#be kind 😅

[violethyacinth]

Fall Out Boy, Bridgestone Arena, March 31, 2024

Clip of their intro and song Love From the Other Side

[alalnsted]

Merm au! In the wild?? Ft pirates 🏴‍☠️

[reineydraws]

jason is a grandpa's boy and u cant take this away from me!!! they cook together, they discuss literature together, and when jay comes back, they clean their guns together haha. ofc they celebrate their birthday together too! 😌

✨️🎂 hbd jay & alfie 🎂✨️

[trashyshrew]

please take care of your hands first! for when your hands get better: lawlight but with light kissing L's grave or something like that, if you can draw that? thanks!

thank you! hopefully i didn't go too far off script with this one...

[firesmokeandashes]

Mha "could've been canon" quotes/scenarios

Fake Deku: *walks into the common room and over to Katsuki*

Fake Deku: "Hey Bakugou! Want to go spa-"

Half of class 1 a: *suddenly jumps the fake deku*

Fake Deku: "Wait! What are you guys doing! Get off me!"

Ochako: "Cut the bullshit, we know you're not Deku"

Fake Deku: *detransforms into some random villain*

Villain: "But how? I haven't done anything out of the ordinary!"

Todoroki: "Midoriya never calls Bakugou, Bakugou"

Tenya: "In fact we're not entirely sure he knows how to say Bakugo's real name"

Katsuki: Besides, danger sense would have alerted Izuku before everyone jumped you and gotten out of the way. So really you're just stupid"

Jirou: "Wait, sense this guy isn't Deku-"

Momo: "Where's the real one!?"

●●●●●●●

Meanwhile at the villain's hideout:

Izuku: "So you see, you can be whatever you want to be, you don't have to be a villain"

Villain 1: *sniffling* "That's so deep man"

Villain 2: *crying* "No one's ever told us that before! Thank you!"

Villain 3: *sobbing uncontrollably* "Thank you so much! Im gonna turn my whole life around now, I promise!"

Villain 4: *sitting in a corner contemplating their life choices and having a mental crisis*

Izuku: *slightly flustered* "There's really no need to thank me! You guys should have been told all this from the beginning!"

All four villains: *thinking* 'And he's humble too!'

●●●●●●●

Back at UA:

Aizawa: "So you mean to tell me he's been missing for FIVE HOURS!?"

Katsuki: *frustrated sigh* Yeah"

Aizawa: *insert groan of dissapointed and frustration*

Aizawa's phone: *rings*

Aizawa: "What!?"

Villain 1: "Um, is this Erasurehead?"

Aizawa: "Yes, what do want? I'm in the middle of important business!"

Villain 1: "Well, you see, we have one of your students, Midoriya, and we want to know where we should drop him off at?"

Aizawa: "...."

Aizawa: "What do mean 'drop him off at'"?

Villain 1: Well, he kind of gave us a talk about how we don't need to be villains and now we all feel bad about the stuff we did and want to give him back to you"

Aizawa: *sighs tiredly while dragging his hand down his face*

Aizawa: "Meet me at the abandoned choclate factory over on 15th street"

Villain 1: "Okay! Yeah, we can do that and I just want to say how sorry we are for kidnapping him! We're fully expecting to be arrested when we get there, so don't worry about us putting up a fight"

Aizawa: *sighs tiredly and hangs up*

Katsuki who listened to the whole conversation on speaker phone: "So he did it again?"

Aizawa: "Yup."

Katsuki: "And now you have to call the police and do more paperwork than you want to?"

Aizawa: "Yup."

Katsuki: "Want me to go with you to pick him up or..."

Aizawa: "Yes, lord knows he's gonna need someone to talk to on the way back and I cannot deal with him right now."

Katsuki: "So... what do we do with this guy?"

Katsuki: *jabs finger towards the shapeshifing villain who is tied and gagged with sero's tape snd spewing muffled curses at them*

Aizawa:"Hand him over to campus security and let them take care of him"

Katsuki: *nods and drags the screaming villain out the door with him*

Aizawa: "Im getting too old for this"

●●●●●

Later at the abandoned Chocolate Factory:

Aizawa, Katsuki, and a handful of cops walk into the Factory:

Izuku: *jumping up and down while waving his hand*

Cops: *rush over to arrest the villains*

Izuku: "Sensei! Kacchan!! Over here!"

Katsuki: "We know, idiot! We aren't blind!"

Villain 1 being arrested: *whispering* That's 'Kacchan'? I thought he'd be nicer"

Villains 2-4 also being arrested: *nod in agreement*

Izuku: *bounds over to Aizawa and Katsuki*

Izuku: "Sensei! Kacchan! You're not going to believe the day I've had!"

Izuku: *begins rambling*

Aizawa looks tiredly at Katsuki: "You take care of him, I have a big enough headache as it is"

Katsuki: *nods and turns back to listen to Izuku's rant and scold him for being reckless and getting in trouble again*

■■■■■■■

[buf309]

Hey! I see that you're a Spy Family Fan and i wanted to ask what you think would happen,

If Yor asked Loid the age old question "Would you still love me if I was a worm? "

Hi, thank you for your patience 🤗

Your ask caught the musebunny's attention so it insisted on making me draw pages of comic for this. Well, because I think depending on when Yor asked this question, the answer she got could be very different. I hope these are worth the wait. Please enjoy.

and for comparison and contrast, I also let Fiona ask her senpai this question too 🤔

[ladyblackbirdart]

Sorry again

[mobius-m-mobius]

Lokius in Loki 2x03 - "1893"

[justc2world]

God this made me so emotional

[dootznbootz]

I currently have writer's block and fucked around and made Iliad and Odyssey memes :'D Some look like "repeats" but aren't. Just different scenarios/people. Enjoy!

There's... A LOT. I don't care if you pick out your favorites! I put this all in one post as I don't want to spam the tags! :D

[walkingstackofbooks]

A 9-year-old Julian Bashir who has had nightmares about evil doctors in an alien hospital for as long as he can remember. He doesn't tell his parents though because "he's a big boy now" and nightmares are for little kids, so he knows he should deal with them alone. And even if he'd like a hug sometimes, his mum only gives him hugs for doing well, not for doing badly, so he figures there's no point bothering her

A 15-year-old Julian Bashir who realises that the nightmares he used to have were based on the apparently very real alien hospital his parents had taken him to as a kid, and spends hours trying to figure out what were real memories and what his mind had made up over the years as he slept. The nightmares come back with an intensity, but they're nothing compared with how he's feeling when he's awake, and pretty soon they become a normal background noise of his life.

A 19-year-old Julian Bashir who's finally been moved into a solitary room after his third roommate in as many weeks complained about the almost-nightly screams. His advisor asks if he wants to speak to anyone: he claims they're just night terrors and he doesn't actually remember them. Besides, even if he could talk about what was in them, he probably wouldn't, because he's fine - he's used to them by now.

A 24-year-old Julian Bashir who gets woken from his nightmares by warm hands and gentle kisses, and learns what is like to be soothed back to sleep by the soft voice of Palis Delon

A 32-year-old Julian Bashir who has a different nightmare every night. The last year's been difficult. But then, it's been difficult for everyone, and he knows he's far from the only one to be suffering from nightmares at the moment.

A 34-year-old Julian Bashir who can't stop dreaming about the torture he went through four weeks ago, who's missing Ezri and who Miles is increasingly concerned about. When the O'Briens offer him their spare room for a while, he warns them multiple times about his nightmares, and is pathetically grateful when that doesn't change their minds. "We have nightmares too, Julian," says Keiko. "We can cope with yours."

A 34-year-old Julian Bashir who is confused when, three days later, Miles remarks, "You are having a bad run of those nightmares, aren't you?"

"They've been better than usual, actually," he replies awkwardly. "It's been really nice being able to go back to sleep afterwards, for once -- you and Keiko have been so generous in coming and checking on me."

"Course we're gonna come and check on you," says Miles gruffly. "You woke up terrified. We're not letting you do that alone."

"I'd be fine, Miles," Julian reassures. "I'm hardly going to expect one of you to come in every night."

Miles pauses. "...How long are you expecting to have them 'every night' for?" he asks, with some concern. "I mean, after a thing like this, how long does it usually take them to settle down?"

Julian stares at Miles. "I... have nightmares, Miles," he replies, frowning. "Just like you. Nightmares happen every night."

"No, they don't," says Miles, equally confused. "Don't get me wrong, they can do: after something big then sure, they're like that for a few weeks - a couple of months, even. But eventually they fall down to once, twice a week..."

Julian is looking at Miles incredulously. "That might be how it works for you," he says. "I guess my brain's different to yours. Mine don't stop, they just... mix. Change. Get confused with one another, eventually. I've had more dreams about being genetically modified by Sloan in the Dominion camp than I care to remember, you know?"

Miles' concern has turned into abject dismay. "You're saying you've had nightmares every single night since the Dominion took you?" he exclaims.

"Well, maybe not every single night!" retorts Julian, a little unsure what Miles is getting so het up about. "I do have some days when I don't... But yeah, pretty much. I've had nightmares most nights since I was fifteen, it's just how my brain processes stuff."

"Fifteen?"

...

A 34-year-old Julian who finds out that having nightmares every night for two decades is, apparently, "not normal" and something he should be seeking help for.

If Ezri comes back alive, he supposes he might take it up with her.

[shegs]

[uhbasicallyjustmilex]

💚

[tiedsh0es]

Can we talk about how no one is happier in Inanimate Insanity until they leave the show? Marshmallow, Lightbulb, Balloon, Taco, Microphone, now even Mepad.

It's brought up again and again. Even by OJ that the show changes you. That you can't better yourself until you get away from it.

The show is this cycle of anger, and cruelness from a host that uses it as a distraction from his past. Mephone is given so many chances to change. Even Mepad, who sticks by him because this is supposed to be the freedom from Cob's Mephone saved him from- is hardly even acknowledged by Mephone.

The contestants even try to be a little kinder towards Mephone because they know his past now- yet Mephone just returns it with more cruelty. Because that's the thing about Mephone he never once tries to change.

Never once tries to actually befriend the characters who try with him.

He's not without chances.

I believe that the only way Mephone can free himself from his own cruelty is with the end of his show. No more seasons, no more spin-offs. All this show is, is a distraction. Something to keep him as far away from his past as possible.

Yet can he do that?

He's driven away every single person that's ever tried with him. His show is the only thing he has control over. The only thing he's ever known since running away.

[verdantmeadows]

To me the joy and beauty of vocal synthesizers has always been that they don't sound real and exploring that to create artistic expression that can't be achieved by human voices, so seeing them become more and more realistic is disheartening, almost? Especially since a lot of artists make the same voice banks sound so different and have their own personal charm. I'm glad that people will be able to make things that sound realistic, but I'm worried that songs that intentionally play out of sounding as realistic as possible will be sidelined, discouraged, no longer created, impossible to find, or unsupported by fans of vocal synthesizers. I don't want things to just push towards being as realistic as possible. There is beauty in how everyone's usage of the same voice banks sound different. There is beauty in the lack of realistic sounding vocals in vocal synthesizers.

[hephaestuscrew]

I'm sure Minkowski never forgot that Cutter was the first person ever to call her Commander. After recruiting her in Once in A Lifetime, he starts to call her Lieutenant, then breaks into laughter, before correcting himself: "What am I saying? Commander Minkowski." He draws attention to himself granting that title, stressing its significance. By initially calling her by a lower ranking, then conspicuously correcting himself, Cutter emphasises that he's the one granting her that title. Right at the beginning of Minkowski's employment with Goddard Futuristics, Cutter plants the seed for his line in the finale: "People cared about you because of what I made you: A soldier. A leader. A commander. I gave you that, and now? I taketh away."

And he does take it away. Cutter makes a point of calling her Commander in that first meeting, but he hardly ever calls Minkowski Commander after that. He almost always calls her Renée. He makes the point in that first interaction that he has the authority to grant her that title, and then in every subsequent interaction he tries to make the point that she doesn't have command over him. Having called her Commander once makes every time he doesn't call her by her title seem more deliberate. It's not that he never uses titles - it's that he uses them selectively. He gives her a taste of that sense of authority, but he doesn't want her to feel worthy of it.

In the liveshow, he cuts her off by shouting "I AM SPEAKING, LIEUTENANT!". Minkowski is the Commander of the Hephaestus in official terms at this point and Cutter even refers to her as "a mission commander" later in the same episode. So there is a deliberate malice to Cutter calling Minkowski Lieutenant here. Not only does it emphasise the use of authority structures as a means for control and the abandonment of first-name-basis false friendliness, calling her by another title makes his choice not to call her Commander even more explicit, denying her that authority.

Apart from when he recruits her, the only other time I can think of when Cutter directly calls Minkowski Commander is in Ep60, when he lays out his offer to let Minkowski leave on the Sol: "How does that sound to you, Commander?" Again, calling her Commander is a kind of power play, an attempt at manipulation, highlighting the sense of responsibility that motivates so many of Minkowski's actions. Cutter is prompting her to ask the question she would be asking herself anyway: what choice would a good Commander make? Just as he did when he recruited her, Cutter offers Minkowski something she desperately wants, and the use of her title here only draws attention to the idea that Cutter is the one with the power, choosing what to give her.