#basically Sophie at this point

[the-way-astray]

btw alden has never meddled not once in the entire series

[libraryleopard]

Young adult contemporary coming-of-age story (releases 4/16, I read an early copy from Netgalley)

Follows two first-year students at Wellesley College who run dueling anonymous advice columns and befriend each other in real life as they bonded over both being aroace, unaware of the other's internet identity

Platonic love story

Explores themes like aroace identity, finding community, being the queer child of immigrants, and trying to find your place in the world as a young adult looking towards the future

Love letter to platonic/familial love and finding community

Aromantic asexual Chinese American protagonist; aromantic asexual gender-questioning/nonbinary (she/they) protagonist; lots of QPOC side characters

[moss-in-hiding]

(i’m making basically translation of my previous post that’s fully in Russian) 

today I watched an old Soviet two episode show called Ordinary Miracle, which I haven’t seen since I was a kid. however, while I was watching it, I realize that two of the characters the Wizard and his wife are basically just Howl and Sophie from Howl’s Moving Castle.

because the wizard is on one hand trying to live normally, but also turned a bear into a human just for his own amusement? (but also it’s heavily implied he did it because he wanted the bear to feel love and get to be human) and his wife, who is ginger by the way, just like book Sophie, is basically his conscience telling him that it’s inhumane to force the bear to be human if he doesn’t want to be.

oh, and also the movie starts off with the line my wife who I’ve been in love with since I was a boy- which is literally Howl.

but yeah, it’s on YouTube if you’re into subbed surreal soviet musicals from the 70s!

[united-under-skyfall]

leverage is so fucking funny. man manages to find the most mentally ill and neurodivergent group of thieves on the market + an even more mentally ill guy whose literal job description was trying to chase all of them, and forces them into a found family speed-run by trying to blow them all up. they lowkey stage a full fucking country wide coup and are like eh 🤷 just another wednesday. this might be a fun place to vacation tho i guess. sophie shows up to her own funeral twice. they're so good at convincing people of their shit that they make a guy's body start reacting to an illness he doesn't have because it isn't real. go completely out on a limb and basically hand this one guy a new password for his computer so they can get into it and he goes with it. parker and hardison have straight up just "fake it 'till you make it"d into the fbi without even attempting to cover their tracks beyond just These Two Guys. half their clients never asked to be their clients and don't know they're their clients, and the other half are random people who find them who fuckin knows how, meanwhile no government agency can track them down without selling their soul to sterling. they make a point to have a dramatic scene w a Big Bad Shadowy Government Guy who doesn't actually get caught or brought to justice or anything telling them he's going to hunt them all down, and in any other show this would probably earn at least a minor arc later on but he literally never shows up again. an entire season finale hinged on a cake and a bunch of clams. they accidentally made eliot a celebrity not once, not twice, but three times. parker blew up her foster parents' house when she was like. nine. and it's hardly a footnote. hardison is just casually an artistic prodigy but it's only ever brought up for the most background of background gags. eliot's biggest beef with parker and hardison for like two and a half seasons is that they won't stop making weird food with lasers and refuse to realize they can't make a decent beer to save their lives. sophie's immediate response to being shot is to call her shooter a wanker. there's a character who has literally killed a man with a mop and they had the audacity to only put her in one episode.

[purplecoffee13]

NFWMB - part 1

Summary: “Harry is a retired boxer who owns a gym and teaches self-defense classes. He considers himself a strong man, but when a gorgeous innocent woman attends a try-out class, she manages to leave him weak in the knees…”

Wc: 4.3k

Tropes: boxer!Harry x innocent!reader

Warnings: mentions of violence and SA

A/N: hello everyone! This is my new series NFWMB, named after one of Hozier’s most horny songs😄. I am so incredibly excited for this series omg it’s gonna be so good!!! If you don’t believe me, go listen to NFWMB and you’ll get a vague idea of what’s coming ;)

P.S. header = pov change

General Masterlist

Series Masterlist

Harry Styles was not one for regrets.

His life may not have turned the way he expected it to, but he was still proud of where he had come.

Being a professional boxer was a risky job, and Harry had known that when he had decided that it was going to be his career. But there was no other logical option. Harry was an exceptional boxer who was able to go pro at age 18, where he defeated a lot of men who were older and bigger than him.

It was his passion, it always had been. Which was something that was quite remarkable, especially to his closer family members, because Harry was anything but a violent person in his day to day life. He was quite reserved, and managed his temper very well. The years in the boxing ring did harden him quite a bit, his reserved nature developing into something more akin to stoicism.

Nevertheless, Harry loved boxing. It wasn't so much a fight to him, but more of a puzzle. Each opponent had its own made up riddle, and it was up to Harry to solve it as quick as possible. Much like a dance you learn the steps to along the way. A perfect combination of intuitive technique.

He hadn't planned on having to retire at the age of 27 already. It was supposed to be his peak; it had been for almost all boxers in history, and he was looking forward to how far he would be able to push his body during his prime.

He never got the opportunity to get an answer to those questions. A car accident got in the way.

He wouldn't have been able to stop it, he knew that, and he had forbidden himself from thinking about what could've happened had he not taken that specific road back home that horrible night. There was nothing he could do about it now, so there was no point in dwelling on it.

After a year of recovery, he was slowly able to get back into the rhythm of his old life again. Well, except for the boxing part. Knowing that his career in that field was over, he began thinking about some other options of his, and decided on fulfilling another dream of his: opening a gym.

He had always wanted to do it, but he always imagined to be retired by the time he would start on that.

Now, two years later, his gym was already in multiple locations, but Harry was still working at the first one he opened. He would visit the other ones every once in a while to see how everything was going, but he was mainly at the one nearest to his house. It was special to him, the place where it all started.

Despite running the place, and therefore not needing to be on location all the time, Harry was at the gym 24/7. He wasn't a personal trainer—wasn't really his style—but he would help people and teach self defense classes to women.

Every Thursday between 6 and 9, he would teach groups of ten women everything they needed to know on defending themselves from whatever threat they may run into. It was one of the things he was proudest of; the turn out at those classes. That these women put their trust in him, and let him help them become even tougher than they already were.

Tonight, after teaching the last group, Harry had gone to the bar with some of his friends. One of them was Sophie, a woman he had become friends with since she'd joined his self defense class. She was a great person with an impeccable sense of humor, and Harry was glad he had introduced her to Greg, his best friend. They were basically made for each other.

Harry had to admit that he envied his friend for the relationship he had. He was happy for them, but sometimes couldn't help but think that his lack of a partner was this one puzzle piece that would make his life even better. All in good time, he reminded himself.

"Hey," Sophie caught Harry's attention when she waved her hand in front of his face. His gaze shot to hers, eyebrows raised. "So, I was talking about your self defense class today at work. You know, promoting your business and all."

Harry chuckled at the cocky tone in which Sophie told her story, chin up high. He mumble a soft 'thanks', to which she grinned.

"You're welcome. Anyways, I have this new colleague and she seemed so intrigued by it, but she was too insecure about joining. I mean— she didn't outright say that, but I could just tell." She huffed, Greg rubbing her back. Sophie was a very happy person in general and wanted the best for everyone, this new colleague of hers included. Harry had the same habit, it's why he immediately suggested:

"Why don't you invite her along next week? A free try-out."

"But your try-out classes aren't for another two weeks." Sophie noted.

It was true. The self defense classes had become very popular, and since Harry taught them himself, he had scheduled one night of try-out classes a month. He was only able to take on so many people, but he didn't mind making this exception.

"She can join your regular class." Harry shrugged, and Sophie's eyes beamed with excitement.

"Thank you Harry!" She squealed happily, giving Greg a hug to channel her enthusiasm. "Oh, I hope she'll come along!"

"I'm sure she will." Harry assured her with a smile, and took another sip from his beer.

Y/N had never been one for risks.

She had never been the type of person to take the leap of faith, relying more on familiar feeling of security. Why risk hurting yourself when you could be safe and content?

It was the logic she had always operated with, the logic she had been taught from a very young age. Y/N had had a sheltered upbringing. Her parents wanted her and her little brother to be as safe as possible, and that was just fine to Y/N.

Her little brother was the more feisty one of the two, and his childhood consisted of a lot of fighting. It hurt Y/N to see the people she loved so much be so angry all the time, and it only motivated her to be as good as possible. She never drank, smoked, or went to parties. She turned in her homework early and got an A on almost every test. It did put a strain on her relationship with her brother, especially since Y/N's behavior would be used as ammunition towards him.

They still didn't talk all too much, but Y/N hoped that one day, she could repair that relationship again.

Moving a few towns away was a big deal for her parents, but the wonderful job she had gotten as a secretary at quite a prestigious law firm had made it all worth it. They helped her with moving into her apartment, but Y/N would regularly visit them on both weekdays and on the weekends. All in all, she'd had a safe, comfortable, content life.

Until a few months ago.

It was a Friday night, and Y/N had agreed to a date. One of the lawyers at the firm, Oscar, had been flirting with her ever since she started working there. Not wanting to be impolite, Y/N never outright rejected him, and so the flirting continued. She was a bit uncomfortable about it — especially since he was nearing his forties and she was only 23 — but figured the banter was part of the job. She was so shocked when he did ask her to go on a date, she said yes.

It wouldn't be too bad, she figured. She would just go on the date and tell him she wasn't interested afterwards. It could be casual, and no one would be too hurt. The date was definitely out of her carefully moderated comfort zone, but she would step out of it for one night.

The date was fine. Like she had expected, she wasn't interested in Oscar in a romantic way. Still, she listened to his stories, laughed right on cue at all his jokes, and told some of her own anecdotes as well. The dinner was great, and he even offered to walk her home.

They were nearing Y/N's apartment when Oscar had suddenly slowed down his walking pace. She only noticed when she was a few feet away from him, and walked back to where Oscar was standing.

"Are you okay? We're almost there, I promise." Y/N smiled politely, much like she did in the office. Oscar didn't say anything in response, only the corners of his mouth quirking up ever so slightly.

"You're so beautiful, do you know that?" He  complimented her, and Y/N looked at her feet, not quite knowing how to handle the flattery.

"Thank you." She said softly, and froze when Oscar's fingers tilted her chin upwards. Her eyes widened when he suddenly leaned in and put his mouth on hers. After the first few seconds of pure shock slowly passed, Y/N pulled her head back.

Not getting the hint, Oscar grinned and leaned in again, this time with both his hands on her face. Y/N let out a yelp, stumbling backwards. Her body's alarm bells were ringing so loudly, but Oscar must've been deaf to her body language because he backed her up against the wall and kept kissing her.

Y/N cried out as she tried to push Oscar off with her hands, but he only grabbed them and pinned them above her head. Finally, not knowing what else to do, she lifted her knee and kicked him right in the crotch. Oscar shot backwards, groaning loudly as his grip finally loosened on her. He looked incredibly angry.

"What the fuck?!" He bellowed, standing up straight again. Y/N's lip quivered, tears running down her face.

"You wouldn't stop." She said softly, almost in a whisper. Her entire body was shaking from the adrenaline. Oscar's mouth opened to say something, but the conversation got interrupted.

"Oscar!" A woman's voice shouted from down the street. He turned his head, and his face morphed from sheer rage into a lovely smile, the same one he always put up for Y/N back in the office.

"Sophie!" He said, but the mention of her name sounded strained. Sophie... Y/N recognized her name, but she hadn't ever met the woman. She was one of the three female lawyers at the firm. Had been working there for only five years, but her reputation was so badass, everyone knew who she was.

"What are you doing out tonight?" Sophie asked as she gave Oscar a hug, and turned to Y/N. "Who's this?"

"This is Y/N." Oscar replied. "She's a secretary at the firm."

"Nice to meet you." Y/N extended her hand, and Sophie shook it.

"Nice to meet you too! How come I've never seen you around?" She tilted her head.

"I— I work on a different floor."

"Well, I'm glad I met you, Y/N!" She said, the kindness in her tone being a real comfort after that scary moment she just had to live through. Somewhere in the way she said it, and in the way her eyes softened slightly, it almost felt like Sophie knew.

"I— I should go. It's getting pretty late." Y/N decided that this could be her sweet escape.

"Right, I'm gonna bring Y/N home." Oscar said, and your eyes shot to him. Anxiety filled your lungs until all you could breathe was fear. You didn't want to be alone with him. You had no idea what he would be able to do to you. What were you going to do about it? You weren't even half as strong as he was.

"Oh, which way is it?" Sophie asked, turning to Y/N, who was about to open her mouth but got interrupted by Oscar.

"That way." He pointed toward the direction of Y/N's house. Sophie side eyed her colleague, then nodded.

"Exactly the way I was going! Let's go." She hooked her arm into Y/N's, and began walking, ranting about how it was unacceptable that they didn't work on the same floor.

Y/N wordlessly nodded along, filled with gratefulness to Sophie or the universe—or both—for not leaving her alone with Oscar again.

She got home safely about five minutes later, not daring to look Oscar in the eyes as she hugged him and said goodbye, and she only allowed her tears to fall down her cheek when she closed her front door.

Y/N spent the rest of the weekend in bed, not in the mood to do anything. By Monday, she felt both better and worse. She had had some time to come down from the shock of what happened, but the terror that filled her at the realization that she was to see Oscar again, had her stomach turn. On Monday morning, she even got into work late as a result of a wave of nausea that hit her once she'd grabbed her keys, spending the time she used to drive to work to puke her guts out instead.

Later, she'd found out that Oscar had called in sick that day. It gave her some time and space to breathe. Sophie visited her the same day, and she hadn't stopped visiting since.

Oscar did eventually return to work, but they never talked anymore. Y/N didn't dare to look him in the eye, and she avoided him at all costs. One day, about two weeks after everything happened, she did see him waiting by her cubicle, but she hid in the toilet for half an hour and by the time she returned he was gone.

It had been two months since that horrible event, and Y/N had entirely isolated herself. Back to the normal routine, back to what was familiar. It gave her a sense of control. She was fragile, and sensitive. She had just pressed down her sadness and anxiety that lingered as a result from the date, and instead focused entirely on what she could control.

She figured it would be easier. Well, except for the mental breakdowns she'd get when something small didn't go right. The dishes not being cleaned, her vacuum not taking up every speck of dust; it just set her off. It wasn't healthy, but she had no idea how else to deal with these things.

When Sophie mentioned she was following self-defense classes a couple weeks ago, Y/N's ears had perked up. She tried to be subtle about it; asking questions to pry some information about the classes from her. But, being the amazing lawyer she was, it didn't go over Sophie's head, and before she knew it she had an invite to a class.

"See you next week!" Harry exclaimed as the last of the women from the 7pm class left the room. He was still busy putting everything back into place before the next class which would commence in about five minutes.

He was just about done with everything when Sophie walked in, another girl walking in close behind her. Harry couldn't really make up her face, as she stayed closely behind Sophie, even upon nearing him.

Sophie looked proud, probably feeling very accomplished about the fact that she had been able to convince this colleague of hers to take her up on her offer.

"Hey!" She greeted Harry cheerfully, giving him a quick hug. He was still smiling when he turned to the woman standing next to Sophie. His mouth went a bit dry when he took in her face.

"Harry, this is Y/N."

For starters, she was a bit shorter than Sophie, and quite frail too. Her hair was up in a ponytail, leaving her features to be admired out in the open. Her eyes were soft—radiating mostly insecurity at the moment—and wide. Those Bambi eyes and plump, rosy lips...

She looked so... innocent?

He wasn't sure if it was the right word, but he was sure that he had to say something before the silence became too long.

"Hi Y/N." He repeated her name, seeing the slightest flicker of surprise run through the eyes of the woman in front of him. But the slight relaxation of her body told him that his usual trick was working. It was a typical 'strategy' that he would often use with people who were a bit unsure about him. His voice would soften, he would always wear a hint of a smile on his face, and he'd repeat people's names to create a bit more of a familiar environment. It always worked, and he was glad it did. He never wanted anyone, especially a woman, to feel uncomfortable around him.

"Hi." The corners of her mouth tugged up.

Angel.

That's all he could think of as he looked at her. Jesus Christ, she was beautiful.

"Thank you for joining the class. You don't have to join in on everything if you don't feel comfortable. Just observe and see if this is something you would like to practice more often, okay?"

The girl in front of him nodded intently the second he had finished talking. Her eyes widened ever so slightly before she peeped out an, "okay."

Harry grinned, his gaze shooting to Sophie—who was looking at him with this suspicious look on her face that she only got once in a while—before calling everyone in a circle and commencing the class.

This girl, Y/N, turned out to be a real distraction for him. He was so focused on trying to read how she was feeling that he trailed off during explanations a couple times. It was embarrassing, really. He was a grown man for God's sake, why couldn't he just concentrate?

Y/N only joined in for a couple of the basic movements, but she stayed back for most of the class. Her big eyes observed every movement Harry and the others made, impressed with how developed everyone seemed to be in their techniques. He noted that it only seemed to make her more timid, though.

His eyebrows kept knitting every time he looked at her, getting lost in his thoughts on how he could help her become more comfortable in his class. She'd caught his stare about halfway through the class, and at the way her eyes shot to the floor he realized that his gaze was actually doing the completed opposite of what he wanted to do, which was help her.

When the class ended, Harry gave his usual speech about how good everyone had done their job, and that he would see them all next week. Afterwards there would always be a couple of women hanging around to ask questions, and he would stop a few on their way out to compliment their improvements. When the rest of the women had left, Sophie walked up to Harry, Y/N following closely behind.

"Great class, Styles. Thanks for teaching me some ass kicking again." She teased, smiling at him before she took a sip from her water bottle.  Harry chuckled, shaking his head faintly.

"Glad you liked it." He turned to Y/N. "What about you?"

Her cheeks started heating up, mouth falling open ever so slightly. "M— me? Oh, uhm, yeah, pretty good."

"I'm going to use the bathroom really quick, I'll be right back." Sophie chimed in, and began walking towards the door. "Keep her company for me, will ya Styles?"

Harry almost laughed at how Y/N's eyes nearly popped out of her sockets at Sophie's announcement. She was nervous around him, and it was quite endearing, but she didn't need to be. Although it was very cute, Harry wanted her to be comfortable around her.

"You hated it, didn't you?" He said as soon as Sophie was out of sight. Harry was amused, watching Y/N scramble for words when she realized what he had said.

"What? No, no of course not! You're great! Teacher— you're a great teacher, I mean." She stumbled over every last one of her words, making it sound even less convincing than it already was, even though she did really mean it.

Harry solely raised his eyebrow, indicating that he did not buy any of that, and it was all it took for her shoulders to slump and a little sigh to leave those pretty lips of hers.

"It's really not you, I promise. I just get... a bit nervous in group settings, especially when it comes to sports. I don't even go to the gym." She confessed, and Harry nodded. That certainly made more sense. His heart warmed a bit at the fact that she reassured him that he wasn't the reason she wasn't liking the class all too much.

"Why don't you go to the gym?" Harry asked further, his tone soft. He didn't want to press too much, but he did want to know more about her.

"It's... embarrassing." She shrugged. Harry chuckled.

"I go to the gym all the time. I mean, I own this one. I can only imagine how embarrassing I must be."  He joked. He had to say he thought it was pretty funny, the way she blushed as he teased her.

"No, I didn't mean it like that! You're not embarrassing at all— I mean, you’re like the opposite. You're lean, and strong. You have like— big arms and you know what you're doing." She ranted, and had no idea how much Harry's ego was fueled by the compliments she was unknowingly throwing at him. "Whereas I— I have no idea what to do at a gym. I hate the idea of people being able to watch me and judge me if they want. Not that I think everyone's focusing on me all the time! I— I don't think that..."

Y/N's heart was racing as she finally got herself to stop talking. It was a nervous habit she had always possessed. As soon as something got awkward, her mouth would open and it would just never shut again. All communication skills flew out the window as soon as something — or in this case someone — made her nervous. She couldn't even remember half the words she just said.

"I can teach you, if you want."

The offer was as unexpected to Y/N as it was to Harry. He hadn't quite anticipated the words rolling off his tongue, but he didn't regret them either.

"It'll be a private class, and it can be in a closed room, like this one, or after closing time. Whatever suits you." Harry tried his hardest to sound casual, and not like what he was offering was something he literally never did. He had to hire a cleaner at home because he was too busy to get around to cleaning the house, that's how much he had to do. But the prospect of losing even more free time did not seem to bother him at all. In fact, he hoped Y/N would take him up on his offer as he scanned her face and waited for her to say something.

"No, I wouldn't want to ask that of you. I'm sure you're busy with a lot of other things." She declined politely, but he didn't miss the glimmer of hope in her eyes. Those private classes had sounded intriguing to her, he just knew it. So instead of accepting her rejection, he shrugged.

"How about this. I'm always in till late on Tuesday's. If you're sure you don't want private lessons, that's fine. But if it does sound like something you want to do, just be there at 9. I'll be there either way." Harry suggested. He didn't wait for a response — hearing Sophie's footsteps nearing — and instead said,

"Just think about it, alright?"

Y/N merely nodded, not even able to croak out a 'yes' before Sophie walked back into the room.

"Okay, I'm ready to go. Y/N?" Sophie asked, watching as her friend agreed and grabbed her things before walking towards the door where Sophie stood.

"Thanks for the class." Y/N turned around and smiled at Harry, throwing him a small wave as she started following Sophie out the door.

"Anytime." He winked at her.

"Bye Styles!" Sophie shouted, her keys clinking as she waved at Harry, behind her.

"Bye Soph." Harry called out, his eyes still transfixed on the girl behind his friend.

He didn't take her eyes off her as they walked towards the exit, taking in every detail of her delicate body as she moved further and further away from him. She was painstakingly beautiful. How had she just walked in? As soon as the girls disappeared behind the door, Harry let out a big sigh.

"Fuck." He murmured under his breath.

He really hoped Y/N would take him up on his offer. Harry had very quickly and very suddenly developed this intense need to help the girl, and that couldn't mean anything good.

Maybe he'd never see her again. She did sound very unsure. Besides, who said that she even wanted to go to this class? For all Harry knew, Sophie could've just used her manipulative convincing tricks, and Y/N, the polite angel she was, would've felt too bad to decline. Maybe, she thought he was an ass and didn't want anything to do with him.

In spite of the countless theories flying through his head, he knew that she wanted it. He had seen it in her eyes. She did really want to join the class, she was simply too nervous. But whether she would take him up on the offer, that was the question. He'd have to wait until the following week.

Strangely enough, he couldn't wait until it was Tuesday. He couldn't wait to find out…

[h-worksrambles]

HUGE endgame spoilers for Expedition 33 below. Do not read if you haven’t completed the game.

The most heart wrenching thing about Clair Obscur’s ending is that no matter what you pick, the whole scenario is set up so that someone gets screwed over. Maelle and Verso’s respective traumas have shaped them in such a way that their ideals are completely at an impasse. To side with one is to rob the other of agency, even if it may well be doing what is best for them.

If you pick Verso, he is finally freed from the shackles of his immortality. Remember not only was this entire Canvas made specifically for him, he isn’t even truly Verso. And he’s been trapped in that existential nightmare for too long. Bound to memories that he knows aren’t his. And we finally let him claim agency over his mortality and let him go out on his own terms. But at what cost?

The Dessendres, as an outlet for their grief, made an entire world of living, thinking people, and consigned them to a ticking clock apocalypse because they got caught up in their creators’ family drama. And you’ve spent dozens of hours in this world connecting with it, coming to love these characters and fighting to give them a future. And just when it seems they finally have one, Verso takes it away. To take Verso’s side is to agree with Renoir, that this painted world isn’t real and doesn’t matter.

I love that the game makes you linger on every member of your party as they Gommage. Monoco and Esquie have known Verso longest and they saw this coming. They simply hug him and fade away without complaint. Sciel, despite how hard she fought to save this world has had enough experience with death to understand why Verso did what he did, and wordlessly empathises with him. But Lune? She just sits there. Coldly. She doesn’t offer sympathy. She doesn't offer forgiveness. Because Verso lied to her. Again. Despite getting attached, he stabbed everyone he’s come to bond with in the back (and those were relationships you developed and fostered as a gameplay mechanic).

And what about Maelle? Yes, rationally, this is the correct choice. Leaving the canvas gives her a shot at healing. And at Verso’s funeral we can see glimpses that maybe the fractured family has a chance to reconcile. But we have to rob Maelle of all agency. To force her back into a world of pain, consign her to a life altering disability. Maelle treasures her family as both Alicia and Maelle equally. But she is ultimately giving up a family either way. Her birth family or her painted one. But she didn’t even get the luxury of choice, after we just fought so hard to give her the agency her father denied her. So we basically sacrificed the very world we fought to save, just for the slim chance that Maelle might get therapy.

So does that make the Maelle ending better? Unfortunately no, because Christ this is a horror story (and the one I got on my playthrough). On the one hand, it seems like the one where everyone got what they wanted. Gustave, Sophie and all those who Gommaged are restored. All these people whose chances at life were stolen from them by the machinations of the Dessendres get a chance at life. And Maelle has clearly given Verso the ability to age, so he will one day die as he wishes, but can live a full life until that happens.

And yet, we come back to that point. The Dessendres are basically gods to the Canvas. That fact can never be put back in the box. Maelle’s relationship with her loved ones will never be the same. However much she loves them, however benevolent her intentions, they’re always going to puppets playing out their existence to make her happy. Letting Verso age might be a kindness in the same way sending Maelle back to her family was, but in the same way, it strips him of any agency. He’s literally performing for her on a stage. Symbolic of how that power dynamic of Painter and Painted will forever linger over them. She will never truly have her brother back.

Furthermore, that (absolutely terrifying) smash cut to Maelle with painted eyes like the Paintress shows the true horror of this. If choosing Verso meant validating Renoir, then choosing Maelle calls Aline to mind. Maelle, like Aline, is left drowning herself in a dream, chasing catharsis in a world she controls. It’s a gentle rule, but a rule nonetheless. She will always be a god, and her found family will always be her creations, and that may well drive her to lose herself as it did her mother.

Verso’s ending was a cruel vivisection, one where the treatment was arguably more extreme than the result. Cutting everything away chasing an uncertain future. Maelle’s ending preserves life, but offers only stagnation. Even after defeating both Aline, and Renoir, both Maelle and Verso were ultimately shaped by their parents, and repeat their perspectives. Even at this final choice one that is theoretically theirs without their parents’ influences, they can’t shake off their legacy of grief and pain. As such, there is no golden ending for these two traumatised souls. It’s too late for that. There is only cruel necessity or gentle delusion.

Both endings come with their share of disturbing implications, and both can make sense to a player at the time. A player might agree with one of the two in the moment but be horrified at the consequences. Like Verso said ‘we’re all hypocrites’ none of these choices are pleasant. The Dessendres’ grief, and the lives they toyed with as a result, will have consequences one way or another.

Ultimately, I would pick Verso’s ending as the lesser evil, if only because it offers some kind of hope that SOMETHING good may come with this. Maybe the family really can move on. Maybe tomorrow will finally come, as the game’s been constantly saying. But you as the player, are still gonna have to carry the weight of Lune’s cold, judgemental stare. Remember how much you threw for even the slimmest chance at another outcome. Is that arguably better than leaving Maelle to a prison of her own making, to nothing but stagnation? Maybe, but that doesn’t make the alternative any less pleasant…

Verso’s ending left me at least hoping that something good may come from it, while wondering if it was worth the cost. Maelle’s ending left me hollow, realising that nothing good could come from this.

Clair Obscur’s ending is definitely hitting notes I’ve seen in other stories and even other RPGs. The need to accept suffering as an inevitable part of life and not hide away from it in fantasy. The fact that the first step to moving on from grief is acceptance. The way parents shape their children and how crucial it is to let them make their own decisions. How easy it is to cling to control after grappling with loss. But the way it leverages the player’s attachment to the world and people of the canvas makes for one of the most thoughtful examples of that narrative. Even if the people of the canvas aren’t ‘real’ they’re still people with hopes and dreams and rich inner lives. And the fact that their only options are oblivion or to forcibly play house with their well meaning but misguided teenage god is a horrible prospect.

Clair Obscur is about grief. It’s about its cyclical nature. About how if we don’t learn to move on from it, it will ripple onwards to our children. But it’s also about how grief causes us to affect the world around us. The horrific cruelty of the canvas’ fate (Verso included) reminds us how we can end up treating others when we’re blinded by our own inner demons.

It’s a brilliantly done conflict to wrap up a brilliantly made game. And one that will likely go down as one of my favourites.

[cj-the-random-artist]

Ok so I made some more refs for like, after many years of marriage Lambert and Narinder from my AU, it took a long time for me to get these to a point where I liked them but I have these loosely finished now?? Here's some thoughts about these:

For Lambert, I basically wanted them to look like they had put effort into being more presentable. Previously they seldom wore a shirt and didn't really bother putting too much effort into their appearance and dressed purely for function. I kind of figured that at some point, they'd make an effort to dress more presentably, in part because they kind of think if they look more confident maybe they'll feel more confident. Which turns out to be a viable strategy, evidently, at least for them. I also picture them growing out their wool, again for the sake of presenting in a way that makes them feel good.

For Narinder, I made a few changes, but I wanted his outfit to mostly resemble his previous one, save for the fact that he has longer sleeves now. The biggest difference is mostly the fact that I want to suggest that he's a bit healthier later into the AU- he's reached a better weight, and his fur has grown out quite a bit, and he no longer feels shame for his scars and stuff. I also gave him a kind of like... Howl-esque coat look?? I don't think I ever posted this doodle, but I dressed my Narilamb as Howl and Sophie from Howl's Moving Castle for Halloween, not for any real reason, but I loved how Narinder looked in the coat, so I kind of borrowed that silhouette for this design lol. Also the crown was Calcifer I guess?? Idk, it kind of makes sense but kind of doesn't. But anyways, here's that doodle-

But yea. At some point I think it would be neat to make "future" designs for the Bishops and Goat as well, but we'll see how things go. But I wanted to post these now that they're kind of sort of done.

That said, please enjoy these silly little designs because idk when I'm gonna get to making more comics of this AU again but hey I'm just having a good time over here making mediocre sketches lol

[kkoga]

DO IT. DO THE HURT NO COMFORT. PLPSLSPLSPSLSPLS I LOVE ANGST!!!

-🎧

A/N : your wish is my command....

RAINY NIGHTS, sophia laforteza x fem!reader

Warning ! Hurt no comfort, toxic relationship, mentions of sensitive topics, not proofread

Disclaimer ! Everything written here is pure fiction. Every person is not a real portrayal of themselves.

Now playing ! Cologne by beabadobee

WC — I dont knkw bruh i wrote this and its 3 fucking am im not mentally sane lawl phones also 7 percent.

Synopsis ! After Sophia Laforteza fucks up multiple times, Y/n decides she's had enough. Time and time the girl had waited, but much to her dismay, all Sophia had done, was disappoint her.

Y/n shamefully exits the restaurant, feeling dozens of eyes on her. The girl had been waiting for her girlfriend, Sophia Laforteza, to show up to a date they've been planning for weeks now.

The first hour wasn't so bad. Maybe she had gotten stuck in traffic, or maybe she would be just a little late. The second hour was worse. At that point, waiters and waitresses had started asking her where her partner was. And what Y/n hated the most, was the fact that she had no answer to their questions.

Now here she was, after the fourth hour of waiting. It was currently 12 am, and much to the girl's luck, it had just started raining.

The girl could only sigh.

"What a great marvellous day! Not only does Sophia leave me waiting for our date, it starts raining right after I get kicked out! Absolutely hilarious!" Y/n mumbes to herself, tears beginning to well up.

"Maybe she just forgot. I mean, she's busy afterall..." The girl tried her best to convince herself that this was going to be a one time thing.

She was wrong.

Y/n bites her inner lip. It has been 2 hours since their designated sleepover. It's been weeks since Sophia had gone over to her house. So they'd been planning for a movie night. And tonight was that night. So why exactly has Sophia been ignoring her calls?

Y/n presses the call button once more, but to no avail, she was met with Sophia's voice mail for the nth time.

The popcorn was starting to get cold, and the ice cream was starting to melt. Y/n sighs. It's been two hours. Maybe she got caught up in an emergency schedule?

"Couldn't she just have told me...?" Y/n shakenly whispers to herself. This was the fourth time Sophia had stood her up this month alone.

Y/n begrudgingly placed the ice cream back in the fridge and seals the popcorn in a random container. The sound of rain keeping her grounded.

"It's okay. This will be the last time this happens."

Finally. Sophia had finally shown up to a hang out. Y/n had been waiting for the past month. The girl had greatly missed her girlfriend, and she hoped Sophia felt the same.

"Sophie! Hi!" Y/n ran up to Sophia, and hugged her as tight as she could. Afraid to let go, scared she might lose the one person able to cheer her up with a simple smile.

"Y/n! Baby! Hi, i missed you so much." Sophia hugged the girl back, and for a moment, Y/n thought,

"Finally. We're back to normal. Oh god, how I've missed my girl."

Y/n couldn't help the small but sweet smile that had formed.

It had been an hour since their hang out started, and apparently, Sophia had to go. Y/n felt sad, but knew it was her job, her dream. And Y/n would never get in the way of that.

As Sophia entered her car, Y/n bid goodbye to her girlfriend.

"Bye Sophie, miss you, and i love you." Y/n leans down for a cheek kiss, almost missing the unreadable expression Sophia had on her face.

"Yeah, bye." And with that, Sophia drives off to god knows where.

"No i love you too...? No... maybe she just forgot. It's fine." And suddenly, rain had started pouring. Y/n quickly ran for cover, but couldn't avoid looking like a somewhat wet puppy.

It was infact, not fine. It had been three months since that little mini date, and Sophia hadn't said the words "I love you". Atleast not without Y/n basically telling her to.

What went wrong? What did Y/n ever do? Did she offend Sophia? Did she do anything to form this... this gap between them?

Y/n felt so lost. So... confused. She was so sure she hadn't done anything. At least not anything she could remember. Well, she was going to find out tonight.

The door opens widely, in a swift manner. And in comes Sophia, sick and worried.

"Y/N, BABY, ARE YOU OKAY?? I came as soon as i got the text, I—" The panicked Sophia came in, expecting to see an injured or sick Y/n. But all she had found was Y/n sitting on the chair of one of her counters, with a stoic look on her face.

Sophia's breathe was heavy, like she had ran to get to Y/n's apartment.

"Why are you completely fine? You texted me it was an emergency Y/n, I was busy—!"

"Well, you always are, aren't you?" Y/n looks up to Sophia's eyes, and frustration begins to fill the Filipina.

"Excuse me? You know I'm constantly busy. For fucks sake, I'm an idol! You can't—"

"I know. I know what I signed up for, Laforteza. I know I'd never get in the way of your dreams. You would never even let me." Y/n gets off the stool, and faces her girlfriend.

"So what's your point! What, you call me here because you missed me? I was in a fucking meeting Y/n. With one of HYBE's officials!! Do you know how fucking important that is?" Sophia scratches her head in disbelief, her anger bubbling up faster than it ever has. Y/n sighs defeatedly.

"More important than me?"

Silence filled the apartment. What felt like hours were only a few measly seconds.

"The silence was more than enough, Laforteza. I'm tired. I am so fucking tired of you leaving me hanging. At first, it was a date here, a date there, but nowadays, it's like everything we plan just ends up with me waiting."

"But I'm trying Y/n! I'm trying my best for you, for my members, for my fucking dream. Why can't you just understand that?"

"Then answer this, Laforteza. When was the last time you had told me the words "I love you"? When was the last time you had willingly told me those three words."

Sophia tried to recollect, the Filipina had really tried her best. But the realization had hit her hard.

"Fucking THINK Laforteza. Give me a goddamned answer. When was the last time you had given me a sincere, loving, "I love you"?... ANSWER ME!"

"I... I can't remember...." Sophia had started tearing up. Why couldn't she fucking remember the last time she had said I love you to her own fucking girlfriend?

Y/n let out a laugh. But it wasn't the usual light and hearty laugh Sophia had always heard. This laugh sounded painful. It was like all of Y/n's vocal chords had suddenly forgotten what a laugh had sounded like.

After a few seconds, Y/n's laughing had turned into sobs.

"Do you know how many times I've had to shamefully walk out of a restaurant, or get kicked out? Sophia, everyone looked at me. Their eyes were so full of pity. The waiters and waitresses constantly checked up on me like I was some poor child, left behind by her mother. Countless times, Sophia. I endured it all, thinking it would be the last time."

Y/n's voice had started cracking, and the girl had made a face Sophia had never seen before. One filled with so much sadness, so much sorrow.

"But time and time again, you proved me wrong. Every date you stood up, every "I love you" left unanswered, destroyed me, Sophia."

"Baby... baby I'm so sorry, please—" Sophia tries to move closer to Y/n, but the girl pulls away.

"Don't. Don't ever call me baby ever again. You don't get the fucking right, Sophia."

"I'm so disappointed in you Sophia. I never thought you'd ever treat me this way. Your career may have excused a missing date or two. But seven in a row? Sophia, we've gone on three total dates for the past four month's. And we had planned seventeen. Seven fucking teen Sophia. You stood me up fourteen times, and that's only for the past four months."

"I.. please I'm so—"

"So let's end this."

"...what?"

This felt so surreal. Y/n had just asked her if they could end it. Sophia had felt her whole world crumble. She caused this? Has she really broken down the one person who had supported her through everything?

"No.. no, no we aren't. Please, just give me a chance to—"

"No, Laforteza. Get out. We're over."

Sophia laughs, hoping this was some sort of wicked sick dream.

"We aren't over Y/n. Please, I just—"

"We've been over for the past seven months, Laforteza. What we've had for those last few months was just me trying to keep us both on the same page. But a relationship requires two people. We can't keep going if your heart isn't in it, Laforteza."

Sophia couldn't help it. Her tears had burst out like there was no tomorrow. The girl hadn't cried like this for a long, long time.

"But.. but I need you Y/n, please..." At this point, the Filipina had gotten on her knees.

"No, you don't. Hell, you don't even want me. You just think you do. So please, get up and leave, before I say things I don't think I can take back."

"I can't just leave!"

"Yes you can. Leave. For the both of us, Sophie." The mention of her nickname was driving Sophia crazy.

"But I fucking love you Y/n!" .

Y/n looks at Sophia with a tired face.

"Do you really?"

Sophia looks at Y/n. A look of desperation displayed on her pretty face. Y/n hates how she's never going to see that face ever again. Hates how she's never going to kiss that pretty face to sleep ever again. Hates how those soft and comforting arms will never comfort her ever again. Hates how she will never wake up next to the love of her life ever again. Hates how Sophia will never be hers ever again. But she was okay with that. She knew it had to end one way or another. It was better this way.

And so, after more back and forth conversations, Sophia reluctantly leaves. Sophia closes the door, and Y/n locks it right after.

Y/n will never open up her heart for Sophia ever again. And the latter knows that. They were over. They were really over. Neither could believe it. The two fall to their knees, on opposite sides of the door. The sound of heavy rain masking the others cries.

Guess rainy nights were never their thing.

[ashen-ambrosia]

I'm saddened by Siuan's death, but thought it was the most likely outcome since before Season 1, when they cast Sophie Okonedo. She's an extremely in-demand actor and the show has struggled with scheduling difficulties with her in prior seasons. It seemed certain that they would choose this moment to have her exit the show rather than continue on in a supporting role. I also think the show has been setting up to this all season, especially with her increased presence this season compared to the two prior, it definitely pointed to it being her last.

I expect that Siuan's remaining book storyline will largely fall on Leane. She and Siuan basically form a tag team for the rest of the series anyway, she was notably not killed, and she has ample reason to continue on the same path she and Siuan traveled together in the books. As much as she's been a part of the overall greater presence of the White Tower in this early part of the series Leane in the show has notably been held back from having much of an arc or any development at all beyond "Siuan's kind of bitchy assistant" (contrast Alanna, Liandrin, and Verin who have all been expanded) and I think this is the moment they have been planning for to have her character expand and grow.

[laser-tripwires]

At what point do you think Eliot fully trusted each member of the team? Do you think Sophie was the last, given what happened at the end of season 1?

i think people get the meaning of that line wrong, where eliot implies he doesn't trust sophie. to quote john rogers on the matter:

and yeah, exactly. i think the same basic principle applies to the rest of the team. eliot is never going to trust any of them fully - that's not his job. his job is to backup, is being a failsafe, and that means having some working knowlege of where everyone is likely to slip up.

heck, look at the R2 finale. that plays out how it did precisely because eliot didn't trust sophie, eliot knew she was at risk of cutting arthur way too much slack. it's not a personal slight on sophie; he just knows her. he knows all of them. knows their strengths, knows their weaknesses, knows who he can lean on for what. sometimes they surprise him - but you have to remember that on the whole, eliot is an extremely emotionally intelligent character. he's pissed at sophie at the end of season one, and to be honest it's justified - but what it does is inform the limits of what trust he does have in sophie, and that's important. prior to it, it's not that he did implicitly trust her in those areas - just that that was yet to be decided. part of getting to know people is filling out those blindspots.

that said, i think there is definitely a period of time wherein eliot's still growing into working with a team. but by the time events hit the point in the show where things truly are down to the wire, he's got the beats of everything down. look at how neat and tidy his plan is in the zanzibar marketplace job - look at what he offers to do in maltese falcon - look at just the WHOLE of gone fishing, and the fact that he doesn't cut and run as other events in season three progress.

[klaramarieleblochova]

I don't know if y'all noticed, but Colin Bridgerton is a match-making mamma!

In season 2 he pushed Anthony and Kate together, when he knocked Kate's ball next to Anthony's. And he did it with a SMIRK.

In Benedict's story he told Benedict to get his shit together and marry Sophie right away, no matter her status.

In Francesca's story he told Michael basically the same thing.

In Gregory's story he literally sat in a tree by Greg's side, spying on his brother's match.

The mammas should give him an honorary doctorate at this point.

Too bad bitch is so blind to his own match, lol.

[xxgothchatonxx]

So, I watched Joker: Folie a Deux, and i enjoyed it... but, oh boy, is this gonna be divisive...

The cinematography was still great, Hildur's score was hauntingly gorgeous, and the musical element plays into the theme of fantasy vs. reality.

This film gets meta as fuck because I'm pretty sure I heard every single "yikes, you missed the point" argument for and against the 2019 film said in this sequel. Yes, the fans who clearly didn't get that Arthur descending violent madness was a BAD THING... and the critics who clearly didn't get that Arthur was a damaged, abused victim and just saw a violent maniac. And judging by the "haha, fans are gonna hate this film, stupid incels!1!1!" reaction from the same critics who hated the first film... looks like they still don't fucking get it! Because the film "hates" them too! Does Todd Phillips have to literally pause the film and explain the plot a la Hitchcock- actually no, they still wouldn't get it.

Also the bit about court trials and the media not giving a shit about the actual people (ESPECIALLY the victims - that whole bit with Sophie made me go "wow, Harvey, you're a piece of shit") and just wanting sensationalism? Totally not relevant now(!)

Soooo... yep, depressing, kind of a chaotic mess, but I thought it was a pretty solid film. And a fascinating and hilarious meta analysis that's basically a PSA for media literacy.

[thieves-never-say-die]

Weekend in Paris Watch-Along

A summary of everything talked about in the Weekend in Paris watch-along, video here, with Dean Devlin, John Rogers, Aldis Hodge, Christian Kane, and interviewer Brittany Catallo.

Under the cut because it is long.

First question: how do you feel the latest season of Leverage: Redemption is relevant to audiences?

John: [sarcastic outrage] How is a show about evil oligarchs relevant!? I can’t-!

Everyone laughed, and Dean said Leverage was always a show that predicts the future, like The Simpsons, and he specifically mentioned The Mile High Job when Hardison hacks the plane remotely, and The Jailhouse Job which was about the prison industrial complex. At the time of writing those episodes, neither of those things had been done/talked about yet, but soon after the episodes aired both of those things became major news stories. 

Dean said the difference this season was that Leverage was actually meeting the current moment, but in the show the good guys win.

John interjected that the good guys can still win! The only time anything is guaranteed is if you give up and accept it will just happen, otherwise the future is always unwritten.

Aldis: So basically Leverage is laying out the blueprint? We just need someone out there to follow it?

John: No! Do not send John Rogers to a foreign prison because you were inspired by something on Leverage!

Q: What can viewers expect this season coming off of last season?

Dean talked about how this season they got to see a whole new side of some of the characters, and get to explore some interesting arcs. He noted that we will be going deep into Parker’s character this season.

John said it’s an advantage of having a show that’s gone on this long, we’ve gone on a journey with them, and the actors give some really nice character work.

John then explained that they chose Paris because they were shooting most of their exterior shots in Belgrade, which is where The Librarians: The Next Chapter is shot. 

The intro shot of the team moving throughout the hallway was all one shot that didn't cut, and the cast managed to get it in two takes because they practiced a lot. Everyone had a great time filming it, even if it was stressful knowing one small mess-up would make everybody start over.

When they wrote the scene they didn't have the set yet, and after John turned in the script to director Marc Roskin, Marc called John and said "this is impossible", to which John responded "yes! And that’s what makes it cool!”

It was a lot of exposition dump, but John knows Aldis is the best at it and could do it, which allowed them to use Hardison as the anchor character for that scene.

They talked about how everyone had to race around the set, specifically mentioning Beth scrambling to the top to hang through the vent. 

The set itself wasn't as big as it looks, it was a big T that they digitally extended and shot well.

John: The room was like “so it’s Scooby Doo” and I was very hurt, I was like “No, it’s a challenging heist sequence built around an impossible bit of geometry!” And the writer’s room was like “No, it's the Scooby Doo door bit, we all know what you’re doing.”

John pointed out how these characters are now all peers, in comparison to the original show, which means Hardison can give Sophie crap about her relationships in a loving way.

He also pointed out how everyone else is distracted by personal stuff, but Eliot is the only one who stays on mission.

The shot of the team running out of the auction house and into the van was a reference to The Long Goodbye Job.

John: You know, I don’t think many fans will catch it, but we’re basically giving them a horrible flashback to the most traumatic moment of their life.

Aldis: You got the wrong audience for that on this show, because they watch everything.

Dean loved that they went from this long, beautiful one-er to the best action scene they've ever shot.

They were able to film the whole car chase downtown in the center of Belgrade.

The idea of the episode opening in the middle of a busted con was something John wanted to do since the original run of the show but never got to do.

Christian came up with the bit of Eliot recognizing and lamenting the waste of expensive flour.

Christian and John talked for a bit about shooting the fight scenes, and Christian said fight scenes are like a dance, it's less about the violence as it is about working with your scene partners.

John learned from Jackie Chan to shoot fights along a fight line, which helps avoid having the fights all be close up shots of punches. He also makes sure to write Eliot fight scenes with fluidity in mind, because Eliot fights to control the space, not to win.

Aldis shot his line in the van ("how was your first day at school?") in New Orleans six months after Christian shot his reaction outside the van in Belgrade. 

When coming up with the bad guys for the episode, one of the Amazon execs said "you may have made them too evil," to which John replied "there's no such thing."

Q: What is the significance of Eliot getting seriously injured in this? What was the motivation behind that?

John wanted to make sure there was adequate build to Hardison's speech later, and talked about how Eliot can take a beating and keep working, and has taken a beating for ten years, but sometimes it's taken for granted. Eliot can handle business while injured, but it's a reminder that he's not bulletproof, and it gives the audience a visual and physical reminder of it for the end of the episode.

Hardison and Parker's waiter uniforms reminded Dean of the Season 1 finale of getting the Davids.

Aldis mentioned he gets nostalgia when thinking about where they started, how far they've all come since then, they had a good time and he misses that time.

John said that the bad guy of the week (Arizona Mike) was an example of the banality of evil. He's a generally likeable, smiley guy who has no idea he's a monster.

Sophie's alias Violet Cesario is a character from 12th Night, which is a clue that Sophie made the alias because she takes names from Shakespeare.

They needed the team to make fun of Harry's beard to explain why it was shaved by the end of the episode. John enjoyed writing Sophie giving him crap for it without even seeing it.

Q: Where did the evil water stealing hot sauce salesman come from?

John said that people always focus on Big Crime when writing, but there's a million mid-level evil dudes out there. The bad guy was based on a certain type of farming in California (which John won't name so he doesn't get sued), but no one ever goes directly into water, they get into it through other means. People have an idea in their head of secret office buildings in Vienna and backroom deals, but there's a lot of mid-level millionaires making people miserable for their own money.

Q: How much of yourself is in these characters, and how much have the characters influenced you?

Aldis said that he's part of Hardison more than Hardison is part of him. Since they've been filming Leverage for so long it allowed them to influence their characters more, especially when Redemption started they got to help plan the maturation of their characters and where they would be ten years later. His performance of his characters is made more natural when he puts some of himself in it, and being able to help build the characters helps with that as well.

Dean pointed out that Aldis filmed several TV shows and movies at the same time as Redemption, and mentioned how he would fly out on his days off just to be in a few scenes. Aldis' other commitments were much darker and more tense. Dean asked Aldis what it was like to come and be this happy character for a week?

Aldis: It was like a vacation.

Aldis continued and said that he enjoys his other work, but being able to come back and work on Leverage is a gift. Leverage is just fun, and gives him nostalgia for where they started, and it gives a strange sense of "we're really doing this?" Because he rarely gets to play a character with so much history, and it's a very different experience at this point in his career, but it's a joy to do.

In response to the earlier question, Christian said that a lot of himself has bled into Eliot, and a lot of Eliot has bled into him. Christian helped create Eliot, and Eliot lives inside Christian's body in a way no other character does. Christian didn't know it when he started, but Eliot is the character he came to Hollywood to play. He wanted a role that had action and heart, and said that the bad guy is usually more fun to play, which makes Eliot great because he is both the good and the bad guy. He doesn't feel like he goes to work, it feels like he's showing up to have fun.

John talked about how on a lot of shows, actors just show up to read the lines given to them and that's it, but on Leverage it's more like a jazz band, and the actors know how to play an instrument that the writers don't know. They give the actors the score but encourage them to make it their own. Over the years the writers have learned how to write to the actor's rhythms as well, and all of that helps sell the characters. This has also kept the characters from getting stagnant after 15 years because they're not just characters that live in the writer's heads, they come from the actors as well which lets them grow and breathe.

Christian can’t imagine what it was like to read the Leverage pilot for the first time, because when he thinks about it now he pictures the actors as their characters. They've worked together so long that at this point he knows how Aldis will improv a line.

The line "the law just sucks, now get in the hole" might be one of the darkest lines on the show, according to John.

Q: What was it like to work in New Orleans? How does that setting affect how the show is now?

Dean said they went to New Orleans because he'd had a great experience filming one of the Librarian movies there, and it made sense for them. The only original art form ever made in the US is jazz music, and it came from New Orleans. It was important to put the show in a place that is culturally so important to America, but is also such a huge place for art and corruption and bad guys and people who fight for good guys.

John knew Aldis and Beth would be able to sell the Eyes Wide Shut bit, and could make it creepy and weird, so he just wrote the bare bones script and let them have fun with it. Beth specifically did it as "this is Parker's idea of sexy", and he loved that because he never could've come up with it.

Dean asked Aldis what it was like to film the conversation between Parker and Hardison about wanting to do something different.

Aldis said it was a really important scene, because they've had so many years together and understand each other so well, they're very aware of the weight of what they'll miss together. It juxtaposes well with the previous scene where they worked together really well. They know they make each other better, but what does it mean for Hardison if his heart isn't in it anymore?

John mentioned that the technique of backtracking money laundering accounts is real.

John then talked about how they wanted to write Parker and Hardison, because they didn't want to do the typical shocked significant other plot line. When you love characters and love people you don't want anything to change, but life is change and the world changes all the time. Change is natural and it isn't bad, but it's okay to recognize that some people need to get off the train at different stops, but you still love them and are still with them. It was the same conversation they were having with the fans through the show. You don't have to abandon each other or stop loving each other just because people are doing different things.

Dean interjected to mention how much he likes how Christian played Eliot not wanting to be in this house, with these people, doing this con, all while injured.

John's favorite version of Eliot is when he's annoyed. They missed it earlier but the exchange between Sophie and Eliot ("Oh, sorry, I was focused on the terrorists!") was one of his favorites.

John: Eliot tough and scary is fine, but my favorite thing is when Eliot is annoyed with everybody.

Aldis: Everybody tunes in to watch him get annoyed.

Christian added that he loves acting annoyed, and Aldis is his favorite scene partner for that.

For Harry's scene at the fence with the tanker, everything past the fence was CGI, it was really just an abandoned golf course behind the building.

Q: How do you see comedy and its role in Leverage?

John said a big part of it was because he and Chris Downey started in sitcoms, and they didn't know any rules about "don't mix comedy with drama", so they decided why not have the corny flashbacks and the cool drama. Back when the show started it was hard to get the execs on board, they didn't really understand the tone, but they got it eventually. All the actors can hit jokes, and if you have actors that can hit jokes, give your actors jokes!

Dean said when they filmed the pilot he didn't know how funny Christian could be until the IT guy, and didn't know how good at improv Aldis was until they filmed.

John loved Harry's side-con here. It's not important, it's just a B-plot, he's having fun, we don't have time or that, it’s whatever you want it to be!

Christian's favorite scenario on set was when Eliot and Hardison were dressed up as cops (The Morning After Job), everything in the car and with the call they responded to was so much fun.

John said that episode was a Chris Downey episode, he wanted the comedy of them working together and told John to make the plot work.

John gave credit to Gina, how she masterminded the hell out of the episode, we get to see how terrifying Sophie can be. 

The fight with Eliot, Hardison, and the giant security guard was John's vision. He wanted the Cap/Bucky/Iron Man fight from Civil War, and finally got to write that sequence. Two guys fighting in sync, as a pair, who have known each other for 15 years, and know their rhythms. 

Christian said it's hard to coordinate a fight like that, but he and Aldis have worked together so long that they figured it out.

Dean loved that Hardison really went all in on the Vulcan neck pinch thing.

John: Hardison believes the Vulcan neck thing is gonna work, and Parker believes it's gonna work, and that’s what love is.

The interviewer asked a question about how Christian does his stunts, and he confirmed he does all his own fights, and as many stunts as John and Dean allow him to.

Brittany: Legally?

John: No! No, no, past that!

Dean hates that Christian does his own stunt. He'll tell Christian not to do something, and then get dailies of Christian doing that thing.

John: And then I get footage of Aldis and Beth running on top of trains! (The Big Bang Job)

Christian told a story of when they worked on The Office Job and were filming the scene on the roof. They had crash pads down, and after they were done filming Christian just jumped onto it without telling anybody. A few seconds later, Aldis followed.

John facepalmed at that story.

Q: Did you work with a lot of the same crew for this season as past Leverage Redemption season?

Dean said they have a lot of the same crew and appreciate it because it’s a great crew.

John said the key to making a good show is hiring smart people who are good at their job, and then getting the hell out of their way. Dean very rarely harshes anyone's insane idea and lets everyone work collaboratively.

John also noted that Breanna and Becky (Harry's daughter) are now best friends. If they had more episodes the two would've had a whole adventure together.

It was also fun to write Hardison giving Breanna the big brother talk, while Parker's in the background like "tell her about the bomb!" and Hardison shushes her because he knows if Nana finds out he told Breanna about a bomb he'd be in trouble.

They shot the end of episode 1, the end of episode 3, and the last scene of the season finale all within a day and a half of each other because they wanted Aldis to be there.

Dean said he loves the pretzels bit, and John talked about how it started as a one-off thing that was just there, but then it became a thing in the show and in the fandom and now it's a whole callback and shorthand for their relationship.

John talked about the ending scene, and how he didn't want Hardison to just bail, he needed to have an honest conversation with Parker. 

It was Gina's idea for Sophie to be dating again, and it comes up several times throughout the season.

John liked the way Christian and Aldis played their conversation, of two guys who care about each other and aren't very good at emotions but still have to talk about emotional things.

John repeated that Eliot isn't looking for redemption, he knows he's damned and he's accepted it. It's hard for Eliot to accept or process that other people see him differently.

Christian chimed in that Eliot's redemption is getting other people to a place where they can be redeemed. They can see the light at the end of the tunnel, and even if he's stuck in the tunnel forever as long as everyone else gets out then he doesn't need to.

Q: Is that something we’re going to see more of this season? Exploring everyone finding their own version of redemption?

Christian said his role is more in the background, he's talking people off the ledge, he's giving Hardison advice, he's talking to Sophie, making sure Harry doesn't screw up. Eliot is especially protective of Harry because he's not as far along as the others, and is really trying to give him a leg up out of the darkness.

Dean talked about how it was very important to them that they never betrayed the truth of Parker and Hardison's relationship.

John mentioned that the actors found that relationship. He hates writing backstory and tends to slow-play relationships, because once you get into a relationship it becomes a soap opera and you start screwing with the relationship in order to get stories, so that's why they waited until season 5 of the first run to get Parker and Hardison together. They don't want to mess with their relationship now to get stories, and it was interesting to write about a mature relationship because everyone knows they're not going to break up. He knows you can't screw with such a central relationship for cheap drama.

John: They're in this complicated, emotional relationship, with them and Eliot—however you want to define it—and they are going to die together.

That was the end of the episode! Dean reminded everyone that a new episode will drop every Thursday for the next 7 weeks, and thanked the fandom for supporting it, as the fans are the only reason they got to come back.

Q: Any hint for what we can expect this season?

Christian said there are some great character arcs coming up. He especially loved the second episode.

Dean pointed out how they've made over 100 episodes of Leverage now, and the thing that most surprised him this season is that they're still doing things they've never done before, he's shocked they can still find new places to go, and says that some episodes this season are completely wild.

John said all the writers loved being back with these characters, and we're going to see some unexpected but not unbelievable turns from the characters as they expose their vulnerable side. We'll explore a bit more for the newer characters, and Breanna especially is going to be great.

[the-way-astray]

i know tumblr isn't inundated with fitz haters like other platforms are but i still see people (wrongly) assume that fitz talks about being cognates with sophie a lot (even if they say it affectionately). so. here are all the times fitz canonically says something along the lines of "but we're cognates!" in the entire series:

“I’m aware,” Mr. Forkle said. “But I only need Miss Foster and Mr. Sencen for this.” “But I’m Sophie’s Cognate!” Fitz argued.

“Doesn’t matter,” Sophie said. “Wylie needs my help.” “For what it’s worth,” Blur chimed in, “I think she’s right. I think you should take her.” “Take us,” Fitz corrected. “This has Cognates written all over it.”

“Last chance to change your mind. I can handle myself.” “Oh, I know. I’m planning on hiding behind you if we end up facing anything scary. But we’re Cognates. We’re stronger together.”

“And you can ask Gethen about it,” Fitz added. “I still can’t believe you’re doing that without me—what’s the point of being Cognates if they don’t let us work together?”

“Wait for it,” Keefe jumped in, right before Fitz added, “We’re Cognates.”

“But you went in alone,” Fitz reminded her. “Now we’d be taking him on together.” Ro clapped her hands, jumping up and down. “Oh! Oh! This is the part where he’s going to remind you that you’re Cognates!” “Well, we are!” Fitz snapped back, looking like he’d had about all he could stand of Ro’s interruptions. (is it just me or is this one sort of dubious. because it's not actually fitz that says it. or whatever. idk i'll count it anyway i guess)

so fitz uses the "but we're cognates!!!!" excuse a grand total of six (6) times (once in neverseen, thrice in lodestar, once in nightfall, and once(?) in legacy) over the course of the entire series to try to get in on a plan involving sophie. it works exactly two (2) times, both in lodestar. he also only actually says the words "but we're cognates" one (1) time in the entire series

also ro pisses me off . . . you'll notice all the times fitz says "but we're cognates" or something to that effect happen before ro is even introduced to the series so there's no way she could even realistically know that fitz says that a lot ("a lot" . . . obviously he doesn't actually say it a lot). shannon is just using her to brainwash you into thinking fitz says that a lot when he does not. same thing with keefe. he wasn't there for all the lodestar ones, so he's only heard fitz say something along the lines of "but we're cognates" one time. once. oh my goodness. the only reason people act like fitz says this a ridiculous amount is because the narrative is constantly telling you that it's his catchphrase when it is not

so in conclusion people that act like this is something fitz is constantly saying lack basic reading comprehension. he doesn't even say it once for all of flashback. the one from legacy barely even counts. he doesn't say it even once for all of unlocked and stellarlune. idk what to even tell you atp if you genuinely actually think this is something he says a lot

[sophie-hatter-jenkins]

Hello <3

I love LOVED evolution and i always checkout your rec list !!

Do you have any recommendations for extremely angsty (rated m or t) hinny?

Just delicious angst- which obviously ends with them together- it could be emotionally unavailable harry, or FWB or anything really.

Lots of love <33

Hi, Anon! 

Thanks so much for the ask, and for saying lovely things about Evolution, I am so glad you enjoyed it!

Sorry for the delay in replying, while I was putting this list together I found myself getting very distracted reminding myself why I love all these fics.

Anyway, let's get on with what you came for, shall we?

Welcome to Sophie’s Hinny Fic Recs: Angsty Edition!

You specifically asked for T or M rated fics, but there are a few here that are rated E. I’ve included them because 1) they’re great, 2) some of the M rated ones are no less explicit and 3) angsty-Hinny really can’t seem to keep it in their pants. Anyway - I’ve marked which is which, feel free to use your discretion on which links you click.

I’ve got a bunch of completed fics for you, and also some great WIPs, if you want to hop on to those with me!

But let’s start with the Completed ones:

Castles - @pebblysand - Canon-compliant Post DH - rated M

God, I find it hard to explain how much I love Castles. It’s just extraordinary - and certainly angsty! Hinny is core, but, there is SO MUCH MORE here. Mind the tags, there is some difficult (though sensitively handled) subject matter here.

The Potters and the Weasleys - @goodlifewrites - Hogwarts magical AU - rated G

Enemies to lovers done really well, which is hard for Hinny, plus extra bonus points for being Jily Lives, basically my catnip.

Knowing Where To Look - @ala-baguette - Canon-compliant Post DH - rated T

Hinny are not the focus here, but they're definitely in angsty mode and it hits just right. Plus it’s a rollocking good mystery, super-atmospheric and a really interesting POV.

If you never bleed you’re never gonna grow - mp143 - Post-Hogwarts canon-divergent - not rated, but I’d say definitely M

I recently rediscovered this fic, and while it’s not the angstiest on this list, there’s plenty of pining and soul-searching on show, plus (magical aspects aside) one of the most true-to-life pregnancy stories I’ve read.

Off-Kilter - @remedialpotions - Canon-compliant Post DH - rated M

Interesting first-person Harry POV, as Hinny struggle to sort themselves out post-battle. You’ll want to go straight on and read the sequel, August, too.

Too Close - Scared Of Clouds - Magical AU - rated T

Bodyguard fic, in which Auror Ginny is assigned to protect an extremely uncooperative and reclusive Harry. 

persist and resist the temptation to ask you - @nuatthebeach - Muggle AU - rated M

Well, you didn’t think I was going to do a rec list without including it, did you?? Seriously, I am on an absolute mission to make more people read this!

such a beautiful blank but smooth it - Pocketfullof, smutty_claus - Groundhog Day/Fairy Tale-inspired magical AU - rated E

Ginny is doomed to try and win Harry’s heart, over and over, in just one day. It’s such an interesting premise, with much angst for poor old Ginny.

In Case Of Emergency - lilyevansJan30 - Magical AU - rated M

Auror Harry and Quidditch Player Ginny find themselves in an exes-with-benefits situation, which is absolutely fine, right up until it isn’t.

And now for the WIPs!

This list would absolutely not be complete without including the undisputed queen of Hinny Angst, the marvellous @takeariskao3, and two absolutely top notch angsty WIPs

Already Gone - takearisk - Amnesia fic - rated M

Ginny wakes up in St. Mungo’s following the battle at the Department of Mysteries … or so she thinks.

The Path From You - takearisk - Magical AU - rated M

Angst-drenched exes are forced together when Auror Harry is assigned to Quidditch Pro Ginny’s case.

Beasts - @whinlatter - Post-DH canon-compliant - rated M

One of my very favourite takes on Ginny, in her final year at Hogwarts after the end of the war.

you don't know what's lost 'til you find it - mp143 - Magical AU - not rated, but I’d say definitely M - features a major character death

Told in two alternating timelines - how Hinny got together in the wake of an unimaginable tragedy, and how they reconnect after years co-parenting their daughter strictly as friends.

Whelve - @seriouslysam8 - Magical AU - rated M

You want angst? I’ll show you angst! An older Hinny deals with the return of their eldest son 11 years after being kidnapped as a young child. Devastatingly awesome.

[grits-galraisedinthesouth]

"It's a cover up and the prince is involved."

Meghan Markle was NOT scheduled to attend the polo fundraiser, and her surprise presence disrupted the pre-planned choreographed events

The Sussex PR Machine unleashed against Dr. Sophie Chandauka

Sophie Chandauka Sky News Interview:

At the behest of Prince Harry, The Sussex Machine is harassing & bullying those affiliated with the Sentebale organization

Prince Harry's reputation tanked the fundraising & no one was courageous enough to confront the elephant in the room

Loss of corporate, family and individual sponsors due to Harry's reputation

Belligerent Prince is the biggest RISK to the organization

Prince Harry interfered in the investigation

When the prince is in the room no one has the courage to speak the truth. Harry walked into the room & demanded the appointment w/immediate effect a new board member & everyone had to tolerate it

Prince Harry visited Africa last year for the 1st time in 5 years because Dr Chandauka asked him to visit. The people have been doing the work & will continue to do the work.

Prior to Dr Chandauka there were no term limits. Board members overstayed tenure by charity commission guidance some 5, 10, 15, 19 years

Grifting: April 2024 US Polo fundraiser complicated by Netflix. A generous family agreed use of their polo grounds at a significant discount until Harry informed players 1 month before the event of Netflix involvement

Sentabale lost the venue due to NETFLIX bc the fundraiser became a COMMERCIAL enterprise

A new family agreed to host the Sentabale polo fundraiser

Meghan Markle said she would NOT attend the fundraiser

Disruption: The Duchess surprised event organizers with her presence on the day of the event AND she showed up with a very FAMOUS friend (Serena Williams)

Dr Chandauka has endured months of bullying & harassment designed to eject her from the organization

Harry briefed sponsors ($) against Dr. Chandauka & the charity to tank fundraising in an effort to hurt her performance & tenure with the organization

Before her appointment as chairwoman in July 2023, Chandauka served on Sentebale’s board of trustees from 2008 to 2014. She has also held roles at Meta and Morgan Stanley, and leads a life sciences company in New York, where she lives.

There had been a concerted effort by certain trustees “to destabilise and remove Sophie” from her position.

Chandauka said she first felt tension between Prince Harry, the Duke of Sussex, and herself in April 2024.

“Harry then demanded that she make a statement to the press, basically saying ‘Megan wasn’t mean to me’, and she refused to do that.”

Chandauka said she had refused what she described as a request by the royal’s team to defend his wife, Meghan, in the media after negative coverage of her. “I said no, we’re not setting a precedent by which we become an extension of the Sussex PR machine,” she said.

“Ever since that point, they’ve tried their best to move her out, using the trustees in order to undermine her, demean her and try and force her hand,” the source said."

Meghan Markle was not scheduled to attend the event & there were too many people on the stage.