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Creelarke Posts
Creelarke And The Tunnel Scene (x)
Creelarke and Wormholes and The Other Side (Of The Tunnel) (x)
âWhoâs Scott?â and Whoâs Alice Gilbert? (x)
The Gayest Saturday Morning Cartoon Episode Ever: Scottâs Hank the Ranger Figure, Creelarke, and Tiamat (x)
Creelarke and the Lost Boys of Montauk (x)Â
Puzzle Tales: I Was Right About Tiamat (x)
Hungry One (x)
Scott Moved Houses (x)
Scott and Rainbows (x)
The Randy Havens AMA, Scottâs Secretive Backstory and Scott Understanding What Itâs Like To Lose A Friend (x)
Scottâs Plaid Funeral Scarf Has the Same Colours as Henryâs Plaid Moving-In Shirt (x)
Scott and The Hivemind and The Party Getting DND lore Wrong (But The Writers Doing It On Purpose) (x)
Scott Clarke and the Elder Brain (x)
Creelarke and The Hand Reach (x)
The Yellow And Black Plaid Shirt And Yet Another âBlonde Haired Kid And Black Haired Kidâ Pairing (x)
The Neck Touch (x)
The Mike And Troy Gymnasium Scene And Why The Hell Are There So Many Pairs Of Kids That Look Like Scott And Henry And Why Do Two Of The Dark Haired Kids Keep Being Positioned On Top Of Scott? (x)
Scott Clarke Is Everywhere (Featuring The Beige Coat) (x)
Why Are There So Many Lab Extras That Resemble Scott Clarke? (x)
âPeterâ Might Be Scott In An Alternate Timeline (x)
The Photo On Scottâs Shelf (x)
The Creelsâ Broken Swing and Creelarke (x)
Creelarke and The Black Cat on the First Shadow Loading Screen (x)
Creelarke Analysis: Star Trek and Clarkeâs Disease (x)
Where Are You From, Exactly? (x)Â
Scott Clarke, Creelarke, The Thing, The Defibrillator, Sensory Tanks and Nina: Why The Hell Is Scott Connected To Everything All The Time? (x)
See You On Monday: Creelarke and Edward and Timelines (x)
Initial Post About Creelarke and Beauty And The Beast (x)
Creelarke, Camp, and Wet Hot American Summer (x)
Scott Clarke and Wrong Numbers and Scott And Henryâs Ten O Clock Lines (x)
Creelarke Analysis: Creelarke and Art (x)
Why Are There Os Many Lab Extras That Look Like Scott AND Why Was Alexei (A Russian Scientist) Referred To As A âRussian Scott Clarkeâ? (x)
The Brain, The Lost Brother, Creelarke and The ST2 Unused Episode Titles (x)
The Curious Case of Scott Clarke: Why Was Scott Being So Uncharacteristically Snippy During That S2 Classroom Scene? (x)
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i'm hoping that i will never have to officially add tumblr user @sammyche to my deactivated motogpblr header (tumblr, PLEASE accept the appeal) but just in case, motogpblr and I started the scavenger hunt for the lost gifs đ
here is the link to the posts i've reblogged so far
blog: sammyche
I added the link to the 'blogs' section in my pinned so we can find them. Preferably use a link instead of the search bar on mobile, as that doesn't show all posts (and you will miss some scholarship)
go follow sammyche's backup/new account @emininetythree !!!
#enrique and d$rna better sleep with one eye open bc wtf literally one of the greatest minds of our generation#(dw i found a lot more gifs they're just in the queue)#starting to think i shouldn't be tagging everyone as active and actually give people tags but alas i did not think of that#not museum tag#motogp
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last updated: 26/Oct/2024
Submissions open: see below the cut.
Submitting a map, best practice; a masterpost
I thought I'd make a styleguide and masterpost for how to submit a map!
On backups: First things first, take a video of the result as a backup. Load the code, skip to the end, see the funny cephalopods dance and hold in the screen capture button. If an update ruins your code, this backup will live on until you delete it. I take the video right away instead of watching a replay and take the screens from that video recording where I can pause and scrub for the frame I want.
1st preference: I love receiving your codes; I'll do all the work for you! Please also make a backup via video capture because updates kill your match codes (learned this the hard way). You can go to the terminal in the lobby and save a game to recieve its code!
The splatoon font is utterly incomprehensible, so please make a backup screenshot of the code; if you typo and then play too many matches, you can lose the code and with it the map. this happens more than you think and it's sad to not be able to feature your map!
On codes: Codes can be generated from any of your last 50 matches, "no-contests" included, and remain available until a patch breaks continuity. Once you have a code, it's saved and you can play as much as you want right away, play 60 more matches and your code persists! Patches can take us by surprise, however, so please prepare a backup.
Second preference; If you're the kind of person who wants to submit screenshots, remember that you need to submit two!
The "question" image should be a clean image of the map, before it is obscured by the handsome judges. This one is easy to grab because the map is displayed for about 3 seconds. This should not be the mid-match map.
The "answer" image should be after the splash of the colliding ink, but before the banner drops. This can be a little tricky to pin down unless you're taking the capture from a video capture. This is very difficult to grab from a twitter video because you cannot pause the video without the video controls being overlayed, but easy on switch where you can track, pause and save the frame as a screenshot.
For Splatfests, if you want to include the vicory or defeat message becasue it's a multiplier battle, feel free to keep it included.
Some advice: Lil Judd and I like to curate interesting and close maps, especially ones that have you scratching your head: to this end, please also submit interesting losses too, noone is thinking less of you for it, we are not @squids-posting-their-ws. It's no fun if you can guess the answer, just because it's a submitted map.
Finally; A video capture (hold in the screenshot button) of the results screen is also a valid option. You can upload the video somewhere manually, such as to youtube. It is no longer possible to upload directly to twitter from your switch so you'll either need to read the information from your SD card, download your video, or by connecting to your switch.
It helps out if you trim your clip: best practice is to have the clip start at the black screen before the map is shown, and end after the banner has come down, but before the players are displayed.
Asks and messages are open! If your messages are open, too, I'll let you know when I've queued your map so long as I have the spoons (as in, when your map enters the hopper, I have a lot of maps and am not sure when it will be seen, but it will be!). To be able to post properly, the blog can't accept submissions via the tumblr submission section; strange, I know.
I make a note of your blog name, for credit purposes, when I queue the map, so if you change your blog name between submission and posting, I might have diffculty crediting you.
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Tac's OC Ref Masterpost!
Heya everybody! I'm not sure where the thought for this came from but I wanted to make a post that just has all of my OCs' refs in it in case anyone ever needs to find them and doesn't wanna ask me for them (which ur always welcome to do btw!) or doesn't wanna go digging through their Toyhouse galleries. This will be linked in my pinned post as well, so if you ever need to find it again, it'll be there! Every character will have their Toyhouse page linked below their ref, so you'll have easy access to more in-depth info and more gallery images if needed!
All the refs are below the read more since this is going to be a really long post, so be prepared for that if you take a look lol. It's organized the same way as my Toyhouse, with sonas first, then primary, secondary and tertiary OCs (basically categorized by how much I use them and how much development they have). I'll put a little bit of information about each character and whenever I make a new ref for a character, I'll swap out the old version with the new one here!
Also feel free to ask me anything abt any of my characters ever!! I adore talking abt them <333
SONAS
(These guys are ordered by how much I use them/how representative of me they are)
Shep (Toyhouse Link)
My main sona and most complete representation of myself out of all my characters!
22 y/o asexual biromantic German Shepherd
Boyfriends with PBnJ
Lead vocalist/guitarist for Let's Get Back!
PBnJ (Toyhouse Link)
Secondary sona
Usually goes by just PB
Also Ace/Biro, Golden Retriever
Boyfriends with Shep
Bassist and backup vocalist for Let's Get Back!
Starburst (Toyhouse Link)
Main comfort sona, personal favorite OC <33
Kinsona based on Jenny from Wayside, who's my biggest comfort character!
Do not draw her without her outfit!! Also please only draw her anthro!
Second tallest of my anthro characters, slighter taller than Shep, not as tall as WilkoĹak
Very friendly, adventurous and always looking to live life to the fullest!
Spatter (Toyhouse Link)
Pokesona
Move set: Dragon Pulse, Earthquake, Rain Dance and Protect. Feel free to draw him using any of these!
Has roughly equal number of purple and green splatter markings
Very squishy, loves giving/receiving hugs
Vostok (Toyhouse Link)
Main Dragon/WoF-sona
My oldest OC, I've had him since February of 2017
May look intimidating but rlly just a big soft guy
Blue and purple scales make chevron shapes (not zigzags, not checkerboards, not stripes, etc.)
PRIMARY OCS
(Characters from here going forward are listed alphabetically per section)
Agouti (Toyhouse Link)
RainWing
Relatively quiet and shy until you get to know her
Lesbian, girlfriends with Rhazz
Can feel the emotions of others very strongly (for better or worse)
Doppler (Toyhouse Link)
SeaWing/RainWing hybrid (75% Sea/25% Rain)
Weather forecaster with his wings and scales that show weather radar
Makes up a weather watching/storm chasing team with Sundial and ThunderSnow
Boyfriend of Sundial
Radar can show any kind of weather (rain/thunderstorms, hurricanes, snow storms, tornadoes, etc.)
Eejanaika (Toyhouse Link)
SkyWing/RainWing hybrid
Name pronounced Edge-a-NYE-ka
Goes by Eej as a nickname
Has issues with anxiety and self-confidence
Demisexual, girlfriend of ThunderSnow
Has a short right horn, RainWing frill spines with no membrane, a double-pointed nose spike and is missing every other spine along her back as a result of being a hybrid
Name and design based on the old color scheme for the Eejanaika roller coaster at Fuji-Q Highland in Japan
Firecracker (Toyhouse Link)
Jack Russell Terrier
Small but full of energy!
Loves 4th of July themed snacks and baked goods (his personal fav are Star Spangled Ding Dongs haha)
Friends with Starburst over their shared energetic lifestyle and red white and blue color solidarity :]
Isaac (Toyhouse Link)
Celestdog - Australian Shepherd
Nonbinary Asexual
Quiet and reserved, generally prefers to do their own thing
Very smart, loves trivia facts
Sibling to Moxie and the rest of the Celestdog family
Kwaro (Toyhouse Link)
SilkWing
Gay, boyfriends with Rutabaga (owned by @/macaronichewtoyz)
Likes to sing, but is self-conscious about singing in front of others
Generally softspoken
Kinda velvety soft rather than full scales
Luau (Toyhouse Link)
Major comfort OC
Very chill, laid back attitude
Good friends with PB and Shep
Occasionally guest vocalist for Let's Get Back! and often runs the lights/effects for their shows
Always has a flower in her hair, but can be any flower!
Girlfriends with Seabreeze
Moxie (Toyhouse Link)
Celestdog - Siberian Husky
Another major comfort OC
Loves to have fun, can play a little rough sometimes but always means well
A bit bigger and more stocky than Isaac
Sister to Isaac and the rest of the Celestdog family
Pebble (Toyhouse Link)
Small and fluffy with long, silky fur
Husky/Samoyed mix
Hates getting his fur dirty
Smallest of my feral dog OCs
Pumpernickel (Toyhouse Link)
Twin brother to Rye
Drummer and backup vocalist for Let's Get Back!
Easygoing and relaxed
Enjoys being outside at night
Rhazz (Toyhouse Link)
Huge comfort OC
Design and personality based around the Roaring Twenties
Super energetic and affectionate
Lesbian, girlfriends with Agouti
Stage performance partners with Foxtrot
Has a necklace, two hoop earrings on her left ear, a ring on her left horn and a feathered headdress (all are not optional when drawing her!)
Rye (Toyhouse Link)
Twin to Pumpernickel
A bit more rambunctious than his twin
Likes to strut around thinking he's cool stuff when he's really just kind of a dork
Keyboardist, backup guitarist and backup vocalist for Let's Get Back!
Seabreeze (Toyhouse Link)
Lively surfer girl
Girlfriends with Luau
Good friends with Starburst as well, as both are pretty adventurous
Always has her lucky seashell necklace
WilkoĹak (Toyhouse Link)
Big scary (or at least he tries to be scary) transgender wolf guy
Name can be pronounced either Veel-koak or Will-ko-Lack (His name means Werewolf in Polish)
Tallest of my anthro OCs
Has hydrokinetic powers and his blue markings glow when he uses them
Used to be a WoF Fantribe OC named Galeforce before I redesigned him lol
SECONDARY OCS
Arroyo (Toyhouse Link)
SandWIng
Sometimes acts as an older brother figure to Rhazz
Higher-up at a gold mine in the desert
Ruff is stylized to look like messy hair
Foxtrot (Toyhouse Link)
NightWing/SilkWing hybrid
Stage performer, performance partners with Rhazz
Loves showtunes music
Feel free to simplify his design if needed lmao
Magma (Toyhouse Link)
Biggest of any of my dragon characters
Veteran of some war (he never specifically says which)
Has a scar on his tail
Adoptive older brother to Sunrise
Fits the "cool uncle who brings the kids awesome gifts at their birthdays and holidays" role
Sundial (Toyhouse Link)
IceWing/RainWing hybrid
Girlfriend of Doppler
Makes up a weather watching/storm chasing team with Doppler and ThunderSnow
Wings show what the sky outside looks like at any given time (day/night, clear/rain/snow, etc. - think like a Minecraft clock lol)
ThunderSnow (Toyhouse Link)
IceWing/SkyWing hybrid
Wavy spines are a hybrid side effect
Wings are meant to look like a blizzard, icicles and lightning, all meant to tie back to his name
Storm chaser, works with Doppler and Sundial
Boyfriend of Eejanaika
Wanderlust (Toyhouse Link)
SilkWing
Owns a safari tour business in Pantala
Sometimes wears a pith helmet at an angle as part of her tours :]
Probably has an Australian accent lol
Her catchphrase/business tagline is "Everybody needs a little more wonder in their lives!"
TERTIARY OCS
Cenote (Toyhouse Link)
PackWing (WoF Fantribe)
Name is pronounced Seh-noh-Tay)
Lives in the forest and has a lot of knowledge about herbs and plants and stuff
Spends so much time in the woods that the smell tends to follow him wherever he goes
Markings and stuff can be simplified if needed lol
Chernobyl (Toyhouse Link)
NightWing/SandWing hybrid
Used to be the king of a fantribe I had made called FissionWings, which is why he has his floaty crown
Orange stripe along his flank is highly radioactive
The spots on his wings flicker with little sparks of radiation
Generally cold and stoic, usually keeps to himself
South (Toyhouse Link)
Melanistic IceWing
Named to contrast all of the IceWing OCs named North lmao
Youngest/smallest of all my dragon OCs
Very innocent and happy since he's still pretty young
Love to play with his friends
StrangeEvidence (Toyhouse Link)
NightWing with weak future seeing powers
Based on the terrible Science Channel show of the same name [I have no shame]
Tries to interpret his visions but goes like, way overboard and sounds ridiculous in the process
When they turn out to be something totally mundane, he's just like  "alright, so that's what that's about. Hm, neat" and walks away
These last two are doubled up due to Tumblr's 30 image per post limit </3
Sunrise (Toyhouse Link)
Also fairly young, but older than South (like what would be tween age in humans)
Kind of a ditz and lacks any kind of inhibition, which sometimes gets her into trouble
Adoptive younger sister to Magma, who often helps her out of the trouble she gets herself into
TĹhoku (Toyhouse Link)
SeaWing/SandWing hybrid
Lives by the beach
Loves to cook and owns a snack shack by the ocean
Very chill, would probably host a surfing contest
#TacTalks#TacDraws#long post#I am not tagging every single one of these OCs lmao#OCs#original characters#oc art#furry#anthro furry#sfw furry#clean furry#feral oc#feral furry#dragon#dragon art#wof#wof art#wof ocs#anthro oc#wings of fire#wings of fire oc#ref#character refs#reference drawings
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ok not about writing but i saw your comment on the amber pins post and i was wondering, what are your top 3 favorite fun facts? iâd appreciate any knowledge you care to share ^-^
Oh good lord, just 3??
The problem with me is that I'm a terminal research junkie, a perpetual student, a collector of information hopefully will some day be useful in a story (or possibly in real life)...so I know so much random shht...
Okay, first fun fact:
David Canterbury (one of the more well-known figures in the survival & bushcrafting worlds in social media, youtube etc) constantly talks about the 5 Cs of Survival: Cutting tool (knife, axe, etc), Combustion device (ferrorod, bic lighter, whatever), Cordage (rope, thread, etc; paracord is often suggested because you can break it down from a sturdy rope to many fine fibers, though Canterbury also recommends bank line, lightly tarred twined rope or cords that can sorta do the same thing), Cover (clothing being your first & foremost form of shelter against the elements, followed by tarp, tent, etc), and Container (canteen for holding water, metal cup or pot for boiling it, etc).
He also talks about an additional 5 Cs (for a total of 10 Cs) of survival tools: Candling device (flashlight, candle, oil lamp, etc, so you can see at night), Compass (literally, a way to determine magnetic north and to determine degrees in a circle so that you know where you're going and where you've been), Cloth sail needle (also called a Canvas needle, a strong sturdy needle with a largish eye you can put thread through, or even improvised cordage made from plant materials, etc, which tends to be way thicker than the usual thread), Cotton kerchief (useful for turning into a makeshift sling or tourniquet, as bandaging material, as a filtering device to get coarse materials and sediment out of water, and in a pinch, tinder material for lighting a fire), and Cargo tape (duct or duck tape, which can be used in the usual ways of sealing things, but can also be used to make a waterproof bag, and can be burned as a form of fire starter).
(If you're interested in the 10 Cs, this article covers them, too: https://blog.ucogear.com/the-10-cs-with-dave-canterbury/ )
But did you know there are additional Cs of advanced survival?
Cartography would be maps and navigation skills, but it can also includes things like astronomy for gauging latitude & longitude, and how to use landmarks to navigate terrain. (aka "You'll see a huge black oak, bigger than anything, at the fork in the road, so you'll want to take the left-hand path if it's daylight because the way is rough, but if it's nighttime or bad visibility, take the right-hand path, but it'll take you about five miles longer to reach your destination, since that goes arount the mountain...") GPS and Google Maps, Life 360, etc, are great if you can get cellphone reception, but sometimes even a satellite phone cannot get a signal out...and if your cellphone gets destroyed or the battery dies, you'll need a backup plan.
Care covers things like medicines. If you have to take medication daily, always have 2-5 days' worth of extra meds on you when you go hiking. It also covers a first aid kit, tick removal equipment, and more, but even so much as a simple bar of soap in a waterproof container, or a bottle of hand sanitizer, can save your life, because you will want to clean any scratches to prevent infection (which has killed more soldiers throughout history than combat itself ever has). (Plus the hand sanitizer can act as a flame extender when starting a fire.) Mostly, though, I want folks to remember that if you take medication, you need to have an extra supply on hand when you go hiking or camping or on a long trip, just in case you injure yourself and can't get back home again quickly. (Also carry your prescription information! Most prescription documentation from pharmacies have a summary section similar to the lable on the bottle that you can snip out and stick into your wallet; if you run out, get rescued, and need to be checked out by the nearest clinic or hospital, it's good to have this information instantly on hand!)
Courage is one of the least acknowledged yet most important aspects of survival. Thankfully, courage is something everyone can carry with them, even if they've been stripped buck-nekkid. The will to survive has been the deciding factor more than once in whether or not a person makes it out alive. Courage helps you get past the fears of your situation to find the strength and the wits to survive. You can find your strength and determination when focusing on your own survival, or you can find it when you think of your loved ones and not wanting them to suffer, or you can draw comfort and energy from both sources. Fear saps energy, and despair drains it away into a sense of hopelessness. Your mentality of courage will help you to search for what you need, and help give you the strength to do what must be done.
Contentment is another intangible survival skill. This one is even more subtle, because it means letting go of expectations of higher comfort levels & better conditions. If you have a tarp to keep you dry in a rainstorm, don't whine about how you don't have an RV to hide in, or worse, a 5-star hotel. You're going to make yourself miserable and feel hopelessness & despair if you're constantly comparing what you don't have to your current conditions and whining about it. If you've got the first 5 Cs, you've got a tarp and cordage to set it up to keep the rain off you, a campfire to keep you warm, a container to boil water to keep you from getting dehydrated (and also warm you up from the inside), and a cutting tool to keep the wood going and to defend yourself against attacks. You're alive, and you're going to get out of this fine. Contentment is acknowledging you could be suffering but are not, and allowing yourself to be happy with the fact you have shelter, heat, water, etc. If you don't release your expectations of a higher level of comfort, you're going to waste your remaining energy, and you'll be too stressed out to rest.
Composure is another intangible skill. Are you the sort who panics in an emergency? Nothing to be ashamed about because lots of people do that, but the big difference lies in practicing in advance what to do, and how to do it, and how to think about it. Bystanders leap into action to save a toddler about to toddle off the sidewalk and into traffic because they've run it through their mind that "If X happens, I will do Y to fix it." Having a game plan, a pre-hike mindset, will help you stay calm in an emergency, which will allow you to conserve your energy, figure out what to do, and do it. You can have a nervous breakdown afterward when there is time & the luxury to do so, but in the moment, practice until you can think and act during an emergency. You can be an absolute mess and still be courageous. You can find contentment in a survival situation...but usually only after the scary bits are over and done with. First you gotta get through those scary bits. Composure--keeping a cool head, forcing yourself to think your way through your options quickly & realistically--will help you to survive.
There are other Cs as well, but those are the main ones off the top of my head...and yes, I have weird tastes in fun facts. Speaking of which!
Second fun fact:
There are over 20,000 edible plants around the world. We only really cultivate about 100 of them in earnest (and 20 of them provide 90% of our plant-based calories), but there is so much more that we could be eating, it's amazing!
Did you know that maple seeds are edible? Yes, you have to remove the husk-and-wing part, but the seeds themselves are edible! And do you know how many leafy greens we aren't consuming? Carrot greens, beet greens, radish greens, chock full of micronutrients and vitamins, trace minerals and the like. Acorns used to be a huge part of the human diet. They need to have the bitter tannins leached out of them (a tedious step that manufacturers didn't want to bother with on an industrial scale until somewhat recently), but they're also full of nutrition as well as carbs and fats.
Common weeds in the cracks of sidewalk can also be eaten, like the vaguely pineapple-looking "fuzzy" wild chamomile, juicy purslane, or even clover, with edible leaves and roots (which can be eaten raw like beansprouts being cleaned, but really should be cooked low & slow to convert their inulin into more digestible sugars). Clover roots were considered a huge springtime feasting delicacy by the indigenous Coastal Salish peoples of Washington & British Columbia, which they would dig up and pile up in huge mounds, then put them into roasting pits with hot rocks to bake all day.
Corollary: Food forest savannahs are a sustainable permaculture way to get a wide variety of foods growing in healthy harmony in a modest space. Monoculture is great for mass production of food, but it isn't sustainable because it robs the soil of vital micronutrients, and wrecks the local ecology. Standard fertilization techniques really only restores half a dozen or so macronutrients (phosphorus, nitrogen, etc) in monoculture fields, but creating a system of narrow grassy fields (to grow grains, etc) between beds of trees, bushes, and groundcover plants allows leaf litter from the trees to fall on the field and restore some nutrients. Grazing your livestock in those grassy alleyways allows their dung to be deposited where scarab beetles and other forces of nature compost and redistribute that biomatter into the soil.
The bushes and trees growing on the margins have access to more sunlight overall (heavy forest canopies don't exactly allow enough sunlight to reach down for good growing health for the shorter plants), and companion planting helps restore the soil naturally--clover and beans for fixing nitrogen into the soil, for example. Adding in species that flower at different times of the year helps support a healthy pollinator population. Perennials such as fruit & nut trees and berry bushes can remain, but annuals or biennials (leeks, garlic, and other plants that take 2 years to mature & seed) can be cycled in and out every few years...
You can grow enough of these things to be commercially viable as a farm, but you don't have to have the acreage of a farm to benefit. An apartment balcony would be fine, or even a table in front of a sun-facing window would work. You can grow a variety of things in pots and planters. And if you have a house with a yard, you can replace your non-food plants with a variety of species that will help you and your family (and neighbors!) have healthier diets and healthier lives. (If you have an HOA and it blocks this sort of thing, attend the meetings, get on the board, and work to change the highly restrictive rules to allow food gardens.) Work with your neighbors in educating them on the many benefits and beauties of food forest style landscaping.
(Fun bonus side-fact: Dandelions have such long, strong tap-roots because they are trying to draw calcium up to the surface from the depths of the soil...so if you have a lot of dandelions in your garden, consider investing in a bag of bonemeal, etc, because it means your soil is calcium-deficient!)
Fun Fact #3:
You can be best friends with someone you've never even met. *waves at the entire internet and its many ways to connect with people around the world* BFF status is not dependent on physically meeting a person.
I have 3 BFFs. One of them I met in school and lives just a couple miles away at most. One of them I met in school and she lives almost halfway around the world from me. One of them I've met online, lives on the far side of the continent, and I may never ever see her in person (q.q for not being able to share hugs in person), but each of us supports the other through hard times as well as good ones.
Fun Fact #4:
(an extra one just for funsies...)
Humans have been humaning for tens of thousands of years. The grafitti scrawled on the walls of Pompeii & Herculaneum is very very similar in content to the grafitti scrawled on the restroom walls of the AFK Tavern a dozen miles from where I currently live.
The first signs of civilization wasn't agriculture or writing or even domesticating wolves. It belongs to a skeleton from tens of thousands of years ago where the person lived with a badly broken leg for over ten years afterward (as judged by the post-break healing done by the bones) before finally passing away. That injury was so bad, someone had to help take care of them for all ten of those years just so they could survive, and that means humans have been caring about other humans for a very long time.
And Ea-Nasir. Oh, how we tumblrites love Ea-Nasir! Not for his craptastic quality copper ingots! We condemn Ea-Nasir for his craptastically poor quality copper! No, we love Ea-Nasir because someone complained about his craptastic-quality crummy copper...a very human thing to do...and because he kept the clay tablet of that complaint as a proud piece of correspondence. Also a very human thing to do. (...And quite possibly for ancient arson, since the clay tablets in his house were baked because his house caught on fire...which could have been an accident, but which also could have been not so much an accident...because he had several other complaint tablets as well!) This one complaint tablet and the fact its recipient proudly kept it is so very human.
Compassion, complaints, and correspondence showcasing cultural attitudes. Humans have been humaning very undeniably for tens of thousands of years.
For us writers, this means that though we may have to watch which words and phrases we use...we can still confidently write someone from Ancient Babylon and have them act in believably human ways.
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Let's practice analyzing an animal video!
In this video, we see a chimpanzee carrying a young white tiger in a pool and handing it off to a lady, whom the chimpanzee then guides to the edge of the pool. The captions read: âHe was worried about the tiger, he gave him to me, & guided us to [safety]â.Â
This video has a few key parts. Where is this being taken? What interaction are we watching? Why are these two animals together?Â
The first thing that you should do is check the comments and go to the source! The comments already warn about animal mishandling, but we want to see for ourselves if we can. Clicking on the source takes us to a TikTok account, which then links to a wildlife safari experienceâs website. This shows lots of pictures and videos of different animals that would not normally interact in the wild, and especially not with humans, including a variety of large carnivores and other animals that can present a real danger to humans and each other. The organization states that its mission is conservation education, and a number of the animals are described as rescued, but moving to the âTiger Talesâ section of their site shows an interesting rebuttal to the filming done there by the âTiger Kingâ crew, as well as other articles revealing disapproval from the Humane Society of the United States. They also knock the American Zoological Association (AZA) for furthering a disagreeable âideologyâ, but the AZA is one of the most trustworthy animal welfare organizations that you can find, as it informs animal care in accredited zoos around the US. You can read there that the institution breeds tigers without the intention of releasing them into the wild, but claims to be a genetic backup for wild tigers and raising awareness for conservation. A quick search of white tigers - which we see in the video - shows that they are severely inbred. Reviewing their website further shows that they allow anyone to sign up and get their hands on baby animals of endangered species, which is not safe for guests or for the animals. There are a lot of reasons to distrust this organization.Â
Back to the video - the biggest thing about the setting (besides that itâs not a natural setting for either animal) is that this is a swimming pool, which is probably chlorinated. Searching about chlorine and animals shows that chlorine may be safe, unless the individual is particularly sensitive to it, and depending on how long the animal is in the pool (which we canât tell here). Additionally, chimpanzees and tigers should not be interacting. We know that, according to good practices of animal welfare as illustrated in the infographic post, a responsible rehabilitation center or other facility should keep these animals separate and emulate life in the wild as best they can, with official (AZA) approved habitats. The animal should normally have limited contact with humans, particularly if it was born in captivity and not already socialized (mishandled) by an exotic pet owner. (Exotic pets that have been rescued may need continued social enrichment in order to stay happy - but should not have gotten like this in the first place).Â
Overall, because of what we found on the source website, we feel that this video should be avoided, and potentially reported if you feel like making a case against it on the grounds of animal abuse. The organization that sponsors this video is extremely questionable at best, shows evidence of animal abuse (a white tiger cub is enough to confirm that, let alone putting those two animals together - and in a chlorinated pool, no less).Â
This video was shared for educational purposes and to add a comment that others can find so that they can learn more - we are considering the educational benefit as outweighing the single-reblog engagement cost.
For a comic on how to analyze animal videos, check out pinned!
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apologies if someone's already asked this but... favorite taemin stylings and sets/stages?
i've had fave songs but not fave styles and sets!!!! thank you anon this is great.
- ok my top stage is probably the advice inkigayo one take stage, because 1) the full loverboy styling and also the backup dancers have impeccable outfits too, 2) i loooooove the neoclassical set (the fact that main sculptures are laocoĂśn and his sons, where the story in virgil is that he is punished by being attacked by snakes for attempting to expose the trojan horse as a ruse) and the THRONE!!! also the inverted triangle!! has a bunch of different meanings, including: the alchemical symbol for water (fluid and formless, also in the projections) and the symbol for femininity, the symbol of the father, son, and the holy ghost (christianity), and 3) the choreography of advice is the only choreo of taemin's that was conceived post covid and thus it's meant for specifically for the accompanying camerawork, which you can really see in the various ways that it gets filmed.
- my other all time fave styling is this outfit from the ngda beyond live:
which also included a burned jacket and an eyepatch, which he used to perform criminal, idea, guess who/sexuality, heaven, and door.
- another fave styling is the danger stage from shinee world 2014 at tokyo dome, with the giant blue fur coat and shirtless leather jacket and the giant cross and the revolver. peak solo taemin image change bullshit and i love it.
- tbh i love most of the styling from advice but the white cropped sweatsuit look really did make me lose braincells. like the chunky earrings and the harness and the bobby pins and mascara tear tracks and the pseudo sports bra it all lives rent free in my empty skull
- just. all the styling from criminal and ngda in general. obvs love the dark virgin mary getup and the chainmail and also the gucci suit with the chainsaw, but the lava suit and the hell set from the 2020 kbs song festival..........MWAH. and the royal blue satin hanbok from the king taemin mama 2020 stage....................with the cape.............. i also do like the set here as well, very inspired choice to go with this tron style hyper neon hanok/palace and pair it with more traditional fabrics and embroidery.
- i also find the original move styling ideologically very fascinating, partially because everyone kinda just....forgot about it? it's been eclipsed by all the newer versions that he's done where his general styling has shifted much more towards the 'feminine' end of the spectrum, but the original stages are a very interesting deconstruction of traditional western masculine silhouettes with emphasis on a particularly 'masculine' feature: muscular arms. most of the looks are sleeveless muscle shirts or graphic tshirts, but interestingly also a very skinny fit double breasted pinstripe suit, which is huge symbol of post-war and post-modern masculinity in western fashion. you can see this continuing deconstruction with other tracks on the move album; like with stone heart, where he's got this strange and kind of incredible sweatervest/suspenders/ultra high waisted trouser combo for the offsick concert, which is very clearly an appropriation of classic 'scholarly'/academic type fashion.
- as far as sets go, really all i want to talk about is how taemin puts sooo much thought into his stages (like the actual physical stages) for his tours. he's so interested in providing these very unique experiences in terms of stage technology which is not something a lot of artists think about. like for his first solo concert at nippon budokan he did a concert entirely in the round, which is pretty much unheard of for a stadium show. there's also the double hydraulic lifts from xtm, everything that was happening for t1001101 (the slanted stage, the lighting rigs), and then for the ngda beyond live, a redux of the slanted stage that also was separated into three different hydralic sections and drone camera integration (dream maker studios posted the dronecam version of heaven so you can see some of the stage in action). there's so much tech that goes into his performances that i really wanted to talk about that a bit, because i'm a nerd and stadium stage design is sometimes sooooooo boring. taemin really makes the effort to step up his game not only personally, but in everything around him as well.
#kpop questions#taemin meta#taemin#so much of the advice styling is about taemin (the persona) as an enlightened being outside the boundaries#after rejecting the strict christian dichotomy of ngda#who is also exposing the hypocrisy and flaws of that system#(hence the choice of the laocoon reference methinks)#its all very 'new formless god' energy and i really need to finish that advice writeup#i have three different other taemin posts in my drafts a;ldkjfalskj i need to get a move on lmao#other faves include the triple belted jumpsuits from want era. the teal hair from final life/nippon budokan. the green hair from famous#that one pyn performance video with the plum suit#im trying not to list everything he's ever done lmao#taemin's mvs are good but it's how he conceptualizes each of his eras into specific accessories and silhouettes that is just so!!!!!!!!#like when i was watching ngda with my friend and he showed up in that velvet matador-esque outfit with the one glove and i was like#'BITCH THATS A WANT OUTFIT HES GONNA DO WANT' and then two songs later he did#text#answers#also there's history around the inverted triangle and the queer community thanks to the n*zis so take that how you will#actually the trinity might be a regular triangle not an inverted one i cant remember. whatever it's still a triangle#WAIT ALSO triangle halo denotes god the father in iconography (as opposed to circular for saints and square for humans)!!!
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New MASTERLIST WITH FILTER
Some of you have noticed that I posted yesterday a new masterlist. Unfortunatley I deleted by accident the new masterlist. Luckily I had a half-done backup. Oh Llama! So I did the rework and added even more tags.Â
Currently, this blog experiences some massive changes and improvements, as most of you have noticed already. The TAG system did improve. As a result of the current changes, a new overhaul has been done. As of today, you will get a brand-new MASTERLIST with a filter system. Yep, you heard it.
Our lovely tags will remain as they are, but they have been reorganized, and a bunch of existing ones has been added. Some spelling errors are fixed. The list did explode with the number of new tags. It was time to change something. đ¤¨
The good news is: Masterlist is now way bigger and split into several categories and alphabetical order. Bad news? Well, the old layout is gone. Bye-bye, old masterlist, you served well, but we donât need you anymore. đ
The new filter helps to get a better overview of the tags we have. Took nearly two (now almost four) days to restructure and organize that babe. But it looks much better now. Promise! So here are the changes: đ
Top: News/Updates, little Tutorial, a Help-Corner, Trigger Warning, and stuff you can find pose-related and beside poses on this blog.
Basics: Age & Gender, Amount, Position, Traits, and Type.
Actions: Activities and Actions. What else, right?
Accessories: The wonderful little thingies we need almost always to tell cool realistic stories.
Objects: All kinds of stuff and more stuff... you know the drill.
Simâs Life: Everything that a Sim wants or needs in their life. Like Events & Socializing, Friends (NEW) Unbelievable, right? Not any more! Here you will find more categorized poses like Gestures, Life Stages, Location, Love, Music, Pets, Profession/Career, Transportation, and so on.
Genres: Historical Stuff, Supernatural Stuff, and whatever will come up in the future and has its own genre. This is the place to go.
Seasonal: Seasons? Holidays? Weather? Kinda, yeah! You get me, right?
Specials: Topics that donât fit in any other category. Check out the poses for your potential general Simedits or Lookbook or whatever. Traits show up here as well, dope, huh?
Themed: Has been restructured and fulfills a new purpose. You look for Poses regarding Beauty & Care? Smokinâ fly! Yeah, I see you! Healthcare, anyone? Fame & Media? VIP, eh? Wedding? Yes, please! Foods? I knew your sim were hungry. Pregnancy? Uh, a little one is on the way? Â Law & Order? Well, it can't be wrong to lock up those bad guys, right? You see where this is going?
Creators: Here you can explore who has changed their Simblr Names or if creators did retire, but most of their content is still available and more...
Trigger Warning: Link to the Trigger Info page. Just to make sure you will see that it is linked.
NSFW: The last section is the corner for ADULT CONTENT to be used at your own risk, and it requires you to read first the Trigger Warning Info if you dislike such topics.
A few tags have now a skull â ď¸. That means this tag can contain some NSFW-related content due to its nature of having multiple meanings or it serves multiple purposes. In this case, you need to see for yourself if you want/need to block those tags, too.
More topics for the âTHEMEâ section can be added in the future. If you have a suggestion, comment below. Maybe it will be added. đ
Drop a note and tell if you like the new list with the new system.
This post will stay for 24 hours pinned before I will pin the previous Trigger Warning Post Info again.
Stay safe and sound. Happy Pose Findings! đ
26th. April 2021
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TEN OUTTA TEN 1010
Welp, its happened. Iâm into No Straight Roads, and the boys with the K-Bop in their step has got me hooked.
So Iâm gonna celebrate (for the moment) with lots of gathered info Iâve found, seen, or heard speculated, regarding the Top Boy Band of Vinyl City... 1010. [Possible OCs to come later]
Some of this stuff might be common knowledge, some is already on the wiki, but hey, no shame in having a consolidated list.
But for now...
The Names of 1010 were deciphered by out of universe fans. They are Rin (White), Haym (Yellow), Eloni (Green), Purlhew (Blue) and Zimelu (Red).
An old placeholder model for 1010 had Black Hair and different tron lines.
1010 in binary is... literally just 10.
Eloni does not get fan letters; Heâs the âFunny Band memberâ, and Funny Band Members donât get fan letters.
1010 wears Sailor uniforms (The US Navy would call them Dress Blues, so think... Popeye. But no hat.) In fact, their flying limo is a god damn Tron-lined Battleship. Even the Cannons dance to the music.
Theyâre a parody on K-Bop bands or Boy Bands to the West. And while theyâre listed as Funky, theyâre technically Synthpop. (Haha, Synth)
In the background of their fight, when the Battleship Limo stops for pictures, you can see that there is a set of pictures of 1010. Rin the White has a Fuschia or Purple Background, while all the others have a background matching their aesthetic colors.
1010 have common powers... ... Firing Lasors. ... Levitation (Or small time Flight; as they rush to the side to meet the Cameras) ... âTaking to the Skyâ, or just really powerful jumping. ... Being powered by Cheers. ... Thereâs a reason I left Shield off in a moment.
1010 are both outrageously tall (Mayday only comes to their waist when they stand up properly), and outrageously heavy (did you hear them walk backward in their intro cutscene? How heavy are these guys!?)
It could whatever kind of AI they have, but they are waaaay insynch, almost preemptively. Perhaps 1010 are directly linked to each other?
In most of their appearances outside of battle, they all have the same colored eyes as their aesthetic colors. But in Battle, they all have White eyes. Mind that in their Show Stopper picture, theyâre back to having their aesthetic eyes again. Take that as you will.
1010 has associated attacks, when youâre in the Phase facing the Factory and Neon J. ... Yellow has Missiles or Splash Damage explosions. No literally, the yellow droid is the missle. ... Green has Bombs. HIS HAIR IS A BOMB. ... Red has Saws. He-He literally uses Red Droid as the Saw. ... Blue has some sort of Staffs or Whirlwind strike. They are staffs made of Purl-Hew. ... Because of his Pictureâs Purple Background, Whiteâs likely isnât an attack but is, in fact, the Shields that occured early in the battle. Which is probably why theyâre never deployed, because how the hell can you make a shield out of Rin Bots.
It was pointed out in one of the many Youtube Comment Sections that 1010â˛s hairstyles match their respective attacks in some form or fashion. ... Zimeluâs Mohawk indicates his associated Saws. ... Haymâs hair looks like a missile. ... Eloniâs hair looks line a Grenade Pin. ... Purlhewâs flat top hair could indicate the fact that heâs literally used as a Staff End. So basically heâs Blue. Thatâs his attack. [Hah] ... Rinâs the sexy one. Look, for a Band of Robots with fancy hairdos and attacks, heâs not considered remarkable.
As they are a parody of Boy Bands across the World, they may follow the boy band âarchtypesâ ... Rin is the Leader, and the Heartthrob (He doesnât have a weird hairstyle, and he does the most flirting / talking; as well as the most promoted) ... Eloni, as already established, is the Funny Guy, or the Comedian. ... Purl-Hew is the Cool Guy, (consider his Sunglasses) ... Zimelu is the Bad Boy (Mohawk, his ANGRY EYES AARGH) ... Haymâs is apparently considered a Pompadour. Maybe he is also a Bad Boy? Consider his name, he may be the Smart Guy. ... There is no known âShy Guyâ or âCute Guy (Technically, the Second Heartthrob, but isnât a threat to first Heartthrobâs position). So, go forth and create.
Fun Consideration on my part. Since Names can have meaning in No Straight Roads and meaning in personal names... ... Rin is a japanese name, and boy can it mean a lot of stuff depending on the Kanji (Some of the meanings are âDignifiedâ âCompassionâ âColdâ). Heâs probably coolly impassionate off stage. ... Purl-Hew is apparently a pun on Pearl Hue (cos I guess blue Pearls). Perhaps he likes puns. ... Zimelu is an ooold fortress in Lativa apparently. Perhaps he has a warish personality. Or I guess knows very Niche military history. (Perhaps, in-universe, it was the name of a base Neon J served at?) ... Haym is the name shared by a few people, but in the themes of music, its probably Nicola Francesco Haym (Italian Poet, Opera Librettist, Composer, Manager, Editor and Numismatist (Thatâs uh, a guy who studies Currency)). Perhaps our Haym is quite the Nerd. ... the name Eloni means Lofty. Which can me âOf Imposing Heightâ (They all are), âNoble or Exalted Natureâ (Possibly?) âProud, Aloof or Self-Importantâ (They all are that too, yes), or in regard to Lofty Wool âThick and Resilientâ (I mean, if you look at those thighs-- Ahem). So basically Eloniâs name defines all the group... Wow, poor fella. No wonder heâs the Comedian, heâd have to pull anything to get noticed (when its not about his hair) [THE DUDE DABS]
If Battledroids all have background memories to be more efficient in combat... Does 1010 have backup memories from Neon J?
Metro Division shows other kinds of Robots, and the progression of 1010â˛s Mark Models (1 looks like your typical Sailor, 2 looks a bit like our 1010 but more droid, jointed and blocky, and our 1010 is currently mark 3... There are 4 known Types of Droid, so a 4th Mark may be on the way)
Neon J, Manager and Creator, is a Vetren of Vinyl Cityâs Navy (It only has a Navy); and his District is literally a Theme Park mashed with a Ship Yard.
Neon is the 10th element of the Periodic Table, and J is the 10th letter. Dude loves his 10s.
Considering how he replaces the bots in battle, or even outright uses them as weapons... Perhaps his âTroopsâ are not the Bot bodies, but the AI possibly hosted inside? 1010 has more personality out of battle after all, and Neon is seen fervently protecting 1010 when their eyes share their hair color. (As their eyes are only white in battle...) Hm, mayhaps the HC is, that when their Eyes have color, the AI is truely present.
Neon is a Cyborg, note that his body appears to be the same kind of droid as 1010â˛s, with a Radar head. His brain is apparently in his radar, and as we saw post-battle, that head was smashed to hell. Perhaps the reason he was reminiscing so much and though that BBJ was really after him, was because of some serious onset head or brain trauma.
Apparently, Vinyl City has or has had Border Wars. This could be a reference to the Korean DMZ Conflicts (As 1010 does distinctly include Korean K-Pop, and South Korean men do have to serve 2 years in the military forces by law), but there have been hundreds of different Border Wars throughout the world. [ I wonder what war Vinyl City was in. Perhaps against the Artist Capital of the World, Canvas City ] [ Oh take me down to the Canvas City, where the grass is green and the pics are pretty--]
Neonâs passion is Dancing.
Neon J and DJ Subatomic Supernova do seem to be in a lot of pictures together. No wonder everybody ships them.
Neon J used to make toys, as seen by the collectibles you can get. Done by hand too. Though if each toy found is a stage in his life... I wonder who the doll with the violin is.
Think maybe Neon J has direct control over 1010? I mean they share the same voice, they have a passion for poses and dancing, he does directly command them...
Are Cyborg parts cheap? Or was Neon J someone important enough in the Vinyl City Navy to actually become a cyborg? Military doesnât do expensive prosthetic surgeries for random grunts without reason.
Okay, regarding what the Azkar faction is. Its probably suppose to be Askar. Azkar is a type of Islamic Prayer. Askar is actually Arabic for Army. So itâd be The âArmy Factionâ (which makes more sense for a nation city-state that only has a Navy)
The place he called âKewanâ is not a real world place. Its either Persian for âSaturnâ (What, is he... Is he a SAILOR SCOUT!?) or Kurdish for Mountains (He does mention mountains).
Possibly more as information arises.
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Black Dresses and Back Alleys
(Butcher gif credit goes to @urban-trek-thru-middle-earth, and the edit is mine. Donât ask why the gif is running so fast I couldnât get it any slower. Open to suggestions lmao)
Who?: Billy Butcher x Reader
What?: Inspired by this post by @becs-bunker (thank you once again for letting me borrow the idea, love). Undercover in a night club to seduce a Vought scientist, with Butcher as your backup. What could go wrong?Â
Word Count: 2.6k
Warnings: Does Butcher even need a language tag at this point? Smut. Portals? Writing smut? Why, itâs unheard of!!! Nah yâall know me this is smutty af. Specific warnings: Jealous!Butcher, Hints of Dom/sub, Public(ish) Smut, Fingering.
A/n: Hello everyone! Quick shout outs to @becs-bunker for the inspiration, and as always the illustrious @bakerstreethound for being a literal actual angel in human form, whom I thank every higher power for. I love ya. Also, shoutout to Sandmann on AO3 for helping out with some plot and general editing. You rock my dear. I wrote this with the dress in the picture above in mind, but feel free to read it as what ever sleeveless short dress you want :)
Going undercover in a night club to seduce some asshole scientist from Vought was not your ideal Saturday night. The mark was a new promotion in Vought and was more than happy to run his mouth once you got a few drinks in him. Bragging seemed to be his favorite thing to do, other than grinding like a 17-year-old boy at his first prom. It did provide a source of entertainment, though. Butcher had come as your backup, and never left your field of view for more than a minute. More than once you'd caught sight of Butcher scowling in your direction as the mark pulled you in close to whisper in your ear, or when his hand dropped a little too low while you were dancing. It finally came to a head, though, when the man led you over to a small VIP section and pulled you into his lap. You giggled and played along, trying to steer the conversation towards what he was working on for Vought. Turning all of your focus to getting him to tell you about the mysterious Compound V, you nearly jumped out of your skin when Butcher's voice cut through the noise.
"(Y/n)! Come âere. I need to talk to ya." You jumped and turned to see Butcher stood just outside the ropes, glaring at the man, and his gaze sending ice through your veins. The idiot scientist didn't seem intimidated; however, he just scoffed and pulled you further into his lap.
"Sorry, mate," He said, making a terrible impression of Butcher's accent. "She's busy," You giggled and placed a hand on the man's chest, trying to salvage the situation, but you knew it was naught when you looked back over at Butcher. He was pulling what you called his 'death smirk,' and god only knew what he was planning. You recovered your composure and leaned in to speak into the mark's ear.
"I'll just be a minute." Your voice dripped with honey sweetness, but when you stood to walk away his hand shot out and grabbed your wrist.
âAnd how do I know you will come back, sweetcheeks?â You cringed internally but offered him a sweet smile before leaning down to kiss him quickly. Seemingly satisfied, thank god heâs too drunk to press the matter, you turned and let your hips sway as you walked towards Butcher. As you approached, Butcher turned and started into the crowd.
Surely he's not pulling me out?
You hesitated at the ropes, causing him to turn back, and you could just barely hear his growl above the music.
"Now." You suppressed the outrage at his demand and turned back to shoot the scientist a wink. It took all of your focus not to storm off after Butcher, and you only grew angrier as he led you towards a back door. You didn't even flinch as he slammed the door open.
"What in the actual fuck is wrong with you? I nearly had him!" You exclaimed once the door shut. He didn't bother turning to look back at you as you moved to catch up with him.
"Yeah, nearly had his tongue down your throat, didn't ya?" He mumbled, clearly thinking you wouldn't hear. You reached out and grabbed his arm to stop him.
"Answer me. Why the fuck did you pull me out?" He glared at you for a moment before replying.
"He wasn't gonna tell us anything we didn't already know." He said.
Liar
You scoffed and darted around in front of him when he tried to walk away. "Don't bullshit me, Butcher. I've known you for too fucking long-"
"I didn't like the way he had his hands all over you, alright?!" You stopped in place, too stunned to believe it. Suddenly everything clicked into place.
.
"So the plan is to pick him up from this club on Saturday. He's there every weekend, so we know we'll definitely be able to grab him there. Then we bring him back here and-" Hughie cut MM off.
"Oh, don't tell me we're planning to kill him too," Hughie said, dragging a hand down his face. Butcher started to speak up, but you spoke first before he could give his little speech about whatever it takes.
"Why don't I go in?" Everyone turned to look at you. You shrugged and moved forward. "You said it's a night club, right? I'll go in undercover and get it out of him my way,"
"You mean fuck it out of him." Butcher scoffed, and you gave him a side-eye before continuing.Â
"It's easier that way too, he'll be too drunk to remember talking, and Vought won't be looking for the 6 stooges who kidnapped their new scientist."Â
"No." Butcher spat out. You turned to look at him in confusion. He avoided your gaze and looked back up at MM. "You, me, and Frenchie will wait for him and-"
"Butcher, if she's willing to go then-"
"I said no. It's too risky."
"And since when do you give a fuck?" You demanded. He finally turned to look at you, and you raised an eyebrow in challenge.Â
"You want to get yourself killed, fine. But I'm coming with you so I can wave at 'cha when Vought swoops in and drags you away."
.
Billy Butcher was jealous. So many thoughts rushed through your mind at once, and you shook your head to clear them before replying.
"And what gives you the right to pull me out when the mark gets a little handsy?" You demanded. The glare he sent you had you backing away until you were trapped between him and the wall.
"I protect what's mine." His voice was low and held a dark edge that sent chills down your spine.
"You don't own me, Butcher." The words had barely left your lips before he was slamming you back against the wall.
"No?" He asked, his face barely an inch from your own. You inhaled sharply as his hand yanked your skirt up, and he stroked two long fingers along your already dampening core. Another gasp escaped you as he leaned down to suck at your neck. "This cunt isn't mine? Sure did seem like it was the other night." You moaned as he pulled the fabric aside, circling your clit for a few moments. "That's a right shame." He growled against your ear, a finger just barely slipping inside you before he was suddenly gone, taking a step back to smirk as you whined and fell back against the wall.
"You don't get to pull this shit right now." You said, adjusting your skirt. "If you wanted me all to yourself, you should have fucking said so when you showed up at my door, begging me to help you and the boys. I told you then, no attachments. You fucked me over once already that first go around." Suddenly he was right back in front of you, tilting your head to look up at him.
"Better late than never, eh?" He growled, moving to kiss you, but he stopped right before your lips touched, waiting for you to make the final move. And, oh, how you wanted to. You'd fallen for him practically the moment you'd met him, and he'd known it. You didn't find out until too late that he could never have any affection for you. By then, he'd been fucking Susan behind your back, and you finally realized precisely the type of person he was. You'd convinced yourself after the team disbanded that you were over it, over him. Hell, even when he showed up at your door, you still almost kicked him out. And yet here you both were, after years of denial, scant inches apart, with him admitting he was jealous. Butcher pulled back slightly and tilted his head as he glared at you. "Cmon. Just admit it. Say you're mine." You glared back at him, anger and lust still pulsing through your veins. Finally, you groaned in frustration and reached up to pull him back in.
"Fuck you." You said and slammed into his lips in a harsh kiss. He matched your pace, pressing his body against you. You could feel him growing harder as you met again and again in rough and bruising kisses. A growl sounded deep in his chest as you tugged sharply on his hair. He pinned your wrists over your head with one hand before the other once again found its way beneath your skirt. You gasped and squirmed as he pulled the dress up before yanking your lacy thong down your legs. "Butcher-" He cut you off once again by slamming two fingers deep inside you, barely giving you any time to adjust before he was pumping them in and out at a brutal pace. You tugged against his hold on your wrists, trying to muffle the sounds escaping you, but he held firm and just moved to bite and suck at your neck, ignoring your pleas.
"How about I fuck you right here in this alleyway?" He growled in your ear. You whined as his thumb pressed hard against your clit. "Let the whole fucking world hear you moan for me," He continued his onslaught, driving you closer and closer to climax. Right as you were on the edge, he pulled away, leaving only his hand pinning your wrists. You bit your lip to stop from crying out and tried to focus back in. After a moment or two, you began to laugh breathlessly. "What the fuck's so funny?" He demanded.
"You say you own me, but who's the one begging to fuck me in an alleyway cause they got a little jealous when someone else played with their toy?" You said, relishing in the way his eyes flashed. Your laughter was stopped dead, though, as he leaned back in to resume sucking at your neck. You gasped as his hand slid into the top of your dress, palming your breast roughly.
"We need each other, luv." He pinched and rolled your nipple between his fingers and moved to give other the same attention as you continued to squirm. He chuckled as you stepped around awkwardly, your movements hampered by your thong still caught around your knees. "Having problems there?" You carefully dropped your head back against the wall and groaned.
"For fucks sake Butcher if you're gonna do something get on with it." You huffed. He pulled back to look at you, smug grin out in full force.
"Why? If you're not desperate for me, you can just run inside to your little twat and let him satisfy you. Ey?" He pulled your breasts free from your dress as he spoke, and you didn't have time to think before his lips were closing around a hardening peak. You moaned and arched your back into him, and he palmed and kneaded the other before switching sides.
"Butcher for the love of all that is holy-" He pulled off you, leaving his hand in place as he spoke.
"You want me to fuck you?" He smirked.
"Either that or let me go find someone who will," You yelped as he groped you hard. "FuCk! Please! I-" You screwed your eyes shut. "I need you." He finally released your wrists and slammed back into your lips. You reached down to step out of your thong, intending to just throw it somewhere, but he grabbed it from your hand and stuck it in his coat. Too far gone to care, you pulled him back in, fumbling with his pants' fastenings. Finally, you pulled his throbbing cock free, and he groaned as you gave him a few strokes. "Whose cock is this, Butch?" You said mockingly. He glared at you and pulled your hand off before reaching into his back pocket and pulling out a foil packet. He tore it open and rolled the condom on quickly before grabbing your ass and lifting you up. You wrapped your legs around him instinctively and hissed as he brushed against you.
"Whose cunt am I about to destroy?" He snarked as he moved to where the wall was taking most of your weight, freeing his hand to guide himself into you. You whined and clung to his shoulders as he filled and stretched you inch by delicious inch. Before he could move, the sound of the door slamming open had you scrambling in panic. Butcher only pushed further into you, moving in close enough to cover your exposed body with his coat as a whimper escaped you.
"(Y/fake/n)?" It was the scientist, and Butcher let out a huff at the sound of his voice. You willed the man to just go away, but his voice only drew nearer. "Hey, Brit! You scare my pussy away?"
Ah shit
Butcher made a noise akin to an animalistic growl and pulled his hips back, so only the tip remained inside you. He locked eyes with you, and you shook your head at him, but it was no use as he called over his shoulder.
"Sorry, mate," Butcher said. He slammed his hips back forward, drawing a desperate gasp from your lips. "She's busy." Your eyes slammed shut in mortification, and you could feel your cheeks heating up. Butcher smirked against your neck as his plan worked, the man cussing him out but finally leaving. As you heard the door open and close, you considered smacking the smug bastard. Right as you opened your mouth to speak though Butcher repeated his action, drawing another cry from you.
"B-butcher-" You whimpered, and he tsked before slamming into you three more times, making you claw at his shoulders and cry out.
"Nowhere near loud enough, love." He dropped his head to your neck, biting and sucking marks as he gripped your ass tighter and pounded you into the wall. "I want to hear you scream." Your fingers continued to dig into his shoulders as each thrust drove you higher and higher. "Fuck." He swore and began to pick up his pace. You gasped and whimpered incoherent syllables mixed with pleading his name as a fire started to form in your core.Â
He may be a madman, but every move of his hips, every touch of his fingers, and kiss from his lips seemed to be perfectly thought out to drive you to the brink of insanity. Someone could have walked right up to the two of you, and you doubt you would have cared, too consumed with the pleasure zapping through every cell of your body like lightning. Only he had this effect on you. Only he could convince you to give in to him with barely any effort at all. Yes, Billy Butcher was crazy, but not a single part of you cared as the spark in your core ignited, and you muffled your scream in his shoulder. Butcher groaned as you clenched around him, and doubled his efforts, panting hard as you begged him to let you have a moment to recover. It was pointless though, already the coil was beginning to tighten again, and this time when you came, your whole body shook, and it took all of his strength to keep you both from falling as you squeezed his own orgasm from him. He quickly slid out of you and stood you on your feet as you both gasped for air, the aftershocks jolting you into whimpering. You eventually managed to regain your brain function, quickly fixing your dress and hair before holding your hand out towards Butcher. "What?" He asked, raising an eyebrow. You rolled your eyes and huffed.
"You know what. Give me my panties." You said indignantly. He tilted his head and grinned at you. "Ugh. Perv." His grin turned predatory as he turned to walk towards his car, reaching in his jacket to pull them out and dangle them off a finger.
"You're not gonna need them tonight, luv."
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Tags (as always if youâd like to be removed or if I forgot you feel free to yell at me. If youâd like to be added, click here):
@bakerstreethound @bookscoffeeandracoons @becs-bunkerâ @lt-trickâ @billybutchersbabe @emily-strange @below-average-fangirl @brideofedoras @nora-hewlettâ @im-like-reallythirstyâ @fairytale07 @waaaaaaitwhat @rayray1463 @mblaqgi
#billy butcher x reader#smut#language#honestly i just need to dip this blog in holy water at this point
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[tw:Â rape, child abuse, and suicide â almost every warning from the pinned post applies to this one text]
[I write this because I want a solid foundation from which to work. This post is not a comprehensive reference but is intended to be a general chronology of pertinent facts as nearly as I understand them. Going forward, I intend to edit this text as needed.]
[This is relatively long, overtopping 2700 words.]
1. Facts from before the forgotten years.
A. This child was neglected and abused.
The eldest sibling has self-harm scars on their hands to this day. The next-younger sibling spent time in a youth correctional facility and eventually died of natural causes that can only have been hastened by addiction. The middle sibling left the country as an exchange student and has only briefly visited since. This child was next-to-youngest and appears to have been assigned the role of scapegoat. The youngest was the only child who was never a part of the first wave of children and was always shielded by the mother.
There was a section of two-by-four that hung from a leather loop in the kitchen and had âbe good or elseâ burnt into it (it was only a âpaddleâ and was used only when our behavior called for it, I was strongly reminded when I brought it up in a conversation with a family member).
Whatever the sacred mythology of the family may claim, the family was not healthy.
The memories are unclear, but this child was sexually assaulted on the playground by older students, in the fourth grade. This child was the only one punished.
This child spent most of sixth grade in the school therapistâs office. (The school therapist was not a thing until this child. The school therapistâs credentials, as we later learned, were a degree in mechanical engineering. It was a very different time.)
This child was held back in sixth grade. The school therapist recommended placement in a school for the gifted, so the parents had this child sent to a different public school in another town, and away from the school therapist, instead. (There was no money, so the story goes, but the middle sibling went to Europe shortly after.)
This child was nearly reported as potentially anorexic in middle school and had to talk their way out of a thing that would have brought severe punishments at home.
This child made their first suicide attempt in high school. (It was more a test of the waters.)
After being held back yet again in their junior year, this child dropped out with an agreement that they would take and pass the GED test.
At some point in childhood, an extant list was written, naming and describing five identities, although we did not become aware of DID until much later.
B. The boyâs life failed.
The boy moved in with his girlfriend. They engaged to be married after they both graduated from university.
The boy worked an assembly line job to pay for the fiancĂŠe to attend school, with the agreement that the fiancĂŠe would reciprocate after graduation. The job was slow death and aggravated an already dangerous case of depression.
The fiancĂŠe met a guy at school and they both felt she could do better than an uneducated laborer for a husband. Within weeks of her graduation, she broke the engagement and moved in with her new boyfriend.
The boy was first hospitalized, for suicidal thoughts, shortly after. While he was in the hospital, the ex-fiancĂŠe and her new boyfriend returned to the apartment to take everything of value. When the boy was released, the apartment had no furniture but a single chair (all furniture was originally given by the boyâs family).
C. The boyâs life failed, still.
The boy was released with no diagnosis and no follow-up services. Less than one week later, he cleaned the apartment, baked a cake, put on some music, and attempted suicide. The attempt failed but the boy did not have a backup plan. (The body has lingering health issues from this attempt.)
The boy was sent to a different hospital, and then directly on to the state hospital (which was ordered closed years before and is back in the news at the time of this writing, after now having been closed for years, for the many unmarked graves that were recently uncovered). The hospital was its own form of trauma. The boy was hospitalized with diagnoses of Depression, General Anxiety, Avoidant PD, and Gender Identity Confusion, for a full two months before release. The hospital intended never to release him or to dump him without follow-up services, but this was over-ruled when the contract for the ârentedâ doctor ended and a new doctor was brought in.
There is a high likelihood of medical abuse with sexual overtones involved at this last hospital. The only facts I have for this are the reactions of workers and therapists who read the record, shortly after. They were horrified by what they read and did say so often, but without explaining why. I have only the few bits of memory from creepy encounters with the doctor in question.
--
2. Facts from the forgotten years.
A. The girlâs life emerged.
[This part backwardly overlaps parts of the previous section.]
The boy discovered the Internet through his fiancĂŠeâs school account. (This is very foggy, since the boy continued to have an account well after the fiancĂŠe graduated and was no longer a student. I think the system, I am not sure if it was the boy or the girl, made friends at the school, but this is strictly an assumption in the place of actual facts. The boy was unofficially involved in bringing internet to public schools for the state, through a friendship with the person charged with the task, but this does not appear to be directly related. (It is rather unsettling just to stumble over this memory by chance.)) The Internet was a novel creature at the time, and so assumptions need to be tempered accordingly. The boy often had to explain what the Internet was and had to justify why he believed the people he talked with online were actual, living people. (We used IRC, way before it became synonymous with porn and whatnot â which has been oddly echoed with tumblr. The school was the only way to connect to the Internet at that time, because even AOL did not go online until years later.)
Angela found freedom of expression through the Internet. Angela found friends through the Internet. Angela began travelling to what we would eventually think of as her city, to visit her friends. Angela first began presenting in public in her city.
[Projecting backward still, the fiancĂŠe first encouraged Angela. The fiancĂŠe helped Angela to assemble her first wardrobe and whatnot. But the fiancĂŠe also pushed Angela into dressing and would then have what appears to have been angry sex with her.]
B. The slumber party.
[Back to the timeline.]
Angela was abandoning their responsibilities in his city. Rent money was spent on clothing and such, and on travel to her city.
From the last trip to her city (I only assume it was then), I have an unsteady memory of an argument, if you can call it that, over finances.
Angela was going to a slumber party with friends, but the group was also going out to a âfriendlyâ bar. I have no memory of all that was planned, but the party was intended to last two nights.
I have the impression that Angela hoped to meet a partner-to-be at the bar.
The bar was a disappointment. The gay server was cruel toward the perverts he was forced to serve. There was no knight in shining armor waiting to rescue Angela so they would live happily ever after.
Angela was fending off advances from a guy who had been invited to the slumber party.
The last not-necessarily traumatic memory I have is of Angela crying after seeing an obviously-happy-in-love lesbian couple at another table.
Pre-C. An assumption with accompanying facts.
Assumption: There is sufficient cause to believe that Angela was drugged at the bar, before the slumber party returned to the apartment.
Facts: The guy was not from that city (or even that side of that state) and did not already know the bar or the bargoers, other than those from the party and from online conversations. This kind of drug was not sold in that bar from a machine, as far as I know, like cigarettes were. The rape cannot merely have been a crime of opportunity for both perpetrators and had to have been planned/prepared for in advance by at least one. Even if Angela was not the chosen target before the bar, she was already in the pool.
C. The rape.
I have only fragments of memory from that night, not that I have much more than fragments from the years surrounding the party.
There is one detached memory of a moment during the rape. The body is on its knees on the bathroom floor of the apartment. The guy mentioned before was in front and someone else was behind.
The next detached memory is of cleaning the bathroom floor with Angelaâs clothes. (This is more painful than the previous, because she was no longer treated as human internally.)
The final detached memory is of sitting on the kitchen floor of the apartment at the party, while everyone else was camped out in the other room. [The body was no longer welcomed at the party because Angela had caused the rape.] The body was uncomfortably sitting as close to the apartment door as possible and sitting next to the kitchen waste basket. The body was dressed in travelling/boy clothes. The body was leaking into the clothes. The next bus was not until daylight.
There is significant physical pain in the final memory. For the obvious reasons, but also because this body has an allergy that male bodies usually do not â seminal fluid hypersensitivity. Through unprotected sex, the rapists put the equivalent of a slow-burning acid into this body.
D. The aftermath.
I assume that this memory follows, chronologically, but this is not necessarily the case.
There is a disembodied memory of waking in the hospital after a suicide attempt.
E. Displaced memories.
At some point during the forgotten years, someone was staying in a homeless shelter and eating at a soup kitchen. The apartment was the same throughout, so this memory will not fit into even a loosely plausible chronology.
The memory is of quietly crying in a cot specially placed at the edge of the womenâs section of the shelter, just outside the office door. There is also a memory of being afraid while eating in the soup kitchen.
There are memories of friends from that time.
There is a happy memory of listening to music (in the apartment) while getting dressed to go out for coffee with friends. This memory must have preceded the rape because one of the friends was a little too intensely interested in them, in a way that I could not endure today. The friend was not dangerous and truly cared for them, and even protected them at least once (I cannot bring the memory up, but there is a memory of being grateful for this act).
There is also a memory of walking a friendâs boyfriend to his home from a bar, but we were too drunk to find our way. The friend later accused us of sleeping with the boyfriend while he had his back turned to sleep with another guy. This memory also must precede the rape because of the alcohol involved (I have had an inexplicable fear of alcohol for as long as I remember, and long before it was finally explicable).
There are other memories that cannot have happened before the rape, but also cannot have happened after. (The word, âmemory,â is a little treacherous. I do not remember what the memories are, at the moment.)
F. Replaced Memories.
I recently reconnected a memory that challenges the assumed timeline as written above.
Angela bought an expensive coat in the boyâs city. It was an important part of her wardrobe, and she would go nowhere without it, in winter.
Since it was icy in places during the walk to the bar on the night of the party in her city, it was clearly winter. Given the bulk of her coat, coupled with its absence from the memories of sitting by the apartment door, the purchase could not have been made before the party.
This means that Angela persisted after the party.
--
3. Facts from the amnesia years.
A. I existed.
Take everything you just read and forget it. It never happened. At least, not until after the amnesia collapsed (until the very end of this numbered section).
My earliest memory is a blurry mix of going to school, going out with my current partner, and of digging out from under years of poor financial management. [To head off potential confusion, I present as a man and my partner is a woman.]
I worked with people with disabilities. I mostly did computer/clerical adaptations and one-on-one trainings. I eventually stopped going to school when my work became more demanding. (The school has been there for a few hundred years, but the job opportunity was for a limited time only.)
I knew that something was not right, but whenever I would pry too deeply into how it was not right, I would forget and something very interesting would take its place. I had way too many hobbies â I now suspect this is because of all the times I pried too deeply.
I had a life that was free of an unpleasant history, all but the unsourced reverberations that is.
B. Fall from grace.
Casting no stones, my partner has issues. I assume I was attracted to them because they have abusive tendencies. I will not guess why they were attracted to me in what must have been the dwindling days of Angela and the previous system, but their close friends have commented that my partner demonstrates an attraction to women, particularly openly lesbian women, even while denying this attraction.
Things got very bad between us ten years ago, and I planned a rapid escape by moving in with a friend.
The friend I intended to move in with died unexpectedly. My hope for an easy escape also died.
Soon after, the cafe at the campus where I worked changed cooking oil. Following two consecutive illnesses after eating at the cafe, I learned about the change and that a small percentage of people are allergic to the new cooking oil.
My reaction was like that of eating a slow-burning acid. This reaction followed the food as it passed through my system.
I then wrote a story about a trans-woman I once knew or heard about, who was raped by âfriendsâ at a slumber party. A long-time friend read the story and asked questions.
This is when the amnesia collapsed, to my perception.
--
4. Facts about the post-amnesia period
A. Another aftermath.
I was hospitalized for less than a week. The final diagnosis was Double Depression, PTSD, and C-PTSD. And some form of amnesia that I cannot remember the name of (no, seriously â I also had to add this later, after I finally remembered â I have repeatedly said that this is bad storytelling). [Dissociative Amnesia - it was in the pinned post when I first wrote this.]
The intake was confusing because the interviewer demanded to know where I had been treated since the last hospitalization, almost two decades before. I had not been treated, other than occasional visits with my therapist.
What I now know of the previous hospitalizations is that we were given up for dead. The (more recent) intake interviewer had enough trouble dealing with the fact that I was still alive, but to be given no explanation for why I was alive was unacceptable. He was convinced that I had been treated in another part of the country, but that I was trying to hide this for legal or financial reasons.
Had I not been seeing my therapist off and on over the intervening years, I would have had no professional medical alibi.
Given the memory of waking in the hospital after the suicide attempt that I think followed the rape, I cannot explain why I am still alive. I am entirely with the intake interviewer on that point. Even just the memory of waking in the hospital is unsafe (although I appear to talk about it all the time, the bonehead that I am).
All I have, by way of explanation, is that I have just now been hit with a distracting curiosity for rewiring the controller board for a printer. It is not overpowering, but merely distracting. I set the project aside because I was not that into it. Until just now.
It can only be a guess, but I assume I am alive because I forgot to kill myself.
B. Today.
Working with my therapist (who was an actual doctor of psychology, and had no experience with mechanical engineering, to my knowledge), I have learned that there were at least five parts to the previous system, that one of the original parts is still present, and that I am apparently the fusion of the other four.
I appear to be chasing my tail since my therapist retired, and I cannot be sure about before. Between the comings and goings of amnesia and denial, I do not recognize commensurate progress for my effort.
My therapist knew the previous system (although he had not recognized them for a system until later â he may have felt guilt over missing the clues and saw me for free for a few years at the end, when I was without insurance or ability to pay). He worked with me at the end of the forgotten years, through the amnesia years, and until his retirement.
I could look for a new therapist, but I need to focus my effort first. I cannot expect anyone to have twenty years of experience with me alone (I can barely claim that I have the same).
C. Because it is not complicated enough already.
I have chronic silent migraines. They are not painful, but I am visually impaired because of them. The migraines are spreading and taking out other brain functions on the way. My proprioception is iffy now, so I have poor balance and intermittent issues with fine motor control. I tend to walk into things a lot.
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Clone Trooper Rambles
Part journal, part creative writing, fully weird. Also, this one is really long. Other rambles can be found here.
Bad Dream
âHey, are you okay?â Echo asked gently, stepping a bit faster to walk beside me.
âYeah, of course,â I told him with a smile. âWhy do you ask?â
âYou havenât spoken in an hour and a half,â Trapper answered for Echo, walking on his other side.Â
âOh.â I thought about it for a moment. âI think Iâm just tired. I didnât sleep very well last night.â
âYou donât say,â Crosshair said sourly. âI thought you made a habit of waking up gasping at three in the morning.â
âIt was an unusually vivid dream,â I admitted, embarrassed for a reason I couldnât quite pin down.
âDo you remember any of it?â Echo asked, stepping over a rough section of ground.
âNot much, but there was one thingâŚâ I shivered, but cut myself off with a laugh. âItâs probably nothing.â
âWhat is?â Crosshair sounded less than thrilled to be asking, but all of the troopers eyed me expectantly.Â
I frowned, scrubbing tiredly at my face. âUh⌠I remember someone laughing.â
âLaughing?â Trapper repeated. âThat doesnât sound so bad.â
âYou wouldnât think so,â I agreed slowly. âAnd then this guy told me, âHeâs looking for you. Heâs going to find you. You canât hide from him.â That sort of thing.â
âWho canât you hide from?â Echoâs posture had straightened slightly.Â
I shook my head. âProbably no one. I was reading something mysterious before I went to sleep and that probably caused it.â
âYou look⌠scared,â Trapper observed hesitantly. âAre you sure you have no idea who the guy was talking about? Or who the guy was?â
âIt could be- Well, not really, though. The guy talking wasâŚâ I thought back, trying to capture the wispy strands of the dream even as it was slipping away as half-remembered dreams tend to do. Like a camera flash, I could see the face of the man who had been warning me.Â
I didnât know him, not that I could remember, but he was certainly dead. Not only that, but his mouth had been strange, almost like it had been cut.
âMiss me, sweets?â a voice whispered in my ear.
I jumped, hard. I couldnât help it.Â
âWhat is it?â Echo asked urgently.
I was already absorbed in studying the immediate area. âHang on, I need to concentrate,â I muttered absently.
Metaphysics are hard to explain. In this particular case, it was like scanning everything around me, but not visually. I was looking for a general sense of something, a trace rather than a person. It took quite a bit of focus, but the adrenaline was working in my favor.
âWe need to call Captain Rex,â Trapper said decisively.
âIâll do it,â Crosshair instantly agreed, lifting his comlink to his mouth even as he eyed the area with suspicion.
Dimly, I recognized that the three troopers had all put their helmets on, and both Echo and Crosshair had lowered their rangefinders. Each man held at least one blaster, scanning the area with their eyes at least as hard as I was doing with whatever metaphysical nonsense I could manage.
When Rex joined us, he did so at a brisk walk, dual blasters drawn and rangefinder down. Clearly, Crosshair had managed to brief him on the situation. What he knew of it, anyway.
âWhatâs going on?â Rex asked, clearly tense.
âWe were talking about the dream she had last night,â Echo told him. âShe jumped like she had been shot and she hasnât said much or moved at all since.â
Rex was standing directly in front of me a moment later. âCan you hear me?â
âYeah, I can,â I told him distantly. âHang onâŚâ
âWe need to move somewhere more protected than this,â Rex told the troopers, seeming to recognize that I was absorbed in something else. âSend out an all-call, put all troopers on alert.â
âFor what?â Crosshair asked.
âThereâs a threat,â Rex answered grimly. âI donât know what it is yet, but I can feel it.â
I finished scanning the area and nodded. âLetâs get somewhere a little more private. There are some things I probably should tell you.â
Rex had already started moving by the time I finished speaking, the contingent of guards traveling with us as we walked. âIâm going to have Cody, Wolffe, Fox, Boss, and Hunter meet us. Theyâll need to be briefed on the situation as well.â
In a very short amount of time, we were all hidden away in a semi-secluded area. Everyone wore their helmets, but I could feel the expectant looks and took a deep breath before I got started.Â
âIâve told you guys that you arenât the first group of characters who shows up for me. Almost every story Iâve written has been with a character talking in my ear. Well, there was one⌠he wasnât⌠uh, he wasnât good for me, I guess youâd say. Heâs called the Joker.â
No one moved, so I kept talking. âI was writing a one-shot about him and it went pretty smoothly. Heâs insane, but he can be charming when he wants to be. When it gives him an advantage. Well, I wrote it and posted it and there was a good response. People wanted more and he agreed to help me write more of the story.â
âThatâs where things went bad,â I said, dropping my gaze to the ground. It was easier than looking anyone in the face when I admitted my own stupidity. âHe was always around, saying and doing the most twisted things. The more I wrote for him, the more I started to think like him. I donât have much experience with insanity - other than the whole character thing - but I think I was getting close to something bad happening to my mind.â
âThe worst part is, I canât even blame him,â I laughed as I said it, but it wasnât a happy sound. âI knew who he was and that he thinks itâs fun to make people go as crazy as he is. I knew better, but I got caught up in writing a good story. It was more my fault than his.â
âWhen I figured out what was happening, I ended the story,â I finished. âThere were supposed to be five more chapters or so, but I couldnât keep writing for him. I was scared of losing myself. I ended the story and shut him out. It was hard, probably the hardest thing Iâve ever done, but the worst part is that it didnât entirely⌠work. He still pops up every now and then.â
âPops up,â Rex repeated tonelessly.
âYeah,âI agreed. âHe just comes in, torments me for a while, tries to break my mind, and leaves when I can force him away. It has happened three or four times in the past few years. I just need to know when heâs coming so I can be ready. The dream may have been a sign that heâll be here soon. Donât worry, though - Iâll handle him. You guys just lay low for a week or two and Iâll get him out as soon as I can.â
âWe arenât going to do that,â Cody said slowly, glancing around at the other commanding officers. âWeâre here. We may be able to put a stop to this guy once and for all.â
âYou canât do that,â I told him flatly. âI donât think any of you guys can be killed in your current state. If I do something that harms someone badly enough that they die - not that I do that on purpose - they just forget what theyâve done here and come back with no memory. They just start over.â
âWe can give him something else to focus on, then,â Boss offered.
âBlaster bolts can be pretty distracting,â Wolffe agreed menacingly.
âHeâll try to kill you,â I warned them. âI canât take the risk that anyone will get hurt.â
âYou just said we canât be hurt,â Hunter reminded.
I had to stop for a moment. That was an excellent point and a flaw in my logic that I hadnât previously considered. âMaybe you guys can hurt each other since youâre in a different plane? If heâs on the same plane, he could hurt you.â
âBut then weâd be able to hurt him,â Rex said. âAnd there are a lot more of us than there are of him.â
âLet us help you,â Cody requested gently. I shot him a look, reminded that he had served with Obi-Wan Kenobi for most of the war. âPlease.â
âI⌠I canât ask all of you to take this risk,â I said eventually.
âWhat if we made it a volunteer effort?â Fox asked. âOnly men who understand the risks and agree to continue guard duty will watch for him.â
âThat might work,â I agreed, disgruntled by the neat way that had worked out.
âGood,â Rex said. âTell me everything about the Joker, Iâll brief the men about him, and build a list of volunteers. For now, Iâm assigning at least one man from each battalion to guard you. Today is considered high-risk. If you see anything suspicious, tell them and weâll send backup to your location.â
Less than two hours later, Rex cheerfully reported that every trooper had volunteered to stay on guard duty, even fully understanding the risks. My arguments that they couldnât fully understand fell on deaf ears and I resigned myself to having extra guards for the foreseeable future.Â
The only question was: who would end up guarding who?
---
A/N - So fun fact: this is a true story. I wrote a Joker/OC story called Safety Dance and ended up having to rush an ending because I was uncomfortable with the way it was making me think. I still get deeply uncomfortable when I see pictures of Jared Letoâs Joker and Safety Dance is, to date, the only story I will never consider writing a sequel for.Â
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#Clone Trooper Rambles#star wars the clone wars#star wars the bad batch#republic commando#clone trooper echo#clone trooper trapper#clone trooper crosshair#bad batch crosshair#captain rex#commander cody#Commander Wolffe#commander fox#sergeant boss#republic commando boss#sergeant hunter#bad batch hunter#writing#writing problems#imagination can be a curse#clone troopers deserve better#not crazy just creative#more to come
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One Blank Concrete Wall, Primed
Title: One Blank Concrete Wall, Primed Rating: T/PG-13 for swearing and bloodless violence Word Count: 13,700 Pairings/Characters: No ships/Genfic. Neku, Joshua, Hanekoma as main characters. Appearances by most everyone else from TWEWY including Beat, Rhyme, Shiki, the reapers Warnings: brief mentions of past trauma/death (some of the Reapers discuss why they died), angelic/eldritch body horror (no blood or gore), imprisonment Summary: Nekuâs in college now, and other than passing through Shibuyaâs subway station to get to other parts of the city, he doesnât really stop by much anymore. But when he gets a serious case of artistâs block before a gallery show, he decided to go back to his old stomping grounds to get inspired. Partner: @soundofezâ and @songsummonerâ Authorâs Note: This was a fun, super weird piece. I also did some art for it on top of my partnerâs work; all the art from me and my partners will appear in the correct parts of the fic on my AO3 link, which will go up Oct. 2. Iâll link in reply to this post with it when thatâs up so you can see some really weird stuff (my own art is included below, though!!). Special thanks to Fez for designing college-age Nekuâs clothes.
Also, Neku fights (and apologizes to) a building.
Enjoy!
XXX
Neku sighed. Squinting, he rolled up the blinds on his studio apartment a little, taking in the view. One window, the Skytree. The other, he could glimpse the top part of Sensoujiâs pagoda. Asakusa was no Shibuya, but it had lots of car free pathways, quirky art stalls, and lots of tourists to draw. And it was a heck of a lot cheaper than living in Ueno.
He could walk to campus in about half an hour on a good day or take the subway just one stop to Tokyo University of the Arts on a bad one. It was convenient and, while a touristy area, surprisingly quiet.
Too quiet today, though. Neku fired up his tablet, pinging his friends. They always called everyone in a big group chat, though there was no obligation to answer.
âSup, Phones?â Beat grinned into the camera, a giggle heard in the background.
âBeat, are you ever going to actually use his name?â
âI am though!â Best objected. âNekuâs tag is a pair of headphones. Itâs practically his name at this point.â
âYouâre not going to win on a technicality,â Rhyme chirped, turning the camera so she was in frame. âWeâre between takes, anyway. Whatâs up, Neku?â
âShit, did I interrupt a shoot?â Neku hovered over the hang-up button.
âI just said we were on break!â Rhyme reiterated, flailing her hands in front of her. âBut Beat is shooting with your deck!â
His friend, who had only grown more muscular with the past five years, hefted up his skateboard, showing off the art of a flying squirrel on the undercarriage. âItâs still the sickest one Iâve got. Youâd better have another one in the wings when it gets decommissaried, yo!â
âDecommissioned.â
âWhatever.â
âItâs not whatever, Beat,â another voice popped in, the newcomerâs eyebrow quirked in a hint of static as the visual flickered on.
âSup, Shiki!â Beat said, waving wildly.
âMeet me for drinks when youâre done shooting? I can hop on the subway. Itâs only a stop.â
âHowâd you know where we are?â
âBeat, you always skate in Ikebukuro,â Shiki said matter-of-factly. âAnd Iâm at school, so Iâm only a stop away from you.â
âOh. Right. Sometimes I wish we kept our mind reading powers,â Beat said with a pout.
âNoooooo thank you,â Shiki said with a grin. âAnyway, whatâs all this about? Iâve got ten minutes âtil my Fashion Sales class.â
Neku scratched the back of his neck, looking sheepishly at the camera. âI⌠er. Kinda needed some advice. Iâve got a gallery class where my one assignment is supposed to take the whole semester and Iâm a bit stuck. I need to hand my draft proposition in by the end of next week.â
âWhatâs the topic?â Rhyme asked.
âThatâs the thing. The artâeven the mediumâis up to me. Every fine art track has to take this thing. So, it doesnât need to be painting, but I have to secure a space and create a work to match it. Like, get permission to paint a building, or something like that. Private or public property, just no vandalism. Street paste or yarn bombing is OK in public spaces. Basically, as long as itâs non-destructive; otherwise we need permission from the owner.â
âSo, you need to scout out a place and make something that compliments it?â Rhyme asked.
âYeah. And we can work together if we want. I donât know my classmates well enough to know if our styles clash though.â
âSounds tough.â
âThatâs why itâs my whole assignment.â
Beat frowned. âIâve got a good sponsorship going with Wild Boar. Could see if you could tag one of their shops.â
âMaybe,â Neku said. âBut I want to step out of my comfort zone a little if I can. Itâs a good backup.â
Shiki bit her lip. âMaybe you just need a little inspiration.â
âLittle is an understatement.â
âWhat about that tag mural in Shibuya? Would that be fair game?â
The chat went silent. That wall in question was public property. It was absolutely not gameânot for this assignment at least.
âWhy?â Neku almost whispered, hoarse. âWhyâd you even bring it up?â
âBecause itâs been five years, Neku, and you havenât gone back. CAT did what youâve been assigned; he was a street artist who also did all these kinds of hired art too.â
âHanekomaâs gone,â Neku reminded her. âI stopped trying. The shop was destroyed. If he ever came back, heâs not in Shibuya.â
âThen⌠ignore my bad idea,â Shiki said, not meeting eyes with the camera. âSorry I brought it up.â
âNo! No,â Neku reassured her, forcefully, then quiet, as if he were a deflating balloon. âSorry if I snapped.â
âYou didnât snap,â Rhyme offered, before changing the subject. âIâll think on it though; thereâs gotta be some struggling coffee shop that could use some art, or something. Anyway⌠we need to get back to work, now.â
âAnd I have class. Neku, letâs chat tonight, after dinner? I can swing by your place. We can go get conveyor belt sushi over by Nakamise.â
âThat⌠sounds pretty good, actually. Yeah. Letâs.â
âLater, alligator!â Rhyme said, chipper.
âYeah! Later!â Shiki added.
âLetâs bounce!â Beat snuck in as Rhyme ended the call.
Neku was left alone to his thoughts.
Shibuya.
He and his friends romped through the city almost every weekend after they were all brought backâat least at first. Eventually exams took over for Shiki and Neku, both hell-bent on getting in Bunka Fashion College and Tokyo Arts respectively. Beat slowly got more and more skate sponsorships with Rhyme as his videographer, making her new dream to shoot the worldâs best skater: her brother.
Neku closed his eyes, imagining the gleaming, ad-drenched skyscrapers, a far cry from the view from his apartment window.
Maybe.
Maybe it was time to finally go back; maybe Shiki wasn���t wrong. It was his old stomping grounds, his old home. And it was only a few hundred yensâ ride away.
Neku pinched his forearm once to ground himself, grabbed his wallet and a scarf (courtesy of Shikiâs weaving class, in a sturdy textured purple crepe) and headed out the door.
Xxx
Nekuâs palm touched plaster and concrete. Slowly, he slid his hand along the wall, breathing out an exhale. Even in his high school years, when his friends would regularly bum around Shibuya after school and on weekends, he avoided the mural. It wasnât that he stopped liking it; just⌠He felt he didnât need it anymore. He had plenty of CATâs art to keep him company, from the pins in his pocket to the billboards throughout the city.
Maybe he was young and naĂŻve back then, but looking at the faded piece, partially obscured by other, less impressive tags⌠well, it didnât seem very impressive anymore.
ââCourse it isnât, you brain-dead binomial,â a familiar voice sneered from behind him. Neku whipped around to see Sho Minamimoto, cat whiskers and all, grinning with fanged teeth.
Sho put up his hands as a peace offering, sensing Nekuâs hackles rising. âIâm not attacking the living; donât get your panties in a bunch. Iâd really rather not get divided by zero. Again.â
Neku relaxed his shoulders a little but said nothing.
âYouâre a leaky faucet, you single-digit integer,â Sho explained, as he pointed to a vending machine, sending a pair of CC Lemon bottles flying out of it and at the two of them. He leaned against the mural, back to it, sliding down to sit and sighing with his drink. âI miss CAT, too, you know. Been the square-root of 25 years since anyoneâs seen a new piece of his. Some of the reapers actually thought it mightâve been you.â
Neku laughed, wiping tears from his eyes. âMe?â he asked, plopping down next to his former enemy, accepting the citrus-flavored peace offering. âI was fifteen. And CAT had been active way before I was born.â
âThought it was a title, you dumb fractal. Like Pope or Emperor.â
âExpert street artists are called Kings and Queens, you know.â
âAnd dead ones are Angels,â Sho added with a sage nod. âTrying to one-up a Reaper on art is like trying to find the cube root of i.â
Neku stared down at his soft drink, thinking of Hanekoma. The title suited him in more ways than one, thanks to a little packet heâd found in Mr. Hâs shop back when he and Beat snuck in to see if there was anything they could save. Since Hanekoma was CAT, there had been a pretty strong likelihood some of his art was still in the ruined cafĂŠ, but sadly there wasnât any evidence in there at all. Neku saw faded marks where canvases and an easel had once been stacked in a curious empty back room; someone had beaten them to clearing it out.
Sho pulled Neku out of his thoughts eventually, after one intrepid skater ate pavement attempting to grind the Cyco Records railing.
âWhatâs eating you, pain-in-my-vector? Well, former.â
âYou donât hold a grudge?â Neku asked curiously.
âItâs a long afterlife. Grudges are useless.â
The two sat in silence for a while, watching the skaters try their new decks outside the Wild Boar at the midpoint of the T section.
âYou gonna ask me why Iâm here?â
âI know why youâre here,â Sho replied testily, tapping his temple. âWas waiting to see if youâd give me the proof out of your mouth.â
âRight. Mind reading.â
âI canât see every piece of the equation; thatâs not how it works and you know it. But I can solve for x and fill in the blanks.â
Neku sighed. âWhat can you see?â
âThat youâre stuck on a hard problem and youâve been staring at your homework too long.â
âAnd by problem you meanââ
âI canât tellâjust some big project is eating you up. At least itâs not Higashizawa. That hectopascal can eat a man whole. Iâve seen it.â Minamimoto slung back his drink. âSo, whatâs eating you?â
âI mean, other than you being alive again?â Neku asked, eyebrow raised.
âStill dead as I was last you saw me.â
âLast I saw you, you were crushed under a vending machine.â
âEh, Iâve had worse days.â Minamimoto shrugged. âThat infinite asshole of a Composer fixed me back up and sent me right back to work. Now stop stalling, you obtuse angle. Out with it.â
âArtistâs block,â Neku admitted sheepishly. âIâve got a big project coming up and I just canât think of the right thing to do.â
Sho laughed, his head flung back and whole body shaking with the action. âArtistâs block, you dithering digit. You donât think we Reapers never deal with that shit? At least for you, itâs not fatal.â
âF-fatal?â Neku asked, almost dropping his bottle.
âWe run on Imagination,â Sho said, chucking his emptied-out drink with force, sending it flying halfway down the alley into a recycling bin attached to a vending machine. âNo Imagination, no power. No power long enough and poof, divide by zero. Crunch. Drop a vending machine on me? Iâll walk it off. Go too long without making somethingâŚâ
Sho went uncharacteristically quiet, running his fingers through a hole in his jeans.
âSo, what do you do when youâre stuck?â Neku finally asked.
âI raid the trash. Something always finds its way to me.â Sho pulled a loose thread and threw it to the wind. âI donât just mean the garbage; I mean the rest of us. Talkinâ it outâs helped. I used to think I didnât need anybody else. But then I got subtracted out so many times by you ân Prisspants, well. Donât want to admit it but dividing up the workâs helped solve the harder equations.â
Neku smiled, offering a hand. âI can leave you my number if you ever want to talk shop.â
Sho blinked twice, confused. âYouâd⌠help me? I was an irrational digit.â
âSo? I was an asshole teenager. I pass through often enough. Itâs not much trouble, especially if youâre feeding me,â Neku admitted, shaking his now empty bottle. âYou try keeping on weight on a college art studentâs budget.â
âYeah, all right,â Sho said, standing up, swiping Nekuâs empty bottle to shove in one of his myriad pockets. âA balanced equationâI dig it. Iâm using this in my next piece,â he added, tapping the bottle with a hollow thud. âThanks⌠Neku.â
Before Neku had a chance to even realize it was the first time Sho called him by name, the Reaper had vanished back to the Underground, out of Nekuâs reach.
Xxx
Neku stood at the mural a few minutes longer, rolling the plastic bottle cap in his fingers. If Sho was alive, well, less dead, then Joshua was still haunting Shibuya from somewhereâHanekoma, too.
So why was the mural so worn out? Had Mr. H run out of new inspiration himself? Neku sighed, no more ready to tackle the assignment as he hoofed it back to the station, tossing the bottle-cap into the recycling as he passed.
The CC Lemon Sho had expertly pitched was mysteriously absent from the top of the pile.
âIf Sho went dumpster diving to make recycled friendship bracelets, I think Iâll actually bust a rib laughing,â Neku muttered to himself.
âHonestly? I wouldnât be surprised.â
Neku whipped his head around to see a Reaper in a basic hoodie. A faceless grunt, one of at least tens, if not hundreds, patrolling the city. No visible wings, so at least Neku could remind himself he hadnât gone sliding into the UG. Just another Reaper coming up to the RG for air. Or to pester him.
Or both.
âDo I know you?â Neku asked, eyeing the teenage-looking apparition in oversized clothing.
The boy huffed. âThe Reaper Review remembers you.â
Neku laughed and relaxed a little. âAt least youâre not the Reaper who made me show up in all Mus Rattus to break their barrier. Or the other one who made me get them a chili dog.â
âWhen youâre a minor officer, youâre allowed to send Players on wild goose chases,â the Reaper said with a shrug. âIâm just happy I was allowed to block mine with trivia. I hate fighting.â
âYou and me both,â Neku grumbled.
The reaper tipped his hood back slightly, enough to show Neku his ethereal looking eyes. âI overheard you had artistâs block. Er, sorry. Didnât mean to pry. Itâs the worst.â
âGreat. Is my mind safe from any of you?â Neku groaned, though it wasnât in anger. He couldnât complain. Hearing the livingsâ thoughts just happened when you were dead.
âActually, I was guarding the mural and overheard your chat with the Lieutenant.â
âOof. Minamimoto got a demotion?â
âHe seems happier in the field, anyway,â the Reaper replied with a shrug. âMore time for his sculptures and harassing players.â
Neku looked at the Reaper curiously. âSho mentioned you all do art. Have to keep your Imagination up.â
âThatâs⌠not entirely true. I mean yeah, gotta keep the creative juices going or we stop existing. But it doesnât have to be through art. Cooking, dance, whatever goes. When Iâm stuck, I usually learn from another Reaper. Gives me some perspective.â
Nekuâs smile widened. âYouâre right, you know. I need to broaden my horizons. What do you do?â
âMe? Uh⌠I design puzzles. The player traps and stuff.â
âUgh,â Neku groaned.
âYou paint, right? I remember seeing some of your tags under the Miyashita Park underpass a few years ago. Youâre pretty good. Maybe⌠try heading over near Shibu-Q? The Reapers that dance usually practice that wayâsidewalk is wide enough. Loosen up with some life drawing or something.â
Neku smiled. âI have to do an installation project, but you know what? Thatâs not a terrible idea. Thanks.â He looked to the corner where Shibu-Q stood and then back at his nameless friend, but the Reaper was already gone.
Xxx
Neku didnât know what he was expecting to find outside Shibu-Q, but a pair of Harrier Reapers doing acrobatic dancing was not it. Neku smirked as he watched the reaper woman with electric purple lipstickâUzuki, if he remembered correctlyâpirouetting before using her friend as a vaulting block to spin up and over his back.
The two continued their routine, the manâKariya, Neku remembered after a few embarrassed moments of mental fumblingâseeming lazy and unmoving but carefully and precisely supporting his partnerâs flashy moves. The two continued for another ten minutes or so, then each held out a hat for change.
Neku patted himself down for his wallet before dumping three 500-yen coins in Uzukiâs hat as it passed around. She glared at him a moment, then pushed the coins back in his face.
âNot taking money from you,â she snipped. âI already owe you enough. Shoo.â
Kariya looked over his shoulder at Neku, momentarily confused. After all, the two of them hadnât aged a day while Neku was now a lanky, slightly scruffy young adult. Realization crossed the Reaperâs features slowly, eventually tugging his mouth into a half grin. Kariya offered Neku a backwards half-salute and went back to waving his hat around for change.
Eventually the crowd dispersed. Kariya loped over to Neku and Uzuki, clapping Neku on the shoulder. âHey, kiddo. Youâre as tall as I am now. Good on you. Howâs life treating you?â
Neku couldnât help but laugh at the double meaning behind the words. âBusy. College.â
âYou know, I wondered when I would stop seeing you run around the RG so much over here.â
âNever mind me,â Neku said, sloughing off Kariyaâs friendly gesture and looking at the two of them. âHow are you holding up?â
âHow do you think?â Uzuki spat. âThere werenât many powerful Reapers left after that messâat least for a while. So, some ass went and got themselves promoted to Conductor.â
Kariya looked down at his feet, blush going all the way across his face. âItâs not like I asked for it; I wasnât given a choice. At least I negotiated that I could do things my way. Uzukiâs my GM.â
Neku frowned. âSo⌠then you know the Composer.â
Kariyaâs eyes went uncharacteristically fierce. âThatâs on a need to know basis andââ
âRead my mind then,â Neku countered. âThereâs something I do need to know.â
Neku closed his eyes and thought of Joshua. What he really wanted was to talk to Mr. Hanekoma, but the only way he was going to be able to do that would be going to Joshua first.
Kariya whistled low. âOkay. Fine. Kid, come here a sec.â
âKariya, come on. Why are you even telling this kid anything? Heâs alive. Andââ
âHe knows about Josh, Uzuki, Iâm not giving him anything new. Just⌠maybe pointing him in the right direction.â
Uzuki pushed a loose strand of burgundy hair from her eyes. âFiiiiine, whatever. Youâre the boss.â
âYouâve seen him?â Neku asked quietly.
ââCourse I have. Heâs my boss,â Kariya said with a sigh. âThough he only comes to speak if he feels like it. Iâve caught him sulking over past the Miyashita Park underpass though. No clue why. Out there is just a bunch of sporting goods stores and Josh and physical activity mix like oil and vinegar. Hope that helps. What do you need him for, anyway? Youâre alive.â
âItâs not him Iâm even looking for,â Neku admitted. âI want him to tell me what happened to an old friend.â
Kariya relaxed a bit. âIf said old friend has anything to do with the UG, might as well ask me.â
âIâm looking for CAT.â
Kariya frowned, scratching the back of his head in contemplation. âCAT was a Reaper? Heâ or she, I guessâ stopped doing anything new after I became Conductor. Yeah. Youâd have to speak to Josh. Thatâs before my time and below my pay grade.â
âThanks anyway, Kariya,â Neku said, genuinely appreciative. âItâs better than nothing.â
âAnytime. I hope you find what youâre looking for.â
Neku closed his eyes a moment, sighing quietly. âHope so too,â he muttered, opening them to an empty sidewalk.
Xxx
Neku headed eastbound towards Cat Street, passing Stride on the left. Gone were the Tin Pin banners, long since replaced with whatever new plastic toy battling fad that had taken hold of the local kids.
âYou know, I heard a commotion from some of the older guard that a carrot was running around Udagawa.â
Neku had whiplash. Poised behind him with a cigarette loosely held in between his middle and ring finger was a face Neku couldnât believe he was seeing.
âSeven?â Neku asked incredulously. He reached out his hand for the bleach-blonde, swaggering musicianâs to find it cold as ice. Neku frowned. âSmoking kills, you know.â
777 played with the cigarette between his fingers. âHow dâyou think I died?â He gave a cocky grin. âActually, I fell off a roof rigging an abandoned warehouse party. This is why you do safety checks. Tenho still gives me grief about it.â
Neku smiled weakly. âThat bites.â
âThe dust? Oof. Yeah. But hey, all three of us went down at once. The party scattered and when we showed up to play a new set a few weeks later nobody realized we werenât exactly alive. They probably thought we broke a bone or two at worst and hid to lick our woundsânot cracked our skulls on the sidewalk.â Neku winced. âEr, sorry, Orange. Didnât mean to dredge up anything bad on your end. Just odd, seeing you back.â
âLooking for someone,â Neku admitted. âThe owner of the cafĂŠ that used to be on Cat Street.â
âHanekoma? Stopped in there for coffee sometimes. Bit odd. His shop didnât have the Player decal, yet he definitely served stiffs. Reapers as customers is one thingâwe can go to the RGâbut⌠hell. What do I know?â
Neku flocked his eyes up and down the street. Not that it mattered; Reapers could be in the UG right next to him and he wouldnât know. âYeah, he could see the dead.â
âESPer or something?â Seven asked, blowing out a smoke ring that looked like a bat. Now he was just showing off.
âSomething like that.â
âWell, fat lot that did him. Shopâs been MIA ever since I got recommissionedâmaybe earlier. All I remember is, I had a double shot espresso there the night before that gig you helped me with, got blown up like two weeks later, and when Iâm back to my good old dead self, the shop looks like it got exploded too. What the hell went on in this city that week?â
âWar,â Neku said grimly.
âAnd you won, didnât you?â Seven elbowed him in the shoulder. âYouâd be one of my types now if you hadnât.â
âYeah, I did,â Neku said, throat dry. âThanks for the chat.â
âYou come to our next gig, you hear? Youâve gotta be old enough to drink now. VIP for you ân the cute chick you were with. Or, uh, anyone else. Donât know if asking her would be awkward. She made it out, didnât she? Please say yes.â
Neku smiled. âShe did, and weâre still friends. Iâll ask. She wonât look like how youâre expecting though.â
âNeither do you, not-so-short stack. Now get outta here. Iâm gonna finish my drag and get back to setup before Beej screams me out. Later.â Seven snapped his fingers and the cigarette exploded in a puff of blue fiery smoke. âOpen invite, Orange, just tell the bouncer âgolden batâ at the door.â
Xxx
Neku inhaled. He knew past here was Cadoi, then Miyashita.
Then Cat Street.
Neku passed a small spot under the park underpass where Beat and Rhymeâs flowers had once been placed, leaving behind a tiny finger skateboard. Beat would probably punch him; Rhyme would find it hilarious. He did it to honor his once dead friend. Some kid would probably see it, and abscond with it, and play with it till it broke. Beatâs skateboard, in the hands of some kid passing byâit was fitting.
Neku let his memory walk him the rest of the way to WildKat. It stood as it had since the incident: a broken front window, a door barely hanging on its hinges. How it remained like this almost half a decade without developer intervention was shocking, honestly. Or maybe not, if divine intervention was involved.
Neku inhaled and took a step forward.
Again.
Again.
He carefully swung the door, afraid the whole thing would come off the frame in his hands. It squeaked something awful but hung by a thread.
The inside was worse. Neku should have brought one of his paint masks with him. The place was a fire trap of chipped plaster, dust, and mold. An old safe in the back corner was open on its hinges. The only things that looked clean were the sink, two sealed jars of whole coffee beans, and a single drip carafe, the rest of the row shattered beyond recognition.
Nekuâs sketchbook and a mechanical pencil set still sat atop the dust-crusted counter. Heâd left them there when he and Beat had returnedâ the only time Neku stepped foot in the shop when he was aliveâto check on the shop.
To check on its owner.
Leaving the sketchbook behind seemed fitting. It was half full of random crap, and half empty, nothing but open promises in the end.
Maybe Neku didnât need Hanekoma, or CAT, or the old shop. Carefully, he made his way around a splintered bar stool, sidestepped a broken glass pitcher, and hauled himself up on the only stool left in sittable condition.
Reverently, he opened the book. He almost laughed at his fifteen-year-old selfâs sketches. The first three pages were ideas for tags around the city. He actually cringed at one.
Then a page of Shikiâa quick sketch, half likely from stolen glances and half from memory, because it was her as herself on the left, and as Eri on the right.
Ideas for Beatâs skateboards.
Architecture sketches
An entire six pages of circles and cubes, shaded with hatching or a blending stump.
Neku turned to the next page.
In handwriting that wasnât his, scrawled in large block printâŚ
TURN AROUND, DEAR.
Xxx
Neku screamed. It wasnât one of fear, but frustration. âYou slimy, littleââ he shrieked, as he spun around in the stool expecting to see a smarmy, fifteen-year-old-looking blonde, if the agelessness of the other UG residents was anything to go by.
Instead, a softly frowning man in his mid-thirties stood behind him.
With blonde fly-away hair.
And strange purple eyes.
And a blue-purple button down with white accents and charcoal slacks.
Neku bit his lower lip, holding back a fury he hadnât had in years.
âYou.â
âI come in peace,â Joshua offered, hands up defensively, glowing slightly. âI wrote that years ago. Now I kind of regret it.â Neku relaxed a little. Joshua would be dramatic enough to do that and scare him when he entered the shop, wouldnât he?
âOnly kind of, though,â Joshua added, pulling a broken chair from the rubble, fixing it with a shake and sitting down beside Neku. âItâs still Imprinted. Iâm not in the RG. The note left a bit of me in it. You see it, you see me, too.â
âYou been tailing me all day, too?â
âI felt you in the city, but no. Only when I got a text about it.â
Kariya. Of course.
âYour conductor rat me out?â
âHe did say you were looking for me. So, might have imprinted on you a bit to push you here.â
âYou could have come andââ
ââsaid hello? No, actually, I canât. Iâm on probation. Canât enter the RG for a decade. Not the biggest deal for me, mind, but⌠humans donât live near as long as things like I do. I needed you to come to me. Glad that thing still works.â He tapped the notebook, his hand clipping through a page or two like he wasnât all there.
Neku exhaled. âI trust you, you know. Still donât forgive you, but I do trust you.â
âI know. I appreciate you said it aloud, but I know.â
âYou look better when your clothes actually fit.â
âIs that supposed to be a compliment or an insult?â
âYes.â
âYouâve gotten better at keeping up with me,â Joshua said with a bit of a grin.
âYouâve slowed down in your age, you old fart.â
âOld? Fart?â Joshua pouted, and where there had been a well-put-together adult sat a petulant teenager in the same attire, now oversized to the point of baggy. He looked as the Reapers didâunaged.
âAt least now you fit in with the rest of your underlings,â Neku huffed.
Joshua frowned. âI wish I did, honestly.â Quietly, he stared off, past Neku to the empty kitchen.
âMiss him too?â
âMore than you,â Joshua shot back.
âDidnât have many friends?â
âComes with the job.â
Neku rolled a pencil between his fingers. Heâd caught the proverbial tail and didnât know what to do with it. Joshua was here and clearly knew just as much as Neku did about his former idolâs whereabouts. They sat in silence as Joshuaâs likely million-yen watch ticked away.
âWell?â
âWell what?â Neku replied flatly.
âYouâre no fun, Neku,â Joshua needled. âFine. Look, Sanae liked you, more than just the fact that you were my Proxy. Hell, Iâm surprised he helped you at all, knowing what you represented in my Game. You were the bad guy.â
Joshua slunk in the only-until-recently broken bar seat, kicking at a shattered tile with an awfully expensive sneaker. When he couldnât quite reach, his form shifted back to that of an adult, flinging the chipped tile aside like a petulant child. âNeku, I need you.â
âLike you needed me to destroy Shibuya.â
Joshua exhaled, wisps of golden hair fluttering as he stared at anything but Neku. âIâve been trying to find Hanekoma for years. Every moment Iâm not here keeping the city together, Iâm traveling to find him. You wouldnât understand, but I need you to get a lock on him.â
âYouâre dimension hopping.â
Joshua sat straight up, his too-long legs hitting the cafĂŠ bar as he did so. âFuck,â he hissed, rubbing at his knee. âToo tall for my own good. But how? How could you even know that?â
Neku pointed to the safe at the back corner of the cafĂŠ, still just as ajar as he left it when he found the key pin with Beat back in the game. âMr. H. left me a book of notes: on the game, on angels, all of it.â Neku scrolled through his phone. âI used to keep it on me, thinking it would help me somehow, someday. Eventually, I just scanned it all.â
âGimme,â Joshua demanded, and the phone was in his hands. Neku watched in awe at the Composerâs speed reading. âI know he kept notes for the Angels, but this wasnât for themâit was for you. Whereâs the real deal?â
âMy apartment.â
âAddress. Specific location. Iâm talking âfourth floor, third bedroom, under the red futon next to my stack of- ââ
Neku cut him off quickly, rattling off his exact address and where he hid the book. Joshua held out a free hand, and in a moment, it materialized with the softest of thunks, pages fluttering in Joshuaâs fingertips. âBe glad Iâm on good terms with the Composer of Taito Ward,â Joshua admonished, pointing with the small hand-bound journal. âOtherwise I would have sent you home to go get it yourself.â
âWhat, are you going to track down Hanekoma with this?â
âNo, of course not,â Joshua snorted, standing upright, shaking himself once to completely dissipate any plaster shavings or broken chips from his clothing.
âYou are.â
Xxx
Neku watched in awe as Joshuaâs back bloomed with light, a pair of massive swan-like silver-white wings settling on his back, iridescent with hints of lavender as he shook them loose. Before Neku could think, Hanekomaâs journal was thrust into his hands, and Joshua had him in a position heâd later call The Little Spoon of Death. With a jerk backwards, the two fell through and landed precisely where theyâd been before, except the shop was in clean, working order, jazz playing on the radio, and a familiar voice humming tunelessly along with the guitar.
âHeya, Josh. Back so soon?â
Neku blinked and almost cried when he saw the man behind the counter. âH-Hanekoma?!? Mr. H?â
âOne of,â Hanekoma said with a shrug. âNot the one youâre looking for though.â
Neku tried to surge forward to give the man (angel?) a hug but was held firmly in place by Joshuaâs murderous grip around his waist. âLet go,â Neku whined through gritted teeth.
âNot a good idea, Boss,â Hanekoma chided. âYou donât want to get stuck in the wrong place.â
Neku let himself slacken. âI can get stuck?â
âSure as the rain ruining my day,â Hanekoma agreed. âWhen youâre in the right place, youâll know.â
âCan you help?â
âCan I? Sure. Will I? No. Heâs a hellion. Youâre never going to find him anyway.â
âIsnât he another you?â
âYou wouldnât say the same thing if you met you from this world,â Joshua said, exasperated. âI wonder why the book sent us here.â
âThis is where you hid after Minamimoto tried to erase you, isnât it?â Neku asked. He flipped through the journal. âHe hid somewhere high to wait for you. Because he thought this Hanekoma would turn him into the Angel Police or something.â
âI did,â Hanekoma said proudly. âCanât have me ruining my good name.â
âFuck off,â Neku spat at the barista. âYouâre not Hanekoma.â
âIâm the part of Hanekoma that actually follows our rules.â
Joshua squeezed Neku tighter. âHold on and keep thinking of that.â
âWhatâwhyyyyyyyyyy?!â Neku screamed as sound escaped him. The whole universe lurched underneath as Joshua resumed pinging around between alternate realities, barely stopping to breathe.
âFocus!â Joshua ordered him through the din of dizzying WildKat cafes, Shibuya skylines, and for a brief moment, possibly the cold depths of space.
âTHERE IS NOTHING TO FOCUS ON YOU DAFT ZOMBIE!â Neku shouted back, feeling his insides out and outsides in before the two bounced off a massive plate of glass and went rolling out to nowhere. Joshua pulled his wings around them, breaking the fall as they bounced a few times to the sounds of shattering glass.
They stilled. Neku could hear his own breathing and feel his heart jumping in his chest. Disquietingly, Joshua had neither breath nor a heartbeat, his torso flat against Nekuâs back without any noticeable sign of life. Neku quietly filed that part under âdisgusting, do not remindâ and wiggled a little to loosen Joshuaâs grip on his midsection.
âHang on,â Joshua hissed out. âEasy does it.â
âThat was easy?â
âYou should see hard,â Joshua said, smirking as he raised an eyebrow. âAnd it might surprise you but⌠I think weâre here.â
Joshua rocked on the shoulders of his wings, pushing them both upright and parting a crack for them to see from.
The world consisted of a single, stained-glass building in a shattered-glass sky. The ground crunched with hardened paint beneath them.
âSomewhere high, following the rules⌠and nothing to focus on. Neku, sometimes, only sometimes, am I reminded of your genius.â
âI am in elbow-to-face range,â Neku reminded him.
âYes, dear, and youâd best stay that way unless you want to swallow glass,â Joshua pointed out. âIâm too concerned about flying through that with a passenger, let alone someone alive, so weâre going to walk in tandem to the entrance and pray thereâs no tricks along the way.â
Neku wanted to argue he wasnât much for prayer but being cocooned in angel wings wasnât doing him any favors in that department.
âWell at least Iâm getting the inspiration I was looking for,â Neku muttered as he marveled through the tiniest of openings in between Joshuaâs feathers. They both shuddered as pellets of colored glass dogged them like rain, Neku grimacing with each step.
âI think that is this worldâs rain,â Joshua said aloud. âWhat? Youâre thinking too loud. Either shut up or Iâll nitpick your thoughts. Last you want to do is swallow glass talking out loud, anyway.â
They walked in silence for what felt like eternity, roughly matching steps so their wing-cocoon tank didnât topple. Peppered by the shards of rain, Neku was slowly getting a better view of the world outside his feathered umbrella.
The tower reminded him of Pork City, though it stretched upwards through molten clouds that burned red hot like liquid glass being worked at a forge. The whole thing was stained glass of infinite colorâgiant, angular panes crossed and reinforced by black, wrought iron-like supports, with sharp points sticking out at odd angles from the structure.Â
âI think so too,â Joshua agreed with Nekuâs wandering thoughts. âThatâs Pork City, all rightâmade from Reaper wings. It looks like a gorgeous prison. A prison all the same, though,â he added, sighing.
Soon enough, the entrance loomed overhead, its maw of black webbing haphazardly stuffed with angular pastel glass. The tinkle of the rain bounced off the overhang as Joshua ever-so-slowly folded his wings behind him.
âI think youâre safe, for now,â he said, with the authoritativeness betraying his true age. âI promise, Iâm not going to let you die hereâyouâre still holding Sanaeâs book.â
âBecause thatâs all you care about,â Neku grumbled, to Joshuaâs pout. âOh, come off. Iâm going to make up for all the teasing you did to me. Now letâs hope thereâs an elevator in there or youâll be flying us up the stairs.â
Xxx
âLights are on; nobodyâs home,â Joshua said, looking around as the two shuffled inside. âOkay, Iâm letting go.â
âYouâre what!â Neku shrieked, breathing heavy as Joshua smirked, unhooking his hands from around Nekuâs waist. âDidnât that other Hanekoma say it was a bad idea?â
âOh, itâs a cataclysmically terrible idea. Youâll be trapped here forever now.â
âJoshuaâIâyouâre pulling my leg, arenât you?â
âI mean, of course. Iâm an ass, but nobodyâs that heartless.â
âYou murdered me. Twice.â
âI also brought you back to life, so no complaints,â Joshua snipped back. âNow, what have we here?â
Neku sighed, reminded of exactly how aggravating the little god could be. He looked around the entry foyer. The walls inside the building were a blinding white, almost piercing in their contrast to the stained glass on the outer walls of the monstrous tower. âI think this thing is alive,â Neku muttered.
âItâs not,â Joshua said, almost too quickly. âOr, rather, itâs as alive as Sanae or I am.â
âSo itâs, what, an angel?â
Joshua kneeled down to touch the floor, a soft white abalone with a pearlescent sheen. âYes. And we just entered the mouth.â Neku shuddered. âOh, itâs not really that big a deal, Neku,â Joshua said, standing up and tsk-ing him with a finger. âThis building is no more going to digest you than a wooden one; though Iâm sure youâve seen trees grow around and consume cars and houses.â
âNot helping,â Neku grumbled. âHey, Iâm not sure if itâs the retina damage, but are the walls bleeding paint?â
Joshua tucked his massive wings up high on his back, where they still trailed behind him like a couture dress, and shimmy-hopped over to the interior wall. âOh, itâs probably retina damage,â he said cheerily, âyouâre looking at pure light after all. But youâre not wrong.â Joshua swiped his hand along the wall, coming off it with a smear of mustard yellow acrylic paint. He blew on it, drying it immediately, and peeled it off like a face mask. âMust be the elevator hidden in the wall and⌠here we go.â
With a squelching sound like wrenching a tooth out of its socketâNeku wondering with a shudder that if that actually was a toothâJoshua dislodged the panel, revealing a plush, red-velvet-lined elevator speckled with flecks of paint.
âIf thatâs a tongue, Iâm out of here,â Neku complained.
âItâs not a tongue,â Josh said with a suspicious grin, stuffing himself inside with his wings still exposed. Neku shuffled and squeezed in, a massive feather poking him in the backside. The doors closed. âItâs the esophagus, Neku.â
Xxx
âCanât you put those away?â Neku asked, after what felt like an eternity of being smothered by a giant chicken.
Joshua sighed, looking more serious than Neku was ever used to. âYes, but I wonât.â
Neku expected him to elaborate, but Joshua merely went silent, hands out and open and feathers fluffed up.
Quickly, Neku understood why. It started quietly, a ping and a plop and a hiss, and became louder and more intense with each passing second. A few moments later, Neku was positive he wasnât hearing things; it sounded like rain pouring from a gutter except⌠the rain was a stream of fire-engine red and the gutter was the walls of the elevator. The liquid pooled in the velvet flooring like blood matting the fur on a wounded, furry animal.
âNeku, move in before I make you.â
He didnât need to be told twice as Joshua threw his wings up around them again, reaching a hand out of the fluffy shield to pull the emergency stop on the elevator panel. Neku didnât even realize how fast theyâd been ascending until they screeched to a halt.
âThe walls are bleeding.â
âPaint,â Joshua replied. âItâs just paint.â
âYou also said the building was an angel,â Neku reminded him testily. âWhatâs to say that this isnâtââ
âAngel blood melts like acid,â Joshua replied flatly. Neku didnât know if he were telling the truth or not, but the soles of his shoes, now caked in it, werenât dissolving.
Joshua pulled him close, wrapping his left arm around his shoulders and left wing over that like a shield. Neku couldnât see anything but white, but he felt a jolt of exertion and heard Joshua swear low.
âNeku, dear, stay close and donât scream.â
In the time it took him to blink, the Joshua that Neku was familiar with vanished. Every pore of the elevator was leaking paint in gushes now; thankfully blues and greens and hot pinks, to put Neku slightly more at ease, balanced evenly with the remainder of the free space taken up by living, swirling paint.
Noise.
One giant one.
It was silent and snake-like, and it dug its claws into the elevator door, wrenching it open without a sound save the rushing air.
The elevator had stopped between two floors, and the Noise slipped out the bottom to slide down to the floor below.
Move, it demanded of him. Drowning in paint doesnât belong in your obituary.
Neku more or less knew the beast had been Joshua, but the voice in his head finally cemented it.
âIâll break my legs.â
âIâll catch you.â
Neku didnât even register the response said aloud, slipping down the paint-soaked velvet and landing in a nest of color-streaked feathers.
âSee?â
âIâm drenched,â Neku grumped, and then realized he wasnât. His and Joshuaâs clothes were pristine again, though the wild streaks of paint still covered Nekuâs arms and Joshuaâs feathers.
âNot getting rid of it all. I donât know if the building is trying to attack us and Iâd rather we still smell like it.â
âYou think?â Neku asked sarcastically. He looked around the room. Paint had pooled in oil-slick puddles on the floor and was leaking out cracks in the walls. Neku heard dripping from overhead, looking up to see globs of color slowly plopping from the ceiling. The acrylic paintâs own drying-to-plastic properties were likely the only thing preventing a flood of multicolored rain on them.
Carefully, Neku hot-footed around the deepest puddles and made his way to the stained glass on the perimeter.
âWe are really high up,â he breathed out, looking at the world below.
Joshua fluttered, and landed gracefully next to him. âWe are. Care not to break the glass.â
âIâm not thatââ
ââwithout me,â Joshua continued, barreling for the window, grabbing Neku as he shattered an entire pane.
For a moment, time stood still, not that it mattered much in this place to begin with. The triangular pastel shards exploded out with them on the side of the building and Neku swore he heard it scream. The shards from the broken window floated around them, glittering against the glass rain pelting them from above. Joshua pulled Neku in tighter, wings curled.
âDuck.â That was Nekuâs only warning as Joshua opened his wings to propel them up against the pellets of crystalline rain before hurling himself sideways, crashing into another exterior wall.
âHuman bodies are too frail,â Joshua tskâed at him once they finished rolling in a 20 centimeters deep pool of paint. With a hand wave, Neku found himself as clean as he could be, and free of scratches.
Paint sluiced down from their entry hole, likely streaking the outside of the building as the room began to drain. Neku shook the stars from his eyes as Joshua flicked his fingers across his button-down shirt, sending the liquid colors away as he did so.
His wings were still streaked with neon.
The room had no stairs, no elevator shaft, from what Neku could see. It was just glass around the outside and a concrete floor and ceiling. Scattered about the room were pillars and flat concrete pieces, some wall-to-ceiling, but most about half heightâlike an art gallery.
The entire room, save the glass, was completely covered in art.
Graffiti.
Classical.
Renaissance.
Ukiyo-e
Cubist.
It was one step short of being an eyesore. And as the paint drained out, pouring down the exterior side of the building, Neku could see the floor, too, covered with incredible works of art. He felt almost embarrassed when he moved his foot, leaving behind a hot-pink footprint on impressionist lilies.
âTheyâre just copies,â Joshua said sternly, looking around. âTechnically precise, but nothing original except in how itâs all mashed together.â
Neku nodded. âI just stepped in Monet.â
âWell, a good copy. Poor Sanae. Stay on your guard, Neku; heâs up here somewhere. And heâs probably not going to look like what youâre used to.â
âLike how you were a dragon?â Neku asked.
âHis street art handle isnât CAT for nothing.â
âIâm assuming itâs not a housecat, then,â Neku hissed back, suddenly concerned. Both of them winced on hearing a howl.
Quiet, Joshua ordered inside his head. And stay behind me.
Neku nodded and the two wove their way through the gallery, following the sound of growls and irritated hisses. Joshua slowly peeled around a corner, motioning for Neku to follow.
A great graffiti-winged panther that Neku could only assume was Mr. Hanekoma glared back through acid-paint eyes.
Xxx
Joshua shoved Neku roughly aside, striding confidently to the massive graffiti beast.
âHello, old friend,â Joshua said, tired and aged himself.
The creature screamed. The concrete half-wall Neku had been cowering behind exploded into fragments of color and shrapnel.
The beast froze, sniffed. It took one step, then another, leaning its gargantuan head over the broken divider to look down at Neku.
Neku had never been terrified before. Even in the Game, heâd had periods when he was scared, adrenaline coursing through him like the drug it was. But this abject fear to witness a man he trustedâwho he might even consider a friendâbe reduced to a mindless abomination drooling tempera paint overhead was sobering.
The beast opened its maw wide. Joshua jumped to his side in a flash, throwing up a wing to protect him.
Hanekoma tilted his head a little, reminiscent of a puppy. âNeâŚ.ku?â
Xxx
Neku and Joshua watched over the nextâŚhowever long it took. Hanekoma paced, occasionally knocking over a bucket of paint or, in one case, slamming into one of the concrete half-wall dividers with his flank as his graffiti form jittered and convulsed.
Heâs coming back around, Joshua hissed in Nekuâs head. At this point, we just need to wait.
Neku nodded. Joshua still held a wing up and an iron grip on the otherâs arm and waist, but it was with good reason. Hanekoma screamed again, rupturing the concrete and Nekuâs eardrums. For a few moments, Neku saw nothing but static, before the searing pain faded.
ââSanae, Sanae, come back to us,â Joshua pleaded in croaking whispers as Nekuâs hearing returned. âPlease. Your attacks are only hurting him, see? I just had to completely repair his eardrums.â
The cat-beast howled again, knocking Neku utterly unconscious this time.
Xxx
Neku came to on the floor of the gallery, slowly taking stock of the room around him through hazy peripheral vision. Most of the dividers were at least punched through, if not entirely destroyed. A cold hand covered most of his forward vision, however.
âNeku, can you hear me?â Hanekomaâs gruff voice was twanged with concern.
âHe should; I fixed his eardrums twice in one eternity,â Joshua grumped.
âMisterâŚ.H?â Neku croaked.
âJ, make him some water.â
Slowly, a sturdy arm pulled Neku to sitting, leaning his body back into something warm, but lacking breath and a pulse. It was too broad to be Joshua, confirmed when the other hand slipped away to take an offered bowl of water.
Hanekoma was in human form again. Human-ish, at least.
âDrink, kiddo.â
âIâm twenty,â Neku protested before coughing up a little blood, realizing that was the first full sentence out of his mouth to the former barista.
âHey, all humans are kids to me,â Hanekoma laughed. âJ, he needs his throat patched up too.â
âYeah, yeah,â Joshua whined, leaning forward to place three fingers against Nekuâs neck. Immediately, Neku felt a wave of calm wash over, and his throat felt clear. âNow drink, before I whip you up an IV. I can patch you up, but Iâm not magically refilling you with lost fluids. I donât have the brainspace right now for that.â
Neku slowly downed the water, leaning heavily into Hanekoma. âI donât have the brainspace to brain for at least a week.â
âI donât think any of us do,â Hanekoma added. âIâm not even sure how Iâm back to any kind of sanity as it is.â
Joshua rolled his eyes and refilled the water bowl with a gesture. âEnough of you was sane enough to be worried.â
âYou brought a living human as bait, J! Of course I was worried.â
âIt worked.â
âThat doesnât make itââ Hanekoma hissed, squeezing Nekuâs shoulders a little too hard.
âI missed you,â Neku cut in. âIt looked like all of Shibuya did, even though they never knew who you were.â
âOf course they knew,â Hanekoma said gently. âI was the local barista, ready with a good cup âo joe. I was the artist that painted the town red.â
âAll the Reapers I spoke to had nothing but praise for you,â Neku continued. âI ran all over the city today finding that out.â
Neku felt the single loud thump of a heartbeat from the ethereal body keeping him upright. âReally now?â
âNone of them knew you had a connection to the game either,â Neku continued, getting a second wind. âThey just praised CATâs art and WildKatâs coffee.â
âHmph.â
âWonât you come back, Sanae?â Joshua asked, a pleading smile on his lips. âItâs been too long.â
âI wish I could, J.â
âWhat do you mean you wish? Youâre an Angel, for Someoneâs sake!â
âEr, about that,â Hanekoma said, scratching the back of his head. âIâm⌠well. Iâm not not an angel, I guess. But this is my punishment.â
âYouâre definitely under supervision,â Joshua said testily. âYour warden was more annoying than anything else.â
âI take offense to that,â Hanekomaâs voice reverberated through all three of them.
Joshua nearly growled. âYou know, you could have skipped the theatrics. If you wanted us gone, you could have Erased us, or just booted us out.â
Neku blinked the last of the daze away. âHold on. Iâm missing something here.â
âRemember how we passed a million billion WildKats and Sanaes and Shibuyas trying to find this place?â Joshua grumbled. âAnd how Sanae knew what we were doing? Angels have a singular hive mind. Mostly. Iâm not actually an Angel, mind youâsort of just a hatchling, an infant. But heâs a real-deal Higher Plane beastie.â
Neku frowned, putting up a finger, lost in thought. Hanekoma went to speak, only for Joshua to shush him.
âNekuâs smart enough to put the pieces together. Give him a moment.â
âI gave him at least a concussion, if not brain damage, J.â
âWhich I fixed.â
âThe building.â Nekuâs face sharpened into a frown.
Joshua and Hanekoma turned their heads to Neku, now sitting upright unassisted as he bopped his finger to his own internal music, slotting what he knew in place. âYou said the building was an angel. This building, this whole thing, is this dimensionâs Mr. H. All of the other yous are mad at you, arenât they?â
Hanekoma nodded, exhaling a sigh. âIâm⌠sort of still an angel. But they cut me off from the Hive and took my inspiration. I canât leave until I have them back.â
âIâm going to have a word with Management.â Joshua hoisted himself off the shrapnel-pocked floor, stomping a foot. âElevator, if you please.â
âJ, youâre crazy.â
âAware. So?â
The three heard a ding as a concrete cube rose from the floor, the elevator with it. It opened with a smooth motion, the door already fixed but the interior still caked in paint.
âAm I the hostage negotiator, or can all of us go?â Joshua asked the elevator, irritated, arms crossed and wing-feathers fluffed in annoyance. In response, the elevator ballooned sideways, expanding the interior to accommodate three adults and one massive pair of wings.
âAll right,â Joshua sighed out. âEverybody in.â
Xxx
The elevator hummed pleasantly and dinged, opening back up to the pearly-white entryway. The large front doorsâtriangular shards of crisscrossing stained glassâwere blocked off by an aggressive black chain and padlock. A gleaming solid front desk sat at the entryway with a bored Hanekoma flipping lazily through a completely blank magazine. He shot them a grin; Neku noticed he was missing a tooth.
âAh, hello. Thanks for giving me one heck of a sore throat, J.â
âCan it. Iâm busting him out,â Joshua snapped, straight to the point.
Hanekoma put down the magazine, all high-gloss and solid-white pages. âOh? How?â
Joshua pointed at the door, the chain and lock melting like acid under his gaze. âThe front door, how else? Unless you want a few more teeth popped out.â
âThat isnât what I meant, J,â Hanekoma-behind-the-counter said simply. âYour me isnât an angel right now. You take him out of here and heâs a mortal. I give him a few decades, tops. Stay and heâll pay his price eventually; wonât you, you sorry excuse for a me?â
Joshuaâs Sanae wrung his hands. âIâll head back up. I did say you didnât need to come for me, J.â
âIf you leave before your sentence is up⌠youâre mortal?â Joshua asked, his voice cracking a little.
âYeah, sorry Boss. Iâll take the long way âround.â
Neku frowned, scratching at some dried paint on his cheek. âHang on. What is his sentence exactly? Josh, you said yours was being banned from the RG, but nothing stopped you from letting me see the UG.â
Joshua broke out into a nasty grin. âOhhhhhhhh Neku, dear. I need to have you get brain damage more often.â
âNo,â Neku interjected flatly.
âAw, it was only a temporary inconvenience. Anyway, Sanaeâeither of youâwhat is his exact punishment from the Higher Plane? I want the full contract.â
The glass worldâs Sanae slid him the blank magazine. âThey were pretty thorough.â
Xxx
When Neku turned his back on the front desk, a couch, two chairs, and a coffee table, all in different shades of blinding alabaster, existed under the overhang just to the side of the entryway. The tinkle of stained-glass-shard rain peppered the overhang roof and a rainbow of garish light streaked in between the storm clouds outside. Joshua lifted his wings, draped them over the back of the sofa, and got to reading.
The only sounds were the tinkling of the rain, Joshuaâs ever-ticking watch, and the occasional turn of a page.
Neku tapped his fingers on his jeans. âCan I do anything?â
âNo,â muttered Joshua, half in thought flipping through the plain pages.
âHavenât you done enough?â asked the bored warden, slouching at his desk.
âI could⌠clean the elevator,â Neku offered, trying to figure out something to do. He was definitely caught in some sort of celestial war, played out in miniature. Everything was over his head right now as he looked sideways to the glass-world Hanekoma. He looked the same as all the othersârolled-up button down, slacks, waistcoat, watch, sandals, sunglasses, messy hairâthough he did seem a bit more⌠shiny, like light was reflecting off of him. Neku didnât want to consider what it meant for him to both be standing at the front counter as well as being the entire building.
âYouâd do that?â the glass angel questioned, confused.
âWhy wouldnât I? Iâm just standing here. And itâs partially my fault that happened. More so if itâs hurting you.â
âAngels arenât people, Neku,â he replied, handing him a bucket of soapy water from nowhere. âWe donât feel pain.â
âYouâre clearly in pain,â Neku shot back in a whisper after Joshua rustled the magazine loudly, clearing his throat in a way reminding Neku to not disturb him. âLet me help.â
âHelp, huh?â The glass Hanekoma smiled, the missing tooth returning to its space after a moment of static. âThatâs a new thought.â
âNobodyâs ever helped you before?â Neku asked, concerned, as the elevator dinged and opened. He walked to it, both Sanaes following. One handed the other another bucket, then made one for himself. The three went inside and Neku took to the floor, carefully washing down the carpeting. The door slid closed and the three worked in silence.
âNot me, no,â the glass one admitted. âNot most of us. Angels donât interact with your kind, or they really arenât supposed to. I think some of us are jealous of the us from your world.â Another beat of silence. âI know I am.â
âThen why donât you leave?â Neku asked.
âThe other mes would make me a traitor, same as that one.â He jabbed his thumb at his duplicate. âIn all honesty, I think itâs better than wasting away with only our own thoughts for company. All of us know it tooâonly that one said the quiet part out loud. Thereâs a small and finite number of angels, but an infinite number of each of us. One broken hive is a massive blow to the higher planeâkind of contradictory when you realize we run on Imagination. Think about it for five seconds andââ
âIt doesnât make sense,â Neku cut in, satisfied with the state of the floor, moving on to an aggressive teal spot on the wall. âIf you run on Imagination but youâre made up as a ton of fragments that all have to think alike, any dissent and your own self turns on you. Seems a bit counterintuitive to have it that way.â
âThe only possible outcome is to break apart from within,â Hanekoma agreed, but Neku wasnât sure which one of them said it. Inside the elevator, the glass one didnât have the odd shine heâd had in the foyer. At this point, he wasnât sure it mattered.
Xxx
Neku and both Hanekoma exited the elevator, Joshua still pouring over the magazine. âThey really did try and close every possible loophole,â he muttered. âI canât see a way out⌠shy of killing you,â he added, looking up at the two angels. âAnd now I canât even tell you apart.â
One of them smiled. âNeku just opened one up for you.â
âOh?â
âClause 16b.2.â
âYes, âshould the warden be unfit for service, Hanekoma is to serve the remainder of the sentence under a new warden.â I was going to kill you and claim myself warden.â
âThereâs no way the Higher Power would allow that. Heâd just be transferred,â the other one said. Joshua raised an eyebrow to the first oneâhis Hanekoma. He slid his eyes between the two of them and the glass one scratched the back of his neck.
âSit. Iâll get us something to drink.â
Neku shrugged and practically threw himself into one of the chairs, sighing as he sank into it. It was soft and warm and the light pinging of the rain overhead was lulling him to sleep.
âStay awake,â Hanekoma ordered, pinching his elbow. âYou started going see-through when you passed out last timeâitâs what jolted me to consciousness. You arenât coming all this way just for me to see you fade to nothing, Neku.â
Neku jolted upright, just as a steaming cup of coffee was placed in his hands. âIâll make sure that doesnât happen,â the glass Hanekoma said, determined. A third settee appeared between the other two; their captor-slash-host sat in it, placing a tray of coffee, tea, and snacks on the table between them. âAnd anyway, Iâm unfit to be Hanekomaâs warden now. The Higher Plane may come for me soon. Though, soon here could be eons off. I know my time doesnât run at the same pace as most of the other dimensions; thatâs why I was picked to watch him. Joshua, they would never accept you under probation, but⌠Nekuâyou seem to be a favorite of upper management. Transferring to you shouldnât be a problem. Hand him the contract, J.â
Neku blinked a bit of the daze from his eyes, downing the beverage. It felt like more than mere coffee, a solid glass of liquid courage, emboldening him.
Joshua hesitated, but passed the blank, glossy magazine sideways to Neku. He then stared down at the tray of offered snacks and carefully picked out a chessboard cookie, frowning at it, before biting the head off the knightâs horse.
Words swirled on the paper in Nekuâs peripheral vision before he could see them straight off. âCan I get a translation?â he asked meekly, looking at the mess of block print before him.
âDid I not write it in Japanese?â Glass-Hanekoma asked.
âThatâs not what I meant,â Neku sulked. âI canât read lawyer.â
Joshua craned his neck sideways. âItâs a transferal of ownership contract. Standard language, except⌠hm. Neku, would you want to be an angel?â
Neku scrunched up his face. âSeeing what you deal with? No. I have enough trouble with artistâs block as it is. Iâd rather it not be fatal.â
âTake out paragraphs eight and twenty, then.â
âWait, this would haveâŚâ
âMade you one of us, yeah,â Joshua cut Neku off. âIt does mean that if Hanekoma didnât finish his sentence before you died, he would be mortal; so some sort of transferal clause needs to be added.â
Hanekoma snatched up the magazine, flicking it. âConsider it done. Sign and get out of here before Iâm taken away too.â He grinned slyly. âMaybe I can keep the domino chain going. Wouldnât the upper management just love that?â
Neku flicked his eyes to Joshua. âI still trust you, Josh. Howâs it look?â
âWe can take him with us. Youâre his warden âtil you die or his sentence is done, then you can renegotiate angelhood if you want.â
âBut⌠what is his sentence?â Neku asked, looking between the now indistinguishable Hanekoma.
âI have to re-earn my Imagination: the human way.â
âNo magic?â
âSome magic. About as much as Josh has. Which is a lot compared to you. Very little compared to before. And none at all when Iâm not near my warden⌠though Iâm not sure how near near is.â
âDonât worry about that,â the second Hanekoma said, squeezing the firstâs shoulder. âIâve given you a little extra juice on your way. Iâm sure theyâll take mine from me anyway. Itâs enough to manifest your wings again, at least. Now get out of here, before thereâs bigger problems. All of us is already tattling.â
âBunch of assholes,â Hanekoma hissed under his breath.
âWe both were, too. Well, me at least. Think you were always the black sheep. Now, sign and get.â
Joshua plucked a pen from nowhere, handing it to Neku who turned to the angelic twins. âYou trust me?â
âWith your life,â both Hanekoma said with a nod.
Neku signed with a flick of his wrist, the pull of slumber taking him again. He could barely hear Hanekoma and Joshua shout something as they hauled him upright at the torso.
With a jerk that felt like someone had tied a rope around his waist and then yanked on it from behind, Neku blinked his eyes open to Hanekomaâs shop, as destroyed as it was when theyâd left it. He gasped for breath, completely winded and woozy, the world spinning around him until he succumbed, sliding out of Hanekoma and Joshuaâs shared grip to bounce on the cracked tile floor.
Xxx
Hanekoma frowned, flapping feathered wings he forgot heâd missed. âJ, you know you canât throw yourself around the mortalsânot like that. Not even to someone like him.â Carefully, Hanekoma pulled Neku out of the rubble, flinging his body over a shoulder. âBe glad heâs just passed out. If he stayed a moment longer in that dimension, he would have been gone. You could have killed him or worse.â
âBut I didnât,â Joshua insisted. âI needed him.â
âDid he know the risks?â Hanekoma asked roughly, finally free to yell at his former boss-and-ward without Neku overhearing. âHe didnât. You never told him.â
âYou said in your notes that Iâd be a strain on him. He had to know what that meant.â
âThereâs a difference in knowing what your toned-down presence would do over a week versus what the full force of your power would do to him in a few hours,â Hanekoma chided. âHe may have known the former, but you certainly didnât tell him the latter.â
âWhatâs your point?â Joshua asked, watching Hanekoma shift Nekuâs unconscious form into a more comfortable carry.
âMy point is, stop breaking things, J. Stop treating everything like a broken bone thatâs healing the wrong way. Not everything has to be shattered even more to fix it.â
âYou were imprisoned by the Angels! All for trying to protect this city!â Joshua protested.
âI would have finished my sentence eventually,â Sanae countered in a calm and even tone. âI may have been in that place for eons, but it wasâwhat? Three years here, maybe?â
âFive,â Joshua whimpered with a pout.
Hanekomaâs eyes flicked up and down Joshua, seemingly searching for something. âIâm putting Neku down in a room and warding it. He needs to recoup.â
Hanekoma turned on his heel to the shop backrooms, leaving Joshua standing confused in the mound of rubble.
Xxx
Whatever Hanekoma was doing, he was taking his sweet time. But Joshua heeded the baristaâs words and waited, rolling his shoulders and slowly ratcheting his own wings back into the ether. Bored, he made himself a broom from Imagination and began idly sweeping up the chipped plaster and shattered tile. Eventually, Hanekoma returned to the shop portion of the building, eyeing Joshua.
âPhysical labor? Thatâs a first.â
âI⌠I feel,â Joshua said, stopping to roll the broom handle in his fingertips. âI feel responsible.â
Hanekoma lowered his shades, peering over them. âResponsible. Who are you and what have you done with J?â
âI grew up, Sanae. Someone had to. You werenât here. I have a new Conductor and Producer now.â
âWhat, so Iâm outta a job?â
âIâm not kicking you out,â Joshua said, almost pleading. âYou just donât have any obligations. Other than your sentence, I guess.â
âWith Neku as my warden,â Hanekoma sighed out. âYou didnât need to plan a jailbreak, J. Youâve waited longer than five years for things before. Itâs hardly an eye-blink to people like us.â
Joshua slunk to the floor, defeated and boneless as he slid down the broom handle. A small cloud of debris puffed up around him as he went.
âDrama queen,â Hanekoma tskâed as he joined his former colleague on the floor, nesting his wings around himself. âI canât say this isnât nice though. Missed ya, J. Being honest, I donât remember much at all from that place, anyway. Couldâve been a long time there before I became myself again without your little stunt.â
Joshua didnât answer.
They sat in silence a few moments, then Hanekoma choked back a cry as his coworkerâhis friendâgrabbed him from behind, wrapping his arms around him just under his wings. Hanekoma flapped them in surprise as Joshua buried his head in the down.
Angel and Reaper wings were their Soul; one didnât just touch themânot without explicit permission. To touch someoneâs wings meant someone else could feel what they did. Feel their joy, their disgust, their pain, or all at once.
Hanekoma didnât pull away. He could hearâjust barely, but it was thereâJoshua sobbing silently into his back. Joshua was, for the first time in his so-called-life, showing Hanekoma a vulnerability he didnât know the other even possessed. Slowly, the barista relaxed both sets of shoulders, taking on more and more of Joshuaâs weight until his Composer was literally leaning on him as much as metaphorically.
Seconds ticked away from Joshuaâs Pegasso crystal-quartz watch, which turned to minutes, then a solid half hour. Slowly, Hanekoma felt the weight lift.
âYou let me,â Joshua said, a bit hoarse, patting the down where wing phased through clothes.
âYou needed it, J. Pain shared is pain halved. I was happy to listen.â
âYou didnât want to be saved,â Joshua said sharply. âForgive me for feeling like you were ungrateful. But⌠you werenât. You were protecting me from the angels and a sentence like yours. You were a fall guy.â
âYes,â Hanekoma said slowly. âI didnât want you to suffer, too. Not being visible to the RG is hardly a penalty compared to what I have.â
âPain shared is pain halved,â Joshua threw back at him, wiping snot off his face. If heâd been in his teenage form, he would have looked like just another kid. But Joshua was an ugly crier, and as an adult, he just looked sillyâmore so with a few errant feathers from Hanekomaâs back stuck to his dripping snot and hair.
âWash upâthe backroom sink works,â Hanekoma insisted, flapping his wings a few times to get rid of any other loose feathers. âI need to do some tidying, anyway.â
Joshua reverently ran his fingers through the shoulder of Hanekomaâs left wing. âClean the shop all you want; you know all about me and dirt. But leave this part to me.â
Xxx
âI kinda expected more, Sanae.â Joshua leaned in the doorframe, pristine as her always presented himself to the public.
âIâm not exactly going to waste my magic, Boss.â Hanekoma went back to wiping down the countertops with a wet rag. The only change Joshua could see was all the broken furniture piled in a corner, with the floor debris in an equally uncoordinated pile.
âThe human way?â Joshua asked with a smirk.
âIf Iâm not your Producer, I need a little art project to keep me busy.â
âWouldnât really call fixing a coffee shop art,â Joshua scoffed.
âItâs not not art, though,â Hanekoma countered, flinging the wet rag on a shoulder and smiling at the dented, but still functional, kettle on the burner, whistling away. âTea?â
âMm,â Joshua hummed with a nod. âAlso, Nekuâs phone was ringing nonstop.â He pulled his own from a pocket. âOh. Itâs past ten PM. Someoneâs probably been wondering what happened to him. Least itâs still the same day we left.â Joshua cracked a small smile. âGone for a week and the mortals think youâre dead or something.â
Hanekoma threw the rag square in Joshuaâs face, storming past him to go retrieve the offending cell phone.
Xxx
Hanekoma sat on one of the two useable stools, Joshua behind him on the other, sipping tea from one hand while using the other to pull out stuck feathers. The barista unlocked Nekuâs phone, scrolling through twenty missed calls. âShiki. Thatâs a name I havenât heard in a while.â
âYou planning to call?â
âI should. Nekuâs probably going to need a day or more to recuperate. And then youâre going to call his mother and let her know heâs sick with a fever.â
âCanât. RG people canât perceive me for another few years, remember? Phone calls included.â He grinned toothily. âYouâll just have to clean up the mess for me.â
Hanekoma sighed, stretching out his wings a little so Joshua could pull out all the powder down stuck from his eons of not taking care of himself, and pressed a familiar name in the missed calls history. âHello? Shiki?â
âOh my god, is this the police? Whereâs Neku?â
âShiki,â Hanekoma smiled a little, glad for a familiar voice. âItâs⌠Hanekoma Sanaeâthe cafĂŠ shop owner on Cat Street.â
Hanekoma waited patiently as Shiki processed what that meant. âIf Neku is dead, Iâm wringing a long line of necks. Joshuaâs first; something tells me this is his fault.â
Joshua laughed hard enough to slam forward into the angelâs back; Sanae shot him a glare. âNeku is alive, but heâs taken a massive hit of Imagination. Heâs probably going to sleep a day or two.â
âBut heâs alive.â
âAlive and in no pain, with no injury. Mortals just canât handle being around a city Composer too long.â Hanekoma glared over his shoulder at a snickering young-looking man in a lilac button down.
âIâm coming over there,â Shiki insisted. âAnd Joshua better be ready to take a knee to the balls.â
âUnfortunately, you wonât be able to see or hear him, but hang on,â Hanekoma said, pushing back on the deadweight behind him with his wings. âIâm putting you on speaker. Feel free to yell at himâI already have.â
Hanekoma clicked to speakerphone, maximizing the volume and holding the phone out behind him.
âGo ahead, Shiki. He can hear you.â
Shiki took in a deep breath, expelling a gasp of colorfully laced expletives so pointed Joshuaâs hair began to catch fire. The moment she was out of breath, she slammed the end-call button with enough force that Joshuaâs wings twitched, even within their aether.
âJosh, youâd better be out of my shop before she gets here or youâre going to be in deep shit.â
âI didnât realize someone who played the Game before could deal that much splash damage,â Joshua complained, patting out the embers on the edges of his loose curls.
âYou were human once yourself, J. Now bolt before she sets all of you on fire.â
âGood night to you too,â Joshua grumped, crossing his arms as he slid off the seat, leaving Hanekomaâs wings in a worse looking state than when heâd started. He saluted awkwardly to the sighing barista, disappearing out into the night.
Xxx
âHow are you holding up, kiddo?â
Neku rubbed the crust out of his eyes. âWhat year is it?â
âSame one you were in before this mess.â Hanekoma smiled. âYou slept away three days, though. I impersonated you on the phone to your mom and collegeâhope thatâs alright.â
âSo itâsâŚâ
âMonday night. Six PM. Joshâs going to stay away from you for a while.â
âThat why I feel like shit?â
âMhmm. You want me to bring you in some food?â
âBathroom,â Neku complained.
âThink mine still works.â
âYou think?â
âNeku, Iâm not human. Iâve never needed it.â
Xxx
âSo now what?â Neku bit into his burger; nothing Hanekoma made, but then again, his kitchen was mostly still in shambles.
âI guess I rebuild. Maybe I take some art classes at community college.â
âThen Iâm helping.â
âNo, youâre-â
Neku glared up from his dinner. âThatâs not up for debate. Iâm your prison warden, remember? I help and in return, you let me paint in here.â
Hanekoma laughed. âYou donât even need to ask permission for that.â
âOh, so I can tag every wall, floor, and ceiling in this bombed out husk of a deserted island?â
The barista frowned, leaning forward on the counter. âThat didnât get me any closer to having any inspiration, you know.â
âAnd I think thatâs a lie,â Neku replied, crossing his arms. âJosh didnât see it either. Maybe the individual components were copies, but that space you made in that other place was like nothing Iâd ever seen before. Incredible doesnât even begin to describe it. Nothing we do is truly unique anyway; weâre always working off the backs of those who came before us. Itâs what voice we add to that conversation that makes our art what it is and⌠I should really be following my own advice. Hang on. Iâm making a few calls, and youâre not stopping me.â
Neku pulled out his phone and rolled through his contacts list. âHey, Sho. Iâve got a destroyed cafĂŠ here ripe for a giant-ass chandelier. You in?â
âNeku,â the other end of the line sounded annoyed. âI donât do electrical.â
âSo? You do the sculpture; Iâll get someone else to wire.â
âItâs going to be made of trash.â
âWhy do you think I called your ass? Take notes; hereâs the address.â
Xxx
âI havenât done heavy lifting in⌠forever,â Hanekoma said, wiping actual sweat off his brow. It was a weird feeling, being sort-of human, but he couldnât say he didnât like it. The past six weeks had been a whirlwind with Neku in charge, directing a steady stream of ethereal beingsâ self includedâ into a massive renovation of his shop. The place was an explosion of color and life, an irony in real time to contrast the lack of both on the owner.
âQuit complaining,â Uzuki demanded, hauling the other end of the new bar counter. âIf I can get Kariya to lift your tables in, you can help with your own damn high-top.â
âThe one you danced on,â Hanekoma said with a grin, looking down at the hot purple and neon orange footprints crisscrossing the acrylic-sealed bar counter. The two had tangoed across a plank, then encased it for eternity in enough two-stage resin that it would never fadeâNeku was particularly proud of that collaboration. Uzuki pushed the shop door with her shoulder, so both of them could bring the counter inside.
ââand you donât need to hold that ladder, Neku.â
âI donât want you falling,â Neku snapped back, looking up at the Reaper wiring in the shopâs new light fixture. It looked like a vending machine had exploded on the ceiling, and Hanekoma loved it.
âNeku, I can fly,â Triple Seven replied, waving a pair of wire strippers. He was flapping his wings to show those off as well, not that Neku could see them from the RG.
âMy masterpiece canât,â Sho grumbled from the corner, looking on in a mix of horror and awe as Seven worked his stage rigging magic to get the recycled-bottle chandelier hooked into the buildingâs wiring.
âLook, itâs way easier for me to do this if Iâm not trying to balance,â Seven sighed out. âSho, get up here and hold it in place, so I can finish. Neku, go help do something that doesnât involve a ceiling or frying yourself on open electricals.â
Sho sighed, stood up, and vanished back into the UG, flapping up to hold the sculpture as Seven jumped off the ladder. Neku winced, unable to see either of them.
âIf you can hear me, Iâm going to check on Shiki and her friends making chair cushions.â Sho rattled the ladder with his foot, and Neku smiled. âHey, Mr. H, your shopâs haunted.â
âIâd be more worried if it wasnât.â
Xxx
âSo?â Hanekoma slid a ceramic cup down the acrylic to Neku. âGet your grade back yet?â
âSemester ends in January, Mr. H; itâs gonna be a while yet. How about your magic?â
âWhile this helped, no. Itâll be a while yet for me too. Canât complain about the dĂŠcor, though.â
Hanekoma and Neku grinned, taking in the space. Except for one section of wall painted with chalkboard paint for patrons to go wild doodling on, every square inch of the shop was covered in art altogether dizzying and explosively contrast in design.
âOpens tomorrow, right? My teacher is coming around again to see it.â
âSoft open today though.â
âSign said closed,â Neku pointed out with his teaspoon.
âMaybe for the living.â
âAh, a few reapers pass by?â Neku asked with a smile. âHey, make a bet with you.â
âWhat?â
âHow many days the shopâs open before a paying customer draws a dick on your wall.â
âZero.â
Neku looked sideways as a handful of change bounced across the counter, Sho coming into view. He downed his already half-drunk coffee and loped to the chalkboard to vandalize it. Neku flicked his eyes at the empty tables and chairs, a massive grin breaking out on his face as every single one was filled in with a Reaper, raising glasses in toast.
âWe all needed someplace to stay,â Hanekoma said on the roomâs behalf. âThanks for giving us a home. Itâs still pretty broken and lopsided, but I promise weâll keep the lights on.â
âMr. H, this was already your home.â
He shook his head. âNo, Neku. It was only a shop.â
âIf its home, does that mean the drinks are free?â A few reapers turned to the furthest corner of the roomâJoshua grinned, sitting backwards in his chair.
âJ, what did I say about coming âround when Nekuâs here?â Hanekoma scolded.
ââŚDonât?â
âShort bursts only, lest you want to clean up the exploding brains on the wall.â
Neku shrugged. âItâll probably add to the ambiance.â
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Paladin Rose (An Other Magic AU Substory written by CartoonAddict564 from the comment section)
Part 1 (Faerie Arc)
(This is a hodgepodge of all of the story comments for the Paladin Rose Substory from the Thereâs More Magic Out There fic, the commenter gave me permission to post it on tumblr, but please do check the original comments out, thereâs a lot of funny shit I left out)
Mr. Lavaillant: Rose, sit down. We have something very important to tell you. Mrs. Lavaillant: You know how we've been patrolling the city with our Detect Magic abilities to find evil monsters? We found one... and you know her. Rose: *pales* Mrs. Lavaillant: It's your classmate Sabrina. We've determined she's actually a fey spirit, brought by evil Sidhe--fairy lords--to replace the real Sabrina. Rose: *slightly relieved that they still don't know about Juleka* Oh! Uh, that sounds bad. Why don't you let me deal with her? *wondering if maybe they can hide her for a few days until her parents move on* Mr. Lavaillant: No, dear. You see, if it were just a matter of catching and killing this changeling, we're sure you could handle it. But this is a much more difficult job. Mrs. Lavaillant: It's not enough to kill the fake Sabrina. We need to rescue the real one. To do that, we'll have to force them to take the false Sabrina back. Rose: Uh... what do you mean? Mr. Lavaillant: Fey are incapable of taking a gift without giving something of equal value in exchange. That's why they leave one of their own behind when they abduct humans; they literally can't take a child without giving up a child of their own in order to make the trade equal. But it works both ways. If we compel them to accept our 'gift' of the changeling Sabrina, the fey will be forced to return the real one to us. Mrs. Lavaillant: There's a fey hill a few miles outside of town. We'll bring the false Sabrina there, summon the Sidhe lords, and fight them with our holy powers until they yield and agree to retake the changeling. Then they will be compelled to recover the human Sabrina from wherever she is and bring her here. Rose: And, um, how are you going to get Sabrina to the hill? Mr. Lavaillant: We talked with Roger Raincomprix--who was so excited that he might be getting his real, genuine daughter back that he almost cried on the phone--and he's going to help us. We gave him a special herb which he'll mix into her food; any fey that eats it will fall asleep for at least twelve hours. We'll just pick her up, meet with a few of our paladin friends, and then all head out to the fey hill. Mrs. Lavaillant: Just think, dear, in only a few hours that evil monster who stole the real Sabrina from us will be banished to the fey world, never again to threaten decent people like us! *beat* Anyways, that's where your father and I are going tonight. We'll see you in the morning. *The Lavaillant parents leave; 30 seconds pass* Rose: (Already putting on her armor and sword, and also calling Juleka on the phone): HEY JULES GET THE GANG TOGETHER WE HAVE TO STOP MY CRAZY PARENTS
---
Juleka: ...so that's what's happening. Luka did a scrying spell and found that Sabrina's already missing from her home, so we need to get to the fairy hill first and stop the paladins. We can meet up with Rose at this rest stop and-- Alya: Um. Do we actually know Rose will help us? Juleka: Of course. She helped us sabotage all those other things her parents did. Alya: Yeah, she helped us with some pranks. That doesn't mean she'll help us fight her parents. I mean, if Chloe wolfs-out and tries to bite them, do you really think Rose will just let it happen? Alix: Alya has a point. Rose was raised her whole life to think Sabrina and the rest of us are evil. She might have been willing to rebel when the stakes were low, but actually fighting for 'evil' in front of her parents and everyone? Publicly betraying them? I don't know if she'll do that. For all we know this whole thing is a set up from her parents. Maybe they got her to lure us out of town, away from anyone they don't want watching a paladin vs monster fight, and get us to a place where they have lots of backup from their crazy zealot friends to help them kill us? Chloe: Or worse. What if Rose was a plant from the beginning? They figured out there was magic around because of all the Miraculous stuff and Hawkmoth, so they send in their daughter, have her act nice so we tell her all about us, and then use that knowledge to kill us? Juleka: But... she said she'd help us. She promised! I mean, she swore she loved me even though I'm a vampire, and... Juleka, thinking to herself: What if I was just a little side fling for her? What if I was just her opportunity to be a rebel, or what if she really was a plant from the beginning? Now that the chips are down, what if she fight for what she really believes, which is that I'm a monster and so are my friends? Juleka: ...well, either way, we have to rescue Sabrina. So let's go and hope Rose is loyal to us. Juleka, thinking to herself: And if she's not, maybe I'll just let the paladins cut off my head
ââ
Then commotion came to a halt as the bushes rustled. The changeling girl looked up with fear as she saw a familiar green.
The figure quietly exited out of the woods. Her hair was longer, untamed, but despite the roots and dirt curling around her skin, and the dark green coat fluttering around her shoulders. She still had a feeling of humanness.
Sabrina met her own face.
The fey adopted child looked at Sabrina, then her eyes moved to an ecstatic Roger, then the Lavillants, and the finally she sees the Mystery gang.
However she says nothing, only continuing to slowly move forward. The grass followed after her trail, and the large group saw eyes from the forest, staring curiously at them.
âCome and take the true fey child home and bring me back my daughter!â Roger commanded, but was met with silence. Only the quiet brushing of wind against the tall grass, the city bumbling quietly so far away,
Sabrina held her breath- and after what felt like years.. the Human girl spoke-
âWow, this is really fuckedâ She said evenly, she gave a Sabrina a soft pat on the back.
They all blinked with surprise at her bluntness as she looked to the rest of them
âIâve lived with the fey for more than fifteen years, I give not even two shits about the human world or my human family.â She said âI am more fae than human, and there is no benefit for me nor this Sabrina that is worth trading.â
Roger and the lavillantâs jaws dropped- and a look of disbelief, shock, and elation slowly grew on Sabrinaâs face. The stolen child smiled softly at her, teeth too sharp, eyes too bright, and hair too red. Their species didnât match but they knew who was human and who was not.
The Once Huma Sabrina slowly walked backwards into the woods, giving a small curt bow âYou all owe me for stealing my timeâ She says, a mischievous smile curling on her lips as wild magic rushed by them, a chill going down each of their spines. She gave Roger a quiet look before shrugging his heart broken expression off. âBye fuckersâ she said-
-And then disapeared into the darkness.
For a moment, complete and utter silence filled the hillside.
Then Chloe leaned in very close to the others and begin to whisper. "Listen up," she hissed. "I've seen most of these assholes at my father's political rallies--these guys are from half the prominent families in Paris--and I know how they think. They--"
"How can you tell?" hissed Alya. "They're all wearing armor!"
"The heraldry," Chloe growled. She gestured at the paladins, whose armor was emblazoned with various crests and sigils. "I've seen those pictures on the rings, the lapel pins, the shitty handkerchiefs in their pockets. No reason the knights would have them if they weren't the same people. Now shut up and let me talk." She took a breath. "One possibility is they realize how much of an idiot they've been and they slink off home. But that almost never happens."
"So what's the other possibility?" whispered Juleka.
"They blame whoever's nearby and isn't them for screwing things up. Then they double down and attack us, so they can try again once they get rid of 'the problem.'" Chloe's face was tight. "And if they do that, we have to be ready."
Then Roger seemed to shake himself. He looked around wildly before his eyes settled on the mystery gang. "There!" he yelled. "They messed this up! We would have been able to get my daughter back if not for them!"
"Get them!" roared Mr. Lavaillant. "For God and the Light!"
"And restrain her!" Mrs. Lavaillant swept her sword at the still-woozy changeling Sabrina. The redhead squeaked and tried to take a step, but the magic herb was still in her system and she couldn't do much more than shuffle a few paces before staggering to a halt. Mrs. Lavaillant went on: "We have to keep her here, and we have to keep her alive! We'll kill the other monsters, summon the Sidhe again, and this time we forcethem--with cold steel, if necessary--to take the changeling and leave the real Sabrina here!"
Roger looked pained. "But if my daughter doesn't want to come home--"
"Of course she wants to come home," said Mrs. Lavaillant in the stern, unyielding voice of a fanatic who would rather die than consider the possibility of being wrong. "In her heart, that's the only things she wants. You can't trust what she's saying now, because the fey confused her. But I assure you, it's nothing we can't handle."
"We have, after all, done this before," added Mr. Lavaillant as two other paladins dragged the unsteady Sabrina down with chains and staked her to ground previously cleared of all grass and shrubs in order to stop her from drawing on her powers to escape. "Your daughter won't be the first human we rescue from the fey. Nor the first one whom the fey brainwashed into wanting to stay among them."
"But you don't have to worry," said Mrs. Lavaillant, her tone now something that would have been compassionate if it hadn't had the bright, sharp edge of bloodlust to it. "We will see that your daughter has the best of care. Therapy for as many months as she needs it, and if necessary, something more extreme. We do have facilities just for that purpose."
Roger's face had somehow gone even paler. "You mean that room in the Catacombs you showed me. The one with the manacles."
"Yes, that one, if necessary," said Mr. Lavaillant in an almost gentle tone. "I won't lie to you; your daughter may require strenuous, ah, correction. The fey are masters at ensnaring humans; no doubt they have spent her life teaching her unholy powers, cultivating her cruelty and teaching her to apply it towards humans and animals who aren't strong enough to resist her, doing all they could to ensure she would never want to return to the Light and the human world. As a result it may take several months to break through this cold shell the fey formed around your daughter's soul and make her understand once more that the human world is the right and proper place for her--and within that world, the sturdy home built by her loving father. It may take techniques which others, who do not know the whole story, would find brutal. But rest assured. She will come back to you, in both body and soul, in the end."
Mrs. Lavaillant took a step towards the mystery gang, as did several of the paladins. Rose, Juleka noted, was still being restrained by one of the larger knights, from back when she'd tried to stop the ritual and been overwhelmed. That meant Rose was on the monsters' side, didn't it? The paladins wouldn't have restrained her if she had chosen her family and had just been trying to lure them here? Unless, of course, this was just a trap, unless Rose was their ace in the hole who would only betray Juleka at the last minute, because of course she would, Juleka was just a blood drinking vampire living in the shadows and it wasn't like anyone as amazing and lovely as Rose could *really* love her, was it?
Juleka tried to push those thoughts aside as the paladins advanced. "So what do we do?" she asked, knowing the answer.
Chloe had already shifted, as had Alya. Luka had already brought up his hands to cast the most powerful hexes he knew; as Juleka watched, Alix did the same. "We fight," the pink-haired girl growled. "And we save our friend."
ââ
(And of course...)
Juleka let out a roar of pure rage as she jumped on top of Mrs. Lavaillant, throwing her off of Chloe. The silver crucifix went tumbling away as Mrs. Lavaillant fell to the side and Chloe's shriek of agony, along with the sizzle of burning flesh and fur, ended. The werewolf roared, and Juleka turned to her--
Only for Rose's mom to grab her and roll over, so that she was on top and Juleka was being pressed into the ground. Juleka drew on her vampire strength as she fought back, but the armored knight still managed to hold her down--though Juleka could hear her labored breath and sense the pounding of her blood, and knew that Mrs. Lavaillant wasn't nearly as much stronger than her as the knight wanted to let on. But it didn't matter; as long as she was armored than Juleka couldn't really do much to her.
Ok, she thought. Then I deal with the armor.
Juleka abruptly swung her arms out, no longer pushing away at the knight, and Mrs. Lavaillant almost fell on top of her before taking advantage and slamming a fist into her ribcage. Juleka heard something break but tried to ignore it as she forced her hands to the side of Mrs. Lavaillant's helmet, then pulled with all her might. The older woman understood just a second too late and tried to block, but Juleka had already heaved, and--drawing on all her vampire strength--managed to rip the helmet clean off the armor, leaving herself staring at Mrs. Lavaillant's exposed face, head, and neck.
The older woman's face twisted into an expression of rage. "Scum," she hissed. "It's not enough for you to stalk the night and drink the blood of innocents, is it? Now you interfere to trap a human child with the fey--and for no reason!"
"The human Sabrina is happy where she is!" gasped Juleka. "And you were trying to abduct and banish my friend back to some world she's never known! She doesn't deserve that!"
"She's a monster!"
Juleka shook her head, trying and failing to shove Mrs. Lavaillant off her. "No, she's not! She's a good person! She helps people when they have trouble in school, and when I was sick she let me copy her notes, and I know sometimes she goes to people's gardens and helps them to bloom better, and--"
Mrs. Lavaillant reached behind her back and pulled a short, sharp dagger from a concealed compartment of her armor.Â
"She is a monster whose only purpose here is to ensnare and corrupt humans!" She thrust forwards, but Juleka just barely managed to grab her hand and stop it. Then, seeing an opportunity, she reached up with her other hand and snaked it around Mrs. Lavaillant's head before pulling inwards. The older woman yelled but couldn't stop her head and neck from being shoved down, right in range of Juleka's fangs--just as the tip of her dagger touched Juleka's chest, directly over her heart.
For a second the two froze, each having the other at her mercy, neither able to act.
And then they heard footsteps and both twisted their heads just enough to see...
..Rose.
She had gotten away, Juleka realized. She had escaped from the big paladin, and now she was here, wearing shining armor and holding a holy sword. But she wasn't moving. "Juleka," she whispered as her gaze swept between then. "Mom. Please... please don't..."
"Help me, dear!" Mrs. Lavaillant yelled. "Help me slay the vampire and save the real Sabrina!"
"Rose," whispered Juleka, in a voice that was almost begging. "Rose, please. Help me."
The young paladin looked between the two, almost shaking.
"Please, Rose, you said you love me," said Juleka in too fast of a voice. "And I--I know sometimes I'm creepy, and I'm a monster, and I'm not anywhere near as pretty or smart or anything as you, but I don't want to die. I don't deserve to die here. Please don't let her kill me."
"Rose!" yelled Mrs. Lavaillant. "Don't listen to her! She's a vampire, you know hurting people is what they do! It's her nature! It doesn't matter if she says she's good, or even if she truly believes it! Sooner or later, she won't be able to deny her nature and she'll kill people!" Her voice dropped. "We showed you pictures, Rose. Pictures of whole families, whole villages drained dry by vampires. You can stop the next tragedy, but you have to be strong! Do what you know is right!"
"Rose!" cried out Juleka, straining at Mrs. Lavaillant. "Rose please! Please!"
Slowly, as if in a trance, Rose raised her sword up and...
...she dropped it. She fell to her knees and began to sob.âI-I canât.. I cant help you both.. I canât.. I donât know what to do..â She sputtered through her words âMom I love Juleka more than anything.. Iâve loved her longer than Iâve known her she was a vampire.. b-but I cant kill anyone I canât do this..â
Juleka was silent, still frozen as she watched the love of her life cryâ but Ms Lavillant still didnât move, and neither did she.They didnât know what to do.So Juleka moved first. She let her head rest on the ground, leaving her body exposed as she left her perfect spot near Ms Lavillantâs exposed throat. She looked past her, staring up at the stars. Who knew this would be the perfect place to see such beauty. Juleka had never seen so many before. She drowned herself in the sounds of Roseâs sobs as Ms Lavillant didnât move a muscle, in fact, maybe she got closer. âThen Iâll make the choice for you Rose..â She murmured, looking back to Ms Lavillantâs face âKill me then. The monsters still win either way- metaphorically I guess.â
Looking to the side, Alya was clutching Sabrina in her arms as they mounted on top of Chloeâs wolf turned body, Alix was screaming obscenities at everything while Luka kept them away, still she laid, underneath the womanâs body, far far away.
âCome on..â She hissed through her teeth, staring up at Ms Lavillant as she felt the end of the womanâs blade meet the but centimeters away from her skin. She couldnât hear Roseâs sobs anymore from the pounding in her ears â..I know you wonât.â
Distantly, softly, she heard the paladin speak.
"I know what you're trying to do," Mrs. Lavaillant said, and now there was an edge to her voice. It was almost, but not quite, fear. "You know you can't beat me. Your scheme to corrupt my daughter failed. Now you're trying to corrupt me. You think if you act innocent, helpless, that I'll spare you. That I'll let you go free to kill again."
Juleka said nothing.
"I've hunted hundreds of you monsters," went on Lavaillant, and now Juleka knew what it was she was hearing in the old fanatic's voice. It was uncertainty. Perhaps even doubt. "I've seen what you do to humans. I've seen how you treat us. As your prey, your food, your slaves! I know that none of you are innocent!"
She was scared, Juleka realized. Scared that she might have made mistakes. Scared to think, for the first time, that maybe some of the monsters she'd murdered hadn't deserved it. After all, she'd raised her daughter to be a zealot for the cause, and once upon a time--before meeting Juleka, before learning that half her classmates were technically inhuman--Rose had truly believed that monsters were nothing more than a bunch of creatures who spent their time planning to eat, enslave, or torment humans. Juleka knew this because Rose had confessed it to her, assuring her all the while that if Juleka hated her because of the things she'd used to believe, she would understand.
(Of course, Juleka knew Rose wasn't responsible for being indoctrinated. And even beyond that, she would never hate Rose. She could never hate Rose. She would sooner die than hate Rose...)
But while Rose had believed those things, she had changed. She'd come to see that those anti-monster views were themselves wrong and evil. And Rose was no dummy; Juleka was acutely aware that Rose was smarter than her in so many ways, and surely her own mother knew how bright the girl was. So if Rose--who had seen all the evidence presented by the paladins, who had been raised since birth to know that monsters were evil, who had cheered on her mother and father as they went on hunts to track down all manner of 'evil' monsters--now rejected those views, maybe that was because those views were wrong.
Maybe some monsters didn't deserve to be killed.
And maybe Mr. and Mrs. Lavaillant had killed some of those monsters who didn't deserve to be killed.
"You're wrong," whispered Juleka. "Some of us are innocent. And I think you know that, Mrs. Lavailllant."
The woman froze as the words hit home, and for a second Juleka allowed herself to hope that it was over. That the woman would stop.
But then Mrs. Lavaillant hissed, in a voice almost frantic with the struggle to push away doubt, "No. You did something to Rose, you bewitched her, you ensnared her. It doesn't matter! I have a holy duty to put an end to your evil!" The point of her dagger began to push at Juleka's battered body. "Even if you corrupted my daughter, I will cure her, and--"
"No," said Juleka. "I didn't corrupt her. I would rather die."
"Anyone can say that," growled Mrs. Lavaillant. Now the dagger was piercing Juleka's body; it would slide into her heart in a second or two. "But you're a monster. You might say you rather die than corrupt her, but--"
"What is it," Juleka asked, "That you think I'm doing?"
Mrs. Lavaillant met her gaze, and Juleka could tell the exact moment she understood.
Juleka and Mrs. Lavaillant had both begged Rose to take their side in good conscience. Rose had refused, saying she would never kill either of them, not under any circumstances. That was her decision, and Juleka would accept it. But what if she didn't? If Juleka hammed it up, screaming in pain and yelling that Rose would help her if she truly loved her, maybe Rose would change her mind. Maybe she could pressure Rose into attacking or killing her mother just to keep Juleka alive. It would break Rose in body and spirit, it would leave the girl a battered wreck who would never again know happiness, but if Juleka were willing to do that--to corrupt Rose to save her own life--she could certainly try.
But she wouldn't. Because she loved Rose, and if the price of keeping Rose sane and whole was dying, Juleka would pay it.
And Mrs. Lavaillant knew that, Juleka could tell. Rose's mother knew, in that moment, that Juleka cared for her daughter more than she herself did. Because after all, if Mrs. Lavaillant were the one on the ground and Juleka were about to kill her? Mrs. Lavaillant would say anything she could think of to force her daughter to kill Juleka. To sacrifice her daughter's sanity to keep herself alive. No, not quite. To keep her crusade alive.
Something seemed to break behind Mrs. Lavaillant's eyes, and Juleka knew that the woman would never be able to think of herself without drowning in self-loathing and hate.
But that wouldn't save her, so Juleka again leaned back and waited for the crazy woman on top of her to act. The knife wriggled deeper, towards her heart, and--
"HOLD PERSON!"
Mrs. Lavaillant's body suddenly went perfectly still as a strange light, so holy it felt like it was burning at Juleka's eyes, enveloped it.
Juleka froze, unbelieving. That voice had sounded like Rose, but it couldn't be. Luka had been keeping track as they got to the hill and saw Rose trying to resist the other paladins. Rose had used up all of her magic. And even if Rose had truly kept one spell in reserve, why wait until now? Why not cast it when Juleka had first asked for help?
Slowly, gingerly, she carefully lifted the immobilized paladin off of her, wincing as the blade withdrew from her chest. Then she turned, and gasped.
Rose had, indeed, cast the spell. She was down on the ground, with one hand extended, still glowing with bright holy magic. But that hand... it was pinned to the ground, Juleka saw, by Rose's dagger. Which she was holding with her other hand.
And then she couldn't help but think back to that lecture Jalil had given the mystery gang on holy magic, the one Alix had insisted he give back when they'd first learned Rose's secret, and when the ever-wary Chloe had insisted they learn how to fight paladins just in case.
"Paladins are so zealous," Jalil said as he leaned back in his chair, "That they'll even sacrifice their own flesh and blood if needed to defeat their targets. In fact, some very devout paladins have what's called a 'Spirit Cast' ability. Sort of a 'cast from hit points' mechanic for real life. By injuring themselves, they can draw from their own life force to cast a spell they wouldn't otherwise have the magic to cast. Of course, then they die sooner, but hey, if that means killing Count Chocula or whoever they're fighting this week, they don't mind." He shut the book. "Crazy, huh?"
"Rose, no," whispered Juleka as the girl stiffened and then gave a hacking cough which sprayed drops of blood on the grass. But then Rose seemed to steel herself, withdrew her dagger from her hand, and then walked to them. She helped Juleka up. "Rose..." Juleka whispered. "You shouldn't--"
"It's done," said Rose in a tiny voice.
"But how much of your life...?"
Rose shrugged and then spoke in a voice which attempted to sound disinterested but failed to hide her horror. "Hard to tell, but... I'm young, it's not a very big spell... not too much. Maybe."
Maybe wasn't good enough, and Juleka was already thinking of how she would threaten Jalil into telling her how they could reverse the effects. Maybe there was some kind of spirit transfusion? Juleka had eternal life, if there was some way to give some to Rose... well, besides the obvious and unacceptable method of turning her...
Then she heard Rose looking at her mother. "I love you," she whispered. "I'm so sorry. But I... I'm not coming home, Mom. And if you attack my friends again, if you attack anyone else who doesn't deserve it, I'll help them." She touched her free hand to the horrible wound in her other hand. "The exact same way I did this time. With Spirit Cast. So if you love me... leave us alone."
And that was that. She moved to Juleka's side, and the two began heading away into the darkness.
ââ
The others were gone, but that didn't surprise or upset Juleka. By all appearances she had looked trapped, and if anyone had stayed to save her, that person could have gotten killed too. They'd all agreed going in not to risk the whole party for one of them--that none of them would want the guilt of knowing the others had gotten killed in a doomed rescue attempt--and Juleka was glad they'd agreed.
But that didn't mean they hadn't left something for her. Juleka soon noticed the paper charm pinned to a tree, and the note on it. "Attach to door," she read. "I think there's a cabin about half a mile that way. Come on, Rose."
Rose followed, silently, and Juleka draped an arm over the girl. Her broken rib and other wounds still hurt--that stupid spell Mr. Lavaillant had cast which prevented her vampire regeneration still hadn't worn off, apparently--but she could walk, and that was all that mattered. More than he could say, anyways; last she'd seen of him, Chloe had snapped his lower leg in her jaws.
They reached the cabin. Juleka slapped Alix's portal charm on the door, then smashed it open, and they walked right through to Alix's house. "We're here," said Juleka, removing the charm and shutting the door behind them. "Rose, you--"
And then Rose burst into wailing tears as she fell into Juleka's arms.
Juleka froze for a moment. But then she gently sat down with Rose and held her while she cried.
When Juleka came back to herself, she wasn't sure how much time had passed.
She was still lying on the couch in the Kubdel family's comfortable, homey living room, and Rose Lavaillant was still next to her, embracing Juleka so tightly that not even Nora Cesaire could have pried them apart. Of course, Juleka was hugging Rose just as tightly herself. After the night they'd had, Juleka decided, they deserved hugs.
Someone had draped a warm, thick blanket over them and tucked pillows under their heads. Juleka sniffed the pillows and blanket, and her eyes widened slightly as she detected a hint of Chloe's perfume. So the werewolf was the one who had seen them and bustled over to tuck them in, she thought. That was somehow fitting.
From the kitchen came the familiar smell of molokhia, that Egyptian stew Alix and Jalil were always eating which was said to have been the favored food of the Pharaohs and which Jalil claimed boosted his 'vast magical prowess to even greater heights.' The smell was hours old; whoever had fixed dinner had already eaten and left without disturbing the girls.Â
But there were two large bowls of the stew on the coffee table next to the couch, and affixed to the rim of each bowl was a little paper charm which Juleka knew would magically keep the meals hot and fresh for as long as needed until the girls woke. Besides the bowls were a few pages written in Alya's neat script, presumably any important information the girls had missed while they were unconscious. And surrounding the couch and table were Luka's wards, of such complexity and power it must have taken him over an hour to craft them, but which would keep the two safe from almost any conceivable hostile force which might want to smash in and hurt them.
The vampire let the faintest of smiles touch her lips. It was good to have friends.
"Juleka?" she heard. She looked down to see Rose lifting her head a little. "You're still here." She sounded relieved. Like she'd really been worried Juleka would have abandoned her after seeing the true monstrosity of her parents.
"I'll always be here," said Juleka, and now it was her that was starting to cry. "For as long as you want me."
"Oh, Juleka!" Rose squeezed her. "I am so, so sorry..."
Juleka shook her head. "No," she whispered. "Rose, you have nothing to be sorry for. You're not responsible for what your parents did."
Rose shook her head sadly. "I thought... when I heard what they were going to do to Sabrina, that was the first thing I thought. That when I told you, then you'd know how evil my whole family was, and you'd hate us..."
"I could never hate you," insisted Juleka, the words rough with emotion. "Rose, you went against your family to save Sabrina... and me, when your mother knocked me down. Even though I don't deserve it. I--"
"Don't say that!" said Rose, and Juleka jolted, because she hadn't thought the exhausted girl had so much strength and force in her. "Don't ever say that! Juleka, you are beautiful and precious and perfect, and you deserve anything I can give you!" She squeezed the goth tighter. "And you're not creepy or dumb or those other things you said during the fight either. You're wonderful, Juleka."
Juleka couldn't explain why, but the words were warmer and more soothing than the thick blanket on top of them. "I... thank you, Rose."
Rose wriggled a bit so that she could lift her head and meet Juleka's eyes. "But I wasn't just apologizing for my parents," she said. "I was kind of a jerk when I first told you about me, I know..."
-
Juleka strained futilely against the thick vines and cursed whatever demonic thought had convinced her to bring Rose to the distant corner of the Bois de Vincennes park just to confess her love. Everything had gone perfectly--the picnicking, the swimming, the birdwatching--but right when Juleka had been about to say the magic words, the forest sprite had popped up and began ranting about being disturbed. And now they were both being strung up by vines while the sprite talked about eating them.
"I'll start with the tall one," the sprite giggled as she hauled a thick cooking pot out of the ground. "And then the blond one for dessert! Hee! Trespassers make the best meal!"
"Rose, shut your eyes," whispered Juleka. If she used her vampire strength she might be able to break free and--
But then she heard Rose say, in a bright, powerful voice that radiated even more confidence than usual, "No, Juleka. I can do this."
And then, to her astonishment, she heard Rose yell "Smite evil!"
And the sprite...
Was smited.
A bright light burst from nowhere, hot enough to burn at Juleka, and the sprite went tumbling away. Then Rose was ripping free of the vines and taking some kind of sigil out of her pocket. "Summon sword!" she called, and a gigantic sword that vibrated with holy energy appeared in her hand. "Bind spirit!" Magical chains of light appeared around the sprite's limbs. "You will never harm another innocent human, fiend!"
"No!" the sprite pleaded as she thrashed. "Please, holy paladin, I didn't know!"
Rose kept approaching the sprite, sword point aimed squarely at her nose. A sharp, thick root suddenly sprang up towards Rose, tip sharp and glistening with what had to be poison, but Rose easily chopped it off with a single sweep of her sword. "Please!" the sprite yelled. "Mercy, o paladin!"
Juleka was gaping as Rose reached the monster and seemed to hesitate. "I will not kill you," she said at last. "I... I don't like killing."
"Oh, thank you! Thank you!" the sprite yelled.
"But I will banish you back to your realm. No more will you lie in wait to eat humans." Rose sketched some kind of sigil in the ground with her holy sword, then chanted something in Latin. That bizarre, hot light flashed again, and then the spirit was gone, teleported back to the fairy world.
The vines surrounding Juleka unraveled and the vampire dropped to the ground. "Rose," she managed. "What are..."
But she trailed off, because the blond had turned and was smiling brightly. "Juleka! You're okay! Yay!" And then she was flinging aside her sword to hug the goth.
Normally, Rose felt warm to Juleka. But now everything felt cold.
Distantly she heard Rose telling her everything: that the Lavaillants were a family of paladins tracing all the way back to Ancient Rome, that she'd been trained since birth to fight evil monsters, that she wasn't supposed to tell anyone but she was happy Juleka had found out because she hated keeping secrets from her best friend, and so on. And at the end she'd said something which had chilled Juleka to the core.
"Don't worry about this ever happening again," she had said sweetly. "I'll protect you. I'll smite any monsters that get anywhere near our class."
-
"You didn't know any better," Juleka insisted. "You thought all monsters were evil. Your parents filled your head with that garbage. Even then, you made a point of never killing anything! And as soon as you learned otherwise you changed your mind."
"But--"
"No buts!" insisted Juleka. "Rose. I judged you worse than you judged me. I was terrified you'd learn the truth and that you'd hate me, want to kill me for being an unholy monster." She sighed. "I was a real idiot when you learned about me."
â
"Stupid fucking sentimonster!" Juleka shouted in rage. "Go away already!"
But the sentimonster, a sort of zombie-bear like thing half again as tall as Juleka, didn't go away. And Ladybug and Chat Noir were off fighting an Akuma; they probably didn't even know about the sentimonster that had gotten split off and stuck in the school. Which meant that it was up to an already-exasperated Juleka to keep it away from her classmates.
"Help!" Alya pleaded as she limped away; the monster had twisted her ankle. "Help, it--"
Juleka saw the bear rear up and slash Alya, claws raking bloody lines across the journalist's back, and something in the vampire snapped.
She rocketed forwards, using all her vampire strength and speed to slam into the bear and drive it back despite its massive size. Then she began pounding and biting at it, aware her eyes were red and her fangs were showing but not caring about anything besides shutting down yet another of that idiot Hawkmoth's attempts to traumatize the city into surrender. "Die!" yelled Juleka as she punched the sentimonster so hard one of its arms flew off. It staggered backwards into a classroom window, head bonking on the glass. "Die already!"
And then it did. Juleka dealt it a massive hit that knocked off its head, and it crumbled. Juleka was left standing there, red eyes flashing, fangs out...
And she slowly realized that Rose was on the other side of the glass window. Rose, who had been so happy recently because now she had someone to talk to about her weird paladin training, all the hours of sword practice, and armor-polishing, and chanting rituals. Rose, who hadn't seemed to notice the twinges of fear Juleka suffered every time she thought Rose might learn of her monstrous nature. Sweet Rose, whom Juleka wanted only to love her even if their natures made it impossible.
Rose, who was now gaping at her.
"No," whispered Juleka. "No, no, no..."
A wave of ladybugs swept over them. The damage the Sentimonster created was gone. But Rose was still staring, and Juleka was still vampiric.
The goth turned and fled even as Rose called out behind her.
-
"It wasn't your fault," whispered Rose. "I'd said I fought monsters. It was my fault you were scared."
"Then you being scared of me, of vampires, wasn't yours," said Juleka. "It was your parents. And, okay, maybe me looking a little... feral... when you saw me that time."
Rose giggled at that, and Juleka somehow felt herself laughing too. Despite everything, they were alive, they were together, and they were in love. That was worth some joy.
"I guess we must have looked pretty silly when we met after that sentimonster," Rose said at last. "In the street."
Juleka nodded. She'd fled from school that day and taken roads at random, not knowing where to go or if Rose would be there. Unknown to her, Rose had been doing the same, horrified not at having revealed her identity to a vampire, but of having given Juleka reason to fear her. They'd run into each other, almost literally, on the bank of the Seine. And Juleka had prepared to flee again--until Rose had dropped down and begged forgiveness for the horrible things she'd said about hunting monsters. "I know you're not evil, Juleka," she had said. "I'm so sorry. Please forgive me. Please don't hate me."
And Juleka had made herself approach. "Hate?" she'd whispered. "I couldn't hate you. Even if you stabbed me I couldn't hate you. I thought you'd be scared of me now."
"I can't," Rose had said. "I know you too well. Whatever my parents say. You... you're not evil."
And so they'd talked, for a long time, slowly opening up... but Juleka hadn't been able to hide that cold little nugget of fear. That this was a paladin trap, or worse, pity, a few scraps of affection for a monster that didn't really merit them but was just so pathetic, so wretched, that Rose couldn't help but engage in a little emotional charity. Rose, Juleka now knew, had felt similarly towards Juleka's love for her, wondering how it was the vampire could love the paladin who had grown up hating all magical creatures. They'd been terrified, each hoping that the other loved her despite their inherent natures, and each fearing it wouldn't be the case.
In the weeks that followed they'd cautiously extended their alliance, slowly growing more comfortable with each other. Juleka had already told the mystery gang of Rose's secret hobby; when she told them that she was friends with Rose again, they'd reacted with varying degrees of astonishment, ranging from Luka's mild warning to let him know if she needed help or support, to Chloe swearing that she'd be ready to wolf out and eat Rose's face off if Rose did anything wrong. Rose had even helped Juleka foil a couple of her parents' plans to hurt magical creatures who didn't deserve it. And then there was that final call, Rose's tear-laden voice explaining what was about to happen to Sabrina, swearing she hadn't known, preemptively apologizing in case they didn't believe her, and begging for help in saving their friend...
"I love you," said Rose, interrupting Juleka's reverie. "You're smart, and sensitive, and pretty, and an amazing friend... I mean, you fought an army of paladins to save Sabrina and me. And more than that you trusted me." Juleka could feel the tears pooling in Rose's eyes and spilling down onto her shirt. "Once I knew what my parents were doing I wasn't sure if you'd ever trust me again. Most people wouldn't. They'd have abandoned me just in case I was on their side, to be safe. But you knew my heart... and you risked your life to save me. So don't call yourself monstrous or stupid or anything like that again, Juleka! You're not any of those things!"
Juleka was taken aback, and to her own surprise she found that she was starting to believe Rose. Maybe her mistakes, her fears... maybe if Rose thought they were insignificant, if they weren't really her, then maybe they truly didn't matter. "Okay," she said at last. "But on one condition."
"What?"
"You don't blame yourself for your mistakes either," said Juleka. "Rose, you abandoned your family, the people who raised you, to save my life. You sacrificed everything you ever had for me. You literally cut out some of your own life force to save me, a person you'd been taught your whole life was only fit to be destroyed... and you did it out of love." She gently stroked a few strands of hair off of Rose's cheek. "And that's on top of how you're kind to everyone, you cheer everyone up, you work so hard on everything you put your mind to... and you're the most beautiful girl in the world. So don't you ever, ever think I could hate you. There's too much good in you, Rose." She cuddled her girlfriend closer. "Deal?"
"Deal," said Rose.
The two fell silent again. Eventually, Juleka knew, they'd have to get up and figure out their next steps. Rose would need to live somewhere, and Juleka probably wouldn't be able to go home until the paladins were known to no longer be a threat--she couldn't risk them storming the boat and attacking her mother. They'd also have to figure out what to do with poor Sabrina, the changeling one--the one they knew and cared about--who surely couldn't go home to her father now.
But for the moment, that didn't matter.
It was enough to just savor each other's love.
#paladin rose au#they said when they finished I could spot the story to tumblr#so Iâm splitting this up into bits#you can read the entire story here with the paladin rose tag#I fucking love this story Iâm so honored/grateful/happy that it came from my au it means so much#so yeah#now you guys can read it too itâs pretty fuckin dope
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Can I request some Kidge friendship for the hc card? Either Pidge for "trapped" where she's pinned under a collapsed structure, Keith notices she's not checking in and comes to find her. Or Keith for "excluded", after Shiro disappears the others have been (not deliberately, just oblivious) leaving him out because none of them know him as well as Shiro did, and Pidge is the one to finally notice how exhausted and lonely he is? Either (or both) of those ideas would be awesome to see written đ
These are both excellent and Iâve got my creative juices flowing for both of them! Iâve got the first prompt finished now, so Iâll go ahead and post the âTrappedâ fill here, and get another post up for the other prompt later once Iâve got it written. Hope you enjoy!
PinnedCentral Characters: Pidge, KeithGenres: Friendship, WhumpWord Count: 2,938Written for the âTrappedâ space for the @voltronbingo Hurt/Comfort cardRead on AO3
âPidge? Pidge, do you read?â
The voice was quiet, distant, as it rang tinny and sharpthrough the helmetâs speakers, and even in the relative silence around her itwas difficult to hear. Pidge wondered why that was. She hadnât adjusted thevolume setting, had she? At least, she couldnât remember having done so.
Although, if she had done it in the last few minutes⌠shewas having trouble remembering those as well. She had to take a moment toconcentrate, pull at her memory. They had been on a mission, that was it. AGalra outpost on a planet Voltron was working to liberate. And theyâd split upto go after different targets.
Pidge had been breaking into a supply reserve, sheremembered, when⌠yes, sheâd been spotted. Then been able to hack into theoutpostâs internal network and get the sentry bots off their backs, but thatdidnât take care of the sentient guards. Luckily even after the guard hastilydemanded backup before attacking, she still hadnât had to fight off manyguards. The others at the outpost must have been preoccupied, what with Lanceand Hunk raiding the central hangar, Keith going after the armory, and Shirosabotaging the comms hub. The team splitting up had really spread the outpostthin.
Of course, it still hadnât been an easy fight, especially onher own, and with the guardsâ oversized weaponry and the supply reserve beingas structurally unsound as it had beenâŚ
Ah. That probably explained where she was now.
With a colossal effort she pried her eyes open and squintedat the world around her. She could see the starry sky peeking in throughremains of the walls and ceiling in the corner of the reserve at the edge ofher vision, the steel ceiling beams that had been holding the structure inplace now blasted apart and wrenched at angles, while railings and a steelstairway that had previously graced the wall now lay crashed to the floor.
She didnât see or hear any movement, nothing from any of theguards sheâd been fighting before. They must have been taken down as well whentheir weaponry had brought this section of the building crashing down aroundthem. Fucking idiots.
Deciding that she should probably get up and rejoin thefight, Pidge started to pull her elbow in to hoist herself up and get back tostanding, only to immediately find herself stymied by two factors. One was thewave of dizziness that crashed over her when she tried to lift herself up. Shehadnât noticed the throbbing in her skull before now, but suddenly it was thereand powerful and trying very hard to be the only thing on her mind.
The second was the fact that she realized she couldnât, physically,lift herself up. As she tried to pull her right arm underneath her to leverherself, she discovered there was no space for it. Something was pinning herdown to the floor, and she was stuck on her side, her right arm awkwardlysplayed out beside her, the rest of her pressed to the ground by whatever itwas on top of her. One of her legs seemed to have a little wiggle room, but theother she couldnât quiet feel, and a sharp pulse of pain came shooting all theway up to her hip when she tried moving it.
She sighed and shut her eyes as she waited for the ache toabate. Great. Just fan-fucking-tastic. She was stuck here â she couldnât getwhatever was on top of her to budge in the slightest â and it looked probablethat her leg was broken. The least she could say on the bright side was thatshe hadnât been crushed completely; she probably would have been if she hadnâtbeen wearing her armor. She would have shuddered at the thought if she had beenable to move.
Speaking of her armor, she still wasnât sure what was goingon with her helmet. The voices from her speakers were still barely audible asshe heard them talking over each other. âHunk, cover me, Iâm gonna â ââPidge?â âTheyâre firing from your eight oâclock, watch it â â âPidge, do youcopy?â
âYeah,â Pidge grunted. âI copy. I think Iâm â â
âPidge, come in.â
She was pretty sure the voice was Keithâs. Leave it to himnot to listen, she thought as she let out a frustrated breath through her nose.âI said, I copy. But I think Iâm down for the count so â â
âShiro, Pidge isnât responding.â
âI know, I know, weâll have to â â
âLance, on your right!â
What the â
With a tight frown, Pidge opened her eyes again, and noticedfor the first time that, although her vision was blurred on the edges, it wasotherwise completely unobstructed. No readouts, no crosshairs, no helmetinterior on the border of her sights.
She tilted her head back, fighting off the dizziness themovement brought, to see her helmet sitting a couple of feet away from her onthe ground. Oh. Well, that explained why the voices from the speakers were soquiet. And why the mic wasnât picking up her voice.
And why her head felt like someone like someone had droppeda car on it.
Pidge groaned and let her head lay flat again, since it wasswimming too much for her to do anything else for longer than she absolutelyhad to. The voices from the helmet kept up, but she was losing focus, and ithad been a strain to hear them in the first place. So she let the sound of aback-and-forth between Shiro and Keith become a buzz in the background as shefelt herself drifting off.
That is, she drifted until a new noise made its way into themix. Her eyes shot open at the muffled, rhythmic thumps. They were echoing inthe remains of the building, so it was hard to tell where they were comingfrom, or how close they were. But she could at least identify what they were: footsteps.
She held her breath, mentally cursing her luck. She hadtaken care of the other guards at the reserve, and with the building wrecked asit was, she had figured her job was over for the time being. The other paladinsshould have been keeping the rest of the outpost too busy to want to comesnooping around in the wreckage. But apparently someone else was on their way,and Pidge was certainly in no shape to fight.
She could only hope that whoever had arrived didnât noticeher presence, but that hope was dashed when she realized that the other paladinsâvoices were still coming out through her helmet. They were quiet, yes, but ifsomeone was searching thoroughly for intruders, they might still be able tonotice the sound. And Pidge recalled it being mentioned before that Galra havekeener senses than humans, including their hearing ability, so that was anotherpoint against her.
Desperately she stretched her arm out as far as it couldreach. If she could just get to her helmet so she could turn off the volume ofthe comm⌠but she discovered to her dismay that the helmet was just out ofreach of her fingertips. And the footsteps were getting louder.
Her heartbeat fluttered as the steps approached, and shebrought her arm back in to reach for her bayard. The weapon was pressed to theground by her hip where it was holstered, but when she hovered her hand nearbyand concentrated hard, the bayard found its way into her hand of its ownaccord.
Just in time, too, as the moment she felt the weight of thebayard in her hand, a shadow fell over her. Pidge blinked upward to see thelooming figure of a Galra soldier, in one of the outpostâs guard uniforms, agun held two-handed across his chest. The moment his yellow eyes locked ontohers, the Galra grinned.
âThought Iâd find someâ â he began, but was interrupted whenhe took a hunk of metal to the face as Pidgeâs bayard shot out at him. Normallyshe tried to aim for limbs, but with where the guard was standing and wherePidge was pinned, it was awfully difficult to aim for anything besides theface. Fortunately, this seemed to work out, since she could hear somethingshatter and the guard let out a howl of pain.
She retracted the bayard, then shot it out again. The Galraducked away this time, but that gave the bayard the opportunity to boomerangback wrap around his arm. Pidge gritted her teeth and pulled at the bayard evenas she let a bolt of electricity out, sizzling as it traveled up the bayardâswire and into the guard. He cried out as he seized up with the force of theelectricity, crashing to the ground.
The shock died out, and the wire started to unravel for herto retract the bayard once more, but she was surprised when it was suddenlyhalted. The guard panting on the ground had grabbed hold of the wire, and wastugging it back with all his might. Pidge growled and sent another shockwavethrough, but, despite the obvious pain that washed over the guardâs face, heheld fast and yanked again. One tug, two â on the third tug he put all theweight he possessed behind it, and to her horror Pidge found the grip of herbayard ripped out of her grasp.
The guard clambered slowly to his feet, and Pidge could feelher pulse racing. She was unarmed now, she was pinned, and the guard wasreaching down to pick up the firearm that had fallen to the ground momentsbefore.
God, she was fucked.
The guard heaved out panting breaths as he took up hisweapon, turning back to Pidge with fury written all over his face. He liftedthe gun, and Pidgeâs eyes flew shut as she anticipated the inevitable blast.
The inevitable blast that didnât come.
Instead, the guard yelled out again amidst a sudden crash,and Pidge chanced a peek. Where the guard had been standing there was now aflurry of red and white, and as she watched, Keith brought his sword down onthe guard over and over, fast as she had ever seen him do it.
Keith didnât slow until the guard was completely down forthe count. Pidge was pretty sure the guard wasnât dead, just unconscious. Shewould have been perfectly cool with either.
Keith panted as he got his bearings, sheathing his bayardand turning to Pidge, meeting her gaze where she lay pinned on the ground. âYouâ you werenât answering on the comms,â he said simply through his huffingbreaths.
âYeah,â Pidge replied. âYeah, I wasnât. Did, uh, did Shirosend you to check on me, orâŚ?â
Keith shook his head. âNo, I just â I was, um, I thought youwere â you â you werenât answering⌠on the commsâŚâ
Pidge stared up at him. âWait, you â you were worried?â
âWell, um â â
âWhat about the armory? Did you finish up there?â
Keith shrugged. âI wasnât sure thereâd be time.â
âOh.â There was silence between the two of them, save forKeithâs breaths that were gradually returning to their normal volume and pace.Keith had been worried. Worried enough to have abandoned his part of themission to check up on her. That didnât quite seem like Keith. Hunk, he wouldbe the type to fret over a teammate that much. Shiro was protective over all ofthe paladins. Lance was caring and, as a bonus, really loved being a hero.Keith, though, the one who would shoot off on missions on his own, lone wolfKeith?
Although, the more she thought about it⌠Keith separatingfrom the group was never to leave the others, any one of them, behind or indanger. When he went Leeroy Jenkinsing into a fight, the danger was all on him.Pidge had always put it down to stubborn single-mindedness, and she was prettycertain the others saw it the same way. But she had never considered the factthat when he did this, he was leaving his teammates safer than himself.
Maybe him leaving his part of the mission to check on hershouldnât be so surprising after all.
âHey, Keith?â she said.
âYeah?â
âThanks. For taking down that guy. And for, you know âworrying.â
âOh. Um, right. Youâre welcome.â
Keith stance stiffened and he didnât meet her gaze, andPidge started to roll her eyes, only to abandon the effort when doing sobrought that goddamn dizziness back. âHey,â she said. âCould you, uh â would youmind helping out with one more thing?â
âWhat?â
Pidge lifted her arm to gesture toward the collapsedstructure on top of her. âCould you see if you can move this? Iâm kinda stuck.â
âOh. Sure.â Keith hurried over and looked at the rubble. âItâsâ itâs mainly one beam thatâs got you stuck,â he said after a once-over. âIâll,uh, Iâll see if I canâŚâ
He left Pidgeâs line of sight as he positioned himself totry and move the beam out of the way. For a moment nothing seemed to happen,then, there was the very slightest movement in the beam. Pidge wouldnât have noticedit at all if it hadnât budged her leg, jostling it ever so slightly, but justenough that it sent pain pulsing up and down the limb. Her breath caught andshe let out a groan of pain.
Immediately Keith was back at her side, staring down at herwith wide, concerned eyes. âSorry!â he said. âDid that â did that hurt?â
âNo, Keith,â Pidge grunted. âThat was obviously a moan ofpleasure.â Keithâs eyes widened further and his face started to redden. âOh mygod, Keith, that was a joke,â Pidge said hastily. âYes, it fucking hurt, Ithink my legâs busted.â
âOh.â
âBut keep going.â
âBut â â
âYeah, itâs gonna hurt, but I gotta get unstuck, right? Sogo ahead, keep lifting. Iâll power through.â
Keith bit his lip and glanced toward Pidgeâs leg, then ranhis eyes along the length of the beam. Pidge could practically see gears in hishead turning, although to what end she didnât know. âI â I think I can get itoff quick. Itâll hurt but â â
âHey, if it gets me off the ground, Iâm game. Go ahead andrip off the band-aid.â
âOkay,â Keith said with a nod. He ducked away and pried thegun from the incapacitated guardâs hands, then turned back toward Pidge.
âUh, Keith?â she said cautiously. âI donât think you cankill the beam.â
âThatâs not what Iâm doing,â Keith said, lifting the gun,turning and angling it upward.
âKeith, what are you â ?â
Her ears rang as the gun blasted, and another crashresounded. Pidgeâs vision went white as agony suddenly surged through her leg,but it started to fade as quickly as it had begun in the first place. Shepanted as she focused her eyes again, and noticed a lightness over her bodythat hadnât been there before. The beam, as she could see once her visionreturned, was about a foot above her now, no longer pinning her to the ground.
She felt hands under her arms, dragging her away from thewreckage. She grunted in pain at the movement to her leg, and Keith mutteredapologies into her ear as he brought her away.
âYouâre, uh, youâre probably not up for walking, huh?â heasked.
âNot really.â
âAll right.â He let out a breath and squatted down next toher. âGuess weâre piggy-backing it then?â
Pidge blinked up at him. âWait, you sure? Youâre okay withthat?â
âYeah, why wouldnât I be?â
â⌠No reason,â Pidge replied. âYeah, letâs piggy-back.â
She hooked her arms over Keithâs shoulders and let him get herinto position before he slowly stood, bringing his hands up to grip her arms.Pidge had to bite her lip at first as her leg knocked against Keith, but Keithseemed to have noticed, and stepped carefully as possible to keep the leg frombumping around.
âSo,â she said as they started walking. âWhat did you do toget that beam out of the way?â
âWell, um,â Keith started slowly. âWell, the beam was long,and some of that walkway and staircase stuff was still up, pretty much rightabove you, and, uh, it looked heavy, and â and you see that crate there underthe beam thatâs up at an angle? It looked like a, uh⌠what do you call themiddle part of a teeter-totter?â
âThe fulcrum?â
âYeah, that. So, um, so I thought, if I blasted some of thatrailway down and it landed over on the other end of the beam, then maybe itcould â â
âKeith,â Pidge interrupted. âDid you just save me⌠using physics?â
âUm, I guess?â Keith said. âI mean, I know some stuff. Anditâs not like I canât hear it when you and Hunk talk physics.â
âSure, but, do you actually, like, listen?â
âYeah? Why?â
Pidge squeezed her arms tighter around Keith. âNothing, noreason. And, um, thanks again. For your help.â
âItâs no problem.â
âI mean, you didnât get to finished up at the armory, didyou?â
âNah, but, well â â Pidge could hear the shrug in his voiceeven if he didnât actually lift his shoulder, what with Pidge currentlydangling from them. âThis was more important.â
âYeah. Yeah, it really was.â
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Miami Vices (TF2), part 2/2
Wordcount: 12,726
Summary:
âOur contact in Miami wants to speak with someone from the organization. Â Spy, thatâs where you come in.â
âNaturally,â Spy says neutrally.
âAaand,â Miss Pauling draws out the word, âHe specifically asked to speak with a real person, not a mask.â
âAh,â Spy says less neutrally.
âWhich is where you come in.â Â She beams at Scout, whose face is anything but neutral. Â âSpy might need backup and youâre the only one whoâs already seen him without a mask.â
In which Scout and Spy take an involuntary cross-country road trip. Â Includes bad clothing and unexpected family bonding.
Warnings: cannon-typical violence, internalized homophobia, personal headcannon about ScoutMa.
part 1
Notes:
I have so many feelings about this, guys. Should I make a different post for my feelings about this? Maybe.
-
They drive for slightly less than two hours and reach Mikhailâs park by mid-afternoon. Itâs a small area in a well-to-do neighborhood, idyllically green and tropical with a stunning view of the ocean. Places where nothing dark or shady could ever happen, which of course means they happen all the time. Spy counts no less than three loitering pairs of individuals engaged in some sort of covert operations.
A man in a trenchcoat is sitting alone on bench. Spy recognizes his curly blond hair and boyish face.
âHey, uh.â Scout continues to fidget with the knife as he leans against the car. The plan is for him to stand guard while Spy conducts business.
âPut that away during work,â Spy says.
Scout pockets it, still looking at his own hands. âOnce this is done, maybe we could⌠get lunch? I think I saw a hot dog stand back there--â
âNo hot dogs,â Spy says reflexively. âBut,â he continues when Scout looks away, âI suppose itâs been a while since I indulged in food that could kill me. We could search for some facsimile of poutine.â
âIs that a food?â Scout asks cautiously.
âIt is fried potatoes with cheese and gravy.â
Scout lights up. He somehow does it with his entire body. âYeah, that sounds good.â
Something like fondness wriggles in Spyâs gut. He squashes it and turns on his heel towards the man on the bench, surrounded by palm trees and well manicured grass.
âMikhail,â Spy says cordially.
He is older than the man from ten years ago, but Spy supposes time has it's way with them all. His blond hair is speckled with grey and his face has a few more lines, but his eyes and smile still hold the charm Spy remembers. Mikhail smiles warmly and says an old name. âStill afraid to show the world your beautiful face?â
âSomething like that.â Spy takes a seat next to him on the bench. âAre you well?â
âSomething like that,â Mikhail says playfully. âYou appear to be doing well yourself,â he says with a nod to the car.
Spy makes a face. âA coworker.â
âAvailable, then?â
Spy huffs out a laugh. âHe is not to your tastes.â
âI suppose you would know,â Mikhail says. He leans back against the bench and looks skyward. âI have information for your company.â
âI believe thatâs why I am here,â Spy replies.
Mikhail hums. âI wish I could put this off a little longer. It would be nice to catch up.â
âThere is time,â Spy says. He glances around, but the park is still as idyllic as the moment he sat down. There is nothing to justify the sudden, creeping feeling that something is wrong.
âHmm, there isnât.â Mikhail smiles warmly. âDo you know what your company does? The kind of havoc it brings on this town?â
Spy cocks an eyebrow. âI understand it sells bread.â
âThey say they disseminate bread to fellow subsidiaries,â Mikhail says agreeably, âBut did you ever look into what kind of bread? It begins as regular whole-wheat, but over time evolves into some a hulking, ravenous monstrosity. Have you seen it, solnyshka ? Towering, hungry bread erupting from buildings to devour everything in its path.â
âAh.â
âAh indeed.â
The breeze ruffles through the park.
âI do hope youâll understand,â Mikhail says. A gun has materialized in his hand, aimed at Spyâs mid-section. âI need to know what those things are, and how to stop them.â
âYou know I will not talk,â Spy says evenly.
âI am well aware. I am only here to hold you in place.â
Someone yells. Spyâs head snaps in the direction of the noise. Sure enough, three large men are trying to wrestle Scout away from their car, which appears to be smoking, and into one of three identical black vehicles. One man is cradling his hand, another has Scoutâs arms twisted behind his back, and the third shoving something between Scoutâs teeth to keep him from biting again. Scout manages to throw his weight back and kick out, but the third man catches his legs and lifts him off the ground.
âPlease understand, this isnât personal,â Mikhail says, laying a hand on Spyâs cheek. He runs his hand up Spyâs face to his head, brushing back the hood and carding his fingers through Spyâs short hair. âYou used to keep your hair long. The mask has taken so much from you.â
Across the parking lot, Scoutâs eyes widen. The men use his momentary distraction to dump him into the trunk and slam the lid.
âYou donât usually worry about coworkers,â Mikhail says mildly, âWho is that?â
The car engine starts. Theyâre going to torture Scout for information he does not have, and when they realize he knows nothing and is worth nothing to RED, theyâre going to kill him. Spy feels an uncharacteristic tremor move through his limbs and has the irrational thought that they wonât get the chance to eat dangerously unhealthy food together. The thought is surprisingly upsetting.
In one well-practiced motion, he pulls a knife from the hood lying against his shoulders and buries it between the bones of Mikhailâs wrist. Mikhail yells in shocked pain, and Spy plucks the gun free as his muscles spasm. Later, heâll remember that Mikhail always carried as many guns as Spy carried knives and wonder why he let him go; presently, he sprints to the smoldering car, yanks the door open, and jams the key home. The various indicators tell him the secondary boosters have been sabotaged, but the men seem to have (somehow, thankfully) missed the primary engine in their search. It jumps to life and he peels out of the parking lot after the intimidating Russian cars.
Spy canât risk ramming the wrong car, so he weaves in and out of traffic and follows the line of cars onto the highway. Each car seems to have three passengers: two extremely muscled men and an extremely muscled woman dressed in identical black suits. The cars split apart into three separate lanes; Spy glances at an overhead road sign as it zips by. Apparently a series of off-ramps will be coming up in twenty miles. Heâs certain each car will take different exit, giving him a one-in-three chance of finding Scout if he canât identify the correct car. Spy swears under his breath and stomps on the accelerator.
The car on his right rolls down the backseat window and an agent slots a machine gun into a door-mounted holder. Spy doesnât bother rolling down his own window before aiming Mikhailâs gun and pulling the trigger three times in succession. In the same moment, the backseat agent squeezes off a spray of shots, peppering the RED car with some kind of small ammunition. The agent takes a shot to the shoulder and Spy feels the impact of a bullet somewhere in his thigh. He canât feel the pain now, but it will certainly require medical attention later. The cars veer apart, but Spy keeps firing until something in the Russian car begins to smoke. It begins to decelerate towards the shoulder, and Spy can drop back behind a civilian car for cover.
Something in his own carâs underbelly begins to make a rapid knocking noise, but the car is still moving so it will have to wait.
As he slides behind the cover car, one of the two remaining vehicles begins to weave in its lane. It nearly jerks over the yellow line, corrects course, then breaks abruptly, leaving smoking tire marks on the road. A civilian car lays on the horn, then swerves aside when the passenger door bursts open and an agent is ejected from the cabin. Spy speeds up to keep pace with the bucking car just as a womanâs head crashes through the driverâs side window, followed closely by her body flying out the open passenger door. Cars behind them skid and lurch to avoid the agents on the road, but Spy focuses on the driverâs seat where Scout is struggling with the final agent. Heâs got both legs twisted into the passenger seat where he appears to be trying to kick him head-first out the door.
Heâs shouting something. Spy canât hear him over the roaring wind and sounds of wheels on the asphalt, but heâs sure itâs absolutely vulgar.
âScout,â he yells across their broken windows and several feet of tarmac, âAre you alright?â
âDo I look fuckinâ alright?!â Scout shouts back. Heâs repeatedly stomping heel into the manâs face while somehow still keeping the car on track.
âItâs hard to tell with you,â Spy admits.
âHard to tell with me?! Itâs hard to tell with you , you--â The wind whips away his words, but Spy knows the look on his face. It pairs with disgust and betrayal heâd shown when Mikhail ran his fingers through Spyâs hair in the park.
Before Scout can respond further, a hand grabs his face and shoves his head out the broken window. Scout grapples with the agent, but the man grabs his shoulders and pins him to the door. One of them hits the handle and it flies open, stretching Scout precariously between the chassis and door.
If he isnât killed on impact with the road at a hundred and twenty miles an hour, one of the unwitting civilian cars will surely finish the job. Spy reaches across the passengerâs seat and jerks his own door open.
âScout,â he shouts, â Jump! â
The agent has a death grip on Scoutâs shirt. Scout glances over to judge the distance, then pulls Spyâs ballisong from his pocket. He flips it open and slams it into the agentâs forearm; the agent screams and snatches his hand back, allowing Scout to throw his weight against the door to swing it fully open. At the height of its arc, he braces against the frame and launches himself across the gap.
Spy already has an arm out. Scoutâs momentum slams the door shut and he clutches Spyâs arm with both hands, using it to slither through the broken window into the passenger-side foot space.
âHoly shit,â he breathes.
Spy takes unsteady aim and shoots in the driverâs direction until the car begins to veer off the road. If the man isnât dead, he is at least incapacitated enough to drop pursuit.
Now that Scout has returned to the car, Spyâs leg reminds him of its injury at full volume. âCan you drive?â
Surprisingly, Scout assesses the situation with some degree of success. He stretches across the gearshift to the pedals. âYou steer, I got this.â
-
They rocket along, dodging and weaving until they can sneak onto a tiny off-ramp, leaving the last functional Russian car to speed ahead in search of them. Despite this success, the car continues making clunking noises until the engine cuts out two miles later. They pull over onto a relatively even patch of dirt shoulder, then tumble out of the car in a disorganized pile of limbs and blood.
âDo you know what youâre doing?â Spy asks as he eases himself to the ground. An exposed stretch of hot Florida road isnât an ideal place for injury assessment, but it will have to do.
Scout has already popped the hood. His shirt is in tatters, but being kidnapped by Russian spies and jumping through a broken window doesnât seem to have caused more than superficial lacerations and a few bruises. âChill, Spy, I got this,â he snaps.
Spy raises an eyebrow. Scoutâs emotional capacity is usually as nuanced as his extremely short attention span, but heâs been dwelling on something since their meeting with Mikhail. âAre you still upset that I had a life before returning to your mother?â
âFuck you,â Scout spits, jamming the hood-prop into place with unnecessary force.
Spy sneers. âI see. And if that wasnât uncomfortable enough, to find out I spend that time with a man , well. No wonder youâre disgusted.â
âYouâve got no fuckinâ idea,â Scout mutters as he starts examining under the hood.
âNo no, I understand perfectly well.â Spy extracts a knife from his sock garter and begins cutting his pant leg. âYou are like every other bigot Iâve had the misfortune to know.â
âFirst: shut up. Second: fuck off.â
Maybe itâs the waning adrenaline making him shaky and confrontational, but Spy does not want to fuck off about this. âIt makes sense, I suppose. Finding out your father had a perfectly normal life with a man --ââ
âI thought all you wanted was for me to be quiet-- what the fuck , â Scout yanks something loose from the carâs guts and examines it in the sun. âYou kept a knife in the engine? Were you trying to kill us?!â
âAs it turns out, it would have been no great loss.â Spy turns his attention to his own leg. The bullet seems to have gone cleanly through his vastus lateralis muscle, which is the best he can hope for given the circumstances. He begins shredding his lower pant leg into strips.
Scout snarls and hurls the knife. It sticks into the ground a short foot from Spyâs hand.
â Watch it, â Spy growls.
âI thought you dying wouldnât a been a big deal?â
Scoutâs Boston accent thickens when heâs angry, just like Minnieâs. âYour mother will be so disappointed to learn you donât approve of me,â he jabs.
âYou donât--â Scout wrestles violently with some piece of machinery, âFuckinâ--â He loses his grip on the part and screams in frustration, â You donât get it!â
âOh, this should be good,â Spy sneers, âGo ahead and enlighten me, then. Tell me why you, a grown man, are shrieking like a child at the prospect of two men together.â
Scout glares, then returns to staring at the carâs stubborn mechanics. âFuck you so many fuckinâ times. Fine. Fine. You got a right to know why this is the worst thing thatâs ever happened to me, seeing as itâs all your fault.â
Spy winds the makeshift bandages around the bullet hole. âTruly, I am all ears,â he says sarcastically.
âI didnât have anything normal growinâ up,â Scout says as he tries to twist some cap or another, âBecause I didnât have a dad. You know that part.â
Spy rolls his eyes and doesnât rise to the bait.
âWell, I want a big-ass family one day. A dozen kids piled into one huge fuckinâ house, all happy and.â He hiccups and wipes sweat from his forehead. âAnd I got to RED team and I like Miss Pauling, you know, like like-like, and I thought finally, I can have those kids without--â
Spy belated starts to wonder if something is wrong.
Scoutâs fingers skitter on the cap. âWithout worrying, because I could finally give them normal because Iâm finally normal,â he hiccups again, âBut if itâs genetic then I can never--â
âScout?â
âIâll never be--â
He doesnât have hiccups, heâs gasping for air. Scout is having a panic attack.
âScout breathe. â
He doesnât seem to hear him. Heâs hunched over the car on shaking arms, both hands braced on the hot metal chassis even though it must be burning his palms and he isnât breathing properly, just making small hiccuping noises as he fights for control.
In what heâll later consider his first fatherly act, Spy lunges forward, ignoring the spike of pain up his leg, and socks Scout straight across the face. They both reel back and lose balance, toppling onto the asphalt road. Scout, shocked out of his panic, takes a great, heaving breath and starts swearing a blue streak he could only have learned at his motherâs knee.
Spyâs leg tells him this was a bad idea. He grits his teeth hard enough to make his jaw creek, but he does not agree. âAre you still breathing?â
âFuck you,â Scout gasps.
âGood.â He drags himself up onto his elbows by sheer force of will. âYou must keep breathing because I canât reach you to do that again.â
Scout is glaring at him through wet eyes as he cradles his cheek. âYou punched me in the face.â
âYouâre welcome.â Spy lets his head hang low as he catches his own breath. âI will only say this one time so listen very closely. There is nothing wrong with me, and there is nothing wrong with you . Understand?â
Apparently he will have to repeat himself because Scout rolls to face away from him with a mumbled âyou donât know anything â. Spy drags himself forward, reaches around Scoutâs torso to grab the front of his shirt, and jerks him onto his back.
âYou listen to me you little pest. You have many, many things to be ashamed of. You are irritating, and stupid, and have somehow reached the age of twenty-seven without learning that all doors handles are labeled with push or pull . I have seen your laundry habits and they are revolting. I donât know how you carry half of my genes because not a day goes by where I donât look upon you with both horror and mortal embarrassment. I cannot even begin to count the things you should be ashamed of but this is not one of them. â
Scout stares at Spyâs face. His lungs are still hitching, but heâs breathing and thatâs what matters.
Spy holds his breath for a count of three, then lets it slowly back out. He gently takes Scoutâs chin in hand. âLet me see.â
âFuck you,â Scout mumbles, but doesnât resist when Spy turns his head to assess the damage.
His cheek is already red and starting to swell. There will be an impressive bruise by morning, but the skin is unbroken and his jaw bones seem fine. âYouâre alright. I donât have any ice or I would have used it on myself.â
âIâm telling Ma you punched me in the face,â Scout says petulantly.
âIâll tell her you swore at me,â Spy counters, âWeâll both be killed.â
Scout barks out a laugh, wincing as it pulls his facial muscles. âYeah. Fuck youâve got a mean right hook.â
âSo Iâve been told.â
They lie panting on the hot tarmac. Spy is in immeasurable pain, yet he feels⌠good? Satisfied, like this is the first thing heâs done right in a long time. He wonders if this is how parental feels.
âThink you could teach me that?â Scout asks.
Spy rolls onto his back and forces himself to sit upright. âLetâs get out of here, then Iâll consider teaching you how to punch.â
This is, of course, when Spy registers the rumbling approach of a car engine. He leans into the road to confirm: a large black car is driving up the road toward them. Scout follows his line of sight and begins to swear.
âScoutââ
Scout is already pulling Spyâs arm over his shoulder. âNope.â
âScout, listen to meââ
âNo.â
â Scout. They will be here any moment, the car is not working and I cannot run. You need toââ
âNeed to what? â Scout gestures to the road surrounding scrubland. âThere's nowhere to hide, and I can't outrun a car! And, even if I could do something, I ainât leaving you here to get killed.â
âGet under the car,â Spy finishes lamely. âI can distract them while you figure out what to do.â
âI said I ainâtââ
A black car pulls over behind theirs.
âI will find a way out of this,â Spy whispers, âIt will be alright.â
âYou're such a fuckin' liar,â Scout hisses back.
Spy squeezes his shoulder. â Go. â
Scout finally skirts around the side of the car when the Russian doors pop open. Spy takes a breath to sit up and compose himself, carefully opening a knife in each sleeve as two heavy sets of footsteps crunch across the gravel.
One of the hulking agents says something. Spyâs Russian isnât fluent, but he picks out enough to know these people arenât pleased about the car chase and dead coworkers.
âLady,â he says cordially, âGentleman. Werenât there three of you?â
âAnd two of you,â the man replies. âIt seems our missing comrades will have to find each other.â
Spy subtly shifts his weight off his injured leg. âIs there something I can do for you?â
âOh yes,â the woman says, cracking her knuckles with a grin. Her partner pulls a pistol from his pocket and levels it at Spyâs head.
âSmall man,â he calls loudly, âIf you run, I kill your friend.â
âWe are hardly friends,â Spy mutters.
The man thumbs back the safety. âYou have until three. One.â
âYou are wasting your time. He went for help and will be miles away by now--â
âTwo--â
Somewhere behind them, glass shatters. The woman jerks toward the sound, but the man does not so much as flinch.
âAh,â the woman says, pulling an identical pistol from her own jacket, âThere you are.â
She disappears from view, followed by the sound of several feet scuffling across dirt and broken glass. Someone yells, then gurgles; someone punches someone else hard enough to activate their gag reflex. The struggle ends, and one set of footsteps return.
Scout is dumped on the ground next to Spy. His front is covered in Russian arterial spray, and he immediately curls around his injured stomach and begins to wretch. Both agents step back to avoid the resulting stomach contents.
âPetrov is dead,â the woman says. She annoyed, rather than upset, about this turn of events. Apparently these agents are consummate professionals.
âUnfortunate,â the man replies, passing the woman his gun. âPut the body in this car and set it on fire.â
â Donât burn my stuff, â Scout wheezes.
Spy rolls his eyes. âI will buy you a dozen new baseball bats if we survive this.â
âYou will not,â the man says cheerfully.
Under the womanâs watchful aim, he moves Scoutâs arms behind his back and cuffs them together. He does the same thing to Spy, then escorts him to the Russian car trunk with surprising care while his associate relocates âPetrovâsâ body. Scout, who has apparently earned considerably rougher treatment, is unceremoniously dropped in next to him.
âWe will be driving for the next few hours,â the man says, âPlease be patient. Thank you for your cooperation.â
He slams the lid closed.
The trunk would be spacious enough for two grown men to lie head-to-toe in relative comfort if it werenât also occupied by several large boxes. Spy is forced to hunch his knees up and curl his torso forward toward Scoutâs chest. He can just make out Scoutâs silhouette in the light filtering in from a gap in the tail light.
Scout groans.
âIf you throw up on me, you will not live long enough to be tortured,â Spy says. He rolls his shoulders and bumps an arm against the trunk lid.
âYouâre freakinâ welcome,â Scout replies.
âOh yes, thank you so very much for getting me locked in a trunk with you. Stop squirming, there isnât enough room.â
As usual, Scout completely ignores him and continues to fidget. âWhat are you complaining about? I saved your life.â
The car begins to cough. Spy holds a momentary hope that the engine was damaged during the chase, but it, too, ignores him and turns over. The wheels rolls along the gravel, then along the smoother asphalt as they drive back onto the road. âYou had a chance to get away. One had to watch me, you could have taken them out individually.â
âAfter they killed you, right?â
âI am incapacitated and the car will not work. One of us getting out was the best case scenario, and since âincapacitatedâ means âunable to run from Russian hit menâ, it was meant to be you .â Spy grunts as Scout headbutts his chest. âWould you stop moving?â
âHold on a sec.â
âThere are no more seconds to hold on to!â Spy sighs heavily. âI was prepared to die for you, you imbecile.â
âWhoa. Seriously?â
âYes, seriously.â Spy attempts to find a more comfortable position for his shoulders. He fails miserably, just as he seems to have failed at so many things. âYour mother wants us to be a family. Until recently I thought it was impossible, and now that I would like to try, we are out of time.â
âYouâŚ?â Scout clears his throat in a way that doesnât actually cover his cracking voice. âI thought you hated me.â
âI cannot honestly say that I like you, but no, I do not hate you.â
The tires grind against the uneven road. Spy wonders how much can be said in the handful of hours they have left.
âI donât hate you either,â Scout says quietly.
Spy smiles humorlessly. âItâs amazing how easy it is to be honest at the end of oneâs life.â
Scout clears his throat again. âYeah, no. I donât like that.â
Thereâs a click, and a moment later something smacks Spy hard enough to jerk his head to the side. â Merde! â He swears, more surprised than hurt.
âWhoops. Whereâs your hands, asshole? Weâre bustinâ out of here.â
âDid you just slap me? â Spy asks incredulously.
âNah, I turned upside-down when you werenât looking and kicked you in the face. Of course I slapped you, you freakinâ drama queen.â Scout starts patting down Spyâs shoulders. âCalm the fuck down.â
â I am calm!â
âMake peace with your maker in silence,â someone yells from the cabin.
They freeze. Spy takes a deep breath to center himself as Scout cautiously continues the search for his hands. âI am calm. Please explain.â
Scout jingles something. Spy can just make out his grin in the murky darkness. âGot the keys.â
âI see.â Deep breaths, in and out. âAnd where did you get them?â
âThe ladyâs pocket, when she was carrying me back to the car.â Scout finally locates Spyâs bound hands and shoves something into the locking mechanism, twisting it about until the cuffs pop open. âCouldnât have got them if Iâd run.â
Spy rubs his wrists where the handcuffs bit in. âNo, I suppose you couldnât have,â he replies. âDoes this plan of yours have further details?â
âYep,â Scout says, army-crawling into the mess of boxes. âGet the keys, get dumped in the trunk, use the keys to get free. Then--â He makes a triumphant noise and shoves an assortment of things into Spyâs chest. âUse the stuff I stashed before killing the Rooski to get in some batting and shooting practice.â
Spy examines the things heâs holding. Itâs Scoutâs scattergun which, upon inspection, comes fully loaded and with almost a dozen rounds of ammunition. He has no idea how Scout managed to hide all this in the time between Spyâs capture and killing the Russian agent. For once, he doesnât care to question it.
âI got into the car through the backseat armrest last time,â Scout says, draping his bat over his shoulder. âYou up for it?â
Itâs a challenge. Trapped in a Russian car trunk in the middle of the god-forsaken state of Florida with his occasionally clever son, Spy grins and cracks the shotgunâs chamber back into place. âI could be persuaded.â
-
It takes a full week to drive their newly acquired car way back to base. Spy limps to Miss Paulingâs office under his own power because heâll be damned before he shows weakness in front of his own team.
âDid it go well?â Miss Pauling asks during debriefing. Both her eyebrows have crept up her forehead as she takes them in their grungey clothing and motley collection of injuries.
âYes,â Spy replies.
âWe escaped and are still alive,â Scout says with a wide grin.
âMikhail betrayed us,â Spy elaborates, âApparently he is upset with RED setting monsters on his organization.â
Miss Pauling jots something down on her clipboard. âThe Administrator thought that might be the case. Thank you for looking into it.â She eyes their assorted injuries. âDo you require medical attention?â
âNothing more than a moment with the medigun,â Spy says quickly. Theyâd robbed a pharmacy on the way home for supplies to stabilize Spyâs leg, and after learning about the energy drink experiments, Spy finds himself strangely opposed to leaving Scout in Medicâs dubious care. Will wonders never cease?
âAlright then. You can submit your reports tomorrow, go ahead and turn in.â
Spy gives his thanks and leaves so Scout can kiss Miss Paulingâs cheek in goodbye. âWhat on Earth does she see in you,â he asks as they hobble towards the residential hall.
âDunno,â Scout says good-naturedly. âAlso fuck you.â
Spy thinks of his own relationship with Scoutâs mother. To be honest, he doesnât know what such a beautiful and terrifying woman sees in him either. The only explanation is that he passed on some kind of charm and luck to the next generation. The thought is warming. âFuck you too,â he replies fondly.
-
Epilogue:
Spy stakes out an armchair at the common room table early the next morning, supplying himself a full cup of coffee and the extended edition of the morning paper for cover. Sniperâs schedule on their days off can be unpredictable --Spy has known his to rise with the sun, but has also known him to sleep until noon and stay up until the next sunrise-- and he doesnât want to miss him.
Sure enough, Sniper makes his appearance an hour later. Heâs wearing a long-sleeved shirt and ratty jeans (two of the few casual clothing items he owns) and, for some unfathomable reason, his dirty hat and outdated sunglasses. Spy has only seen him take them off in sleep and death. He perhaps thinks it makes him look professional, which says something grievous about the manâs sense of style.
Sniper wanders into the kitchen and pulls a jar of something Australian down from the shelves. Spy surreptitiously watches him rummage through the fridge, presumably looking for bread to put in the toaster, then fill the coffee pot Spy purposefully left empty. He chooses the bland, American blend when the clearly superior European style roast is right next to it on the shelf. Poor taste in weapons, poor taste in clothes, poor taste in coffee; Sniper is a conglomerate of bad decisions piled into the shape of a man with a hat. No wonder Scout is so thoroughly charmed.
The door slams open, causing Sniper to fumble the coffee container and spill half the grounds into the sink. Good riddance.
âYo Spy,â Scout calls, jogging across the room as Sniper swears about the coffee on his âlast good jumperâ.
â...good morning,â Spy says.
Scout slings himself into an adjacent chair. âGuess what I got in the mail.â
âI do not care.â
Scout extracts a few papers from his pocket. They are wrinkled from storage in his disgusting pants, but still creased into the distinct tri-fold of something sent in an envelope. âYouâll never guess.â
Spy fixes Scout with his least impressed stare and takes a long, deliberate sip of his coffee. âA letter,â he says at length.
âJackass,â Scout says affably. âYeah, a letter. Itâs from your gay Russian buddy.â
Spy feels his eyebrows creep upwards. âWhat does he want?â
âHe says he wants to tell me embarrassing stories about when you guys were together.â
âWhat? â
Scout jerks the papers back before Spy can grab them. â Dear Scout ,â he reads, â I write in the hopes of introducing myself, since there was no opportunity to do so at our last meeting. I hope youâll excuse my lack of manners --ooo, thereâs a semicolon here, fuckinâ fancy-- as Iâd been sent to kill you and couldnât risk letting down the appearance of professionalism.â
Spy reaches over the side table for the letter. Scout braces a foot against the floor and tips his armchair sideways to keep them out of reach.
â In the name of the good relations Iâd like to build between us, I will hazard a guess: if I know your âcoworkerâ, and I like to think I do, he will not have given any details about his life. Twenty-seven years is a long time to go with no information about oneâs âcoworkerâ.â
âStop that,â Spy snaps, shoving Scoutâs foot out from under him. The chair over-balances and thumps to the floor; Scout somehow bounces to his feet and dances just out of Spyâs increasingly desperate reach.
âFor instance, â Scout continues mercilessly, jogging backwards as Spy storms toward him, âYou probably donât know that he has a terrible snore. It can be heard down the hall with the door closed. He takes great pains to silence himself, lest any bunkmates learn of this terrible secret.â
âScout,â Spy hisses in warning.
âAnd that he has a tattoo on his lower back --holy shit, Spy, you got a tramp stamp?! -- from overestimating his alcohol tolerance during a mission. Charmingly, itâs in the shape of a--â
Finally giving up the pretense of composure, Spy tackles his son into the couch. They grapple violently for the letter (growing up with seven brothers seems to have made Scout prone to biting) until Spy manages to twist Scoutâs arm behind his back and forcibly pry the papers out of his hand.
âYou will not speak of this,â Spy says, âNor will you answer it--â
âAlready did,â Scout says with a grin.
Spy makes a noise of disgust and shoves Scoutâs head between the cushions. It muffles Scoutâs laughter but, infuriatingly, doesnât stop it.
âSânot a bad thing,â says Sniper, who naturally chooses this moment to re-materialize from the kitchen to lean against the common room wall with his stupid â#1 Sniperâ mug in hand. âYou okay there, kiddo?â
Scout says something about not being able to breathe
âYouâre fine,â Spy snaps, âAnd you will not speak of this either, bushman.â
Sniper remains unaffected. âIâm serious. You were never gonna tell him anything, right?â
âOf course not.â
âNow youâve got something to talk about, and a few embarrassing stories are a good start to being a better dad.â
Scout makes a long series of outraged noises. Spy catches âoh my godâ and âwhat the fuckâ and âdoes he fuckinâ know?â and âwhy am I the last person to know about this?!â before Scout finally passes out from the oxygen deprivation.
âYouâre gonna kill him,â Sniper says off-handedly.
âHeâs fine,â Spy says again, âExplain yourself.â
He shrugs. âMeant what I said. You owe your kid something for running off. He can get to know you and have a laugh at the same time.â
Spy considers this. This certainly isnât what he would have chosen, but Sniper has a point. âYou suggest I allow an internationally known assassin to correspond with my son . In the hopes that it will bring us together?â
Sniper takes a long drink from his mug. Itâs the same gesture Spy used earlier. Spy knows it, and heâs certain Sniper knows he knows.
âI donât like you,â Spy says.
âDonât care,â Sniper replies between sips, âWanna tell me why you were watching me?â
Spy finally releases his grip on the back of Scoutâs head and pulls him out of the couch. Once heâs sure Scout is still alive, he turns back to the conversation. âI was trying to understand what Scout sees in you.â
Sniper raises an eyebrow.
âI did not find anything worth understanding, but he seems to enjoy your company for some reason. Perhaps that is enough.â Spy straightens his tie. âDo try to be less of a bad influence, hmm?â
âIâm not a--â
âMake sure he does not die,â he says, straightening his tie. â Au revoir , bushman; au bientot , Scout.â
âBye,â Scout replies woozily.
Spy takes his leave as Sniper props Scout into a sitting position. The door closes on Sniper informing Scout thatâs heâs fine, Scout mumbling something about hearing that a lot lately.
The door closes behind him. Spy lights a cigarette from his case, breathes in the smoke, and lets it slowly hiss back out. There is no fighting today. Perhaps he will pay the good doctor a visit to discuss his âenergy drinkâ experiments.
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