#barbara ulrich

[rwpohl]

le chat dans le sac, gilles groulx 1964

[obsidian-sphere]

Girls of Weimar Berlin by Barbara Ulrich, 1927.

[fallingforfandoms]

Nachdem diese Wiesbadener Tatort-Folge ja schon ..... dezent durch und dieses Ende sehr dramatisch und shippable war, hier noch ein wunderbares Behind-the-scenes-Schmankerl von der Premiere, was seit fast zwei Monaten mietfrei in meinem Kopf wohnt:

[perfettamentechic]

30 dicembre … ricordiamo …

30 dicembre … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic

2022: Barbara Walters, Barbara Jill Walters, giornalista, scrittrice e conduttrice televisiva statunitense. Barbara crebbe circondata da gente di spettacolo: il padre infatti era un noto produttore di Broadway. L’uomo tuttavia a un certo punto versò in difficoltà economiche e la famiglia Walters perse tutte le proprietà, tra cui l’attico a Central Park West. Dopo aver effettuato gli studi in…

[mychameleondays]

Element Of Crime: Weißes Papier

Vertigo/Universal Music Group 477 913-7, 2018

Originally released: February 1993

[evilisk]

Decided to fill this out but only included characters I have on my account (except Kakania, but I have 140 pulls with her name on them). This is a combo of design + how fun they are to actually play.

Favorite Design:

Even though I don't actually use Mondlicht on my account, I am physically incapable of disliking "Red Riding Hood themed characters wielding guns" ever since the Darkstalkers series imprinted on me when I was younger. Now if only Mondlicht was actually good/meta...

Runner Ups:

NPCs: If I'd filled this in a week earlier, I would have probably had Hofmann here. But 1.9 added a lot of great NPCs (Ulrich) or at least convinced me on some existing ones (Enigma).

Star: Charlie is my main runner up (my favorite, little Limbo Master) but I do like Apple and Matilda too.

Mineral: There's a big gap between Sonetto and my other favorite Minerals (Balloon Party and Necrologist. They're perfectly fine).

Beast: Desert Flannel and Dikke are cool designs with gameplay I just do not like, at all. DF's Counter just isn't as fun as Voyager or BP. And Dikke is in dire need of a buff.

Spirit: I gotta be honest, I don't have a Runner Up for this Afflatus. I don't have A Knight and Barbara is still two patches away.

Intelligence: Six is one of favorite characters in all of Reverse 1999 (Introverted King) but John Titor is cool too. I'm so glad she got referenced a few times in 1.9's story.

[stateofcharles]

Barbara Domingos from Brazil🇧🇷 performing at the 2022 World Championships in Sofia

photo credits: Ulrich Fassbender

[polishdynasty]

QUEEN ANNE OF CILLI (1386 — 21 may 1416)

Anne of Cilli was born probably in the 1386 as a daughter of William, Count of Cilli and Anne of Poland. Her father died when she was around ten years of age and her mother had remarried to Ulrich, Duke of Teck. Because of that, Anne was left under the care of her father's brother, Herman. According to the legend, in 1399 King Jadwiga of Poland on her deathbed told Władysław Jagiełło, her current husband, to marry Anne of Cilli so he could still rule Poland. Anne was a granddaughter of Casimir The Great, the last king from the Piast dynasty, so having a descendant of him as a wife would strengthen Władysław's position on the throne. One year later a delegation composed of Jan of Oblichów, Jan of Ostrowiec and Hinczka of Rogów came to Cilli with a proposition of marriage between King of Poland and Anne. Herman, Count of Cilli immediately agreed and in 16th July 1401 Countess come to Cracow. She was welcomed by Poles with joy, but according to the Jan D��ugosz her future husband wasn't that happy. The wedding was postponed and Anne sent to a convent to learn polish language. Finally in 29th January 1402, in the Wawel Cathedral, their wedding took place. There were many guests, including Vytautas, the Grand Duke of Lithuania. One year later Anne was crowned a Queen of Poland and was able meet her mother for the first time since the Duchess left Celje.

The marriage of Anne and Władysław was quite cold at the beginning. The king often left the capital, leaving his wife alone. He was also known to be suspicious, introverted person, so it took him a while to trust Anne. It also didn't help that the queen had been accused of marital infidelity several times. The first time was in 1407: Klemens of Moskorzew accused Anne of cheating on her husband with Jakub of Kobylan and Mikołaj Chrząstowski and the proof was supposed to be the sudden collapse of the floor in Queen's chamber. King at first believed in that and locked Jakub. Polish nobles during the convention in Niepołomice defended Anne and the woman was found innocent. But year later she was accused of having an affair with Andrzej of Tęczyn — this case did not reach a public hearing. In 1411 the Queen was accused of having the infidelity with archbishop Kurowski, but some sources says that actually Anne accused the man for a inappropriate attitude to her person. Kurowski died during a trip to the royal court to clear things up. For a first few years of marriage Anne of Cilli didn't give a birth to a child. It is known that she had several miscarriages. In the 1408 their first and only child, Princess Jadwiga, was born. Władysław was disappointed that the baby turned out to be a girl, but for a many years she was considered the heiress of the kingdom and a possible future king.

Anne hated the Teutonic Order as much as her husband and unlike her predecessor, urged Władysław to go to war with them. And he did that. In 1410 after the battle of Grunwald, Jagiełło sent two laters to inform about his victory: one of them was sent to Anne. It is the proof that their relationship develop during the years and Władysław started to like her and see as a friend and partner.

The Queen accompanied her husband during the trip to Hungary, where Jagiełło was negotiating with Sigismund of Luxembourg. There she met with her cousin, Barbara, who was the second wife of Sigismund. Thanks to Anne, the polish regalia, which King Louis The Great once brought with him to Buda, returned to Poland. Anne also visited Lithuania and observe the Christanisation of Samogitia. In early 1415 she travelled with her husband and even met Alexander of Moldavia in Sniatyn.

Anne came back to Cracow and Władysław travelled to Lithuania. Probably at the end of 1415, the queen got sick. In 1416 a special envoy was sent to king with a information that Anne was seriously ill. Despite the news, Jagiełło didn't hurry back to Cracow. He approached the capitol in May and few days later, 21th May 1416 the queen died. She was buried in the Wawel's Cathedral, near to altor of Saint Dorothy.

[lichtecht]

@cnka raised the question of names for girl dfk, and i just spent quite some time looking up the meanings of all the names, so i will present my results now.

first of all, the meanings of their original names.

matthias: god's gift martin: son of mars, warrior ulrich: ruler over the inheritance jonathan: god's gift sebastian: sublime, venerable robert: bright glory johann: god is merciful

i dont think you need to necessarily have the same meanings for the feminine versions, but i thought especially sebastian's and martin's meanings were very fascinating

my ideas for girl names, mostly based on sound, would be

mathilde: strong fighter/hero martina: same meaning as martin ulrike: same meaning as ulrich johanna: god is merciful sabine: originates from the Sabines people roberta or robina: same meaning as robert judith: woman of judea

im unsure about sabine and roberta/robina. also judith, but i just like the sound of that

@is-this-taken-too-questionmark also said

#ulrike or ursula could work for uli because both of those sound like ridiculous upperclass names and she could keep her nickname #matz could be something along the lines of martha but i think that's a bit too similar to martin #maybe emma?? it can still be shortened to matz and it sounds nice but idk how much it fits the character #no ideas for justus or sebastian #the nichtraucher thing is very self indulgent but my heart says she would be named barbara #barbara=babs=bob=robert or something you don't have to understand bc i don't understand either

ursula: bear martha: master/mistress emma: short form of names that include "erm" which means "big" or "all-encompassing" barbara: stranger, foreign

i really really like the meaning of barbara in regard to the nichtraucher. and i honestly thing the meaning of mathilde actually fits matz so much better

feminine versions of the original names, not really important but interesting maybe:

matthias: mattea martin: martina ulrich: ulrike jonathan: nathanja sebastian: sebastina, bastienne robert: roberta, robina johann: johanna, johanne

my favourites out of all of these are mathilde, ulrike, barbara, martina and johanna (for johnny). i also like judith, but that doesnt fit as neatly meaning-wise.

[orthodoxadventure]

Remembering the Saints

Throughout the Liturgy we are asked to remember "all the saints" beginning with "the Theotokos and ever-virgin Mary" and her "yes" to God's plan for her life (Luke 1:38); and then, like all of them, to commit "our whole life to Christ our God." Who are the saints that we are asked to remember in these petitions? The saints are those men and women who, throughout the centuries and in every culture, have loved God and borne witness to the Good News of Jesus Christ in the power of the Holy Spirit, and remained faithful to Him to the end, often at the cost of their own lives. They are people who have been transformed by their faith and truly are the "real deal" as Christians. They are men and women from every generation who have been canonized, i.e. set up as models of what it means to truly follow Christ and be faithful to Him, seeking and striving for His kingdom as their first priority in life (Matthew 6:33). When we speak of Sts. Peter and Paul and the apostles, Sts. Katherine, Irene and Barbara the martyrs, Sts. Basil, John Chrysostom and Nektarios the Bishops, we are speaking of people who have been canonized by the Church in an official manner to serve as models of faithfulness and holiness for us to emulate. Canonization does not "make" anybody a saint. Canonizations recognizes that someone already was, in his/her own lifetime, a saint.

The word canonization means that a Christian has been found worthy to have his/her name placed in the canon or official list of the saints of the Church. This canon is read during the various liturgical services of the Church, particularly Orthros or Matins. Every day of the year is dedicated to a number of saints whose names are remembered by the People of God. When a Christian's name has been included in the canon of saints, it is a sign that the Church encourages the faithful to ask that saint for his/her prayers before God.

Liturgical services may be specially composed in the saint's honor and celebrated by the Church. For the first thousand years of the history of the Church saints were recognized without any formal rite of canonization. Local congregations of the faithful simply began to remember certain well-known Christians in their liturgical gatherings, to ask them for help in prayer, to visit their relics, which frequently remained vehicles of the Holy Spirit, curing the sick in soul and body, as they had during earthly life. In the 10th century, in the west, the then-Orthodox Church of Rome began to insist that saints be formally and officially "registered" as such with the papal authorities. The first recorded canonization of this type was that of St. Ulrich of Augsburg, canonized in 993 AD by Pope John XV. For the next 600 years -- during which time the Roman Catholic Church split off from the Orthodox community -- the west developed a very precise (and some would say even legalistic) method of determining who were to be canonized as saints. The Orthodox Church never developed any comparable methods for canonizing saints. As in the early Church, the situation has remained very much determined by local practices and local traditions. Holy men and women continue to be recognized as such during their own lifetimes; they continue to be venerated and honored after their death; and Christian people continue to ask for their prayers and to visit their shrines.

[Source of text: The Divine Liturgy of our Father among the Saints John Chrysostom (with Commentary and Notes)]

[byneddiedingo]

World on a Wire (Rainer Werner Fassbinder, 1973)

Cast: Klaus Löwitsch, Barbara Valentin, Mascha Rabben, Karl Heinz Vosgerau, Wolfgang Schenck, Günther Lamprecht, Uili Lommel, Adrian Hoven, Ivan Desny, Kurt Raab, Margit Carstensen, Ingrid Caven, Gottfried John. Screenplay: Rainer Werner Fassbinder, Fritz Müller-Scherz, based on a novel by Daniel F. Galouye. Cinematography: Michael Ballhaus, Ulrich Prinz. Production design: Horst Giese, Walter Koch, Kurt Raab. Film editing: Ursula Elles, Marie Anne Gerhardt. Music: Gottfried Hüngsberg.

What we call "reality" is, as we all know, a construct, the product of the limitations of our senses. But what if we, too, are part of the construct, put here by some other entity and blinded to the reality that lies beyond the senses? That way lies religion -- "Now we see through a glass darkly...." -- and metaphysics -- now largely dismissed as "asking unanswerable questions" -- but also science fiction. Witness the popularity of a film like The Matrix (Lana Wachowski and Lilly Wachowski, 1999) and its sequels. In fact, Rainer Werner Fassbinder got there more than two decades before the Wachowskis. In 1973 he created a two-part television series, World on a Wire, that aired in Germany, and then became a kind of cult hit via file-sharing on the internet before being restored in 2010 and screened at the Berlin Film Festival. In it, a German research institute has created a simulated world in its supercomputer. The inhabitants of this world have been given consciousness, but only one of them has knowledge of the world outside the computer. He serves as a contact between the programmers and the simulated beings. But then the sudden death of the head of the program puts his second-in-command, Stiller (Klaus Löwitsch), in charge of investigating not only the death of his predecessor but also the suicide of one of the simulated beings. Stranger and stranger things begin to happen, until Stiller learns that he is also a simulation in his own simulated world. He also learns that the institute's simulated world is being used for commercial purposes, something that violates its agreement with the government funding it. As he comes to terms with this knowledge, his increasingly erratic behavior makes him a target for assassins, and his one hope is to find the contact with the level above that's simulating him. Got that? The head-spinning premise of the film comes from a novel, Simulacron-3, by the American writer Daniel F. Galouye, adapted by Fassbinder and Fritz Müller-Scherz. Fassbinder gives it a good deal of his characteristic style in the adaptation: The women in Stiller's world, for example, always wear cocktail dresses, even at work, and rooms are filled with mirrors to suggest the layers of reflected reality in the three levels. It was filmed in 16 mm for television, which means there's some graininess and focus problems in parts of the restored film, but the cinematography is by Fassbinder's frequent collaborator Michael Ballhaus, along with Ulrich Prinz. Löwitsch is very good as Stiller, taking on a kind of James Bondian role, and the paranoid atmosphere prevails even when the plot gets a bit snarled in its own premise.

[rwpohl]

im schatten der macht, oliver storz 2003

[lysanderyourdarkacademiaguy]

Happy Vamptember! I thought it would be interesting to know where the belief in vampires came from and so today I bring you the story of the Black Queen

A dear friend of mine helped me with this story, which is part of his culture and which should be more important for us, it comes from the Queen Barbara Celjska or in English Barbara of Cilli

Barbara was born in Celje, in the Duchy of Styria, today Slovenia, as the daughter and youngest child of Herman II, Count of Celje, and Countess Anna of Schaunberg she married Sigismund, who was then the Roman Emperor, he spent a lot of time away in battles, which allowed her to stay ahead of the castle by holding court and making important decisions. It is believed that although she was married, she had many men and lovers who, when she got bored of them, she sent to throw them out of her castle. Sigismund, was a cheater, and he can't expect her being loyal to him in this case.

Rumours that she was a vampire stemmed from the following:

“Aeneas Silvio Piccolomini, who detested the Cilli family, characterized Barbara’s brother Count Friedrich as “shameless,” “materialistic,” and “a blood thirsty wildman” as well as an enemy of the church and state. He declared Ulrich, the head of the Cilli family, as a “hardened sinner” and “demon.” As for Barbara herself, Piccolomini claimed that Barbara did not even believe in an after-life. Aeneas also accused Barbara of associating with “heretics” and “abominable Hussites.” He claimed that after the death of Albrecht, Barbara and her daughter Elizabeth used to profane Holy Communion by drinking actual human blood during the liturgy. This would, of course, qualify Barbara for the clinical category of “living vampire” meaning, according to medical doctors even today, some one who drinks human blood”

-In Sear In Search of the Lesbian V ch of the Lesbian Vampire: Barbar e: Barbara von Cilli, Le F on Cilli, Le Fanu's "Carmilla" and the Dragon Order

She was not only a “vampire” She had knowledge of alchemy, politics, and managed her reign with strength and independence, to this day she is an example of what Slavic women should be. To this day, and after her, the story spread to Europe and then to the West, and little by little, from Dracula onwards, vampires grew in fame, as well as extra knowledge to represent according to the writer.

It's just a little bit of knowledge, it's not much, and I'll probably edit this post as the days go by

[perfettamentechic]

22 luglio … ricordiamo …

22 luglio … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic

2016: Franca Faldini, attrice, giornalista e scrittrice italiana. Fu la compagna di Totò dal 1952 fino alla morte di lui nel 1967. (n. 1931) 2013: Dennis Farina, figlio di genitori italo-americani, è stato un attore statunitense, noto caratterista, specializzato nei ruoli del buono o del cattivo poliziotto. (n. 1944) 2011: Linda Christian, nome d’arte di Blanca Rosa Henrietta Stella Welter…

[elmartillosinmetre]

Un estreno del Mozart adolescente

[Mozart en el retrato póstumo realizado por Barbara Kraft en 1819 / Mozart Wohnhaus]

Deutsche Grammophon publica tres versiones distintas de un trío recién descubierto de Mozart

La noticia se difundió coincidiendo con la presentación en Salzburgo el pasado 19 de septiembre de la nueva edición del catálogo Köchel de Mozart: investigadores de la Fundación Internacional Mozarteum, dirigidos por el Dr. Ulrich Leisinger, habían descubierto en la colección Carl Ferdinand Becker de la Biblioteca Municipal de Leipzig una obra desconocida de Mozart. Se trata de Serenate ex C (Serenata en do), una composición para dos violines y bajo, que ha sido ya catalogada como KV 648 y ha recibido el sobretítulo de Ganz kleine Nachtmusik, es decir, Una muy ligera música nocturna.

La obra está dividida en siete movimientos, tiene una duración de unos doce minutos y ha sido datada en la segunda mitad de los años 1760, aunque el documento descubierto no es el autógrafo, sino una copia de hacia 1780. Los descubridores piensan que la Serenata fue escrita antes del primer viaje a Italia del joven Mozart (en enero de 1770, a punto de cumplir 14 años) y han sugerido que podría tratarse de alguna de las obras que se sabían perdidas, pero cuya existencia estaba documentada en la correspondencia del músico.

La primera audición de la partitura tuvo lugar el 21 de septiembre en la Ópera de Leipzig, por los violinistas Vincent y David Geer y la violonchelista Elisabeth Zimmermann, de la Escuela de Música Johann Sebastian Bach de Leipzig. Nada más difundirse el acontecimiento, la obra circuló con rapidez y ya pueden verse varias grabaciones en Youtube.

A nivel industrial, el sello alemán Deutsche Grammophon se ha adelantado a todos, pues acaba de publicar el pasado viernes 11 de octubre en las plataformas habituales dos versiones diferentes de la obra. Una de ellas la realizaron en la Sala Vienesa de la Fundación Internacional Mozarteum los jóvenes violinistas Leonhard Baumgartner y Margarita Pochebut acompañados por el contrabajo de Svenja Dose y el clave de Oscar Jockel (el vídeo se publicó en la plataforma Stage+ ayer sábado). La segunda se había preestrenado en Apple el 4 de octubre, y es debida a Haruna Shinoyama y Neža Klinar (violines), Philipp Comploi (violonchelo) y Florian Birsak (clave). Además el 18 de octubre llegará a las plataformas una versión orquestal, con Herbert Blomstedt dirigiendo a la celebérrima Orquesta de la Gewandhaus de Leipzig.

[Diario de Sevilla. 13-10-2024]

La ficha Wolfgang A. Mozart (1756-1791): Serenade ex C Ganz kleine Nachtmusik (Serenata en do mayor, Una muy ligera música nocturna) KV 648 [c.1765-1770] Versión 1: Haruna Shinoyama y Neža Klinar, violines; Philipp Comploi, violonchelo; Florian Birsak, clave. Versión 2:  Leonhard Baumgartner y Margarita Pochebut, violines;Svenja Dose, contrabajo; Oscar Jockel, clave. Versión 3: Orquesta de la Gewandhaus de Leipzig. Herbert Blomstedt, director. Deutsche Grammophon

LA VERSIÓN 1 EN SPOTIFY

[agendaculturaldelima]

#ProyeccionDeVida

🎥 Biografías. Mujeres y Sociedad, presenta:

🎬 “HANNAH ARENDT Y LA BANALIDAD DEL MAL”

🔎 Género: Drama / Años 60 / Nazismo / Holocausto / Basado en hechos reales

⌛️ Duración: 113  minutos

✍️ Guión: Pam Katz y Margarethe Von Trotta

🗯 Argumento: Biografía de la filósofa judío-alemana Hannah Arendt, discípula de Heidegger, que trabajó como periodista en el juicio a Adolf Eichmann, el nazi que organizó el genocidio del pueblo judío durante la II Guerra Mundial, conocida por "la solución final".

👥 Reparto: Barbara Sukowa (Hannah Arendt), Janet McTeer (Mary McCarthy), Klaus Pohl (Martin Heidegger), Axel Milberg (Heinrich Blücher), Ulrich Noethen (Hans Jonas), Julia Jentsch (Lotte Köhler) y Nicholas Woodeson (William Shawn).

📢 Dirección: Margarethe Von Trotta

© Productora: Heimatfilm

🌎 País: Alemania

📅 Año: 2012

📽 Proyección:

📆 Martes 05 de Marzo  

🕖 7:00pm.

🏪 Cine Club de la Universidad de Ciencias y Humanidades (av. Bolivia 537 - Breña)

🚶‍♀️🚶‍♂️ Ingreso libre con DNI.