#because i really enjoyed writing it lol

[d3arapril]

PUSH 2 START | p.b

pushin' on my buttons with no hesitation, gas me up give me motivation

pairing: paige bueckers x f!reader word count: 5.4k words of pure filth sorry not sorry warnings/tags: sexual content. VACATION PAIGE!!!, they get drunk and nasty FRRR, dom!paige, oral, fingering, strap usage (yes i finally wrote it), squirting, doggy, spanking, overstim - bro i could literally go on and on, just read it lol. (reminder - don't like it? don't read it)‼️ ᡣ𐭩 this idea quite literally came to me in a dream. this wasn't supposed to be full on smut but obviously i got carried away & ended up writing quite possibly the dirtiest thing i've ever written.... i listened to tyla's album on repeat whilst writing hence the random title. enjoy :D as always feedback & reblogs are appreciated x

“Think I have heatstroke.”

You roll your eyes from where you’re sat on the balcony, distracted from the half eaten packet of lays sat in your lap. You shift in your seat to crane your neck around to look at Paige through the glass doors, sun beaming down onto your skin.

“We were outside for like, half an hour.”

The Greek sun was no joke. You'd both decided to treat yourselves to a last minute vacation, frantically booking one of the nicest apartments you could both find a week prior to departure. Seven days on a Greek island was your idea of heaven and Paige had willingly agreed, claiming she needed some sun.

However, what she wasn't prepared for was the sun being the hottest thing she'd ever felt in her 23 years of being alive– her words.

The blonde groans from where she’s splayed out on the bed. The crisp, white sheets are a nice contrast against her newly tanned skin, body wrapped in a white fluffy towel.

You stand up from the chair, grimacing at the sting of your legs unsticking from the plastic. The packet of lays gets abandoned on the small table before you and your toes burn against the hot tile as you hop back into the bedroom, pulling the door shut behind you.

Paige doesn't flinch when she hears you come in, cheek smooshed against the sheets. She hums in the back of her throat when you scratch at her scalp as you pass her, her hair still slightly damp from the shower.

"You gonna make it to dinner, champ?"

A breath of a laugh leaves Paige as she pushes herself up with another groan, towel loosely tucked around her body. You're busy sorting through the selection of dresses you'd packed when you feel her wrap her arms around your waist, chin resting on your shoulder.

Her head juts towards the white dress hanging up in the closet. "Wear that one."

It's a fairly simple dress- plain white with a racer style neckline and ruffled skirt. You take it off the rail and hold it up in front of you, head tilting as you study it. "Really? It's kind of boring."

"Nah," Paige's hands rub up and down your sides, nose nudging against your cheek. "S'my favourite." She punctuates her sentence with a kiss to your jaw. It's seemingly innocent, but you know the girl well enough by now.

You slip out of her grip, dress in hand, before she can try anything, grabbing a pair of white strappy heels as you go.

"I'm gonna get ready in the bathroom," you're heading towards said room before she can stop you. "Reservation is at 8!"

You're sat on the couch, impatiently tapping a heel against the flooring. You tap against your phone screen to check the time for what felt like the hundredth time– you only had five minutes to get to the restaurant. Somehow, Paige always managed to take so long to get ready. You'd tried to get into the bedroom to see what was taking her so long but the door was locked so you were forced to sit and wait for her like her chauffeur.

You're scrolling through TikTok when you hear the lock click on the door. You huff, grabbing your bag from beside you. Standing up, you run a hand down your dress to flatten out any creases and when you look up Paige is stood in the doorway.

She's got her hair slicked back in her classic bun and she's wearing a white shirt with a simple black crop top underneath. The shorts she's wearing are black, too and she's wearing the Nike's you bought for her. She stands in silence, hands tucked into her pockets as she watches you take her all in.

You slink towards her, heels clicking against the tiles. You're aware you're probably staring at her like she's a piece of meat but you can't find it in you to car when she looks this good, plus it's not like she would complain.

"You're late," you hum, pulling her in by the belt loops. "What took you so long?"

She shrugs, opting to not respond. Instead, her hands reach out to rub down your back. "You look..." She pauses, leaning back. Her eyes start from your heels, trailing up your legs. Her gaze pauses on your chest for a second before meeting your eyes. "Really fucking good."

The pink of her tongue darts out to wet her lips as she takes your hand and holds it above your head. "Twirl for me."

You do as she says, giddily spinning in a circle for her. Her teeth pull at her bottom lip as she watches you, the vanilla from your perfume hitting her like some sort of pheromone. You drive her insane.

"You like?"

"You know I like. We're matching."

Before you can respond, the sudden dread of missing your reservation hits you and you're kicked into gear, eyes widening as you cast a glance at your phone in your hand.

"Fuck, we're late!"

You pull Paige by the wrist as you frantically leave the apartment, locking the door behind you and walking as fast as you could in your heels to the restaurant.

Alcohol in Europe is different to the alcohol in America– it's somehow much, much stronger.

You'd had an amazing dinner, followed by some amazing cocktails. What was supposed to only be one or two turned into arguably too many and before you knew it you were both stumbling back to the apartment.

The front door is opened and shut again faster than you can blink and you're pressed against it before your brain can catch up with you. Your head spins a little when you tilt it up to give Paige access to your neck, dazed smile spreading across your lips.

"Mmmm," Paige all but moans against your skin, licking a stripe up your neck. "Tastes good."

"Might be the alcohol." the words leave you lazily, slurred. Paige pulls back to look at you, eyes glazed over.

"Nah, s'all you."

You pull her in with a hand gripping the back of her neck, lips slotting against hers. It's hot, messy- her tongue slides against yours and you taste the alcohol on her breath. Ordinarily, you'd make a joke about her needing to brush her teeth but you're fully aware you're just as bad so you remain silent, just kiss her deeper and softly moan into her mouth.

When you part from each other you're both panting, string of spit separating the two of you. You lick your lips and it breaks, clinging to your bottom lip. Paige's thumb reaches up to wipe it away, pad of her thumb pressing against you. She just stares at you as she swipes the digit across slowly, smudging the remainder of your lip liner down your chin.

"So fucking fine," she murmurs, eyes trained on your lips. Your tongue darts out to lick at her thumb, smirk forming when she lets out a shaky breath. "You tryna kill me?"

"Maybe." you smirk at her, pushing at her shoulders until she stumbles back. You glide past her and head to the lounge, the blonde hot on your heels.

She catches you by the couch, arms caging you in from behind. You let her, of course. The cat and mouse game is usually fun but when you're this desperate, there are plenty other things you'd rather be doing.

"So many rooms to choose from," Paige whispers against the shell of your ear, "So many places to fuck you in."

Your knees almost give out and you're sure they would've if it wasn't for Paige holding you up, her chest pressed tight to your back.

"Could fuck you here," a flick of her head gestures to the couch.

Her hands find your chest, squeezing at your tits through the fabric of your dress. "Or on the counter, on the balcony."

You're abnormally quiet, nodding at whatever she says. She snickers, hands trailing down further until they reach the hem of your dress. Paige knows that when you're speechless, she's doing something right.

"You want that?"

"Yes."

"Which?"

"All of them."

She spins you around and you have to grab onto her to steady yourself. Her cheeks are all flushed and she's clearly just as drunk as you.

"Gonna let me?"

You feel like you're going to cry from how badly you want it.

You nod eagerly, gripping the fabric of her shirt. You want to rip it off of her, lick all over her tan lines and have your way with her but you let her have this one; you can tell she's in the mood to take control and you'd never be one to deny her of that.

She wrestles herself from your tight grip and flops down on the couch, legs spread and arms wide across the back cushions. You're still stood in your spot, hands now awkwardly by your sides as you wait for her to tell you what to do.

"Take it off."

You lean down to slip off your heels but she stops you with a cough.

"Keep 'em on, I meant your dress."

"But-"

"Off, c'mon."

You stand up straight again, gripping the hem of your dress and pulling it up and off your body. It's a bit of a struggle and you stumble around slightly but it eventually slides off of your head. It drops beside you and you're left in a simple matching white set.

Despite the alcohol coursing through your body, you still manage to feel shy under Paige's heavy gaze. She's still sat in the same position, eyes raking over your body.

"C'mere."

You toe towards her with careful steps, nothing but the sound of your heels clicking against the tile and both of your heavy breaths echoing throughout the room. You're standing between her legs, much like you were earlier, and she still doesn't move from her spot, fingers gripping at the cushions of the couch.

Paige’s gaze remains locked on yours, her lips curling into a smirk as she leans back further into the couch, making no move to close the distance between you. Her liquid confidence oozes with the weight of her stare and the longer she waits the more your heartbeat thuds in your ears.

“Closer." she murmurs, her voice low.

You inch forward until your shins hit the leather of the couch. You try to stop your hands from shaking, try to act like this is any other time you've been in this situation but there's something about having the entire space to yourself that makes this feel so different, so intense.

"Do you plan to do this all night, or?" your voice comes out quieter than you'd intended.

She lets out a laugh, arms reaching forward to pull you in by your hips. You fall into her lap, bracing yourself against her shoulders to soften the impact.

"I just like lookin' at you," Paige licks her lips, glossy eyes looking up at you. "So sexy, you know that?" Her left hand smooths up your torso, grips at the fat of your chest and squeezes.

You whimper pathetically at the contact, your hands moving from their spot on her shoulders to her hair. You mess with the hair ties and pull the bun free, fingers brushing through the blonde strands. Paige hisses when your nails scratch against her scalp, hips pushing upwards against your own.

Her right hand slides around your back and she pulls you down until your chests are pressed together. You kiss her, open mouthed and messy as your tongue laps at hers, grinding down against her. The rough metal of her zipper presses against you through the thin material of your underwear and you whimper against her mouth, eyebrows drawing together at the feeling.

Paige's left hand finds home on your ass, squeezing and guiding you to rock against her. You whimper into the kiss as she uses her hold on you to grind you down onto her harder, tongue pushing further into your mouth. You can feel the heat radiating off of her, can smell the scent of the shampoo she used in the shower this afternoon and taste the alcohol on her tongue. You're practically drunk on her let alone the alcohol, and she's definitely drunk on you, too.

You're so caught up in the moment you're not prepared for Paige to flip you around. You let out a small ah! as she does so, head spinning from the sudden movement. Your back is now against the cushions, leather sticking to your sweaty skin. The blonde slips down onto the tiles in front of you, now kneeling between your legs.

"Hold 'em." Paige's hands are at the backs of your knees, pushing them up until they're almost at your chest. The heels of your shoes knock together and it's a reminder that you're actually still wearing them. You do as she says, clammy hands gripped tight over hers. You watch with bated breath as she slips her hands from your grip, thumb coming to press against your clit through your panties. It's a soft touch but it's enough to make you gush again; what was once a thick white material now a glossy, sheer mess.

"Fuck," Paige breathes. She moves her thumb in small, gentle circles around the clothed area. Your head falls back against the cushion of the couch, mouth open in a silent moan. "This all for me?"

"Always," you murmur, licking your lips as you move your heavy head, eyes meeting hers. "It's yours."

"Yeah it is," Paige nods, her voice coming out strained. She moves to slide her hands up the backs of your thighs and hooks both thumbs into your panties, pulling them up and off your legs until they're hanging around your ankle, exposing your pussy. "So good." she purrs, leaning forward to press open mouthed kisses against you. You suck in a breath when her tongue laps up your slit, nails digging into the skin of your thighs.

She moves slowly at first, and for a moment you wonder if it's because of her own drunkenness, but the longer she goes on the more you're reminded of just how good she is at this. You feel like you're going to explode at the slightest touch, every stroke of her tongue against your clit sending shocks of pleasure through your entire body.

"Paige," you moan repeatedly, her name coming out like a prayer. She hums against you, hands pressing against the backs of your thighs to keep you spread open for her.

You gasp at the feeling of her warm, wet muscle pushing past your folds to languidly dip against your entrance. "Oh fuck, fuck- babe."

She's sloppy with it, a mixture of your juices and her spit dripping down between your ass and onto the couch. You'll scold her for doing this here tomorrow but right now it's your last concern.

Your toes curl when she shakes her head against you, tongue flicking against your clit. "Gonna make me cum," the words leave you as a sob, mouth hanging open. You feel the wetness between your thighs increase even more when you hear her moan, the vibrations shooting pleasure straight up your spine. "Feels so good."

Paige's fingers dig harder into the skin of your thighs as she continues to lap at you. She pushes her tongue into you again and then moves upwards, pressing sloppy kisses against your swollen clit.

"Yeah, right there, please-" you choke on your own words, the feeling of her nose brushing against your sensitive skin making you jolt. You can't stop the loud cry that leaves you as she sucks your clit back into her mouth, tongue massaging against it.

The room is spinning and your legs start to cramp from how hard your muscles are tensed, nails almost piercing into your skin when the chord in your stomach suddenly snaps. You're practically crying, eyes rolled back in your head when it hits you. Paige helps you ride it out, keeping you pressed to the couch whilst she drinks up your slick. You're trembling, stomach rippling from the intensity.

You expect Paige to pull away, lean up and give you a messy kiss like she normally would but instead she slides two fingers up and down your pussy, gathering your wetness on the tips before she's pushing them into you.

"Wait," you whimper, feet kicking in the air. "Babe, wait, I just- I'm-"

"You're good," she murmurs, lips brushing against the inside of your thigh as her fingers slowly pump in and out of you. "I got you, just relax."

You mewl, letting her have her way with you. She starts off slow, fingers curling up deep. The sound is obscene, with every flick of her fingers the wet sound fills the air but you feel no shame, if anything it just turns you on more.

Paige definitely feels you flood her fingers because she picks up the pace, thrusting her fingers deeper into you, curling them with each stroke. Your entire body is coated in sweat, droplets beading against your skin. Her other hand moves from its place on your thigh to spread you wider, opening you up to her even more.

It's all too much; the heat, the way you're spread open for her, the pressure building deep in your stomach. She adds a third finger and the stretch makes you sob, legs starting to shake in your grip.

"I can't," the words spill from you, incoherently. "Please, please I can't."

"Shhh," Paige coos, leaning down to kiss the back of your thigh. "You can, gonna make you cum again."

She curls her fingers and the tip of her middle finger brushes against that spot, her palm pressing down against your clit. The feeling is so intense and you can't do anything but whine, thighs shaking around her.

"So good to me," Paige breathes out, heart hammering in her chest. She watches the way your pussy clings to her fingers, the digits now glistening as she pulls them out of you before thrusting back in. "She loves me, hm?"

You nod feebly, tears slipping down your cheeks, head lolling against the cushions of the couch.

Paige is relentless, fucking her fingers into you with such force you can feel the pressure in your ass. Your legs are starting to burn and so are your hips and it feels like a balloon is being blown up in your stomach, pressure becoming harder to ignore with every pump of her fingers.

"M'gonna cum, fuck, Paige-"

You cum for the second time with a broken sob and you hear it before you feel it, the distant sound of a splash against the tiles below you followed by Paige's load groan. It hits you hard, legs quivering as you squirt around her fingers, the wetness coating the floor. She slips her fingers out quick enough for another gush to leave you, trickling down your ass and onto the leather.

She moans, watching it play out in front of her. It's the hottest thing she's ever seen, her fingers now rubbing against your clit in quick motions.

"Again, again."

"Fuck, I can't-"

"Again." she demands but the word leaves her like she's begging, voice a pitch higher.

It's embarrassing how fast the heat builds in your stomach again, and before you can stop it you're squirting all over again, pussy clenching against nothing as you cry out.

Paige leans down, tongue slipping between your folds to drink you up. You're sobbing, trying to get away from her but you can barely move.

"You're okay," Paige mumbles, soothing her hand down your quivering leg. "I got you, s'okay."

A moment passes, Paige's head resting against the back of your thigh as she strokes her soaked hand against the other. You drop your legs ungracefully, stretching your limbs and groaning when your hips and knees crack after being bent for so long.

"That sobered me up." you whisper, heavy eyelids threatening to close. "Did they put viagra in your drink?"

Paige stifles a laugh, her own knees cracking when she stands up. She holds out a hand you to help you up and you take it with a shaky one of your own. You grimace at the feeling of the wet leather sticking to your bare skin, standing up.

"You ruined the couch."

"Says the one who squirted like a fucking firehose." Paige's hand comes up to push the hair from her face, a bead of sweat dripping down her temple. "S'not my fault I do that to you."

You groan, pushing at her shoulder. "Shut up."

Paige laughs and drops her hands to your hips, walking you backwards towards the bedroom. You stumble a little, bambi-like legs struggling in your heels.

"Get on the bed."

You're pushed backwards onto the bed, bouncing slightly when you hit the sheets. Your chest is heaving, heart still thumping wildly in your chest. Paige is climbing over you, caging you in with her arms and legs. Her lips ghost the shell of your ear,

"Still gotta fuck you in here."

She ducks down and connects your lips, teeth knocking against yours as she does so. Her hips grind down against yours and your hands snake under the fabric of her shirt, pushing it off her shoulders. Paige pulls back to shrug it off of her and throw it blindly behind her, reaching back to pull her crop top off in one fluid movement. She's braless, tan lines from her bikini top prominent against her now tanned skin. The sight alone makes you moan.

You both shimmy up the bed, lips still connected, and when the back of your head hits the pillow Paige's lips are on your neck. You sigh, hand smoothing down her back. Her skin is damp and so is yours, the smell of sex filling the air.

"Please, babe," you whimper, fingers pulling at the waistband of her shorts. Paige hums, sitting up to push them down her legs and kick them off.

"Hmm," she murmurs, fingers sliding over your cheek, thumb resting against your bottom lip. You part your lips, tongue swiping out to lick the pad of her thumb. "You gonna do something for me?"

"Anything."

Wordlessly, Paige pulls off her boxers with practiced ease and begins crawling over you. Her hand rests against the headboard as she steadies herself, the other reaching down to cup her pussy. You lick your lips, eyes flickering between hers and her cunt.

"Please," the word is soft, leaving you breathlessly. "I wanna taste you, please."

"Yeah?" she tilts her head, the pad of her index finger sliding up and down her slit. You watch her gather her wetness and then bring it up to her clit, circling the bud. "Wanna make me cum?"

"Please, please." you grip at her thighs, nails digging into her skin. Paige moans at the feeling, her own hand now moving faster against herself. "Wanna make you feel good."

Paige's hand leaves her pussy and she hovers above you, holding onto the headboard. You lift your head and stick your tongue out, eager for her to sit on you. You whine when she hovers her pussy just above your mouth, tongue swiping out to lick against her folds.

"Fuck, yeah," Paige moans, head dropping forward. Her left hand grips the headboard whilst her right holds onto her pussy, spreading herself open for you. "Yeah, good girl."

The praise goes straight to your core and you moan, tongue darting out again. She's finally sat on your face and your head falls back against the pillow, licking at her cunt like a woman starved.

She starts grinding against your tongue, the slick sounds filling the air. You're making a mess of yourself, saliva dribbling down your chin as you lap at her, tongue dipping inside her.

"S'good," Paige pants, grip against the headboard tightening. "Yeah, like that-oh fuck."

Your tongue flicks against her clit, your thighs squeezing together as a you feel your pussy gush just from making her feel good. She's so warm and wet and tastes so good and you can't get enough, tongue lapping at her clit in quick, harsh motions.

"Keep- fuck- keep doing that," her head drops forward and her hips cant, her movements becoming sloppy as she chases her high. "Right there, yes-"

Her legs start shaking, the muscles quivering under your touch and her hand reaches down, smoothing against your hair. Her hips move erratically, chasing her orgasm.

"Oh fuck, m'gonna cum." she pants, a bead of sweat rolling down the valley of her breasts. "Keep- yeah, yeah-"

Paige cries out with a broken moan, her orgasm washing over her. She's shaking all over, groaning as you keep lapping at her clit. You drink her up, moaning against her pussy.

"Please," she begs, her voice high pitched. "Fuck, I can't."

She's cut off by her own sob, eyes rolling back in her head. The room is filled with her moans, the sound bouncing off the walls and mixing with the obscene sounds coming from where your mouth is.

Paige is squirming on top of you, the sensation of overstimulation sending waves of pleasure through her body. Two can play at that game, you think.

"So good to me," Paige manages to choke out between moans, teeth gritted. "My fucking girl, s'so good."

You're drunk off of her, her words of encouragement only spurring you on. You roll your tongue against her clit, nails pressing down harder into her skin. Paige fights against your grip, hips lifting up as she pants heavily, forehead pressed against the wall.

She shakily moves her hips backwards and away from your mouth, now sitting across your hips. You're breathing just as heavily, the room spinning around you. Your chest is heaving and your eyes are half lidded as you stare up at her, lips red and puffy.

"You're so hot," you mumble, eyes drifting across her chest. The words leaving you before you can even process them.

Paige snickers, running a hand through her hair. "I know."

"So fucking annoying."

"You love it."

And well, she's not wrong. You reach up, cupping her tits and giving them a firm squeeze. Her hands reach up to cover yours, leaning into your grip.

"You want it?"

It takes a moment for your brain to catch up and figure out what she's referring to but when she gestures down to her crotch with a nod of her head, the cogs turn into place.

Paige spots the excitement in your eyes because she sniggers, tongue kissing her teeth. "'Course you do."

She clambers off of you, slight wobble in her legs as she does so. The moonlight dances through the room and you can see the sweat beading against her back, muscles rippling when she digs through her suitcase.

When she turns back she's got the harness briefs dangling from her fingers, skin coloured dildo fisted in the other hand. She wiggles her eyebrows at you and you roll your eyes back at her, urging her to get on with it.

She stands at the end of the bed, slipping the boxers over her feet and up her legs. She fits the dildo into place, bottom lip pulled between her teeth in concentration when she fumbles slightly.

You watch her with bated breath, squeezing at your covered tits mindlessly.

"Keep that on," Paige mumbles, nodding towards your bra. She crawls onto the bed, stopping at your feet. "Turn over for me."

You flip over with a groan, using what little strength you had left to keep your chest flat to the mattress, ass high in the air. Just how you know she liked it.

She affirms your thoughts with a soft moan at the sight of you, moving further up the bed. You feel the plastic brush up against you and it makes your thighs twitch, ass jutting up higher for her touch.

Her hands smooth against your ass, squeezing at the fat of it when you back up against her again. "Someone's impatient."

"C'mon." you urge, shaking your ass just enough to get her to fold. It works, of course, because she moans again- deeper this time. She grips the base of the dildo and slides it between your folds, blunt head nudging your clit. You're still soaking wet, the plastic glistening before she's even put it in you.

"Damn," the word leaves Paige automatically, pupils blown out as she admires your mess. "Ask me nicely and I'll put it in."

You groan against the sheets, fits gripping the cotton tightly. "Please, Paigey."

The nickname gets you a harsh slap to the ass, the impact stinging your skin. You suck in a breath through your teeth but the smirk grows across your lips despite it all.

"Fuck me Paigey, please."

"Shut the fuck up."

She slides in with one smooth motion, intrusion bringing your brows up to your hairline. It stings slightly but the familiar is welcomed, comforting almost.

"Gonna fuck you now," Paige's hands smooth down your back, coming to rest at the base of your spine. "Gonna make you fucking cry."

You strain your neck against the bed to get a peek at her and you're not sure you've ever seen her this wound up before- her eyes are wide, a red flush travelling across her chest and up to her cheeks. She's fucked.

Her hips draw back and then slam back into you, the sound of skin on skin deafening you. She's unforgiving, nails digging into your skin as she uses your hips as leverage to fuck into you. She's grunting with each thrust, bottom lip trapped between her teeth.

"Yeah, yeah-" you whine, eyes screwed shut as the blonde ruins you. You can just about hear how wet you are over the sound of her skin smacking against yours, the recognisable squelch of your pussy getting louder when she grants you with another slap to the ass. "You fuck me so go-ood."

"Yeah?" Paige breathes out, slapping your ass again. Her hand tingles from the force but she ignores it, slapping your other ass cheek with the same hand. "Whose pussy is this? Hm?"

You can barely respond, body jostling against the sheets.

"Is it mine, baby?"

You nod against the sheets, helpless.

Another slap.

"Tell me."

"It's yours!" you cry out, fingers practically ripping holes into the sheets. "Yoursyoursyours-"

"Fuck yeah it is."

She pistons in and out of you at an ungodly speed and it makes you dizzy- so dizzy you don't even feel your orgasm approaching until you're on the edge, threatening to tip over.

"Cumming!" is all you can let out, the word caught in your chest as your spine curls inwards, heels kicking up against your girlfriend. It hits you like a truck, legs spasming and arms stretching out against the sheets as you cream against Paige. You see spots in your vision, eyes crossing as the pleasure consumes you. You feel everything, and then all of a sudden- nothing.

"You good princess?"

You crack an eye open to see Paige laying beside you, propped up on an elbow. She's gently stroking your cheek with her thumb, hair now pulled up into a messy bun atop of her head.

"Did I die?"

She snickers, leaning across to press a kiss to your forehead. "I killed that pussy, maybe."

You release the sheets that's still gripped in your hand to shove the blonde back but she just sticks her tongue out at you, reaching behind her for a glass of water left on the bedside drawer.

"Drink some, you need it."

She holds it to your mouth and you chug it down, dry throat welcoming the fluid. "I seriously passed out?"

"Eh," Paige shrugs, rubbing down your back. "You were conscious, just about."

"Wow," you roll onto your front, ache between your thighs making itself evident. "You did a number on me."

"Same again tomorrow?"

Your palm smooshes against her face, pushing her away with a laugh.

"Your turn tomorrow, Bueckers."

[pastelhooman]

[WVW Exchange Event 2023!]

"The kisses on your lash, your ears, on the nose that keeps scrunching. The kisses on your hand, on your cheeks, and the exchanging soft words waiting for the break of day."

----- ID under break -----

A total of 6 pages of comics, starting with a close up shots of vash kissing sleeping wolfwood's nose, eyes, lashes, and he furrows them a bit. an overhead shot of the two of them in a motel room, on the bed with vash leaning over wolfwood from the left, laying soft kisses on him. their legs tangled. their normal outfits are thrown haphazardly on the floor, instead donning comfortable clothes. on the outside, the very first ray of lights are yet to shine.

"what a face you're making pfft" - vash says as he grabs both of wolfwood's cheeks, squeezing them a bit. wolfwood mumbles, "There's something that keeps landing on my face, it tickles." he grabs the hand that is on his right cheek. "Well you're letting it happens anyways right?" Vash muses, bringing the hand up to kiss on its knuckles. "Good morning Wolfwood. It's almost dawn"

"… Isn't it way too soon?" - wolfwood asks, but keeps to himself the prayers he's sending to god because the the boy on top of him was such a sight to behold. Vash flops down onto him, leaving the hand hanging and lace his own hand into Wolfwood's hair, peppering kisses to the side of his face. "Yep" - he answers - "But you woke up on your own tho" - facetiously. He giggles, saying that it was a joke after a beat of silence. A sigh, "don't make me upside you first thing in the morning." Wolfwood closes his eyes, hand combing through golden strands. "Heh, how merciful~" "We have a meet up with Milly and Meryl today, remember?" Vash reminds him, which does raise some vague memory. wolfwood hums, the other hand reaching around vash's torso, hugging him. " So, the sooner we arrive, the less likely she'll chew through my head." - Vash adds. "riiiight. And you were SO urgent in waking me up." in wolfwood's hold, both of them slowly turn to the right, towards the edge of the bed.

Well, you were just soooo cute, I couldn't help it! didn't thinkk you'll actually wakE UAA-!"

the bed creaks under the sudden shift in weight as wolfwood tosses vash over and under him, arms firmly hugging him, one at his back and one at his head, hungrily dives down to kiss. "!! Wolf-! Wait-!" Vash yelps, leg instinctively curls around the other's man hip to hang on, trying his damnest to grip on his shirt as HE is now half airborne, barely has any contact with the bed on his upper body. However, wolfwood seems to have another idea as he keeps deepening the kiss, pointedly holding Vash close, hands spread guarding the back of his head as both of them are sliding off the soft fabric.

"THUD!" a resounding fall, possibly enough to wake the room downstairs, followed shortly by laboured breaths amist wet smacks of lips. Heaves and huffs of air exchanging between the two bodies when the need to breath made itself necessary. They press close, cradling each other, and are lost to their own world. After a while they had to part. Metal arm shifts through black locks, caressing down to his nape and they hold eye contacts there, with lidded eyes, strands of saliva thins then breaks.

Wolfwood pushes up on his arms, looking smugly down at his now disheveled partner: "Now this is how it's done, Needlenoggin." he remarks. Vash tries to wrangle his thoughts back in order, but strings of Wolfwood's name and a wonderous question keeps filling his mind, of whether he should risk it all and have fun for a bit more. Regardless, snapping out of his trance, Vash sourly asks, with a wry smile and an aching head: "But did you really need to roll off the bed?" "Wrong side, whoops" - Wolfwood anwers unseriously, laughing as he finds the situation quite amusing.

----- End of ID -----

[fatedroses]

And some days, I just wish you wouldn't look at me at all.

[sukuna-dees-nuts]

rizzless sukuna pt 5

lowkey this is almost feels like crack at this point 😭

idk what im doing. im just going with the vibes i started with when writing this series lmaoo

Part 1 | 2 | 3 | 4

---

It's a beautiful Saturday morning; the sun is bright, the birds are chirping, and Yuuji is currently setting up the gaming console as Nobara and Megumi make themselves comfortable on the couch. His parents are out running errands together and Sukuna is… actually, Yuuji doesn't know and currently isn't concerned with his brother's whereabouts because it means that Yuuji and his friends get the house to themselves for the time being.

Nobara kicks off her shoes and plops down in the middle of the couch, resting her feet on the coffee table. Megumi drops next to her, pulling out his phone as he looks around. He glances back to Yuuji as he asks, “Is Sukuna not here?”

“Who cares?” Nobara replies, tucking a strand of hair behind her ear.

“Uhh, I don't know,” Yuuji says over his shoulder with a shrug as he gets to his feet. He makes his way back to the couch, tosses a controller to Megumi's lap, and hands another to Nobara. Taking a seat next to her, he sighs, “Probably vandalizing old buildings or something.

Nobara snorts. “Egging houses,” she adds.

“Surely he's done that before,” Yuuji comments as he picks his character and kart.

It’s no surprise that Yuuji and Nobara battle for first place in every race. Both are extremely competitive and weirdly good at this game. Megumi, however, almost always finishes in dead last. He doesn’t care; he never has and probably never will.

“Hey, Megumi, do you ever not come in last place?” Nobara asks with a shit-eating grin, pulling her eyes away from the screen and over to her friend. His brows are pulled together, and there’s a deep frown on his face as he falls off the edge of the map again.

“Do you ever shut up?” he grunts.

Yuuji cackles. “Don’t you play with Gojo?”

“Not because I want to,” Megumi sighs, dropping the controller when he finally finishes the race.

“Well, I guess someone has to give him enrichment time,” Nobara hums and crosses one leg over the other.

The front door opens, and Sukuna steps inside the house. He wipes his face with the hem of his shirt as he walks into the living room. Of course, the last thing he expects to see is Megumi sitting on his couch.

Their eyes meet, and Sukuna feels his heart skip a beat.

Instantly, Megumi’s eyes flicker from Sukuna’s face to his exposed abdomen and back up again. It’s only a split second later that he looks away, awkwardly scratching his cheek as he looks down at the controller in his hands.

“What are you losers doing?” Sukuna asks as he steps into the living room.

“We were having a good time,” Yuuji states without looking away from the screen. His character throws a red shell, hitting Nobara’s kart and allowing him to take first place. “Yes! Take that, Kugisaki!”

“This is why girls don’t like you!” Nobara shouts, shoving Yuuji hard enough that he falls off the couch.

The boy lands on the ground with an oof! but it doesn’t stop his focus from the race.

Sukuna watches the scene play out with his top lip curling in annoyance. As he rolls his eyes, he takes a seat on the arm of the couch next to Megumi. He can’t help but notice that the boy is in last place and after spinning out, immediately drives into a banana peel that he could have easily avoided. Sukuna snorts in amusement.

“Dude, you’re shit at this game,” he says, nudging Megumi’s shoulder with his elbow.

Megumi huffs, opening his mouth to reply, but his words are cut short temporarily as Nobara tries to kick Yuuji’s controller out of his hands. She cackles when she’s successful, only for Yuuji to grab her ankle and pull her down onto the floor with him.

Turning to look up at Sukuna, Megumi states with a deadpan expression, “This is why I don’t play.”

Raising an eyebrow, Sukuna looks over at Yuuji and Nobara who are simultaneously trying to race and knock away each other’s controllers. A grin spreads across Sukuna’s face and without thinking, he reaches down and grabs the controller from Megumi’s hands, their fingers brushing. Sukuna’s gaze briefly meets the other boy’s before he’s turning back to the TV.

With Yuuji and Nobara distracted trying to sabotage each other, it doesn’t take much for Sukuna to quickly catch up to the front, but not without adding a couple teasing jabs to Megumi’s poor choice of character and kart.

“Why on earth would you pick Baby Rosalina and the Badwagon?” he asks with an amused snort.

The younger boy shrugs. “I just hit the randomize button. I don’t care that much.”

“Obviously,” Sukuna retorts. He shoots Megumi a teasing grin.

Megumi rolls his eyes. “The only other time that I play this game is when Gojo forces me and Tsumiki to play with him."

Sukuna grimaces. “Sounds awful.”

“It’s not that bad. Gojo is just a sore loser so Tsumiki usually lets him win so we’re not stuck there all night.”

With a hum of acknowledgement, Sukuna briefly wonders if Megumi would be down to play with him, just the two of them. It doesn’t sound like a bad idea. The only thing would be convincing Yuuji to let him borrow the switch or getting Yuuji out of the house long enough for Megumi to even come over. Well, he supposes that’s something they can figure out after they’ve had their movie date.

“Yes! First place! As I should be!” Nobara exclaims as she finally finishes the race with Yuuji on her tail with a close second.

Yuuji scoffs. “Only because you knocked the controller out of my hand and made me fall off the side of the map.”

Rolling her eyes, Nobara waves a hand dismissively. She leans back against the couch and stretches her arms above her head. “You’re just a sore loser.” Her eyes flicker back to the screen and she sits up straighter. “Megumi coming in 4th place?! And here I thought you just liked losing."

“Whoa, how’d you get so good so fast?!” Yuuji asks with a laugh. He looks over, his head tilting to the side when he sees that there is no controller in Megumi’s hands. That’s when he notices that his brother never left and is instead sitting on the arm of the couch with the controller in his hands. “Hey! That’s cheating too!”

Nobara looks over with a frown as Sukuna is handing the controller back to Megumi. He pushes himself to his feet, pulling his phone out of his pocket to check his notifications.

“Thanks, Sukuna,” Megumi says, the corner of his mouth quirking up.

Without thinking, Sukuna clicks his tongue and shoots Megumi a wink. “Any time.” He doesn’t bother sparing a glance to Yuuji as he turns around and heads out of the living room and up the stairs to his bedroom.

A long silence draws out in the living room, both Nobara and Yuuji staring at Megumi in a mixture of shock and confusion as Megumi watches Sukuna go. When he turns back to his friends, he shifts in his seat, growing a little uncomfortable. “What?”

“What was that?” Nobara asks, the game now forgotten with her full attention on Megumi.

“What was what?”

“That!” She gestures vaguely in Megumi’s direction. “With you and Sukuna. He was… nice to you.”

“So?” the other boy cocks an eyebrow. He leans forward and places the controller on the coffee table before sitting back. “Is Sukuna not allowed to be nice to people?”

“No,” both Nobara and Yuuji say simultaneously in the same deadpan tone.

Yuuji pushes himself up to his feet, setting his own controller on the coffee table. He turns to Megumi, hands settling on his hips. “He’s not even that nice to me and I’m his brother."

Megumi shrugs. “I don’t know, maybe he felt bad for me because you two were being insufferable.”

“Sukuna doesn’t feel bad for people,” Yuuji says with a shake of his head. “He’s the one who makes people feel bad.”

Again, Megumi shrugs. “He’s always been nice to me.” He gets to his feet and excuses himself to the bathroom.

Nobara and Yuuji watch as he leaves. The moment they hear the bathroom door shut, they’re both sitting on the couch and facing each other with wide eyes, ready to conspire.

“There’s something weird going on here,” Nobara whispers, tapping her chin with her finger.

“You’re telling me. The other day, Sukuna was making plans to invite someone over when I wasn’t here.” He pauses, looking around to make sure that they’re alone. He leans in a little closer, cupping one hand around the side of his mouth. “And even worse, there’s someone with a nickname in his phone.”

Nobara’s eyebrows shoot up, her eyes widening. “A nickname? What kind of nickname?"

“It said ‘Raisin Boy’.”

“What the hell does that mean?” she asks, her eyebrows instantly pulling together in confusion.

Yuuji shrugs and leans back. “I dunno.”

A look of determination settles over Nobara’s face. “Well whatever it is, we're getting to the bottom of it!”

Yuuji grins, matching Nobara’s determination with a high five. "Operation: 'Find out who Raisin Boy is' is now underway."

[tiktowafel]

do you ever think about how all you used to draw when you were 10 was ponies and that you should still know how to do that, then get an idea and proceed to draw something like these in nearly one sitting and it turns out better than any drawing you've done in the entire past month

sooo anyway does anyone have cutie mark or pony name ideas for them?? lol

[hephaestuscrew]

“This has both our names on it”: Viewing Fleet and Clara’s relationship in Victoriocity through a queerplatonic lens

TL;DR: By Season 3 of Victoriocity, Fleet and Clara have developed a committed emotional partnership that certainly moves beyond the purely professional. Whilst very much operating as a duo, they can be interpreted as often rejecting or subverting romance-coded elements in their relationship, instead embracing a unique dynamic that can be read as resonating with the concept of a queerplatonic relationship (QPR).

Buckle up because this is over 2,500 words long! If you'd rather read it as a document, you can access it here: Fleet & Clara QPR Google Doc

Disclaimer: I'm not making any claims about creator intent, nor about how anyone else ought to interpret Fleet and Clara's dynamic. It's also worth acknowledging that queerplatonic relationships are inherently defined by the people in them and any attempt to apply such terminology to a story set in 1887 is obviously anachronistic (although whether that should matter when said story also contains a cyborg Queen Victoria is up for debate). 

With that said, if we define a QPR as a committed personal partnership which is not entirely captured by the typical expectations of either friendship or romance but may contain some elements typically associated with either (other definitions of QPRs are available), I enjoy viewing Fleet and Clara's relationship through a QPR lens, and I want to talk about some of the reasons why I think this reading works.

***Spoilers for all three seasons of Victoriocity and the novel High Vaultage***

Detective duos

Even before we actually get into Fleet and Clara's particular bond, detective / crime-solving duos as a general concept have QPR energy to me (which probably predisposed me to this interpretation). It's the Holmes-and-Watson legacy. It's the use of the word 'partner' in a non-romantic context (‘associate’ or ‘companion’ can also serve a similar purpose). It's the intense trust and reliance on each other. It's the sense of being a recognisable pair, always appearing together, known as a duo, with skills and attributes that complement each other. 

Romantic assumptions

Moving on to Fleet and Clara specifically, one aspect of their relationship that can be read through a QPR lens is how they are often in situations where other people believe or imply that there is a romantic relationship between them. Sometimes this is a deliberate strategy of theirs, and sometimes it’s imposed upon them by others. But I’d argue that there’s never a point where they both simultaneously seem entirely comfortable with that romantic narrative for their relationship. Usually one of them will actively deny the assumption or react negatively to the implication:

When Mrs Hampshire interprets Clara and Fleet as a couple experiencing “young love”, Clara might be happy to adopt this as an effective cover story, but Fleet seems unsettled and keen for them not to be perceived this way: “No. No. You’ve misunderstood, we are not, that is to say I am…” (S1E2)

When Warden Hughes assumes Fleet is the new Warden and Clara is the new Warden’s wife, Clara says “I am certainly not”, with emphasis on the ‘certainly’. (S2E2)

Fleet definitely doesn’t sound enthused when he realises Clara has gone for a married couple as their cover story at the Grand Salcombe: “I am sure I’ll regret asking, but by any chance am I [Mr. Theasby?]” (S2E2)

When Titus Byrne tells the pair “I take it you're happy sharing [a room]”, Clara responds with a horrified “What?” (S3E4) (Obviously sleeping in the same room isn’t inherently romantic, but it is often perceived that way.)

Of course, fake dating and external assumptions of romance are very common tropes in romantic will-they-won't-they dynamics, and these moments could definitely be interpreted that way for Fleet and Clara. But I prefer to read these instances as reflecting a different kind of closeness between these two characters. They have a sense of emotional partnership that allows a marriage cover story to seem plausible to others and that other people sometimes automatically assume to be romantic (obviously with some period-typical heteronormativity at play). But to me, it doesn't seem like either of them are fully comfortable with their relationship being perceived in a directly romantic way. Perhaps they are a couple in a different sense…

Proposal via door plate 

The way that Fleet asks Clara to be his business partner has always seemed to me like a platonic version of when people find personal ways to surprise their romantic partner with a proposal:

CLARA: You bought me a door plate for your office? [...] This has both our names on it. FLEET: What do you think? CLARA: I like it. (S2E7)

Fleet could have just asked Clara outright, without going to the trouble of buying a sign that would have been useless if she’d said no. If it was purely a professional business proposition with no emotional meaning behind it, I think he would have just asked verbally. But instead, he gifts her a sign with their two names paired together: Fleet-Entwhistle Investigations. There's something so intimate about that to me: about Fleet asking Clara whether she would like to be a duo with him in a more formally-defined but still non-romantic way; about him choosing to present this offer in the form of a gift; about the way he presents her with their two names joined together etched into metal and asks what she thinks; about the significance that this gesture attaches to their partnership; about him having enough trust that she'll say yes that the effort and vulnerability of presenting her with that sign seem worth it for him. And the gesture means an awful lot to Clara:

She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her. (High Vaultage, p187). 

Anniversaries

In the special episode ‘Murder in the Pharaoh's Tomb', Clara says “And you know what else is a big occasion Fleet? It's our one-month anniversary.” She wants to celebrate the anniversary of Fleet-Entwhistle Investigations. Their partnership holds a significance for her that means key dates associated with it are worth remembering and remarking upon. 

When Clara first mentions their anniversary, Fleet nearly chokes on his drink, which seems like an instinctive reaction to the usually romantic connotations of an anniversary (see my point above about Fleet not being comfortable with their dynamic being perceived as romantic). But when Clara clarifies what she means, Fleet seems much more cheerful about the notion of their anniversary: “Ah, so it has.”

“Miss Clara Entwhistle, my partner”

I get extremely strong QPR vibes from this moment, when Fleet introduces Clara to the sailors at Grave End:

FLEET: This is Miss Clara Entwhistle, my partner - in business, my business partner. CLARA: I'm also his friend, but he doesn't like to say it. (S3 E3)

Fleet and Clara are partners, but not in the way the average person might assume from that word, which Fleet realises mid-sentence here. This is another instance of Fleet reacting negatively to the idea that their relationship might be interpreted romantically (see above). And yet, 'partner' (rather than, say, ‘colleague’) is the word that comes naturally to him in this moment to describe who Clara is to him. He then frantically emphasises the professional element of their relationship so as to avoid the romantic implication, but Clara is keen to proudly assert that there is a personal, emotional aspect to their dynamic too. They are first-and-foremost partners, and they are friends, and they do not want to be seen in a romantic light - this post basically writes itself... 

“Her ridiculous detective.”

When Clara fears for her life at the display of the Lanterns, the narration tells us:

“she thought of her brother, her sister, her parents... Her ridiculous detective.” (High Vaultage, p172) 

The fact that Clara thinks of Fleet in this moment of fear clearly indicates his importance to her, but I think the phrasing of this quote is particularly interesting. The narration lists Clara's immediate family: two of whom are dead (her sister and father), one of whom is publically mourning Clara's life choices (her mother), and only one of whom we have any real evidence of her having a positive relationship with (her brother). And then, separated from these complicated familial relationships by an ellipsis, the narration tells Clara also thinks of Fleet, “her ridiculous detective”. 

Parents and siblings are familial relationships that tend to come with established expectations, in which the use of a possessive pronoun (i.e. her brother) to indicate the relationship is a norm. ‘Detective’ does not fall into this category; unlike ‘brother’, ‘sister’, ‘parent’, ‘friend’, ‘partner’ etc., ‘detective’ is not a word that inherently implies a relationship or that we'd usually expect to see preceded by a possessive pronoun. The idea of ‘her detective’ therefore stands out, giving the sense that there is a unique relationship being indicated here. The way in which Fleet is ‘hers’ is something that Clara has chosen for herself, something that they have shaped together. Who they are to each other can't necessarily be fully expressed using standard phrases that traditionally describe relationships between people. But Fleet is Clara's detective, of which she only has one, and who she'll think of in the midst of “the screaming of the heavens at the end of the world”.

Fleet is also the only one in this list of Clara's loved ones who gets an adjective - her love for him has detail. And while “ridiculous” might often be perceived as negative (it's certainly not a classic romantic endearment), it seems to me like there's such fondness in it in this context: the recognition of and affection for eccentricities, the idea that his importance to her is not (purely) based on his professional strengths but on Fleet as a whole - perhaps at times ridiculous - person.

“Settled”

When Clara and Fleet talk about Clara's mother’s expectations for her, they have this exchange:

"She's still living in hope that one day I'll settle down."  "You're not settled?" asked Fleet. "I am." (High Vaultage, p259) 

By ‘settle down’, Clara's mother of course means ‘marry’, ideally into “at least a minor baronetcy”. But Clara already considers herself "settled", just not in a way her mother would understand or appreciate. She's not looking to "settle down" into a lifestyle other than her current one. She is settled in a situation where Fleet is certainly her closest personal connection in London (and perhaps anywhere), and where the two of them work closely together, operate as a duo, and then go back to their separate homes. And this partnership with Fleet is a comfortable set-up that feels right for Clara exactly as it is, rather than being a precursor to, or a distraction from, the marriage ambitions that her mother wants for her.

I think this exchange also contains an implicit sense of the commitment between the two of them. Fleet wants to check that Clara is ‘settled’ in her current situation, of which working closely - and platonically - with Fleet is obviously a major element; Clara confirms she is. There's a subtle indication of their shared intention to be in this for the long haul.

As a sidenote, Fleet and Clara’s implicit assumption that their partnership is a long-term one can manifest itself in joking contexts as well as serious ones. Look at this exchange from S3E5: 

FLEET: We're not bandits, we're just going to flag it down. CLARA: We'd be terrific bandits! FLEET: Let's just see how our current line of work goes.

I think it’s notable that, in this joking speculation, both Fleet and Clara use ‘we’ and ‘our’. The joke could have been phrased just as effectively if they were imagining only Clara becoming a bandit. But the suggestion is that, if either of them was a bandit, they’d be bandits together. Even if they changed their lives entirely, they'd still approach life together.

Inseparable 

Fleet and Clara have become a nearly inseparable duo in a way which is noticed by others. For example, after Clara and Fleet fall out in High Vaultage, Fleet meets with Keller, who says: 

"You're here with me instead of barrelling across town with her, so I'm just assuming there is some thickheaded puffinry for which you need to apologise to Miss Entwhistle" (p335)

Keller, hardly the most emotionally perceptive man in Even Greater London, automatically infers from the fact that Fleet is on his own that he has had a falling out with Clara, rather than that they just happen to be in different places. When all is well, Keller expects to see the two of them together, whether or not they are in a position to be actively working a case.

Going back earlier in their partnership, Keller makes a similar assumption about Fleet and Clara being inseparable in S2E6. When Clara shouts her name amidst Keller's anti-Vidoc booby traps, Keller asks "Entwhistle? Which means… Fleet?" Again, there's this idea that if one of them is there, the other is likely to be there too - they come as a pair. (It's worth noting that this scene takes place less than two weeks after they first met.)

“Like a friend might?”

At the end of S3E7, Fleet suggests that he and Clara go to the theatre together. It would have been easy for this invitation to have been explicitly framed as a romantic proposition, or even for the nature of the offer to have been left more ambiguous. But Clara says "Archibald Fleet, are you inviting me to a social activity? Like a friend might?" The use of the word 'friend' directly labels this as a platonic interaction. And it's with that platonic lens on it that Clara is extremely excited to spend non-work-related social time with Fleet.

“Maybe it'll just be my good luck charm.”

CLARA: My grandmother's ring, I don't suppose you managed to hold on to it? [...] FLEET: Oh, it's been crushed.. I'm sorry Clara [...] CLARA: No, you keep it. FLEET: What? No... CLARA: Keep it. Maybe it'll remind you not to run towards trains. FLEET: Maybe. Maybe it'll just be my good luck charm.

In S3E7, Clara gives Fleet a ring, which - as a gift from one person to another - is traditionally a symbol of a particular, legally recognised, kind of personal commitment. But when Clara tells Fleet to keep the damaged ring, down in the Underground tunnels after the destruction of the beast and Fleet's latest brush with death, it is quite a different situation to a wedding or a proposal. A married man would traditionally wear his wedding ring on his finger for all to see, but Fleet won't ever wear this ring like that. The ring itself has been bent into a different shape between the wheels of their misadventures, subverting the usual associations of a ring given from one person to another. (In a heteronormative world, those associations are particularly strong when the two people in question are a woman and a man.) 

That ring is not an engagement ring, but it is Clara’s grandmother's ring, an inheritance from the blood family she never really felt she belonged in, now given to the man who might be a very different kind of family for her in London. That ring - with which Clara saved Fleet's life - is a symbol of their bond. And it therefore serves as a reminder for Fleet “not to run towards trains" and as a “good luck charm”. I like to think he'll carry that ring with him, perhaps in his jacket pocket - a little piece of his partner, kept close to his ticking heart…

Thank you for reading all of this!

If you’ve read all of this, I'm assuming you also enjoy the concept of Fleet and Clara as a QPR (unless you're really a glutton for punishment) and that makes me very happy! This was long because there's so much to say about them… And I wrote all of the above without even getting into: the potential to headcanon Fleet and/or Clara as aspec (which I don't think is necessary for QPR headcanons, but which is also fun); Clara's baggage around and discomfort with marriage in general; the speed with which Fleet and Clara become a ride-or-die duo; and the many other demonstrations of care, understanding, trust, respect, and affection between them that didn't feel as directly QPR-coded to me but are nonetheless wonderful. Please do feel free to share your own thoughts!

[solradguy]

I thought the early 2000s "strong yet naked/mostly naked woman kept in her place by stronger, bigger, beast/monster or gang of racist caricatures" trope* was known by basically everyone but I mentioned it as a criticism of this older art book I'd flipped through recently to a friend and it turns out it isn't lol Maybe I've just read too many Heavy Metal issues... It used to be HORRIBLY inescapable in any sort of mature art scene back in the day lmao

*This trope is different from the pre-2000s one because the women usually look like they COULD fight back for at least a little bit whereas the previous trope had them be completely helpless damsels in distress

[13eyond13]

love it when a character that's hard to read intuitively for you has like a dedicated fandom interpreter who can just glance at their blank face in a panel and then give you a 3k word essay on their innermost thoughts & desires & fears and neatly tie it back into the themes & whatnot as if it's the most obvious thing in the world

[aroaessidhe]

2024 reads / storygraph

The Dead Cat Tail Assassins

fast-paced fantasy novella about an undead assassin - with no memory of her life or why she signed up to be resurrected after death

when she’s given a new contract - that she is bound to carry out - she finds an unexpected mark who she doesn’t want to kill

facing connections to a past she’s not supposed to remember, they have to find a way around the contract in one night, facing other assassins, necromancers, gods, and wealthy patriarchs

[meownotgood]

a lot of the time and I mean like once per week I somewhat wish that I wrote ship fics like a normal person instead of x reader. the problem is. I am not normal

[angelmush]

starting to feel my enjoyment of cooking seeping back in after a long period of intense burnout that had me really slogging along preparing meals with gritted teeth for a good month there. i credit the return of this spark to the much needed break i took on our 3 day vacation that resulted in us eating solely theme park food. while delicious, in all its greasy overpriced glory, i found myself missing the kitchen. so last night for dinner i made heavily spiced chicken wings with crushed peppercorns and garam masala that rendered slowly in its own fat while roasting in the oven, resulting in flavorful charred crisp skin and a really juicy bite. we picked them clean over steamed rice with lime and scallions. i also baked a loaf of marbled pumpkin and dark chocolate bread yesterday for my neighbor as a thank you for doing me a favor last week. it looked delicious. the crumb was tender and plush and velvety, the spiced ginger molasses pumpkin batter swirling alongside the bitter dark chocolate espresso batter, with puddles of dark chocolate bubbling across its top. it looked so lovely i whipped up a second one for us to have for ourselves that's in the oven now, i think it could be a really good breakfast pastry for us this week.

[kryptonbabe]

You will get a new Wonder Woman run planned to be a long and structured one - but it's written by Tom King

You will get a new Black Canary run - the thing is, it will be written by Tom King

You will get a series of some silver age partially forgotten characters you like - Adam Strange, Omega Men, Metamorpho - but here's the catch: they'll all be written by Tom King

Why all these times I got something I wanted from DC it was like meeting this wise and cruel Jinn trying to warn me about the potential harm of my heart's desires?

"Be careful what you wish for, little one. Now take this Tom King book" the creature whispers while I sob

[lynzishell]

So here we are

...again

[island-in-the-shadows]

Ngl, I'm gonna take alll my DM shipper feels, put them in a box, bury the box, and leave it there for five years like a time capsule so that I can dig them up a few seasons down at the appropriate time. That way, next season, I won't have to remind myself that I cannot hold a show to what I want (this is why we have fanfiction, lol). But at least with this there's hope for the future.

Anyway---I am SO ready for the absolute chaos! I'm ready for Daniel and Louis teaming up even if Louis could explode at any time, I'm ready for Claudia who did NOT deserve ANY of it (😢), I'm ready for Louis standing up, I'm ready for Lestat because I can't even begin to image the insanity of that trial, I'm ready for Santiago to be the worst but also SERVE, I'm ready for Armand to have done all the things that he will never truly manage to atone for, I'm ready for the S1 revisits, I am SO ready for Louis to go all Firestarter on the TdV, I'm ready for the bodice ripper moment between Loumand, and the MUCH needed hug between Loustat (when is that even happening I have so many QUESTIONS), I'm ready for more of Raglan James and what that could mean for next season given his role in the books, I'm ready to see if that prop is the legit published book that Daniel writes or not, etc...

One of the beauties of Interview with the Vampire is that nothing is ever quite as we expect and it's always FANTASTIC! I know we're 3 weeks out from the end of the season but I'm already going to miss the giddy feeling of waiting for an episode every week and seeing it twice on the same day and seeing all the speculation afterwards. Regardless of the fighting or the shipping discourse (regardless of my rankings I am a toxic polycule believer ^_^), it really has been so fun to see everyone on here get excited and have the show trending every week.

Fingers crossed for the S3 confirmation soon after S2 ends!

[being-so-normal-about-reploids]

The world of 2214 is not kind to reploids, despite X's best efforts. The biosupremacist terrorist group Vanguard grows ever more aggressive, and there's only so much that a scrappy Maverick resistance group can do to combat them, even if that group happens to include the progenitor of all reploids. X finds himself in the precarious position of balancing his public image against his secret life in the underground Maverick city of Enoch, and balancing all of that against his increasingly unstable mental health and crumbling physical health...neither of which are improved by his own fears over having caught and integrated the Maverick Virus into his own code. As the Abel City Police build towards a massive power play over the Maverick Hunters, X and his friends suddenly become the final line of defense between all of reploidkind and those who would see them enslaved, if not destroyed. And if that weren't enough to worry about on its own, X seems to be missing some key memories and also developing some troubling new Viral capabilities of his own. But no pressure or anything, right? It could still be worse. Somehow. At least X finally got that nap. He'll need it...

Part of the Every End A Beginning series, aka the Every Endverse, a post-X5 series exploring a realistic, dystopian take on the setting with a disabled, retired X who trips and falls into a new life with a bunch of Mavericks, forcing him to confront his understanding of what it really is to be irregular. Deals a lot with disability and acceptance, burnout, trauma, grief, finding hope by any means necessary, recovery, and the necessity of community and friends and connection, no matter who you are or where you find yourself.

Plus it's literally the only fic in the world that somehow manages to place X and a C-15 Mettaur in a generally aroace, kitchen table polyamorous relationship along with a hacker and a sexbot without any of it being crack? it's fine don't worry about it

Third and final in the series, with a final word count topping 200k. You'll definitely want to read the rest of the series first if you haven't, because these are all direct sequels and we're now three novel-length fics into the alternate timeline. Do check the content warnings in each, it does get dark and I don't believe in pulling punches, but ultimately they're stories of hope and recovery. Things get worse before they get better, but they do get better.

Anyway, that's enough plugging my own fic for one day. I'm just very excited okay it's been a huge project and very important to me and I'm very stoked to be finally posting it. I hope y'all enjoy it. 🙏

[tennessoui]

In the assigned married fic, has Anakin even begun to process Padme saying that both of them will be moving to Naboo together? Like, they spoke earlier in the chapter about Anakin moving in with her on Coruscant, but Obi-Wan apparently spilled the beans about a much more permanent relocation to Naboo, and I am looking forward to Anakin's response to that, once he gets through processing everything else and remembers that part of the "conversation"....

i think padmé views moving to naboo more as a possibility than a future concrete plan -- the offer to be a permanent advisor on naboo is something she'd like to discuss with anakin as her husband before taking it or rejecting it. she says there's a lot of work she still wants to do in the senate, and she's probably thinking that it will be a few years before she would be able to go anyway. definitely after the war, but in her mind, she thinks anakin has every intention to leave the order after the war's over....because he kind of told her that. at least, in her mind he did: (from chapter 1)

“[Obi-Wan] asked me if I planned to leave the Order after the war,” he tells his wife. “And I lied, and then I think he began to support me. That’s what he looked like, anyway.” Padmé blinks at him, eyelashes falling slowly onto the jut of her cheek and then rising. “That’s good then,” she says, sounding hesitant. “That he supports us.” “Yeah,” Anakin replies, raising his hand to tuck a tendril of hair behind her ear. “Though…I’m sorry you had to lie,” she says, pressing forward until their faces are only a hand’s width apart. “Hopefully…” she trails off, biting her lip. Then she shakes her head slightly, and her mouth turns up into a smile as if she cannot help herself. “Hopefully he will not take the truth so hard.”

so anakin never says what lie he told obi-wan, he just says that he lied when asked if he was going to leave the Order, and that lie made obi-wan support him.

from an outsider's perspective, especially a biased outsider who is married to one of the insiders and believes them to have a future together, padmé's immediate understanding of this is that obi-wan asked if he was going to leave the order and anakin lied to him and told him he planned to stay and obi-wan began to support their marriage because he thinks he won't be losing anakin (padmé, who has three braincells, has long since realized obi-wan's obsessed with her husband)

and that's why she's smiling at the end (and also why they have sex at the fade to black) -- she believes anakin has just told her that when the war ends, he'll leave the Order to be with her and build a future together <3 so the offer to go to naboo is an option she can talk to her husband about, but she knows that anakin is going to no longer be a jedi....and if he's not a jedi, and she's not a senator....what's keeping them on coruscant?

BUT it's not just obi-wan that's feeling a bit catty during that dinner party scene, so i intentionally wrote padmé as putting this idea forward as less of a possibility and more of a done deal that she knows anakin will accept -- she talks about it like it's great big BACK OFF signs picketed around anakin because obi-wan is the biggest threat to their marriage in the entire galaxy and she's always known that

(but also no anakin has not begun to process that whole thing - but padmé, who now realizes they're NOT on the same page, is absolutely going to bring it up post-haste in the next chapter)