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[ulkachemical]

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[wutheringmights]

Thank your for the chapter. This is me submitting my request for director's commentary.

Sorry this is very late.

But, you know.

*gestures wildly at the state of the world*

This is the first chapter in a long time where I was actively having fun writing more than 30% of it. Writing doesn’t always have to be “fun” for me to write it, but spending most of this year stuck on two chapters I absolutely hated did a number on me. 

I still didn’t get to everything I wanted in this chapter; I have been trying to get to the fallout for the Knights of Hyrule encounter for most of this year now (jfc!), but I’ve had to expand the plot points leading up to it. This entire Castle Town arc was planned to be one chapter. Past Frankie was insane for thinking that was possible. 

Pacing-wise, this chapter really did need to be on its own. The important plot points needed their own space to breathe; trying to shove all of this and the contents of the next chapter into one would have led to a lot of things being overshadowed. So even though everything is still moving along relatively slowly, the pacing is somewhat on purpose this time. 

As previously stated on this blog, I sorely neglected updating AO3 with the new chapter total. There is 6 chapters left (5 plot chapters, then an epilogue). Rest easy. This story will take me a while longer yet to complete. 

That being said, don’t be too surprised if I keep budgeting in more chapters. But if this story needs more than 40 chapters, I will abscond from society and become a sheep herder in, like, Iceland.  

(Sorry to front-load the housekeeping information; I usually keep this stuff for the end,  all of this provides context for my first bit about the actual chapter.) 

I am so happy that pre-heart connection stuff with Proxi got its own chapter, as opposed to being included with the post-connection drama of how Link starts clawing his way out of his depression. 

I mentioned last chapter that everything with the first Proxi meeting was an utter failure to me. While this chapter doesn’t erase the problems of the former, it nonetheless is an improvement and more in-line with how I wanted this Proxi storyline to go. 

Link’s depression baths is 100% me projecting-- I had a season of my life where everything in my life kinda fell apart and I became extremely depressed and anxious. One of my coping mechanisms was to constantly take showers. Like Link, I got up to around four showers a day before I was told to knock it off for the sake of the water bill. 

Depression causing a lack of hygiene and self-care is fairly well-represented in media at this point. I relate way more to depression causing a spurt of “good” habits (that are just maladaptive coping mechanisms in their own right) more, and I want to include more of them into my writing. Link seems like the kind of guy who would overcompensate like that too. 

The events of the chapter were condensed from my original vision. The party and the fireworks were going to be two separate incidents, but I wanted to cut down on the bulk of writing each chapter requires of me (more on this later). Luckily, the original idea for the fireworks also included celebrating a holiday (New Years), so the change was easy to pull off. 

I did lose an aspect of that scene I really liked though: Link knowing he was experiencing a trigger deciding to hide in his cellar, all the while congratulating himself for reacting normally while Proxi is like hiding in a cellar isn’t coping, Link!!!!

Fireworks being a trigger is a bit of a cliche, and a part of me really wishes I found something more unique to trigger Link with. But fireworks is a really effective shorthand, partly because it’s so prevalent in real life, and partly because contrasting a celebratory activity with war trauma is so evocative. 

It’s also very silly how significant events in Link’s life keep coinciding with holidays and birthdays. I want to acknowledge both for the sake of world building, but going through the effort of developing them is only worth it if there’s a plot point attached.

But who hasn’t had moments of great revelations while at the family Thanksgiving party?

I like the idea of various holidays/feasts in Hyrule having different levels of importance depending on your tribe or what region you live in, as well as them being celebrated differently depending on your culture. 

Both the Sheikah and the Hylians would place heavy significance on the feast since Hylia is one of their main goddesses, but they would be celebrated differently. I brushed a bit on the idea of the religious ceremonies being different, but I cut back on sharing more of my ideas for the specific celebrations. 

Very specifically, I wanted the Sheikah to have a tradition of performing theatrical plays of significant cultural moments (basically a kabuki-theater version of a nativity play) (can you tell I was raised catholic?). 

I have plans to do something involving a kabuki play next chapter, so I won’t elaborate more on what the play was supposed to be. However, the play did get cut because I planted Link in the banquet hall with no care to move him from that spot. 

I like the idea of moms who are flawed moms in really normal ways. The way Ayane’s mother is very sweet to Link while having these rigid standards for Ayane is very real to life, in part because it’s based on how a lot of mothers I know act to their child’s friends versus their actual child. 

In a similar vein, I’m also fascinated by mothers who fail their children in such specific ways that it would only be a failure to their child-- like a mother giving too much independence to a child who needs more help, etc. That’s my design for these slow (and hopefully subtle) reveals of how Link struggles with his mother’s memory. On one hand, it’s obvious that he was made to feel like a failure of a child, and he probably knows that was wrong of her. On the other, she was a good parent overall and she’s dead. If you have never experienced that particular cocktail of guilt, let me just say that it messes you up. 

The kids who were doing the snowball fight are Ayane’s friends, which is why one of them remarked that Link was going to yell at them again (see: when Link yelled at Ayane the first time he picked her up from school). Katsuki is the only friend of Ayane’s I’ve consistently named-dropped, so I hope that cued you in to who these kids were.

Speaking of which: I stole that name from Bakugo from My Hero Academia. I was watching the show at the time, and I like the character. Ergo, I stole his name.

Link being very aware that he had been triggered during the fireworks show-- I have a very specific gripe about the way people write PTSD that bleeds through this sequence that I cannot explain in a sentence or two. But what’s important is that I have experienced that moment when your body is triggered but your brain isn’t-- so you can start to feel yourself freaking out while in your mind you know there is no threat, yet the body’s reaction starts to cloud your mind, causing a spiral of anxiety and panic. 

Proxi visiting the fairy fountain in Kakariko is one of my favorite scenes. I just like how simple it is, and how it gives a glimpse into what Proxi’s life is like outside of Link.

I did momentarily freak out after posting because I was worried I didn’t make it clear before this chapter that while there is magic lingering at the fountain it can’t heal. But no one has mentioned it yet, so I think I’m safe to wait until a future chapter to clarify that.

Fairies being too small to have more than one emotion is of course taken from Peter Pan. As a long-time lover of fairies (my childhood hyperfixation), it’s a whimsical idea that I just adore. I originally wanted to use that idea as justification for Proxi mirroring Link’s emotions without Link mirroring hers. 

There would be scenes where he is utterly calm while she’s freaking out or crying because he’s good at covering his feelings, but she can’t. I thought this would rid her of too much agency, so I changed it to a mutual sharing of emotions so that Proxi has more space to her own person while still being his “translator.”

I also like the idea of Link being able to gather the ability to talk, but only in relation to comforting Proxi. That’s development, baby. 

I do wish I rewrote that last scene where he feels Proxi’s joy for the first time, as I really like the idea that he would feel a sense of helplessness and horror to be controlled by another person like that. What’s there now is fine, but it could be better.

Now, onto the present-day section: 

It is very, very obvious that I meant to end the last chapter with that conversation between Warriors and Lincoln. Like I said, the original version really sucked (or at least, my original prose describing what the Chain’s arrival at the castle was like). It makes more sense for Lincoln to drop the information about Lionel in the same chapter Lionel is name-dropped.

Lionel was originally going to be Lincoln’s name, but I picked Lincoln since it has the more obvious tie to the Link-Linkle naming pattern. 

Also, this chapter includes a much needed discussion about the ethics of blaming all of the nation’s problems on a single ethnic group. On one hand, it is stupidly effective to utilize bigotry to gather power, and it’s a rhetorical technique even a more morally-upstanding Warriors would use. On the other hand, that’s an objectively terrible thing to do oh my god. 

So I kinda had to go in and cover my bases of having the characters talk and acknowledge what the implications of Warriors’s plan is. The big glaring issue of this conversation is that it also implicates Lincoln and rids him of his moral superiority. 

Personally, I kinda struggle to think of a real-world equivalent to the dynamic I established in the story, where the institution of the Sheikah does a lot of harm while the people within the institution are experiencing the social-consequences of being associated with it. The best I can come up with is Mormoms. 

Either way, I live in fear someone is going to tell me that this is actually about an underprivileged group I am not aware of currently, and I am contributing to their oppression by not critically analyzing Link and Lincoln’s plans correctly. Which would be a valid criticism to make, but one I could avoid if I had just worked out in advance what the hell is this is an accidental allegory for, educated myself, and then fixed the issue. 

If you guys can think of something, let me know so that I can get started on educating myself and such.

The Castle Town arc’s recurring theme is just bureaucracy, which does not make for exciting storytelling. But I do think it’s fitting for Warriors, who used to benefit from the system, to realize all the ways it’s not made to actually help people. I also think he’s the kind of person to realize he doesn’t have the time or ability to rehaul it entirely and has to settle on trying to work within it.

I can finally reveal my “Midna is a fantastic public servant” agenda. My girl was explicitly stated to be a good and dedicated ruler in Twilight Princess, and I will not let anyone else forget it. 

I really wish that this was more of an ensemble story so that I can write about Hyrule and Sky’s adventures in the Castle Town nightlife

If there is one thing I don’t really like about this chapter, it’s the sequence from Warriors talking to Lana about Cia to the end of Icarius’s capture. Reading it back, it really comes off as very corny and very carelessly written.

I initially planned for Icarius to be captured during the bell ringing in the lead up to Warriors trying to draw the Master Sword

I was imagining a scene where they are watching the news about the invasion be announced and, as Warriors is cursing the bad luck of it all, Spirit would just scrunch his brow and say, “Captain.” And Warriors, who is unfortunately drift compatible with him, would be like “go ahead.” And then Spirit would motion for Linkle to follow, and the two of them would reappear after the Master Sword rejected Warriors with Icarius already tied up.

The problem was that would block Spirit off from understanding the whole Master Sword rejection thing, and I really needed him to carve up Warriors’s hand. 

So I punted this whole ordeal with Icarius off to another chapter, and I have been scrambling trying to find another spot for him.

Ultimately, I do think this worked out because I have no idea what the hell the would have done with Icarius during the networking scenes.

After being disappointed with how this version of the capture scene turned out, I was very tempted to cut it and just have Spirit and Linkle haul Icarius into Warriors’s office, but I didn’t want to cut out a scene of Linkle being a bit of a badass. 

And let’s talk about Icarius, because it’s been a while since we’ve thought about him.

First off, you can tell that I was having a lot of fun this chapter trying to find ways to let them have a conversation with Icarius when he can’t speak verbally and they don’t know his sign. The dictionary combined with the gesturing seemed like a fun but logical solution.

Though, in the back of my brain, I kept remembering how stupid I thought that bit in Iron Flame about the translation was. So when I wrote about Warriors translating Faovarian with just a dictionary, I was sitting there feeling like the biggest idiot in the world. 

This scene also reminded me how tragic it is that Icarius can’t speak, because I know how hilarious this man would have been with sassing his captors. 

I also got a chance to put forth the core tenant of Icarius’s feelings for Warriors: mainly, that he thinks Warriors is both insanely handsome but ultimately stupid as all fuck. 

When I first made it clear that the House of Nephus was a reflection of Warriors, Time, and Spirit, I totally thought someone would put together that Icarius, as the Spirit-equivalent, was trying to save Philo. No one ever remarked on it, so maybe it was too obvious to mention. 

(If I were to ever do another one-shot side story in the style of Smoke the Pipe, I would probably do one about Icarius’s life before the events of the plot, if only because I have a lot of ideas of how Faovaria works and how Icarius and Nephus got to where they are now; though I doubt anyone would be as interested in my silly OC’s as I am). 

I also thought someone would figure out Philo was related to the whole Fused Shadow plotline when, in his introductory scene, he used Midna’s powers. I thought it was obvious. 

I also like the idea of the Dark Interlopers having different legacies outside of Hyrule; generally, I’ve just had a lot of fun taking different bits of canon Hyrule lore and figuring out how they could fit into a greater world. My favorite (not in this chapter) example is when Nephus referred the the Three Goddess as oracles mistaken for goddesses. We know Din and Nayru appeared as oracles outside of Hyrule, and Nephus’s line implies that they are still important folk figures in Faovaria, just not goddesses. 

Spirit’s snarky good luck being the nice version of his thoughts is exactly the kind of bullshit I would pull as a socially-inept kid; he realized what he originally wanted to say was too mean so he wanted to convey some kind of recognition that he understood Icarius’s thought process but still wanted to warn him how hard it was going to be. He really, genuinely thought good luck would be the nicest way of conveying that. He’s so bad with people. I love him. 

And, god. Time. Poor guy has walked around his entire life feeling like there has only ever been one person who ever cared for him, only for that one person to turn around and be like yeah I regret helping you. 

Then there’s Warriors who is starting to learn to not let himself get tangled up in fights against Spirit, who is so wrapped up in trying to stop this war that he doesn’t even have the energy to entertain Spirit’s bullshit right now.

Which leaves Spirit alone, with only Warriors to cling on to. 

His conversation with Warriors in the hallway is another favorite of mine, if only because it sounds really natural. I think my dialogue is too on the nose sometimes, so I’ve been trying to let the characters talk around themselves way more. 

Hot tip: if you are writing about men, make sure you mention their facial hair and shaving habits. As a long-time lover of facial hair, I love hearing about characters growing stubble or having to remember to shave in the morning. It’s a little detail that gets overlooked in fiction a lot, and I’m so bitter about it. 

Oh, the newspaper article. Let’s chat about that now. 

Public opinion plays a big role in political intrigue, which I never see enough stories taking advantage of. I knew from the beginning that I wanted Warriors to get exposed in the newspaper after he was well into cleaning up his act, but I wasn’t sure how to go about it. 

As many of you know, one of my most infamous cuts from the story is an original character who was a journalist during the war producing propaganda about Warriors. In the present day, this journalist would have felt so guilty for the role they played that they would have been on the pursuit of writing a story about what really happened back then. They would have been a neutral to antagonistic force in Warriors’s life. 

You can probably guess that this expose was supposed to be their work-- a decision to finally report truthfully despite being asked to lie once more for the greater good. I really wanted to juggle with the ethics of propaganda, and to have a moment where Warriors straddles that moral line by wanting to utilize propaganda for the greater good (but for real this time). 

I cut the character because a) there were too many bozos in this story already, and b) I didn’t think that a plotline about propaganda would be the most useful in a story about a kingdom where the people’s opinion does not matter (in retrospect, that’s a misconception on my part about what propaganda is used for). 

In some ways, I think it did hurt the story a bit to not have a specific character attached to the article. However, I ultimately like having no specific journalist attached to it since it places the blame more squarely on Impa. 

Writing the full article out was most definitely not the best use of my time or the best use of space, but I was worried that if I did not, readers would be really confused as to what the general public did and did not know. 

Stylistically, the article is meant to be more of an profile/investigation piece over a straight-informative blurb. The best example I can find is this article from the Cut on Usha Vance.

(I have spent the past month deep in the anti-Vance think pieces. Fuck both of them. I can’t believe I am going to have to keep hearing about these bastards probably for the rest of my life.)

As you can see, there is the occasional use of first person and more storytelling techniques used alongside facts. I chose this style mostly to make sure the article wasn’t too boring to read. 

I also struggled picking good numbers for the article that would sound severe, without being over the top. I think I picked some realistic stats. But if I messed up, it would be very funny and would invalidate all of my bitching about Fourth Wing’s bad numbers. 

At least I got to use this as an opportunity to drop some new info on you, such as...

Marigold was 19 when she gave birth to Warriors. Yeah, there’s a bit more to the Marigold story that is still left to be uncovered. There is a thematic reason to why Warriors does not seem to acknowledge how young she was when she became his mother.

How do I put this? There’s an irony in him knowing that he was failed by being made responsible for the kingdom at 17, and then not realizing that Marigold was also failed in a similar way. I think people generally have a problem realizing that the problems they see in the world are more widespread than they are, and that they take on multiple forms. And when one thing is wrong in the world, it usually is reflected elsewhere in an unexpected way. 

Warriors believes that Marigold had a responsibility to take care of him because she was his mother despite her age. Warriors had a responsibility to be the hero, despite his age. He understands that just because society at large saw this as his duty, it doesn’t mean it was right. He doesn’t realize this wasn’t Marigold’s duty either to take care of him.

I explored this idea earlier in the story with the use of child soldiers being contrasted with Kat’s underage prostitution. 

Also, Anders Brecht. His last name is a reference to Bertold Brecht, the playwright.

It’s nice to get his story out of Warriors’s perspective of my friend betrayed me and into this is a well-educated activist who was executed for trying to make positive change in the world. To this day, it surprises me how many people were not sympathetic to the turncoats in this story.

Another thematic point: both Anders and Marigold were the Hyrulean-equivalent of leftists. Despite having their influence on him, Warriors still turned out far more moderate than them, and far more prone to causing harm. Insert rant here about how just because you surround yourself with good people doesn’t mean you will turn out like them, etc. 

Spirit being ashamed about the article-- Spirit is definitely someone who understands that just because someone knows you went through some shit, it doesn’t mean they will really give you the validation you want. He’s what happens when the vitamin fantasy doesn’t yield the acknowledgement you thought you were going to get. 

And, finally, Warriors gets put into a corner and manages not to resort to using Spirit to his advantage. I enjoy that Warriors’s determination to not use Spirit as a pawn to sway public opinion back into his favor comes at the cost of, well, being on the verge of losing the goddamn fight. Oh Warriors, you can be a better person now but being a good person doesn’t win wars. 

While the opening conversation between Lincoln and Warriors would have 100% worked better at the end of the last chapter, I do think it’s nice that their conversations are bookends. 

I do think it’s kinda silly that celebrities have to apologize for doing something wrong to the general public, and a part of me wanted to use this story as a means to point that out. But I also have to admit that there is a social reason why we expect it, and I have come out on the side of pro-apology. 

This is the first time in-story that Lincoln hugs Warriors. 

Warriors really needed someone to tell him that they were proud of him and, I won’t lie, I also kinda needed it at the moment of writing. As much as Warriors still has a lot to learn and improve on, it feels good to see him get some of the praise he desperately needs. 

Warriors’s character arc really is just him realizing that while he has to do his heroic duties, he would much rather be living a quiet domestic life with his family. Well, he always knew he wanted that. He just went about it wrong with Spirit and Time. He’s just getting to start over with a better perspective and less coercion. 

And finally, the Knights of Hyrule are arriving. I’m not lying when I say that I have spent most of this year trying to get to this stupid plot point. I thought the trip to Castle Town to now was going to be one chapter. That was back in March. It’s November now. Ugh. 

So yeah. That’s the chapter. 

You might have noticed that my style is a bit different this chapter. Looking back on old chapters, I can see myself overwriting in a lot of places, especially in the narration the explore’s Warriors’s thought process. I’ve been trying to cut that back in order to both clean up my writing and cut down on the sheer bulk of words every chapter requires.

I think it’s working out so far, but I won’t blame anyone for thinking the chapter is a little underwritten, or it seems like I’m putting in less effort into the story. 

Ideally, I would like to get two more chapters out by the end of the year-- one for each month. I have no idea how that will work out when I am as busy as usual and the holidays are coming up. But I will try my best. 

(I also just realized that there is three weeks left to the month and I have not started the new chapter yet. Oof.)

(If I keep up the chapter a month pace, the story will end around April, aka: CTB’s next birthday.)

Thank you to everyone who has kept up with this story for so long. I love writing long stories, but there’s always a point where readership peters out (not surprising; comes with the art form). CTB has long hit this point (taking a four month break this year did not help), so I appreciate everyone who has kept up so far and everyone who has recently given this story a shot. Hopefully the next chapter will worth all the time and dedication you have shown this story so far <3

[dearmyloveleys]

aw man reading this portion in the first bit of mdzs in the og text, giving it my own translation and feeling bittersweet:

[WWX]

“魏无羡提起湿淋淋的手掌，就着溪水，一点一点抹去这不知是在嘲笑谁的粉饰。

并非无法承受。毕竟当初做出选择时，就已无比清楚，今后将面对的是什么道路。只记住云梦江氏教给他的东西，记住那一句家训——“明知不可而为之”。

只是自以为心若顽石，却终究人非草木。”

Wei Wuxian raised a wet palm by the stream. Bit by bit, he wiped away the powder makeup, its deriding laughter he wasn’t sure was directed at whom.

It was not that he couldn’t bear it. After all, when he made the decision back then, there was nothing clearer, about what the path he’d face thereafter would be like. He only remembered the things that Yunmeng Jiang Sect taught him, remembered that one line of the Sect motto — “Turn what you know is impossible into a possibility.”/“Attempt it even when you know it’s impossible.”

It was only that he thought the heart was like stone, but at the end of it all, people still were not plants and trees.

[bitacrytic]

A SHORT STORY

-

More TDJ/TWOE Parallels

[queermania]

.

[blackwaxidol]

Hm... generally I've drawn him with flat teeth like his mother, but maybe I should give La'zaar little fangs...

[kafkaoftherubble]

Dear emperor is about politics and the horrors of man made gods, how we sometimes idolize people to the point of worship.

But actually it's about the complex friendship between Ira and Edith, how politics tore them apart but their genuine mutual (platonic) love and respect for each other brought them together in the end and made Ira give Edith a second chance. He missed the friend he once had and eventually let her challenge his political beliefs because he just wanted her back.

BUT ACTUALLY dear emperor is about how disabled people and people who look different deserve to live.

Brandi was born with mental health issues while Ira's disabilities came later in life after serving in the military. They both deserve help, not because they're good people, but because they're human and as humans, we need to help each other.

Lewis has no disability but he has a birthmark that has made him stand out. He's been mocked for it and it sometimes it's almost a disability because the uneducated masses assume it's dangerous or some kind of disease or that he's dangerous because of it. It's just a way his face looks!!

And Edith. Her disability (left arm stuff) is self inflicted and so what? Even if she has it because of a stupid mistake, she deserves help as well. Even people who didn't think things through and are now disabled because of a dumb mistake deserve help. Someone who lost a limb doing a dumb trick deserves as much help and support as someone who lost one in a car accident.

Dear emperor is about love and kindness, how we have to be kind and help everyone, even if it means sacrificing luxuries or large amounts of our time and energy. As people who can help, we should.

Bruh, my late-night brain leaps into any sort of imagination easily (too easily in fact), and THIS? This created a whole ass studio of you on red velvety sofa, and then a bespectacled woman interviewer is sitting about one leg apart from you, and then there's a marble-constructed fireplace kinda thing behind you two, and because I don't know how you look, you're just Haanit-but-a-bit-smaller on a sofa, and you're basically being interviewed and the bespectacled woman took her glasses off and chewed on the tip while nodding attentively.

I'll say, with the way you let their lives play out in the story, it's more than just "disabled people deserve to live." It's that they are capable of feats and contributions as any able-bodied and/or neurotypical people. They are remaking countless lives—their enemies', their allies', and above all, their compatriots'—with their own striving. And it wasn't necessarily done despite their disabilities, or that they managed to scale hardship and achieve greatness equaled to an able-bodied/neurotypical folk. It's that their experience directly impacted them and shaped them such that they made their own unique contributions. They knew things the other folks didn't know, and because of that, their voices enriched the collective discourse and understanding of what it means to be in a community we called society.

All that mandates about being "normal" or "approved by State" has created only a very specific kind of people with uniform ideas which leads to stagnation. If Edith and Co. had been removed because they didn't conform to a narrow band of what counts as "normal and non-defective," then Odeda would only continue its fall.

It's not about how diversity, including disabled people, is good for a population. It's about why.

[hillsofuhhtennessee]

cursed ideas I’ve had for a while: Velvet having godawful mascot/fursuit sex (with a character too edgy to even refer to publicly lol), and some kind of deliberately stupid mechanophilia or inanimate TF with them.

even more cursed idea: combine the two and have them screw some manky old animatronic as a mockery of 80s nostalgia or something. People really liked “kiss 2.0 as a janky old robot band” as a concept so there’s more overlap than you’d think.

even more cursed: I’m hardly familiar with the intricacies of FNAF (I like the concept but lost interest after the first few games) but man Mangle would be such an awful choice for that, especially with canon noncompliant fake fur covering vs hard plastic. “Crusty old eldritch abomination of a robot fox” is just such a concept regardless of deeper lore. It’s just so disgusting and ridiculous it seems way too entertaining and I can’t resist dumb crossovers. Even if I genericized it to avoid having to read up on all the lore, it would still be really obvious what I’m ripping off lol

I really don’t make Velvet as gross or aggressive as canon because I’m just too obsessed with making big scary character uwu vulnerable and soft. I should make them more accurately nasty more often tbh (though I also do it for other people’s sanity lol)

[appleciders]

trying to get a new prescription for the meds that i’ve taken for the past three years like going through the trials of heracles

[ulkachemical]

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[notachair]

OMG I FOUND IT (as in a picture and a name)!

I had the "Creative ZEN Stone Plus" one in pink. And I know it's not technically an "ipod" by virtue of not being owned by apple, but it was what I referred to it as, and what I understood my friend's similar mp3s as (some actually being ipods)

Willdddddd

i have 3 moods:

skips every song on my ipod

lets the music play without interruption

plays the same song on repeat for days

[mewgatori]

Spent a few hours having a crisis after installing ram tonight because I didn't properly slide the connector for my laptop battery all the way in after finishing the process causing me to think I'd messed up horribly and irreperably fucked up the hardware somehow and frantically google things trying to figure out what mystery illness my laptop had.

So relieved that's over

[anmolsmsblog]

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Battery Additives Market Size, Share, Trends, Global Demand, Growth and Opportunity Analysis

"Data Bridge Market research has recently published the comprehensive business research on Global Battery Additives Market includes historic data, present market trends, future product environment, marketing strategies, technological innovation, upcoming technologies, emerging trends or opportunities, and the technical progress in the related industry. Battery Additives Market analysis report covers detailed value chain analysis of the market.

Battery Additives Market business report provides exact information about market trends, industrial changes, and consumer behaviour etc. The report assists in outlining brand awareness, market landscape, possible future issues, industry trends and customer behaviour about  industry which eventually leads to advanced business strategies. Being a verified and reliable source of information, this market research report offers a telescopic view of the existing market trends, emerging products, situations and opportunities that drives the business in the right direction of success. The Battery Additives Market business report has been framed with the proper use of tools like SWOT analysis and Porter’s Five Forces analysis methods.

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The battery additives market is expected to witness market growth at a rate of 9.33% in the forecast period of 2021 to 2028. Data Bridge Market Research report on battery additives market provides analysis and insights regarding the various factors expected to be prevalent throughout the forecast period while providing their impacts on the market’s growth. The rise in the awareness concerning the environment which leads to the augmenting the adoption of plug-in hybrid electric vehicles is escalating the growth of battery additives market.

The report provides insights on the following pointers:

Market Penetration: Comprehensive information on the product portfolios of the top players in the Battery Additives Market.

Product Development/Innovation: Detailed insights on the upcoming technologies, R&D activities, and product launches in the market.

Competitive Assessment: In-depth assessment of the market strategies, geographic and business segments of the leading players in the market.

Market Development: Comprehensive information about emerging markets. This report analyzes the market for various segments across geographies.

Market Diversification: Exhaustive information about new products, untapped geographies, recent developments, and investments in the Battery Additives Market.

Table of Content:

Section 01: Executive Summary

Section 02: Scope of The Report

Section 03: Research Methodology

Section 04: Introduction

Section 05: Market Landscape

Section 06: Market Sizing

Section 07: Five Forces Analysis

Section 08: Market Segmentation by Product

Section 09: Market Segmentation by Application

Section 10: Customer Landscape

Section 11: Market Segmentation by End-User

Section 12: Regional Landscape

Section 13: Decision Framework

Section 14: Drivers and Challenges

Section 15: Market Trends

Section 16: Competitive Landscape

Section 17: Company Profiles

Section 18: Appendix

The following are the regions covered in this report.

North America [U.S., Canada, Mexico]

Europe [Germany, UK, France, Italy, Rest of Europe]

Asia-Pacific [China, India, Japan, South Korea, Southeast Asia, Australia, Rest of Asia Pacific]

South America [Brazil, Argentina, Rest of Latin America]

The Middle East & Africa [GCC, North Africa, South Africa, Rest of the Middle East and Africa]

This study answers to the below key questions:

What are the key factors driving the Battery Additives Market?

What are the challenges to market growth?

Who are the key players in the Battery Additives Market?

What are the market opportunities and threats faced by the key players?

The major players covered in the battery additives market report are Cabot Corporation, Hammond Group, Inc., Orion Engineered Carbons SA, Imerys, 3M, Altana AG, Borregaard, HOPAX, PENOX S.A., SGL Carbon, Prince International Corporation, Re-Tron Technologies, Inc., MSC Industrial Direct Co., Inc, Atomized Products Group Inc, TAB-PRO LLC. Fastenal Company, TCI America, Total Battery., US Research Nanomaterials, Inc., among other domestic and global players. Market share data is available for global, North America, Europe, Asia-Pacific (APAC), Middle East and Africa (MEA) and South America separately. DBMR analysts understand competitive strengths and provide competitive analysis for each competitor separately.

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