#bc of others and the world around is just seemed like a narrative i no longer believe

[graevs666]

so i did shrooms last night n i honestly had a rlly good experience from it

[thisismeracing]

Your time | LH44

― Pairing: Lewis Hamilton x singer!reader ― Warnings: mentions of cheating; lots of rumors about lewis being an a*hole; mentions of juliana nalu and shakira, but all fictional. ― Summary: A couple months after the biggest breakup in the F1 paddock, your song gets leaked and the internet uproars about your relationship again. This time they have more ammunition than ever to feed the narrative that Lewis Hamilton cheated on you. Are they right though? (based on this request).

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September, 2023

paddockgossip

liked by ynfan, haileybieber, and others

paddockgossip how would you guys feel if your man goes out with another singer and looks this cozy while you’re out there on tour working your ass off? 👀

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sunshineyn you know shits real when her friend hailey likes the post…

⤷ pinterestyln I thought the same

leclercnation you guys forgot to add that yn and shakira aren’t friends, were never seem together, couldnt bother to talk about one another, yet this is the second time we see her around lewis this week…

randuser @ yourusername bestie come get your man!

schumakatchau this looks oddly like a double date

raintyres GUYS HIS HAND PLACEMENT!!! HES HOLDING SHAKIRAS WAIST 😭😭😭😭

tomdayastan my girl Yn doesn’t deserve this

evansnature are you guys really that surprised? He’s a man, I expect anything from a man

January, 2024

February, 2024

f1wagsupdate

liked by pierregasly, mbappeworld, and others

f1wagsupdate According to our sources Yn Yln and Lewis Hamilton broke up ealier this month. There is not an official reason yet, but most fans believe that cheating was the cause of the downfall of the four-years-long relationship.

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user44 is true love even real?

gomezracing I hate it in here

drugobitch what if its because of the cheating rumors?

⤷ rand32 but why would she wait weeks after it?

likedbypgasly and so it goes the best wag of the paddock :(

mclarenmason did you guys see that thread someone made about Yn's looks on the paddock and her cheering for lew, and them matching sometimes *sobs into my hands*

yourusername

liked by roscoelovescoco, k.mbappe, and others

yourusername making music and enjoying some free time after touring 💞

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mbappeworld I wish Lewis and Kyllian weren’t friends bc I kinda ship him with Yn 😭

hailyebieber 😍😍😍😍

sza waiting for our collabbbbb! ❤️

⤷ ynfan the day these two write a song together is the day I’ll be stuck in my room crying for a week straight

ynnation She looks so relaxed, more than when she was with Lewis

hardtyres_ I wish I could be like this after being cheated on, when my ex did this to me I had to go to therapy for at least a year before going back on social media

⤷ agoradoja there’s no proof he cheated on her

⤷ winteryln sure, except for the hundreds of pics of him with singers and models 😍 but y’all taking it too serious, he was just friendly with them

⤷ agoradoja maybe he was just friendly, Lewis is famous, dare I say even more than Yn, so being friends with different famous people is part of his life.

⤷ bonoschumi I’ll have to agree with agoradoja, there’s nothing too incriminatinf, maybe we’re just trying to find a reason because we don’t accept that they fell out of love

⤷ leclercmcqueen she literally wrote “its just us against the world” for him, wdym they fell out of love????

bieberfantasy yeah but how about roscoe liking the post????? It's making me hopeful

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[disneyprincemuke]

in another life * fem!driver au

"if not in this universe, do you think we're at least together in another?" "there has to be at least one where we're happy."

i HAVE SUCCUMBEDDD TO THE VOICEESSSSSS THE VOICESSSSSSS AHHHHHH

and my demons bc here we are :/

this is more smaus and shorter blurbs just because i don't wanna get too attached to logan and my literal fictional character being together huhuhuhu

could've been -> in which logan decided to make a move on her after her confession instead of ignoring his feelings and eventually getting over it

everything at 18, but nothing at 22 -> in which the drastic difference in their performance in their career seems to finally be catching up to them

they ask, “do you have a man?” -> in which everyone is curious why the grid princess is still single despite instagram posts from them seem to be giving out another narrative

is it just platonic? -> in which she and logan can’t help but flirt with each other in public, but it’s always disregarded as them being mega best friends

everybody talks too much -> in which he accidentally slips up during an interview and calls her his ‘girlfriend’ sending everyone into a frenzy

in the late night, in a disguise -> in which logan has to dress entirely differently to run some late-night errands with her in the uk

the grid princess x everyone -> in which everyone seems to ship her with everyone but her actual secret boyfriend

kiss all your tears away -> in which she and logan don't walk into the paddocks together for the first time all season and sends everyone speculating about the status of their relationship friendship

is it killing you like it's killing me? -> in which she and logan try to navigate the worst part about dating your literal coworker

tis the season for mistletoasters -> in which they invite a select few of their friends over for the holidays and a particular holiday decoration catches them off guard

there doesn't seem to be anyone around -> in which they're simply not discreet enough about sneaking around in the paddocks

the summer seemed to last forever -> in which they didn't want summer break to end because that meant having to sneak around again

baby, it's cold outside -> in which she always get seasonal depression at the same time of the year and he tries to make her feel better about it

i don't want you like a best friend -> in which their trip to the bahamas two years ago suddenly becomes a push and pull game that neither of them knew the rules to

the kind of book you can't put down -> in which the thought of settling down and being with her scares him more than anything in the world, but he can’t seem to steer away from the thought of ‘them’

you make everyday feel like it's christmas -> in which logan surprises her in the morning with a throughtful second present

in sickness and in health -> in which she's down with the flu and while she's locked herself away to contain the virus, her boyfriend simply refuses to stay away for too long

bad sushi and bad stomachs -> in which she completely overanalyses the situation when she wakes up puking from bad sushi, forcing her to have a conversation about potentially having kids

it's when we're in a crowded room -> in which they��ve got their own little ways to communicate their feelings for one another while they’re under watch of the crowd that’s not supposed to know of their relationship

god bless america -> in which it's everyone's favourite american's birthday and they can't help but take the piss out of him

i'm a monster on the hill -> in which insecurities suddenly strike up when she sees her boyfriend parading with williams’ star guest for the race weekend

[fictional-orphan-smackdown]

ROUND 3, MATCH 5!

All propaganda and what each competitor is from under the cut

Trafalgar D. Water Law (Once Piece)

Law is a genocide survivor who saw his parents' dead bodies along with experiencing a whole bunch of other messed up stuff (his sister burning to death, the people of his country being shot for being poisoned by their own government, being terminally ill, escaping the genocide by hiding under a pile of dead bodies, etc etc). After all this shit, he eventually got forcibly adopted by this one guy and dragged around the world looking for a cure for his illness. Right when Law started to trust and love his new caretaker, he is also brutally murdered in front of him. Law's life goal for the next decade is to get revenge on the person who killed his adoptive father. Vote for him bc he needs a goddamn win for once in his life. He is the people's princess and the narrative's favorite punching bag. Also, his depressed, PTSD-ridden autistic swag and scoliosis realness have captivated me body and soul

His biological parents were killed (before his eyes, by the governement) when he was 10(?). He then joined a bunch of pirates, knowing he wouldn't have much time (and will) left to live anyway. There he was sort of adopted by the Big Bad Pirate's brother, who managed to save his life, only for said brother to be killed (more or less before Law's eyes, by the Big Bad Pirate), when he was 13. You could say he was orphaned twice.

He’s literally got the double orphan special (Parents died and then the guy who took him in after them died too) that’s a 50% increase in orphannedness above your standard orphan. He’s also cool as fuck.

Law's parents were already on death row along with him and his younger sister due to a disease that shortens the life span of a person. The disease can only be passed down genetically and has afflicted everyone in the town that he has grown up in. Due to the sudden outbreak and unknown nature of the disease to the rest of the world panicked and the government closed off his city, killing everyone there. That is how his first set of parents died when he was 10, I think. Still then Law would later join a pirate crew where he would eventually be taken away 2-3 years later by Corazon, marine working undercover as a pirate in order to take down this brother, who is the captain of crew Law joined. Corazon took him in order to cure Law's disease which he still had and to get him away from Doflamingo, his brother. Over the course of 6 months the two became close with Corazon essentially becoming a father figure to Law. I am simplify this but at some point of Doflamingo catches on to Corazon being a double agent and finds him. Doflamingo then proceeds to find Corazon and shoot him in front of a chest that Law was hiding in.

Law has faced many hardships since he was a child, but used his experiences to become an extremely powerful doctor. His pirate crew theme and his Devil Fruit ability are all owed to his adoptive father. Law acts really gruff and serious most of the time, initially seeming like a cool, calculating character and feared swordsman… but one second around the Straw Hats and you quickly see just how silly he really is. He hates bread. He collects coins. He is obsessed with ninjas and superhero comic books. In one arc he just fucked around with his powers and INVENTED harpies and centaurs. Oh, and his First Mate is a polar bear. What could be better than that?

The government ordered to kill everyone in Law's country due to everyone getting "fantasy lead poisoning" disease, which was wrongfully thought to be contagious stroked. Law's family was living at the hospital when they got attacked, his parents (who were doctors) got killed and the hospital got set on fire with his little sister inside. He managed to fled the country hiding in a pile of corpses and ended up joining a pirate crew lead by Doflamingo. Law knew he had the disease and it was going to kill him in three years. Doflamingo's brother, Rosinante took Law hospital to hospital to find a cure but they always rejected him thinking the disease was contagious. Then they learned that someone had offered Doflamingo a devil fruit that could grant him immortality. The fruit could also cure Law so Rosinante stole it and made Law eat it. He then made sure Law could escape Doflamingo and got killed by his brother.

dude spent his childhood getting thrown out of windows, while dying from a deadly disease (that was eventually cured) but while he was still showing symptoms of the disease no one would go near him out of fear and disgust, save for his father figure.

nothing can ever go right for this man. its fucking hilarious in the series and makes for some wonderful angst content. i want everyone who has not watched or read One Piece to know that, for half of his 'main' arc, he's carried around like a potato sack by MULTIPLE people. he is a damsel in despair. he didn't even need to be carried, he honestly could've walked, but he had to save that energy so he could take the like 17 lead bullets out of him. he's always getting shot or thrown out a window and he's severely injured more often than not. he's also a doctor/surgeon, one that should be able to cure incurable diseases, yet his pathetic loserboy ass is too busy being emo to worry about the several gunshot wounds and internal bleeding. god help this man but also don't because honestly it's really fucking funny

Ok, FIRST, when he was a tiny frog-disecting little kid, him and his family and island contacted a disease equivalent to cancer BUT his fam didn't die from that. No, no, his parents got gunned down by the military and his little sis was burned alive with the rest of his house, so, yeah, very traumatic, horrific in a way that makes you very angry at yourself and life and want to oh I don't know, kill everyone and everything possible until the day you die, which won't be long because you have cancer after all. Later, after joining a mafia/cult/gang, Law meets Corazon who after like 2 years kidnaps him to try and get him healed and so they spend the next 6 months bonding, WEEEEEE!! Wait, no, NOT weeee because Cora who is now his father-figure DIES having protected and saved him, and thus bruv becomes orphaned not once, not thrice, but TWO very traumatic times! If this isn't an orphan, idk what is……

Anthony Lockwood (Lockwood and Co)

Lockwood (he's known by his surname mostly) is the mysterious, daredevil and charming founder of Lockwood and Co., a detective agency specialised in protecting people from angry -and sometimes sort of hungry- ghosts in a world where they're rampant. His agency is starting small despite Lockwood bragging it's the best in London but get more and more recognition as the series progress and the agents composing them meet success (when they're not on the verge of dying). Lockwood has open manners but hid his painful past from his coworkers to protect himself. He and George, the first teenager he recruited, are quite stunned by Lucy, a country girl who fled to London after disaster striked in her hometown. Thanks to her talent, she quickly becomes known as one of the best ghost fighter in London and finds her place in the small team despite having the same determination to hide her past than Lockwood, which draws him close to her, making George jealous, but Lockwood's manifest good skills in leadership and the three of them become fast friends while unravelling secret truths and risking their lives repeatedly

He has a lot of trauma and a lot of pain but he always smiles and always has a warm and polite attitude; he’s so protective of the ones he loves that it overrides his suicidal tendencies; at the end of the series he starts to heal from his past; he’s hot but has only two braincells.

[gold-rhine]

Can I ask for your thoughts on Collei? Character wise, your analysis is always fun

disclaimer i didnt read the webcomic, i'm a dragon age survivor and i firmly believe that if you want something to be canon in GAME, it needs to be present IN GAME, and not in one of the adjacent ten books or comics.

that said, i understand that the main issue ppl have is collei having dark backstory and being closed off and aggressive in the comic, and then in sumereu aq she's sweet and awkward bumbling teen. which is like, if you want kinda rude and abrasive survivor girl representation, kinda sucks. which i agree with. but also, i don't think that survivor of violence and abuse ending up as sweet, but awkward teen due to being cared and loved by others, is bad. i think its good. and she's not like "cured" to normalcy, she still clearly struggles, they had the sweetest storyline in that one event with sucrose about that, and also the incident in archon quest where she's triggered by paimon yelling. the problem is thats there wasn't coherent journey shown to the player.

what i think would be good. and bear with me here. if aranara quests were structured around collei and not a random npc. like listen, collei already fits the premise of "we need to organize the aranara magic fest to cure abyss corruption of one girl", bc she has the dead gods corruption injected by dottorre, right. and this is different from eleazar, bc eleazar is from ley line corruption, she's probably more susceptible to the second type BC she has the first type, and its the root issue that needs to be addressed.

it'd be good for aranara quests bc right now their narrative is kinda wonky. like the lore is very interesting and the aranara are cuties, but plot is like. just going to random places and doing lore things that aranara told us to do. which is why it seems too long for most players - it just doesn't have any dynamic, any ebbs and flows that good plotline should have to keep player's attention, it doesnt have a NARRATIVE DEVELOPMENT. we don't have any character progression we can track and be worried about. we have our aranara buddy and he's great, but he doesn't have any conflicts, he's just ":D" all the time. it feels static right until the finale, where action suddenly peaks.

now collei has canonical inbuilt conflict that correlates beautifully with aranara. she's a teen whose childhood was stolen from her, who was always focused on survival, who struggles to trust people, but also to trust the world in general, to find joy and wonder in it instead of constant dangers. its all described in her stories, it just not dramatized in game. if we add her as companion in aranara quest, we immediately get the development progression i was talking about.

she doesn't see aranara at first at all, even if we are surrounded by them. she thinks its a bit cringe that traveler is talking to imaginary friends, but she's respectful, bc traveler is trying to help her. but as they go thru the quests and she meets new people who tell their stories and sees miracles like dead trees blooming right in front of her eyes, she starts to open up. she starts to go along willingly and sees aranara for the first time - briefly, its gone soon, but she remembers and CHOOSES to believe, chooses to trust, and then she sees them more and more often, until at the festival during the grand song the entire village, hidden magical world finally opens up to her.

[buckevantommy]

https://www.tumblr.com/buckevantommy/757878657756872704/btw-i-dont-think-we-need-to-worry-about-buck-and

Agree 100%. But, to further expand that, and going outside the world of the show.

From a GA perspective, or the audience full stop, how many partners are we willing to watch before we lose interest? By this I mean - if the writers are spending screen time / several episodes introducing a new character and a new relationship, usually we get invested. And when that person disappears, it can be frustrating, and the introduction of a new person (thus the start of the cycle again), can feel a bit tiring. Every time they need to find something that makes the audience go: okay, it’s worth for me to care about this character.

Buck’s case is a bit particular, because his relationships haven’t been all that well received (until now). Either it was an ‘okay’ situation, without much interest, or an okay reception but controversial at times (for me, Taylor - I do think the GA was okay with her, but ultimately the couple was not good). Tommy has been imo the first relationship that truly has brought in lots of positive and good reviews and a good investment of attention from fans and even GA. Tommy’s clips in any social media are usually the ones with most views, and in things like IG it goes to talk about the GA more than a focused fandom.

This to say - if Buck was to break up with Tommy, I think a lot of the audience would be frustrated or even grow bored of the constant change of partners. Even, they would be less receptive to a future new partner, because if Tommy (so well received) is gone, who would even stay?

Not to say this means Tommy is Buck’s endgame, because no one knows. But at some point the constant change of partners gets old, and we know Tim agrees when he expressed wanting to get Buck off the hamster wheel (something Oliver agreed on), and Tommy is a really strong character to have Buck settle with.

Long story short: not only from a SL perspective, but Bucktommy being long lasting makes sense for the overall image of the show.

You're absolutely right nonny.

bc if we think about bucktommy in terms of it being Buck's relationship aka. a main character's relationship, enough is enough on dragging him from illfit to illfit - that guy deserves to be settled, at ease in himself, as Bobby once told him, and we've already seen Tommy help make that happen for him.

and if we look back at Buck's relationship history: we're 7 years into poor matches for a guy who has always wanted to love and be loved - and Tommy can be that for him! he has been that for him so far and could so easily fit into the narrative as Buck's significant other moving forward indefinitely. Tommy already feels like the missing piece to Buck's story the same way Karen was for Hen and Maddie was for Chim and Athena was for Bobby - and he's a fleshed out character in his own right just as those partners are.

enough screwing around with Buck's relationships. sometimes it feels like just bc he started out as a fuckboy he somehow doesn't deserve a stable, healthy, loving relationship, like the narrative is going out of its way to ruin any chance he has at that for the sake of drama (but again: none of his previous partners were the right match for him).

i'm going to mention dear dean winchester again bc he has so much in common with Buck, and these kinds of characters (male, strong, macho, attractive, swagger, charming, sexually active, presumably bisexual) always cycle through relationships that never pan out - bc they're not the right fit, but moreover bc these partners seem written in just to be eventually written out, there to help the main character's plot along, aid in some personal growth and add drama, maybe attract more viewership for those interested in seeing more (temporary) female characters.

but it is.. *sigh* tiresome, indeed. let Buck have a stable partner - like Hen, and Chim, and Bobby do - and let their relationship be woven into the narrative to create a richer tapestry like those other pairings do. that is so much more satisfying in terms of storytelling and character growth, than trying to insert drama snags that threaten to unravel things. you can still have drama with committed pairings - every other committed pairing in the show is proof of that.

and if we take off the shipper googles: Tommy is good as Buck's partner, he makes sense, and he has great potential in the longrun both as Buck's boyfriend/husband and as his own character within the wider narrative of the show. he's a natural fit, but he's also entertaining and he has history with most of the main characters already.

i really do see Tommy as Buck's endgame btw, bc they work so well together as a pairing but also as independant characters. BUT i wouldn't be mad about them breaking up/taking a break (as i mentioned in that post: uncertainty about having kids; a potential permanent job position out of state) and then come back together stronger for it. we saw it happen with Henren (but i don't want to see cheating with our boys bc it doesn't fit who they are) so we know if they do breakup it doesn't have to be permanent - and i actually would love the mirror to Buck's first serious relationship where Abby leaves him - only Tommy comes back to him.

[super-paper]

I still don’t understand AFO. Why is he like this. This series repeatedly goes out of it’s way to humanize the villains but AFO is still just evil because he wants to be the demon lord and I don’t get it.

That would be the point, I feel-- AFO doesn't want to be understood or seen as "human." He wants to completely lose himself in character, wants other people to mindlessly play along with the story he's written for himself like good little extras, and wants everyone around him to acknowledge what a ~perfectly inhuman demon lord~ he is-- and he's bent the entire narrative of MHA around himself like a shield in order to accomplish that. Like, the idea of people breaking the same black and white narrative that he's been using to protect himself (and trap others) quite literally drives him insane:

"That murderer--" "You killer--" oooooo you're so mad that human nature is basically good, that people are endlessly capable of growth and healing, and that actual human beings can't simply be shoved into teeny black and white fictional boxes ooooo all the more evidence that he's gonna completely lose his shit when Tomura ultimately refuses to kill Izuku lmao

I wanna point out his speech bubbles in the second image, bc Hori frequently uses speech bubbles to emphasize a character's mental state-- Like.... Bro is literally coming apart at the seams with rage that Stain is trying to be anything more than a starter villain. 😭The english translation also kind of sort of makes it seem like AFO is simply referring to Stain by his moniker (Hero Killer), but the term he uses in the original text feels a little more... loaded, imho?? The kanji used for Stain's "Hero Killer" Moniker is "Goroshi" ("殺ごろし"), but here, AFO instead refers to him as a "Murderer" (殺人犯/satsujin-han). Calling Stain an out-and-out murderer instead of calling him by a villain moniker feels a lot more specific, a lot more pointed, and it also tells us a lot more about AFO’s fucked up sense of values.

Anyway, I've said this before, but AFO is a character who reads heavily as an escapist fantasy gone horrifically wrong. "Why is a world where villains are allowed to climb back up from rock bottom and heal so intolerable to AFO?" "why does the idea of people breaking free from their roles make AFO so angry?" "why is AFO literally trying to BECOME a comic book character?" are better questions to ask than "why is bro just evil for the sake of it," I feel. Like obviously, a world where the label of "villain" gets thoroughly and utterly dismantled is one where AFO loses his power over others.... but it's also a world that rips that protective layer of "fiction" away from him, exposes his own humanity, and destroys that delusion of becoming the "perfect villain king" that he's wrapped himself up in.

tfw you LARP so hard that it ends up getting your brother killed and now breaking character means you gotta Process All Of That .................................................... Unless...? :)

What I find especially interesting about AFO is that MHA's narrative actually cooperates with shielding him from the readers, to a degree-- scenes that depict rare moments of genuine emotion are overlaid with contrary, cartoonishly evil narration that's meant to distract the reader from what's actually being depicted. The bulk of the series depicts his face being hidden in shadows even though it *literally* has no reason to be, and we don't get an unobscured look until the other characters finally start rallying together to reject his story. He is literally introduced to the series through a TV screen, which MHA has been using as a shorthand for its depiction of fantasy since day one:

In my opinion, I feel the final act of "rejection" that AFO fears isn't from his brother, or his followers, or "his other self"-- what he fears is the story itself rejecting him and finally exposing him for what he is: an utterly mundane human. Like, a total freak of a guy to be sure, but still totally human. The narrative revoking its various "protections" and working against AFO to humanize him acts as the final insult to everything he claims to believe in while doubling as the last bit of confirmation that he was never gonna become a "perfect demon lord." MHA being what it is, this is something inevitable.

Where other characters in this series draw strength from their origin-- the moment that defines them as a human and individual-- AFO likely fears and rejects his own origin for this same reason.

Anyway. I would describe AFO as a wannabe-author who refuses to make public appearances or divulge details about his personal life, but ultimately reveals a little too much about himself through the "stories" and "characters" he tries to write-- so ppl still know he's a freak with issues by virtue of how fatherless his content is. ¯\_(ツ)_/¯ Putting together all the pieces of himself that AFO accidentally lets slip is part of what makes MHA so fun (to me, at least!).

[mallahanmoxie]

one thing about ham dani that nobody seems to get and why I'm always fighting for my life in the webtoon's comment section is that in all her fear and reticence around opening herself up with her friends, believing she belongs in this world, trusting in her place and relationships is that SHE'S NEVER WRONG ABOUT THE NEGATIVES. i think it's very easy to look at dani a hundred chapters in still going on about her place as a side character and what she can expect from them realistically, what she can allow herself to feel for them, and feel frustrated, like she's being deliberately obtuse. but dani. is. not. wrong.

one thing that many isekais do is that they will take the premise of "being transported to a novel" and use that simply as a vehicle for the FL to use her knowledge of the future to her advantage and turn the odds on their head. beyond the initial "ehhh why is the ML flirting with me??" which tends to wear off rather easily, there is little questioning about what being in a story means. and inso's law takes that question seriously. because dani IS inside a story, her friends ARE characters AND THIS IS EASILY PROVABLE SINCE THE BEGINNING. How? because she leaves.

it has happened to her before! It happens multiple times in the novel! that's why march 2nd is SO terrifying for her, because everything she's built can be taken from her in the blink of an eye and SHE will be called crazy and SHE will be left grieving and nobody else will remember what ONLY SHE LIVED. she is effectively, practically, tangibly separate from each world by this experience. when dani insists on the labels of main character, side character, the tropes and the narrative possibilities happening within them SHE'S NOT WRONG!! because those things are TRUE!!! I know it's easy to gloss over it bc we as readers just take everything in as a story, but the crazy plot points? they're insane to her too because SHE is a real person and others are not! They're characters! That's why it's called The Law of Webnovels because dani is making sense of the rules of a world which factually functions distinctly different from hers. she's not making that shit up, it's not (entirely) an emotional hold up. that's shit's fucking real.

the nuance is brought on by the fact that the characters are, in fact, also people. they behave like people (albeit inside the margins of wild webnovel logic), they feel like people and they see her as a person. but she does not entirely reciprocate, because to view them as people means assuming the hurt that will inevitably come when 1) she gets sent back into the real world and loses them all or 2) the plot to the novel finally kicks in and who knows if the guy she liked was the ML and will end up with her best friend and all her love and all her trying were for nothing. No matter what, dani loses.

there's also the fact, which i think is exemplified very clearly in her feelings towards her grades and being compared to yeoryung, that even outside the character/real person dichotomy, ham dani and the boys come from WILDLY different backgrounds. when they graduate high school, they will go to different colleges and they will get different jobs and the wide wide gap which dani had managed to bridge due to the magic of webnovel rules will be opened once again. in the social hierarchy of modern korean society, dani will be left behind. ban yeoryung is somewhat immune to this despite sharing similar socioeconomic status because she has 1) better social capital in the form of her beauty and intelligence and 2) plot armour immunity bc she's destined to be with one of the boys anyway (and again it IS destiny bc she's the FL and according to the genre clues dani's been gathering that seems to be the most likely outcome). yeoryung has resources and tools beyond the story that dani cannot access. even IF this wasn't the world of a webnovel, if they existed in the real world, yeoryung COULD feasibly climb her way up but dani? she's realistic about her prowess and she knows very well that being a good friend and a good person does not mean she will get to remain close to her friends who are much much much richer. my point here being that even if she weren't under the assumption (WELL TESTED!!! SCIENTIFIC, EVEN!!!) that she's in the world of a story ruled by story laws, she wouldn't be silly for guarding her heart against the possibility of drifting away from byr+the boys.

all of this is why i love dani's character arc and her as a person. she doesn't act irrationally. she only acts very, very humanly. it's why i loved the kidnapping arc and her confrontation with choi yuri. she has to learn to treat them seriously, as human beings, because despite factually being characters, they don't have the awareness of it and their lives are every bit as real as any other to them. it's part also of dani learning how to be a person herself, because she's still a kid growing up and learning what's what, and doing so in an environment much more stressful than the usual. i think people are being irrationally mean towards her simply because they do not make the effort to understand her.

[skeren]

Hi! I'm the mod for @svsss-fanon-exposed and saw your tags on my timeline post-- do you have a write-up of your own interpretation of the svsss timeline? I'd be really interested in seeing it if so bc I love to also look at how other people interpret these ideas!

Okay, so, I had to reread to get my bearings about what I saw that made me go 'no, that seems wrong' and it's a few specific points, I think. I want to say from the start that it all seems very well thought out and well supported and if you were working from a logical basis that makes sense for a setting like this, generally speaking, or even for one of MXTX's other works, you would be golden.

The problem is that you're being respectful, thoughtful, and giving all the background of the world the basis of logic and benefit of the doubt.

That doesn't work for SVSSS. At least, not quite to the extent that you're showing it to.

Okay, first thing's first. The one that I have no evidence for. This one is based more on feelings and the fact that even after he's running around running half the demon realm Binghe still calls Ning Yingying Shijie. By that point, he'd basically usurped the Head Disciple position off Ming Fan in the past, has been running his own sect part time, and generally been above and beyond successful for a given value of the word. He's certainly stopped being respectful to most people from Cang Qiong. I take this as proof that Ning Yingying must be older than Binghe, and not just someone who was a martial sibling who was there longer. She's Shijie because she was there longer, is older, and thus that's just the title she gets, full stop. I might be wrong, that's always an option, but that's how I see it, and I've always placed her at one or two years older, with Ming Fan at closer to three. Similarly, it makes her insistence on getting a new Shidi much more reasonable if she's been waiting for a while to get one, and didn't end up there shortly before Binghe, but years earlier with Shen Qingqiu being immensely picky and denying her new playmates.

Circling back to the respectfulness thing though. I absolutely and whole heartedly believe that the absolute vitriol that Shen Qingqiu receives from the sect and we see through Shang Qinghua's eyes is because he had no time to prove himself. He showed up, and was nearly immediately dumped with the head disciple position, probably because he has a brain in his head, and didn't even have to go through the choosing trials to get there. How dare he. We see after Shen Yuan takes over his life that given even a little justification that the people in this world will accept practically anything, so that means that Shen Jiu must have had absolutely no chance to prove himself to the sect, to prove he was worthwhile and didn't get the position through some kind of underhanded means or even bribery. This also fits the narrative beats of how Airplane initially wrote his backstory and the way it's presented that somehow, events always conspire to show Shen Jiu in the absolute worst light no matter what he does.

By this thought process, it puts him solidly at a year younger than Shang Qinghua, or at the very least, the same age with a few months between.

Following the logic of that, me and my bestie, who helped me get all these sorted out, thus have the whole situation with Tianlang-jun happen a scarce few years after he shows up, no more than three, and that they all ascend to being Peak Lords within the same year that the last head disciple (Probably Shang Qinghua) is chosen, which happened in a very short time after that fight.

So as you can see a lot of the same beats are followed, but I think you might be dropping the ball on the actual timeline of Shen Qingqiu being booted up to the head disciple position, because this is, in fact, an absurd exaggerated world that plays up all tropes and nepotism is nothing if not the most powerful trope and it would look like that from the outside if nobody knew the real circumstances of the Shen Jiu's arrival.

As for a thing I agree with but feel the need to expand on! I am aware that your timeline cuts off around when SVSSS starts, but I should point out that we know, near for certain, that SVSSS starts when Binghe is 14, and no more than perhaps four or five months away from his 15th birthday. The reason for this is that in one of the extras he says he is fifteen and this is almost immediately after he's moved into the bamboo house by Shen Yuan following his three months of cultivation, which we know happens as soon as he manages to unlock the OOC feature. I can't imagine that Shen Yuan took more than a month to get this unlocked, so there you go.

Forgive me that it's not a properly written out timeline such as yours, and instead picking at a few specific points, as I know how difficult these can be to maintain and have made them myself for other fandoms. I simply have not sat down and done so here. Thank you for reading this far, and I hope that this proves useful to you!

[galactickohipot]

Going thru the ER fandom after the DLC really is fun. It's the first rodeo with a souls game for a large portion of the fandom it seems... It's mostly people raging about the difficulty of the last boss, or Radahn fanboys freaking out abt their man. It feels like the fact Elden Ring exposes its lore very openly in comparison with other titles, pushes some people to take it very literally too. Those people often forget that the lore is in service to a broader narrative, and lose themselves in tiny details at the expense of the feeling the story is supposed to evoke. imo that's always how Soulsborne were supposed to be read, but the lore was so nebulous in comparison that it's what people would naturally default to. That said, I really enjoy watching deep dive videos about the lore, bc those games are so well crafted. It's just really satisfying! Anyways, here are my (unorganized) thoughts on the ending:

So far, we really don't know if Radahn did consent. That's the point: the text emphasizes what Miquella wanted, but never questions what others around him truly desired. If anything, people asking the question themselves had the intended effect. That's pretty great, me thinks! Funnily enough, Miquella/Radahn are kind of a subversion of the Power of Love character/Shonen protag tropes, except you are on the receiving end of it.

On the other hand, my interpretation is that the promise was made by a very young and impressionable Miquella, a very long time ago. Like a promise a tiny child would make, innocently. It's tragic that in his and Malenia's horrible situation, it probably meant so much him. At the same time, I would imagine an older Radahn would pay it no mind at all. My interpretation of Radahn is of a simple and honest guy; kind but ultimately unconcerned with these issues. It feels like he'd be the most down to earth and straightforward of all the demigods in that regard. The vow was probably lost to time, in an age and a context that was vastly different from after the Night of the Black Knives and the Shattering. How sad is it that it probably meant so much more to Miquella than anybody could've imagined. It's heartbreaking, that after centuries, this is all Miquella could hold onto, as well as the tiniest hope he could make the world a gentler place. He sacrificed everything for it and yet still... it was all so very naive.

And even then, what did Miquella truly bring back? After so long, after loosing his wits, eating corpses and fighting off the rot for an eternity, what was there left of Radahn to restore? An idealized and distant memory perhaps? Even if he tried to create an alternative to his mother's order, Miquella still made the same mistakes. And so he resurrected a person that spent his life trying to emulate Marika's Lords and champions.

A part of me would like to think that Radahn's heroics were more genuine than Godfrey's or Radagon's ever were. That despite having these two as role models, he took better decisions and was a more accepting person ( also he had a pet cat and Leonard come on!) Yet, Radahn still represents an outdated ideal of what a Lord should be, especially for Miquella's intended "Age of Compassion". He is a character whose development was left during the Shattering, untouched forever. Would this have been another cycle of the same thing? Would Miquella have made the same mistakes as his Mother again, and would he also have reached the same breaking point? Could the same cause have the same effects? In learning about Miquella, we learn a lot about Marika; the inverse is true too. The Shaman Village revelation is two-fold. We learn of her kindness without Order: the genuine sadness she had for her people, and her true honest motivation. Kindness was intially the reason behind her action, just like Miquella. We know from St. Trina that just like him, her godhood ended up being a prison. Her kindness "with Order" is conditionnal and institutionalized. We know of the unconditionnal love all of her children yearned for, the afflictions they suffered because of her actions, and the strong reactions they had towards all of it. We see her struggle, between the love she wants to give her children and the order she is supposed to uphold. When this paradox becomes too much for her to bear and her kids are either killed, cursed or rebelling, she breaks. The vessel she molded herself into is then exploited, until grounded to dust, until Ranni lets her go or Chaos swallows everything. By contrast, when it is revealed Rennala was exploited and betrayed, she is solely reduced to her motherly role; earning her the scorn of her people. She rebirths children anew, in a process that ultimately became sterile. Mother Metyr, herself a daughter of the Greater Will, is abandonned and broken, forever waiting for a sign from her maker. Finally, Count Ymir, who is quick to place the blame on Marika, truly fails to understand the heart of a mother.

Miquella's ending in the dlc is also a perfect parallel to Ranni's ending. While Miquella promises you an age where you won't have a choice but to be loved and saved, Ranni gives you an age of loneliness and uncertainty, wherein she'll grant you the free will to save yourself. Miquella's action started selflessly, as he was intent on helping others above all else; while Ranni started her quest because she selfishly didn't want the Greater Will dictating her fate. If you put your love and compassion in the hands of a God that won't give you a choice in the matter, is it truly love anymore? Is it the unconditional love that you dreamed of anymore? Isn't it an issue if you rely on an external figure for these matter (ie a godly mother figure)?

All those years ago, I started playing Dark Souls because I watched an essay about it. It ended with something like: "You despair when you realize everything is pointless, and you become wiser when you realize you can find your own meaning. Dark Souls is a game that makes you happier, because it makes you just a little bit wiser." Maybe this game is about finding acceptance. Although this may start as a lonely road, you still have the power within you to love yourself and others, regardless of the love you were given. It's difficult and it takes a lot of courage, but you already beat this game so why not? But also, they made jar people so you would feel bad about breaking clay pots in their games. You can throw dung at gods and dragons, and Radahn is a shounen protagonist... so who knows lol

[duckiemimi]

i wonder if gege's biggest problem (likely bc of the push to prolong jjk) is that they just threw out the original storyline the second the gojo vs sukuna fights started. i mean, there were definitely problems with the ever expanding cast and spreading them all too thin still, but (as someone who's only loosely been following the leaks since a little after gojo's death) the entire story feels so meaningless now 😭 the build up for everything gojo wanted holds no meaning and i get that gege hates gojo for overshadowing the other characters but like⎯excuse my lack of knowledge about manga culture⎯gojo's been the main character ever since megumi was taken over. yuji's been sidelined for so long and even yuta⎯who's ridiculously powerful and the only special grade in his generation, i believe⎯not making a difference just leaves the story falling flat.

(also: i've never understood the whole push for gojo to be front and center just bc he's the most popular. the mc is *rarely* the most popular character in a manga⎯bakugou (and even sometimes todoroki) overshadowed deku so much in bnha but the story still managed to center deku as the main character. i think people give gege a little too much credit for this⎯it just feels like bad writing or an attempt at fanservice when they write gojo like *this* when they're clearly sick of him.)

(also x2: literally none of the characters have a purpose anymore and sukuna's just screwing around so there's no one with a strong enough narrative left.)

(also x3: shoko deserved better. but that's a whole other rant.)

i think that's possible actually, considering how well-anticipated (and prematurely hyped up) the gojo vs. sukuna battle was! and it was a long and drawn out battle, too, so i have a feeling that was done out of request from publishing (or a third party) rather than something gege actually wanted to linger on!

the culling games to me read like an exploration in worldbuilding. remember when kenjaku started talking to and dealing with world leaders and when the US army (failed to) intervene at one point? it seemed like gege was playing with the boundaries of the jjk universe and while it was messy and convoluted at times, it was still pretty enjoyable for me! it felt like a writer who still wanted to write. it's a shame that gege took on more than he could chew, because there were so many aspects that could've been built upon, even if it would've been inconsequential to the ending message of jjk.

this arc...felt like something owed. to who, i could only guess, but it doesn't read like something he was excited to write. ever since gojo got unsealed (another well-anticipated scene), things have become rather stale. and that's probably why we have an influx of polarizing scenes—to get us to keep reading. gojo being brought up constantly (even after his death) also seems like a request or a push from publishing (or a third party). like you said, it feels like fanservice. (which is so demeaning to a creator, especially if it's put above all else.) i think he's too tired (and now he's sick) to actually attempt to properly tie everything he wrote together, let alone do anything about characterization! which is just such a shame :')

[utilitycaster]

@disastergenius replied to your post “perhaps unpopular but while I do agree the EXU...”:

re: this party doesn't talk much; i think that narratively, fcg's death isn't the call for them to talk in the way that molly's was? Molly's death happened early and bc of molly, but it was the wake-up call the party needed while separated and to actually begin to work together. bh's have different problems and fcg's death wasn't a result of party but was fcg's decision. so it also makes sense that it's not bringing the group together or anything, it's just mourning

​So I think this is part of it but I also wanted to post this as a full response because I've been thinking a lot about this! In short...having experienced a death within a friend group, people respond in weird ways, and for the most part, with the caveat that this was a friend among my friends from college and she died when we were all adults in various different cities and therefore not necessarily closely in touch all the time, we did not have a big sit-down and go around talking about our feelings. It's much slower. And I've talked a lot with people who have experienced a death within a friend group that was closer. Sometimes the group falls apart dramatically. Sometimes it just drifts apart. Sometimes it's sort of a weird blank space no one knows how to deal with.

I found Ashton's behavior in particular to be really well done on Taliesin's part and deeply affecting. They're exhausted not just mechanically but emotionally, and they don't want to really talk to anyone, but they do very much want some kind of comfort that doesn't require a lot of effort and most importantly, they don't want to be alone. When I had to learn about the (Jewish) religious practices surrounding grief and mourning, one of the things they tell you about sitting shiva (and to be clear this is not unique to shiva, it's just that Judaism has very clear time delineations of the mourning process) is that sometimes you just go there and sit with someone who doesn't want to talk much. His reaction felt incredibly real and natural, is what I'm saying. Grief can be isolating and tiring and difficult to talk about.

It feels right for the others too. Like...we can talk about the rapid pacing but that's been the case for much of the campaign, and no, I didn't like the EXU decision but what's done is done. I think deciding to, as Chetney said in 92, "make it count" seems very natural. I do hope there are conversations in Zadash and/or Aeor but at this point "we're drunk and tired and aren't ready to really feel this", especially since in-world, everything might be over in a week or so, makes a lot of sense. I also think FCG's death has united the party at least in the sense of purpose, and I think some people just dislike that the purpose is "double down on the moon plot." I think at the very least we'll have to visit it when they tell Imahara Joe (and hopefully Dancer, too.)

Ultimately, again, while I do love the episodes after Molly's death, episode 27 only has three party members in it, and episode 30 is arguably more about Fjord and Jester and Yasha being rescued (and on a meta level, welcoming Travis and Laura back to the table after parental leave) and incorporating Caduceus into the group as it is about Molly being dead. A lot of the conversations are about that, and 31 is very much about fucking around in Zadash and doing weird shit! Jester and Veth make Molly illusions not long after while on Darktow! The effects of Molly's death ripple through, quite honestly, the entire rest of the campaign and the grief is very nonlinear. Again, I adore episode 2x30, but I think one should be careful not to overly romanticize it; the party is still very much working through those initial feelings throughout the entire pirates arc, which takes place over the span of a couple of months. Bells Hells might not have months, and it might not get explored to the same extent, but I do think we'll see the effects nonetheless.

[nyaagolor]

Howdy again, if it's the meta world VS "real world" thing in Umineko that's got you stumbling, don't worry. The assumption Ryukishi and co. seem to be going with is that the meta world IS real, and everyone's just chilling in a happy magic afterlife post-series (hence how episodes 7, 8, and 9 can even happen). The "07th Expansion All Characters Settings Collection" guidebook even has little epilogue blurbs for the cast, I can link you the translation hosted on the wiki if you want. It's still bleak in the sense that, yknow, everyone was dead from the start and the whole journey was more of a "coming to terms with what happened" kind of deal, but I think it works given stuff like the Divine Comedy references going on (if you read Battler as Dante and Beatrice as uh, Beatrice, a lot of Umineko'll start to make sense). The way I see the split is kind of an "as above, so below" type deal - while Tohya is down in the land of the living trying to write and solve things, Battler and friends really are up there fighting for their lives in purgatory, and the two reflect each other. Of course if that's not the problem you have, I'd love to hear what you're thinking!

hiii thank u for the ask!! (sorry this will be a Long One). I'll admit the meta world / real world stuff tripped me up at first, because looking at episodes 4 and 8 it really seemed to be implying that the metanarrative was the coping mechanism of Ange+Tohya and their way of pretending like their loved ones got the happy endings they didn't get in life rather than something we can actually assume happened. However extra content implies this is not the case, Ryukishi doesn't feel like the author who would do that especially after the thesis of Higurashi, and tbh even if he did there was enough plausible deniability that I would just imagine the Golden Land as real because You Gotta Cope Somehow. I love the "as above so below" vibes too, that's a fun new aspect to incorporate

My biggest hangup with the ending was basically in the idea that Sayo's narrative is fundamentally doomed. I was under the impression that the boat scene was implying that Sayo couldn't be happy even if she did escape due to the burden of the truth / her trauma. The positive framing of the catbox remaining at the bottom of the ocean initially struck me as a "her death is the happiest ending you can hope for because of how fucked up this all is" which is already a nihilistic narrative but downright unbearable when given to an intersex trans woman. I just don't vibe with hopeless trans narratives at all, and felt like I had misinterpreted smth bc Ryukishi isn't really a nihilistic guy. I'll admit I got a little soured to the narrative as a whole when I looked around online and saw people talking about how Sayo getting a happy ending was "missing the point".

After talking to @heartgold I realized that I had reversed the causality a bit. I was under the impression while playing that Ryukishi's insistence that "things had to happen this way" was him not just saying "oh everyone is already dead, the end result is already the same bc we're looking back at past events" but also "it doesn't matter what individual actions people took, it was always going to end in tragedy". I realize now it's more of a "this was totally preventable in so many ways but it already happened and now we have to grieve and cope in whatever way we can manage" kinda thing rather than a "this is fate and Sayo was screwed regardless", so I'm cool with that aspect. (Also I won't lie I prefer to imagine the boat scene as almost entirely metaphorical and more of a representation of the fragmentation of Battler's consciousness due to trauma in a similar way as what happened to Sayo, but that's neither here nor there)

The other part of it, and the thing I'm still really hung up on, is the question of whether or not the Golden Land is actually a happy ending and, if it is real, whether we're supposed to view it as a sorta perverse tragedy. On one hand, the alters are all implied to be separate people and they get their happy endings (yay), but on the other hand that doesn't really fix nor address Sayo feeling like she needs romantic love to be fulfilled (also The Incest(?) I'm genuinely unsure if the whole "alters becoming separate entities" negates the incest or not). The idea that Sayo was so far gone that even the fantasy created from her best memories does not allow her to truly be happy is just so insanely depressing to me, so I find myself stuck with that friction of wanting Sayo to have her prince and her white horse and her fantasy happy ending while also not wanting to downplay the truth. Having this little moral dilemma feels like the point of Episode 8 and really gets us into Tohya's head, which is awesome, but also gives me a lot of mixed feelings. Knowing that Sayo's truth literally has Beatrice married to Battler makes it even tougher bc I can't just use plausible deniability and say they're platonic bc they are uh. very much not as far as Ryukishi is concerned. I'm still working out my feelings on it, mostly because I desperately want Sayo to have everything she's ever wanted but also having to contend with the little part of me that's whispering "it can't and shouldn't happen and you know it". Alas. Umineko.

PS: thank you for telling me about the character booklet, that's SO cute!!! I love the little details about everyone and the cat-ear Bern is everything I've ever wanted

[moonshynecybin]

YESSSSSSS you see the visionnnn

Like I love oxleybom for their deep love of the sport and knowledge of the culture and explaining all the technicalities and how they perceive the narrative. but sometimes I remember these are middle aged men longing for the glory days of the 80s and the utter shambles they would be in for not anticipating this. Mat having been in the paddock all these years, visited vale in his club tax evasion flat (def stocked w poppers) absolutely tearrrringgg his proverbial hair out that he was so blind. 

I think they would rise to the occasion in spinning this into their motorbike yarns but you just knowwwwwww that would be a mindfuck for them.  

Part of their journey recontextulising vale/Marc rivalry has to be a fraught realisation that they’ve labelled the only two (known) gay people in MotoGP grinning assassins & they have to release an emergency statement that they don’t think all gay people at killers, just these two, and that they support gay killer same sex love too ❤️

just the comedy of the sporting world reeeeeling from rosquez announcement is my fave campy bedtime delusion (homophobia doesn’t exist.) like MotoGP accounts overcompensating w the rainbowwashing, Insta captions like“Hi Gay 😃 Joan Mir says the Honda RC213V's Unrideable! Speaks on new contract extension for 2 years” 

i just think it would be really funny in the sense that. okay so as a journalist you are kind of being paid to explain this sport to people in a way that captures their interest. this can be done on the technical side (rules, tires, machinery, braking) ORRRR the human side (narrative, character, plot). a good journalist can usually balance these factors and write about them in such a way that a layman can access them and be. well entertained ! it’s an entertainment game here. so when we look at how these prevailing narratives are made in sport, we often have to take a look at what the journos report on and how they do it. of course as fans we can draw out own conclusions from the words directly out of these athletes mouths, but it’s the reporters who ask the questions that create those narratives, and then work to shape them into something cohesive. stories are allowed to live and allowed to die through the press corp writ large. it’s on them.

all this to SAY. that if the largest plot line between the two biggest stars in motogp that stretches back almost a DECADE in one of the most absurdly hypermasculine sports in the WORLD was suddenly revealed to be a torrid gay DIVORCE. i don’t know if these guys would know how to ACT. i mean i suspect their status as content peddlers would immediately become VERY apparent but watching them have to. essentially reshape their perceptions around these events as something that is NOT entirely based in sporting challenges/professional competition but also as something deeply personal that happened to these guys’ RELATIONSHIP (which paddock pass pod gets at in their 2015 restrospective but doesn’t like. commit to, bc they are primarily dealing with the sporting side. like they are like WOW marc and vale only seem concerned with each other not the championship. weird.) would be interesting ! so often the rosquez divorce is talked about as something that happened entirely on the track and. well i don’t get the sense marc and vale really entirely feel that way AT ALL

[fictional-orphan-smackdown]

Once again I have no similarities. They should still fight tho

All propaganda and what each competitor is from under the cut

Trafalgar D. Water Law (Once Piece)

Law is a genocide survivor who saw his parents' dead bodies along with experiencing a whole bunch of other messed up stuff (his sister burning to death, the people of his country being shot for being poisoned by their own government, being terminally ill, escaping the genocide by hiding under a pile of dead bodies, etc etc). After all this shit, he eventually got forcibly adopted by this one guy and dragged around the world looking for a cure for his illness. Right when Law started to trust and love his new caretaker, he is also brutally murdered in front of him. Law's life goal for the next decade is to get revenge on the person who killed his adoptive father. Vote for him bc he needs a goddamn win for once in his life. He is the people's princess and the narrative's favorite punching bag. Also, his depressed, PTSD-ridden autistic swag and scoliosis realness have captivated me body and soul

His biological parents were killed (before his eyes, by the governement) when he was 10(?). He then joined a bunch of pirates, knowing he wouldn't have much time (and will) left to live anyway. There he was sort of adopted by the Big Bad Pirate's brother, who managed to save his life, only for said brother to be killed (more or less before Law's eyes, by the Big Bad Pirate), when he was 13. You could say he was orphaned twice.

He’s literally got the double orphan special (Parents died and then the guy who took him in after them died too) that’s a 50% increase in orphannedness above your standard orphan. He’s also cool as fuck.

Law's parents were already on death row along with him and his younger sister due to a disease that shortens the life span of a person. The disease can only be passed down genetically and has afflicted everyone in the town that he has grown up in. Due to the sudden outbreak and unknown nature of the disease to the rest of the world panicked and the government closed off his city, killing everyone there. That is how his first set of parents died when he was 10, I think. Still then Law would later join a pirate crew where he would eventually be taken away 2-3 years later by Corazon, marine working undercover as a pirate in order to take down this brother, who is the captain of crew Law joined. Corazon took him in order to cure Law's disease which he still had and to get him away from Doflamingo, his brother. Over the course of 6 months the two became close with Corazon essentially becoming a father figure to Law. I am simplify this but at some point of Doflamingo catches on to Corazon being a double agent and finds him. Doflamingo then proceeds to find Corazon and shoot him in front of a chest that Law was hiding in.

Law has faced many hardships since he was a child, but used his experiences to become an extremely powerful doctor. His pirate crew theme and his Devil Fruit ability are all owed to his adoptive father. Law acts really gruff and serious most of the time, initially seeming like a cool, calculating character and feared swordsman… but one second around the Straw Hats and you quickly see just how silly he really is. He hates bread. He collects coins. He is obsessed with ninjas and superhero comic books. In one arc he just fucked around with his powers and INVENTED harpies and centaurs. Oh, and his First Mate is a polar bear. What could be better than that?

The government ordered to kill everyone in Law's country due to everyone getting "fantasy lead poisoning" disease, which was wrongfully thought to be contagious stroked. Law's family was living at the hospital when they got attacked, his parents (who were doctors) got killed and the hospital got set on fire with his little sister inside. He managed to fled the country hiding in a pile of corpses and ended up joining a pirate crew lead by Doflamingo. Law knew he had the disease and it was going to kill him in three years. Doflamingo's brother, Rosinante took Law hospital to hospital to find a cure but they always rejected him thinking the disease was contagious. Then they learned that someone had offered Doflamingo a devil fruit that could grant him immortality. The fruit could also cure Law so Rosinante stole it and made Law eat it. He then made sure Law could escape Doflamingo and got killed by his brother.

dude spent his childhood getting thrown out of windows, while dying from a deadly disease (that was eventually cured) but while he was still showing symptoms of the disease no one would go near him out of fear and disgust, save for his father figure.

nothing can ever go right for this man. its fucking hilarious in the series and makes for some wonderful angst content. i want everyone who has not watched or read One Piece to know that, for half of his 'main' arc, he's carried around like a potato sack by MULTIPLE people. he is a damsel in despair. he didn't even need to be carried, he honestly could've walked, but he had to save that energy so he could take the like 17 lead bullets out of him. he's always getting shot or thrown out a window and he's severely injured more often than not. he's also a doctor/surgeon, one that should be able to cure incurable diseases, yet his pathetic loserboy ass is too busy being emo to worry about the several gunshot wounds and internal bleeding. god help this man but also don't because honestly it's really fucking funny

Ok, FIRST, when he was a tiny frog-disecting little kid, him and his family and island contacted a disease equivalent to cancer BUT his fam didn't die from that. No, no, his parents got gunned down by the military and his little sis was burned alive with the rest of his house, so, yeah, very traumatic, horrific in a way that makes you very angry at yourself and life and want to oh I don't know, kill everyone and everything possible until the day you die, which won't be long because you have cancer after all. Later, after joining a mafia/cult/gang, Law meets Corazon who after like 2 years kidnaps him to try and get him healed and so they spend the next 6 months bonding, WEEEEEE!! Wait, no, NOT weeee because Cora who is now his father-figure DIES having protected and saved him, and thus bruv becomes orphaned not once, not thrice, but TWO very traumatic times! If this isn't an orphan, idk what is……

Adrien Agreste (Miraculous Ladybug)

[Putting on a creepy white mask as I prepare to unleash the most insane lore ever written] Once upon a time…

Okay so not only is Adrien an orphan, but he's an orphan who unintentionally and unknowingly was partially responsible for their own orphaning. Adrien was created via the Peacock Miraculous, since his mom was infertile. But since the Peacock Miraculous was broken at the time, using it caused her to slowly become sick, until she "died" (mostly. Probably. She might have been on life support), just afew months before the show began. Later on, Ladybug had a plan to take down the Big Bad, Monarch (who, unbeknownst to the heroes, is actually Adrien's father), via putting him in a position where Chat Noir (Adrien's superhero alter ego) could threaten him with his Cataclysm, a superpower that destroys everything it touches. Monarch willingly took the Cataclysm, actually forcing Chat's hand onto himself, which infected him with that Cataclysm, meaning that he was slowly dying throughout the rest of the season. When the season 5 finale happened and Gabriel sacrificed his life to heal his assistant, and the closest person Adrien had had to an actual parent since Emilie died, he only had a few hours left to live anyway. Adrien is still unaware of how his parents died, he has no clue that either death involved him at all.

BIG MIRACULOUS LADYBUG SEASON 5 SPOILERS AHEAD Sooo first his mom went into a magical coma as the result of him being born through magical means and was considered dead/missing by everyone. They had a funeral for her and everything. Adrien dealt with it pretty well, but his father did not and decided to become a supervillain to get his wish, recreate the world and bring his wife back. Which he almost does! He ends up trading his life for (I assume) the life of his secretary/former crime partner/Adrien's mother figure and joining his wife in death. (We see wife's comatose body ascend with him so I guess she's dead? Sokka voice You know, it was really unclear) But anyway, yeah, our babyboy is a full orphan now! Also in an alternate timeline he accidentally created an apocalyptic event and killed everyone so it's not even the first time he was orphaned. So there's that

Adrien is the superhero Chat Noir, who had to fight his father as the supervillain Hawkmoth alongside his superhero partner Ladybug, neither Adrien nor Gabriel had any idea they were fighting each other, and Adrien still doesn't know his father was a supervillain, or how exactly he died, but Marinette does and is keeping it from him. Adrien's father is abusive towards him, having kept him effectively locked inside the house for the first 13 years of his life, and forcing him to model for his company. But still, Adrien is the sweetest boy ever to exist, he's endlessly kind to people, sometimes to his own detriment.

I am no good at infodumping I just love this little guy. However, Harrowhark Nonagesimus is such a close second, but I chose Adrien because he's from my current hyperfixation… ily Harrow. Listen, Adrien is the most guy and catgirl ever. If anything happens to him I will go nuts. Unfortunately, so much happens to him. I am not normal. Give my baby some hugs and some real parenting. Did I mention he was not even born as a real human being? Born at the cost of other's life? Oh my god that's actually so Harrow of him and this is so funny I can't do this anymore

[menlove]

I don't know if somebody already asked you, but what do you think ACTUALLY happened in India?

in myyyy opinion I honestly don't think anything major happened 😭 I have a Couple Reasons and it's mostly bc I'm a "they were fucking the whole time" truther, but I can see where people that view paul as being repressed & rejecting john would find india as the most likely Catastrophe Spot

i'll just toss some of my thoughts under the cut fdfasf

but basically for me it just comes down to:

the Biggest shifts in their attitudes to each other seemed to have happened when brian died & the subsequent mmt disaster, when john started going all in with yoko, and finally at Some point between the rooftop concert and the abbey road sessions. none of those, to Me, line up w something major happening in india. they were already a little strained after brian/mmt & they seemed to be still at that "strained but still friends" point after india

apparently, paul & ringo leaving india early was pre-planned out. there was like an article that mentioned that they'd be leaving early before the beatles even left for india, mentioning that paul would be coming back early to deal w some business stuff. so this, to me, is a hole in the Big India Shift theory

and IF they were fucking the whole time like i personally believe (i may be crazy it's fine), i think that fits pretty well with the lil reference we get in get back. bc john blows that mic with GUSTO & paul isn't acting nervous or like someone who just got called out for ditching him after fucking him, he's just sort of giggly/flustered like john's just referencing a time they fucked that they can't talk about in front of people lmao

so for MEEE what i Actually think happened was probably just....... things getting More uncomfortable (what with john constantly getting telegrams from yoko & the fact that cyn was there and her and john were Not getting on well) & them possibly fucking but it not really being a big deal bc it was just already a thing that they did.

i Do agree with one take i saw in the general beatles fandom world that part of the reason things started to go sour for everyone after india was just that they were all sober for the first time in fucking AGES & when that happens you kind of look around at yourself, your life, and the people you're around and start questioning things. i think by that point they were all becoming highly individualized people & without the security blanket of drugs it became apparent that they'd drifted apart. not just john and paul, but all 4 of them (& cyn and jane, for john & paul respectively).

i mean i could be wrong! if i'm wrong abt paul just being closeted & them having had an acknowledged sexual relationship going on, i can see where the logic would follow that maybe something happened in india. but honestly, for me, even in that case i just don't see enough evidence of smth happening. i think it's a Good Spot for something to happen, like narratively/for fanfiction, but as far as it being like a solid theory for me i just don't really buy it? it's kind of like how for me personally i think a "good spot" for them to have a tender moment would be after the "bigger than jesus" incident, but it's not something i have evidence for or necessarily Believe, i just think narratively it would be neat. same goes for india, so like i can and do still enjoy fics/headcanons about it, i just personally don't see enough actual concrete evidence to lead me to believe in it seriously.

and this is absolutely not to shit on anyone or judge this theory at all. like i said, i can see why people get here, i just don't see it myself. and that's mostly due to my own core mclennon theories that they were fucking & paul is just a closeted bisexual lol. if people believe otherwise, that's totally fine! keep on theorizing and having a blast yk