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kangaracha · 7 months ago

Text

CATSKIN for @feelbokkie

prompt felix + twisted fairytale (catskin)

TW for blood, minor character death, mentions of sexual assault, medieval type violence

word count 4444

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When first you meet, it is like two stars colliding - like the sun and the moon dancing around each other in the sky, and love at first sight is a dream for foolish, insipid children and you know that to be true, but...

Maybe in this moment, you forget. Maybe you see his face, warm against the cold ice of the cape that falls over his shoulder, or maybe you watch the soft curve of his mouth as he laughs at something his brother says, standing so subtly apart from the crowd that no one notices they are there. Maybe your eyes meet across the room, sun-warmed brown to striking blue, and time stills and the dance stops and your heart thinks that here and now, nothing else could matter but the taste of his name on your tongue and knowing what his hand would feel like in yours.

But this isn't real. The ballroom is crowded, and he is a familiar face you have never met, and you are a stranger with the moon draped over your shoulders for the night. The band strikes up a dance, a lively rhythm that swings fast and slow, and you are swept into the rush of the current, your feet moving in a pattern that they know from heart. Your hands are still stained with coal; you take every suitor's hand palm-down, hiding the black stains that won't quite scrub from already-dark skin, and you waltz without meaning until pale, slender fingers take yours and hold them tight, tugging you from the dance before you can be passed on to the next partner in line.

"Wha-" you begin, and then you look up into the eyes you've dreamed of for days and months and years and forget what you were going to say at all.

"Sorry," he says, and drops your hand with all the haste you'd expect someone like him to once he looked close enough to see the lie shivering beneath your skin. "I just wanted to know your name, before I lost you in the crowd."

Love at first sight is a story mothers tell to put their children to sleep at night, and you have lost all your senses because in that moment, your mouth opens as if to answer him.

"There you are," a voice says behind you, too sweet to be any you know; and an arm loops through yours, and here is Hyunjin suddenly, jewels dripping from his brow and a fire burning in the back of his eye where only you know what it is for. "It's so like you to wander off. Come on; our friends are looking for us."

"Before you go-" says the mouth you'd seen laughing from across the hall, the prince it belongs to reaching out a hand - but you are already gone sliding away through the crowd that fills his ballroom from wall to wall with more dazzling finery than you've ever seen in your life.

"That was close," Hyunjin breathes in your ear, and there is the voice that you recognise, liquid fire and undertones of dark shadow. "You're supposed to avoid him, you know."

"I know," you mutter and allow yourself to be swept away, all thoughts of love and the sun and the electric feeling that had jumped from his hand to yours swept to the side.

II.

The king likes the ballroom to be full and the people to be colourful, and he likes the crowd to be lively.

The wine flows freely for the last day of the summer, the lords and ladies stripped of their cautious humours and careful tongues. Their laughter is raucous as you slip out into the garden, the sun pulled over your shoulders in lengths of fine silk that cut away the cold wind that bites at your exposed skin. Already, the trees have begun to turn and the grass is wet with the season's rain; you stand in the centre of an autumn scene and watch the leaves flutter and fall, the light of the lanterns glittering from your skirts and the swirl of beading across your breast, woven from the finest gold.

"It's you," says the man beneath the tree; and when he steps out into the light, dressed again in pure white, you forget to pretend that you hadn't seen him, or that you'd simply come out here to breathe in air that wasn't stifled by the laughs of a thousand other people. "I was looking for you, you know."

"Were you?" you ask with the curve of a smile, your tongue loosened by the quiet of the cooling night and the seclusion of the garden. "Or could you just not find someone to dance with?"

You'd seen him earlier, standing at the edge of that floor. Gently turning away the hands of countless maidens in gowns that dripped in jewels under the guise of speaking to his brothers, searching the crowd with his eyes at every moment he thought that eyes weren't watching him. The guilty smile that plays on his face says that he knows exactly what you are thinking of; the step that he takes within your reach says that he isn't going to hide it. "Maybe I was waiting for the right person," he says, and then his cheeks turn pink in embarrassment, his eyes sliding momentarily away from yours.

"You'll waste your entire night if you think like that," you tell him lightly, and then you glance over your shoulder at the doors to the ballroom - to give him a moment to himself, you tell yourself, and pretend that it wasn't because you thought you felt the creep of Hyunjin's watchful gaze over the back of your neck. There is no one at the door though, no one watching through the backs that are turned to the glass. Only he can see you here, the sun standing in the middle of the night's darkness.

"I never got to ask your name the last time I saw you," he says; and with a start that jolts up your spine like electricity, you turn back to him.

"I never got to ask yours either," you say, in lieu of the answer that you cannot give him. Never mind the danger of him recognising you too closely after this night - if he mentioned to Hyunjin the name of a girl he'd met in the garden, if Hyunjin knew what you were doing between the tasks you'd been given...

"Everyone knows mine," he scoffs; not because he thinks so highly of himself, but in the reluctant acceptance of someone who had never known a moment of privacy. "You can't have come to the woodlands knowing so little."

"And what if I didn't?" you question, playing along on this string of a conversation rather than letting him turn it back around to the question he'd really tried to ask. "What if I'd simply come here to enjoy the night, and seen a man across the room that I thought I'd like to know?"

His smile grows wider, his eyes softening. You like the way that smile looks on him. "Then I'd tell you my name is Felix," he tells you. "And I'd probably ask you to dance before we met like this, out here in the garden where no one is looking. And it probably wouldn't be such a scandal if we were seen either."

"That doesn't sound like as much fun though," you say. "Isn't it much more interesting to meet like this, than to have it all planned out?"

"Are you someone that likes trouble?" he asks, head tilted to the side in question; and the words seem cautious, probing, but he draws in closer again anyway, enough that his hand can brush yours in the folds of your dress.

"Maybe I am," you tease, your heart fluttering and jumping around in your chest like a nervous rabbit. "Aren't you?"

"I think I could be," he says, and his hand brushing your chin is followed by his lips brushing yours; and it is only a question, a stepping across boundaries that promises to rescind immediately if you push him away, but love at first sight is a dream and you think maybe, in another life, you might have been a terribly indulgent dreamer.

You kiss him with all the certainty that had driven you to this point, this garden and this night and this man, and his lips are soft and he smiles too much, and his hands are hesitant to wander, but you've already tried hot, heady passion and men who take what they want. Soft is new, and questioning sends a shiver down your spine, and you think this is a better man.

And then you stop because you remember, but you play it off as the toll of the bell startling you from a daydream. "I have to go," you say, which is true, and then, "I hope you find someone to dance with tonight," which is not.

"Will I see you again?" he asks; and it's notable, you think, that he doesn't reach out of try to stop you. That he accepts on face value that you are telling the truth and that, even though his eyes say they want you to stay, his mouth would be rude to ask.

"Maybe," you say, the word drawn out like honey dripping long and slow from your tongue. "If you have another ball."

He laughs, his eyes squeezing closed with the pain of it. When they open again, you make sure you are gone from his sight.

You're pretty sure you dropped something like your heart there in the courtyard, but you don't dare to go and get it back. Not yet.

III.

You're cutting through fine hallways of tapestry and stone from the garden, your basket filled with vegetables and your face streaked in dirt. You aren't supposed to be here - a scullery maid shhould be in the dark spaces between the walls, scurrying up and down steep and spiralling stairs, but you're late and the cook is a stone-faced woman with a tongue made for lashing, and you hadn't thought-

The prince stops to look at you, confusion furrowing in his brow as he stares at your face. Recognition; except that today you are hiding under the brown of the dirt and the mantle of wild fur, cobbled together from the backs of many animals but none so fine as te ermine that lines his coat.

Your heart sinks even as it pounds in alarm at the thought of him finding out what you are and where you've come from. It is a disaster if it happens, surely, but at the same time - maybe you'd tricked yourself into thinking that he remembered you the same way you did him. Or maybe he had tricked you, with the way he'd so quietly given you his name in the garden, the earnesty with which he'd nearly asked you to stay.

"Your highness?" Hyunjin asks at his shoulder, dressed all in his own princely regalia, and Felix turns away. And for a moment you hate Hyunjin, as you slip to the side of the hall where your feet should be, out of the way; because how could he be so beautiful, and so detached and so true to his beliefs that he could play the prince, and you are so suited to fur and treachery that you stand here a maid?

"Sorry," Felix says, to Hyunjin and not to you, and pretends to move on. You can see his eyes flick back again as he leaves though, trying one last time to see past the furs and the dirt, to place where he has seen you before.

You can see Hyunjin's too, piercing when they look directly at you. Warning, that you are overcomplicating things. That this is all about to be a mess, and you are no longer prepared for it.

Your ire rises again. You know what has to happen, and what he will do to facilitate it, and you know your own roll. You know it all has to end. Who is he, to think you can't carry through on a promise? Who is he to doubt you?

IV.

The final coat is made of feathers plucked from the birds of the sea cliffs, tawny brown and ochre and cream. Hidden in the tunnels of the castle, Hyunjin tucks a sprig of samphire into the curl of your hair, picked from the edge of the world before you had left and wrapped carefully in paper made for preserving these kinds of things. A piece of home, brushing up against your ear every time you turn; a signal to those that you have let in the back door that you are a friend, in case you are caught in the havoc.

"What happened to your hands?" he asks as he steps back to look at you, his own lifting your wrists so that he can see the black marks on your fingers.

"There was grease on the gate lock, to stop it sticking," you reply. "It doesn't wash off like blood does."

He drops your hands just as fast as he'd picked them up, his eyes scanning the feathers again. As if it was this coat that you'd worn when you'd taken a knife to the man at the gate, as if he would find evidence of the blood on your hands smeared across the vanes if he only turns you this way and that. Silly of him, really - the edge of the fur coat was the one that bared the stains. The fur was made for the work of the hands. The feathers were only sent as a signal, a draw of the eyes, dropping in the path of your feet as you walk towards the ballroom.

"Stay away from the prince," Hyunjin warns you, his attention turning in the direction of his own path to the party. "He's looking for a particular girl that he saw last time. He'll have eyes everywhere."

"Not on the ground though," you answer, shaking out the coat and watching a feather of mottled brown drift to the floor. You ignore the way that your stomach dips at the mention of a girl. You neglect to mention that the girl he's looking for might be you, and the rouge brushed across your cheeks and the glitter of gold on your eyelids will only draw his eyes.

You should have worn the dirt and hidden in the shadows, but that's not how they had prophesised it. The witches had whispered of a feather coat and a dress made of the sun and a moonlight shawl, and you'd been the one foolish enough to wear them, and no one in those rooms had been able to resist the magic of them, least of all the prince.

"Time to go," Hyunjin says as the bell tolls seven, and with one last look between you, you turn your seperate ways.

You don't know where his heart resides, but you know that yours is in your throat. You hope that he survives the night. You hope that whatever he came here for is worth what it is going to cost.

At the moment the ballroom bursts open, the black soldiers streaming in from every entrance, you are looking at the prince.

You hadn't meant to. You had taken Hyunjin's advice, as much as it grated at you to do it, and you had avoided him, skirting around the edges of the room while he searched in all the wrong places for you, dropping your feathers where the feathers wanted to fall and hiding in crowds of garish colour that sniffed and sneered at your coat of soft brown; but even though you don't wear the sun or the moon, you still orbit around him and him around you when you are in this room, and to stay away from him was-

Impossible, in the moment when you turn and there he is, right on your tail like the hunters following the birds to their nests in the cliffs, willing to jump from the rocks just to collect the eggs that might hide below. Except that he wasn't here to steal from you, or to catch you in his hands and tame you - he only thinks that you are beautiful, or that he could love you if only you gave him a chance.

And then the feathers ruffle and shift in the breeze, and the doors open, and the room fills with the men of the sea, axes and knives glinting in their hands and white teeth snarling within their faces.

Eerie silence falls as the room stutters to a halt, the shiny, red-faced aristocrats turning to stare at the army that have entered their sanctuary. The first one falls by the main entrance, his wine arcing through the air as he tumbles to the ground under the sharp blade of an axe; and then they scream, and they move in every direction, and in the maelstrom of silk and chiffon and eyes of horror you lose sight of the prince.

Slipping across the room is like fighting upstream against a raging river, ducking between bodies and around blades that don't have time to see the samphire behind your ear. You fade away into the one hallway you hadn't marked with a feather, disappearing into the black of the walls and the twisting tunnel down to the kitchens where just moments ago maids had scurried out to deliver the feast, and your heart breaks at the red-suited body that tumbles in on your heels, the eyes of a man in armour of beaten iron that take in your feathers and your face and turn away, back to the bloodbath, but you can't go back. You can't save him.

And then a gutteral cry echoes down the tunnel, and a body blocks the light that flickers from its entrance, and there he is, your prince. His eyes are scared and his mouth open as he gasps for breath, the little knife he'd used on your countryman held in a white-knuckle grip in front of him as if he thinks he might need it again at any time. Blood splatters the front of his snow-white coat, tarnishing the pearls and sinking into every fibre of the cotton and wool that holds it together.

"It's you," he gasps between breaths, the words reverberating from the stone walls. "I found you."

"You-" you begin to say, but the words are lost in the storm of thoughts that cloud your mind, the race of scenarios that you can imagine coming from this unfateful meeting, this turn in the story that was never anticipated. Every step has been told to you up until now - the coats, and the feathers, and the rush of men into the ballroom that leads to the fall of a kingdom - but no one said a word about this. About him, the prince, the hands that now cup your heart to their chest, and the knives at his back as he stands there, just one step shallow of safety.

You think too much about what has happened and what could happen next, but you don't think at all when you reach out and grab him, dragging him down the tunnel and into the darkness, where only sporadic lanterns burn to guide the way. Around this corner and then that, down a staircase so steep that countless girls have broken their necks tripping on its uneven stones, into the warmth and light of the kitchen, where the smell of the pig roasting over the fire fills the air and the stack of pots waiting for you to wash them later in the night teeters towards the ceiling, stacked in one corner by several pairs of careless hands.

No one is here. They'd timed it deliberately for the arrival of the feast, when the attendants of the ball would all reconvene from the corners of the palace to the ballroom to fill their already ample stomachs. Incidentally, this meant that the kitchen staff were all in attendance too, arranging dishes under the watchful eye of the cook, which meant that when you tried to hide a prince in the kitchen-

"Wait," he says, dragging back against your hold on his arm. "Wait, I know a way out of the castle. I can take you where it's-"

"No," you cut across him before he can finish, and you tug at him again, dragging him step by step towards the maid's quarters. "They're in the hidden tunnels too. There's no way out."

He's so surprised that he forgets to resist you, his body going slack with his jaw and his feet following you across the room. "How do you know that?" he asks.

You don't dare to look back at him as you enter the room you share with the other girls, as you open the little chest-of-drawers that holds everything you brought with you (but not everything you own) and you pull out the clothes you wear day-to-day - grey trousers and a cream shirt slowly staining brown, and the coat of a thousand furs, its edges stained with fresh blood. "Put these on," you order him, shoving them into his arms without looking him in the eye, and then you turn your back.

"I wouldn't punish you for pretending to be from the court," he says to your back as he changes, the white jacket thrown to the dusty floor and then his shirt and breeches. "Or for knowing whatever you know. You saved my life." His boots are too nice to be a servant's, but yours won't fit him; you reach for Alice's old pair while he is busy, set neatly at the foot of her bed, and hand them to him when he is done, picking up the clothes he has discarded instead.

You saved my life too, you should say of the man he had killed, to keep up the illusion, but the lie seems wan in the face of the truth you are going to have to admit to him by the end of the night. You stalk past him instead, headed to the fire with the truth and the lies still sitting sour on your tongue.

The shirt and pants burn easily, the leather of the boots slow to sink between the logs that fuel the flame. You hesitate a moment before throwing the coat in after them, eyeing its precious pearls and hand-woven patterns of leaves and swirls. A silver brooch pinned to the lapel catches your eye; your thumb runs over it, feeling the careful details its maker has pressed together and the chips of diamond that embed its surface.

"That was my mother's," Felix says behind you, a certain grief hidden in the stiffness of his voice. "But you can burn it if you have to."

"I don't have to," you reply, and you work it free of the fabric with delicate and practised fingers. The coat feeds the flame; the brooch pins onto your dress, just above your heart.

"Pretend to be a servant," you say as you turn to look at him. Your hands reach out to fix his coat, to smear the soot from the fireplace into his golden curls and down his cheeks. "I can't keep you alive if you're a prince, but if you're just a boy from the kitchens-"

His hands catch yours as they slip from his face, the ash that clings to your skin staining his as he grips them tight. "Who are you?" he questions. "What have you done?"

Tight-lipped, ashen-faced, you look up into his eyes - pale blue to forest brown, liar to honest truth. "I'm the feathercoat," you say, as if he will understand the words of a fable that people only whisper over the sea cliffs and the raging storms of the ocean. "I'm the one that brings the woodlands to their knees. I'm-"

Your voice chokes in your throat, your fingers growing numb from the force of his grip on your hands. There's a knife still tucked into his waistband - there's a knife behind him, stuck by its tip into the surface of the cutting board. You only have your feathers, and the excuses that stack up in the back of your throat; that the witches told us it would be so, or your land is the only gift my father will accept in place of a marriage to that man, or haven't you seen the way your father encroaches on our cliffs? Haven't you seen the way your farms destroy our hills and valleys and pollute our river? But those are all reasons that blame someone else, and you are the one that stands here, and the grease from the gate stains your fingers, not theirs-

"I loved you," he says, and he lets go of you like he has been burned. "I saw you across the room, and I thought no one could be so beautiful, and you can't even tell me the truth when-"

A shout echoes down the hall you'd escaped from, the rattle of armour and the thunder of heavy boots against the floor. "Wait," you say to him, a hand suspended in the air between you. You're afraid to touch him, when he could reach for that knife - when he deserves to see your blood run, for what you have done - but you can't let him run to his death all the same. "Wait until we live, and then I'll tell you, and then you can kill me. But wait. Take my hand and wait."

He hesitates, his eyes wary like he doesn't believe you, but the man on the stairs shouts again, calling for someone to follow him, and the fear shoots right into his heart and his hand slides into yours, his pulse fast but his fingers cold.

"I don't want to kill you," he says, like a promise you can't believe he will keep. "Just keep me alive, and when the sun comes up, tell me everything. Please. I don't have any reason to kill you if everyone here is already dead."

"I will," you reply, and this is a promise that will be kept, whether or not he reaches for the knife when the light of the dawn comes. "I love you too, you know. I didn't mean to hurt you."

And yet, you have. And yet, the guilt and the feathers eat you alive.

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PERMANANT TAGLIST

@amyyscorner @kokinu09 @rainfallingfromthesky @keepswingin @rylea08 @puppysmileseungmin @thatonedemigodfromseoul

#stray kids #roo writes #skz #felix #lee felix #yongbok #lee yongbok #lee felix yongbok #felix imagines #felix drabbles #felix drabble #reader x felix #felix imagine #felix x reader #felix reaction #felix reactions #lee felix imagine #lee felix reactions #lee felix imagines #lee felix x reader #written for feelbokkie and tagged with her tags because i'm way too lazy to figure it out myself #anyway #hello rain and keeps #i ahem. ahem. definitely didn't write 4k in a day on #something random #again #i did finish it though so if i could just remind you that keeps has 10 unfinished projects #double anyway here i am again with a fantasy au oneshot with way too much backstory #rain literally yesterday 'not everything has to have a whole plot' me today 'okay but it's this because of this and i don't have time to go #into this but it's this'

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antianakin · 10 months ago

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You know what's something I wished fanon/fanfic/etc explored? The idea of clones, basically traveling the galaxy because of the war not only having their own traditions, but also picking up stuff and being taught things by various people they encounter. Not even necessarily like a culture/tradition. A planet's local militia taught a trooper how to weave grass during a long night waiting for orders.

Of course he brought this to his friends and now the whole battalion makes things from grass or leaves or thread. It's calming, it's fun, they experiment with materials.

The clones who've developed their own culture (not Mandalorian) but also enjoying learning and participating. Let them be happy and want to explore things beyond their DNA donors world. (I also enjoy the idea of them getting to relax and join in on fun, normal activities).

And the idea of different units having different traditions while also sharing them when they're deployed together is fun.

The idea of mindfulness being picked up from Jedi general's and everyone having a unique spin, either copying meditation or meditating while cleaning equipment.

Also I want people to appreciate the clones as their own people.

Yeah, I hardly EVER see the clones depicted as this really interesting mish mash of cultures due to potentially picking up a bunch of shit from civilian populations they meet and then just passing it around their own battalion which could then make it out to the GAR as a whole.

Weaving baskets is a cute one, it could also be something as simple as picking up new spices every time they land somewhere and so their food is this wild fusion cuisine of spices and maybe fruits/dried meats/nuts from all over the galaxy because they just pick up stuff that goes to the kitchens and the clones doing the cooking in the kitchens use whatever they've got available to try to make new dishes. And they end up perhaps getting really good at figuring out how to combine these different ingredients that, on paper, seem like they absolutely should NOT go well together and yet somehow they make it work. And so clone cuisine becomes its own completely unique thing. You could even compare it to Jedi cuisine where they probably end up combining things a lot themselves, but the Jedi would theoretically often have had more access to resources and time to learn whole dishes than the clones do so it's more that the Jedi prepare different specific dishes from a lot of cultures as opposed to the more fusion-style cuisine the clones have come up with.

Or games, it'd be so cute to have the clones picking up all these different sort-of idle games from different civilian children they meet, like gffa versions of hopscotch or hackey sack, maybe card games that aren't sabacc or board games that aren't dejarik but are more specific to this one planet or culture. Maybe the clones start coming up with their OWN card games as they go because they start getting bored of the few that they know and start getting creative from there.

And of course things like different styles of visual art like painting and tattooing and hair styles that they might pick up on and incorporate into their own style that either becomes very popular among the clones on its own or ends up sort-of hybridized and become its own unique clone specific spin on the artform rather than a direct imitation. Writing would be really cool, too, that they pick up things like novels or journals from different cultures and some of the clones start writing creatively and become really prolific among the GAR (and maybe the Jedi too) for their stories. Similar to before, they might start off sort-of imitating styles they see from other cultures, specific kinds of poetry or tropes, but then branch out and put their own spin on it or start combining different things they've learned from various cultures.

Some clones might end up sticking closer to one specific culture they've connected or that just matches their personal taste really well, while others embrace the fusion more, and everything in-between.

And of course we can bring the Jedi into it more, too, and have the Jedi constantly working to introduce the clones to more things, maybe things THEY know and love from various cultures that they think the clones would find fun or interesting. And not just that person's "birth culture" like Ahsoka teaching people about Togruta culture, but things from OTHER CULTURES that they themselves have experimented with and liked. Maybe Ahsoka has a Mon Cal skincare routine she fucking swears by, or a Zabrak meat dish that's her absolute favorite hands down because of how tender they cook it, or her favorite book is actually Rodian because she particularly loves Rodian romance novels. And she introduces the clones to THESE things as well because why wouldn't she? The Jedi have a smorgasbord of options available to them and their culture encourages learning and connecting as much as possible, something I imagine they'd do their best to pass on to the clones in any way available to them.

And of course the Jedi, as some of the only people really out there with the clones and interacting with them regularly, get to be the first to BENEFIT from the hybridization that the clones utilize and get to see more about how these different cultures they've learned and appreciated for so long can be combined in such new and different ways to create something entirely unique and beautiful, so they get to enjoy these things all over again and it's AWESOME! New favorite noodle dish that combined fish from Glee Anselm and spices from Pantora and noodles from Chandrila, new favorite poem that has elements of Naboo and Ryloth in it, new knitted scarf that combined a knitting style from Lothal and a pattern from Shili.

And I've been going more for physical material things so far like food and stuff, but you can include things like slang they pick up from other cultures or maybe rituals of some kind they saw someone do that they asked about and got permission to participate in that they continue to practice afterwards because it's nice and calming.

The interesting part about the clones is that they don't have a "birth" culture to go back to. They were raised in a very sterile environment where everything they were exposed to was something very specific and aimed towards a certain goal. So they might have a favorite fighting move from the ones they were taught on Kamino or a favorite ship to fly of the ones they were taught to use for war, but it would be SO incredibly limited to what the Kaminoans wanted them to learn and not intended to become something the clones really connected to culturally. The Kaminoans themselves clearly HAVE a culture of sorts, they seem to share a style of fashion at least and probably an architectural style, but this isn't something that was passed on to the clones or that they would've been allowed to ever really participate in (beyond maintenance to the buildings, but they wouldn't have gotten a say in things like paint colors or additions to the building for cosmetic reasons, etc). And of course I don't think canon supports the idea that the clones really had a lot of connection to Mando culture and certainly nothing that supports the concept that they would consider it their "birth" culture. Jango barely seems to have passed any sort of Mando heritage on to BOBA, so it seems INCREDIBLY unlikely he'd have passed anything significant on to the clones he DIDN'T consider his son. And the Mando trainers are a legends thing these days, and were never canon anyway, so their exposure to Mando culture would be even more limited than their exposure to Kaminoan culture quite honestly.

All of which means the clones don't really have a firm basis of a birth culture from which to start on and then sort-of experiment out from. They're almost entirely open to whatever they discover or are introduced to in terms of culture. They're not Mando, they're not Kaminoan, they're their OWN THING and they can literally incorporate just about anything and everything into the culture they choose to build and that's SUCH a cool thing to look at and to explore and I don't know if I've really seen that much of it in fics. Especially via the Jedi who are their own massively multi-cultural society and can take the opportunity to really widen the clones' horizons in so many ways.

#star wars #clone troopers #clone trooper culture #jedi #pro jedi #anti mandoclone #mandoclone critical #let the clones be interesting again! stop making them mandos just because the work has already been done for you!#it's lazy as hell and boring at this point too!#blah blah armor blah blah fighting blah blah vod blah blah jetii blah blah blah blah blah blah #it could not GET more uninteresting than that #also i am CONVINCED there are more restaurants in coruscant than dex's diner #and yet somehow that's the only one the clones ever seem to go to aside from 79's #i love dex too but come ON

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