#because i can do something. fix things. make a difference

[venomhound]

Hazbin Hotel - Vox Kink Headcanons

Personal kink headcanons for my beloved tv man Vox. Not doing the more obvious/universally accepted kinks. Instead I'm writing about some of my more... niche takes.

WARNINGS: Gender neutral reader, but is AFAB for the last section; all the kinky shit obviously; Valentino mention (18+), MDNI, NSFW below the cut ˋˏ✄┈┈┈┈

Domestic Kink ₊˚ ‿︵୨୧

For those who don't know, a domestic kink is being turned on by doing everyday couple things. Things like cooking, cleaning, that type of thing. Vox basically gets turned on by you two being a couple and taking care of each other. The man is so love starved he just gets sent to another planet by those simple everyday shows of affection.

If you start helping Vox get dressed in the mornings, he will melt into a puddle. Every. Time.

It started simple enough, Vox was in a rush so you thought to help him put on his coat. Sliding it onto him, adjusting the collar, straightening his bowtie... You didn't notice how still he went until you went to fix his sleeves and you looked up into his wide, almost feral eyes.

Vox desperately crashed his lips against yours as he pulled your bodies flush together causing you to squeak. Only then did you feel how hard you had made him as he grinded into you... Needless to say, Vox had to reschedule his entire morning.

Vox will come home to you cooking dinner and just bend you over the counter. Whispering in your ear, 'Your so sweet doing this for me, Sugar. Now let me take care of you."

I have had the scenario floating around of you making Vox breakfast in bed one morning just as something nice to do for him. You dont think too much of it, he has been so tired and overworked lately so you figure any extra sleep he can get would do wonders for him

Vox however, absolutely fucking loses it. When you wake him up with tray in hand, he... just kind of stares at you. What do you mean you already made breakfast? Wait you have breakfast? For him? For him in bed?

You actually thought the man might have bluescreened. It takes you setting the tray down and grabbing his hand before he starts moving again.

Vox pulls you into his lap and starts peppering kisses all over you. He just cant believe that this is actually happening; that your here with him, that you did such a sweet thing, and oh god does he love you so much.

He actually is daydreaming about it the rest of the day and bragging about it whenever he can.

Comes home early that evening just to surprise you and spend a romantic evening together (totally not because he accidentally pent himself up gushing over you all day ABSOLUTELY NOT).

✿°•∘୨୧∘•°✿‿✿°•∘୨୧∘•°✿‿✿°•∘୨୧∘•°✿

Recording/Being Recorded ₊˚ ‿︵୨୧

(This one might not be a niche take but I'm putting it here anyway cause I want to yap about it)

I wasn't quite sure if there was a specific name for this kink. But what I mean by this is Vox loves to specifically record you two having sex. Like an amateur porn thing. However. These videos are meant for his eyes only.

Vox would murder anyone who so much as tried to get their hands on these videos. God help them if they actually saw one. Its not even a matter of honor or anything, its a matter of only Vox is allowed to see you come apart like that. Vox is the only one allowed to hear you make those sounds.

Vox honestly isnt going to even bring this whole 'recording you two' thing up unless he trusts you completely. Even then he is super sheepish the first time he asks about it. Vox knows your going to be suspicious and, yeah, you rightfully are due to his association with the porn moth.

It takes a bit of prodding for you to get out of Vox that he sees it as a different way to enjoy you. To experience you. He will get to see your beautiful body at angles he never could while he plows into you. He can finally see the look of pure ecstasy on your face as he eats you out, diving his tongue as far into you as it can go.

Vox is over the moon when you finally agree to let him place a camcorder in your shared bedroom.

You viscerally notice how much more relaxed and strangely content Vox seems to be next time you two have sex. Vox always had this certain tension to him and its just... gone now.

What you don't realize is that 'tension' was Vox's underlying fear of how transient you were. He was always trying to absorb as much of you as he could, to memorize every part of you. But now he felt like he could truly let himself enjoy the moment knowing that he will be able to listen to your heavenly sounds on repeat, analyze every little twitch he causes, and fully see every expression you make.

A deep, deep, dark part of Vox want to tell Valentino to cancel every shoot he has for a day. To reserve the studio just for you two. To spend an entire day taking you in every way imaginable. Bringing you to bliss in every messy way he possibly can. Getting you to make every obscene noise that beautiful voice of yours can make.

But Vox knows that he could never trust Valentino to not make a copy of you two for himself. So he will stick to his amateur recordings. Anything to keep you safe and to himself.

Whenever Vox is missing you at work (or whenever he gets a free moment honestly), he starts watching back one of your now countless sex tapes. He will let the odd feeling of comfort wash over him as he sees the adoring looks you give him and hears you two exchange words of love. God, he can't wait to get back home to you.

✿°•∘୨୧∘•°✿‿✿°•∘୨୧∘•°✿‿✿°•∘୨୧∘•°✿

Cock Warming ₊˚ ‿︵୨୧

OKAY. I think I've gotten the point across that Vox is a certified lover boy™ who basically wants to imbibe your very being. Whelp. This is just more of that.

Don't get me wrong, Vox loves sex. Sex is great. But having you on his lap, his cock inside you, the two of you as close as two beings can physically get, and just- enjoying that... It hits differently you know?

Say its due to his mechanical nature all you want, (insert joke about 'plugging in' here) but Vox loves to feel like you two are truly connected. When your bodies actually become one like this, he is just that much closer to perfect.

As stated previously, will let you sit on his lap and cockwarm him anytime you please. Vox's absolute favorite times are when he has to do work ironically. He can never stop the blissful smile he makes as he has you in his lap. Vox will gently hold you with one arm while the other tries to get work done. You always end up giggling whenever you kiss up the side of his neck or monitor and Vox lets out the most contented sighs.

Honestly, just start going to work with him, becoming his personal cocksleeve whenever he is in his monitor room. A blanket draped over the two of you to hide what's actually going on.

Since the poor guy has no choice but to sleep on his back; you can easily do the same thing for bedtime. Climb on top of him and delicately slide him inside of you. Vox will just look up at you with the most lovedrunk expression as you bend over him and nuzzle into his neck, your body draping over his, and Vox pulling you impossibly close as you both fall asleep.

Its times like this that Vox questions why anyone would even need heaven.

[barcaatthemoon]

“i’d like u to spend the week with me” , lucy bronze :)

communicative || lucy bronze x reader ||

Getting back together with Lucy was weird. It had been almost 15 year since you had broken up. Both of you had been through a lot since then and had many opportunities to become different people. And in some ways, you were both completely different, but some things never changed. It seemed like there were some habits neither of you could shake, and for Lucy, the one that stuck out the most was how pouty she tended to get.

"Stop looking at me like that," you said as you glanced at Lucy's reflection. You were getting ready for your first little interview since you'd announced as the head coach for England's rugby team.

"Like what? I'm not doing anything, that's just my face," Lucy huffed. You turned around to fully face her, knowing that wasn't the case. Lucy was pouting at you, just like she had been since you told her that you were going back to your place at the end of today.

"No, you're pouting because you want something that you're too proud to admit. I won't play this guessing game anymore, just say what you want from me," you told her. Lucy glanced down for a moment, almost like she was embarrassed. "Come on, we both have to communicate, and now it's your turn."

"I don't want you to leave. It's like you just got here, and so much of your time has been taken up by everybody else. I'd like you to spend the week with me, that's all." Lucy bit her lip as she waited for your reaction. The first time around, Lucy had been terrified of being clingy with you, so she pushed you away. You were secure enough in yourself now that she couldn't do that, not when it had factored so heavily into your breakup before.

"I still have to run home and grab some clothes, but I'll come back. Better yet, you can take me tomorrow after your practice is over. See how easy it is to get your way when you don't act like a little baby?" you asked teasingly. Lucy scoffed and sat up to tug you into bed with her. She was about to try and make out with you, but you reluctantly stopped her. "I'm not redoing my makeup, nor do I trust you to fix what you fuck up."

"Fine, but I want kisses when you're done."

[chamiryokuroi]

Gonna take a moment to talk about one of the things I have noticed artist sometimes do not take into consideration when doing illustrations.

Values.

Because it is something I too had issues with at first but I am slowly getting better at and I feel like sharing this knowledge with you all.

Let’s take this WIP I am currently working on. This is the very first sketch, is messy, is nowhere the final product, but it is the final composition of the piece so I started thinking about the colors.

Very basic idea, Green/Red opposite colors on the color wheel make a very visually appealing color palette, and yet it doesn’t look right to me.

So I screen shot it, and edited it to mono colors, aka black and white, since it allows you to see values easily. FYI Value is nothing more than how light or dark a color appears.

And I can immediately see the issue. Tim and Bernard are in the foreground, yet their values are too similar to the background, so they get lost. And even tho Darla is the main focal point of the piece, I do not want Tim and Bern to just be lost, how do we fix it? Simple, we can either darken them or the background to ensure the difference between both is obvious.

So in this next pass I have darken them considerably, and it does looks better, but we can push it a bit further to ensure nothing get lost anywhere.

Ah rim light, my favorite tool to ensure something pops against the background. Now this? This looks great. Darla is still the center, being the lighter part of the composition, but Tim and Bernard are still visible and do not get lost in the background. Your eyes will first fall on Darla and then move into the other part of the illust, as I want it to do.

If we compare it side to side you can see how with just a few changes it looks way better, and it takes just a few minutes and some screen shots for you to achieve better values for your pieces.

This was a very short art advice from me to you, I am in no way a professional artist but hey any help is good right? 🫡

[dreemurr-skelememer]

Hello :D

I have been following you for the last year or so (a few days after I got my Tumblr lmao) and I absolutely love your art!

I have been wanting to study your art style for a while but don't really know where to start,,,

Could you please show me a small portion of your art process, if it isn't too much trouble of course. Thank you and have a nice day!

hello. oh my god. this took forever to find. im sorry it took 2 WHOLE FUCKING MONTHS for me to respond to this but i wanted to put it off until i felt happy with my art process again, so here it is

my fall 2024 rendering tutorial! (this will be very very long)

FLATS AND WHATEVER YOU WANNA DO WITH LINES GIRL. then make sure to recolor the lineart to better match your base. trust me it helps, bold dark lines are Not your best friend when rendering. wait for that post-rendering

i start off with a doodle or a sketch, and then filling it in with flats and other details such as blush

FIGURE OUT YOUR LIGHT SOURCE. FIGURE IT OUT GIRL YOU CAN DO IT you can make it as simple as possible, make it as big as possible, dont even THINK about the details.........just make it really fucking big so you at least know where the shadows and the light goes THEN add smaller shading details LISTEN TO ME. LISTEN TO ME OKAY!!!!!!!!

my key point with this is for you to learn lighting fundamentals. it's SOOO ANNOYING but alas......they are all correct. it helps a lot.

one thing i also really want to point out is that i like creating a big shadow shape first before fixing up the little details (such as folds and whatever) because it helps me focus on the way the lighting actually works instead of tunnel vision-ing into making the shading make sense on the clothing.

contact shadows (i dont remember if thats what theyre called okay) theyre fucking ugly because im not actually thinking sorry 💔

okay so basically: contact shadows (if that's what they're called) are the spots in shading and lighting where light will NEVER hit.

shadows are still influenced by the colors and lights around it (it's why a blue shadow and a yellow shadow feel completely different, despite both being shadows) so it's not always COMPLETELY dark. BUT! there are small points in shadows where light never hits, and they're almost always super dark or pitch black.

it's hard to explain shadow and light so briefly for a tutorial, but you'll notice it when watching fundamental studies and when trying it out for yourself

YES i unclipped the multiply layer YES its ugly and terrifying but it makes coloring the multiply layer easier okay the colors merged w multiply so now it looks cool and has depth overlaying colors that actually make sense

so basically what i did was color the multiply layer that i used to shade the overall drawing

adding a band of red/orange/yellow around where the light hits, and blue where the shadows get big and wide, gives it a fake ambient occlusion effect in the way that a person would get if they stood under the sun with a clear blue sky

the colors don't have to make sense, especially because i never draw backgrounds, but coloring the shadows really help it give a sense of depth and extra subtle detail and effect that just helps make the painting look nicer

around the end, i also put in colors (in an overlay layer with a low opacity brush) that actually make sense in context of the drawing, which is the lit cigarette and the yellow eyelights mostly because none of the colors were making sense and i needed to actually make use of the lighting that DOES exist in the drawing lol

adding a muddy golden yellow pin light layer (opacity turned down to like 40-50%) to make the light colors less ugly lol

i SWEAR by the fucking pin light layer style. it's so useful and so so underrated.

i used an almost brown-ish gold color on stop of all the layers, and with the pin light layer, it helped make the bright (almost blue-ish) white colors more warm and more yellow. it just helps make things more warm (something i prefer)

i could probably show what it looks like without adjusting the layer opacity to truly show off what i mean (like in the coming section) but i sadly forgot to do that lol

make a layer on top of your drawing with this color in these ranges YES the drawing is fully merged NO don't be afraid, the base was fucking ugly anyway 💔 make this layer into an exclude/exclusion layer style TRUST turn down your exclusion layer opacity from a range of 10% to 40% literally until you're happy with the contrast and the way the color over the drawing. use your eyeballs. i know you can do it im so proud of you

this is pretty self-explanatory instruction-wise, so i'll go into why i do this instead

i really like art that seems like it has low contrast, with almost mid-gray shading and lines. i don't personally use dark and bold lines and shading, unless i find it necessary for the tone of the piece, so using this method helps lower the contrast of the art and make it look "pleasantly muddy" in the way that it's easier and softer on the eyes.

the inverted blue color also helps makes things warmer! the exclusion layer style is still a bit of a mystery to me but i really like the effect it gives, even if i don't completely get how it works lol

if you want an alternative method to this, and if you have access to it (because i primarily use sai and sai only), i absolutely encourage you to play around and experiment with gradient maps. there are so many out there you can make yourself or even get from others that just give the painting an extra amount of depth and color variation. they're SO fun.

personally, if sai2 gets a gradient map update, it's over for y'all it will literally be so over no one will be able to stop me

then i merged everything and actually adjusted the contrast back up because it was looking too muddy for me 💔 but the color adjustments are still there so all hope is not lost here's a comparison of the adjusted contrast in black and white (adjusted on the left) (newly merged layer without adjusting the contrast on the right)

as you can see, i actually turned the contrast back up (despite talking all about how i liked things with less contrast lol)

i wanted to demonstrate that doing adjustments should be done in moderation, and is why i adjust layer opacity often when making color effects you are free to play around with colors to help your style, but don't lose your initial idea and colors along the way. you still need to trust your own colors and intuition!

along with that, i just want to say that it's completely okay to change your mind mid-painting, and it's okay to make somewhat drastic changes. don't be afraid to change things you don't like or change your mind about certain aspects way later on that's basically the whole thing of this!!! don't be scared!!!

now im gonna hold your hand when i say this..........but you need to learn how to render by yourself. it seems like i can teach you but i literally can't, because rendering is different on every piece and depending on how clean your base is. i have to render A LOT because of how fucking ugly my sketches are LMAO to simplify it, think of it as obsessively cleaning up every detail you can see, but with a color picker and a clean, hard edged brush. if you have shit lineart, you don't have to redraw it cleanly over and over, just paint over it. that's basically what rendering is

THIS especially is where you need to be brave and stop being scared. like i said, i can't teach you how to render, and it's something you have to discover yourself because rendering is something that will always be personal to every single piece you make. the way you render on every piece is different. on one piece, you will barely need to render, and on another, rendering is more than half of your ENTIRE process.

don't be afraid to paint over your old art. rendering is a process that's both very perfectionist yet also very careless. find your balance and just go for it.

and then that's it……..u did it………..now yuo know how to paint and render. it's literally just layering shading and lighting knowledge until you think it makes sense and looks okay lol additional note: since i render in only one layer (you don't HAVE to do this, but it'll be harder for you…), i also made slight adjustments with the transform (and liquify, if you have it) tool to make things more proportionate. (i drew the head too big lol)

if you compare the finished piece to the final unrendered base, you can see that a LOT changed, including a bit of subtle proportion adjustment. particularly, the sleeves changed A LOT (because i really didn't like them) but it's also over all cleaner and more coherent, instead of having haphazard colors and shading just thrown about.

rendering is when you finally use all 100% of your brain to finalize and figure out where the shading should go, where to clean up your lines, where to ERASE or ADD BACK in lines, and make sure all your colors look coherent.

it's not as intimidating as it seems, i only use a hard edged brush with a little bit of color mixing and my color picker. it's like dragging and dropping colors to cover up mistakes, it's really quite fun when you get used to it i wish i could explain it clearer but it's hard to describe without visuals!

i hope this helped, and i hope all my yapping isn't annoying (art as a special interest beloved)

have fun studying and trying to render in my art style!

[sweetestlamb]

I Wanna do Bad Things to You

Authors note: honestly I was losing interest a bit and the second couple still has me in a chokehold but today's episode ate devoured and licked the plate clean. I have a million things I need to do right now but I wrote this instead🤷🏾‍♀️💃🏾

None of his fantasies could have ever prepared him for the vision Seok-ryu makes breathing hard beneath him, her cheeks flushed and her lips swollen from their kissing.

Thoughts about her aren't new to him. Dirty thoughts about her are not new either. He's been locking his door since he first realized that his feelings for her were different from his feelings for Mo-eum.

He never dreamed about holding her hand, or kissing her or undressing her.

No. Those bad thoughts were reserved for one person and now she's under him staring up at him like she's having very similar thoughts and his thoughts are multiplying by the minute.

"What are you thinking about?"

'Giving you a hickie.'

But he only says that to himself in the safety of his mind because saying that out loud terrifies him and makes his palms too moist.

"Choiseung." She demands his attention again, as if he's not already too fixated on her.

"I'd.... rather not say." He whispers instead, leaning down to hide his face in the curve of her neck before he even realizes his mistake.

She grumbles underneath him but he melts at her hand settling in his hair, her fingers running through the thick strands. Nobody's ever caressed him like this before. He has the fight the moan that wants to escape.

"You're already breaking your promise."

That gets his attention and he shifts away, pining her with her eyes.

"What? What do you mean? What did I do?" He wants to fix whatever it is immediately, he can't handle another argument with her his heart felt like it would burst.

She seems stunned by his seriousness before she collects herself, "You said you wouldn't hide anything from me again. I want to know what you're thinking, whatever is making you look at me like that."

"Like what?"

"Like you're starving."

Her and these food analogies. But she's not wrong, he feels like he has been starving for years waiting, longing and wishing. Starved for her attention, her favour and her love.

"I'm hungry."

His eyes widen at the sudden announcement especially considering that they just ate, but maybe he can go outside and see if the store is still open and get her something to--

"Where are you going?" She huffs at him as he tries to detangle their limbs.

"You said that you're hun-

"Are you a virgin?"

He freezes and his brain short circuits before he can remind his lungs how to work and breathe again.

"Are you insane why would you ask me that?!"

"Woah. Look how red you got! Am I right? You're a virgin? Am I going to be your first?"

He stares at her slack mouthed before his competitiveness kicks in, she's always been the one to bring this petty immature side out of him.

Far too easily he grips both of her wrists in his hand and pins her hands to the bed over her head. She flails in his tight grip but he watches with fascination as her cheeks pinken and her eyes dilute.

Interesting.

"My first what? Are you offering Seok-ryu? Do you want it that badly?"

His nerves are still there but the desire to put her in her place overrides it momentarily.

But instead of arguing like she's supposed, like they've both been doing for years she zigs when he expects her to zag.

"What if I do? You're my boyfriend. Aren't I suppose to want you?" She stares back with open defiance, only she could make such a confession sound so aggressive.

"Seok-ryu..."

"I don't want to talk. Do I have to spell it out? I want you to -"

His lips slam into hers with a wet smack and he almost groans at how easily she opens up for him, kissing him back as if she's the one that's been pining for years. As if she wants him half as much as he wants her.

He jolts when her legs wrap around his waist, his hold on her wrists loosening for a moment.

When he can't resist the urge to grind into her heat he forces himself to pull away. They need to slow down this is...too much. Too fast.

"We should stop."

But that seems to be the last thing on her mind.

Instead she frees her hands and shoves them up his shirt, his stomach tightens at her touch and this time he isn't quick enough to swallow his reaction.

"Hey Seung-hyo when did you get abs? Is that why you think you can boss me around because you got some muscles?"

"You can't just touch me like that." She raises an eyebrow at his exclamation, challenge clear in her eyes.

"Oh. Why not? Aren't you my man? Can't I touch you just like this and even worst? If I can't touch you like this then who can?"

His jaw drops at her assertion and at the possessiveness in her tone.

He refuses to leave any room for a misunderstanding this time.

"Nobody. Only you."

She avoids eye contact but he doesn't miss the smirk on her lips and that twinkle in her eyes.

"But if you touch me like that then I'm going to get thoughts....I don't want to take advantage of you."

Her laughter is instant and he's tired of feeling like a fish out of water, she's his woman. He is allowed to act like it. He's done holding himself back.

So he retightens his grip on her hands and leans down to press a firm kiss to her neck. Then he waits and her reaction is immediate, her body bends to meet him giving him free range to explore.

Without hesitation he preseses another kiss opening his mouth to taste her and she moans in response.

"More."

That sends blood rushing through his entire body.

He kisses her again and again until she's twisting beneath him but he's too strong for her to break his hold, he shouldn't like that so much.

"I want to give you a hickie."

There. He's said it and if she says no that's fine this is still more than he ever hoped for, more than he deserves honestly. It's greedy of him to even want for more.

"Then do it."

And this time he hold on her completely loosens and she wraps her hands around his neck and yanks him down again, pressing his face further into her neck with a quiet, "Mark me I want it."

He opens his mouth and sucks gently, teething at the thin skin there with the barest amount of pressure. He does it for a minute, lost in her scent and in her soft skin.

"Harder."

He hums into her neck in response, too enthralled to move away for even a second.

"You need to do it harder to leave a mark."

He ignores the tinge of jealousy that flares up at her obvious expertise, she's here with him now that's all that matters.

And he obeys her, open his mouth wider and sucking harder even biting at the last minute and he almost pulls away at her soft shout but she tightens her arms around him refusing to left him go.

"I'm fine you just surprised me. But I like it. I like everything you do to me. Don't stop."

He feels like he's drowning in his own pent up desires.

But he continues to suck and bite and lick at her skin before he realizes that his hips have been moving of their own accord, each gasp from her lips feels him leaving lightheaded and wound up too tight.

He needs to stop before it's too late.

The hickie is huge and red, he realizes that he might have overdone it especially with them trying to hide their relationship.

She's going to kill him.

"How is it? Are you proud of yourself?" She teases him and he can't deny that he loves seeing his mark on her, loves that she trusted him enough to let him do that.

"Who knew you were so possessive?"

He bristles at her taunting tone, "Like you're any better? What did you call me your ma-"

"Hey! Shut up, don't repeat the things I say in the heat of the moment that's embarrassing!"

And this time she pushes him away, and he lets her flopping onto her bed.

"I'm going to check out my hickie, see how much concealer I need to cover it."

And that has him bolting up in the bed, "Wait a second Seok-ryu!"

But he's too late and he watches her eyes flare with anger as she touches the large red mark on her neck in awed silence.

"It looks worst than it really is, it should fade by tomorrow I'm sure!" So similar to the words that she said to his crying six year old self and they both know how that turned out.

"I'm going to kill you!! What did you do to my beautiful neck? What are you a freaking vampire? I said mark me, not destroy my neck!"

And he jumps over the bed trying to get away from her and he can't help but laugh as she trips over her own feet trying to catch him.

[neocrias]

Talk fast, romance!

synopsis: you and minghao know that your one-night heated romance won't last, but you're both okay with that. at least for a while.

pairing: minghao x gn reader

wc: 3,7 k

genre/aus: fluff; suggestive

warnings: mentions of alcohol, mentions of sex, slightly suggestive, cursing (reader swears a lot), slightly based on the song "talk fast" by 5sos

— C'mon, this is boring, you can admit it. — The boy you just met whispers, a fainting smile in his plump lips - those which you've been staring at for the last half an hour, at least that was harsh to admit. The party was, indeed, boring, and the guy in front of you has been the only amusement you've had this night so far.

— I'm not saying it's not! I know it is. — You surrender, letting out an embarrassed laugh. — I'm just not sure I want to run away with... someone.

— With a stranger, you mean. — He implies, raising one of his eyebrows. You feel your cheeks heating, and you're glad about the very dim lights of the house you too are in, or else he'd see your messy state towards him. — I know it's weird, sorry, I shouldn't have asked.

— No! It's not that, it's just... — You start, wanting to explain yourself. You take a deep breath and stare at the dark pair of eyes in front of you. He's been so reliable the whole night, ever since he approached you for the first time when he saw you standing there, completely dislocated.

"I think my friends lowkey hate me", he said, scooching closer to you. "They just left me in the most dull party in the world."

It didn't seem like he was talking to you specifically, but more like a general affirmation out of despair. Nevertheless, you laughed at his situation, making him stare at you.

"Same."

"I'm Minghao." he presented himself, smiling at you, probably happy for the response.

"Hi, Minghao. So... you also made bad decisions tonight?"

"You have no idea."

Since this, you've talked about numerous topics, all diverse and different from the other. It was impressive: you two just clicked. It was as if something sparked between the two bored and self-sufficient souls of that party, and you started having more fun than you've had in like, weeks.

And now, he was kind of suggesting that you two make another bad decision that night: leave. Although you felt like Minghao could not be a bad person at all, you still had an uncertainty about this. What if...?

— It's just that... I don't usually, you know. — You try yet again to explain, feeling a wave of embarrassment rush through you. Thank God you had some drinks earlier that evening in the hope of enjoying this lame-ass party, because now they could help bring you courage to say the words: — I don't usually sleep with guys like that. In the same night.

I mean, you kind of wanted that. Maybe pass through it for the first time. Minghao made you feel it: he was just so interesting and attractive. You didn't feel ready yet, though, and your lack of one-night stand experiences made you nervous enough to overthink that. At least for now.

— Oh... — He opened his mouth, searching for words. — I was thinking of maybe getting some drinks or eating something...like, when I asked.

Then you wanted to dunk your head in the nearest trash can - but even that you couldn't do, since a random guy just threw up in the one next to you. He wasn't asking you for that, silly. How could you even think about it?

— I-I'm sorry, I thought-

— It's fine. — He shrugs, trying his best not to make the conversation even weirder. — I'm kind of flattered that you considered me for that, and don't get me wrong, you're totally my type, I just wasn't thinking of rushing things like that for now.

You laugh nervously, itching the back of your hand a little. Well, at least you know you're totally his type now. Points for me!

— I guess I ruined the conversation, right? — You joke, trying to ease things.

— You know how you could fix it? By letting me take you to this nice food stand I know. — Minghao offers once more.

You didn't know it yet, but he was completely mesmerized by you. Never in his life he felt this instant chemistry with someone else, and he hoped entirely that you felt at least a little like that too, so that you both could just drop that horrendous party that Seungcheol insisted on him going to and hit the road to anywhere you could keep your witty conversation.

You were quick, smart and laughed at his jokes. He had to spend more time with you - in an actually habitable place - even if it was just for the rest of the night. Or he knew he'd regret it forever.

— Yeah, let's just go.

— You can bring a friend if you prefer...wait, really!? — Minghao interrupts himself at your acceptance, smiling widely.

— Sure. I'm hungry and this party sucks, I mean, who made this playlist?

— Thank God. — He rolled his eyes and grabbed your hand, starting to lead you out of there. — And it was Hoshi, by the way.

— Who?

— My friend is in charge of DJing. He's just never done it before. — Minghao flashes you a last smile before turning his back to you, pulling you through the immensity of people glued together. You throw out a little laugh and let yourself be pulled away to what could be either the best night of your life or something you'd regret immensely.

The feeling of Minghao's hand in yours makes your body shriek in euphoria. The heat of the place, combined with the heat of the contact made you feel secure. Yeah, it's definitely going to be the first alternative.

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

— I swear it was right here. — Minghao emphasizes, pointing at the ground next to him. You smile, a bit shy. After so much swearing, you knew he wasn't lying, but it was still a little odd that the first place he wanted to take you to was a totally empty street. — Man, they serve the best tteokbokki in town, I can't believe they're not here tonight out of all nights.

— It's fine, we could go somewhere else.

— I'm so sorry about that. — He shrugs, defeated. — If you want to just go home, I understand-

The boy is interrupted by some loud laughter followed by other big laughter and people's sounds. He carefully moves to glance behind, and your attention goes to the unlit alley adjacent to the street you both were at. Minghao raises an eyebrow, smiling at you and running to grab your hand once again that night.

He pulls you through the alley and you take a deep breath, fully trusting the guy leading you.

You pass through the dark small street only to be greeted with countless colorful lights. A whole avenue completely filled with food trucks and food stands, people all over the place, laughing, eating, and having fun. The smokes coming out of barbecue stands and fires lit through the estabilishments heat the cold of the evening and you feel almost overwhelmed when Minghao turns to you, smiling proudly.

— I told you so.

Your mouth opens completely, half by shock and half because you were really starving. All the different smells, the sights of food, the neon lights that surrounded the buildings around you and the colorful tents full of people were a blast to your senses, and seeing Minghao all smiley was definitely a plus - he looked so cute.

You shake your own thoughts, trying to be rational for the first time in the night. It’s fine, this was an adventure with a pretty guy - but it won’t last forever. It’s likely that the both of you don’t ever get to see or talk to each other again after this night, so keeping your hopes on the low is the intelligent decision to make now. After all, this is what relationships are now - how would you know that Minghao actually wanted more from you than just a nice evening? He probably wouldn’t, anyways.

“That’s okay”, you think, letting him guide you through the stands as you barely have time to contemplate the vision passing right behind you, “I’ll take what I can get from this.”

The boy stops all of a sudden, causing you to almost bump into him. Minghao closes his eyes as he absorbs the familiar smell of his favorite street-food and you can swear his skin glows more than it seemed like at the party - or maybe that’s just an effect of the iridescent street. 

— We’re here. — He affirms, smiling. You smile back, looking at the small orange tent with a metal small truck underneath. An elderly lady hummed silently as she flipped the sticks of tteokbokki on the spicy sauce of her improvised kitchen. The smell was, indeed, amazing, and the vapor coming out of the fire she had lit made your face heat up a little bit as you approached the stand.

Minghao made the order for you, adding some beverages and other couple snacks. Both you and him decided to skip the alcohol, since the drinks you’ve had at the party were already sinking in, and being drunk in the middle of the street wasn’t exactly what you wished for.

And down deep, you hoped that Minghao skipped the alcohol for the sole reason of remembering the night. And remembering you. But you tried not to feed these ideas.

— Shit. — You distractedly whimper as the rice dough fills your mouth, completely steaming and completely spicy. Minghao widens his eyes, pouting a little in your direction as he helps you blow the stick once more, in hopes of making it colder and edible. After you can finally cool off your mouth, you let out some laughter, being followed by the boy in front of you.

— Hey, be careful. — He warns, half kind and half teasing. You feel the pit of your stomach bubbling with something, but you try to believe it was just the hot food entering your systems. — So, what do you think? — Minghao points at the place surrounding you, and you almost sigh in contemplation.

— So much better than that damn party. — It’s all you can say, receiving a loud and gorgeous laugh from him. — And the food is great, too.

— I knew you’d like it. — He smiles tenderly. — Everyone does.

You hum in response, nodding as you take another bite from the stick. Minghao watches you intently, somewhat mesmerized that he had the guts to ask you out so suddenly. He wasn’t used to being a rushed or impatient person. He felt a little weird, but in a nice way he couldn’t really explain.

— Twenty-one question game. — He suggests before he can even stop himself. Your shy smile reveals you liked his idea, and Minghao shifts in the small bench of the tent to take a better look at you. — Favorite color?

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

— Your oldest memory? — Minghao asks, strolling casually next to you through the familiar alley you’ve passed before. After some more eating and drinking, such as countless games and questions that turned infinite - since none of you were tired of hearing each other - you decided to head somewhere else. Where? You still had no idea. 

— Well…I remember my old house’s garden very vividly. And butterflies I guess. — You let yourself be surrounded by the darkness of the narrow street, distancing yourself from the noises and lights of the food market. The nocturne air turns colder as you both walk, and you glance at the full moon above you. 

— Gosh, you’re so cute. — Minghao giggled, amused. You try to repress a smile, but fail.

— What’s your oldest memory? — You change the topic of the conversation, turning to look at Minghao abruptly. Not expecting your agility, Minghao is caught by surprise when you bump into his chest, tripping and almost falling to the ground. He is quick to hold onto one of your wrists, pulling you closer by the waist. 

He barely reacts to your proximity, still smiling fondly until he realizes the dubious smile you had in your lips as you analyzed his face so closely. Minghao’s smile disappears little by little, focusing too much on your lips and in the fresh air surrounding you both in the empty alley as your breaths mixed slowly. 

You lift your chin slightly to deviate your look from his lips to his eyes, but Minghao is faster and leans on, brushing your lips softly as he waits for confirmation. You close the space between you, taking his lips on yours fully and eagerly as his grip on your wrist turns lighter, releasing your hand to grab your face. His other hand stops at your waist, caressing the spot as he pulls you even closer, feeling your bodies completely glued together.

Your lips move in sync and you could swear at this moment you’ve never felt this much chemistry with anyone else - it’s as if a new world revealed itself to you through Minghao’s grasp on you. You pull some strands of his hair as your hands run through his neck, making him shudder. Without noticing it, he softly led you until your back met one of the walls of the alley. The pressure against you helped you regain forces, deepening the kiss and earning a groan from Minghao.

Your hands were quick, and so were your heartbeats. Minghao’s hand that relaxed at your waist fell silently to your ass, grabbing it slowly while waiting for a refusal or a complaint that didn’t come. At this point, he could genuinely take you home. You’d say yes. Fuck if you weren’t into one-night stands. Fuck everything. You were enjoying this night much more than you could’ve ever imagined and you didn’t want it to end.

A loud metallic noise echoed right next to you both, startling you. Minghao suddenly distanced himself to take a look at whoever had interrupted you and you almost cursed at the cold that you felt without him. Your eyes widened, feeling the embarrassment for being caught in such a delicate situation.

That was when your vision settled on a small, furry thing, clumsy between the trash cans. 

— Fuck. — You bring your hand to your chest, feeling your blood flowing through every vein. — It’s a kitten. Cute. — You try to shake away the awkwardness as Minghao turns back at you to release the most adorable laugh you’ve ever heard coming through someone’s lips. The lips you’ve just kissed.

Suddenly, your heart skips a beat. How could he be so endearing? And you didn’t even know him!

— My grandmother knitting. — He blurts out, smiling at you as he backs away to give you some space. — The oldest memory, I mean.

— Perfect. — You smile in amusement, straightening up and distancing yourself from the wall behind you. 

— Shall we go? — He suggests opening the path for you. 

— Wait, I know a place close to here! — You exclaimed, excited. Minghao just nodded as you took the lead this time. 

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

— I don’t think this is going to work… — Minghao pronounces it rationally, but a bit of apprehension escapes from his mouth, making you giggle. You turn to look at him, clumsily walking down through the rocks of the small hill. You extend one of your hands, offering help, but Minghao does not accept it, promising he’s fine. 

You finish your way down, getting to your secret spot as the boy behind you follows. The small pavement below the bridge was perfect to watch the late night city lights reflected through the thin river that passed right through it. With a sigh, Minghao stops by your side, careful not to fall into the water as he adapts.

— That’s definitely…a new perspective. — He comments, approving your location. — I’m usually on top of it. — He points at the bridge above, perfectly shielding you both in its arched form. 

He could see the charm in the place. You could basically see all the city from below, but no one could see you. It felt comfortable. It also felt secretive, and that helped the tingling sensation he kept on feeling all the time he looked at you - it’s almost as if you two were the only people in the world on that night.  

You breathe in the humid air, feeling it through your lungs as you enjoy the silence with Minghao. None of you said a word, but you also didn’t feel like you needed to. It was comfortable to be like this.

— I’ve never done anything like this before. — You suddenly confess, feeling easy next to the boy you had just met. The phrase was suspended into the air, but Minghao got it perfectly.

— Me neither. — He agreed, resolute. 

And with that, both of you understood how special that night was. That sank into your heart, and you felt a deep urge for it not to end - which was impossible, considering the fast pace with which the hours went by. You felt a shiver through your spine, and caressed your own arms for heat. Minghao was fast to remove his own jacket and carefully put it around your shoulders, letting his hands rest in there for a few seconds. You glanced at him from up close, and he softly touched your chin, lifting it tenderly. He closed his eyes, feeling your scent and resting your foreheads together for a while. You also closed your eyes, embracing the feeling of the night - “if this is bound to end soon, I might as well live it fully”. You were the first one to initiate the kiss. 

Differently from earlier, this kiss was truer, more calm and experienced than rushed and passionate. Your lips looked for each other as if they’ve been familiar for a whole lifetime. Jesus, how could you feel like this over a guy you met hours ago?

— Can we go to my place? — Minghao urged in a whisper as he broke the kiss first. You could not help but to widen your eyes at his proposition, feeling odd this time. — Trust me.

And you did. 

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

It was a different view of the city, for sure. Not that you were enjoying it that much from where you were at - after all, Minghao’s lap wasn’t exactly a tourist point, “but it could be…”

You moved in a hurry, your legs on both sides of his seated figure in the sun lounger as you pressed your bodies together once more. The air from the top of the building should be cold, but you couldn’t feel it if your life depended on it. Not with all the heat surrounding the both of you.

When Minghao invited you to his place, he made a risky move. You felt like accepting anything at that point, but his offer ended up being much more gentle - and now you were at the rooftop of his apartment, all alone, being nothing but gentle. 

Your dress was a mess of wrinkles by now, and his jacket was long gone, thrown somewhere on the dirty floor of the open place. And, once again, your lips were on his. And you didn’t want to let it go for the world.

Your hands move fast through his torso and chest, exploring it through the fabric of his t-shirt as he presses his fingers on your waist like you are going to escape at any moment. You move your hips, feeling a heat growing in your stomach at every second now, and even though you didn’t do anything yet, you feel like you could burst.

With a soft whimper, you gasp for air, ending the kiss for a few seconds as you look at Minghao’s big eyes and swollen lips. He looks like a perfect picture, but something glowing on him catches your attention. The sunlight, coming right from behind you. 

— The sun is rising! — You exclaim, excited, turning to look at the beautiful scene that unveils before your eyes, you snug next to Minghao in the sun lounger, trying to watch the mix of colors.

— I know. He does it everyday. — Minghao groans, frustrated by the lack of contact, making you laugh. You scooch even closer, leaning your head on his chest as you circle his waist with one of your arms.

You peacefully watch the sun coming up, little by little, minutes that seem like long hours. You feel Minghao’s breath above you, and his lips hover on the top of your head, leaving there a small kiss. 

That’s when you realize: the night is over, and so is the dream, and so is whatever that you and Minghao had. You could talk again, you could meet through your mutual friends, but nothing would ever be this again. No night could ever be like this one. And it was over, forever.

You feel like watering your eyes because of this could freak him out. You aren’t even sure if he felt the same about you, and you don’t want to ruin the beautiful evening you guys had because of your own internal drama. Maybe he just saw you as this random girl he made out with for the night, and that’d be fine too - but you felt a tiny bit of that magical feeling tearing apart.

— I… I have to go to work. — You mumbled, decided. Minghao stiffened below you, and you felt his grip on your waist tighten a little. 

— Oh, I see… — He whispers back, clearly affected, but still not letting you go. Minghao tried to come up with millions of rational and healthy reasons for you to stay - but none of them worked, and he couldn't just say the truth: that he really wanted you to stay. That he wanted to pass the day with you, and the next night too. That’d be crazy, desperate even, and he didn’t want to freak you out. 

So he finally gives in, loosening the grip on you, and trying not to look devastated while doing it so. Your heart sinks feeling his hand move away, but you try to hold the disappointment in your face.

“What did you think?”, you ask yourself, “that he’d ask you to stay after you throw the most irrefutable fact on his face? that he, a rational and cool guy as he is, would ask you to skip work and stay with him?”

— I’m sorry, but… — Minghao starts, clumsily, as you tidy your clothes, ready to stand up. — Can’t you stay? I mean, do you really have to go? — He sounded hopeful. Sad, but careful.

Your eyes meet his and a silent plea fills the air as your heart races once again.

— Fuck, no. — You sigh, giving in. — I don’t.

Your smiles widen, and the morning breeze swifts gently as you feel a different type of feeling flowing. 

Work can wait for a while.

[fanfic-writer-and-rambler]

Jason: Kill him. Batman: No. Jason: Kill him. Batman: No. Jason: Kill him! Batman: No! Joker: Can I kill myself to escape this nightmare of awkward father son tension? Jason and Batman: Shut up! Jason: Ignore me, like you did when I died, what about the countless lives he’s taken, what about Barb, what about the shit he’s put all of us through for some sick joke? And if you didn’t want to do it because of those reasons, what about me? I wanted to ignore this but he took me away from you! Why not vindicate me? I thought I was your son! Joker: Guess you weren’t that close. Jason snacks Joker with the crowbar a fifth time. Jason: Shut. The. Fuck. Up! Back to you, when I saw the bomb tick down, I accepted it. I accepted my death... I thought when I died, you'd kill him. Then I wake up and he's still alive. Why? Batman: I’ve contemplated torturing Joker in a private area. Make him feel pain from every nerve in his body, make it so that when I finally killed him I savor the light leaving his… eyes. But I don’t want to go to that dark place because that won’t fix crime. Jason: Stop joking. Batman: I'm not. Jason: You have to be. Batman: When have I ever joked with you in this suit?

Jason: It's not too late, because you can't be serious. It literally would fix one thing.. Him! Joker: Can you tell me what type of torture methods you’d perform on me? I might need to use those later. Jason points to Joker with his gun. Batman: If I kill I would never go back. I would kill the next one like him. Jason: Then fucking do that! You can't be arrested. You are friends with commissioner Gordon, who by the way, Joker shot his fucking daughter. You shot his daughter right? Joker: Yeah. Jason: Okay, so should I shoot him or do you want to? Batman: Joker would have to do something insanely unforgivable to make me kill him. Jason: ...He tricked my mom into handing me over and killed me. Horribly tortured me. Just want you to know I was legally dead for a time. Batman: That's different. Jason: Different how? Batman: You're here now.

Jason looks around. Jason: Am I on a hidden camera show? Because you did not say that as a defense. You can't be serious! Batman: It’s not right! Jason: Why? Go ahead tell me, why is it wrong to kill him and for me to kill irredeemable criminals. I'll wait, I have the detonator. Batman: Because when my parents died, I learned all life is valuable. Jason: Joseph Stalin. Batman: Okay, I - Jason: Charles Manson. Batman: Hold on, now he was- Jason: Jim Jones. Batman: Well they volunteered. Jason: Adolf Hitler, the Nazi soldiers who knowingly participated in the extermination of Jews and the ones who escaped to Brazil. Joker: I know I'm the one possibly dying, but he brought up a couple good examples. Batman: No, wait, because that's not the same. Joker is not the same as them. Jason: Okay, I will cancel out the world dictators and Manson. I'll do that... Jeffrey Dahmer, Ted Bundy, John Wayne Gacy, Wade Wilson! Batman: ... Jason: And again him torturing and killing your son isn't the line?

Batman: I told you not to fall for your mother's tricks. Jason: Are you resorting to gas lighting? While I have a bomb? We're doing that?! Batman: All I'm saying is when you got brought back you killed left and right. Jason: Yes, rapists and murderers. I don't kill shoplifters. Batman: Hypocrite. Jason: A shoplifter has a reason and doesn't go about killing someone. What rapists have you met that had a reason? Because rapists aren't redeemable, they're free game. Batman: Okay, last I checked murder is wrong! Jason: Yeah, it is! Jason points his gun Joker. Batman: ...A criminal is a criminal. I treat them all the same. Jason: Let's talk about Selina Kyle. Batman: Let's not do this. Jason: She gets a pass when she's attacked people to escape. If a criminal is a criminal then why isn't she in prison? Because she meows at you? Because you unironically like when she hits you with a whip? Because she talks in a fake sultry voice? I want to know why does she get a pass? Why Black Mask walks? Joker walks? Mr. Freeze walks? Tick tock detective. Batman: ... Jason: It bothers you, doesn't it? That I'm doing a better job at you? That I'm taking on businesses of the crime ridden area because I can admit that crime will never stop? That I kill murderers and rapists? Batman: It doesn't bother me... I just don't want you to do this. Jason: I'm not asking you to kill Selina or Riddler or Mr. Freeze. I want you to kill him. I'm not even mad at you for not stopping my death, I forgive you on that, but for the love of God, kill him! Please. I am begging you! Do you see this? I am begging you! Batman: I can't. I'm sorry. Jason: Okay you have two options. I kill Joker or... You kill me. Jason tosses Batman a gun that the man catches with ease. Batman: I regret the day I let you into my life... Not because of your fault, but my own. I gave you a good life with the life of a hero. So I won't kill him. I'm sorry. Jason: Hm... I guess you'll watch me kill him. This is great, I always wanted this moment with us. Jason grabs Joker and aims the gun at the cackling psychos head. Jason: I’m going to enjoy this! Batman: Dodge! Jason: What? Batman tosses a batarang at Jason’s neck, impaling it in the man's neck. Jason drops the gun and Joker in shock and pain as blood splurts out of his neck wound. Jason: You threw a batarang… at ME?! Batman: Oh shit, shit, shit! You were supposed to dodge! Jason: You pulled a Piccolo on me!? Batman: I thought you would dodge. I shouted dodge! Jason: You thought I would read your damn mind, toss Joker aside, dodge and then not shoot him. Batman stays silent. Jason and Joker: Oh my God you did. GREAT, NOW I'M AGREEING WITH HIM! Jason yanks the Batarang out of his neck. He looks at the Batarang, silent and shaking. Jason: You know... maybe in a few years we can laugh about this, but for...I'm sorry too. Jason presses the detonator managing to escape along with Batman. Joker is crushed by the debris of the buildings, but alive.

[race-week]

obviously Merc has a shit strategy but what happened there even it seemed like they truly are deliberately sabotaging lewis with fuck up strategies ever since then to make George look good or to make it look like he has what it takes to beat Lewis ( even deliberately shooting Lewis confidence for Ferrari next year even ) like toto is deliberately using lewis as their experimental person for the car and he can't say no to it like how many times has LH ignored toto just this season it tells me something that he never really is friends or that close with Toto to begin with and only close because of Niki lauda

Is this you?

In all seriousness let’s take our tinfoil hats off for like 2-3 minutes please?

Okay so first of all,

I think from the very beginning they’ve used the wrong word regarding these ‘experiments’ because what they are is set up changes. People are acting like these set up changes are Mercedes throwing shit at the wall and hoping it sticks, when that is not the case.

What they are/will be is the driver complaining of understeer in a corner or oversteer or just general poor handling of the car and the engineers go back to the data from the track, from the wind tunnel and from the simulator and use that data to make educated changes to the car that should fix said issue.

They aren’t just going “oh I wonder what will happen if I change this part drastically”, these are typically very minute changes.

What the problem is, is that the Mercedes seems to have quite a narrow operating window and is quite sensitive to other changes, so track temperatures, wind, distance to other cars etc, and it’s not always easy to have all of this data to hand, hence the cars sometimes behave differently in the race (but this goes for all teams).

Now let’s talk about the strategy, I must admit when I heard Hamilton was starting on softs, I raised my eyebrows a bit but I was also somewhat commending Mercedes, recently (the past few years) they’ve been a bit too safe with strategies and this is something they’ve been criticised for a bit, and this was actually a good opportunity to try something.

Now looking at the data it makes sense what they did it, if you do the same exact strategy as those in front of you, you will always be behind them. Plus up until that point Norris had never held P1 after the opening lap, so Hamilton starting on softs on the clean side of the grid made sense as a way to make up a position or two and then pit under the safety car which was expected (because it’s Singapore)

Also Hamilton is an adult, so don’t infantilise him, he can make his own decisions, I highly doubt that he had absolutely no say in his starting tyres or his race set ups.

Toto Wolff and Mercedes aren’t just strapping random things to the car and saying ‘right off you go’ there’s meetings about these things, countless meetings over the course of a weekend.

Teams don’t deliberately sabotage their drivers, because at the end of the day they need the drivers to score points and make the team look good, Mercedes in particular want to try to stay as close as possible to the teams in front, in particular McLaren as getting beat by your customer team isn’t a great look for them.

Now have a think about what I’ve said before you inevitably put your tinfoil hat back on

[rosinkreutz]

How do you think Asuka's and Aria's friendship was like when she was alive?

This is a really hard question. I keep sitting down to write this and deleting everything because I'm not satisfied with the answer I can provide. The problem is me because I've realized I'm not sure how to describe any friendship, let alone one so vaguely developed in the source material... However. I will try. This is all kind of speculation based on what I've interpreted from the characters. - First, I think when you analyze Asuka's actions it seems that he feels a certain sense of ownership toward the world. Not in an entitled sense, but moreso a guardian. Which makes sense, really, as a disciple of the Original, savior of humanity. Especially considering the other disciples were explicitly uninterested in humanity's advancement, so he's the only one interesting in following in their teacher's footsteps. The problem is that he completely defines himself by it (which is kinda why I think Asuka was very young when he was taken in to be a disciple, because it's like it's all he knows). - So with that in mind, and knowing that before Aria met the other two, she was extremely isolated from her family and other people in general, I think the power dynamic in the relationship would end up being rather skewed. Literally, yes, since he's a sorcerer, but also psychologically. Aria's someone whose not used to having any support, and that's all Asuka wants to do. He never thinks of himself first, and the only sense of self he has is this self-appointed guardian role. He would go so far out of the way to make her happy, because he loves her very much. But he also thinks that he knows what's right for her and may have been controlling at times- which I think is why Frederick works so well in this dynamic because he's so anti-authority and free-thinking. His influence and just overall presence would keep the two of them from being too overly dependent on each other. After all, they love him as much as they love each other, as best friend, boyfriend, whatever. Obviously there's more to him in the dynamic but this is about the other two. - (As kind of a side-note, keeping Aria happy is one of the few ways he himself can feel fulfilled in his role as a guardian. The Original kind of had it easy, as world-saving goes, because he knew exactly what was going to burst (black tech) and had the exact solution to the problem (magic). The world Asuka's "inherited" has a million different facets and problems all piled together in one big powderkeg with an invisible fuse. He really can't just go out and fix everything alone as a socially inept 20-something, good at magic as he is. Which he understands, as an objective thinker, but given that guardianship is the only thing he defines himself with as a person, he's inevitably going to feel worthless and hate himself for not being able to do anything. Hence, why when the Gear Project gets picked up by the military, he goes crazy trying to fix it because just imagine what it would feel like that the whole world could be destroyed by something you made while trying to fix it.... But... If he could get what people need for advancement (gear cells) safe and unweaponized and if he could have someone else powerful to help and support him (Justice, maybe Sol?), he could use that to REALLY save the world AND Aria in the process. Win-win, right?)

[thepersonperson]

thank you for writing out all your thoughts on the dream theory!! it’s so so interesting and i have been thinking about it non stop lmaoo

i think it could be interesting to note that the only chapter title (i think) that mentions dreams is chapter 11. literally called “a dream”. this title is referring to gojo’s dream of “resetting” the world of jujutsu, and not really relating to this dream state/delusions. but it could still relate to this theory?

to achieve this dream, gojo explains that he became a teacher to foster strong allies, with yuuji front and center of that frame. yuuji wakes up right after this and while it’s unclear if he heard any of it at all, yuuji’s current dream (assuming the theory is correct) could be a way of preserving gojo’s memory, and therefore gojo’s dream of this fixed jujutsu world (specifically see gakuganji saying chill everything’s gonna be alright) where everyone is alive.

another interesting point is that the clocks in 268-269 seem to go backwards? in 268, when they realize they’re late to meet up with the others, the clock reads 2:52. but in 269, once they’re fully in the meeting, the clock reads 2:21. it could just be a coincidence but the clock in 269 takes up almost an entire page. and also when you’re dreaming time is all wonky/ clocks don’t work quite right…

(Click captions on images for citations.)

The dream used in JJK 270 differs slightly from JJK 11 in Japanese. Kanji can be read in multiple ways depending on a lot of things I don't have the energy to explain right now. Anyways, the dream in JJK 270 is 夢 (ゆめ=ゆ(Yu)め(Me)=Yume) while the dream in JJK 11 is 夢想 (むそう=む(Mu)そ(So)う(U)=Musou). The Furigana above the Kanji lets you know how it's supposed to be read.

夢 (Yume) is referring to dreams in the general sense while 夢想 (Musou) is referring to a dream that is very unlikely to happen. It's almost like a wishful thinking type dream or goal if that makes sense?

This probably has some implications that are going over my head because my Japanese sucks, but I do think you're onto something. The dream/delusion Yuji has created has some preeeetty far fetched logistics not unlike Gojo's dream. Like the vessels of the incarnated sorcerers surviving the separation process at 1%. (This is excluding soul damage lobotomies.)

"yuuji’s current dream (assuming the theory is correct) could be a way of preserving gojo’s memory"

Honestly, that alone is a really good way to look at it. Yuji seems to be unable to confront Gojo's death head on, so the next best way to keep him "alive" is to see his dreams realized.

And yup that's another good catch. The clocks do be going backwards. (Kind of like resetting of the crappy Jujutsu world Gojo wants?)

It's all so tragic though. Yuji trying to keep Gojo alive this way by denying his death and making his dreams come true. He's only 15...he doesn't know how to cope with it all.

[weepingtalecowboy]

Four meets the colors

I decided to be absolutely evil so here you go fanfic prompt :

What if four was never capable to combine into link but they didn’t even get the opportunity to take turns because everyone controls different body parts and they have to coordinate absolutely everything together and pulling the four sword back just to be four people again isn’t something they can just do

They learned to live with it but no matter how hard they try to make it look naturally

they still move in a way that feels wrong even when they are trying hard to cooperate

Their feet have slight delay

their hands have trouble gripping stuff in a way that looks naturally and one hand might grip the wrong side of a box ending with nearly dropping it

Their face can show different and several emotions at once and they can sometimes be heard mumbling to themself

And because of that they are perceived as unsettling or unstable by their own village

Their father couldn’t truly understand or accept them because link his child essentially died and they know it no matter how hard he tries to hide it

Their grandpa is getting older and even though he grieved his grandson he still wanted to accept them and when he is gone they would only have Zelda left

And she spends most her time in the castle ruling Hyrule

Shadow is not coming back ever again

And because of that spend as much time as they can on blacksmithing to not have to worry about things

But when linked universe happens they meet a version of them that has everything they could possibly want

Like their own bodies and lives

Shadow is still alive

The village doesn’t fear them

Vio,Blue , Red and Green all get to go by their own names

And four has to go by link

It’s genuinely paining them because it just doesn’t seem fair

Main while the colors hate how four is looking at him

Because they used to think that link would understand and support their decision to stay apart

But obviously link feels to good about himself as the perfect and superior hero of the four sword

And they all start hating him for it because it means that their decision wasn’t approved by the one person it mattered from the most

The chain feels the tension but doesn’t really know how to fix it so they separate both

And when they all get to four’s Hyrule they feel ashamed of how bad they are viewed by their own village

Because the colors are loved but they are not

So they tell them that when they put the sword back they never became one

The colors feel absolutely horrified when they realize the implications

Because four's existence sounds like their worst nightmare

And it makes them feel sick

That a version of them could be so screwed over by their own existence

And shadow isn’t even with them

And their dad doesn’t even want them to exist

Man and they thought they had it rough

Four gets to meet shadow and has a mental breakdown over it

Shadow is also very disturbed by the situation

Also they keep four there is no way hylia can stop them (it still is extremely weird when they interact with their counterparts because they like don’t always have the same expressions )

but also four is all fucked up like red is delusional (he was doing his own thing the entire adventure in the manga), blue has an obsession with keeping things under control(getting frozen and swallowed by a host is not fun) (which is why he is so obsessed with cleaning because it gives him a way to control the environment ) , Vio is depressed about shadow,green has a hero complex (he is link if you delete all personality traits except hero)

Yeah that won’t be fun

The colors have it easy in comparison

[prettypinkporkchop]

Love u hunny❤️ love reading ur stories can I request one where Paul was ur bully in high school and u haven’t seen him since graduation where he made u cry then u see him at the grocery store and try to avoid him but he sees u and when u make eye contact he starts following u everywhere but of course u don’t forgive him to easy u make him work for it until he’s begging on his knees for u

I LOVE YOU TOO BABES! I GOTCHU!

Flashback:

You sit outside at the Cullen's house. Your party dress is soaked with beer because Paul poured it on you. You are crying, waiting for your parent to pick you up.

Paul tried to flirt with you, but to him, you turned out to be a prude. Now, he hates you. Your outfits are ugly. You're ugly, at least that's what he says.

His favorite things to do are taunt you. Fake flirt with you and laugh with his friends. He bumps into you and makes you fall on the floor.

One time, he bought you a drink from the vending machine, but he put mentos in it, so it exploded in your face.

Now:

You're holding the basket, looking at meats to cook. You feel eyes on the back of your head. It confuses you, so you turn and make eye contact with Paul Lahote.

Your heart speeds up, and you hold your breath. You quickly turn away and drop your basket. You're not even worried about anything else but leaving.

You run out, turning back to see Paul walking quickly. You speed up and get inside your car. You look back to see he stopped and is watching you.

--------

You open your door and slam it shut. You slide down, breathing really hard in panic. You start sobbing.

You thought moving further away from Forks would save you. You were so wrong.

You hear a knock on your door. You jump up up and answer the door.

Paul.

Paul.

Paul.

"I'm sorry. For everything." He says. You slam the door in his face.

You back away slowly. But you can hear him behind the door. "I need to talk to you. This is important." He says.

You ignore him completely. You walk away from your door and take a deep breath in and out. Suddenly, you feel the urge to actually let him speak. But, you're scared. But you two aren't teens anymore. Come on. Suck it up.

You step to the door and open it. Paul's face lights up. God, he looks so different. His hair is cut, and he's so... big.

"What do you have to say?" You lean on the door.

He looks over every detail of your face in awe of you. He coughs slightly and then shifts his feet. "I just want to say I regret the things I've said and done to you. They aren't right at all. I've changed, and I was really hoping I could make it up to you." He doesn't lose eye contact.

Your hands start to sweat. Is he for real right now? You have to gather all of the words you want to say. It takes a few minutes of staring at his face before it comes to you. "Paul, look. I appreciate whatever you're trying to do here, but you've hurt me. You've hurt me a lot. I still to this day feel like I'm nothing. And it's solely on you." You were surprised by how you stood up. You seemed so confident, but deep down, you wanted to curl in a ball and hide.

You notice a change in his face. He looks genuinely upset and guilty. His wipes over his face, and then his fingers hold his chin before falling next to his side. "I understand. I know. I'll do whatever I can to fix this." He says.

"Why do you want to? Why are you here?" You ask with attitude.

"Because, seeing you again, I realized something. I don't want you to hurt. You're not supposed to hurt around me or because of me."

You are confused as hell and don't understand what he means by that. He notices your confusion and then reaches out his hand for you to shake.

"I will tell you everything you need to know. But can you please give me a chance to start over with you." He begs.

You stare at his hand. He's so attractive. The way his veins and muscles look. Damn it, Lahote! Why now?

You shake your head and back away. "No. Not now." You shut the door.

You walk into your room and lay in your bed.

The next day, you wake up and check your phone. You have a message from an unsaved number.

Number: ayo, it's Quil. Remember me? Haha. Well, I was just wondering if this is still your number from school. If it is, hello! Can we talk about something?

Quil Ateara?! What?!

You haven't changed your number in years. This is a weird surprise. Quil was a good friend of yours. Along with Jacob, Embry, and Bella. You haven't spoken to any of them in YEARS.

You: Hey! Long time, friend. It's still me. What's up?

Quil: awesome! Well first off, how ya been?

You: I've been good. Moved out of the house when I turned 19. I have a good job. Life is peaceful. How are you?

Quil: well, a lot has changed. A looottttt. But it's okay! I heard you ran into Paul.

You: how do you know?

Quil: he told me. We are good friends now. Trust me, he's not the same guy he was back in school.

You: it was good talking to you. Lmk if you need anything.

You left it at that. What the hell?

You get out of bed and get ready for the day. You sit on your computer, doing check-ins for your job.

Your phone rings so you answer it. "Yup?" You ask.

"Hey, can you come into the office today? I have a side quest for you." Your coworker giggles. Oh gosh, Jessica. What does she need now?

"Well, I was supposed to work at home today. What do you need?" You ask.

"Girl, our boss is so flirting with me. I need backup. Should I ask him out?" She whispers.

You sigh and pinch the bridge of your nose. "Jess, he's like 50. And that's not even allowed!" You laugh.

"Please come in!" She begs.

The drama would be fucking hilarious to see. "Fine." You say.

You head out of the house and go to the office. You park in your usual parking spot. A truck you've never seen before pulls up next to you. You squint to see who it is. They get out of the truck and it's fucking PAUL.

"Paul, what are you doing here?" You sigh in annoyance.

"I just wanted to give this to you." He says, walking around the car to you. It's your favorite flower. Did he remember your presentation in biology?

"Oh, thank you. I've got to go inside." You take it from him and turn around to walk inside. You're smiling, enjoying the attention Paul is giving you.

He's always been attractive to you, but now, it's extra. You can tell he has changed. But, you're not ready to get over the past yet.

You go inside and head to Jessica's station. She's not there. You look over to see everyone huddled over at the boss' door, listening.

Oh yeah, she got fired.

----

You get home from the store and notice a note on your door. You grab it and read it.

"Y/n, I think you're a wonderful person. I'm sorry and I'll say it forever."

The note actually made your heart soften for him. But, you can't give in.

----

You're at work, typing away. It's been a terrible day. Since Jessica got fired, all of her jobs have been put on you. Things are piling up.

There's a knock on your station wall. You look up and see a coworker. "Jesus, you scared me." You sigh.

"Sorry! Someone sent you something." He places it on your desk.

It's a black box. You slowly open it. Inside is a handmade bracelet. It's so pretty. Then, there's a note.

"I'm sorry."

---

You get home and see that familiar truck pull in behind you. Paul quickly gets out and walks over to you.

"What now?" You ask. You notice he is shirtless. His abs are crazy and he has a tattoo on his shoulder.

"Look, i.. I need to tell you something." He seems scared.

You decide to let him speak.

"I actually don't want you to think I'm crazy. Do you want to come to a bonfire with me tonight?" He asks.

"Not really." You scoff.

"It's just me and the guys. It's at the rez. We just talk over the tribes legends. This is very important." He urges.

"Fine. But no funny business." You say sternly.

"Yes, ma'am. I promise." He says genuinely. "I'll pick you up in an hour or so whenever you're ready." He goes to walk to his truck.

"Hey, no. That's too much driving. Just come inside and wait for me to get ready." You say.

He stops and looks at you with surprise. He follows you inside and looks around the house. You point to the couch and then go into your room. You leave him alone in there while you get ready.

You step out and see him sitting on the couch, thinking. "Ready." You say.

He jumps out of his thoughts and smiles up at you. "You look stunning." He gushes.

You can't help but blush and look away. "Thanks. Can we go?"

-----

You sit at the fire listening to Billy Black talk. Paul has been following you around the place. Every step you take, he's right behind you. But you've met some awesome people! Plus, you rekindled with Jacob, Embry, and Quil.

"The wolf in us can sense what humans can't. We must be ready for what is to come. It doesn't stop here. The quiet is only for a moment. Hold onto your imprints, your family, and friends. We don't know what could happen." Billy warns.

You turn to look at Paul. You're so confused. HUH!

After that, you sit in Paul's truck, waiting for him to take you back home. He finally gets in the drivers seat and sighs. "It's all true." He said.

"What, you're a wolf? You cut your hair, got buff, and got a tattoo just like your friends?" You scoff.

"It's serious. Vampires and shifters are real. And you're my imprint." He looks at you.

Your chest is starting to hurt. What have you gotten yourself into?

You're staring at his beautiful face. You're just falling in love. You have to stay strong. "Take me home, please." You say.

You open the door, slam it shut, and head to your house. Meanwhile, behind you, there's a begging, Paul. "Please don't leave me like this. I'll do anything for you. You are my world. I want to show you that." He calls out.

You stop in your tracks and turn to him. Before you can speak, he falls to his knees. "Y/n, let me love you." You can see a tear shed.

A switch flips in you. "Paul, can you show me?"

He looks up at you. "My.. wolf?"

You nod your head in response. He reaches out his hand for you to grab. You hesitate, but slip your fingers under his thumb. His big and warm hands fill you up with butterflies. You can't help but stare at how your hand fits in his.

But he starts walking, bringing you to the backyard of your house. He stops and backs away from you. "Stay right there. Don't get too close. I'm going to take off some of my clothes. You can turn around or close your eyes."

You turn your heels and face the other way, looking at the trees. You hear cracking and growling. You turn around. On the ground is a pile of clothes and shoes. In front of you stands a dark gray wolf. It is huge! You look into the brown eyes, and instantly, you feel Paul. The wolf whimpers and lowers its head.

After that ordeal, you're sitting on your couch, listening to Paul explain everything. You watch as his lips move. You just want to kiss him now.

You're zoned out. You lean in, interrupting him, and kiss him. He's in shock but grabs the back of your head and kisses you back. God his lips. They're moving in sync with yours. You can't pull away. No, you can't. You want more. You start to move your body closer, about to straddle his lap but he stops you, grabbing your hips. He pulls away and chuckles.

"No, no. That's another time, beautiful." He smirks.

You blush deeply and bite your lip, staring at him. "It all makes sense." You whisper.

[naranja-301]

I HAD NO IDEA THIS COULD HAPPEN!

So many people interacting on my twitter I feel a bit overwhelmed so...HI GUYS HOW ARE YA?? XD

So like, after doing this I think in the possibility of Fiddleford interacting with some of the other Stans of a different era so...yeah.

I'm not gonna make this a long (lier btch) thing bc 1, my brain is tired and 2 out of much ideas BUT I still want to write this idea I have.

Scenario: Fidds it's feeling tired, he was working to much, even more with the appear of all this Stanleys because of the new copy machine he and Ford made. And sure, the other Stans noticed the tiredness of the farm man, specially one with a colorfull Red and purple suit. Even with all the inner toughs that are troubling the con man, he tries to offer help…at least a bit.

Fidds is on his way to his room, his hair messy and with some eyeshadowns below his eyes, he worked for a couple of days with Ford about how they can return the efect of the machine bc this one alike the photocopy cannot erase the clones via water. Ford excused this because "any time he slipped and dropped some of his coffee on the clones he made of himself the clone dropped down" but then understood that yeah, maybe that would be more convenient than just not being able to erase them when no longer needed.

while opening the door of his room he can remenber well how Stanley make his way to him, talking in a nervious voice and trembling hands how when "looking" at the machine all these clones of himself came out one be one and he had no idea how to stop it but break it, now he was out, sended be Ford to look at replacements to fix the machine and meanwhile figure out how to return all Stanleys to their era, or just get rid of them.

He lays on his bed, leaving a tired sigh, hands on his stomac looking at the ceiling.

He was about to close his eyes and get some sleep but them he hears a knock from the door, it sounds soft, almost like if the person on the other side was doubting to do it and that coughs the attentions of Fiddleford, who with a groan stands up from his bed and walks to the door, opening it and meeting with one of the Stans, the one that tried to sell him some "rip-offs", leaning on the corner of the door and looking at his side, a bit unconfortable with his hand on the neck of his shirt.

"You...eh...you ok?"

It was kind of surprising see the man that talked to him with such a confident and even a bit cocky attitude talking with him with such a low, almost wipered voice. but sure Fiddleford noticed the unconford and tension in it and he could only think than damn, sinse many time Stan felt that inconfort to even get a bit close to anyone? to feel like he could be in danger if he made a step foard and just...show he cared?

"yeah, I'm ok, just...a bit tire' is all..."

There is an akward silence after that, none of them seemed to dare to talk, one because of the insecurity and doubt of keep talking and the other because of the fatigue he felt.

Fiddleford was about to talk again when some words that that Stankey said shutted his mouth.

"Want a massage?"

"what now?"

"that if you- agh....that if you want a massage...you are here because of me isn't it?...Can I...help a bit?"

That sure is...a proposition. A massage? at the mention of the offer Fiddleford could feel even more the pain on his back and shoulders, his body craving for relaxation and rest after so much work.

He is about to answer when his mind stops in track because the one who is asking him for it is Stanley but not his Stanley, it would be ok to allow this "stranger" aproach to him? even if it was for something so maybe odd or maybe simple thing as a massage?

"...I think...that would be nice. Thanks Stanley"

[tyrantisterror]

What's the worst legacy sequel you've ever seen? What, in your opinion, separates a good legacy sequel from a bad legacy sequel and what's the worst thing you think a legacy sequel can do?

The worst that I've seen is probably Rise of Skywalker. It's close competition, though - both Jurassic World: Fallen Kingdom and Jurassic World: Dominion have moments that are significantly more stupid than anything in Rise of Sky Walker, but I also think both have a bit more creative effort put into them - Fallen Kingdom has that third act where it basically becomes a Resident Evil adaptation except with a murder-saurus in place of the Tyrant, and Dominion has the whole locust plotline which, while terrible, is at least an unexpected direction for a Jurassic Park sequel to go into that tries to figure out something ELSE you could do with the genetic engineering premise of the franchise beyond just making dinosaurs. Like, all three Jurassic World movies have big problems and they get progressively dumber with each installment, but they're also all ambitious to some degree that I still feel respect for, even if they never really actually reach those lofty aspirations.

Rise of Skywalker, on the other hand, has no ambitions at all. It has nothing it wants to say, no unique twists to pull, no real identity of its own. It's a potroast made of leftovers from better movies, a resuscitated corpse of something much more interesting, patched together like a Frankenstein's monster and abandoned to a cruel world just as callously.

It has no desire to do anything new, merely a checklist of Things You've Seen Before That the Focus Groups Say You'd Probably Like to See Again. Any character that can be slipped into an arc that was done in a previous Star Wars film is slipped into one no matter how little sense it makes for them, and any character who can't is either forced to tread water with nothing to do (hi Finn!) or just quietly shoved off to the side early on and forgotten about (hi Rose!).

Any story beats that weren't in the original films are simply grabbed from a box that reads "time tested cliches to keep your script moving with minimal effort." Make the plot a treasure hunt so we can just race from scene to scene with the flimsiest justification possible and try and trick the audience into thinking something is actually happening! What's that, audience interest is flagging? Quick, throw in a cameo of someone from an older movie! What's that, they're bored again? Pretend to kill one of the old characters, but make sure to reveal they actually lived in no more than two scenes down the line, or else we might piss off the fanboys! Hey, let's look at the Cinema Sins videos for the original movies and see if there's some gripes we can "fix" with this one for added fan cred! Can't disappoint our audience!

It's the story-telling equivalent of smothering something in salt to cover up the funky taste of the close-to-the-expiration-date ingredients.

As for what makes a good vs. a bad legacy sequel... ok, so, let's define legacy sequel first. A legacy sequel is a film or TV show that is a sequel to a popular film or TV series that ended a good many years ago, which brings back some of the old cast of characters (generally played by the same, and thus much older, actors that played them in the past) along with adding a new cast of characters played by younger actors. It tries to replicate the tone of the original series despite being made in a different era and probably by different writers and directors, and generally aims to give you that Ratatouille style moment of nostalgia.

I think most Legacy sequels are kind of doomed to be mediocre at best on the outset because the goal of them from the moment of conception is so mercenary - they're not created to Tell A Good Story, they're created to Keep Consumers Invested in a Lucrative Content Franchise. They have the artistic aspirations of a McDonald's Hamburger - "This tastes exactly like what you had as a kid, and doesn't that make you crave more of it?"

I don't think that art made for mercenary reasons is doomed to be bad, mind you - I mean, almost ALL movies and television were made to make money first and foremost. Even the classic High Art movies I love like Seven Samurai and The Third Man were made for mercenary reasons at the end of the line - it didn't stop the people who were working on them from having artistic goals, but it's a fact nonetheless.

But Legacy Sequels just have an uphill battle in the "artistic aspirations" department, because most people with artistic aspirations don't want to recreate the feeling someone else inspired with their art - they want to put their own stamp on it, their own spin, their own voice. And that will often mean something VERY different will be made, something that might piss of the fans - something that doesn't taste like the McDonald's hamburger you had as a kid, even though it came in the same wrapper.

The worst parts of Legacy Sequels are the only parts that Rise of Skywalker is made of - the parts where the story is clearly only trying to show you things you know, only trying to reheat the leftovers so they taste like your memories, only trying to trick the nostalgia center of your brain that you're four years old again eating at McDonald's. "Here's the thing you know! Here's the running gag you liked, repeated five more times by actors with far less enthusiasm! Here's the same basic premise as the first film, but the stakes have been inflated to make it feel like a progression! Cameos! Catch phrases! Eat your hamburger, you consumer pig!"

The rare good legacy sequels don't really TRY to be legacy sequels. They're just... sequels. Another story in the same world as the first, bringing back the characters who actually have interesting arcs left in them, creating new characters with their own shit going on who have good chemistry with the pre-established characters and setting, expanding on themes from the original and exploring parts of the setting that hadn't been explored yet, and all in all telling their own story that's related to the first one's but still manages to be its own distinct thing.

There are not many good legacy sequels, because a good legacy sequel is different than the McDonald's hamburger you ate when you were four, and might make less money than desired because of it.

[tjerra14]

knee says it'll be raining today and with my luck recently it will be torrential rain, for an hour, just as we finally finish up at work

[martyrbat]

habeas corpus – detective comics #1086

(ID in alt!)