#bc of course hes there too

[ad-astra-per-aspera-1389]

ok, hear me out...dead poets society in a teen beach movie plot

[wellfine]

Work to be done 🍳

[cacaocheri]

they do sappy shit like this all the time

[pinklazanha]

"I HC that Viktor beats Jayce with his cane in arguments" good hc ngl I laugh everytime I think abt this,

but consider: Jayvik don't ever gets in arguments, not because they are the "perfect couple", its bc everytime Viktor gets mad or upset Jayce immediately says sorry.

HE DOES IT A LOT IN THE SHOW THIS MAN WONT STAND UP FOR HIMSELF IN ANY MOMENT. He sees his man is mad at him and he IMMEDIATELY reconsiders every choice he made, Viktor says, he's doing.

Also Viktor takes advantage of this bc he is a asshole (In a non-toxic way)

[theoldkyokodied]

[Hi Dennis. How was the lion feeding?...?]

This has been something I've been working on for quite a while now, as some people who look at my insta story might know, but I'm finally done!! those text messages from s14ep5 are so unhinged, they haunt me every goddamn day. To drop "i love you so much" just to follow it with what essentially is a "no homo.. for u... even tho u r so hot and i like you so much!". exploading them with my mind into a million pieces, okay?

[ambrosiagourmet]

This is just a smaller observation that will hopefully someday be part of a larger analysis on Kabru's view of Laios & how Laios impacts him...

But I think it really interesting that Kabru surrenders something for Laios twice, and that these moments are inversions of each other.

The first time, Kabru gives up his life to maintain his control. He changes the course of the entire story with this action, and is willing to die to achieve that. Kabru is (supposedly) entrusting the future to Laios, but he is still very much the primary actor in the overall narrative. He is still the one choosing what the story should be.

The second time, however, Kabru gives up his control to keep hold of something personal and selfish (in the way of dungeon meshi selfishness - it is a good thing to keep this desire. It small piece of what makes him a living creature). He steps aside to let Laios choose the way forward. He surrenders narrative agency for personal agency... not changing the story, but changing himself.

[inkyrainstorms]

@aroace-get-out-of-my-face a series of events. Fiddleford is so tired. Stanley is laughing bc if he doesn’t laugh he’ll cry. Ford is rage incarnate. This is murder in his eyes

[prlssprfctn]

I've been brewing this post for far too long in my drafts, but I need more doomed!Bruce and Jason throughout universes. And it is not even always about the same Jaybin, dying in the warehouse scenarios!

Sometimes Jason is just a kid, who died in front of Batman, who maybe jumped in between Batman and the villain recklessly, to keep him safe, and whose blood stuck under Bruce's nails. His face haunts him in nightmares, still.

In other realities, Bruce meets Jason as a teen, and they never even get to become father and son officially - but they slowly get into each other's lives, until something awful happens, leaving a ghost of a smirking kid stroll behind Bruce's hunched figure for the rest of his life.

Or maybe it is one of these realities, where Jason crawls out of the Alley Crime himself, and manages to become famous in Gotham; the one, where he opens a charity fond, dedicated to people, who fight with the drug addiction. Bruce Wayne is sympathetic of a kid he meets during some of the events, and as they slowly start contacting each other more often, getting closer, he promises himself to protect him. Expect, Batman is late to save Jason Todd from the hands of yet another villain.

It could be the priest Jason Todd that meets bleeding out Batman on the stairs of the church, and who helps him out, for what he later pays with his life. Or they are not really vigilantes in any of these universes - just father and son.

And in some of these universes, they reconcile. In one of them, some of the medics connect the dots that a catatonic boy, who is covered in dirt, calling for his dad, for Bruce is Bruce's Wayne dead son, and try calling him. In another, LoA!Jason with his memory still being in a haze, crosses his path with Batman, before getting dipped in the Lazarus Pit.

But the point stands.

In all of them, Bruce Wayne is too late. In all of them, Bruce Wayne fails to save Jason Todd.

[araneapeixes]

in the bathroom at the gay clubbbb

[likeprongstostars]

bartylus frankenstein (bartenstein) au but regulus is not only in the pursuit of knowledge of creation but also wants a build-a-boyfriend simulator

plus some cut up vers.

[bunnieswithknives]

AGhghhh writing is so hard. Im struggling with the pages after this but these finalized enough that you shouldn't have to keep waiting for them

Next

[dizzybizz]

gillgillgillgillgillgillgillgillgillgillgillgillgillgillgillgillgillgillgillgillgillgillgillgill

[maythedreadwolftakeyou]

the thing about Lucanis and Spite is like. neither of them actually wanted to be there. and that is both how they were able to survive the melding and why they resent each other so much. Lucanis' banter about the Ossuary where he says to survive it he "Shut down completely. Think nothing. Feel nothing. Except what you need to escape." And when asked what's left he says "If you're lucky? Revenge. And bad dreams." like. he always had this core of his own personal spite down in him (not doing crow jobs the easy way, ignoring Caterina's summons, not embracing his future as a potential first talon, to "live truly is to live fully" but he HASN'T been allowed to and resents it, etc etc etc) but in the Ossuary he really hollows himself out into the perfect vessel, empties himself of everything but wanting to survive anyway. and "no one was in the Ossuary by choice, not even the demons" so of course he and Spite can agree on this One Thing. they make their deal that they're gonna make it through just because everyone else there is waiting for them to die, and of course they're not gonna just give them what they want. even if they're fighting each other the whole time (hence Lucanis being used to Spite 'hitting' him etc when he doesn't get what he wants), they still have this united purpose Every Day about getting through it. like it's utterly crucial that for both to survive at all the demon had to be something that wanted to defy what the venatori wanted from it.

and this is also why their relationship falls apart once they do escape, because without something else present to rail against every day, they have to turn on each other. and of course it is actually an absolutely miserable situation for both of them to be in--Lucanis is living the nightmare of his body being puppetted around without his consent, just like the blood magic he already had to endure under Zara, and can't ever be alone again even in his own mind. Spite is trapped in a world that no longer responds to his shaping, lacks the autonomy of a truly possessed host body, and can barely comprehend the new laws that govern the place he's in.

for both of them it's such an intense violation of being, and one I wish got more emphasis/recognition. it's really easy to make jokes about how Lucanis could be better at sharing/compromise with Spite more (like I make them too myself, it's easy) but really just... man. this isn't like with Anders & Justice, who agreed to their situation, or Wynne where Faith is content to be mostly a silent passenger and did it to save her life. Lucanis and Spite are suffering the most complete form of intimacy under the worst circumstances, and neither actually wanted it. which makes it honestly impressive at all that (unhardened) Lucanis & Spite are able to reach an accord at all by the end. like i'm glad that they did--and have SO many thoughts (& fanfic WIPs lol) exploring just how they managed to get there--but boy was it hard won, if you actually look deeper into it than the game has room to explore.

[yumenari]

Uhmmmm well, someone doesn't look too happy to participate 😕🎀

I’m late and yet this sketch is all I can offer… 😔 when I have free time again, I shall make up for it and draw a proper maid Leona

[planetvries]

I ❤️ Balin 🥹

[deadpoets]

GEORGE HARRISON’S OUTFITS: DAY TEN – JANUARY 16, 1969 The Beatles: Get Back (2021) dir. Peter Jackson