#bc idk about shows exclusive to like disney+ or however that works

[nose-bl]

Dead End Paranormal Park is truly one of the best animated series of recent years. it has so much great stuff, great storylines, dynamics, relationships, amazing diversity and representation that is meaningful and important to the plot itself, it has a really nice art style and just. everything about it is so amazing. it has so many of the things that i love about shows like gravity falls, steven universe, the owl house and more. i like this show more than gravity falls, which is saying something considering for most of my life GF had been my favorite cartoon

this series had everything i look for in cartoons

im just really angry at netflix for cancelling it and i will never forgive them for it. the story got cut short. we didn't get a proper ending. s2 ended on a cliffhanger, and i had hope for a third season since the show got more popular with time but y'know how it is with these things. i hate it

[mikelogan]

hello. i really enjoy your content, but i have to say i'm kinda disappointed on you still being a ts fan. this woman knows what disney does and yet she still gave them the rights, meaning she either doesn't care or actively supports the genocide. or maybe she decided to turn her morals off because money is more important. not to mention how she consistently associates herself with questionable people and how a person literally died in one of her shows on brazil and she gave zero fucks. this woman is not a good person and there are no excuses to being her fan anymore.

no, i fully understand what you're saying and where you're coming from. over the last like. idk year and a half? ive been pretty vocal about my disappointment, distaste, and disagreement with a multitude of the choices she's made lately. i 100% agree that her silence on the subject of palestinian genocide (as well as many other human rights/social causes) is at best a sign of apathy and at worst a sign of support. especially when miss americana was all about her wanting to be more outspoken and be an activist. that all feels so incredibly performative now -- and has for a while. a lot of things that she's said and done since midnights, which is when i became more active in the tumblr swiftie community, have left a bad taste in my mouth for her as a person.

like i said, i genuinely agree with what you're saying. the only thing i take issue with is that she didn't care that a fan died at her show. she donated money to the fan's family and took time to meet them. regardless of my many issues with her, i do think she can be an empathetic person and i don't think that she just straight up didn't care that someone died before her show. it's one of those things (of which there are many) where we'll never know her true thoughts bc she doesn't talk about things. which is frustrating in itself.

now that's not the point of your message, so feel free to write that off as a digression. i strongly disagree with her making yet another version of the eras tour movie and hosting it on disney+. I'm personally boycotting disney+ and have been for a while. I don't even intend on watching the new version and like the vast majority of everything I gif, that shit is pirated -- that's how I watched the original release of the movie. obviously my consumption/boycotting is just one person compared to blondie, who has influence over millions, who could make real change if she spoke out against genocide.

at this point, im not supporting her financially either apart from listening to her music. which i love. im sorry, but I do. if I didn't, we wouldn't be having this conversation. i think her constant churning out different exclusive versions of the same albums are a transparent money grab and maybe an effort to set more records as far as sales or streams or however that all works. and I'm not just saying that bc I literally couldn't even afford to buy a digital copy of an album right now.

so yeah. I appreciate that you enjoy my content and thank you for saying so, but if you need to unfollow or block, i understand. I've definitely toned down/completely stopped sharing posts about her as a person bc I'd much rather focus on just the music. and maybe that makes me a bad person for continuing to listen to and enjoy her music. im not saying i necessarily feel good about it, but i think the fact of the matter is that a lot of the celebrities, actors, musicians, etc. we like or whose content we enjoy hold views we disagree with and have different values or priorities. nuance exists. right now, im someone who is vocal about the palestinian genocide and I try to share resources/posts about it when they come across my dash and im also someone who is a fan of Taylor's music.

Idk, I hope what I'm saying makes sense at least on some level. I've done my best to word things coherently, but brain fog fucks w me a lot. and like. it's probably whatever, but I do plan on changing my url after ttpd releases. That probably upsets you more and I can see how people might think im a hypocrite or something and yeah, I get it. Idk, I just want to enjoy someone's music without endorsing them as a person, but that's extra difficult when the person in question is the biggest singer in the industry. but you'll never see me making excuses for her on things like this or the m*tty situation or numerous other things she's said and done that gross me out. im not so far up her ass that I think she's perfect or that I feel the need to defend her at every turn. like I said, nuance. anyway, if you feel the need to respond, i welcome you to do so as long as we both remain respectful, which I think we've done. this is a difficult topic, but that doesn't mean we can't discuss it. I appreciate your point of view and I'm sorry that I've disappointed you!

[mashkaroom]

This isn’t related to anything, but frozen 2 was actually...pretty good of a movie, and you can literally see the disney profit model holding it back. firstly, the music was really good -- i was really impressed with the writing team and with the vocal performances, especially by idina menzel. the songs that didn’t make it in because the plot was rearranged were also excellent. wrt to the visuals, i’m not the biggest fan of this specific animation style, but it’s clear it’s very well done -- i’ve no choice but to be impressed. the plot was whatever (also they fully put a couple of trolls in charge of the kindom for a bit -- is there no fucking line of succession in this goddamn kingdom?? maybe the plot of the movie should have been establishing a functional bureaucracy) and they really yada-yada-ed the magic system, which was basically of the central conceit of the movie so...why did they not put more effort into it? the explanation, such as it was, of the magic system was both confusing and ultimately pretty meaningless -- it added next to nothing of value to the lore or theme or worldbuilding. the themes were clearly meant for a more mature audience (which is i guess what you get for waiting 7 years to make a sequel [which btw just wrenched out a memory out of me that frozen 1 came up literally constantly in my 7th grade latin class -- i cannot emphasize enough how bizarre of an experience learning a dead language throughout the entirety of your teenage years along with 400 more of your cohort is]) -- but anyway, they establish all these themes and then don’t commit to them. Like, the central plot conflict of the movie is literally colonialism lmao. it’s such a strange place to discuss it. My suspicion is that they decided right away to go with a “connecting with mother” storyline, since the “women in the same family connecting with each other” bit worked so well in the first movie; then they were like “is this too basic?” and decided that they should wrap that into a “reckoning with ancestry” thread to cash into that “young leftist with white guilt” market. Then they had somebody on the writing staff who was like “what if we made this about colonialism?” So re: those elements, first of all the mother plotline is boring as shit. Like it doesn’t ring true even to losing a loved one early, but it especially rings soooo hollow wrt the actual relationship that is portrayed in the first movie between elsa and her parents. like we see the parents be so misguided it borders on abusive. and that’s a really interesting dynamic, story-wise, bc the parents are dead and can’t redeem themselves but the baggage they left behind is still there, so the burden of processing that falls exclusively on the daughters. i dare say this is something probably relatable to many of us, bc it’s my sense that most people grow up with pretty misguided parents! (lowkey i feel like the best parenting i’ve seen in my circle are parents who basically went off of vibes rather than idk a philosophy or whatever) i actually would have loved to see a children’s movie address dealing with parents in a nuanced way that isn’t just “one of us is right and the other is wrong” but rather addresses what responsibilities parents and children have to each other, how to navigate intent versus effect, what the value (or lack thereof) of forgiveness is, how to uncover your identity when your entire life was shaped by societal and parental expectations, etc. And the Frozen premise is ideally suited for this! Moreover, a lot of these beats actually DO happen in the movie! Into the unknown is basically elsa trying and failing to convince herself that she wants the life she has and any thoughts to the contrary should be dismissed (and it’s gay as hell, but we’ll get to that later). The climax of show yourself literally says that it was the truth about herself rather than her mother that will bring her peace. But all of these beats are facilitated supernaturally rather than by the very fitting preexisting character background, which makes it lack the satisfaction you’d expect in such a resolution. it never features any reckoning with what made her feel the way she did in the first place -- a projection of the mother’s face singing the climactic realization literally undercuts the entire plotline. like here you can see how basically being propaganda for the american lifestyle (in this case the nuclear family e.g.) undercuts their message. this predictably only gets more egregious when they attempt to tackle colonialism. so quick summary of this plotline: anna and elsa’s grandfather basically genocided an indigenous people -- the northuldra -- after tricking them into building a dam that stifles the power of the forest or something. also their mother was actually northuldra. also magic comes from the northuldra forest? it would probably be pretty problematic re: the magical native stereotype if it was clearer what was going on lmao. at the end, anna breaks the dam even though it’ll flood Arendelle; however, elsa (who was literally frozen because of the sins of the past) swoops in at the last moment and freezes the wave so it causes no damage. However, in an earlier version of the story, the wave actually DOES destroy Arendelle and then they rebuild it with a mix of Arendellian and Northuldran architectural styles. this version actually proposed a genuine vision for how to deal with the impacts of colonialism instead of the final movie where sisterly love absolves everyone of consequences. 

ok, so about the gay: i know people read a coming out into let it go, and maybe this is just cause i watched frozen 1 when i was still straight, but i didn’t really see it. but the lyrics in frozen 2 elsa’s songs match up so well with the coming out experience, i have difficulty imagining the song-writers weren’t aware of it, especially since people were already calling for elsa to be gay. Like let’s take a look at these songs -- into the unknown first. She sings

“Everyone I've ever loved is here within these walls I'm sorry, secret siren, but I'm blocking out your calls I've had my adventure, I don't need something new I'm afraid of what I'm risking if I follow you”

This idea of having being afraid of ruining relationships even (and especially) with the people you love most by coming out is something that a lot of queer people can relate to. Then she sings:

“Are you here to distract me so I make a big mistake? Or are you someone out there who's a little bit like me? Who knows deep down I'm not where I'm meant to be? Every day's a little harder as I feel your power grow Don't you know there's part of me that longs to go”

How much do i need to explain this? (like all my 7 followers are some form of queer anyway lol) But again this battle of trying to hide but knowing deep down that you can’t, longing for “someone a little bit like me” --  it’s classic queer. Then she sings a bridge-type thing:

“Are you out there? Do you know me? Can you feel me? Can you show me?”

I mean, again, what is this but longing for community. Then in the climactic song “show yourself”, she sings this:

“Something is familiar Like a dream, I can reach but not quite hold I can sense you there Like a friend I've always known”

this is literally just about reading stone butch blues.

The climactic lyric is  “You are the one you've been waiting for all your life” (sung to her rather than by her) and i mean again, this is about finally giving yourself permission to live as your true self. And not gonna lie, i dug that shit. it felt quite authentic. obviously they didn’t actually make her gay, bc of course, but she is gay in my heart!

Ok, so what would have made the movie live up to its full potential?

1) fixing that stuff i already said about the parents; it felt like such bs that anna and elsa were dealing with ancestral sins but also their parents were saints whose love fixed everything? how much more interesting would it have been if reckoning with their parents’ impacts on them led them to reckoning with the impacts of their entire ancestry and in turn their society? if reckoning with their personal responsibilities to each other led them to consider their society’s responsibility to fix the past wrongs that allowed it to flourish? this wouldn’t even be counter to disney’s individualism, but it allows for a slight reconceptualization of it that i think would feel fresh.

2) having actual consequences for the colonialism and genocide

3) either cutting all the new magic system stuff or developing it in a way that in turn helps develop the themes. frankly, the “sometimes people are born with magic” that was implied in movie one was enough.

4) making elsa gay, and i say this not just because i want gay characters but because that genuinely makes sense within the story

5) basically, the central theme should have been “i have all this baggage and i can’t resolve it by looking for answers only within my society; in order to be fully at peace with myself, i must work to right the wrongs of my society that obscured the different ways of knowledge that could help people like me; sometimes you must go into the unknown in order to understand the known” which is a message i think very well suited for the united states!