#awesome one tho

[kr0t1]

Not a request but here's a little thing I made for you 🐟 it's based off that one Terezi gif

AAAAAUAUHGGHHHGHHH I LOVE THIS SO MUCCHHJHHHGHH❤️❤️🤍🤍💙💙

i love how she looks sO CANONICALLY hERE YOU GOT HER SO DAMN RIIGHTTT man im super grateful for this one because im gonna use this gif everywhere now 8;J

thank you & sending my little mole friends to transport crates of PEPSI to you! so you better be ready for lots of guests and dug up floor

[demaparbat-hp]

He truly did.

[a-scary-lack-of-common-sense]

Eldritch/not-entirely-human Grunkle Stan stories have been eating away at my brain, so I have a silly little concept of Mimic!Stan.

He and his Mystery Shack are both mimics that lure tourists in as a literal "tourist trap" to gather and devour them! Since the house is alive, it raises a few (read: several) child safety concerns that lead to a LOT of rules to be created for Dipper and Mabel to follow when they eventually arrive, such as:

Be careful not to get lost in the winding hallways! The Mystery Shack is bigger on the inside, and you don't want to end up in the wrong areas.

Don't go through randomly appearing doors, they may eat you.

If you think you feel the walls around you breathing and the floor beneath you shifting, no, you don't.

If you think the walls feel a bit damp, you're imagining it.

Watch your fingers around windowsills! You wouldn't want to lose any of them.

Don't linger too long under the doorframes; it may start feeling like they are slowly constricting around you.

[tagetto]

I AM HAVING SO MUCH FUN WITH THIS !!!!!!

Got a super rough blockout started, this is a super different style to what I'm used to, i've been meaning to get into more toony modelling and animation methods and am loving the expressions I can get out of this thing. hes so cool omg turbo 🥺

bonus mixamo test animation because funny:

[galaxyinacup]

Would you/ have you ever drawn Flower Ranchers fanart? (Jimmy×Tango×Scott)

I have drawn them before and I have done so again for you all!!!

I was originally just going to repost my previous art of them but my bestie gave me this banger idea for them and I needed to get it out there! (Also that art is like a year old now)

I've grown fond of snowbugs... they are so pretty!

I'll still leave my other art of them under the cut, as well as close ups of this one:

[sen-ya]

First off, I love ur art so much. Ur style is so amazing and the stories u come up with are so fun (or sad) and I think they're incredible.

Second, Law and Luffy at the pool headcanon bc it's over 100 degrees where I am rn. Luffy cannonballs in before they even set up their chairs and Law just stares at him. He refuses to get in, so Luffy has to surprise him and push him in. He's mad, but then Luffy laughs and all is forgiven because he is the sucker for Luffy's laugh/smile.

Ahhh hello!! Tysm for the kind words! 😭❤️ funny story it is ALSO 100 degrees where I am and I have spent today recovering from dehydration and heat exhaustion 🫠🫠

[mangogator]

made a bumper sticker a few weeks ago to cope with the lack of myst stickers on the market, it just came in today and i could not be happier

[ghost-bxrd]

Just saw artwork of Jason doing the heads in a duffle bag thing and—-

I’m sorry but there’s just something so visceral and horrifying about a teenager sawing heads off people in a display for power.

Were they bad people? Yes. Did they deserve it? Probably. Did it send a message? Absolutely. Is it still horrifying? Heck yeah.

Just—- knowing Jason and his background, it’s just so heartrendingly tragic. I don’t even think he liked doing it, I’m just imagining him having to throw up afterwards before putting his helmet back on and playing tough crime lord again. The amount of self loathing he must feel whenever he thinks too hard about his actions. Falling asleep and seeing that—

Just— emotional repercussions, man. They’re real…

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[angstflavoured]

WHO HYPE FOR THE 16TH 🗣️🗣️🗣️🗣️🗣️

[pepperpixel]

Initial drawings of that old man… I literally, I haven’t finished reading the book of bill yet!!! I had to stop and take a break for a week to feverishly draw fanart of myself petting fords floofy hair and giving him attention and shit…!!!! The urge was too great���.!! I’ve literally. I had a crush on this guy the instant he was first REVEALED in the show, but I did not have the artistic prowess to draw good looking old men back then… but I do now… thank god… thank fucking god

[ricky-mortis]

I drew Ted from the wonderful @nabwastaken ‘s Time Bastard Au! The original design is by the talented @midnightnautilus , and was so very fun to draw!

[b4kuch1n]

myth of the bare palm

text:

Our kind used to be hulking things of feathers and claws,

more gods than animals, roaming the snowed planes endless,

until we found each others

and in jubilant relief reached out

claws retracting,

feathers shedding,

so the moment of contact branded heat against bare skin.

[d8tl55c]

hey wait a minute

so it's the start of AvA part 7 and Chosen and Dark are talking, right? and the former has this vision of terrible things happening if they don't stop the latter, right here and now.

they see the ViraBots descending on the last remnants of stick kind with Dark as their leader (or Lord if you will. ha ha) and i, trusting viewer, took their assessment as reliable*. we JUST saw Dark getting uncomfortably violent in earlier scenes after all

but

however

notwithstanding

unless Chosen has demonstrable prophetic powers (like how Orange has** in the past seen things currently happening (horizontally-prophetic let's call it: seeing faraway in the current time) (there's probably a better word for this but let's move on)), how did they know this was definitely what Dark was leading up to?

** ⬆ examples of Orange horizontally-prophesizing in AvM episode 11, SkyBlock (unconfirmed but referenced as, "uh? well maybe??? maybe i didn't think about it yet-" (abridged quote from AvG react video)) (op will die /j /extremely pos if this is used again in AvA 11 (HAH they'd both be episode 11 (op just giggled maniacally)))

Dark doesn't even have his control bracelets on.

because Chosen didn't know about them yet.

because this is not a prophetic vision.

Chosen is just that... reactive. what was it. @compressedrage (hi o/ ) had a good wording let me find it. yeah i guess it was reactionary

the ONLY time we've seen them stop to think things through is actually just a terrified anxiety breakdown while they stand there, frozen, imagining the worst, until they snap out of it JUST in time to impact their reality.

but with no time left for debate. reasoning. they assumed Dark was beyond reasoning from the moment he showed off what his device could do............. because they were beyond reasoning out of fear.

<community post version>

[lunarharp]

shirahama-sensei reminded me she has a thing for the teacher from pokemon s/v so i randomly went off on an au where qifrey is the professor. etc

[imthegayone]

Missing Jenna Playlist

Summary: Without your girlfriend's comforting presence, you take to youtube to find any form of comfort. Luckliy for you, your girlfriend is a celebertiy with a lot of interviews to watch.

Warrnings: None, just fluff, and maybe some errors

Author's Note: Thank you for the love on my last fic, seeing how many of you enjoyed it has really helped me feel more motivated to write. So again, thank you and I hope you enjoy. 🩵

Word Count: 1255

__________

If anyone asked about your comfort playlist full of your girlfriend’s interviews, you’d deny it. Even as said playlist made an appearance in your watch history when she was away filming. 

It had been a particularly hard time spent away from each other when you gave in and made the list. Jenna was so busy that she barely had time to call or FaceTime like usual, not that your conflicting timezone was helping any either. You weren't getting any sleep, realizing just how much your girlfriend’s voice and presence had on your ability to do so. 

At first it was just one of her Wednesday interviews with Emma. Hearing both of them laugh and joke brought you back to the time you had a sleepover together while visiting Romania. It was comforting hearing her raspy voice coax you into a deep sleep. But it would always end too soon, just as you would start to drift off, they were saying goodbye and the video would end. 

So you’d search ‘Jenna Ortega Interview’, a hundred options popping up. You had your favorites and your least favorites. The ratings mostly consist of how much Jenna talked in them and the ones you knew she was excited to have done. 

One day after a week of not hearing Jenna’s voice from her phone calls you wanted your favorites to comfort you. But they were all scattered around, some from Wednesday press junket, Scream 6, her promoting her book, it was too many to just queue every time so you decided a playlist would be good. 

It’d keep everything together, no random videos to play afterwards, just all your favorite interviews in one place. You only did it as a convenience, not because you were desperate for her to be by your side, or anything. Just, supporting your girlfriend while she promoted her recent work. Plus you were tired, and fewer things to select so you could fall asleep to the sound of Jenna’s comforting voice was obviously the better option.

Maybe the playlist started to see the light of day however. Not only being played on your phone as it sat on the mattress next to you. But as the days went on you’d play it on the tv as you cooked, cleaned, or read a book. It basically became your favorite form of podcast without even being one. 

It started to become a routine, you’d come home from work, fix something to eat and watch a show you recently started, until you’d begin to miss her. Your fingers expertly pressing every button needed to enter YouTube and reach your playlist, as if it was second nature. 

It was one of those days, watching Jenna and Melissa die laughing at something Courtney said, the sound of keys unlocking your front door catching your attention. You perk up like a puppy hearing the bag of their favorite treats being opened. “Baby?” You hear the voice you’ve been wanting to hear for weeks and shoot up from your seat. 

Your socked feet against the hardwood making your trek to the door more uncoordinated than usual. “Hi, baby.” You say a little out of breath, a smile gracing both of your faces. “Hello.” She replies, cupping your face and pulling you down into a smiling kiss. You wrap your arms around her pulling her even more into you, your body buzzing with happiness. She sighs as she wraps her arms around your neck, tucking her head in the slope of your neck. 

“I didn’t know you’d be coming home so soon.” Not that you were complaining at all.

“We got a week off of filming and I wanted to see you.” Tightening her grip around your shoulder you feel her relax as you start to sway side to side. “I’ve missed you so much.”  You couldn’t be happier at hearing she felt the same. 

“I’ve missed you too.” Just as you couldn't feel any more at home, your heart sinks as you hear Jenna’s laugh, but it wasn’t coming from Jenna in your arms. No, it was Jenna prompting Scream months ago. You can’t believe you forgot to turn the tv to literally anything else. Jenna pulls away confused, you try pulling her back into you but she pulls away fully walking towards your shared living room. This is a great time to have the floor swallow you whole, you think. 

“Hey, why don’t we put your clothes up and get ready for bed. I’m sure you’re so tired and wanna sleep the rest of the day away. That sounds like a great plan, right?” Unfortunately, she continues on her way, towards the sound of her own voice. Your only comfort being the sly smile she gives you over her shoulder. She stops when she sees what’s on the tv and you sigh. You’ve been caught, and now you are gonna have to hide away for the rest of your life.  

“Did this just come on by itself?” You nod not making eye contact with her. “Yep, it just came on. I guess it got recommended after I watched the roundtable interview.” 

“Oh really?” You hum in agreement, your hands start to sweat as she looks back at you with a mischievous smile. “You didn’t just really miss me?” 

“You don’t even know.” That wasn’t suppose to come out, but it made her smile grow bigger. Her fingers reach out and grasp the hem of your shirt. Her smile and eyes softening at your admission, she pulls you in, her big brown eyes looking up at you takes your breath away for the millionth time. 

Your hand comes up and cradles her neck as your thumb rubs against her jaw bone. It’s quiet for a moment as you just take each other in. You lean down pressing your lips to hers. When you pull away her mischievous smile is back. “You missed me.” She singsongs, you lovingly roll your eyes. “Maybe a little.” 

She pulls you towards the couch, pushing on your chest until you fall into its pillows. “It’s very sweet that you watch my interviews but I can’t watch myself.” She says as she lays on top of you and reaches for the remote. You're so caught up in finally having her in your arms that you don’t realize what she's about to see. 

“You’re watching a playlist of my interviews?” She looks down at you, then back at the screen. “You made the playlist?” You groan, why didn’t you change the tv, why aren't the cushions swallowing you whole like you hope they would? Trying to hide your blush you hear Jenna giggle on top of you and her kissing your warm cheek. “Baby, you’re so cute. Do you know that?” 

“Shut up.” You mutter feeling even more flustered at her words and kiss. That makes her laugh more. You feel her hand slide up your body and find its resting place on your cheek. Pushing you to look at her, she smiles down at you. 

The overwhelming need to confess your feelings almost takes over but after a year of dating you wanted it to be her choice to say it without pressure. 

“I love you, Y/n. So much.” Relief and happiness floods through you, she said it and she meant it. She loves you. You can’t help but surge up, capturing her lips in a kiss, and confess the same sentiment you felt since you met her against her lips. 

“I love you too, J.”