirky—like the hand-carved wooden clown from a street market in Prague—but others are so intricate and beautiful, I can’t help but admire the craftsmanship.
Marie also collects vintage cookbooks. Old ones, some of them falling apart from how much she’s used them. She’s got this one cookbook that’s a hundred years old, and she’s used it so much that the pages are stained with grease and food marks. She said it belonged to her grandmother, who taught her how to cook all those old-world recipes. Every time I look at it, I can’t help but think about how much history is packed into those pages. You can tell these aren’t just recipes; they’re part of her family’s identity. Whenever she cooks, she’s connecting with her roots, with the women who came before her. It’s like she’s passing the knowledge down, one meal at a time.
There’s also a whole section of her home that’s dedicated to vintage postcards. She’s been collecting them for years—mostly ones from different places she’s been, but also some old ones she’s found at thrift stores or flea markets. They’re mostly from the early 1900s, showing cities, landmarks, and scenes from long ago. I remember her showing me one of New York from the 1920s, and she told me that her great-grandparents used to live in that exact neighborhood. It’s amazing how these little postcards capture a moment in time—like frozen memories of lives that were lived long before we came along.
And then, of course, there’s the collection of old dishes and teacups. She’s got this collection of mismatched, delicate porcelain teacups—most of them from different countries. There’s one that she’s really fond of, a cup with little roses painted on it that she got from a shop in Vienna. She says it reminds her of when she visited the city with her mother, back when things were simpler. Sometimes, on quiet afternoons, she’ll pull out one of her favorite cups, brew a pot of tea, and we’ll sit and chat, letting the time slip by. It’s like she’s recreating those small, intimate moments of her past, making new memories with each cup.
I’ve noticed how Marie’s collections aren’t just about having stuff; they’re a reflection of her life, her history, and her connection to both her Jewish roots and the cultures she’s grown up around. Sometimes, when she’s showing me her collections, it’s like she’s telling me pieces of her story without saying much at all. It’s in the way she talks about the items, the pride in her voice when she tells me the history behind them. It’s almost like these collections are her way of holding onto the past while moving forward—an acknowledgment of where she’s come from, and a way of keeping it all alive.
The coolest part, though, is how she’s started teaching me about her collections, how she’s opened up about the stories behind each item. I’ve learned so much from her—about her family, her heritage, and her way of seeing the world. She’s passed along some of the old cooking techniques from her family’s recipes, the way they used to stretch a meal and make everything from scratch. And every time we cook together, it feels like I’m adding my own little piece to her collection—like I’m a part of her story now, too.
Marie’s collections have this way of connecting the past and present, of honoring where she’s come from while she builds her life here and now. And even though I’m not really a collector, it’s hard not to get caught up in the magic of it all—the way she looks at each item, the pride she takes in preserving these pieces of her life. It’s not just about the things she owns; it’s about the memories they hold, the people they’ve connected her to, and the legacy she’s continuing. It’s a big part of why being with her feels like being part of something so much bigger than just the two of us.
Marie’s collection of old quilts and handmade clothes is probably one of the most personal and heartfelt parts of her home. Each piece is like a patchwork of memories, not just fabric, but moments in time, stories of hands that sewed them, and the love that went into making them. I’ve always been amazed by the way she talks about her quilts—how each stitch feels like it holds a piece of her family’s history.
The quilts are incredible. Some of them are centuries old, handed down from her great-grandmother and others from her mother. They’re faded now, the colors soft and worn, but they’ve got this warmth to them—almost like they still carry the imprint of the hands that created them. I remember the first time I saw them, spread out across her bed like a tapestry of the past. The designs are intricate, sometimes even abstract, and Marie can tell you exactly where each one came from. Some are made from fabric scraps, leftovers from clothes that her family wore, while others are more meticulously designed patterns that took hours to stitch together.
I think what really strikes me about the quilts is the level of care in each one. Marie says her grandmother made them during the tough years when they didn’t have much. They used whatever fabric they could get their hands on—old dresses, scraps from coats, bits of whatever they could salvage—and then she’d sew them all together into something beautiful and functional. It’s not just about making something to keep warm; it’s about creating something from nothing, something that could be passed down, that would be there to tell the family’s story.
Marie’s not only a collector of these quilts—she’s a maker, too. She’s shown me how she still hand-stitches some of the smaller repairs or adds new designs to the older quilts, kind of like preserving them, but also giving them a little life of their own. She told me that it’s part of how she connects with her family, with the women who came before her. Each stitch she adds feels like she’s participating in the same tradition, carrying it on in her own way. I never really understood how something like that could feel so personal, but when you see the care and attention she gives to each piece, it’s hard not to feel the love in it.
And then there are the handmade clothes. Marie’s always been into crafting—knitting, sewing, crocheting. She has this incredible collection of vintage sewing patterns that she’s gotten from all over the world, some dating back to the 1930s. I’ve seen her pull out these old patterns with these beautiful, detailed drawings of women’s dresses, coats, and even accessories, and she’ll talk about how she wants to try them out one day. She’s made everything from wool cardigans to hand-sewn dresses, each one unique, each one a work of art. The fabrics she uses are often vintage, too—like old silk from her travels or linen she picked up at a market in Spain—and she’s so particular about every little detail. I’ve watched her sew late into the night, her hands moving over the fabric with this incredible focus, like she’s channeling the spirit of all the seamstresses in her family.
One of the most special things she’s made, though, is a sweater she knitted for me. She gave it to me last winter, and when I first saw it, I couldn’t believe how much care she’d put into every stitch. The yarn was this deep blue, soft and thick, perfect for the cold weather. I don’t know if she meant for it to be anything more than a simple sweater, but when I put it on, I felt like I was wearing a piece of her heart. I wear it all the time now, especially when it gets cold, and it always makes me feel close to her, like I’m wrapped in her warmth.
What I love most about Marie’s quilts and handmade clothes, though, is how they represent her dedication to the people she loves. It’s not just about creating something beautiful—it’s about making something that lasts, that can be passed down through the generations, just like the quilts and clothes from her ancestors. It’s like she’s making her own legacy, stitch by stitch, and with each quilt she adds to her collection, each sweater she knits, she’s making a piece of history for the future. Even though she’s modern, her love for these handmade creations feels timeless, as though she’s carrying a tradition forward that might otherwise be lost. And every time I see her working on one of her projects, I’m reminded of how much of her heart goes into everything she does.
Then there’s her knitting addiction. She’s making blankets, socks, and hats for everyone. And she doesn’t just stop at knitting—she crochets too. Sometimes she’ll call me over and be like, ‘Try this on,’ and it’s some oversized sweater that I’m not even sure fits me.
Oh, and Marie LOVES writing letters. Like, actual letters with envelopes and stamps. She’ll sit at the table for hours with her fancy pens, writing to people who probably won’t even write back. She says it’s ‘more personal.’
I’m telling you, she’s basically 80 years old in a younger body. It’s kinda hilarious, but also weirdly comforting.”
“Okay, so I get it—Marie’s an immigrant from Germany, and her late family was super traditional. She’s told me the stories a million times: how they kept kosher, how her mom would light candles every Friday night, and how her dad used to lecture her about the importance of keeping traditions alive. Like, I know where all her quirks come from.
But sometimes I look at her and think, ‘Marie, we’re not in the old country anymore.’ Like, I’m pretty sure nobody else in the WVBA is sitting down to hand-roll kreplach or yelling at the TV in Yiddish when the news is on. And yet, there she is, making gefilte fish from scratch and humming old folk songs while she does it.
I get that her upbringing made her who she is, and I respect it—I really do. But Marie takes it to a whole new level. She’s out here sewing patches onto my clothes, like it’s 1935 and I can’t just buy a new jacket. Or she’ll tell me things like, ‘In my family, we always did this,’ while setting the table with enough food to feed the entire league.
Okay, so yeah, Marie’s got all these old-school habits, but honestly? She’s been teaching me a ton of stuff that’s actually useful. Like, she’s a master at stretching a dollar. I used to think meal prepping was just for fitness buffs, but nope—Marie’s out here making meals that last a week, and they taste better every day. I’ve learned how to make a mean pot of chicken soup, and now I’m the guy everyone calls when they’re sick.
She’s also big on fixing things instead of throwing them out. My gloves were falling apart, and I was ready to toss them, but she showed me how to sew them up. I know, sewing doesn’t sound tough, but you’d be surprised how handy it is when you’re training and gear gets worn out.
And her cooking? It’s like a crash course in survival. She’s teaching me all these recipes that are cheap, filling, and taste amazing—latkes, kugel, even braided challah. She says it’s about ‘taking care of your people,’ and now I feel like I could feed an army if I had to.
She’s even teaching me some Yiddish phrases, which is great for trash-talking in the ring without anyone knowing. Marie says, ‘If you’re gonna call someone a nudnik, at least do it with flair.’
So yeah, she’s old-fashioned, but it’s like having my own personal life coach. I don’t just get a sister—I get a survival guide, a tailor, and a chef all rolled into one.
It’s like she’s stuck between being this old-world Jewish bubbe and a modern-day cutman, and somehow, it works for her. It’s just… sometimes I have to remind her that we’re in New York, not a little shtetl in Germany. It’s funny how people can look at Marie and think she’s just this old, traditional lady, but they don’t always know the full story. I’ve heard her talk about her parents, and honestly, it’s a bit heartbreaking. Her mom and dad, they were born and raised in Germany, and they had that old-school, strict mindset that a lot of people from their generation carried with them. You know, they had lived through a lot—survived the war, rebuilt their lives—and they were determined to keep their family traditions alive, even if that meant keeping a tight grip on Marie. They weren’t bad people, but they were overbearing in a way that you’d only understand if you were raised in a time and place like that.
She was expected to follow the rules, do things the “right” way, and stick to their ideals. It was all about preserving the family name, the old customs, the way things had been passed down from generation to generation. And I get it—her parents went through things most people can’t even imagine. They lived through the worst of history, and their experiences shaped how they viewed the world. They probably just wanted to protect Marie from the chaos that had torn apart their lives and their home. But that didn’t mean she had to stay trapped in that mindset forever.
Marie’s always been this independent spirit, though. She’s got her own opinions, her own ideas about how things should be, and as much as she respected her parents, she didn’t agree with a lot of the things they pushed on her. She loved them, no doubt, but she needed more than just their way of living. It wasn’t until after they passed that Marie felt like she could truly breathe, like she was finally free to make her own choices and live her life on her terms. I think that’s when she really came into her own. That’s when she left Germany and came here, looking for something different, something that would allow her to be herself.
It wasn’t easy, though. Coming to a new country, starting fresh, and breaking away from the expectations her parents had set for her—it was all a huge challenge. But that’s Marie. She’s never been one to back down, and even though she didn’t agree with the way her parents had raised her, she understood where they were coming from. They’d lived through the worst times in history, and for them, that kind of control was just a way of coping with everything they’d lost. But for Marie, it was suffocating. She wasn’t going to live a life defined by fear or by the shadows of the past. She came to us, to America, for freedom—freedom to be who she truly was, to make her own path, and to define her own future.
It wasn’t like she rejected everything they taught her—she still holds onto parts of her heritage, her culture, and the values that shaped her. But she learned that she didn’t have to live under the weight of their rules, and that’s something she’s always fought for. She believes in embracing the past, but she also believes in moving forward, in creating a life that’s her own. That’s why she’s so willing to learn from others, to hear different perspectives, and to understand people from all walks of life. It’s her way of reclaiming her own identity, and I think that’s what makes her so special.
She doesn’t talk about it much, but I know that leaving Germany wasn’t just about escaping her parents—it was about finding herself, finding a place where she didn’t have to live in anyone’s shadow. And when she came here, she didn’t just step into the world that awaited her; she built her own life, on her own terms. It’s something I admire a lot about her—she took the lessons from her past, the struggles she went through, and used them to shape the woman she is today. She’s proud of her roots, but she knows she can’t be confined by them. That’s Marie—always pushing forward, always staying true to herself, no matter where she came from or who tried to hold her back.
But outside of her old ways her opinions are pretty modern. She is for the people, for the minorities. You know, sometimes Marie comes off as old-fashioned, especially with the way she carries herself. She’s got her routines—like making sure everyone’s got enough to eat, or making time for her old-school traditions, like keeping the house cozy with homemade quilts or sitting down with a good book. People might look at her and think she’s just this sweet, old lady who’s stuck in the past, but they couldn’t be more wrong. She’s actually one of the most forward-thinking people I know, especially when it comes to social justice.
It might not always look that way, but Marie’s got this fire inside her. She doesn’t just sit back and accept things because “that’s how it’s always been.” If she sees something she thinks is wrong, you can bet she’s going to stand up for it—no matter the situation. She might be the one sitting in a quiet corner at a dinner party, but when it comes to speaking out, she doesn’t hesitate for a second.
I’ve seen her go toe-to-toe with people who try to put others down, especially when it comes to injustice. Whether it’s racism, discrimination, or people being treated unfairly, she’s never afraid to call it out. It’s not always dramatic—she doesn’t make a big scene—but you can feel the power of her words when she does speak up. I remember this one time when a few of the boxers were making some off-hand remarks about someone’s culture, and Marie didn’t let it slide. She didn’t lecture them, but she calmly told them how those kinds of comments were hurtful, how important it was to respect every person’s background, no matter where they come from. The room got quiet, and for a moment, I think everyone realized how much they’d been missing—how easy it was to fall into ignorance if you didn’t stop and think.
Marie’s not the kind of person who makes a big deal about it, but when she stands up for what’s right, people listen. She’s never one to shy away from a conversation, especially if it means standing up for the underdog. I’ve seen her defend workers in the stores she shops at, the people who’ve been overlooked by others. It doesn’t matter if it’s someone cleaning the floors or serving food—Marie sees people as people, and if she feels like they’re not being treated right, she’ll speak up. She’s taught me that being kind and respectful isn’t just about showing love to people who are easy to love—it’s about standing up for the ones who might be forgotten or mistreated, too.
I think part of it comes from the way she was raised—growing up in a tough time and learning that you’ve got to fight for what’s right. It’s a different world now, but Marie’s sense of justice hasn’t changed. She was taught that you stand up for the people who don’t have a voice, that you make sure everyone gets a fair chance. She doesn’t just fight for others when it’s convenient or when it’s easy. She does it because she believes it’s the right thing to do.
And even though she’s old-fashioned in some ways, it’s clear that she’s got a modern heart. She understands the struggles people are going through today, and she’s got a strong opinion about how things should change. Whether it’s talking to one of the boxers about their behavior or stepping up for a cause she believes in, Marie is never one to back down. She may be gentle, but she’s got a backbone made of steel.
It’s honestly kind of amazing to see someone so rooted in tradition still push for progress. She reminds me all the time that standing up for others doesn’t have to be loud or flashy—it’s about doing the right thing even when nobody’s looking. That’s the real power she has: making sure people are treated with dignity and respect, no matter who they are or where they come from. And to me, that makes her more modern than a lot of people I know, despite the fact that she’s into old quilts and listening to language tapes. She’s got a wisdom that comes from experience, and I can’t think of a better role model.
“I mean, I’ve always been Catholic, y’know? It’s kind of in my blood. I’m Hispanic, so that whole church thing was a big part of growing up. Sunday mornings meant heading to church with my mom, and then there’d be the whole family afterwards for a big meal, and of course, we’d say grace before we ate. It’s just… tradition. My mom would make me sit still through the whole mass, even when I wanted to run around as a kid, and she’d always say the rosary with me at night before bed, counting the beads like it was a ritual. I’d pray to the Virgin Mary and Jesus, asking for guidance. It was something I didn’t always get, but it was comforting, like it grounded me in a way. Even if I didn’t understand all the words or the history behind everything, there was this peace in it. Church was a space for me to reset, y’know?
Then, there’s Marie. She’s Jewish—born and raised, and her family’s super traditional. I know she grew up with a lot of the same values, just with a different foundation. Every time I stay with her, I learn a little more about her culture and her faith, and she’s always open to hearing about mine too. I don’t think I ever realized how much I didn’t know about her traditions until she started explaining it. For example, she told me about Shabbat, how every Friday night, she lights candles, says a prayer, and makes everything peaceful for the weekend. It’s such a simple but deep thing, right? She said it’s about setting the tone for the rest of the week—something like that. Honestly, I was kind of surprised by how similar it felt to what we do, except ours is on Sundays. She also explained how lighting the candles is a way to honor the Sabbath, and I thought that was powerful. She said the prayer in Hebrew, and I couldn’t really catch all of it, but the way she said it… there was this calmness to it. I wanted to understand it more.
One night, I asked her about some of the prayers she says before meals, and she told me about the bracha, the blessing over bread. That was something I had never heard of. She said, ‘Blessed are You, Lord our God, King of the universe, who brings forth bread from the earth,’ and she explained how it’s this deep connection to what the earth gives us. I liked that. It felt really… connected, you know? Like, appreciating where food comes from, where life comes from. I actually started saying a little prayer in my head after hearing hers, kind of like how we do grace before meals. It wasn’t exactly the same, but the feeling behind it—being thankful, taking a moment to appreciate what we have—it made sense to me. It’s not that different when you really think about it.
She’s even asked me to teach her some of the Catholic traditions, like the rosary. I showed her how we pray with the beads and how the Hail Mary and Our Father are part of our routine. At first, she didn’t really get it—like, ‘Why do you have to repeat so many prayers?’ But as I explained it to her, she seemed to find it interesting. She said something like, ‘It’s kind of like meditating, right? Repeating the words to focus your mind?’ And I guess, in a way, she’s right. It’s not just about the words, but about the mindset. About putting your trust in something bigger than yourself, taking a minute to just breathe and let go.
It’s funny because sometimes we’ll sit together, each of us in our own little world, practicing our faiths in the way we know how, but we never judge each other. Instead, it’s like we’re both learning from one another. I’ll catch her lighting candles, and sometimes, without even thinking, I’ll say a prayer to myself. Or we’ll sit down for a meal, and she’ll say her bracha while I quietly say grace. There’s no conflict, no “this is better than that.” It’s just… respect. We’re different, but there’s a shared understanding that both of our faiths are important parts of who we are.
I remember one day, I was feeling kind of off after training, and Marie noticed. She looked at me and said, ‘Maybe you should say a prayer for strength.’ She didn’t know what I usually do, but I felt like, for once, I didn’t have to explain. I just said, ‘Yeah, I think I will.’ And we both took a moment, in our own ways, to connect with something bigger than us. I said my rosary prayer, and she said one of her own, and it was like, for just a moment, we were both in the same place spiritually.
Honestly, the more we talk about it, the more I realize that faith isn’t just about the specifics of the tradition. It’s about believing in something, having that foundation to stand on when life gets tough. And Marie… she’s shown me that while our religions might look different on the surface, the core of it is the same: love, family, tradition, and a deep appreciation for the life we’ve been given. And, I guess, in that way, we teach each other, without even trying.”
“Man, when I think about how Marie and I have blended our cultures together, it feels like it’s more than just about food or traditions—it’s about a deeper connection. We’re from different worlds, right? Me, with my Hispanic background, raised in a Catholic household, and her, with her Jewish upbringing, coming from a family that holds onto traditions like they’re a lifeline. At first, I didn’t think we’d have that much in common when it came to holidays or meals or anything like that, but as we started sharing more of ourselves with each other, I realized it’s all about finding that space where both of our worlds can exist side by side.
I remember the first time I went with Marie to her family’s Shabbat dinner. It was so different from anything I’d ever experienced. The candles, the prayers, the way everyone gathered around the table to share the bread and wine—it felt intimate, spiritual. I had never been part of anything like that before. And I’ll admit, I didn’t fully understand all the prayers or the Hebrew, but I could feel something deep, like this connection to the past, to her ancestors. It was like they were carrying on something that meant so much, something that had been passed down for generations. There was such a reverence in the room, a respect for tradition. I felt like an outsider at first, but Marie, she didn’t make me feel that way. She just told me to do what felt right, and that was enough.
And then, she started asking me about my own traditions. I remember the first time I talked about Día de los Muertos with her. She didn’t know much about it—how we honor our loved ones, set up altars with candles, marigolds, and pictures, and how the food, like pan de muerto, is a symbol of life and death coexisting. I could tell it really resonated with her. She asked a million questions, like she was trying to understand the whole concept—not just the rituals, but what it meant to me, how it shaped my perspective on life and death. And I think that’s when I realized: it wasn’t about just explaining a holiday; it was about explaining a part of myself. Sharing that with her felt like we were connecting on a deeper level than I ever imagined.
When we decided to merge our two cultures for Christmas last year, that’s when it really hit me how much we were growing together. I cooked up some tamales, and she made her famous latkes. I swear, she was more excited about my tamales than I was—she was curious about every little detail, asking how I wrapped the masa, what kind of fillings I liked. And when it came time for dinner, we sat down together, and it wasn’t just about eating—it was like a celebration of both our families, both our histories. I didn’t realize it at the time, but that meal was a symbol of us coming together in this space we created—our own little mix of everything.
But it’s not just the meals or the holidays. It’s how we’ve both started weaving bits of each other’s cultures into our everyday lives. Like when Marie would teach me the Yiddish words her grandmother taught her, and I’d throw in some Spanish phrases she didn’t know. Or when we started making room in our lives for both the rosary and the Shabbat candles—one for the end of the week, the other for the beginning. It’s small stuff, but it feels monumental, like we’re building this bridge between us, brick by brick, until the difference between us doesn’t feel so different at all.
And the best part is, we don’t feel like we have to choose one over the other. It’s not about me abandoning my roots or her abandoning hers. It’s about realizing that the beauty of our relationship isn’t in our sameness, but in how we’ve learned to respect and embrace each other’s differences. It’s like each holiday, each meal, each little ritual, is a way to say, ‘I see you. I understand where you come from. And I want to be a part of that.’
We’ve built our own traditions now—ones that mix the old and the new. Like, this past year, we decided to make a whole bunch of different dishes for Thanksgiving. We had the turkey and the stuffing, of course, but we also had marinated brisket, challah bread, and tamales. It was a weird combo at first, but when we sat down to eat, I realized that this—this was the new tradition. It wasn’t just one holiday, one culture, or one history; it was a reflection of both of us, coming together and carving out something that was uniquely ours.
And the deeper I get into all this, the more I realize it’s not about any one meal or prayer—it’s about what those things represent. It’s about learning the sacredness in each other’s customs and realizing that, even though we’re from different backgrounds, we’re both carrying pieces of something bigger. That’s what’s made this whole journey with Marie so special: it’s not just about learning from each other, it’s about creating something new together, something that honors both of our pasts while looking forward to the future we’re building.”
Marie’s always looking for ways to connect with people, even when it’s hard. She’ll invite the other boxers over for dinner or lunch, and it’s not just about feeding them—it’s about sharing something, learning from each other, and seeing if they can break through the barriers that sometimes exist between them. I’ve seen it firsthand. No matter how different the boxers are, or how much tension might be between them, she’ll set a table for everyone. Whether they’re from different parts of the world, speak different languages, or come from different cultures, she’s always trying to create this space where people can connect.
Marie doesn’t expect miracles. She knows she can’t always get along with everyone, and she knows that sometimes, people aren’t going to suddenly become best friends just because there’s food on the table. But she tries anyway. She makes an effort to make sure everyone feels heard, even if it’s not easy. I’ve seen her with Bald Bull and Soda Popinski—those two can barely stand each other, but somehow, at one of Marie’s dinners, the tension fades a little. It’s not like they forget their differences, but it’s like they understand each other a little better. They’ll start talking about their hometowns or their favorite foods, and even if it’s just for that moment, the rivalry takes a backseat.
She’s got this deep need to get to know people, not just as boxers but as individuals. She’s always looking for common ground, always trying to understand where someone’s coming from. It’s not always about speaking the same language; it’s about making the effort, showing respect, and being curious. That’s why you’ll find her listening to language tapes in the car on the way to the gym or before bed. I don’t think she ever stops trying to learn. She’s always listening to lessons in German, Yiddish, Ladino, or Spanish, working on something new to help her communicate better. It’s one of the things I admire most about her—she’s not content just knowing what she knows. She wants to understand more, and she’s willing to put in the work to bridge those gaps.
And even though not everyone gets along, she still believes in the value of that connection. She knows there are going to be days when the boxers clash or when there’s a rough atmosphere in the gym, but that doesn’t stop her from trying to build something different. If she can’t make them all get along, at least she can try to give them the tools to understand each other better. She’s not a miracle worker, but she’s definitely a bridge builder. It’s something small, but it has a big impact. Even if they don’t always see eye to eye, I think they leave her dinners with a little more respect for each other and the cultures they come from.
Sometimes it’s the smallest gestures that mean the most. She doesn’t ask for much in return—she doesn’t expect anyone to suddenly speak fluent Yiddish or learn all about her background in a day. But it’s the effort she puts in, the conversations she sparks, that slowly starts to change things. I think it’s part of who she is—this belief that no matter where someone’s from or how different they seem, there’s always something you can learn from each other. It’s not easy work, and sometimes it feels like it’s not making much of a difference, but she’s always at it, trying to make the world a little smaller, one dinner at a time.
Oh, man, Marie’s definitely had her moments with the language barrier. It’s actually kind of funny how hard she tries, and how sometimes, it just doesn’t go the way she plans.
I remember this one dinner with a few of the boxers—Bald Bull, Soda, and a couple of others. Marie was really excited because she’d been studying a bit of Turkish for a while, trying to connect with Bald Bull more. She had this whole plan to surprise him by speaking a little Turkish when he arrived, and she’d been listening to language tapes for days. So, she’s all pumped, right? The food’s ready, and she says to Bald Bull, “Hoş geldiniz!” (which means “Welcome”), and she’s smiling real big, waiting for his reaction.
Bald Bull just stands there, blinking for a second, and then he says, “What’d you say? Is that a new kind of soup?”
Marie’s face went from excited to totally confused, and we all just started laughing. It turns out she’d gotten one of the phrases wrong. She’d meant to say something welcoming, but it sounded like she was offering him a bowl of something. Bald Bull wasn’t upset, though. He actually laughed, too, and started teasing her about being “fluent in food, not language.”
It was funny, but it also showed just how hard she works to make that connection. She could’ve easily just stuck to speaking English, or German, or whatever she knew best, but no—she’s always pushing herself, trying to speak someone else’s language, even if it doesn’t come out perfectly. And honestly, even though it didn’t go as planned, it meant a lot that she tried. After that, Bald Bull was actually way more open to talking to her, even teaching her some Turkish words. He got a kick out of it, and by the end of the night, everyone was joking around in a mix of languages—English, Yiddish, Turkish, even a little Spanish from me.
Marie’s always learning and pushing herself, but she doesn’t take herself too seriously when things don’t go perfectly. The language barrier’s still there, but she doesn’t let it stop her. That’s just Marie. She’ll stumble, but she’ll keep going, even if it means saying something that makes everyone laugh.
Oh, Marie’s always so thoughtful about these things, so before she gives anyone a hug or that European cheek kiss, she always checks with the management first. She doesn’t want to make anyone uncomfortable—she’s just naturally affectionate, you know? She’ll ask them, “Is it okay if I greet him this way? I just want to make sure it’s not too much.” She’s got this polite, considerate side that’s honestly kind of funny considering how enthusiastically she greets people.
But sometimes, it doesn’t always go as smoothly as she thinks. I remember one time, Marie had just been told by management that it was fine to greet this new boxer from Eastern Europe with a hug and a kiss on the cheek. They’d said it was cool, so Marie went for it—no hesitation. She walks up to the guy, big smile on her face, arms open wide, and as she goes in for the hug, you could see the panic in his eyes. He looks like a deer caught in headlights.
He tries to awkwardly sidestep her, but Marie’s already there, giving him this big warm hug, and then she quickly plants a kiss on his cheek, like it’s the most normal thing in the world. But here’s the thing—this guy doesn’t even know how to react. He turns bright red, completely flustered, and backs up a little like he’s trying to get his bearings. At first, he’s just standing there, looking around like he’s trying to figure out if he’s supposed to do something in return. Is he supposed to kiss her cheek back? Hug her again? What was happening?!
Marie, not missing a beat, just smiles at him and says, “There, see? Wasn’t that easy?” as if it’s a casual, everyday greeting.
But this poor guy? His face goes even redder, and he starts mumbling in a mix of broken English and his native language. He’s flustered, trying to explain he’s not used to the whole European cheek-kiss thing. It wasn’t that he didn’t like her—it was just, well, a cultural shock. He looks over at the other boxers like he’s hoping for some guidance, but everyone else is trying to hold in their laughter, not wanting to make it worse.
Then, just to add to the comedy of the situation, one of the other guys (who’s seen Marie do this a hundred times) leans over and says, “It’s okay, buddy. Just wait until you get the full Marie treatment—you’ll get used to it!”
It wasn’t that the guy didn’t appreciate the greeting, but the suddenness of it caught him totally off guard. After that, he made a point of giving Marie a little wave every time they passed by, but still kept a bit of a distance—like he wasn’t quite ready for the full embrace yet.
Marie, though? She just laughed it off, completely unaware of how flustered he was, and continued to ask management about the next person she’d be meeting. She never wants to make anyone uncomfortable, but she’s definitely got that big, heart-on-her-sleeve attitude that sometimes takes people by surprise.
Man, when I think about Marie, there’s a lot I could say. She’s definitely not perfect—nobody is, right? She’s got her quirks, her old-school habits, and sometimes, she comes off a little… overbearing. But in a lot of ways, that’s what makes her who she is, and honestly, I wouldn’t change a thing.
She’s a hugger(sometimes), always going for those big, warm embraces, and the European kiss on the cheek greeting is so her. I’ve seen her catch people off guard with it—guys who aren’t used to that kind of thing. She’ll greet anyone like they’re family, whether it’s Bald Bull, Soda Popinski, or some new guy we’re training with. Sometimes, they’re flustered or confused at first, but they come to appreciate it. She doesn’t judge people, and she doesn’t care where they come from. She just wants to make sure they feel welcomed. And that includes asking management if it’s okay to greet someone that way, making sure no one’s uncomfortable.
Marie’s got a lot of old traditions—she loves her Yiddish, her German roots, and her ethnic foods. She cooks like you’re at your grandma’s house, and she’ll make sure you know every single ingredient in that dish, even if it’s hard to pronounce. And don’t even get me started on how she’s always trying to learn new languages—she’s listening to tapes in the car, studying words late at night, just so she can connect with the guys better. She knows it’s not always going to work, but she tries anyway. Even when there’s a language barrier, she’s trying to make that bridge. It’s like she believes that communication, no matter how imperfect, is key.
She’ll invite boxers over to dinner, even if they’re from different cultures, just to get to know them. Sometimes it’s awkward, sometimes it’s a little weird, but she makes it work. I’ve seen her do it—making those cultural exchanges happen, finding something in common, and trying to break down those walls. Even when they don’t get along, she’s there, working her hardest to build some kind of understanding. She doesn’t let differences keep her from trying to make people feel at home, even if it’s a battle sometimes.
Now, I’ve seen the way she handles things with her family, too. Her parents were strict, real traditional—especially with her being Jewish and growing up in Germany. They had a way of thinking that didn’t always mesh with Marie’s need for freedom. She didn’t agree with everything they said or did. When they passed, she left for the U.S. She came here for a new life, for more opportunities, and for the chance to live on her own terms. She didn’t let anyone hold her back, and that took a lot of courage.
She’s got a big heart, but she’s also a fighter in her own right. She stands up for social justice, even when it’s not popular. You don’t always see it, but she’s got that fire. She might not be loud about it, but she’s quietly pushing for what’s right, helping people out in the ways she can.
But yeah, she’s not perfect. Sometimes she’s overbearing, sometimes she’s got her own ways that don’t always make sense to everyone, and sometimes she makes things awkward with her affection or language mishaps. But that’s what makes her Marie. She’s real. She’s stubborn, kind-hearted, and she doesn’t stop trying to make the world a little better—whether it’s through food, hugs, or just taking the time to learn about people. And to me? That’s enough. She’s family, and I’m proud to have her as my sister.
P.S. If you ever find yourself at one of her dinners and you see her pull out a dish that looks like it came straight out of a history book, just smile, nod, and eat it. You’ll be fine—unless it’s one of her experimental Yiddish-Slovak fusion dishes… then just pray you survive the taste test.
P.P.S. If you’re ever wondering why Marie insists on giving you a hug and a kiss on the cheek every time you walk through the door, just remember: it’s not because she thinks you need it, it’s because she’s convinced that if she doesn’t, you’ll somehow forget that you’re loved and appreciated. She’s like a walking, talking emotional safety net.
P.P.P.S. And if you’re one of those boxers who’s not into hugs or physical touch? Don’t worry—Marie’s got a backup plan. She’ll give you the warmest, most awkward air hug you’ve ever seen, complete with a look like she’s praying it doesn’t freak you out. Or some cheesy joke. It’s her way of saying, “I respect your boundaries, but also… I really want to hug you, just so you know.”
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I have an exam tomorrow and I am, augh
By all means I could get a 4 and still pass but I dont want to risk it, man
#EliGoRamble#Discreet Maths my beloathed#more like my discreet maths teacher my beloathed#because learning on my own shows me that it's actually fun#for me of course#so yes wish me luck dmnamb
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Gather around, my young friends and fellow dinosaurs, let me tell you about some BULLSHIT no one ever tells you about. I'm talking about menopause and perimenopause. Now, menopause has a very stringent medical definition. You have to not have had a period for exactly 12 months and a day to be considered in menopause. All the bullshit before that day once you start going through The Change is considered perimenopause. Here's some bullshit you might experience that people actually talk about when you're in perimenopause:
- shorter time between periods
- irregular periods
- hot flashes and/or cold flashes
- fucked up sleep
- OMG NIGHT SWEATS
- Vagina as dry as the Sahara desert
- lighter periods and/or endless bleeding like it's The Flood but it's in your pants
- lack of interest in Adult Fun Times
This time of joy can last anywhere from a couple of years to a god damn decade and there's no medical way right now to predict it.
Here's some of the REAL bullshit they don't tell you about but your dinosaur aunt is here to let you know:
- You can start perimenopause in your 30s, don't listen to idiot doctors who tell you you're "too young" because they don't know your body like you do.
- Perimenopause will make you HELLA DUMB. Seriously, I'm talking Bigly broken brain. Brain fog? Check. Short term memory? Wave goodbye to it. Ability to make words form out of thoughts? Yeah, good luck to you.
- Perimenopause can cause horrible fatigue because in addition to losing estrogen, you're also losing testosterone. Oh and that also leads to muscle wasting, cool cool.
- Things might suddenly hurt more because estrogen is known to be neuroprotective.
- If you're super lucky like I am, and like to collect rare illnesses, you might even get Burning Mouth Syndrome 💀
- And meanwhile, while you're going through this bullshit, you'll be getting gaslit by doctors who are operating based on 30 year old debunked data about how HRT causes breast cancer (not really) and that they shouldn't put you on it until you're in actual menopause. (Data shows starting HRT early can potentially prevent Alzheimer's in later years.)
- There are entire online clinics right now (I use Midi Health) focused on providing care for peri and menopausal patients and they will happily prescribe you HRT even if your regular PCP or OBGYN do not (if you meet the criteria). I've been pretty impressed with how holistically they view the patient. For full disclosure, I learned about them from my integrative health doctor and they do not accept Medicare (yet).
I'm 46 years old right now and I've been symptomatic for perimenopause for the last 8 years, although it's gotten the most dramatic in the past 2 years or so, which I hope means I'm almost done, holy hell. Yeah I was on the early side, but if it can happen to me, it can happen to you, so it's never too early to think about these things. And I hope to at least spare some of you the mind-fuckery I've been through because no one told me about most of this stuff, including my own mother who just DOESN'T REMEMBER what happened to her and now I completely understand why. And because I also have a connective tissue disease, I used to just dismiss my pain and fatigue as being caused by that illness rather than the loss of hormones.
Anyways, this is why we need Elders in our lives, so they can do Grandma Story Hour like I just did and validate you when the entire medical field tries to gaslight you. I hope you've found some or all of this educational/useful. Please share with your friends because we really do NOT talk about this stuff enough. (Ewwww Moon Blood!)
Stay well, and don't let the bastards grind you down!
#perimenopause#menopause#hrt#reproductive health#burning mouth syndrome#rare disease#about me#1K#5K#10K
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Pick Us!
In which you have to choose a club and it looks like everyone wants a piece of you.
Part 2 (Choosing a club)
You were minding your own business, dodging Grim's increasingly creative ways to get you to buy premium tuna, when Crowley swept in with his usual dramatic flair.
“Ah, my dear pupil!” he exclaimed, arms wide like a bad community theater actor. “To better immerse yourself in school life, you must join a club. It’s mandatory!”
Before you could protest or ask any clarifying questions, he disappeared in a swirl of his cape, leaving you standing there with nothing but Grim’s unsympathetic shrug.
Naturally, this information traveled faster than you could process it, because the next thing you knew, Ace was practically dragging you by the arm across campus.
The Basketball Club
“Alright, listen,” Ace began, spinning a basketball on one finger and grinning like he just invented the sport. “You’re obviously joining the basketball club. It’s the best. I’m here, Floyd’s here, and even Jamil’s here, so really, it’s a no-brainer.”
“Is that supposed to sell it?” you asked, crossing your arms.
“Uh, yeah!” he said, tossing the ball toward you. It immediately bounced off your hands and hit the floor. Ace, undeterred, caught it mid-bounce and gave you a wink. “Don’t worry, I’ll teach you. I’m, like, super good at this. Just ask him!”
From across the gym, some poor guy—bless his heart—tried to nod in support, but you caught the nervous look he shot Ace instead.
“Okay, sure,” you said, “but isn’t this just an excuse for you to show off?”
“Maybe,” Ace said with zero shame, dribbling the ball dramatically before attempting a layup. The ball bounced off the rim and into Floyd’s waiting hands.
“Shrimpy!” Floyd called, tossing the ball behind his head without looking (and still somehow making the shot). “Join the club. It’ll be fuuuuun.”
You hesitated, because with Floyd, “fun” could mean literally anything. “Define fun,” you said cautiously.
“Simple! You, me, and Ace crushing people in games!” Floyd grinned, leaning closer to you. “And if anyone tries to mess with you, I’ll squish ‘em.”
Ace groaned. “Floyd, you can’t just threaten people into joining.”
“Why not?” Floyd asked, genuinely puzzled.
“Because it’s weird!”
“No, it’s effective,” Floyd countered, shooting you another toothy grin. “C’mon, Shrimpy, you’re already here. I’ll even let you call the plays. Or, you know, not. Whatever.”
“...You’re just bored, aren’t you?”
“Obviously,” Floyd admitted, leaning lazily against the wall. “But hey, if you join, I won’t let Ace hog the ball. Win-win, right?”
And then there was Jamil, who had been sitting silently on the sidelines, observing the chaos with his usual exasperated expression.
“Are they done?” he asked, finally standing and walking over to you.
“I don’t think so,” you replied, watching as Floyd tried to steal the ball from Ace mid-dribble.
Jamil sighed. “Typical.” He glanced at you, his tone cool and measured. “Ignore them. They’re just trying to drag you into their antics.”
“Antics?” Floyd repeated, offended.
“Yeah, Jamil,” Ace added, narrowing his eyes. “What’re you implying?”
“I’m implying you’re both terrible at convincing people,” Jamil said smoothly. He turned back to you. “If you’re interested in joining the club, you’ll actually get something out of it. Physical exercise, teamwork, strategy. And if you stick around, I’ll make sure you’re not stuck with them during practice.”
“Hey!” Ace protested.
Floyd just laughed. “Jamil’s still salty about the last scrimmage.”
“Hardly,” Jamil said, arching an eyebrow. “I’m just pointing out that if you want to learn how to actually play, you’d be better off with me.”
You blinked. “Are you… offering to train me?”
He shrugged, but there was a faint smirk on his face. “If it means saving you from their nonsense, yes.”
All you can do is sigh and say "I'll think about it"
Track and Field Club
You barely made it out of the basketball club’s gym alive when Deuce grabbed your wrist like his life depended on it. His expression was that unique combination of earnest and panicked—classic Deuce.
“Wait, don’t decide yet!” he said, already dragging you down the corridor. “You haven’t even seen the track and field club! You might like it better!”
“Deuce,” you began, trying to keep up without tripping. “I haven’t even—”
“Just come on!”
Before you knew it, you were standing on the edge of the outdoor track, blinking in the sunlight as Deuce shoved you forward like he was presenting a prize to a panel of judges. Jack, in the middle of sprint drills, stopped mid-stride to look over at you. His tail flicked once, and he jogged over with that intimidating mix of focus and curiosity he always had.
“You’re trying to recruit them?” Jack asked, crossing his arms.
Deuce nodded, puffing out his chest like he was making the ultimate sales pitch. “Yeah! Track and field’s way better than basketball. No offense to those guys.”
“I take offense,” you muttered, but neither of them heard.
“Plus,” Deuce continued, “we’ve got variety. Running, jumping, throwing—you can do anything. It’s not just bouncing a ball around, you know?”
Jack nodded in agreement. “It’s good for discipline. Builds strength, endurance, and focus. If you want to improve yourself, this is the place to do it.”
“Uh-huh,” you said, glancing at the track. “And what if I… don’t exactly have focus?”
“That’s fine!” Deuce said, grinning brightly. “We’ll help you! Right, Jack?”
Jack nodded. “Of course. We’ll start with basic drills.” He gave you a once-over, sizing you up. “How’s your stamina?”
“Define… stamina,” you said cautiously, because you had a feeling your answer wasn’t going to impress him.
Jack’s ears twitched, and he leaned slightly closer. “How far can you run without stopping?”
“Uh,” you began, nervously shifting your weight. “To the fridge?”
Jack blinked. “...You’re joking, right?”
Deuce coughed loudly, clapping a hand on Jack’s shoulder. “Don’t worry about that! Everyone starts somewhere, right? Besides, they’re here because they want to try something new.”
You stared at Deuce. “I don’t remember saying that.”
“Exactly!” he continued, ignoring you entirely. “Think of how awesome it’d be to have us training you! We’ll get you in the best shape of your life. Right, Jack?”
Jack, who was still mildly horrified by your fridge comment, hesitated. “...Sure.”
Deuce, now fully in salesman mode, gestured to the track like it was some sort of holy land. “And you don’t have to worry about teamwork stuff! You can focus on your personal goals and—”
“Unless you’re in a relay,” Jack interjected.
“Right, but relays are cool!” Deuce added quickly. “Like… team spirit, you know?”
You glanced between the two of them, taking in Jack’s intensity and Deuce’s enthusiasm. They were both staring at you with a mix of hope and determination, and honestly, it was kind of endearing.
“Okay,” you said slowly. “If I join, do I get to skip the first practice?”
“No,” Jack said immediately.
Deuce grinned sheepishly. “But we’ll go easy on you!”
“Jack doesn’t look like he believes that.”
Jack tilted his head, his tail swishing once. “You’ll thank me later.”
“I’m not sure I’ll survive later,” you muttered.
Deuce ignored that, clapping his hands together. “Great! I knew you’d love it here! C’mon, let’s give them a quick demo, Jack!”
Before you could protest, the two of them took off around the track, moving at speeds that made you feel dizzy just watching. Deuce kept glancing back to grin at you, while Jack stayed focused, every stride perfect.
You stood there, bewildered and vaguely impressed, wondering if joining any club was a good idea at all. Still, as Deuce stumbled back toward you, sweaty but grinning like a puppy who just fetched a stick, you couldn’t help but laugh.
“Think about it, okay?” he said, hands on his knees as he caught his breath. “We’d love to have you here.”
Jack jogged up beside him, barely winded. “You’ll fit in if you put in the effort.”
“Yeah,” Deuce agreed, nodding earnestly. “So… what do you think?”
You hesitated, glancing at the track, then at them. “…I’ll get back to you.”
Deuce grinned like that was a victory, and Jack just nodded approvingly. As they walked back to their drills, you realized you had yet another club to consider—and these two weren’t going to make it any easier.
Board Game Club
Before you could make your escape—or even fully process the events of the day—your wrist was suddenly seized by Ortho, who zoomed in out of nowhere like a missile with a purpose.
“There you are!” Ortho exclaimed with unsettling cheer. His grip was surprisingly firm for someone who probably didn’t even need to touch you to move you. “Big Brother’s been waiting! Come on!”
“Wait—what? Ortho, where are we—”
“No time for questions!” And just like that, he lifted you into the air like you were a deranged package and he was some kind of express courier. You barely had time to flail before he rocketed off, delivering you with precision to the board game club's headquarters.
You landed with an unceremonious thud, right in front of Idia, who nearly fell out of his chair.
“Ortho!” Idia hissed, his flaming hair flaring. “You can’t just abduct people like that!”
“But you said you wanted them to join!” Ortho chirped. “Mission accomplished!”
Azul, seated calmly at the head of the table, adjusted his glasses and smirked. “Well, well. A delivery service—how efficient. Welcome to the board game club.”
You were still processing the fact that you’d been airmailed when Idia slouched lower in his seat, muttering, “Ugh, so embarrassing. Ortho, seriously…”
“Uh,” you began, brushing yourself off. “Hi?”
Azul gestured grandly to the table in front of him, where an array of meticulously organized board games was displayed like they were ancient treasures. “Here, we focus on strategy, intellect, and the fine art of outwitting your opponent. Unlike other clubs,” he said with a pointed glance at the door, “this one doesn’t require you to break a sweat.”
“That’s actually kind of appealing,” you admitted, still wary.
Idia perked up slightly, his hair flickering a little brighter. “See? I told you it’s cool. I mean, if you like, uh, not running around like some NPC.”
Ortho leaned over, nodding enthusiastically. “And Big Brother’s really good at this stuff! He’s undefeated in our club tournaments!”
“That’s because you’re the only other member who’s not a liability!” Idia blurted, before realizing what he’d just said. “Uh—I mean—you’d totally, like, be an asset. Probably.”
Azul cleared his throat, clearly annoyed at being excluded from the compliment. “Allow me to demonstrate. Why don’t we have a quick match? You against Idia.”
“What?” Idia sat up straight, his hair sparking nervously. “No way! That’s not fair—I can’t just—”
Azul gave him a smile sharp enough to cut glass. “Don’t tell me you’re afraid of losing, Idia.”
Idia’s face turned pink. “Fine,” he grumbled, setting up the board. “But don’t blame me if I crush them.”
You sat down reluctantly, realizing too late that this was probably a trap. Idia’s fingers moved at lightning speed as he set up his pieces, muttering calculations under his breath. Ortho leaned over your shoulder, giving you completely useless advice like, “Just believe in yourself!”
To your surprise, you managed to hold your own for the first few turns. Idia glanced up at you, his eyes narrowing slightly as if he were reevaluating your existence.
“Huh,” he murmured. “Not bad. For a newbie.”
“Is that a compliment?” you asked, moving your piece cautiously.
“Don’t let it go to your head,” he said quickly, his face turning red again.
Azul chuckled from his spot at the table. “See? A game of wits and strategy. Isn’t this far superior to running laps or throwing balls into hoops?”
“Hey!” you said, pointing your game piece at him. “Don’t diss the other clubs. They’re passionate too!”
Azul raised an eyebrow. “Passion doesn’t win battles. Strategy does.”
The game dragged on, and by the end of it, you were completely out of your depth. Idia, on the other hand, looked like he’d just stepped out of an anime boss fight, his hair flaring dramatically as he made his final move.
“Checkmate,” he said, grinning slightly.
“Wrong game, Big Brother,” Ortho corrected.
“Whatever!” Idia snapped, but he didn’t look too upset. “It’s over, okay?”
Azul leaned forward, smirking again. “So, what do you think? Ready to join?”
You leaned back in your chair, your brain fried from trying to keep up. “I… I need to think about it.”
Ortho beamed. “That means they’re considering it! Success!”
Idia muttered something under his breath about “too much pressure” and “why is this so stressful,” but you caught a tiny flicker of a smile as he fiddled with one of the game pieces.
Azul, ever the businessman, handed you a brochure as you left. “Take your time. But remember—intellect always wins.”
You left the board game club feeling like you’d just survived a high-stakes negotiation. And as Ortho cheerfully waved goodbye, you couldn’t help but wonder if all the clubs were this intense.
Film Studies Club
You were rounding a corner, still recovering from your latest club recruitment ambush, when a perfectly manicured hand shot out and grabbed your wrist.
Before you could even yelp, you found yourself being gracefully pulled into the Film Studies Clubroom by none other than Vil Schoenheit. His strides were purposeful, his posture impeccable, and his expression…well, let’s just say it was the definition of I’m doing you a favor, peasant.
“Vil?” you sputtered, barely managing to keep up. “What are you—”
“I need to vet you,” Vil said simply, his voice calm but leaving no room for argument. “The Film Studies Club could use some fresh blood, and you look… adequate.”
“Adequate?” you echoed, mildly offended but too intrigued to argue further.
He led you to the center of the room, gesturing for you to stand under a perfectly angled spotlight. “Don’t misunderstand,” Vil continued, crossing his arms and regarding you with a critical eye. “I’m merely evaluating your potential. Our club requires both talent and diligence—qualities that, if I’m being honest, are rare in this school.”
“Uh, thanks?”
Vil ignored you, pulling out a script and flipping through it like he was deciding your fate. “If you can’t pass the audition, you can still join as a backstage hand,” he said airily. “We’re short on those too.”
“Wow, what an inspiring pitch,” you muttered, but Vil’s sharp gaze silenced you immediately.
“Read this,” he instructed, handing you the script and gesturing for you to begin.
You hesitated, glancing at the lines. “You’re serious? Right now?”
“Do I look like someone who jokes about art?” Vil asked, raising a perfectly sculpted brow.
Point taken.
Clearing your throat, you started reading, trying to put some effort into it. Vil watched you intently, his expression inscrutable. He occasionally tilted his head, as if mentally dissecting every word you spoke, every movement you made.
When you finished, you looked at him expectantly, waiting for his verdict.
Vil tapped his chin, his eyes narrowing. “You’re not hopeless,” he said finally, in a tone that made it sound like a compliment. “Rough around the edges, yes, but I’ve seen worse.”
“Gee, thanks,” you said dryly.
“Don’t be smug. You’ll need work,” Vil continued, ignoring your tone. “But I suppose you have potential.”
“And if I didn’t?”
Vil gave a delicate shrug, his expression cool. “Then you’d still be useful behind the scenes. But consider this your opportunity to elevate yourself. Being part of my club means striving for excellence—no exceptions.”
You couldn’t help but smirk. “Is this really about me, or are you just desperate for members?”
Vil’s eyes narrowed, but there was a flicker of amusement there. “Desperation has nothing to do with it. I’m simply ensuring that my club remains unparalleled. If you happen to benefit from my guidance, so be it.”
“Well, when you put it that way, how can I refuse? I'll think about it.”
Vil’s lips curved into the faintest of smiles. “Smart choice. Now, don’t make me regret it.”
With that, he turned on his heel, leaving you standing there wondering what exactly you’d just signed up for—and if Vil’s idea of “elevating yourself” involved a complete personality overhaul.
Science Club
You barely had time to process Vil's dramatic exit when a familiar voice whispered theatrically, “Ah, my muse! Fate conspires to bring us together!”
Before you could react, Rook Hunt appeared—swooped, really—out of nowhere and expertly whisked you away from the Film Studies Clubroom. It was less like being led and more like being caught mid-flight by an overly enthusiastic bird of prey.
“Rook?!” you yelped as he practically danced you down the hallway. “What is happening?”
“Mon ami,” he declared, his eyes glittering with fervor, “you must see the science club! A world of wonder awaits you!”
“Wait—science?” you echoed, incredulous. “You’re in the science club?”
“Ah, oui! Science is but another stage upon which the beauty of nature and humanity performs its eternal dance! The experiments! The cultivation of life! The creation of culinary masterpieces! All expressions of art, no?”
You weren’t sure if he was describing scientific principles or poetry, but before you could argue, Rook had dragged you into the science clubroom.
The room was a chaotic mix of activities. One corner housed a vibrant garden under grow lights, another had chemistry equipment bubbling away ominously, and a third corner smelled suspiciously like freshly baked bread. Trey Clover stood near a counter, pulling cookies out of an oven as if this were the most normal thing to happen in a science lab.
“Ah, there you are,” Trey greeted, smiling warmly. “Rook said he’d bring someone by. I’m guessing you’re deciding on a club?”
You glanced between Rook, who was already gesturing dramatically at a rack of test tubes, and Trey, who held up a tray of cookies like a peace offering. “I… guess I am?”
“Bien sûr!” Rook exclaimed, sweeping an arm toward the greenery in the corner. “Behold! We grow life itself here! Tomatoes, basil, flowers—anything your heart desires!”
Trey added, “We also bake and cook as part of our activities. It’s a great way to learn about chemistry and make something useful at the same time.”
“And explosions!” Rook chimed in enthusiastically. “Occasionally, there are explosions.”
Trey shot him a look. “Not… intentionally.”
Rook turned back to you, his expression radiant. “Think of the possibilities, mon ami! With science, you can cultivate beauty, create masterpieces, and perhaps even unlock secrets of the universe! And, of course, I am here to guide you—to nurture the artistic soul that dwells within!”
“Also,” Trey added, far more pragmatically, “we’re not picky about what activities you want to try. It’s a flexible club, so you could do a little bit of everything.”
You considered this as Trey handed you a cookie. It was warm and delicious, which admittedly swayed your opinion a little.
“Hmm,” you said thoughtfully, “so I could garden, bake, and blow things up all in one club?”
“Exactly!” Trey said with a smile.
Rook leaned in closer, his voice dropping to a stage whisper. “And think, mon cher—if you hone your talents here, you could support Vil in creating the cinematic beauty he so envisions! Science and art, united in harmony!”
You blinked. “Wait, are you trying to recruit me for this club and help Vil at the same time?”
Rook grinned. “Nature does not limit itself to one purpose, mon ami, and neither do I.”
Trey sighed but didn’t deny it.
“Well, this is definitely… something,” you said, nibbling on the cookie. “I’ll think about it.”
“Ah, a maybe!” Rook clasped his hands together like you’d just promised him your soul. “A victory in itself!”
Before you could say anything else, Rook twirled you toward the door, clearly ready to drag you to your next destination—or possibly just keep talking about “the poetry of chlorophyll” until you gave in.
Pop Music Club
Just as you were beginning to suspect Rook was about to wax poetic about “the lyrical mysteries of yeast fermentation,” a sudden voice interrupted.
“Oh-ho, what’s this?”
Before you could even react, Lilia Vanrouge materialized out of thin air, practically glowing with chaotic energy. “Ah, my dear friend! You’re far too bright a star to waste away on science experiments! Come with me—pop stardom awaits!”
You blinked. “Wait, what?”
And just like that, you were swept up in Lilia’s whirlwind. He dragged you down the hallway with a skip in his step and a mischievous laugh, leaving Rook and Trey in his dust.
“Lilia, I can walk, you know!” you said, stumbling to keep up.
“But where’s the drama in that?” Lilia replied, cackling as he pushed open the doors to the Pop Music Clubroom.
Inside, the room was a cacophony of sound and color. Disco lights spun, a half-finished banner reading ‘Next Big Thing!’ hung lopsidedly on the wall, and Kalim was gleefully banging away on a drum like it owed him money. Cater sat cross-legged on the floor, scrolling through his phone and periodically snapping selfies with sparkly filters.
“Oh, hey!” Kalim greeted you, waving so enthusiastically he almost hit himself with the drum stick. “You’re here to join us, right? This club is the best! We have music, dancing, and it’s all just super fun!”
Cater glanced up from his phone, his grin wide and just a little too calculated. “You’d fit right in! Think of all the magicam-worthy moments we could create together. Plus, the followers you’d get? Off the charts.”
“Followers?” you echoed, glancing at Lilia.
“Ah, but of course!” Lilia said, flinging his arms wide as if presenting you to an adoring crowd. “The Pop Music Club isn’t just about music—it’s about presence! Charisma! The ability to captivate a room with a single note or a dazzling smile!”
“It’s also about having a good time!” Kalim added, spinning in a circle for no reason other than sheer joy.
Cater nodded, holding up his phone. “And don’t forget—every moment is a potential viral video. You, me, Lilia, and Kalim as the dream team? We’d own the algorithm.”
You hesitated. “Uh, I don’t even play an instrument.”
“Neither does he!” Lilia said brightly, pointing at some unfortunate bystander.
“Hey!” he protested. “I play the Kalimba!” He promptly tried to play a note, missed the rhythm entirely, and Lilia laughed like it was the funniest thing ever.
“See?” Lilia said, unfazed. “Talent is optional here. All we need is your spirit!”
Cater stood, brushing imaginary dust off his pants. “We also dabble in choreography, so if you’ve got two left feet, don’t worry—we’ll teach you how to make them look intentional.”
“Come on, join us!” Kalim said, grabbing your hands and bouncing up and down like an overexcited puppy. “We could totally use your energy!”
“What energy?” you asked, deadpan. “I’ve been dragged between clubs all day—I barely have any left.”
“Exactly!” Lilia said with a wink. “We’ll channel what’s left into a glorious crescendo of pop music excellence!”
You weren’t sure whether to laugh, cry, or just surrender entirely to the chaos. Lilia’s grin was practically infectious, Kalim’s enthusiasm radiated like the sun, and Cater was already adjusting the angle of his phone to catch you in the best light.
“Well,” you muttered, “at least it sounds… lively.”
“Lively is an understatement,” Cater said, snapping a selfie with you and Lilia in the background. “Hashtag PopStarsInTheMaking! You’re gonna love it here.”
“Let me guess,” you said dryly. “You’re already planning to upload that, aren’t you?”
“Oh, absolutely,” Cater said with a wink.
Lilia clapped his hands, his eyes sparkling with excitement. “So, what do you say? Ready to unleash your inner star?”
“I… will think about it,” you replied, edging toward the door.
“Think fast!” Kalim called after you. “The bass is calling your name!”
You bolted before anyone could shove an instrument into your hands.
Equestrian Club
As you hurried down the hallway, still reeling from the pop music chaos you'd just escaped, you nearly collided with a flash of red.
"Ah, there you are!"
You blinked up at none other than Riddle Rosehearts, who looked as though he'd been scouring the entire school for you. His eyes narrowed, and his voice carried a tone of stern authority mixed with subtle relief.
"I've been looking for you," Riddle said, crossing his arms. "Ace and Deuce mentioned that you’re considering which club to join. As housewarden, it’s my responsibility to ensure you make a proper choice."
You blinked, still processing. "Oh, uh… thanks?"
"Enough dilly-dallying," Riddle said briskly, taking your wrist with surprising firmness. "You're coming with me to the Equestrian Club."
"Wait, what—"
Before you could finish, Riddle had already begun marching you toward the stables. You were half-dragged, half-guided, catching snippets of his lecture along the way about the merits of horseback riding, discipline, and poise.
When you arrived, the warm scent of hay filled the air, and the sound of soft nickering greeted you. The stables were pristine, the horses sleek and well-groomed. Standing nearby were Silver and Sebek, both tending to the horses.
"Riddle, you found them" Silver greeted you with his usual calm demeanor. He gave you a faint smile as he gently brushed a dappled gray mare. "Perfect timing—we were just about to go for a ride."
Sebek, on the other hand, straightened like a soldier at attention, his voice booming. "THEY WILL JOIN US, OF COURSE! IT IS ONLY FITTING FOR AN INDIVIDUAL OF WORTH TO EMBRACE SUCH A NOBLE ART!"
"Sebek, indoor voice," Riddle said sharply, pinching the bridge of his nose.
"I AM OUTDOORS!" Sebek retorted, though he did lower his volume slightly.
You glanced nervously at the horses. "Uh, I don’t know if I’m… horse material."
"Nonsense," Riddle said, his tone leaving no room for argument. "Riding teaches discipline, focus, and responsibility. It’s the perfect club for fostering growth—and for avoiding unnecessary distractions like some less dignified clubs."
"Pop Music Club?" you guessed.
Riddle sniffed, his expression sour. "Among others."
Silver walked over, still holding the brush, and gave you a reassuring nod. "Don’t worry. The horses are gentle, and we can teach you everything. It’s a peaceful activity once you get used to it."
"Peaceful!" Sebek exclaimed, throwing his arms wide. "It is a pursuit befitting the greatest warriors! EVEN LORD MALLEUS—"
"Sebek," Riddle interrupted, his patience clearly wearing thin. "Focus on the matter at hand."
"Apologies!" Sebek barked, saluting.
Riddle turned back to you, his expression softening just a fraction. "The Equestrian Club isn’t just about riding horses. It’s about elegance, partnership, and understanding. You could benefit greatly from it."
"And the horses are great listeners," Silver added.
"Unlike some humans," Sebek muttered under his breath.
You bit back a laugh as Riddle gave Sebek another glare.
"What do you say?" Riddle asked, stepping aside to let you see one of the horses—a chestnut with a kind, inquisitive gaze. "This is Vorpal. Perhaps a ride would convince you?"
The horse whinnied softly, and for a moment, you considered it. There was something appealing about the tranquility of the stables, the camaraderie of the club members, and the undeniable charm of working with such majestic creatures.
But then you remembered the drum chaos, the science experiments, and Vil’s dramatic vetting process.
"Let me, uh… think about it?" you said, taking a step back.
Riddle sighed, though he looked more exasperated than disappointed. "Very well. But don’t wait too long—indecision is unbecoming."
"Yeah," you mumbled. "Got it."
As you made your escape, you could hear Sebek booming, "RIDING A HORSE WILL CHANGE YOUR LIFE!"
You weren’t sure about that, but you were certain that escaping club recruitment was starting to feel like an Olympic sport.
Magift Club
As you staggered away from the stables, thoroughly frazzled by Sebek’s enthusiastic yelling and Riddle’s intense lecture on discipline, you barely had time to catch your breath before—
“Yo, gotcha!”
A pair of hands grabbed your shoulders from behind, and you let out a very undignified yelp. You turned to find Ruggie grinning up at you like a mischievous hyena that had just found its next meal.
“Ruggie! What—?”
“No time for questions, boss,” he said, practically dragging you down the path. “Leona’s orders. He told me to bring ya to the Magift Club.”
“The Magift Club?” you repeated, already sensing disaster.
Ruggie nodded, smirking. “Yup. Let’s go, let’s go!”
“But—wait—I don’t even have magic!” you protested as he hauled you toward the field.
“Details, details,” Ruggie waved off, his grip on your arm firm.
Soon enough, you were dumped unceremoniously on the sidelines of the Magift field. Leona was lounging on the grass under the shade of a tree, looking entirely too comfortable for someone allegedly trying to recruit you. Epel was nearby, aggressively practicing his throws while muttering something that sounded suspiciously like “I’ll show ‘em.”
Leona cracked one eye open lazily as Ruggie dropped you off. “’Bout time,” he drawled.
“Leona,” you said flatly, “why would you want me in the Magift Club? I don't even have magic.”
He yawned, looking entirely unbothered. “Yeah, I know that. You’re still better than the other herbivores running around. You can be the manager.”
“Manager?”
“Yup,” Ruggie chimed in, plopping down next to Leona. “You’d handle all the boring stuff—paperwork, schedules, snacks, makin’ sure Epel doesn’t throw a fit when he gets tackled.”
“I don’t throw fits!” Epel yelled, narrowly missing a hoop with his throw.
Leona smirked. “Sure you don’t.”
You crossed your arms, unconvinced. “Why me, though? You’re telling me I’m the best candidate for this?”
Leona sat up slightly, his sharp eyes locking on yours. “I’m sayin’ you’re the least annoying option. I don’t need some herbivore manager who’s gonna cry every time I take a nap instead of practicing. You’re not useless, so quit whining.”
Ruggie leaned in conspiratorially. “Basically, you’re the only one Leona doesn’t feel like chasing off the field after two days.”
You raised an eyebrow. “Sounds like a ringing endorsement.”
Leona shrugged. “Take it or leave it. Makes no difference to me.”
At that moment, Epel ran up, panting slightly from his practice. “C’mon, you should join us!” he urged. “You don’t need magic to be part of the team. And if you ever wanna learn some tricks, I can teach ya!”
Leona gave him a lazy side-eye. “Don’t scare them off.”
“I’m not scarin’ ‘em! I’m convincin’ ‘em!” Epel shot back, glaring at Leona before turning back to you. “Seriously, we could use someone like you. The club’s fun, I promise!”
Ruggie snickered. “Fun’s a stretch. It’s more like… survival of the fittest with a ball involved.”
“And napping,” Leona added with a smirk.
Epel crossed his arms. “Well, maybe if someone practiced instead of nappin’, we’d win more games!”
Leona waved him off with a scoff.
You sighed, rubbing your temples. “I don’t know, guys. This sounds like a lot of chaos.”
“Chaos is half the fun,” Ruggie said with a grin. “C’mon, boss, think of all the free food we get during games. And you’d get to boss Leona around as the manager. Ain’t that worth it?”
Leona snorted. “Good luck with that.”
You glanced at the trio—Epel brimming with determination, Ruggie radiating mischief, and Leona looking like he didn’t care but also somehow cared just enough to try. It was… weirdly tempting, in its own way.
“I’ll… think about it,” you said finally.
“Fair enough,” Leona said, already reclining again. “Don’t take too long, though. We’ve got a game next week, and I’m not filling out paperwork.”
Ruggie winked. “Don’t worry, you’ll come around. Everyone does.”
As you left the field, you couldn’t shake the feeling that you’d just been almost recruited into something much more taxing than a simple club.
Mountain Lovers Club
Before you could escape the Magift field and all its potential paperwork, you took a sharp turn—only to smack right into what felt like a wall of polite menace. A soft, knowing chuckle sounded above you.
“Oh dear, do be careful,” came Jade Leech’s unmistakably smooth voice.
You took a step back, already dreading the conversation. “Jade,” you said warily, “what are you doing here?”
His sharp smile grew ever so slightly. “Waiting for you, of course. Word travels fast, and I’ve heard you’re in the market for a club.”
“Oh no,” you muttered. “You’re not here to—”
Before you could finish, he was already guiding you away, his hand light on your arm but unyielding, like a vice hidden under a silk glove.
“Come now,” he said, his tone as polite as ever, “I simply must show you the Mountain Lovers Club.”
“The what now?” you asked, bewildered.
“The Mountain Lovers Club,” he repeated, as if it were the most natural thing in the world.
“And… who else is in this club?”
“Why, just me.”
You stopped in your tracks. “It’s just you?”
“Yes.” Jade smiled serenely, as if this were not a glaring red flag. “I am the founder, leader, and sole member. But with your arrival, that could very well change.”
You blinked at him, unsure if you’d misheard. “Wait, so you’ve been running a one-person club this whole time?”
“Indeed.” His expression didn’t falter in the slightest. “The Mountain Lovers Club is dedicated to the appreciation of all things mountainous. Hiking through beautiful terrain, foraging for wild plants, observing unique ecosystems, and—on occasion—befriending the local fauna.”
“Befriending?”
“Examining, petting, observing closely…” His eyes gleamed. “Perhaps all three.”
You shook your head, trying to process. “So… why me?”
Jade clasped his hands together, the picture of poised enthusiasm. “You strike me as someone who appreciates unique experiences. The Mountain Lovers Club offers a chance to explore the great outdoors, expand your horizons, and develop a deeper appreciation for nature’s wonders.”
“And by ‘great outdoors,’ you mean mountains?”
“Precisely.”
“And it’s just you?”
“For now,” he said, his tone warm but his gaze uncomfortably intense. “But every great journey begins with a single step. Yours could be joining this club.”
You gave a nervous laugh. “Uh… I don’t think hiking through mountains is really my thing.”
“Ah, but how do you know unless you try?” Jade’s smile widened. “Besides, I’ll be there to guide you every step of the way. No need to worry about getting lost… or encountering anything unexpected.”
The way he said “unexpected” made you want to run for the hills (ironic, given the circumstances).
“Look, I appreciate the offer, but—”
“I insist,” he cut in smoothly, his tone polite but with a note of finality. “At least allow me to show you the club’s activities. Perhaps a short hike this weekend? I’ve already prepared a route.”
You stared at him. “You’ve already…?”
“Of course.” His gaze was calm, calculating. “Preparation is key. I’ve even packed a lunch.”
You didn’t know whether to laugh or cry. “Jade, I—”
He tilted his head, his smile remaining perfectly composed. “Surely you wouldn’t refuse without at least giving it a chance? I’ve put so much thought into this.”
“Why do I feel like I don’t have a choice?” you muttered.
Jade’s smile was razor-sharp and utterly unrepentant. “Because you don’t.”
You sighed in defeat. “Fine. One hike.”
“Excellent,” he said, his tone soft and victorious. “I’ll see you this Saturday at dawn.”
“Dawn?!”
“Oh yes,” he said, his eyes gleaming with enthusiasm. “The mountains are at their most beautiful in the early morning light. You’ll love it.”
As he sauntered away, leaving you to process your fate, you couldn’t shake the feeling that you’d just agreed to something far more treacherous than a simple hike.
Gargoyle Research Society
The moment you finally reached Ramshackle Dorm, exhausted from the whirlwind of club-hopping and increasingly bizarre sales pitches, you let out a long sigh of relief. The day had been nothing short of chaotic, and all you wanted was to collapse onto your creaky old bed and forget the words “club activities” ever existed.
But just as your hand touched the doorknob, a familiar voice, deep and regal, called out from the shadows.
“Child of man.”
You jumped slightly, spinning around to see none other than Malleus Draconia emerging from beneath the pale light of the moon, his presence as imposing and enigmatic as always. He stood by one of Ramshackle’s crumbling stone walls, his expression calm but his eyes bright with an unreadable intensity.
“Oh, Malleus,” you said, your voice tinged with weariness but also a touch of warmth. “Didn’t see you there.”
He tilted his head ever so slightly, his gaze never leaving yours. “I was merely admiring the architecture of your dorm. It has a certain… wistful charm.”
You smiled faintly. “I guess that’s one way to put it.”
Then, with the sort of graceful confidence only Malleus could manage, he stepped closer, his presence looming but never threatening. “I have heard,” he began, his tone soft and deliberate, “that you have been seeking a club to join.”
You blinked at him, caught off guard. “How did you—”
“The winds carry whispers,” he said cryptically.
“Right,” you muttered, deciding not to question it.
Malleus folded his hands neatly in front of him, looking every bit the picture of regal sincerity. “If you have not yet made your decision… I would like to invite you to join my club.”
Your brain, still reeling from Jade’s mountain escapades and Leona’s managerial demands, stalled for a moment. “Your… club?”
“Yes,” he said, his voice brimming with quiet pride. “The Gargoyle Research Society.”
“The… what now?”
“The Gargoyle Research Society,” he repeated, as if it were the most natural thing in the world. “I am both its founder and sole member.”
Of course, he was.
Malleus seemed oblivious to your stunned silence as he continued, his expression softening into something almost earnest. “The society is dedicated to the appreciation and study of gargoyles. We explore the campus, observing their intricate designs and marveling at their history. There is so much beauty in their silent watch over us.”
You blinked. “So… you just walk around and look at gargoyles?”
“Precisely,” he said, his tone unironically enthusiastic.
“And… that’s it?”
Malleus nodded solemnly. “Indeed. It is a noble pursuit, one that nurtures both the mind and the spirit.”
For a moment, you were at a loss for words. Of all the clubs you’d encountered today, this might just take the crown for most niche.
Malleus, however, seemed utterly earnest. His eyes bore into yours, his expression sincere and unguarded. “I understand if this does not align with your current interests,” he said, his voice softening. “But should you ever feel the call of the gargoyles… know that you are always welcome.”
There was something so genuine in his tone, so quietly hopeful, that you felt a pang of guilt for even thinking about brushing him off. You sighed, offering him a tired but sincere smile. “You know what? I’ll definitely consider it.”
Malleus’s eyes lit up, his calm demeanor giving way to a flicker of pure joy. “Truly?”
“Truly,” you said, nodding.
“Then I shall look forward to the day you join me,” he said, his voice as soft as a promise.
With that, he gave you a small, graceful bow before disappearing back into the night, leaving you to wonder how you’d managed to end the day not only agreeing to a potential club but also feeling oddly flattered by the idea of studying gargoyles.
You shook your head, a small smile tugging at your lips. “What a day…”
Masterlist
Part 2: Choosing a club
a/n: it completely slipped my mind that ortho is in film studies sorry :(
#twst x reader#twisted wonderland x reader#twst#twisted wonderland#riddle rosehearts x reader#ace trapolla x reader#deuce spade x reader#trey clover x reader#cater diamond x reader#leona kingscholar x reader#ruggie bucchi x reader#jack howl x reader#azul ashengrotto x reader#jade leech x reader#floyd leech x reader#jamil viper x reader#kalim al asim x reader#vil schoenheit x reader#epel felmier x reader#rook hunt x reader#idia shroud x reader#orthro shroud#malleus draconia x reader#lilia vanrouge x reader#sebek zigvolt x reader#silver x reader#leona x reader#malleus x reader#jamil x reader#vil x reader
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the "it" couple
masterlist
requests are open
summary: you and Rafe being the hottest couple on the island
word count: 1.3k.
warnings: established relationship, mentions of sex, mentions of nude pictures, Rafe is reader's first everything, you're both lovesick
a/n: my obsession with soft and painfully in love Rafe is not curable at this point. but like could you imagine having him all to yourself?? ughhh the things i'd let him do to me😩
Everyone knew that there are couples that, at first glance, give you the impression that they just have really good sex. Like they are so hot and perfectly compliment each other, with a certain vibe oozing out of them, especially when they are together.
You and Rafe were that couple.
Before you started dating, no one ever considered that two polar opposites like you might even coexist. You were a kook, but still completely different from Rafe and his little gang. You were pretty, but more on the quiet side, never showing off or bothering anybody.
Rafe, on the other hand, was mean and sarcastic to everyone and everything. It was a good thing that you put him in his place the first time he talked to you, making it clear that you are not having his shit. And also making Rafe instantly interested and following you like a puppy.
You were annoyingly teasing and flirting with each other, and everyone tried not to get involved in whatever was going on. It was your first experience with a guy, because before that, nobody was really making their shots, or, at least, you never paid enough attention to notice it, choosing to focus on yourself. But with Rafe, it felt fun and so damn easy.
Your first kiss set everything in its place because you finally gave in to your hidden emotions. It made sense why you were always arguing and pestering each other—you simply craved attention from one another and it was the easiest way to get it.
Surprisingly, Rafe’s rough edges softened, especially around you, and he was so affectionate and craved you around him 24/7. Though, knowing that you’ve never been in relationships before, he never pushed you to do anything, just following your pace.
But after your first time happened in the third month of dating, after the ice melted and your insecurities fully disappeared, Rafe almost got another version of his girlfriend.
If he thought that you couldn’t be better, then he was wrong.
He never understood his friends who said that they had to almost beg their girlfriends to have sex, mostly because Rafe had never been in actual relationships before. But it made even less sense for him because you, seemingly, had the same energy and high sex drive as him.
The first few times may have been slightly awkward with you still learning and trying to understand your own body, but once you got confident, you became unstoppable.
Whether it was early morning, the middle of the day, or way past your bedtime, you were ready to have sex right away, straddling Rafe's legs or luring him into a kiss while your hands slipped under his pants.
It was crazy how much you both wanted each other. It was a perfect fucking match to have someone with exactly the same needs. You probably have been bent over every single flat surface in the house and not a single room was safe from the two of you. He wanted you all to himself and he could go hours just worshiping your body and fucking you into bliss.
You were almost glued together, never coming to an event alone. Rafe was so obsessed with the way you looked, with your smell, and with the feeling of your skin on his, so he always had to touch you one way or another. His friends teased him that he was absolutely pussy whipped for you and he had never denied it. They also started calling you Mrs. Cameron because you acted like a married couple and neither of you were against that nickname.
To say more, the idea of that made Rafe so feral for you, so he didn’t let you get out of bed the following day. Not that you complained, though.
Rafe loved sneaking out with you. Whenever you two had to visit a gala with your families, he always snatched you from the main room to drag you to the bathroom or another hidden place to have a quickie or to burry his head under your dress because you were too hot to resist. Yeah, maybe other people noticed it, giving you their usual politely awkward smiles, but neither of you care.
On his birthday, you gave him the best fucking gift, which was a stack of your naked polaroid pictures. You were really nervous to do that, thinking that Rafe might react differently, but he reminded you once again why he was your perfect match. After looking through the photos several times, he literally attacked you, throwing you back on the bed and giving you the best orgasms of your life.
Since that day, one of the less explicit pictures of your ass has been placed in his wallet.
You were officially the “it” couple on the island, with everyone either admiring or being jealous of that spark, which never seemed to diminish. Everyone saw the way the Rafe Cameron gave you heart eyes, soft smiles and gentle kisses. The way he held you close to himself, protecting you, taking care of you, and treating you like a queen.
Some people told you that it was only the excitement of a new relationship, but after a few years of dating, with a promise ring on your finger, it was still there. You still craved each other's touch; you still craved being together whenever it was possible, always going on dates and trips, attending all of Kook’s events, but mostly spending lazy days in your shared house. Sex was even better than before—more passionate, fun, hot and full of unconditional love.
Despite the gossip on the island, Rafe didn't get “bored” of you. No, over time, he became addicted to you because you felt like home, and there was nothing better than being with you.
He didn't need any other women. And he still couldn't grasp the idea of cheating. If he had you, then why on earth would he do that? Every time he came home, the best person in the world and the best sex of his life were in that exact location, so he never complained about anything.
You were his afrodisiac and whether you were in full glam, in a bikini on the beach or in his old t-shirt with messy hair, he couldn’t just keep his hands to himself and not kiss the air out of you.
He liked how you stayed at home, doing whatever you wanted and treating yourself while he worked. You always greeted him with homemade food, but more importantly, you acted as if you had not seen him in months.
You were waiting on the porch or finishing up in the kitchen, but when you saw him, you ran and jumped into his arms and pulled him into a kiss. It always melted Rafe’s worries and bad mood away, as his shoulders sagged in relief from being in your arms again.
You always ended up in your bedroom, with you on or under him, while your hands were tugging at each other’s clothes. Rafe knew that it would eventually end up with him finally putting a baby in you—something that more and more flooded his mind—but for the foreseeable future, he first had to officially make you his Mrs. Cameron.
And the red box with the big ass diamond ring, which was currently sitting in the drawer, was just waiting for the perfect moment.
#rafe x reader#rafe cameron imagine#rafe outer banks#rafe x you#rafe fanfiction#rafe imagine#rafe fic#rafe cameron x reader#rafe obx#rafe cameron fluff#rafe cameron fic#rafe cameron fanfiction#rafe cameron x you#obx rafe cameron#rafe cameron x female reader
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my relationship with my own art changed drastically once i recognised the inherent awesomeness of "bad" art.... like wow. there is meaning in every little thing, whether it's aesthetically pleasing or not, whether it strives to have meaning or not. that's insane
#like does that make sense. i've slowly been learning how to like#view art Not through the traditional lens of Oh That Looks Nice#or Oh That Is A Very Clear Representation Of A Certain Emotion So It's Good#and i feel like that has made me appreciate art in general#it has made me love Everything actually#like everything is done either with deliberate thought or 0 forethought and that's so beautiful#some days u will put so much effort and thought into something and it will show#other days you will create something with nothing in your mind only to realise that even without knowing your brain was cooking Something.#something great#and i just really love that!!#it's made me hate my own art less as well#because i know that the end goal isn't to create something hyper realistic or even Beautiful#it's to represent whatever i want to#and to just.... have a little fun with it#idk why it took me so long to get to this point at all#but im glad im here ^^#zzz
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heyy! if u take requests i was wondering if you would make an enemy sevika x reader, where they treat each other like shit until sevika has enough and fucks the shit out of reader 💪😊
♱ enemy. (enemy!sevika x reader) ♱
enemies to lovers is lowkey my fave trope so, let’s go!!
also sorry i haven’t posted! finals week… 🫠😓
cw: nsfw, kink city LOL!! sevika is v rough + punishes reader, possessiveness, BDSM elements, BREEDING KINK (oops), name-calling (slut, whore, bitch, etc), degradation/praise, cursing, arguing, a tiny bit angsty, spanking, she slaps your cunt once, choking, hair-pulling, doggy position, she eats you out!! it's sweet towards the end dw!
there's def more but OOP-
wc: 4.2K! (oops)
sevika hates you.
1. she hates the way your hips sway when you walk.
she’s definitely ALWAYS looking at your ass.
2. she hates how you talk and how you giggle under your breath when you laugh at something you shouldn’t. your voice sounds like music, like wind chimes in the spring that cause her vision to blur.
3. she hates the way your skin glows in the sunlight—as rare as it is in the gloomy grey atmosphere of zaun.
4. she hates how you dress and style your hair. you stand out. you personally customize your clothing, adding your own detailing on platform boots, jeans, jewelry, belts, accessories, tops, and jackets. your uniqueness annoys her beyond belief.
“what a fuckin’ show-off! this isn’t a fashion show,” she mutters under her breath to get a rise out of you.
5. she hates the way you talk back to her, even when she starts an argument first.
“well maybe you could learn something, you wear the same shit like… every day,” you respond briskly, already sick of her berating you as you’ve just walked through the doors of silco’s office.
she’s older than you, you should show some respect! you act so high and mighty like nobody can crack that tough persona you put on to protect yourself from the dark and dangerous streets of zaun.
she scoffs. her thumb and index finger pinching the bridge of her nose to alleviate the stress you’ve subjected her to. she cannot believe this.
“see? this… child is so incompetent! fuckin’ impossible to work with! she’s probably late to this meeting because she’s too busy playing dress up to actually do her job.” she directs towards you although not looking at you, opting to look at the tall chair covering silco’s body as she sits in the chair across from his.
silco sighs, clearly annoyed at both of your antics. he swivels around in his chair to face you both.
“actually, she was doing something i assigned her to. last minute, but she always gets the job done.”
sevika’s eyes flicker to you, and you smirk at her assumption that you were accidentally late.
she scoffs again and drags her grey-ish eyes back to silco as she leans to the left, almost trying to get away from you standing at her right with your arms crossed.
“you see… you two are my best. i cannot afford to have you both acting like children when doing business. it could threaten everything i’ve—we’ve built. one wrong move could tarnish this.”
you and sevika stay quiet as you avoid eye contact with each other, you taking a newfound interest in the bookshelf as sevika’s eyes burn holes into the ground. you knew deep down that silco was right.
“it's time you’ve both gotten along, for all of our sakes. don’t disappoint me again.”
…
you haven’t seen sevika since silco’s ‘lecture’ he gave you two a couple of days ago.
it's evening in zaun, streets and bars filling with people as the night threatens to begin.
you sat on the couch in the living room of your tiny yet, surprisingly homey apartment. your legs resting on the coffee table and you busy munching on cheap snacks, reflecting on the conversation that took place not too long ago. you were livid.
i mean, what else more did he want from you!
sevika was impossible. you tried to get along with her in the beginning but no matter what, she hated you!
she constantly finds new ways to poke fun at you, belittle you, and insult your intelligence. she obviously thinks you aren’t worthy of being a part of silco’s inner circle and that offends you.
and yes, she’s incredibly hot, but all of that was overshadowed the moment she decided you were a piece of gum on her boot!
you sigh incredulously, “damn… i need a drink.”
…
a few minutes later, you’re walking into the last drop and making a beeline for the bar.
as you sit down, your hands graze the edges of the countertop and you close your eyes briefly to let out a breath you’ve held in your throat for…
who knows how long?
that garners the attention of thieram, the kind bartender whom you’d had polite conversation with in the past. you’d taken quite a liking to his kind personality in the past.
“what would you like tonight, miss?” he smiles at you.
as you rummage through your mind for something to order, there isn’t much.
you aren’t a big drinker so it was hard to decipher what was good and what wasn’t because you simply don’t know.
“she’ll have the whiskey, best you've got.” you hear a gruff voice come from behind you. you hear the person’s rough steps come to a stop beside you and they sit.
“ugh.” you scoff out loud and roll your eyes dramatically as you avoid looking in her direction to your right.
sevika.
“coming right up…” thieram, not even wanting to know, swiftly walks off to make your drink.
“what do you want?!” you huff out in annoyance as you finally bring your head up to make eye contact with her.
“nothin’… just enjoying you strugglin’ to order. jus’ was painful to watch, doll.”
your eyebrows raise as your mouth opens and closes, you not exactly knowing how to respond. especially to "doll".
although her tone indicates that she was merely joking, you retaliate against her anyway for the way she’s treated you in the past.
“i- you know what?! if you’ve just come to gloat and make me feel like an idiot just go right ahead and fuck off!” you state. causing a vein to pop out of your forehead and your left eye to twitch in pure anger.
“i’m not in the mood for your shit” you restate your previous point.
“y’know? you’re such a pain in my ass. always bitching and complaining about everything, always in the way, you’re unbelievable.”
you pause your movements, surprised at the lengths she’s going to make you feel terrible.
“i think you look weak.” she finishes, smirking as your eyes threaten to spill with tears out of rage.
“you’re such. a. fucking. bitch.” you emphasize the b in the word bitch as you leap off your chair and stomp out of the bar, trudging back to the comfort of your own home.
thieram walks back over to the side of the bar you were just at and his face scrunches in confusion.
“uh… where’d she go?” he questions as he raises his hands, one hand occupied with your drink.
sevika is still sitting with her mech hand pressing into a tight fist on the counter and her human hand tightly squeezing the bridge of her nose.
she makes up her mind as she stands up and makes her way to your apartment, already having memorized where you lay your head at night.
tonight, you’ll learn respect. obedience.
…
you’ve just made it back to your apartment and you’re slamming the door shut. as you pace back and forth from your kitchen to your living room you’re met with complete and utter silence that taunts you.
“how do i let her get to me? every. single. time.” you’re thinking, mentally cursing yourself for being so stupid. for letting her see you upset.
you hear a loud knock at the door and you pause all moments, as you make your way to answer it, your thoughts race with ideas of who may be at your doorstep at this time of night.
you open the door and you’re met with none other than the sight of sevika. both of her hands clench into fists at her sides as she gazes at you darkly.
it’s almost eerie, her silence. you sense something in her demeanor that is different than usual. it feels… scary.
you both say nothing as she pushes her way into your home, back turned to you as she stops in her tracks.
“wha- what the fuck? g-get out!” you scream out.
her head cocks over her shoulder, one eye looking back at you in a silent warning.
you slowly back up against the door as she turns her full body around to corner you against it. her stare pierces deep into your soul, you feel as though a knife has been jabbed into your gut.
sevika is a scary woman. you know you stand no chance against her strength. that frightens you slightly but you hold your head up high and maintain eye contact with her to stand your ground.
her hands are placed on either side of your head, pressing into the rough, wooden texture of the door. you hear the wood creaking when she leans in, nose brushing against yours. the silence is deafening.
"hmm..." she cocks her head to the right, still looking deep into your irises.
"sevika, l-let me go. what are you doing?!" you try to reason with her but she is unwavering as she takes her mech hand and trails it dangerously slowly up your body from your thigh to your bare stomach, then your arms.
it lands on your neck and wraps around it loosely as a scare tactic. it works as your eyes widen and your shaky hands come up to move the machine off you.
your legs start to weaken and your eyebrows furrow as your underwear pools with your desire.
"so fuckin' pathetic, you are..." she growls, tightening around your neck, not too tight. but tight enough to where your breath hitches in your throat and you're slightly gasping for air.
"y'know, was gonna try and get along with you tonight, doll."
the pet name makes the wetness in your panties become unbearable.
she continues, "ordered you a drink, cracked a joke 'n everything..."
"but, you're a brat to your core, aren't you? should make you apologize..."
an idea pops into your head, another way to disrespect her. you ponder in your head about how you shouldn't. against your better judgment, you say it anyway.
"make me, then,” your eyes flicker down to her lips.
her cocky expression falters slightly—her eyes threatening to look down at yours as well. and if looks could kill, you would die instantly.
"show me your fuckin' bedroom. now."
you're then peeling yourself off of the door. she takes her hand off your neck and backs up to let you pass. you drag your feet, walking slowly to irritate her further. she doesn't like that one bit.
you feel a hand brush the back of your head and she's harshly pulling you up against her chest by your hair. you feel her warm breath tickling your ear, getting ready to humiliate you even more.
"f-fuck! ow!" you yelp out in pain.
"nuh-uh. hurry the fuck up. move." she whispers into your ear.
sevika lets you go, roughly pushing your head forward to emphasize her point. you decide not to push her as you speed up.
as you enter your room, you let out a shaky breath, scared yet excited about the events about to take place. you're not facing her when you hear your bedroom door slam shut. you stop dead in your tracks.
"what-uhm, what's gonna happen?" you question.
you gasp out in surprise as she spins you around to face her and pushes you onto the bed. your ass rests on the edge of it and you're sitting up straight. sevika towers over you, way taller than usual. she looks like she could devour you as she's undressing you with her eyes.
"gonna hurt you, sweetheart. gonna punish you for being such a mean little brat." she smushes your cheeks together with one hand, causing your saliva to pool from your mouth and wet your lips.
"should've done this ages ago... maybe you'd be better behaved by now."
"p-please. i-'m sorry."
it kills you inside, that you secretly love this. you secretly love the idea of her touching you. punishing you, hurting you until you’re utterly ruined.
you’ve dreamt about this moment in light of all the arguments, yelling, and fighting.
in one swift movement, she stands you back up and takes your place on the bed looking up at you hungrily.
“bend over my knee,” she demands.
you feign disgust, and fear, “wh-what?! n-no i-”
“lay the fuck down, and bend over my knee before i spank your ass raw.”
you obey. she scoots back further on your bed so you can maneuver your way to lay your stomach across her thighs. your upper body and legs rest on the bed as your ass is slightly positioned in the air.
you can’t see her face, but you know sevika’s smirking as she’s finally got you where she wants you.
she coos at you, tugging slightly at the loose shorts you threw on after you got home from the bar, “look at you in these little fuckin’ shorts, so slutty.”
she slides her hand up your outer thigh, moving closer to your ass.
all of a sudden, she pauses her movements.
she leans down, her mouth next to your ear, “we can stop at any time. jus’ let me know, doll.”
your heart clenches at her words, feeling the intense emotion behind them and now knowing deep down that she doesn’t want to actually hurt you.
it turns you on even more.
“want it vika, p-please.”
she lets out a sound that’s of a groan and a growl, “fuck yeah, baby. gonna punish you—gonna make it hurt,”
“gonna take it? gonna be a good girl for me?”
“ye-yes! yes!”
sevika hooks the fingers of her human and mechanical hand under the waist of your shorts and roughly tugs them to the floor.
“fuck… no panties too? my god,” she admires you.
you say nothing as her hand finds its way back to moving up your thigh and finally grips your ass, kneading the plush flesh.
“gonna actually do anything or?…” you get cocky, too impatient to feel her hands on you.
a loud ‘SMACK!’ sounds throughout the ambient space of your bedroom, the pain searing into the skin of your right asscheek, making you scream out into the bedspread.
“fuckin’ brat, like i said.”
you’re met with another ‘SMACK!’ in the same spot. you scream out again except this time, it sounds a hell of a lot more like a moan.
“can’t believe you’re gettin’ off to this. bein' my little painslut…”
she hits you again, “you like when i hurt you? don’t you, baby?”
“yes!” you’re repeating, face still smushed into the blankets.
“what was that?” she presses further as she tangles her hand into your hair and yanks it upwards.
“f-fuck! yes, yes!”
she spanks you again and again, alternating between each cheek until you’re sobbing.
although she hadn’t spanked you more than 15 times, you felt as though it was 10 times that much.
she’s soon rubbing a soothing hand over the expanse of your ass, attempting to calm the ache in your ass while neglecting the one in your cunt.
“my girl. did so good for me, baby. so, so good.”
she sits you up and props you up next to her. you wince as your ass meets the surface of your bed.
“we’re not done. gonna make this pussy feel so good, i’ve been neglecting her haven’t i?”
“mhm…touch me please.” you’re out of it, eyes lazily gazing into hers.
“suppose i should reward you?”
her hands caress the sides of your neck and she captures your lips in a gentle and passionate kiss.
as her lips meet yours, the world is silent, all you can think of is sevika.
the kiss soon turns sloppier, needier. your tongues clash against one another causing saliva to drip down both of your chins.
it’s disgusting really, the definition of swapping spit.
neither of you seems to care though. you both moan through the kisses, gripping at each other.
she breaks the kiss to tear your shirt off your body.
“such pretty tits… so beautiful.”
you lean in and peck her lips, “want you bad, vika. please just fuck me already,” you beg.
“you’re beggin’ me?”
“yeah,” you respond.
“fuckin’ beggin’ me, huh?”
“fuck yeah, baby,” you respond another time, your bedroom eyes never leaving hers.
this back-and-forth dirty talk makes the both of you so wet, that the need between you increases with each exchange.
“you don’t even realize how much of a whore you sound like when you say that shit, baby."
oh, you know.
“i love it,” she doubles back.
“gonna eat you first, get you ready for my cock.”
you pause.
‘she didn’t… did she?!’ you exclaim in your head, incredibly surprised she brought an entire strap-on to your house.
“mm… back the fuck up, lean up against the headboard.”
you do as she says, spreading your legs for her in the process.
“good fuckin’ girl.”
she kisses down your neck, stomach, and thighs—her mouth now dangerously close to your naked cunt.
“perfect pussy… so pretty and wet.” she blows cold air on it, admiring the way you clench as she does so.
she laughs out loud, “you’re clenching around nothing, baby… you need this dick in you.”
you don’t even notice you’re looking up at the ceiling, you then look down at her between your thighs—you notice her pants are pulled off. her mech hand is gripping her black plastic cock through her boy shorts.
it’s huge. you’re not sure if it can even fit inside you and that makes you crave it more.
you moan at the sight, “mhm! yes! need it in my pussy. wanna cum on it.” you manage out. your brain is mush!
“soon,” she promises.
she suddenly delves into your pussy, tongue experimentally licking around your folds, then your hole, and your clit.
you’re on cloud 9. your cunt twitches with need because you can feel every detail of her mouth dragging along your heat.
your moans are uncontrollable as she’s practically making out with your cunt, her spit drips onto your clean bed as she’s sloppily eating your pussy out.
she’s nasty with it, spitting on it, getting it dripping wet for you to take her.
“fuck! please!! gonna cum!” you yell out.
all of a sudden, you’re met with cold air. and your cunt is met with a thought to be forgotten ‘SMACK!’
you yelp out in pain and pleasure, the mix too overwhelming for your poor pussy to handle.
“you cum when i fuckin’ tell you to. ask me if you can come next time.”
“‘m sorry vika! promise i won't do it a-again.”
“yeah, yeah. turn around.”
you whine at the loss of her mouth on you; it just feels so good. but you listen anyway.
you’re in doggy facing the headband with your back slightly arched as you look back at her behind you.
she lifts her shirt over her head; she has nothing on underneath, giving you a full view of her sculpted abs. you graze them with your fingertips, amazed at how beautiful she is.
“beautiful, gorgeous…” you state to her and your eyes meet hers once again, showing her you mean what you’re saying.
she huffs out in…shyness? she looks down at the bedspread below you two and she tugs down her boy shorts, throwing them next to all of the other clothes that are splayed out on the floor.
“gonna put it inside, alright? gonna make you feel it.”
you look forward and your eyes trace the design of your headboard, anticipating her cock pushing inside of you, anticipating the delicious pain.
she eventually does push the toy inside of you, bottoming out quickly.
she gives you a moment to adjust. you both are breathing heavily and your nimble fingers grip at the sheets, mouth forming into the shape of an o because she’s so fucking deep.
one of her hands comes up to force your face into the pillows. she starts to move her hips slowly.
“fuuuuck, doll. arch that back,” she can feel the slow grind of your hips on her clit as you press back into her and arch slightly.
it’s not enough for her. she presses her other hand into the small of your back to truly get it so she’s as deep as she possibly can go in this position.
“oh my f-fucking god!” you’re moaning into the pillows, still as loud as if you were screaming.
she’s sped up now, her plastic cock digging into you swiftly yet deliberately.
“yeah…arch that shit, gimme that pussy, baby.”
“fuck, fuck, fuck,” you’re still moaning into the pillow. you can feel every ridge, every detail of her.
your pussy twitches with need, your slick dripping down your thighs, cunt squelching and eyes rolling to the back of your head because of the rough way she’s handling you.
“can feel you around me, i swear. you’re so tight, baby, s-shit…”
she’s bullying your cunt relentlessly and her dirty talk is making you so unbelievably wet.
“you love this dick, don’t you? you love when i fuck this pussy, huh?”
“yes, vika! yes! just like that! love it!”
“say you’re sorry. say you’re sorry for being such a bratty little bitch.”
“hmmph!” you defy her, for fun perhaps.
she slows down tremendously compared to the pace she set before, giving you shallow thrusts to match your attitude.
“say you’re fuckin’ sorry or I’ll make sure this pussy never cums again. you’re only cumming from me, so you’ll do what the fuck i say.”
whew.
“c’mon, baby say you’re sorry so i can give you this dick. gonna make you cream on it so good if you just let go,”
she continues, “i know you want it… know you want it in your guts. know you want my cum in you," she's delirious.
gripping your hip with her free hand and your hair with the other, she lifts your head out of the pillow so she can hear you better.
you cave.
“i’m sorry, i’m so so sorry, baby. i promise i’ll be good! pleeease just fuck me! need you. need your cum…”
she leans down and kisses the small of your back, “see, now how hard was that?!”
she moves her hips at a faster pace than before, seemingly deeper as well. your face has found its way back down, voice muffled into the sheets.
“yeah, baby, take this shit—take it aaaaalll in this fuckin’ pussy. pussy’s so good for me.”
“oh f-fuck, ‘s so deep!” you look back at her once again. her teeth are biting into her bottom lip, hips snapping against your ass as she stares down at you wildly, watching the toy disappear inside of you.
you then meet her eyes, completely cockdrunk. you beg her again, “please v-vika… need your cum in my pussy. need you to knock me up.”
“give it to me, give me your cum! want it deep in me, wan’ it!”
she growls out, “f-fuck shit’s gonna make me cum.”
“fuckin’ pussy is sucking me in, gonna make me get you pregnant, baby,”
her hips are still pistoning into you, the room filling with sloppy wet noises and smacking skin.
“i’m b-begging you to let me cum, p-please!” you’re still looking into her eyes, kindly asking her for permission to soak her faux dick.
“who’s fucking you then? say my name, doll.”
“you, sevika! you!! you’re the only one,”
“fuck yeah, you whore. ‘m the only one that’s gonna be in this shit from now on. that’s right…”
“plea-”
“cum. i want you to cum on this cock, make it yours. cum all over it,” she’s thrusting against your g-spot as deep as she can with one of her legs on the bed and her hands on your hips. you have no choice but to just, take it.
her words cause the coil in your tummy to snap, your orgasm crashing down on you like a brick to your head. like if a large rock were to crush you and kill you instantly. it’s rough, it’s overwhelming.
“fuck!!” you scream through it.
“i’m cummin’ too!! not gonna pull out. i’m gonna put a baby in you, get you nice and full,”
“mhm!! yes!”
the combination of you urging her on and the pressure of her hips and your ass fucking back onto them causes her movements to stutter, “s-shit!”
her orgasm washes over her much like yours, both her hands on your hips making it easier for her cock to kiss your cervix and for her clit to feel it.
you both eventually come down from your highs. sevika pulls out of you and quickly yanks the toy off.
you’re still in the same position so she presses down on your back to get you to rest your body on the comfortable and soft surface of your bed. you’re expecting her to tug her clothes back on and leave, but she doesn’t.
she praises you for the rest of the night, rubs aloe gel on your ass to soothe the welts, and loves on you as if she’d never hated you in the first place.
“you did so good, baby.”
“i’m so proud of you, you’re amazing.”
“you’re so pretty… you’re mine now.”
…
needless to say… she’s ruined you for everyone else. your petty rivalry long forgotten and replaced with the feelings that you’ve both been hiding. and as you’re both waltzing into silco’s office for a second meeting, he’s hoping for but not expecting for there to be a change in your relationship.
he is stunned when he’s met with no more eye rolls, scoffs, and bickering.
‘wonder what’s gotten into the two of them…’ he wonders.
well, something has definitely gotten into you.
…
I AM SO SORRY I HAVEN’T POSTED!! finals are over so i am free from the shackles of college! (for now…)
hope you guys like it! tbh this took me forever because i couldn’t figure out the plot LMFAKOW😭😭
#arcane#sevika arcane#sevika x you#sevika x y/n#sevika x reader#sevika#arcane sevika#arcane smut#arcane x reader#arcane thoughts#arcane imagine#arcane s2#arcane season 2#wlw#wlw blog#wlw community#wlw post#sapphic#wlw concepts#jinxvex
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Since you've mentioned Scarlet Lady in one of your posts, what's your opinion on it?
I've mentioned before that I'm a big Scarlet Lady fan, which is the only reason that I'm comfortable answering asks like this one. I don't publicly criticize the content of hobby creators. That's wildly inappropriate! Punch up, not down.
The linked post was a general discussion of the adaptation process and how @zoe-oneesama did a fantastic job, so for this one, I'm just going to do some general gushing because I do actually like praising and enjoying things!
Scarlet Lady's chosen format (comic) allows it to have this wonderful conversation with canon where it can rely on the framework of canon to tell it's own story while also using canon for jokes and meta commentary. This means that Scarlet Lady is about as close as fan content can get to a direct reboot because it's able to have moments like this one from the comic's first post:
[Image description: Adrien standing in his room after transforming into Chat Noir for the first time. He is beaming and his eyes are shining with excitement as he exclaims, "This is gonna be awesome!"]
A single picture that communicates everything we need to know about Adrien getting his miraculous. When I've done this same thing in fanfic, I had to write out the full scene because that's how novels work. You have to give the full picture. With a comic, you can just quickly acknowledge this thing that we all already know and then move on to the new stuff. A picture really is worth a thousand words! (Or, in my case, more like two thousand...)
This allows Zoe to keep the same akumas that we get in canon without her story feeling like a boring rehash because she can focus on what's different in her version. A novelization of the same content would have to show both the stuff that stays the same and the stuff that changes for it to be coherent. That's a lot less fun to read and write. It's why I basically never revisit canon akumas in my own stuff. It's just too derivative for the written word.
This is one of the big reasons that I loved Scarlet Lady. Because it was able to have that more directly conversation with canon, it was able to take canon and say, "hey, why don't we embrace the tone that you established in season one and retell the story with that vibe?" That's something that I desperately wanted to see, but that is totally unsuited to my chosen artistic form. It couldn't be a novel. It had to be a comic.
If you want to know what a true formula show version of Miraculous would look like, Scarlet Lady is it. It does everything that Miraculous should have done:
Sticks to a lighthearted tone where nothing is ever super serious
Keeps Gabriel entirely unsympathetic
Has slow character development and background hints at a bigger plot as the only serial elements, allowing the individual episodes to be their own story while never feeling incomplete or rushed
Allows characters other than Marinette to shine while keeping Marinette as the clear main character
Makes Adrien narratively important
MAKES THE LOVE SQUARE CUTE SO I CAN ACTUALLY SHIP IT
Understands that Lila and Chloe can't coexist as antagonists
Reverses the love square, which is the best way to tell their story. Yes, I will die on my "love diamond" hill. It's a good hill. Come join me. I'll bring cookies.
I could keep going, but you hopefully get my point. While Scarlet Lady is certainly not the only way to do a formula version of canon, it's proof that a formula version does work! You don't have to go the serious route for Miraculous to be successful.
I want to take some time to gush about the ending, but I don't want to spoil it, so I'll put that gushing under a "read more" in case anyone hasn't seen it. I'll finish out this less spoilerish section with this:
I feel like some people are surprised when they learn that I love Scarlet Lady because - as some of you have probably picked up - it is quite different from my ideal version of canon. I'm not sure why that would stop me from enjoying a thing, though. It's important to remember that our personal ideals are not the only way to tell a good story. There are lots of ways to take what canon gave us and make something wonderful! It's part of the reason that I enjoy being in a fandom.
If I only wanted to see my ideal take on canon, then I'd stick to writing/imagining my own stories. But I don't want that! I like seeing alternate takes, too. Scarlet Lady is one of my personal favorites. It's completely different from anything that I'd ever think to write and that's why I'm so glad that it exists! I like being entertained just as much as I like creating my own entertainment and I don't want to only read stories that look like something I'd write. That's boring!
Spoilers below:
I've mentioned before that there are many, many ways to properly handle Chloe's character and Zoe did such a good job with her take on that! Chloe isn't absolved of all the things she did wrong, but she's also treated as a young woman with the ability to change.
While the comic bares the name of Chloe's alter ego, she was the never the main character. She never went on a journey. The story kept her to her shallow season-one self: a petty brat who just wanted attention. It did this because that's who Chloe was in canon and who Chloe needed to be for the comic to work.
The first time we see any complexity from Chloe is in the comic's final few episodes, which was absolutely the right call for Zoe to make! In a recent post, I talked about how the end of a formula show is the only time when you can break the formula in catastrophic ways and that's what Zoe did. She kept Chloe static until it was time to end the story and that's when the formula breaks. That's when Chloe gets depth because, once she has depth, the formula doesn't work.
That depth is not used to redeem Chloe, but to show us that there's hope for Chloe. That this petty brat who we've been dealing with has some serious issues and needs help. Help that she's going to get far away from the people that she's hurt because her issues aren't an excuse for what she's done. They don't erase the harm that she caused. At the same time, understanding her issues makes us hope that she can be better now and Scarlet Lady took a moment to give us that hope. To show us the START of Chloe's true story.
That is the kind of ending that I have wanted to see in so many properties!!! It was so wonderful to finally get one that did this right. A story that understood that full redemption to the team and damnation to death/suffering are extremes on a scale of possibilities. You don't have to go to extremes! You can fall in the middle and the middle is a perfect, natural place for Chloe to land in this kind of story. Fully redeeming or even fully damning Chloe simply doesn't work in lighthearted formula content. It's too big a lift as canon has already demonstrated.
I also loved Zoe's take on Emilie. I've mentioned that I don't like evil Emilie in part because it makes her revival feel like the start of a new story. She's back and she'd bad, so we have to take her down now! But I don't want that. I want the story to end when Gabriel is stopped. Zoe does this by giving us an Emilie that is another perfect middle ground. She matches canon's uncomfortable implications without feeling like a true villain who is a threat to society.
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Oscar piastri x reader smau, but she’s completely anonymous and people are trying to find her after Oscar revealed he was married to someone?
nobody ever asked me | oscar piastri
pairing: oscar piastri x reader
summary: oscar piastri shocks the world by letting it be known that he is married, and has been for the past two years
liked by landonorris, maxverstappen1, logansargent, and 1,017,827 others!
oscarpiastri: vacation with the wifey! 🧡
view comments below!
user1: oh that’s not
user2: excuse me the what?
user3: this is interesting!
landonorris: wait what
oscarpiastri; what?
landonorris: wait what are you being serious?
oscarpiastri: about what?
landonorris: oh i don’t know maybe you having a WIFE???
oscarpiastri; yes i do have a wife!
landonorris: WHAT THE FUCK
user4: oh so oscar not joking?...
user5: feeling like lando rn because what the fuck???
user6; this just ruined my day
maxverstappen1: i knew you were lying about SOMETHING
oscarpiastri: ive never lied to anyone, nobody ever asked me if i had a wife
maxverstappen1; that’s….fair
user7: THATS NOT FAIR??? OSCAR WTF?? YOU CANT JUST SPRING THIS ON PEOPLE???
charles_leclerc: nice pictures oscar!!!!
charles_lelcerc: wait a minute...
charles_leclerc: wife????
charles_leclerc: what?? what? what??
charles_leclerc: i am so bamboozled right now!
charles_leclerc: am i walking the prank? i feel like i am walking the prank
oscarpiastri: no you aren't walking the prank? whatever that means? ive been married for a little over two years now!
user8: TWO YEASR??? LIKE 730 DAYS??????
user9: no you guys actually dont understand, this is driving me crazy?
user10: this is SUCH an oscar thing to do tho.. like randomly announcing thats hes been married for 2 years??
user11: he took oscar core to a whole new level
user12: my heart just broke
user13: you should've announced that you had a gf first, my heart cant take this
danielricciardo: i'm a little late, don't know whats going on..so? congratulations? my condolences?
oscarpiastri: thank you daniel!!
liked by landonorris, maxverstappen1, charles_leclerc, and 691,616 others!
oscarpiastri: some more pictures of the wife since you all seem so curious! here’s my wife, yn, and her book store 🧡
view comments below!
user14: YN!!!! WE GOT HER NAME
user15: HALLELUJAH
user15: yn is a beautiful name
user16: HER bookstore?? she owns a bookstore??
user17: the way she probably has so much lore and we will never learn about it is so??
user18: we're only going to learn about when oscar randomly decides to drop some info: key example: THIS POST 😭
maxverstappen1: I KNEW HER NAME FIRST!!!
oscarpiastri: only because she's your biggest fan and she begged to meet you
maxverstappen1: stay mad
oscarpiastri: she's married to me??
maxverstappen1: and yet she's MY biggest fan
user19: DAMN MAX
user20: oscar was SILENCED
user21: i need to know when he them, how they got together, and what theyre wedding was like
user22: it kills me to know we will never get this information
user22: its actually so crazy how oscar said yn has been to all of the races so far?? like how didnt we notice her 😭
user23: what if shes been in front of us the whole time and we just mistook her for like a mclaren team member or something
user24: well now I have to go look at every single oscar picture out there and try to find something
user25: or you could, idk? respect that she doesnt want to show her face online?
user26: but thats no fun
charles_leclerc: it was great meeting her!! ❤️
user27: they met her? 💔💔💔
oscarpiastri: she says thanks for the lec ice cream!
user27: he gave her lec icecream?? 💔💔💔💔💔💔💔💔💔
user28: ive only known about yns existence for a month and a half, but if anything happened to her, i would kill everyone on earth and then myself.
liked by oscarpiastri
. . .
note: thanks for requesting!! hope you enjoyed(*≧▽≦)
#oscar piastri social media au#oscar piastri smau#oscar piastri x y/n#oscar piastri fanfic#oscar piastri x you#oscar piastri f1#oscar piastri imagine#oscar piastri x reader#f1 x reader#f1 fanfic#f1 imagine#f1 fic#f1 x y/n#f1 x female reader#f1 x you#f1 social media au#f1#f1 fluff#formula one smau#formula one x y/n#formula one x reader#formula one x you
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I know some people think that Emily's desire to play another character instead of Fig was the reason why she was so all over the place and lost, especially in the first half of JY.
But I honestly feel like her arc was actually incredibly needed and necessary to close her character evolution in a satisfying way. (While still leaving open doors for possible future plots with the Dawn and Sandra Lynn stuff)
Fig has been struggling to find herself since the first moment. She has had to come to terms with being a completely different race than what she thought before and deal with all the consequences of that. She had to grow out of the toxic habits that were born out of her deeply rooted insecurities that finding out about her identity and lineage caused. She had to learn to be kinder to herself. I love sophomore year, it's my favorite season for so many reasons, but I feel like Fig's arc in JY was actually her best one.
Fig being so lonely at the start of the show and her innate devotion made her becoming so focused on holding others' needs over her own an inevitability. She was always aimlessly moving through life, so talented and gifted in many ways but with no real purpose outside of being the protector.
The way JY explored her struggles with introspection and her need to devote herself to others to such an extent that she ignored a curse on herself for far too long was beautiful.
Finding Ankarna, becoming a paladin of dawn and justice and coming to a point where she could let herself choose what felt right instead of what her friends needed was incredible to watch.
I feel like Junior Year gets a lot of criticism because the overall vibe from the IH was lighter and they were having a lot of fun throughout, but the story of the season was actually beautiful to me and the overall character work was so interesting.
#when it comes to characters' arc i feel like fig gorgug and kristen took the cake in jy and they did the work wonderfully#i have already talked abt how much i get kristen and how i get her journe even tho it is frustrating to witness#fig and kristen both needed wake up calls to understand where they wanted to go with their life#and i love how they found growth while walking on a somewhat parallel track with their married goddesses#i could talk about the IH characters and campaigns forever#d20#dimension 20#fantasy high#fhjy#fig faeth#fantasy high junior year#yapping time
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Ok, but why do I imagine Eight being the unofficial child of Pearl x Marina?
Because I imagine Eight was minding their business and all of a sudden, Pearl would slam the paper down and said “You’re adopted now”
Basically OTH at the start of their world tour haha, I love that they took Eight with them.
I have more detailed thoughts under the cut for those interested in my ramblings, analysis and interpretations of the characters.
Disclaimer: This is my own take on it, don’t let it ruin your fun!
I personally don’t really subscribe to the fandom’s ‘pearlina moms’ headcanon.
On the one hand, I am an absolute sucker for the ‘found family’ trope, and I definitely think Agent 8 and OTH fit in it!
On the other hand, I think people immediately put Pearl and Marina into the ‘parenthood’ box, a little too eagerly. Not saying this specific ask is that, btw, it just reminded me of some instances i’ve seen.
I personally think that the relationship between OTH and Agent 8 is a little more nuanced & sibling-esque, for the following reasons:
1. Within canon, we often see 8 being referred to as a friend by both Pearl and Marina.
Pearl does it more explicitly (see that one interview at her house), whereas with Marina it’s more insinuated (ex. In the Side Order dev diaries, she starts calling Agent 8 as ‘Eight’, which is stated to be a name used by their friends).
Pearl seems to be an accidental-duck-parent of sorts who haphazardly collects octoling teenagers & young musical talent. It goes in line with her whole mentor-esque leader personality, and i’m sure these disoriented teens find relief in an idol who seemingly knows what she’s doing (she really doesn’t).
However she doesn’t act in a parental manner. More-so like your estranged gay cousin who hit it big in another country and is down to show your queer little butt the ropes.
Marina on the other hand seems to have a more empathetic approach with Agent 8 (opposite to Pearl’s brashness). Marina clearly connects with Agent 8 through their shared experience as defected octoling soldiers, and probably sees her younger self in them. She’s already caring as it is, but this is accentuated during octo expansion given the circumstances.
I feel however that, unlike Pearl, Marina has a bit of a harder time actually forming a bond with Eight at the beginning. Their similarities (seemingly) end at their shared experience, and probably leaves Marina awkwardly wondering how to approach them further. What we can assume though is that they become closer friends during OTH’s world tour, given the events described in the Memverse Dev Diaries.
Meeting Eight during difficult circumstances (OE) and helping them get out creates a sense of camaraderie between them, which probably devolves into genuine care, established friendship and a strong bond amongst the three overtime.
2. Pearl and Marina are very career-centric both in Splat 2 and 3.
It is reasonable that the two young idols, who see their fame and musical recognition rise spectacularly & fast, are not particularly interested in settling down at this point in their lives.
Now entering her late 20s, Pearl is most definitely still interested in keeping the ball rolling with Off the Hook’s international success. Her character often points towards restlessness, freedom and discovery. There has definitely been character development in regards to her maturity in Splatoon 3, but these aforementioned traits are still ever present in her demeanour & decision-making.
Marina on the other hand can be seen slowly blossoming from a supporting character to being her own person. She definitely develops more self-confidence by Splatoon 3, but is still naturally bashful. It’s clear that she is allowing herself to explore & open up to new things for her own sake. She remains a caring and somewhat nurturing individual, but she is at a stage where she’s learning to live for herself and not for others.
Parenthood (and all the responsibilities and sacrifices it entails) at this moment of their lives would probably freak Pearl out, and stunt Marina’s personal growth.
3. The age gaps between OTH and Agent 8 are too close for it to create a parent/kid bond.
This makes their relationship a little hazy in regards to roles; 8 is still young enough that they may seek out rolemodels and mentors (still relatively influenceable), but they’re also nearing their 20s. By this point they are fairly self sufficient, have a sense of their personal values & identity, and they are relatively responsible & mature.
Pearl and Marina are 8’s seniors by approximately 4-6 years. However, in Splatoon 2 they’re entering their early 20s and their career has just begun to take off.
They are both still relatively youngsters, albeit older & more mature(? glancing at Pearl) youngsters than 8. This places them in a position where they can guide 8 and offer certain support and resources, but lack the maturity and experience of a full-fledged adult. This would approximate their relationship closer to that of siblings in a family setting.
Pearl & Marina are also less likely to feel a duty towards Eight as an adult would with a child. Instead, the latter’s circumstances are more likely to incite feelings of rapport and compassion as a fellow young inkfish.
Now, with all of this said, I will acknowledge that friendship/found family is MUCH more nuanced than a strict binary.
From personal experience in my last years of college, I did find myself caring for my fellow freshmen as though they were my kids, in certain ways. Hell, I called them my kids.
I acted as a proud parent whenever some of them achieved something, attempted to pass down my knowledge to them, and was protective of them to a certain extent.
They also annoyed me sometimes, like younger people do haha. And i’m sure I annoyed them too!
So I wouldn’t put it past OTH to call Eight their kid and have this mentor/parent-esque rapport with them in certain circumstances.
This is all based both on canon & my own interpretations of it, but still closely aligned to what has been shown in-game.
So if you have a different interpretation of Agent 8 and OTH, that’s great! I love to see people’s personal headcanons. Ultimately, Agent 8 is meant to be somewhat of a blank slate for the players to mold, with some hinted-at personality traits of their own.
As long as you have fun with these characters, that’s all that matters. This is just my personal opinion on their relationship in-game.
If you read all of this, you deserve the biggest golden star for listening to my incessant yapping 🤲⭐️
Feel free to bother me about this or other opinions you may have in my inbox, just be kind please!
#squid asks#off the hook#marina ida#pearl houzuki#Agent 8#splatoon 2#splatoon 3#side order#character analysis#headcanons#splatoon headcanon#splatoon fanart#long ramble#I hope this person doesn’t regret this ask *crying*#sometimes I take things too literally#splatoon#my art
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