#because im incredibly sad

[napping-sapphic]

I just want to fall in love with someone who makes me feel safe like even when we’re angry or sad or upset i just want to know that both of us are still going to be okay

[mmmairon]

Please. I don’t want to hurt you.

Inspired by @wyvernne ’s vampluc

[starry-bi-sky]

Names, Marbles, and Fae-vors - More Lore on my Changeling Danny Au

In my last post I talked about the Infinite Realms and the three different planes existing inside it - the Long Far, Home to the Ancients and Celestial Beings. The Fey Wilds, Home of the Fey and other such Mythological Constructs. And the Ghost Zone, Home to the Mortal Spirits. - as well as three of the different ways beings inside the Infinite Realms can travel between planes; the Lake Portals, the Cave Tunnels, and the Starflare Currents. The Lake Portals and the Cave Tunnels don't have an official term for them yet, but I'll come up with something :).

In this post we'll be talking about some of the abilities of the fey! Specifically the things they're most popularly known for: their name stealing and etiquette thing.

For those who are not as well-versed in Fey Lore, or need a refresher, (and because I just want to yap infodump), one of the first rules you learn when interacting with the Fey is that you never, ever, say "thank you" or "I'm sorry" to them! Which is crazy, because they're really big on etiquette and being polite to each other, which is why one of their epithets is "the Good Neighbor/s". So why should you not say two phrases most commonly used when being polite to someone?

There are two big reasons for this, and the reason I'll be focusing on for this au is because, to the Fey, saying "Thank You" is acknowledgement of a debt that's owed to them. It turns the action or gift into something transactional, and results in a verbal contract that the receiver must then repay later down the line -- and whatever point in time, and with whatever the Fey they are indebted to sees fit. Whether that be food, valuables, or your firstborn child.

The other big reason is because some Fey just think it's rude, and view "thank you" as something that dilutes their act of kindness, and/or implies that they are there to serve you. One of the best summarizations I've seen for fey is that they're bros; they're doing this because they think you're friends -- or something similar to the sort. It's deeply insulting to do all these nice things for a friend, only for that friend to reveal that they don't view you the same way at all.

It's for similar reasons that you also shouldn't say, "I'm sorry" either, except instead of repaying a gift, you are now making reparations for a wrong you have done. A misdeed must be repaid in full, now how are you going to make it up to them? And also because well, I imagine that if saying "thank you" is seen as rude, "I'm sorry" is the exact same way because it dilutes the act.

If you're in a situation where you must say "thank you" or "i'm sorry" there are ways to get around it. "I'm grateful", "you're too kind", "I apologize", or "I feel regret" are just some examples I saw used.

NOW! How is this used in my Changeling AU? The Fey work by these same rules, the only difference is that I've added a physical aspect to it! If Fey are capable of stealing the abstract and turning the incorporeal corporeal, then lets run with it!

"Thank Yous" and "I'm Sorrys" are debts, and Fey can magically bound you into a verbal contract with that alone. However, it's not uncommon -- and actually pretty standard -- for Fey to weave the excess magic of that debt into something physical. They create these delicate-looking, iridescent threads that they then weave into their hair for decoration. And in some areas of the Fey Wilds, use it as a way to show off wealth and/or their own wit.

Ever heard of Fairy Hair? Yeah, same concept.

Debt Threads, as I am temporarily calling them, are thin and airy, and not that much thicker than gossamer. Since it's a debt that is intended to eventually be paid back, it's not practical -- nor is it seen as such -- to use the threads for anything more than temporary cosmetics. As a result, they're usually used for decorating the hair, but some crafty fey use their threads to decorate other appendages, or as form of makeup. Despite their dainty appearance, the threads are actually very sturdy and can only be unweaved by the Fey that created it.

You can, technically, take back your debt thread. However, the threads are made using excess magic of the debt, and not made of the magic of the debt itself, which is why it's so thin and airy. So if you do manage to get it, congrats! All you've got is some pretty string and a pissed off feyrie whose hair you probably just yanked out.

Danny's managed to accrue a few "debts" before he realizes he's a fey, mostly from his friends and sister -- although there are a few from his parents, and some from the other student body from when he was unknowingly and instinctually doing Fey Bullshit. As a result, he starts forcing Sam and Tucker and Jazz to stop thanking him for things, and typically makes them repay him through petty, menial stuff. Like getting him food, or buying him a small but relatively inexpensive trinket he's been eyeing for a while. Never usually anything super important - it's his own way of apologizing for indebting them to him in the first place.

As for his parents... well, he'll hold onto those debts for now. Having a way to magically get them off his back with no questions asked is a boon he's pretty willing to keep close to his chest, and no amount of persuasion will convince him otherwise. Sorry Jazz, Fey side wins out on this one. As for some of the students he's got, Danny manages to psych himself up and release some of them from their contracts without repayment -- even if it makes his bones itch.

AND NOW THE NAMES! You never give a Fey your name because they say everything literally. "Can I have your name?" is a literal question -- they are asking for your name, and thus ownership over you. The other thing is that Names have power, if a fey knows your Full Name they can make you do things for them -- however it goes both ways so you could do the same thing if you learn a Fey's name.

Knowing a Name and owning a Name are two different things, with owning a Name being, naturally, more dangerous as you are basically submitting yourself to permanent indentured servitude, among other things. Knowing a Name can be risky because it results in being more susceptible to fey charms, enchantments, and requests.

But! I digress! Just like how Thank Yous and I'm Sorrys can be turned into a physical object, so can Names! This is not obligatory, nor is it recommended to do often because unlike debt threads, these can be taken back, but it happens!

Names can be trapped in these little, colorful glass-like orbs -- marbles, they're marbles/pearls. They can be trapped in what are basically magic marbles, and just like debt threads, be used for decoration. They're more versatile though, and are used for different things since unlike debt threads, the pearls are meant to be permanent! They make beautiful jewelry, since the pearls come in various different colors depending on the person it once belonged to, and the intent behind its creation.

The marbles have a hard outer shell, with the cores having a fluid, shimmery appearance. Look up liquid core dice, and Name Marbles have a similar appearance, just more... ethereal, with different shades of the same color swirling inside. Not two pearls look the same, and even ones that have similar colors or appearances have subtle differences in them that are imperceptible to the mortal eye. Some pearls look like the deepest trenches of the ocean, blacks and dark blues swirling around each other as flecks of bioluminescence float inside. While others look like a lilac winter sunset, with hand-held purples bleeding into pink and gold.

Convincing Danny to return the Names he's gotten is harder than convincing him to absolve the debts. It takes a lot more psyching up on his part to actually do it, and more verbal coaxing and negotiating on his friends' part. Because on an instinctual fey level, those names are rightfully his. For all intents and purposes, he was given those names freely and without reservation, and so to be told that he has to return what were essentially gifts to him is... deeply distressing.

Lots of cognitive dissonance there. His human-raised brain and morals know why he needs to give them back, and he feels bad for owning them. But his new changeling-baby fey-brain is deeply upset at the prospect, and is a liittle bit stronger than the once-human part of him. He rapidly becomes overwhelmed when trying to convince himself to return the Names. He does, eventually, end up doing it, but he's unwillingly upset the whole time.

[youngyoo-apologist]

I will never forget how like most of the TCF cast never got to have proper childhoods, OG!Cale, Kim Roksoo, Choi Han, Choi Jung-gun, Alberu, Ohn, Hong, Beacrox, etc

Like most of these guys were either

A. Fighting for their lives(Choi Han, CJG, Alberu, Ohn, Hong)

B. Actively on the path to self destruction(OG!Cale)

Or just like having an awful time in general. Like it’s really sad how for a long time, none of them could actually act or be like kids due to the environment they were in.

Alberu being royalty and having to hide things about himself, and probably avoid assassination and kidnapping attempts since he was young.

Kim Roksoo and how he lost his parents at a young age and was abused by his uncle.

Ohn and Hong having to run away because the Cat tribe mistreated them, and they had to survive on their own.

Choi Han being taken away from his family and fighting alone for over a century in the dark forest where he had no one but himself and the monsters that wanted him dead to keep him company.

Choi Jung-gun also being taken away from his family, and losing people who took care of him again, along with like living a thousand years going through who knows what + whatever the hell the god of death made him do.

Beacrox losing his entire family except his father when he was no older than fifteen, and immediately having to live on the run right after.

OG!Cale taking it upon himself to protect his family, and essentially destroying himself because he didn’t know what else to do.

I think about Ohn a lot, like the fact that she was what, nine, maybe ten years old when she had to run away with Hong and make sure they were both okay. The fact that she was protecting him and herself at the same time, the way that she couldn’t ever play around or have fun when she was growing up because she had to make sure they were both okay. She took on as much as she could for Hong because that’s her baby brother and she loves him more than anything.

OG!Cale and Ohn and like, how they both did everything they could for their younger siblings, ohhhhhhh I’m crying I’m crying I’m crying donnttt even look at me rn

Also Hong and Basen, like being the little brother who watches your older sibling take on burdens alone and you want to help but at the same time your your sibling tells you it’s okay and that you should just focus on yourself… When the trope is older sibling(or family figure in general) taking care of younger siblings and they make sacrifices for them, I’m not crying, what do u mean? I actually do not care. At all. Not . One. Bit.

ALSO LOCKKK , TBoaH Lock they could never make me hate you I don’t care if you were annoying, whiney and a coward, if I was you I would be annoying, whiney and a coward too… he’s just thirteen and he lost all his family, obviously he was too scared to go out of hiding, ANYONE would be scared, he was just a young boy and he lost everything. He found people who cared for him, but he lost the person who resembled his uncle and that’s really when his world fell apart. It must have felt like the whole world was against him, that Lock could never have any family ever again.

Like I can imagine he’d probably have this underlaying fear when it came to Choi Han and Rosalyn,

“what if I lose them too?”

Maybe he hated himself for being a coward, for hiding, for not doing anything… maybe he hated himself even more because when he lost Pendrick, he wasn’t even sure if he’d be able to stop cowering and hide when there’s danger. The battle between wanting to be cared for and protected because the world is just too much and wanting to fight back and help because he doesn’t want to lose anyone else

This just makes me think about TBoaH timeline more oh it’s so tragic and sickening I cried

[naamahdarling]

.

[sweetpaintedladie]

tagged by @pirateboy (hiii jorge 🤗) to add five songs you think are essential listening for understanding you as you are right now soooo

i’ll tagggg @omg-hellgirl (haha), @theclocky1 , @tiredfinch , @little-bit-of-mystery, @bargainoriley and anyone else who wants to do this !

[smellslikesouls]

i don’t understand why people don’t see real life as an actual life series worth analyzing. yeah it’s just a silly april fools joke, just a one shot. but every life series is “just” a minecraft server played played by people who are all friends irl. you can watch ALL of the life series and go “this is just for fun, there’s no deeper meaning here. these aren’t characters, they’re real people playing block game. who cares”

they really aren’t that different. and analyzing things that aren’t really there, looking for a deeper meaning in something silly, is the entire fun of these mcyt fandoms. looking for a deeper meaning is the entire backbone of the creative side of the community. it inspires the art, the writing, everything. it gets back to the ccs themselves, it’s the reason they even bother changing their skins.

it was the fun in the jerma dollhouse for me, going hahaha this is so silly!!! and the ending hits and i go. OH. OH GOD. and real life had those moments!!!!! i just wish the people smarter than me when it comes to analysis looked at it more.

also cleo themself said no one respects them as a winner lol

[yellowocaballero]

Been a fan of your fics for YEARS. I was just telling my friend how despite how much I read fics I never actually love them, with some of your fics (especially TMA) as the exception. Felt the need to reread some of them and saw you reblogged some ISAT fanart. So. Any thoughts on ISAT you'd like to share?

Hope you have a wonderful day!! So happy I found your fics again!!

I avoided answering this for a while because I was trying to think of a way to cohesively and coherently vocalize my thoughts on In Stars and Time. I have given up because I don't want to hold everybody here all day and I have accepted that my thoughts are just pterodactyl screeching.

I love it so much. I have so much to say on it. It drove me bonkers for like a week straight. I have AUs. It's absolute Megbait. They're just a little Snufkin and they're having the worst experience of anybody's life. Ludonarratives my fucking beloved.

I am going to talk about the prologue.

The prologue is such a fascinating experience. You crack open the game and immediately begin checking off all of the little genre boxes: mage, warrior, researcher, you're the rogue...some little kid who's there for some reason...alright, you know the score. You're in yet another indie Earthbound RPG, these are your generic characters, let's get the ball rolling.

Except then you realize that these characters are people. You feel instantly how you've entered the game at its last dungeon, at the end of the adventure. They have their own in-jokes, histories, backgrounds, adventures. They get along well and they're obviously close, but not in a twee or unrealistic way. They have so much chemistry and spirit and life. I fell in love with them so quickly.

But Sif doesn't. Sif kind of hates them, because they will not stop saying the same damn thing. They walk the same paths, do the same things, make the same jokes, expect Sif to say the same lines. They keep referencing a Sif we do not see, with jokes we never see him make and heroic personality he never shows - they reference a Sif who is dead - and Sif can't handle that, so he kills them too.

They become only an exercise in tedious frustration. Sif button mashes through their dialogue, Sif mindlessly clicks the same dialogue options, Sif skips through the tutorial, Sif blows through the puzzles. Sif turns their world into a video game. Sif is playing a generic RPG. Sif forgets their names. They are no longer people with in-jokes, histories, backgrounds, adventures. They're the mage, the warrior, the researcher, and...some random kid.

I did not understand the Kid's presence at first. I had no idea what they contributed to the game. They didn't do anything. As a party member in a video game, they're a bit useless. Why is the Kid there?

Because Sif's life isn't a video game. Because the kid isn't 'the kid'. They're Bonnie. Bonnie, who the party loves. Why is Bonnie there? Because they love them. There is no room for Bonnie in the boring RPG that Sif is playing. And then you realize that Sif is wrong, and that they've lost something extremely important, and that they'll never escape without it.

Watching the prologue before watching ISAT gave ISAT the most unique air of dread and horror, because you crack open ISAT and you see the person Sif used to be. You realize that Sif used to be a person. Sif used to be the person who made jokes, who gave real smiles, who interacted with the world as if they are a part of it. And you know you are sitting down to watch Sif lose everything that made them a person, to lose everything that made them a member of this world, and turn them into a character in a video game who doesn't understand the point of Bonnie at all.

At the climax of the game, when the others realize that something is deeply wrong and that Sif physically cannot tell them, they realize that there is nothing they can do. So Bonnie declares snacktime. And for the first time they have snacktime.

What is snacktime? Classic JRPGs don't have snacktime. There's literally no point to a snacktime - not in a video game, and not in Sif's terrible life. It's not fixing this, because nothing can fix this. But Bonnie gives Sif a cookie and Sif eats it.

It's meaningless. It's a cutscene. It didn't save Sif and it didn't change a thing. It will make no difference in the end.

But it did make the difference. It made all of the difference in the world. Bonnie is a character who you really don't understand the point of before you realize that Bonnie was the entire point.

ISAT is about comfort media. Why do we play the same video games over and over again? Why do we avoid watching the finale of our favorite shows? What is truly comforting: a story with no conflict, or a story where you always know what is about to happen? Do you want to live in a scary, uncontrollable world, or do you want to play Stardew Valley? Do you want a person or a character?

When I beat Earthbound for the first time (and if you don't know, the prologue/ISAT battle system is just Mother) and watched the ending cutscene where the characters part ways and say goodbye...I felt a little bit sad. I wanted them to be together forever. But that's something only characters could ever be.

[chilling-seavey]

Me @ Will Buxton right now:

Critiquing their driving, their performance, and their skills weekend to weekend is absolutely fair play.

Critiquing and psychoanalyzing the drivers personalities to the point where it almost sounds like you're a teenager talking shit for a reaction is not in your job description, buddy.

Reference

[kheprriverse]

Me: I don’t think I’m gonna make Baljin canon.

Also me: wellllllllll…

- draws canon events with baljin included -

[sallymew4]

finally drew something at least somewhat legit for the pre-mob terumob ive been churning out recently

i like them .i think theyre silly :)

vv bonuses vv

[whos-hotter-jjba]

Hottest JJBA Outfit Bracket - Round 1 Match 62

[greasydumbfuck]

watched the 2004 punisher movie yesterday with pixie and honestly i had fun 👍 some stuff was good some stuff was eh some completely irrelevant stuff made me mildly annoyed. but most of all it was funny and they had frank hang around with his tits out for multiple scenes so i mean how could i not have a great time tbh

[swagging-back-to]

the way literally every fucking person has been REPULSIVE about euthanasia lately.

[ofthehands]

I think the thing that endeared me to Lefty's character the quickest was how much he cared about Franklin.

The whole first movie Franklin was ignored, abandoned, and ultimately killed. Nobody treated him like he was worth the time of day, all his "friends" were annoyed with him the whole film because he was in pain, scared, and disabled, and dared to say something about it. Tons of fans were happy when he died, and Franklin's death is sudden, swift, and the most gratuitous of the movie save for maybe the Hitchhiker. In the first movie, Franklin's life and struggles and pain never felt like it mattered.

But in the second, here comes Lefty, absolutely wrecked with grief over not only Sally's fate, but Franklin's. His whole character, his arch and his motivation, is built around the idea that Franklin did matter. That what happened to Franklin was a tragedy. That Franklin was loved, and that he was worth fighting for and worth avenging and even worth dying for. When Lefty found Franklin's body he knew him right away, in the dark, after 13 years of decomposition. And the tragedy of it all brought a fast paced wild scene to a stand still- everything slowed down to show us Lefty reacting to Franklin's death, kneeling down and telling him it was alright, that he didn't need to cry anymore, that this nightmare was over.

It's just nice to see someone value Franklin, even if it's too little too late. There was no time for it to logically happen but I wish we could've seen them interact at some point.