#based on other's work
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trans-axolotl · 1 year ago
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nothing makes me more insane than the phrase "selling your body" btw. like was i not also selling my body at every other job i've had where i had to be on my feet all day, lifting boxes, working in a warehouse, etc. why is it that sex work is uniquely labeled as "selling your body" while every other job is sorted into another category, no matter how much that job might have a physical impact on your body. lmao.
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gumdefense · 1 year ago
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We have moved past Maya and Franziska wingmanning narumitsu as a society. They would not fucking do that. We need to realise the truth which is that Larry and Gumshoe would try to wingman them and only succeed through failure
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yuzuuu4 · 1 year ago
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Now Showing: The Polaroid Starring Lu Guang and □□□
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squeakadeeks · 7 months ago
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hello cookierun nation here are all of the cookie cosplays i humbly offer to ye that ive done so far. love those lil dudes
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strawbebbiesart · 2 years ago
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waiting for spring to arrive 🌿🌸
(based on work by  george tyebcho)
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doozyfrog · 1 month ago
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I need every mob psycho fan to watch Ping Pong the animation
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catmask · 3 months ago
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it is insane how normal i am medicated like. you mean this was an option the whole time. what
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akirakirxaa · 2 months ago
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For absolutely no reason at all please reblog if you think grey or blue skinned Duskwight based characters can be Ishgardian.
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firstprinced · 6 months ago
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casual, of course
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hinamie · 6 months ago
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fire nation festival wear aka a blatant excuse for me to push atla clothing design conventions to the absolute Limit
jjk atla!au with @philosophiums
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abby-howard · 4 months ago
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I'm going to be asking a lot of artists I follow this question, but how did you develop your style? It SEEMS like most people find their style and stick with it forever, just making improvements and iterations. I tend to work in a lot of different styles because I enjoy doing that, though I know there are things I gravitate towards as well. But I wonder what your journey was and how you got feedback and improved while staying true to what you enjoyed?
Hi there!
I definitely wouldn't say that I've found my style and stuck with it forever-- I feel like each of my projects has asked for a certain kind of art, and has presented new challenges that push me in new directions.
Some of that comes from seeing someone else's work and having something click into place that might fix errors/faults in my own, and then I might try to incorporate that, such as bigger outlines on my characters to help distinguish them from the background, or maybe a way someone else simplifies eyes that can help make mine look less weird.
When I first started drawing, I can see where I encountered certain influences because my sketchbooks suddenly switch to incorporating some new stylistic element that I liked from whatever I was reading/watching at the time. But it was never QUITE right, it was never just copying, there was always something ~wrong~ with it. And that wrongness was my style! As much as I hated it, that was what distinguished my art from being just a copy of someone else's. I hate it less now, and understand that other people see something there that maybe I don't, because it's just what happens when I filter other people's work through my head. My soul, if you will.
There are definitely through-lines with my work, driven by what I like drawing and what comes easily to me-- hatching is almost always a major component, and I like making expressive characters. Here's some of my earliest available stuff, from my old webcomic:
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Then not long after that, I started The Last Halloween, which pushed me to challenge myself in both layout and style:
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And here's the same comic, years later:
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And here's a series I did for kids, where I had to use full color and lay off on the hatching, as well as learn how to reconstruct animals that we have no photo references for, which is definitely a place where style comes majorly into play, whether I wanted it to or not:
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Then there was the horror book I did, where I tried to push my work to be less cartoony overall, and to work very hard on improving my hatching:
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Then I started work on Scarlet Hollow, where I incorporated a limited/muted palette and had to once again push myself to make less-cartoony art, as well as learn more consistency so I could draw sprite sets. This was a big challenge for me, and has helped me grow as an artist so much!
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And most recently, I wrapped up work on Slay the Princess, which required that I go back in the cartoony direction, but in a very different way than I was used to. This took a lot of sketching to figure out, and there's still a decent amount of artistic stumbling in Chapter 1 while I settled into it.
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She's drawing on anime/Disney influence, but each Princess required a bit of stylistic variability. Some are more anime, while some are more realistic than even the Scarlet Hollow characters.
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So I wouldn't worry too much, honestly! A person's style is often something that reveals itself over the course of their career, rather than something they choose and then try to stick to forever.
Even if you don't think you have a style, you do. It might vary a lot piece by piece, especially if you're trying to closely imitate another person's art, but the more work you do, the more you'll figure out your own strengths and interests!
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mee1414 · 7 months ago
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Solar farmer
Day 11 - Pearlescentmoon
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lilyimmsim · 6 months ago
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the crows would have absolutely loved monopoly
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luxites · 7 months ago
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"Know your place, fool." ⛩
I really want to know more about how he became the King of Curses
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demigods-posts · 2 months ago
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me whenever i see people write off annabeth as an annoying and controlling and crazily jealous girlfriend with anger issues. understanding that the foundation of the rhetoric is based off of annabeth's behavior toward percy and rachel is tbotl and tlo. except annabeth's behavior in those books is soley due to the surplus amount of traumatic experiences she's had. ranging from her parents neglecting to care for her well-being when spiders attacked her in the middle of the night as a seven-year-old. to watching everyone she's ever dared to care for die, abandon, or leave her for a better option. so it's much more likely than annabeth was expressing great mental and emotional distress during a period of her life where it was uncertain if the boy she loved would drop dead on his sixteenth birthday. on top of having to uphold a reputation as the best strategist at camp half-blood and devise a plan to fight in a war and save the world before she's a sophomore in high school. so the notion that annabeth is an abusive and toxic individual lacks the consideration that maybe she was just a child forced to carry the weight of the world on her shoulders at all times.
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moomoorare · 2 months ago
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Autumn Gem inspired by my Scales of Fate AU and based on Alfons Mucha's Autumn painting. This will be the first of four art pieces, hopefully coming soon.
In the meantime you can find my SOFAU ao3 fics here, and Alfons Mucha's The Seasons Paintings wiki page here 🍇🧡 leave your thoughts in the reblogs if u want, have a nice day, it's Autumn!!! 🍁🌼💜
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